Büch 4 - Nazmi Bosna

KLASİK GİTAR İÇİN 25 ESER
4. Kitap
25 Pieces For Classical Guitar
Vol.4
Nazmi BOSNA
KLASİK GİTAR İÇİN 25 ESER
4. Kitap
Copyright © 2015, Nazmi BOSNA
KAPAK TASARIMI
Soner ÖZKAYA
NOTA YAZIM
Nazmi BOSNA
YAYINA HAZIRLAYAN
Nazmi BOSNA
ISBN
978-605-65203-1-0
BASIM
1.Basım - Kasım 2014
2.Basım - Mart 2015
BASKI ve CİLT
SAGE YAYINCILIK VE MATBAACILIK SAN. LTD. ŞTİ.
Zübeyde Hanım Mah. Kazım Karabekir Cad. No : 7/101-102
İskitler /ANKARA
Tel : 0 312 341 00 05 - 02 /www.bizimdrjitalmatbaa.com
SUNUŞ
1963 yılından itibaren klasik gitar için yapmış olduğum bestelerin bir bölümü 2011 yılında '' Bemol
Müzik Yayınları '' tarafından 2 cilt halinde yayımlanmış bulunmaktadır:
- Klasik Gitar İçin 42 Eser Vol.1
- Klasik Gitar İçin 20 Eser Vol.2
Yeni yayımlanan 3. Cilt "Anadolu Esintileri" başlığı altında 30 eseri, 4.Cilt ise "Klasik Gitar İçin 25
Eser" başlığı altında 25 eseri kapsamaktadır.
Eserlerimde müzikteki gürlük ve tempo ile ilgili terim ve belirteçler kullanılmamış, müziksel
anlatım seslendiriciye bırakılmıştır. Eserlerim ayrıca web sitemde de (www.nazmibosna.com) dinlenebilir.
Müzikseverlere yararlı olması dileğimle saygılarımı sunarım.
DARLEGUNG
All meine Werke, die ich seit 1963 für klassiche gitarre geschafft habe, wurden im Jahr 2011 in zwei
Bänden von ''Bemol Müzik Yayınları'' veröffentlicht:
- 42 Werke fü r klassische Gitarre Vol.1
- 20 Werke fü r klassische Gitarre Vol.2
Neu veröffentlichte dritte Band umfasst 30 Werke unter dem Titel "Anatolien - Brisen " ; vierte Band
beinhaltet 25 Werke unter dem Titel "25 Werke fü r klassische Gitarre”.
In meinen Werken wurden Begriffe und Bezeichnungen in Bezug auf Dynamik und Tempo nicht
eingesetet; der musikalische Ausdruck wurde dem Künstler überlassen. Außerdem können meine Werke
unter meiner Web seite (www.nazmibosna.com) zugehört werden.
Mit dem Wunsch, den Musikliebhabern dienlich zu sein, verbleibe ich mit freundlichen Grüßen.
INTRODUCTION
Some of the compositions that I have created for classical guitar since 1963 have been published in
2011 by "Bemol Müzik Yayınları" under two volumes :
- 42 Works For Classical Guitar Vol. 1
- 20 Works For Classical Guitar Vol. 2
The Third Volume which has recently been published under the title "Anatolian Breezes" comprises
30 works while the fourth volume comprises 25 works under the title "25 Pieces for Classical Guitar".
In my works, I do not use the terms and marks related with dynamic and tempo change in music,
and I refer the musical expression to the executant. My works can also be listened to at my website (www.nazmibosna.com). I wish it may be a help for music fans.
Respectfully,
Nazmi BOSNA
September 2014, ANKARA
www.nazmibosna.com
e-mail : info@nazmibosna.com
ÖZGEÇMİŞ
1946 yılında Kırıkkale'de doğdu. Ziya Aydıntan'dan klasik gitar dersleri aldı. Ankara
İktisadi ve Ticari İlimler Akademisi'nden mezun oldu. Öğrenimine Bern Konservatuvarı Klasik
Gitar Bölüm ü'nde Miguel Rubio'nun öğrencisi olarak devam etti. Bern'deki Musikschule der
Region Burgdorf, Musikschule M uri - Gümligen ve Musikschule Moossedorf müzik okullarında
klasik gitar dersleri verdi. 1974 yılında Türkiye'ye döndü ve Turizm Bakanlığı'nda çalışmaya
başladı. Memuriyeti sırasında Frankfurt, Berlin, Zürih, Kopenhag ve Pekin'de Kültür ve Tanıtma
Ataşesi olarak görev yaptı. 2008 yılında emekli oldu.
AUTOBIOGRAPHY
He was born in 1946 in Kırıkkale (Turkey). He received classic guitar courses from Ziya
Aydıntan. He graduated from Ankara Academy of Economic and Administrative Sciences. He
continued on his education as the student of Miguel Rubio at the Department of Classic Guitar in
Bern Conservatory. He gave classic guitar courses in the music schools of Musikschule der Region
Burgdorf, Musikschule Muri - Gümligen and Musikschule Moossedorf in Bern. He returned to
Turkey in 1974 and started to work in the Ministry of Tourism. He worked as Culturel Attache
during his office in Frankfurt, Berlin, Zurich, Copenhagen and Beijing. He retired in 2008.
LEBENSLAUF
Er ist 1946 in Kırıkkale (Türkei) geboren. Er nahm klassischen Gitarrenunterricht bei Ziya
Aydıntan. Er absolvierte die Akademie für Wirtschaft und Handel in Ankara. Sein Studium setete
er im Konservatorium Bern im Kunstfach klassische Gitarre als Student von Miguel Rubio fort. Er
unterrichtete klassische Gitarre an der Musikschule der Region Burgdorf in Bern, Musikschule
Muri - Gümligen und Musikschule Moossedorf. Im Jahr 1974 kehrte er in die Türkei zurück und
begann im Tourismusministerium zu arbeiten. Waehrend seiner Amtszeit wirkte er als Kulturatta­
che in Frankfurt, Berlin, Zürich, Kopenhagen und Peking. 2008 wurde er pensioniert.
İÇİNDEKİLER
Vol.4
CONTENTS
Nocturne No.4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Etüde No.22. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Walzer No.10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Piece No.1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Piece No.2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Piece No.3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Piece No.4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Piece No.5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Piece No.6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Piece No.7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Piece No.8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Piece No.9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Piece No.10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Piece No.11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Piece No.12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Piece No.13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Piece No.14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Piece No.15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Piece No.16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Piece No.17. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Piece No.18. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Piece No.19. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Piece No.20. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Piece No.21. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Tango No.5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
NOCTURNE
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