Max Cole - kunstgaleriebonn

Transcription

kunstgaleriebonn
Max Cole
Biografie
1937
-
geboren in Hodgeman County, Kansas
1958
-
Kunststudium an der Ft. Hays State University
1960
-
BA in der Bildenen Kunst, Stipendium für weiterführende Studien
1964
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MFA in Malerei der University of Arizona
1967-78
- Lehrtätigkeit an verschiedenen Colleges u. Universitäten:
- Pasadena City College, California State University Los Angeles, Otis Art Institut
1995
-
Umzug nach New York
2012
-
Umzug nach Somerset, Kalifornien.
Lebt und arbeitet in Somerset.
kunstgaleriebonn GmbH & Co. KG · Villa Faupel · Lotharstraße 106 · D-53115 Bonn
+49 . (0)228 . 97 14 39 22 · info@kunstgaleriebonn.de · www.kunstgaleriebonn.de
1
kunstgaleriebonn
Max Cole
Einzelausstellungen (Auswahl)
2013
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»Meditations«, Kunst-Station Sankt Peter, Köln, Deutschland (Katalog)
Salt Marsh, Pampas, Dog Star and Fourteen New Drawings, Larry Becker Contemporary Art,
Philadelphia, USA
Black: The Queen Of Colors, SAM - SelectedArtModels, Köln, Deutschland
2012
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Beyond, Charlotte Jackson Fine Art, Santa Fe, USA
Max Cole. Across the Fourth Dimension, kunstgaleriebonn, Bonn, Deutschland (Katalog)
...to the line, Mies van der Rohe Haus, Berlin, Deutschland (Katalog)
Schraffuren des Ungreifbaren, Galerie Wenger, Zürich, Schweiz
2011
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First Drawings from Somerset, Galerie Lindner, Wien, Österreich
Max Cole. Quintessence over Time, kunstgaleriebonn, Bonn, Deutschland (Katalog)
Zeichnung Wien, Galerie Lindner, Wien, Österreich
Terre Firma. Max Cole: New Paintings, Haines Gallery, San Francisco, USA
2010
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Light and Line, New Paintings, Larry Becker Contemporary Art, Philadelphia, USA
Paintings, Galerie Schlegl, Zürich, Schweiz (mit Jens Trimpin)
2008
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Schmidt Contemporary Art, St. Louis, USA
2007
2006
2005
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On Redtail Pond: Paintings from the Summer, Galerie Lindner, Wien, Österreich (mit photo
gravure portfolio)
Paintings from the Autumn …, Haines Gallery, San Francisco, USA (Katalog)
Studio la Città, Verona, Italien (Katalog)
Museum Chasa Jaura, Val Chava, Schweiz
Nero Avorio. Art Antica e Contemporanea e Confronto, Crocisso in Avorio / Dippinti di Max
Cole, Mailand, Italien (Katalog)
2004
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Kolumba, Diözesanmeseum, Köln, Deutschland (Heft)
Toward Infinity, Galerie Schlegl, Zürich, Schweiz (Katalog)
Galerie Linder, Wien, Österreich
Paintings and Drawings, Haines Gallery, San Francisco, USA (Katalog)
2003
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Galerie Michael Sturm, Stuttgart, Deutschland
2002
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Neuer Kunstverein Aschaffenburg (mit Jean Maboules) Aschaffenburg, Deutschland (Katalog)
Galerie Walter Storms, München, Deutschland
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kunstgaleriebonn
2001
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I-8 Galeria, Reyjavik, Island
871 Fine Arts, San Francisco, USA
Paintings, Haines Gallery, San Francisco, USA
2000
-
Haus für Konstruktive und Konkrete Kunst, Zürich, Schweiz (Katalog)
Galerie Belvedere, Mailand, Italien
1999
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Galerie Gudrun Spielvogel, München, Deutschland
Galerie Schlégl, Zürich, Schweiz
Galerie Lüdke, Köln, Deutschland
1998
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Intimate Abstractions, Haines Gallery, San Francisco, USA
Museum für gegenstandsfreie Kunst, Otterndorf, Deutschland (Katalog)
1997
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Galerie Appel und Fertsch, Frankfurt am Main, Deutschland
Galerie Lüdke, Köln, Deutschland
1996
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Painting, Haines Gallery, San Francisco, USA
Stark Gallery, New York, USA
Galerie Conrads, Düsseldorf, Deutschland
1995
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Roswell Museum and Art Center, Roswell, New Mexico, USA
Kiyo Higashi Gallery, Los Angeles, USA
1994
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1993
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Museum of Art, University of Arizona, Tucson, USA (mit Katalog)
Recent Drawings, Haines Gallery, San Francisco, USA
1992
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Museum Folkwang, Essen, Deutschland (Katalog)
Kunstraum Kassel, Kassel, Deutschland
Galerie Schoppmann, Düsseldorf, Deutschland
1991
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1990
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One person show, Köln Art Fair, Galerie Renate Schröder Mönchengladbach, Köln,
Deutschland
Recent Paintings, Haines Gallery, San Francisco, USA
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kunstgaleriebonn
1988
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Galerie Helene Grubair, Miami, USA
1987
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Zabriskie Gallery, New York, USA
1986
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Oscarsson-Siegeltuch Gallery, New York, USA
1984
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Michael Lord Gallery, Milwaukee, USA
1983
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L. A. Louver, Los Angeles, USA
1980
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Miami/Dade College Art Gallery, Miami, USA
1979
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Sidney Janis Gallery, New York, USA (Katalog)
1977
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Sidney Janis Gallery, New York, USA (Katalog)
1976
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Ruth Schaffner Gallery, Los Angeles, USA
1975
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The Brand Art Center, Glendale, USA
1972
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Comara Gallery, Los Angeles, USA
1971
-
1970
-
1964
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Museum of Art, University of Arizona, Tucson, USA
1963
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261 Gallery, Tucson, USA
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kunstgaleriebonn
Max Cole
Gruppenausstellungen (Auswahl)
2014
2013
2012
2011
2010
2009
2008
2007
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Papier/Paper IV - COLLAGEN, kunstgaleriebonn, Bonn
zeigen verhüllen verbergen. Schrein. Eine Ausstellung zur Ästhetik des Unsichtbaren,
Kolumba Kunstmuseum des Erzbistums, Köln, Deutschland
Sammlung Grauwinkel 1982-2012, Museum Vasarely, Budapest, Ungarn (Katalog)
System und Sinnlichkeit, Kupferstichkabinett, Staatliche Museen zu Berlin, Deutschland
(Katalog)
30 Jahre gkg, Gesellschaft für Kunst und Gestaltung, Bonn, Deutschland
horizontal, Gesellschaft für Kunst und Gestaltung, Bonn, Deutschland
American Art 1940 to the Present Day, Daimler Contemporary, Berlin, Deutschland
Herrlichkeit des Lebens und Schönheit des Erbarmens, Museum für die Kunst der Moderne
und der Gegenwart, Vatikan (Katalog)
Papier / paper, kunstgaleriebonn, Bonn, Deutschland (Katalog)
That’s What Friends are For, Neuer Kunstverein, Aschaffenburg, Deutschland
Array [+] Prints, Larry Becker Contemporary Art, Philadelphia, USA
To…A Changing Exhibition of Work by Gallery Artists, Larry Becker Contemporary Art,
Philadelphia, USA
Other Voices, Other Rooms, Max Cole, Marcia Haffif, Winston Roeth, David Simpson, Fred
Sanback. Curated by Steven Evans. Dorsky Gallery, Long Island City, USA (Heft)
A Bit of America, Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch,
James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry
Zeniuk. Vaserely Museum, Budapest, Ungarn (Katalog)
A Bit of America, Galerie Lindner, Wien, Österreich
Zur Kontingenz der Linie, Kunstraum Alexander Bürkle, Freiburg, Deutschland
Gestern War/Heute ist, Museum gegenstandsfreier Kunst, Otterndorf, Deutschland (Katalog)
There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudio Collection,
Kunstmuseum Bern, Schweiz und Museum Wiesbaden, Wiesbaden, Deutschland (Katalog)
Call it what you Like!, Art Centre Silkeborg Bad, Dänemark (Katalog)
Fundamentals of Abstraction II: In memory of Kim Wauson, Haines Gallery, San Francisco,
USA
Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte modern,
MART, Rovereto, Italien (Katalog)
The Panza Collection: An Experience of Light and Color, Albright-Knox Museum, Buffalo, USA
(Katalog )
On Paper, Haines Gallery, San Francisco, USA
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kunstgaleriebonn
2006
2005
2004
2003
2002
2000
-
Director’s Choice, Haines Gallery, San Francisco, USA
Touche, Galerie Michael Sturm, Stuttgart, Deutschland
Thirty-fifth Anniversary Exhibition, Galerie Schlégl, Zürich, Schweiz
Three New York Artists, Galerie Schlégl, Zürich, Schweiz
Director’s Choice: Contemporary Art mit Objects from Asia, Haines Gallery, San Francisco,
USA
Minimalism and After, Daimler Chrysler Contemporary, Berlin, Deutschland (Katalog)
Ad Infinitum II: the Aesthetics of Repetition II, Haines Gallery, San Francisco, USA
Je ne regrette rien, Studio La Città, Verona, Italien
On Paper, Weatherspoon Art Museum, Greensboro, USA (Katalog)
Inaugural Exhibition, Kunstraum Alexander Bürkle, Freiburg, Deutschland
Inaugural Exhibition, selections from the permanent collection, Museum of Modern Art,
Rovereto, Italien (Katalog)
Works on Paper, Haines Gallery, San Francisco, USA
Lines, Hunsaker/Schlesinger Fine Art, Santa Monica, USA
Fifteen – 15th Anniversary Exhibition, Haines Gallery, San Francisco, USA
La stanze dell’arte,” (curated by Gabriella Belli) MART, Rovereto, Italien
Art of the 80's and 90's, from Panza di Biumo Collection, American Academy, Rom, Italien
(Katalog)
Panza Collection, de Villa Menafoglio Litta Panza, Fondo per L’Ambiento Italiano, Permanent
Collection, Varese, Italien (Katalog)
Studio la Città, Verona, Italien (mit Julia Mangold)
1999
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Radical Past, Armory Center for the Arts, Pasadena, USA (Katalog)
Invitational ’99, Knoedler Gallery, New York, USA
Morbida Quiete e la Notte, Studio La Citta, Verona, Italien (mit Katalog)
1998
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Reflections, Galerie Schlégl, Zürich, Schweiz
Drawing Exhibition, Galerie Michael Sturm, Stuttgart, Deutschland
1997
1996
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Obsession + Devotion, Haines Gallery, San Francisco, USA
Manifestation of d’Art Nouveau International et Forum, MANIF 97, Seoul Art Center, Seoul,
Korea (Katalog)
Art of the 80’s and 90’s, Panza Collection, Palazzo delle Albere, Trento, Italien (Katalog)
Einblick, Galerie Michael Sturm, Stuttgart, Deutschland
Concrete Reality and Reflection, Part II, Galerie Schlégl, Zürich, Schweiz
Acquiring Minds: Contemporary Art in Santa Barbara Collections, Santa Barbara
Contemporary Arts Forum, Santa Barbara, USA
Karo Dame, Aargauer Kunsthaus, Aarau, Schweiz (Katalog)
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kunstgaleriebonn
1994
1992
1991
1989
-
1988
1987
1986
1985
1984
1982
-
Pen and Ink, Contemporary Arts Forum, Santa Barbara, USA
Artists for Amnesty, Fondation Nationale des Arts, Paris, Frankreich (Katalog)
Intimate Abstraction, Haines Gallery, San Francisco, USA
Paradox: The Artist's Mind Through Time, Museum of Fine Art of New Mexico, Santa Fe, USA
(Katalog)
Drawings, Proctor Art Center and the New York Studio School, New York, USA
Mind and Matter: New American Abstraction, EWanderausstellung: Chosum Ilbo Gallery,
Seoul, Korea; Dowse Art Museum, Wellington, Neuseeland; Manawatu Art Gallery,
Palmerston North, Neuseeland; Bishop Sutter Gallery, Neuseeland; Manila Art Museum,
Philippinen; National Art Gallery, Kuala Lumpur, Malaysia; National Museum Gallery,
Singapur (Katalog)
Fundamental Abstraction, Haines Gallery, San Francisco, USA
Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art
Gallery, University of California, Los Angeles, USA und National Gallery of Modern Art, New
Delhi, Indien (Katalog)
Ad Infinitum-Aesthetics of Repetition, Haines Gallery, San Francisco, USA
Rigor, John Good Gallery, New York, USA
Trends in Geometric Abstract Art, Tel Aviv Museum, Tel Aviv, Israel (Katalog)
Years of Passage, Fresno Art Center, Fresno, USA
The Severe and the Romantic: Geometric Humanism in American Painting 1950-1980,
Marilyn Pearl Gallery, New York, USA
Spirit Tracks, Pratt Manhattan Center Gallery, New York, USA (Katalog)
Absolutes Defined: Line, Light and Surface, Max Cole, Milton Resnick and Frederick Matys
Thursz, Oscarsson-Siegeltuch Gallery, New York, USA
Abstract Painting Redefined, Wanderausstellung: Meisel Gallery, New York, USA; MunsunWilliams-Proctor Museum, Utica, USA; Danforth Museum, Framingham, USA; Bucknell
University, Lewiston, USA; Stonybrook Fine Arts Gallery, New York, USA (Katalog)
Exceptions 3 - Paperworks, Pratt Manhattan Center Gallery, New York, USA
Santa Barbara Collects, Santa Barbara Museum of Art, Santa Barbara, USA
In Celebration of Women, Part II, Sidney Janis Gallery, New York, USA (Katalog)
Drawing, Painting and Sculpture: American and European, L. A. Louver, Los Angeles, USA
Post-War American Purism, Marilyn Pearl Gallery, New York, USA
The California Connections: Sixteen Paintings from the Gifford and Joann Phillips Collection,
Museum of Fine Arts of New Mexico, Santa Fe, USA (Katalog)
LA - NY, Koplin Gallery, Los Angeles, USA
Shift LA/NY, Neuberger Museum, Purchase, New York, USA; und: The Newport Harbor
Museum, Newport, USA (Katalog)
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kunstgaleriebonn
1981
1980
-
Dark Thoughts: Black Paintings, Pratt Manhattan Center Gallery, New York, USA
Abstraction in Los Angeles 1950-1980: Selections from the Gribin Collection, Fine Arts
Galleries of California State Universities at Northridge and Irvine, USA
Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Pasadena,
USA (Katalog)
Seven Decades of Modern Art: Sidney Janis Collection, La Jolla Museum and Santa Barbara
Museum of Art, USA
Constructivism and the Geometric Tradition, McCrory Collection, Wanderausstellung: AlbrightKnox Museum, Buffalo, USA, Dallas Museum, Dallas, USA, La Jolla Museum, La Jolla, USA,
Seattle Museum, Seattle, USA (Katalog)
1979
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Aspects of Abstract, Crocker Museum, Sacramento, USA (Katalog)
Black and White are Colors, Galleries of the Claremont Colleges, Claremont, USA (Katalog)
1978
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Shades of Gray, Malone Art Gallery, Loyola Marymount University, Santa Monica, USA
A Contemporary Masters Show, Libra Gallery, Claremont Colleges, Claremont, USA
1977
1976
1975
1974
1968
-
Photographs by Southern California Painters and Sculptors, College of Creative Studies,
University of California, Santa Barbara, USA (Katalog)
Less is More, Sidney Janis Gallery, New York, USA (Katalog)
Thirty-Fifth Biannual, Corcoran Gallery of Art, Washington, D.C., USA (Katalog)
Private Images: Photographs by Painters, Los Angeles County Museum of Art, Los Angeles,
USA
New Abstract Painting, Los Angeles County Museum of Art: Max Cole, James Hayward, John
M. Miller and Margit Omar, Los Angeles, USA (Katalog)
Southern California Artists, Cedars Sinai Medical Center, Los Angeles, USA (Katalog)
Market Street Program, Three person exhibition, Venice, Kalifornien, USA
Twenty-one Artists: Invisible/Visible, Long Beach Art Museum, Long Beach, USA und Mills
College, Oakland, USA (Katalog)
Drawings, Ruth Schaffner Gallery, Los Angeles, USA
Color, Form and Surface, Lang Art Gallery, Scripps College, Claremont, USA (Katalog)
Eight Los Angeles Painters, Long Beach City College Art Gallery, Long Beach, USA
Biannual Exhibition of Contemporary American Art, Whitney Museum of American Art, New
York, USA (Katalog)
The Classic Revival, Wanderausstellung zu 8 Museen des Mittleren Westens, USA
Womanspace Two-person show: Martha Alf and Max Cole, Los Angeles, USA
West Coast 1968, E.B. Crocker Art Gallery, Sacramento, USA
California Painters: A Survey of California Painters in the Decade, Tampa Bay Art Center;
Ringling Museum of Art; Galleries of Florida State University, Tampa Bay, USA (Katalog)
Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois,
Champaign, USA (Katalog)
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kunstgaleriebonn
1966
-
Annual, San Francisco Museum of Art, San Francisco, USA
Annual Exhibition of West Coast Painting, Frye Museum, Seattle, Washington, USA
Texture and the Tactile Surface, Wanderausstellung zu: The Western Museums Association,
USA
9
kunstgaleriebonn
Max Cole
Sammlungen (Auswahl)
-
Albright-Knox Art Gallery, Buffalo, USA
The American Center, New Delhi, Indien
Chait Foundation Collection, New York, USA
Daimler Kunstsammlung, Berlin, Deutschland
Dallas Museum of Art, Dallas, USA
Everson Museum, Syracuse, USA
Florida International University, Miami, USA
FAI – Fondo per l’Ambiente Italiano, Villa Menafoglio, Varese, Italien
Fine Arts Museums of San Francisco, San Francisco, USA
Grunwald Center for Graphic Art, UCLA, Los Angeles, USA
Kolumba Kunstmuseum des Erzbistums Köln, Deutschland
Kramarsky Collection, New York, USA
Kreditanstalt Für Wiederaufbau, Frankfurt am Main, Deutschland
Kunstraum Alexander Bürkle, Freiburg, Deutschland
Kupferstichkabinett, Staatliche Museen zu Berlin, Deutschland
La Jolla Museum of Contemporary Art, La Jolla, USA
Los Angeles County Museum of Art, Los Angeles, USA
Louisiana Museum, Humlebaek, Dänemark
Metropolitan Museum of Art, New York, USA
Mezzanin Stiftung für Kunst, Schaan, Liechtenstein
Miami/Dade College Art Gallery, Miami, USA
Microsoft Collection, Seattle, USA
Minneapolis Institute of Art, Minneapolis, USA
Musée d’art et d’histoire Neuchâtel, Schweiz
Museo d’ Arte Moderna Contemporanea di Trento e Rovereto, Italien
Museum der Schönen Kunst, Budapest, Ungarn
Museum für Konkrete Kunst, Ingolstadt, Deutschland
Museum of Contemporary Art, Los Angeles, USA
Museum of Fine Arts of New Mexico, Santa Fe, USA
Museum of Modern Art, New York, USA
Museum gegenstandsfreier Kunst, Otterndorf, Deutschland
Newport Harbor Art Museum, Newport Beach, USA
Nora Eccles Harrison Museum of Art, Utah State University, Logan, USA
The Panza di Biumo Collection, Varese, Italien
Rossi/Mattioli Collection, Mailand, Italien
Sammlung Mondstudio, Deutschland
San Diego Museum of Contemporary Art, San Diego, USA
Santa Barbara Museum of Art, Santa Barbara, USA
Städel Museum Städelsches Kunstinstitut, Frankfurt am Main, Deutschland
Städtische Galerie im Lenbachhaus, München, Deutschland
Sweet Briar College Galleries, Sweet Briar, USA
Tel Aviv Museum, Tel Aviv, Israel
The University of Arizona Museum of Art, Tucson, USA
Utah Museum of Art, Salt Lake City, USA
Von der Heydt-.Museum, Wuppertal, Deutschland
Weatherspoon Art Museum, Greensborough, USA
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kunstgaleriebonn
Max Cole
Bibliografie (Auswahl)
2013
-
2012
2011
2010
2009
-
2007
2006
2001
1999
1997
1996
-
„Sammlung Grauwinkel. Konkrete Kunst 1982-2012“, herausgegeben von Siegfried
Grauwinkel,
„System und Sinnlichkeit. Die Sammlung Schering Stiftung. Zeitgenössische Zeichenkunst
von Tom Chamberlain bis Jorinde Voigt", herausgegeben für das Kupferstichkabinett –
Staatliche Museen zu Berlin von Andreas Schalhorn, Wienand, Köln
"Max Cole. Across the Fourth Dimension", herausgegeben von Gisela Clement und Michael
Schneider, kunstgaleriebonn, Weidle Verlag, Bonn
"Max Cole. Quintessence over Time", herausgegeben von Gisela Clement und Michael
Schneider, kunstgaleriebonn, Weidle Verlag, Bonn
Newhall, Edith, Review, The Philadelphia Inquirer, 2.Mai / May 2nd.
Ermen, Reinhard, „Zeichnen zur Zeit II“, Kunstforum International, August/ September, S. / p.
378–381.
Lodemeyer, Peter; De Jongh, Karlyn; Gold, Sarah, “Personal Structures:Time, Space and
Existence,” herausgegeben vom / published by DuMont Buchverlag, Köln / Cologne,
Deutschland / Germany, S. / p. 230–233.
Whiteside, Amber, “ Max Cole and Candace Plummer Gaudiani at Haines Gallery,” Artweek,
Mai / May, Band / Volume 38, Heft / Issue 4.
Madesani, Angela, “Max Cole,” ArtForum, November.
Van Proyen, Mark, “Max Cole at Haines and 871 Fine Arts,” Art in America, November, S. / p.
156.
Bonnetti, David, “Max Cole at Haines,” San Francisco Chronicle, 3. Mai / May 3rd.
Bonnetti, David, San Francisco Chronicle, 20. April / April 20th.
Ermen, Reinhard, “The Power of Concentration: On the Paintings of Max Cole,” Kunstforum,
März-April / March-April.
Kraft, Martin, “Organic Orders,” review, Handelszeitung, Mai / May.
Oner, Ali, „Die New Yorker Künstlerin Max Cole“, Artikel / Article, Neue Bildende Kunst,
Dezember / December.
“The Panza di Biumo Collection - Some artists from the 80s and 90s,” herausgegeben von /
published by Electa, Mailand / Milan, Italien / Italy.
Ermen, Reinhard, „Max Cole“, Galerie Conrads, Düsseldorf / Dusseldorf, Februar / February.
11
kunstgaleriebonn
1994
-
Cutajar, Mario, “Drawn and Flattened,” Visions, Winter.
Greene, David A., Art Issues, März-April / March-April.
Knight, Christopher, “The Highs were High and the Lows were Low,” Los Angeles Times,
Januar / January.
Pagel, David, “Hypnotic Dances,” Los Angeles Times, Oktober / October.
Pagel, David, Los Angeles Times, 4. August / August 4th.
Pagel, David, Los Angeles Times, 18.November / November 18th.
1992
-
von Kampmann, M., „Pulsierende Lineatur“, Soester Anzeiger, April.
Schwarze, Dirk, HNA, Kassel, 16. Januar / January 16th.
Stecker, Raimund, „Kassel / Essen: Max Cole“, Kunstbulletin, Schweiz / Switzerland, April.
Wortz, Melinda, “New Editions,” Art News, September.
1991
-
Crockett, Tobey, “Painting the Town,” Venice Magazine, November.
Hemmerdinger, William, “Max Cole,” Art Scene, Los Angeles, Mai / May.
Kimura, Aya, Review, Nikkei Art Magazine, Japan, Juli / July.
1990
1988
1987
1986
-
Bohnen, Uli, “Cosmopolitan Folk Art or Different Local Times on One Canvas” (Katalog /
catalog), Galerie Schröder, Mönchengladbach, Deutschland / Germany.
Kimura, Aya, Nikkei Art Magazine, Japan, Juli / July.
Westdeutsche Zeitung, Mönchengladbach, Deutschland / Germany, 30. Januar / January
30th.
Rapko, John, “The Drama of Visibility: Max Cole at Haines Gallery,” Artweek, Oktober /
October.
Stecker, Raimund, “You See What You See, but You Don‘t Only See What Is,” catalog essay,
Galerie Schröder, Mönchengladbach, Germany.
Rheinische Post, Mönchengladbach, Germany, 30. Januar / January 30th.
Ahlander, Leslie Judd, The Miami News, 22. Januar / January 22nd.
Allen, Lois, “Visions Exhibition: Inner-Experience Legacy,” The Oregonian, 20. Januar /
January 20th.
Cameron, Dan, “In the Realm of the Hyper Abstract,” Arts Magazine, Februar / February.
Baker, Kenneth, San Francisco Chronicle, 26. Februar / February 26th.
Curtis, Cathy, “The Expressive Gesture,” Los Angeles Magazine, 16. Januar/ January 16th.
Times of India, 12.März / March 12th.
“Visions of Inner Space,” The Statesman (India), 12. März / March 12th.
Jelenfy, “Max Cole,” Rant, San Francisco, Mai / May.
Dubin, Zan, “Exhibit of ‚Just Let it Happen‘ Works,” Los Angeles Times, 20. Dezember /
December 20th.
Thompson, Walter, “Max Cole at Zabriskie,” Art in America, November.
Ermen, Reinhard, “Visual Music: Rhythm in the Paintings of Max Cole,” Katalog / catalog,
Museum Folkwang, Essen, Deutschland / Germany.
Brensen, Michael, New York Times, 28. August / August 28th.
Brensen, Michael, New York Times, 25. April / April 25th.
Cameron, Dan, “In the Realm of the Hyper Abstract,” Arts Magazine, November.
Mahoney, Robert, “Absolutes Defined,” Arts Magazine, November.
12
kunstgaleriebonn
1985
1984
1983
1980
-
Gleuck, Grace, “Abstract Painters Regain Old Charisma,” New York Times, 8. März / March
8th.
Stapen, Nancy, “Taking a New Look at Abstract Painting,” Boston Herald, 28. Juli / July 28th.
Westfall, Stephen, review, Art in America, Januar / January.
Lipson, Karen, “Big Abstractions Form a Varied Lot,” News Day, New York, 27.Dezember /
December 27th.
Auer, James, “Looking at Art,” review. Milwaukee Journal, 25. November/ November 25th.
Westfall, Stephen, “Post-War American Purism,” Art Magazine, November.
Zimmer, William, “Before and After Look from the Coast,” New York Times, 30. Oktober /
October 30th.
Muchnic, Suzanne, Art Walk, Los Angeles Times, 20. / September 20th.
Muchnic, Suzanne, “Sidney Janis‘ Traveling Art Show,” Los Angeles Times, 16.Juni / June
16th.
Mallinson, Constance, “Music for the Eyes,” Artweek, 11. Oktober / October 11th.
13

Max Cole - kunstgaleriebonn

Transcription

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