Hospiz Kunst Magazin Vol. 6 - 2014
Transcription
Hospiz Kunst Magazin Vol. 6 - 2014
I S S U E 06 DIE WINTERKOLLEKTION BMW xDRIVE – DAS INTELLIGENTE ALLRADSYSTEM. BMW 6er Reihe mit xDrive: von 230 kW (313 PS) bis 330 kW (450 PS), Kraftstoffverbrauch gesamt von 5,7 l/100 km bis 9,3 l/100 km, CO2-Emission von 149 g/km bis 217 g/km. BMW xDrive bmw-mountains.com VON BMW. Freude am Fahren Königstraße 141 · D-90762 Fürth Telefon: 0911-740 74 0 www.kuhnle.de ENTDECKEN SIE SICH NEU RENDEZ-VOUS NIGHT & DAY. Kaliber Jaeger-LeCoultre 967A. Die Rendez-Vous Night & Day ist eine perfekte Verbindung von stilvoller Eleganz mit traditioneller Uhrmacherkunst. Sie begleitet ihre Trägerin durch die verschiedenen Phasen ihres Lebens, in denen sich jede Frau fortwährend wandelt und sich dabei immer wieder neu entdeckt. Dieser Zeitmesser ist das Ergebnis der unerschöpflichen Kreativität der Manufaktur Jaeger-LeCoultre, deren Savoir-faire seit ihrer Gründung im Jahr 1833 kontinuierlich weiterentwickelt wird. SIE VERDIENEN EINE RICHTIGE UHR ladies.jaeger-lecoultre.com dpi.at Location: Aux Gazelles ICH HABE MICH ENTSCHIEDEN! ...FÜR JUWELEN VON KÖCK Birgit Lauda Wien, Am Graben 22 +43 1 532 08 88 www.vonkoeck.at 6 Inside H ow can one approach a particular place, how can one describe a place and, at the same time, inscribe oneself into it; how can one bring out the pecu- liarities of the place whilst still focusing on and comprehending one’s own existence as an artist? These are the questions explored by the visual artist Ida-Marie Corell in her A.I.R. project THE ARTIST IS RESIDENT, that has now been published as a book and that Florian Werner takes to derive the theme for the year, INSIDE, providing an insight into the hotel structure and its specific conditions. Ida-Marie Corell’s approach is divided into several different phases, informed, to begin with, by a circumspection which, manifested in the term “Resident”, also bears hints of “Resistant”. The question of total abandonment and the necessary resistance permeates the entire publication, explored by the artist in three topic areas. LOST IN LOCATION marks the start and the tentative approach to the hotel as a place, DREAM AND ISOLATION the deceptive state of having arrived, and FOUND IN CAMOUFLAGE subtle infiltration as a form of closeness to the place coupled with a resistant stance. Parallel to this, as a subtext to the book, the artist negotiates questions concerning the mechanisms of self-discovery, answering them with different forms of self-presentation. Ida-Marie Corell’s presence in the hotel represents nothing but the attempt at appropriation with the aid of the devices of irony and actionism. But much more so, and indeed foremost, the book is an in-depth and wonderful portrait of the place itself. Ida-Marie Corell’s project fits seamlessly into a series of artworks – site-specific interventions – which meanwhile run through the entire hotel like a red thread, being readable as a comment on the significance and function of the place and, slowly but surely, beginning to change the hotel’s identity. section.a, editor and constant companion 07 08 Kunst der Begegnung Contents Kunstquartier Hospiz 10 Mission statement 11 DATES 2013/14 12-13 Annual Theme 2013/14 14-15 ART COLLECTION 16-19 IN SITU 20-29 WINTER ExhibitionS 2013/14 30-35 old original ski Posters 36-39 ARTISTS in residence 2013/14 40-73 Impressum 74 09 10 Kunstquartier Hospiz introduces itself It is divided into the following sub-areas: // Hospiz GalERIE St. Christoph // Hospiz Artist in Residence on site // Hospiz art prize //art collection FLORIAN & URSULA WERNER //hospiz art prize © national art school , sydney Mission Statement In its approach the Kunstquartier Hospiz corresponds with to that of the Arlberg Hospiz Hotel as a traditional, exclusive hotel with a focus on the guests and their well-being. In the Kunstquartier Hospiz, the focus is on the artist instead of the guest. Accordingly, all activities at the Kunstquartier Hospiz are based on fair and open principles of community. In accordance with the tradition of the Brotherhood of St. Christoph, the Kunstquartier Hospiz serves the purpose of promoting and making visible a younger generation of artists at the start of their creative lives. The Kunstquartier Hospiz provides access to all artistic directions, from traditional artistic formats to New Media Art. The multi-layered programme at the Kunstquartier Hospiz is as dedicated to hotel guests as it is to lovers of art. The Kunstquartier Hospiz is dedicated to its regional location, with which it is closely integrated and carries out an active exchange, without losing sight of the international focus. The Kunstquartier Hospiz is another exclusive trademark of the Arlberg Hospiz Hotel. 11 12 Dates 2013/14 December 2013-April 2014 Winter Exhibitions 2013/14 Ida-Marie Corell // de|Passage Kay Walkowiak // AT|media Room “Freedom” // ch|old sauna “ART POSTER EXHIBITION” // OLD Original Ski Posters “from Austria and Switzerland”|Passage A.I.R. 2012/13 group exhibition In situ & Sculpture 2013/14 Franziskus Wendels // DE ALFREDO BARSUGLIA // AT ISABEL HAASE & Kirsten HELFRICH // AT|DE CHRISTIAN HUTZINGER // AT FEDERICO VIVARELLI // AU LENA LAPSCHINA // RU Dates 2013/14 December 2013-April 2014 Artists in Residence 2013/14 30/11/2013–17/12/2013 Johanna Braun // AT 08/12/2013–22/12/2013 Zora Volantes // DE 05/01/2014–19/01/2014 Andreas Duscha // DE 10/01/2014–23/01/2014 Aldo Gianotti // it 20/01/2014–02/02/2014 Sigurd Larsen // DK 24/01/2014–09/02/2014 Jiajia Zhang // CN 07/02/2014–22/02/2014 Lea Titz // at 16/02/2014–02/03/2014 Hilde Fuchs // AT 23/02/2014–08/03/2014 Eva Kees // AT 01/03/2014–16/03/2014 Catherine Gfeller // CH 09/03/2014–23/03/2014 Daniel Franz Rappitsch // at 16/03/2014–30/03/2014 Samuel Schaab // DE 29/03/2014–13/04/2014 Hans Panschar // DE 13/04/2014–27/04/2014 Brigitta Reuter & Hubert Hasler // AT 13/04/2014–27/04/2014 Christian Rupp // AT 01/09/2014–21/09/2014 Roswitha Schuller & Markus Hanakam // AT|DE 08/09/2014–30/09/2014 Franz Riedl // AT Florian Werner has opened his 70 m2 studio and made it available to 19 national and international artists. The artists paint and relax on site in the Hospiz for one week each. Each day from 5:00 p.m. to 7:00 p.m., the artists provide guests of the Hospiz studio insights into their work and look forward to interesting discussions and an invigorating exchange of opinions. 13 14 Annual Theme 2013/14 Inside ART IN THE PASSAGE Ida-Marie Corell // de “ART POSTER EXHIBITION” ART IN THE BASEMENT Franziskus Wendels // DE ART IN THE STAIRCASE Lena Lapschina // ru ART IN THE COLLECTION ROOM Peter Nikolaus Heikenwälder // DE kate terry // uk ART IN THE OLD SAUNA Freedom // ch ART IN THE garage Florian Werner // AT ART IN THE Sport & SPA A.I.R. 2012/13 group exhibition ART IN THE POOL Kirsten Helfrich // DE Isabel Haase // DE ART IN THE MEDIA ROOM Kay Walkowiak // AT ART IN THE NEW SAUNA Ottmar Hörl // DE christian hutzinger // AT ART IN THE FOYER ALFREDO BARSUGLIA // at ART IN THE Skiclub Stube Lizzy Fidler // at ART AT THE BAR Roland Adlassnig // AT ART IN THE PARKING LOT Florian Senn // AT amaryllis Bataille // f ANNUAL THEME 2012/13 inside HOSPIZ ART PRIZE Is awarded annually in November by the Kunstquartier Hospiz. 2009 Peter Nikolaus Heikenwälder // DE 2010 Anna Lehmann-Brauns // DE 2011 ALFREDO BARSUGLIA // at 2012 Maria Anwander // at 2013 IDA-MARIE CORELL // DE Hospiz nas residency award Is awarded annually in December by the National Art School in Sydney, Australia. 2008 Janice Heberling // au 2009 Gabriella Makovina // au 2010sophie cape // au ANNAMARIE DZENDROWSKYj // au 2011 Federico Vivarelli // au 2012 Sophie Hopmeier // au 15 16 Art Collection Florian & Ursula Werner A Adlassnig Roland // AT Anwander Maria // at Anzinger Siegfried // AT AMANN Bernhard // AT B Barsuglia Alfredo // at bechtold gottfried // At Besa // De Brodner Linde // AT Cchytilek eva // AT Corell Ida-Marie // DE D Diem Gerhard // AT E Eva & ADele // de f Fidler Lizzy // AT Fill Hannes // AT fiorenza cristina // At Florian Walter // De art collection florian & ursula werner g Gormley Antony // UK Griss Ilona // AT hhaase isabel // de Hanakam MARKUS // DE & Schuller ROSWITHA // AT hausegger marlene // At von Hassel Michael // DE HEIKE HERDA // AT heikenwälder PETER N. // de Heinzle Regine // At Heiss Luise // AT helfrich kirsten // DE Huber Uschi // AT Hoffmann Julian // De Hutzinger Christian // AT K Kaufman Steve // USA kasimir jakob // at krabichler lisa // at L Lasser Inge // AT LEHmann-brauns ANNA // De Leissing Edgar // AT 17 18 art collection florian & ursula werner M Maass Dierk // DE maculan Lies // at Mair Hannes // AT Majo Maximilian // AT Mall Isolde // AT Marsilius // De Märzendorfer Claudia // AT melle christl // DE Mijatovic Svetlana // AT moll lukas // at Murakami Takashi // JP Nnachtwey benjamin // de NAGEL HELGA // AT norton larry // sa Novello Patricia // it p Pasqualini Andreas // AT Pohl Ricarda Maria // De r RÜTZler KLARA // at art collection florian & ursula werner s sandholzer LUCIA // AT Schapiro Steve // USA Schimpfössl Lorenz // AT spiss Peppi // at Strafanstalt Saxerriet – Gruppenarbeit mit Thomas Pitsch // CH t terry kATe // uk Thies Dennis // De u Uiberreither Volker // AT v Vivarelli Federico // AU Vorwagner Sylvia // AT 4 GRAZIEN // AT W Waltner Peter // At Werner Florian // AT winkler gebhard // at zZimmermann Rudolf // AT 19 20 Kirsten Helfrich / Isabel Haase // AT|DE In situ In situ 21 Kirsten Helfrich / Isabel Haase // AT|DE 22 Lena Lapschina // RU In situ In situ 23 Alfredo Barsuglia // AT 24 Alfredo Barsuglia // AT In situ In situ 25 Alfredo Barsuglia // AT 26 Federico Vivarelli // AU In situ In situ 27 Christian Hutzinger // AT 28 Kirsten Helfrich “Christophorus Exploded” // DE In situ In situ 29 Franziskus Wendels // AT 30 winter exhibition // passage december 2013–April 2014 Ida-Marie Corell Born 1984 in Munich / Germany Course of study University of Applied Arts Vienna / Austria Lives and works in Vienna / Austria and Berlin / Germany www.lleroc.com Ida-Marie Corell’s artistic practice is characterised by an interrogation of consumer culture and its objects. The focus of attention in recent years was the plastic bag object in its range of different cultural manifestations and as a distinctive expression and synonym of a globalised world. With her current A.I.R. project THE ARTIST IS RESIDENT, the artist takes an in-depth look behind the scenes of the hotel workings, thereby creating a profound and subtly differentiated picture of the place itself. 32 winter exhibition // media room december 2013–April 2014 Kay Walkowiak Born 1980 in Salzburg / Austria Course of study Vienna / Austria and Tokyo / Japan Lives and works in Vienna / Austria Kay Walkowiak’s artistic work revolves around the real www.walkowiak.at world of objects, while at the same time distancing itself markedly from the same thanks to its model-like nature. The cultural empirical knowledge of their viewer always remains inscribed in the objects, a knowledge which charges them with individual meaning. In the media room, the artist presents the result of his A.I.R. stay, during which, with the aid of the film medium, Kay Walkowiak explores the relationship of art and nature based on a minimalist object. 34 winter exhibition // Old sauna december 2013–April 2014 “Freedom” The exhibition in the old sauna area features works created by the inmates of the Saxerriet prison (canton of St. Gallen) on the topic of “Freedom”. The more than sixty works are showcased in hanging acrylic glass cubes which create the impression of a connected installation. The form of the acrylic glass cubes both protects and makes visible freedom as a valuable asset. 36 “old Original Ski Posters from Austria and Switzerland” // Passage december 2013–April 2014 Background As alpine sports holidays began to entice the wealthy to the European Alps in the Nineteen Twenties, so the first ski resorts began commissioning the finest artists of the day to create advertising posters to display in travel agencies, railway stations and hotels. Such early posters allow us a glimpse of a golden age of unspoilt Alpine slopes, wooden skis and tweed coats. As time passed and interest in skiing became the global phenomenon it is today, so ski advertising adapted to suit. In capturing this changing zeitgeist from art deco through to Sixties psychedelia (‘skidelic’) to the present day, ski posters offer an affordable art form from our recent past which is filled with nostalgia. Demand has never been higher, as the booming auction market shows. Interested buyers are not just skiers fondly remembering a special run but art collectors, hoteliers, chalet owners, investors and even modern resorts themselves. The man behind OriginalSkiPosters.com, Russell Johnston, said: “Original ski posters have become increasingly sought after, not only because being so rare many continue to escalate in value, but also because it’s a great way for skiers to remember a special holiday or re-live those fabulous experiences on the slopes. Most customers, however, choose to buy simply because they love a particular poster, image or ski resort.” 38 “old Original Ski Posters from Austria and Switzerland” // Passage december 2013–April 2014 New Release of Archival Original Ski Posters Russell Johnston went on: “Amazing as it sounds, the Robert W. Johnston ski poster archive of over a thousand original posters was an attic find. Originally built by my father, an RAF navigator stationed in post-war Europe, the collection passed to me in 2004. But I didn’t know about his collection; he never mentioned it! Nor, to my knowledge, did he ever ski! You can imagine my somewhat pleasant surprise when I discovered hundreds and hundreds of these dusty old mailing tubes stacked in the family attic. Since then I have spent time carefully cataloguing and conserving the archive (a process which continues to this day), first going online in 2005.” Because of the painstaking conservation and photographic procedure required of a paper archive, OriginalSkiPosters.com only release further posters every other year or so. The general feeling though from those who have glimpsed it, is that the 2013-2014 vintage is another exceptional one, featuring rarely seen large scale images of Chamonix, Zermatt and Cortina. amongst others. OriginalSkiPosters.com respectfully draw your attention to a sneak preview of the following examples from the new release attached to this email release. The entire poster archive can be viewed at www.originalskiposters.com. Originals cost from £400 to £20,000 ($600-$30,000). Bespoke fine art prints cost £125 ($195) for a full size replica. Each original is guaranteed to be an original vintage poster and a certificate of Further Information or Image Enquiries please contact Russell Johnston in the UK at info@originalskiposters.com or on (00)-(44)-(0)7973 256042; or for publicity contact Gordon Boreland at altisidora@btconnect.com Further images or images in higher resolution or alternative formats provided upon request. 40 Johanna Braun Born 1987 in Vienna / Austria Course of study Academy of Fine Arts Vienna / Austria Lives and works in Vienna / Austria Artist in Residence from 30/11–17/12/2013 Johanna Braun’s painterly works are expansive and serve as stage settings in which the artist performs. In her paintings, frequently based on historical sources, Johanna Braun herself is regularly the motif. Her action here is in firmly keeping with a feminist tradition www.johannabraun.com (Valie Export, Friederike Pezold) which negotiates woman’s role in society and the instrumentalisation of the female body as a projection surface. 42 Zora Volantes Born 1971 in Berlin / Germany Course of study Berlin University of the Arts and Academy of Fine Arts Vienna / Austria Lives and works in Berlin / Germany Zora Volantes’ work is situated in the realm between painting, object and performance, with numerous intersections. Artist in Residence from 08/12–22/12/2013 The interplay of the effect inherent in the picture and the outward effect of colours and materials and the influence www.zora-volantes.com on the spatial setting are key themes in the work of Zora Volantes. Her works of painting are informed by the interplay of abstraction and figuration. 44 Born 1976 in Heidenheim, Brenz / Germany Andreas Duscha Andreas Duscha’s artistic work could be referred to as a continuous teasing out of a range of socio-political concerns. He approaches his topics in intensive research, filtering out the underlying mechanisms of construction Course of study Academy of Fine Arts Vienna / Austria Lives and works in Vienna / Austria Artist in Residence from 05/01–19/01/2014 and transforming them by means of sophisticated conceptual strategies into complex artworks invested with smug commentary. Photography and various print techniques, some quite intricate, are his customary media vehicles. With H.A.I.R. ON SITE, Florian Werner expands his residency programme, inviting one artist every year to create a photographic portrait of the hotel, its interior, its exterior, its stories and peculiarities. The aim is to create an www.andreasduscha.com ongoing artistic documentation of this extraordinary place. 46 Aldo Gianotti Born 1977 in Genua / Italy Course of study Carrara Academy of Fine Arts and Academy of Fine Arts Vienna / Austria Lives and works in Vienna / Austria Aldo Gianotti’s works very often consist of a performance-based approach to conditions of society. An incessant interrogation of the subject’s Artist in Residence from 10/01–23/01/2014 position in societal structures is the starting point of Gianotti’s – always humorous – examinations, in which he prefers to use public space as a field for experimental set-ups, with the final presentation taking the form of a www.aldogiannotti.com photoseries, video and/or object. 48 Sigurd Larsen Born 1981 in Odense / Denmark Course of study Royal Academy of Fine Arts and School of Architecture in Copenhagen / Denmark Lives and works in Berlin / Germany Sigurd Larsen is an architect, designer and visual artist and lives in Berlin. His artwork is inseparable from his other activities. Indeed, the various spheres intermingle and serve as mutual references. His sculptural works can be inter- Artist in Residence from 20/01–02/02/2014 preted as architectural models and furniture-style designs in equal measure, with the boundaries between applied and autonomous art production apparently annulled. www.sigurdlarsen.eu 50 Jiajia Zhang Jiajia Zhang explores the phenomenon of everyday life. Her photographic gaze is trained Born 1981 in Hefei / China on details and side-shows of cathedrals of consumption. Her photographs, often in the style of details, of cleared-out shop windows create the impression of having caught a Course of study Architecture at ETH Zürich / CH and General Studies program at ICP (International Center of Photography) in New York / USA Lives and works in St. Gallen / CH and in New York / USA Artist in Residence from 24/01–09/02/2014 www.jiajiazhang.com glimpse behind the scenes, of having seen the underlying structure, while they also form the surface of the image. The photographs raise questions as to cultural mechanisms of representation. 52 Lea Titz Born 1981 in Graz / Austria Course of study University of Applied Arts Vienna / Austria Lives and works in Vienna / Austria Artist in Residence from 07/02–22/02/2014 www.leatitz.com Lea Titz’s conceptual work, dominated by the photography medium, constitutes an incessant examination of the concept of reality. Different levels of experiencing reality and the associated degree of authenticity are exchanged by the artist in her manipulation of various photographs (including found footage), thus subtly changing valences of (lived) experience. 54 Hilde Fuchs Born 1964 in Orth an der Donau / Austria Course of study Academy of Applied Arts Vienna / Austria Lives and works in Vienna / Austria Hilde Fuchs’s artwork is situated at the intersection of theatre work, performance and visual art. Her interventions make selective use of forms of Artist in Residence from 16/02–02/03/2014 everyday life and are embedded in social spaces, negotiating issues of marginalised social groups (among others, she has worked with punks and homeless people). The term “social sculpture” in the best sense sums up the essence of Hilde Fuchs’s works. 56 Eva Kees Born 1982 in Bregenz / Austria Course of study Fashion Design in Düsseldorf / Germany, degree in Artistic Photography, Vienna / Austria Lives and works in Vienna / Austria and New York / USA Artist in Residence from 23/02–08/03/2014 Artist Eva Kees’s preferred medium is photography. Her works range from classical still life to object photography www.evakees.com and documentary social photography. The central motif, however, is her own image. The artist uses staged images, in which she incorporates a wide variety of different objects, to create certain atmospheres and focus consciously on conventional forms of representation. 58 Catherine Gfeller Born 1966 in Neuchâtel / Switzerland Course of study Universities of Neuchâtel and Lausanne / Switzerland Lives and works in Paris and the south of France / France In her works, Catherine Gfeller examines and visualises states of being in various manifestations. Her photographic and video works, in which she focuses on scenes of Artist in Residence from 01/03–16/03/2014 everyday life in details and fragments, serve atmospherically to condense urban and human bodies. The wealth of views of private and public scenes amounts to a surgical dissection of the situations under scrutiny, revealing information about the underlying www.catherinegfeller.com structures constituting the image. 60 Born 1984 in Wolfsberg / Austria Course of study University of Art and Design Linz / Austria Daniel Franz Rappitsch In terms of both style and material, art student Daniel Franz Rappitsch combines different layers of time and visual worlds in his paintings and collages. In some cases, the motifs in his works of painting have a far more expressive gesture, broken by constructivist elements so as to create composi- Lives and works in Linz / Austria tional tension. He blends these different styles and forms of expression to create astonishing languages of form which Artist in Residence from 09/03–23/03 /2014 join together in the motifs to form statements on social conditions or individual visions of the future, that, often drawing on found footage, give rise to a retro aesthetic. www.danielfranzrappitsch.com 62 Samuel Schaab Born 1981 in Starnberg / Germany Course of study University of Applied Arts Vienna (Bernhard Leitner, Erwin Wurm) / Austria Lives and works in Vienna / Austria Artist in Residence from 16/03–30/03/2014 www.samuelschaabfrequenz.com The starting point of Samuel Schaab’s sculptural works and spatial interventions is the material itself, that provides information about the possibilities of artistic formation. The artist puts this into new functional contexts and combinations in search of the appropriate expression in each particular case. Sound frequently plays a key role, embodying aspects of change and temporality. 64 Born 1962 in Munich / Germany Course of study Munich College of Design / Germany Hans Panschar Hans Panschar’s artistic trademark is arguably most likely that of a duality which joins together to form a whole. The trained boat-builder and carpenter has taken the wood medium as his artistic material, searching for the essence of this organic raw material, exploring how he can approach Lives and works in Berg am Starnberger See / Germany and build on it in his art, and thus where the cultural intervention begins. However, he also combines wood with other materials, for example contrasting it with concrete, neverthe- Artist in Residence from 29/03–13/04/2014 less creating aesthetically uniform and complementary objects. For all its reduction, the language of forms is extremely narrative, with positive and negative forms www.hanspanschar.de combining to create a new, poetic unity. 66 Born 1955 in Maria Lankowitz / Austria hb-lankowitz For hb-lankowitz (Hubert Hasler and Brigitta Reuter) the complex exploration of photography is based on an extremely broad use of Course of study Graz Academy of Photography / Austria Lives and works Munich / Germany the medium. Alongside more documentarystyle photographs, which assume a mystic aspect due to perspectives or exposure, they often enact still lifes and landscapes, frequently appearing themselves in their sceneries. The motifs are often of an absurd, surrealist nature, detaching the photographic image from its everyday use and turning it into an individualised artistic tool. Born 1975 in Bruck an der Mur / Austria Course of study School of Artistic Photography Vienna / Austria, master florist, Straubing / Germany Lives and works Munich / Germany Artist in Residence from 13/04–27/04/2014 www.hblankowitz.de 68 Christian Rupp Born 1970 in Vienna / Austria Course of study University of Applied Arts Vienna and Vienna University of Technology / Austria Lives and works in Vienna / Austria Christian Rupp’s artwork is based upon mechanisms of appropriation and alienation Artist in Residence from 13/04–27/04/2014 of everyday objects of advertising and daily use. As an example, he took established logos to create a complete alphabet, using this www.christian-rupp.com as work material for a variety of artistic projects. By stringing them together, he circumscribes the intended meaning of the individual symbols, thus questioning the mechanisms of consumer culture. 70 Roswitha Schuller & Markus Hanakam Born 1984 Friesach / Austria Course of study University of Applied Arts Vienna / Austria Lives and works in Vienna / Austria The two Vienna-based artists work on the boundary of a wide range of media. They make use of the video medium as easily as they create sculptural works with incredible naturalness. Sculptural objects feature recurrently in their mysterious – narrative – filmic video works (road movies), be it in the film setting itself as real objects or be it as animated objects often laid over and thwarting the film. In so doing, they lend to these objects, formally reminiscent of Born 1979 Essen / Germany Course of study University of Applied Arts Vienna / Austria Lives and works in Vienna / Austria Artist in Residence from 01/09–21/09/2014 www.hanakam-schuller.com everyday objects, character traits – as well as names and stories. 72 Franz Riedl Born 1976 in Bad Ischl / Austria The transition between or the dynamic context of surface and space plays Course of study University of Art and Design Linz and Academy of Fine Arts Vienna / Austria or graphical interventions in photographs, his examination revolves Lives and works in Vienna / Austria mechanisms used in them, are just some of the parameters relevant to the Artist in Residence from 08/09–30/09/2014 www.franzriedl.com a central role in Franz Riedl’s artwork. Be it spatial installation, paper works recurrently around confounding the boundary between the second and third dimension and thus repositioning our conception of it. Street plans, architectural drawings, the grids, positional markers and structuring artist’s examination. 74 Impressum Legal Notice © 2013 by Kunstquartier Hospiz KG St. Christoph Nr. 1 6580 St. Anton / Tyrol / Austria www.kunstquartier-hospiz.at Publisher Florian Werner Project responsibility and coordination Florian Werner Concept and design filleins, Tuchlauben 8, A-1010 Wien, hannes@filleins.at Editing section.a, Praterstraße 66/7a, A-1020 Vienna, www.sectiona.at All rights reserved. Printing and typographical errors may occur. This brochure, including all its content, is copyright-protected. Any usage beyond the narrow limits prescribed by copyright law is not permitted and is punishable by law without the advance consent of the publisher. This especially applies for multiplication, translation and saving, as well as for processing in electronic systems. All data and facts have been carefully researched and checked by the publisher to the best of his knowledge. However, because this data can change, no guarantee can be provided for their accuracy. „Kunst erhält nur Bedeutung, wenn man sie teilt.“ Beatrix Ruf, Direktorin Kunsthalle Zürich Der zweite BMW Art Guide by Independent Collectors präsentiert 217 private, doch öffentlich zugängliche Sammlungen zeitgenössischer Kunst. Die prägnanten Sammlungsporträts entführen Sie in 41 Länder, dabei häufig in Regionen oder Stadtviertel abseits des Gewohnten. Weder im Internet noch in Buchform existierte bislang eine vergleichbare Liste von internationalen Privatsammlungen – darunter einige, die ihre Türen für Kunstinteressierte und Kenner erstmalig öffnen. Die überarbeitete und erweiterte Auflage mit 49 neuen Sammlungen ist ab sofort online und im Buchhandel erhältlich. Erfahren Sie mehr darüber, was Beatrix Ruf und andere Vertreter der Kunstwelt über das Buch, das Sammeln und die Leidenschaft zur Kunst erzählen: www.bmw-art-guide.com www.kunstquartier-hospiz.at