tempest in teacups

OTTO HAAS
April, 2013
TEMPEST IN TEACUPS
1) BANTI, Brigida Giorgi (ca. 1756-1806): For the Benefit of Made. Banti. [London: ca.
1802]. 144 x 174 mm. Printed ticket comprising a stipple engraving by Francesco Bartolozzi
(1727-1815) after a drawing by Edward Burney (1760-1848) depicting a female figure with
laurel wreath tiara and a lyre, holding a cherub in her right arm with another cherub to her
left, each holding a mask (one of tragedy and one of comedy), atop clouds. Possibly dating to
1802 when a benefit was held for Banti, during which she sang the role of Polifonte in
Nasolini's Merope - her chief rival, Mrs Billington, joined her to sing the part of the heroine.
£220
2) BARNETT, John Francis (1837-1916): The Building of the Ship. Cantata [Op. 35].
Orchestral Score. [London: ca. 1880]. Full score: 190 pp., copyist’s manuscript, in ink, on
24-stave paper. Publisher’s half leather, label; backstrip mostly worn away. From the
archive of the music publisher Joseph Williams, presumably a copy made for hire, with
pencil and crayon performance annotations.
£350
Barnett’s cantata was composed to text by Longfellow for the Leeds Music Festival of 1880.
The work is unpublished in full score.
3) BEETHOVEN, Ludwig van (1770-1827): Partition No. [1] Quintette par L. van
Beethoven [Op. 4]. [S.l.: ca. 1830]. Score: 38 ff., oblong folio. Stitched, title dust-stained
otherwise a good manuscript copy with (optional) bass part added to the instrumentation.
£1,250
Manuscript in the hand of Charles Louis Joseph Hanssens (1777-1852) in brown ink on 16stave paper, with original corrected pastedowns, watermark of CDT & Cie.
4) BEETHOVEN, Ludwig van (1770-1827): Die Sehnsucht von Goethe mit vier Melodien
nebst Clavierbegleitung von L. van Beethoven, No. 38 [WoO 134]. Bonn: beÿ N. Simrock,
[1810?]. 1 f. (title), 5 pp., oblong folio, engraved, plate number 694. Disbound, sewn. £200
Kinsky-Halm p. 599.
5) BEETHOVEN, Ludwig van (1770-1827): Adelaide de Matthisson. Cantate à une voix
seule, avec accompagnement de Clavecin, Mise en Musique, et dédieé à l’auteur par L. van
Beethoven [Op. 46]. À Bonn: chez N. Simrock, [1803?]. 11 pp., oblong folio, engraved,
plate number 373. Disbound, sewn, last leaf detached.
£250
Kinsky-Halm p. 109. Text in German, French and Italian.
6) BEETHOVEN, Ludwig van (1770-1827): Sechs Lieder von Gellert am Klavier zu
singen dem Herren Grafen Browne, zugeeignet von Ludwig van Beethoven [Op. 48]. Im
Bonn: bey N. Simrock, [1803?]. 16 pp., oblong folio, engraved, plate number 368.
Disbound, sewn.
£280
Kinsky-Halm p. 115. Not in BL.
7) BEETHOVEN, Ludwig van (1770-1827): Wellingtons-Sieg oder: Die Schlacht bey
Vittoria, In Musik gesetzt von Ludwig van Beethoven, 91tes Werk, Für das Piano-Forte, Violin
und Violonzello [sic]. Wien: im Verlag bey S.A. Steiner und Comp., [1816]. Parts: 21, 7, 7
pp., oblong folio / folio, engraved, plate number C.D.S.2365. Folded as issued, outer fold
worn and reinforced with old paper tape and title and little faded, otherwise a super unused
copy.
£600
First edition of this arrangement. Kinsky-Halm p. 254.
8) BEETHOVEN, Ludwig van (1770-1827): Rondeau (En Si b) pour le Pianoforte à 4
mains, composé par L. van Beethoven, Oeuvre posthume [WoO 6]. Vienne: chez Ant.
Diabelli et Comp., [1829]. 23 pp., oblong folio, engraved, plate number D.etC.No.3253.
Sewn, green tape backstrip.
£320
Kinsky-Halm p. 436.
9) BERG, Alban (1885-1935): Kammerkonzert für Klavier und Geige mit dreizehn Bläsern.
Partitur (Reproduktion nach der Handschrift des Komponisten). Wien: Universal-Edition,
1925. Full score: 190 pp., folio, plate number U.E.8393. Publisher’s printed wrappers,
backstrip worn, foxed.
£350
First edition.
10) BOSSWARD, Edward James: Edward J. Bossward, Organ Builder & Tuner, 229,
Lady Wood Road, Birmingham. Birmingham: [ca. 1860]. 60 x 91 mm. Business card,
printed on card, highly decorative calligraphic style, with a picture of an organ with five
towers in the lower corner.
£145
11) CHABRIER, Emmanuel (1841-1894): Ouverture de Gwendoline. [Paris]: Enoch
Frères & Costallat, [1890?]. Full score: 71 pp., folio, plate number E.F.et C.1694. Half cloth
with marbled boards, front hinge a little weak, original publisher’s wrappers bound in. £120
12) [CHURCH], KADE, Otto: Die Ältere Passionskomposition bis zum Jahre 1631 von
Professor Dr. Otto Kade, Musikdirector in Schwerin i. M. Gütersloh: C. Bertelsmann, 1893.
iv, 346 pp., octavo. Quarter cloth with marbled boards. Discussing the Latin and German
Passions of Obrecht, Galliculus, Rore, Ruffus, Gallus, Regnart, Lassus, Vittoria, Guerrero,
Byrd, Johann Walther and Schütz, amongst others. Music examples throughout.
£60
13) [CHURCH], AUBRY, Pierre: Les Idées de S.S. Pie X sur le Chant de l’Église. Extrait
du Correspondant. Paris: L. de Soye et Fils, 1904. 28 pp., large octavo. Wrappers, faded,
unopened and uncut.
£50
14) LOOTENS, L.: La Théorie Musicale de Chant Grégorien par Mgr. L. Lootens, Évêque
de Castabala. Paris: Thorin et Fils, 1895. xxiv, 432 pp., octavo. Publisher’s printed
wrappers, back one missing, edges a little chipped, backstrip more worn.
£60
15) DELIUS, Frederick (1862-1934): Eine Messe des Lebens für Soli, Chor und grosses
Orchester nach Nietzsches “Zarathustra” zusammengestellt von Fritz Cassirer. Musik von
Frederick Delius. Klavierauszug mit Text von Otto Singer [Threlfall II/4]. Wien: UniversalEdition, [ca. 1921. Vocal score: 210 pp., quarto, plate number U.E.3908. Full morocco, all
edges gilt, one or two slight fore-edge bumps to the leather, bound by The Collector’s Book
Club of London. Few pencil markings. German and English text.
£150
16) [FRANCE], BARBIER, Pierre and VERNILLAT, France: Histoire de France par
les Chansons. I, Le Moyen-Age et les Chansons de Croisades, La Guerre de Cent Ans, Du
Royaume de François Ier à François II, Les Guerres de Religion, Louis XIII et Richelieu. 2e
edition. [Paris]: Gallimard, [1956]. 167 pp., octavo. Publisher’s printed paperback, edges
and head of backstrip worn or creased.
£25
17) [HANDEL, George Frideric (1685-1759)] RING, John (1752-1821): The
Commemoration of Handel. A Poem. London: Printed by H. Goldney and sold by T. Cadell,
J. Walter and T. Booker, 1786. 1 f. (title), 41 pp., octavo. Plain boards. Bound with the
programme for the third performance in the Handel Commemoration concert of the 1787
festival, 37 [i.e. 33] pp.
£1,350
Bookplate of Geoffrey Gollin.
The Handel Commemoration Festivals, devised in 1784 on the supposed centenary of the
composer’s birth, were held in Westminster Abbey and attracted large audiences to both the
concerts and the rehearsals. The festivals were held in aid of raising funds to benefit the
support of the Society of Musicians, and were enthusiastically supported by King George III.
The programme includes a lengthy listing of the performers in the festival along with a list of
Subscribers to the Society of Musicians, as well as the programme and the texts to the vocal
works. On p. 34 is a pastedown at the head over the printed text indicating that the
performers for the Duet (‘The Lord is a man of war’ from Israel in Egypt) was changed to Mr
Parry and Signor Morrelli.
18) HANDEL, George Frideric (1685-1759): Concertante In nine parts For two Violins
and a Violoncello Obligati, Composed in the Year 1738 By G.F. Handel [HWV 318].
[London: printed for the Editor by Longman & Broderip, 1791]. Score: 45 pp., folio,
engraved. The Works of Handel, in score, correct, uniform and complete ... under the
immediate direction and inspection of Dr Arnold, nos 98-99. Disbound.
£100
Smith no. 4 (p. 241). RISM H1538. BUC p. 419.
19) HANDEL, George Frideric (1685-1759): Twelve Sonatas or Solo’s for the German
Flute, Hautboy and Violin. Published about the Year 1724, Composed by G.F. Handel [Op.
1]. [London: printed for the Editor by Longman & Broderip, 1794]. Score: 44 pp., folio,
engraved. The Works of Handel, in score, correct, uniform and complete ... under the
immediate direction and inspection of Dr Arnold, nos 139-140. Disbound, final leaf
detached, title leaf a little browned.
£100
Smith no. 4 (p. 243). RISM H1552. BUC p. 419.
20) KAMMEL, Antonín (1730-by 1787): Six Sonatas for the Piano Forte, Harpsichord or
Harp with Accompaniments for a Violin and Violoncello, Composed & humbly Dedicated to
Miss Ottley by Antonio Kammell, Opera IX. London: Printed and Sold by Welcker, [ca.
1776]. Parts: 1 f. (title), 34 pp., 1 f. (title), 7 pp., 1 f. (title), 6 pp., folio, engraved.
Disbound.
£250
RISM K127. BUC p. 564. Only two copies listed in the UK (both in The British Library).
21) KAMMEL, Antonín (1730-by 1787): Six Notturnos, for two Violons & a Violoncello,
Humbly Dedicated to Lady Young of Delaford By Antonio Kammell, Op. 6. London: Printed
& sold by Preston, [wm 1806]. Parts: each 1 f. (title), 13 pp., folio, engraved. Disbound.
£160
RISM K111 citing just two copies and both comprising only the primo violin part. Not in
BL.
22) KREUTZER, Rodolphe (1766-1831): Trois Trios Brillans Pour deux Violons et Basse,
Dédiés à son Ami Garnier De Lyon, Par R. Kreutzer. Lettre [A]. A Paris: Au Magasin de
Musique, [1803]. Parts: 1 f. (title), 22, 13, 13 pp., engraved, plate number 179. Disbound.
Few lower corners creased and a few contemporary performance markings.
£220
RISM K 2285.
23) L’ETENDART, A.: Sonate
Composée pour le Forte-Piano avec
Accompagnement de Violon oblige et
de Basse ad-libitum; dédiée à Madame
Delphine Le Roux par A. l’Etendart.,
Oeuvre 3. A Paris: Chez l’Auteur Et
chez Mme. Duhan, [inter 1806-1821].
Score: 1 f. (title), 21 pp., folio,
engraved. Red morocco, gilt, with the
dedicatee’s name, her copy, some
occasional light spotting.
£1,200
RISM L2161 citing just two copies
(Parma, Italy, and Library of Congress,
USA). Consulate-era artefact, in its
striking red binding, bearing the ticket
of the papetier Susse, whose shop was
in the newly-opened Passage des
Panoramas in the Grands Boulevards
of Paris.
24) MASSENET, Jules (1842-1912): Marie-Magdeleine. Drama [sic] sacre en 3 Actes et
4 Tableaux. Poëme de Louis Gallet. Musique de J. Massenet. [London: ca. 1880]. Full
score: 315 pp., copyist’s manuscript, in ink, on 25-stave paper. Publisher’s quarter cloth with
plain orange boards, label (inter 1894-7); edges bumped and worn. From the archive of the
music publisher Joseph Williams, presumably a copy made for hire.
£2,800
First performed in this first version at the Odeon in Paris on 11th April 1873. The work was
produced in a second version as a “Drame lyrique” at the Paris Opéra on 12th April 1906 and
published in full and vocal score, however, the earlier version “Drame sacré” was only ever
published in vocal score (by Hartmann in 1873 and then Williams ca. 1885).
25) PITT, Percy (1869-1932): 3 Romantic Pieces for Violoncello with Pianoforte
accompaniment by Percy Pitt, Op. 18. London: Augener & Co., 1896. Score: 1 f. (title), 22
pp., folio, plate number 10924, edition no. 7725. Disbound, sewing broken, some browning.
Inscribed and signed by the composer to “Giorgio Franchetti, zur freundl. Erinnerung an
Percy Pitt, Januar [18]97”.
£48
Sole edition. Dedicated to Agustin Rubio.
26) RANDEL, Don Michael: An Index to the Chant of the Mozarabic Rite by Don Michael
Randel. Princeton: Princeton University Press, [1973]. ISBN 069109117x. xxii, 668 pp.,
oblong octavo. Publisher’s green cloth.
£120
27) SCHOENBERG, Arnold Franz Walter (1874-1951): Entrückung (Stefan George).
IV. Satz aus dem II. Streichquartett, Op. 10, von Arnold Schönberg, für eine Sopranstimme
und Klavier. Klavierauszug von Alban Berg. Wien: Universal-Edition, 1921. Vocal score:
14 pp., folio, plate number U.E.6863. Publisher’s printed wrappers, edges faded, backstrip
ever so slightly separating.
£100
First edition.
28) SCHOENBERG, Arnold Franz Walter (1874-1951): Die Glückliche Hand. Drama
mit Musik von Arnold Schönberg, Op. 18. Auszug mit Text für zwei Klaviere zu vier Händen
von Eduard Steuermann. Wien: Universal-Edition, 1923. Score: 40 pp., large folio, plate
number U.E.5669. Publisher’s printed wrappers, edges a little crumpled and faded, backstrip
ever so slightly worn.
£300
First edition.
29) SCHOENBERG, Arnold Franz Walter (1874-1951): Gurre-Lieder von Jens Peter
Jacobsen (Deutsch von Robert Franz Arnold), für Soli, Chor und Orchester von Arnold
Schönberg. Partitur. Wien: Universal-Edition, 1912. Full score: 1 f. (title), 179 pp., large
folio, plate number U.E.3697. Publisher’s printed wrappers, front dust-stained, corners and
edges creased, backstrip worn. With ownership signature, in pencil, of Percy Alfred Scholes
(1877-1958) and with his annotations to the title-page including orchestration and a note of
“48 staves to the page!”. Facsimile reproduction of the composer’s manuscript.
£1,200
30) SCHOENBERG, Arnold Franz Walter (18741951): Sechs Orchester-Lieder von Arnold Schönberg,
Op. 8. Klavierauszug von Anton v. Webern. No. 2, Das
Wappenschild. Wien: Universal-Edition, [©1911, printed
1913]. Vocal score: 11 pp., folio, plate number U.E.3042.
Publisher’s printed wrappers, some slight vertical
creasing.
£80
First edition plates, later issue.
31) SCHOENBERG, Arnold Franz Walter (1874-1951): Sechs kleine Klavierstücke von
Arnold Schönberg, Op. 19. Wien: Universal-Edition, [©1913, printed 1921]. Score: 8 pp.,
folio, plate number U.E.5069. Publisher’s printed wrappers. With ownership stamp of Percy
Alfred Scholes (1877-1958) and with his pencilled annotations.
£125
First edition plates, later issue.
32) SCHROETER, Johann Samuel (ca. 1752-1788): Six Sonatas for the Piano Forte or
Harpsichord, with Accompanyments for a Violin and Bass, Composed by J.S. Schroeter,
Opera II. London: Printed for Wm. Napier, [1771]. Score and parts: 1 f. (title), 27 pp., 1 f.
(title), 13 pp., 1 f. (title), 6 pp., folio, engraved. Disbound.
£240
RISM S2163. BUC p. 933. According to RISM the publication has the plate number 6 not
present in this copy.
33) SCHROETER, Johann Samuel (ca. 1752-1788): Six Concertos for the Harpsichord
or Piano Forte, With an Accompanyment for Two Violins, and a Bass, Composed and
dedicated to Her Grace the Dutchess of Ancaster by J.S. Schroeter, Opera III. London:
Printed for and sold by J. Dale, [ca. 1785]. Keyboard part: 1 f. (title), 50 pp., folio, engraved,
plate number 31. Disbound, in two pieces.
£140
RISM S2173. BUC p. 932.
34) SCHUBERT, Franz (1797-1828): Die zürnende Diana und Nachtstück, gedichtet von
Joh. Mayerhofer; in Musik gesetzt für eine Singstimme mit Begleitung des Pianoforte und der
Frau Katharina von Lacsay gebornen Buchwieser gewidmet von Franz Schubert, 36s. Werk
[D 707, D 672]. Wien: bey Joseph Czerny, [ca. 1825]. Score: 19 pp., oblong folio,
engraved, plate number C.u.C.60. Folded as issued, some general light foxing.
£175
Second impression, from the plates of the original edition. Deutsch pp. 416 and 391.
35) SCHUBERT, Franz (1797-1828): An die untergehende Sonne. Gedicht von
Kosegarten. In Musik gesetzt für eine Singstimme mit Begl. des Pianoforte von Franz
Schubert, 44tes. Werk [D 457]. Wien: bei Ant. Diabelli & Comp., [1827]. Score: 7 pp.,
oblong folio, engraved, plate number D.et C.No.2252. Folded as issued.
£200
First edition. Deutsch p. 271. Hirsch IV.522.
36) SCHUBERT, Franz (1797-1828): Alinde. An die Laute. Zur guten Nacht. Gedichte
von Fried. Rochlitz. In Musik gesetzt für eine Singstimme mit Begleitung des Pianoforte von
Franz Schubert, 81tes. Werk [D 904, D 905, D 903]. Wien: bei Tobias Haslinger, [1827].
Score: 2 ff. (title, dedication), 11 pp., oblong folio, engraved, plate number T.H.5029. Folded
as issued, outer folios separated, some general light browning.
£325
First edition. Deutsch pp. 569-570. Hirsch IV.559.
37) SMITH, R.A.: Sixth Edition. The Scotish Minstrel, A Selection from the Vocal
Melodies of Scotland, Ancient and Modern, Arranged for the Voice and Piano Forte by R.A.
Smith, Vol. III [and IV]. Glasgow: Morison Kyle / Edinburgh: J. Purdie, [ca. 1840]. 1 f.
(title), 4, 108 pp.; 1 f. (title), 4, 104 pp., octavo. Quarter calf with red cloth, head and foot of
backstrip a little worn, edges faded, all edges gilt. Title-page vignettes. Alfred Moffat’s
copy with his ownership signature.
£75
38) TESSARINI, Carlo (ca. 16901766): Concerti a Cinque Con 3
Violini, Violetta, Violoncello ò Basso
Continuo Da Carlo Tessarini di Rimini,
Virtuoso di Violino, Presentamente in
Venetia, Opera Prima. London: Printed
for and sold by I. Walsh, [1733]. Parts
(lacking violino terzo but with two
copies of the organo e violoncello): each
with a 1 f. (title); 27, 27, 20, 23, 23 pp.,
folio, engraved, plate number 441.
Disbound.
£800
RISM T581. BUC p. 1001. Smith &
Humphries no. 1438.
39) TESSARINI, Carlo (ca. 1690-1766): Concerti a Cinque Con 3 Violini, Violetta,
Violoncello ò Basso Continuo Da Carlo Tessarini di Rimini, Virtuoso di Violino,
Presentamente in Venetia, Opera Prima. London: Printed for and sold by I. Walsh, [1727].
Organo/violoncello part only: 1 f. (title); 23 pp., folio, engraved. Disbound.
£200
First edition. RISM T581. BUC p. 1001. Hirsch III.540. Smith & Humphries no. 1437.
40) VIARDOT, Pauline (1821-1910): Pauline ViardotGarcia. [Wien: ca. 1850]. 253 x 179 mm. Lithograph
portrait of the singer, half-length, in profile facing to her
right with head turned slightly back towards the viewer,
wearing a dress, with straight-combed-back hair, tied with
a floral decoration.
£90
41) [WAGNER, Richard (1813-1883)] NOHL, Ludwig: Gluck und Wagner. Ueber die
Entwicklung des Musikdramas, von Ludwig Nohl. München: Louis Finsterlin, 1870. vii, 368
pp., octavo. Quarter cloth with boards, original publisher’s printed front wrapper bound in.
Inscribed and signed by the author.
£120
42) [WAGNER, Richard (1813-1883)]: Bayreuther Blätter. Monatschrift des Bayreuther
Patronatvereines. Unter Mitwirkung Richard Wagner’s redigirt von Hans von Wolzogen.
Erster Jahrgang 1878 [-Sechzehnter Jahrgang, 1893]. Bayreuth: 1878-1893. Sixteen
volumes: each ca. 400 pp., octavo. Cloth, one or two volumes a little stained externally
otherwise good.
£1,800
Vols 1-4 including articles by Wagner. A monthly newsletter, founded in 1878 by the editor
Hans von Wolzogen (1848-1938) with the encouragement of Wagner, for visitors to the
Bayreuth Festival; it continued until the year of Wolzogen's death in 1938. The newsletter
carried frequent articles by Wagner, some of which were substantial; for example, Wagner's
essays Religion and Art (October, 1880) and Heroism and Christianity (September, 1881).
From 1880 to 1896 the journal carried extracts from the detailed recollections by Heinrich
Porges (1837-1900) of Wagner's rehearsal and staging technique. The Bayreuther Blätter
remains an important source of information about the Bayreuth Festival in Wagner's last
years and about the opinions of his devoted followers.
43) LANG, Julius: Ueber die erste Aufführung von Richard Wagner’s “Meistersinger von
Nürnberg” (in München). Mittheilungen von Dr. Julius Lang. [Berlin: Buchdruckerei der
Staatsbürger, 1868]. 16 pp., octavo. Marbled boards, backstrip rubbed.
£60
Hirsch 4914.(13.).
44) WAGNER, Richard (1813-1883): Oeuvres en prose de Richard Wagner. Traduites en
Français par J.-G. Prod’homme. Tome premier des Gesammelte Schriften … (1841-1842).
Paris: Librairie Ch. Delagrave, [1907]. 358 pp., octavo. Lacking wrappers/covers, sewn but
broken, volume in three pieces. Inscribed and signed by the author on the half-title.
£45
45) WAGNER, Richard (1813-1883): Art et Politique par Richard Wagner (Ire partie).
Bruxelles: J. Sannes, 1868. 73 pp., octavo. Quarter morocco, scratched, with marbled
boards. Bound with Ernest Closson’s La Musique et les Arts Plastiques, Bruxelles, Schott
Frères, 1896, 56 pp., and with Eugene de Bricqueville’s L’Opéra de l’avenir dans le passé,
Paris, Henri Heugel, 1884, 85 pp. Some light browning.
£150
First French edition.
46) WAGNER, Richard (1813-1883): Carnevals-Lied aus der Oper Das Liebesverbot oder
di Novize von Palermo von Richard Wagner [‘Ihr junges Volk’. WWV 38]. [Stuttgart &
Leipzig: Scheible, 1837]. Europa (1837), Band II. Vocal score: [4] pp., folio, lithographed.
Disbound, inner edges expertly infilled.
£400
First edition. Wagner Werk-Verzeichnis p. 139.
47) WEBERN, Anton (1883-1945): Sechs Stücke für grosses Orchester von Anton von
Webern, Op. 4. [Wien]: Im Selbstverlag des Komponisten, [1909]. Score: 1 f. (title), 24 pp.,
folio. Publisher’s printed wrappers, some foxing, front hinge weak, with Universal-Edition
label over the imprint. Dedicated to Schoenberg.
£950
48) WEBERN, Anton (1883-1945): Fünf Stücke, für Orchester von Anton von Webern, Op.
10. Wien: Universal-Edition, 1923. Score: 15 pp., folio, plate number U.E.5967.
Publisher’s printed wrappers, slightly faded. Copy stamped no. “48” on cover.
£450
First edition.
49) WILLIAMS, Joseph Benjamin (1847-1923) [PASCAL, Florian]: Tempest in
Teacups. Full Score. [London: ca. 1898]. Full score but without the vocal parts written in:
224 pp., autograph manuscript, in ink, on 22-stave paper, initialled on the final page.
Publisher’s quarter cloth with plain orange boards, label; boards and upper edges of opening
pages somewhat damp-stained, all text visible. From the archive of the music publisher
Joseph Williams, presumably a copy made for hire. Characters referred to in the margins
include Jane, Jack, Celia, Penelope, Sir A., Trelawney and an off-stage chorus of carol
singers.
£350
Unpublished in full score.
50) ZUMSTEEG, Johann Rudolf (1760-1802): Lenore von G.A. Buerger in Musik gesezt
von I.R. Zumsteeg. Leipzig: bey Breitkopf & Haertel, [1798]. Vocal score: 1 f. (title), 46 pp.,
oblong folio. Disbound. Fine oval title vignette of Leonore on horseback with “William”,
fleeing death, engraved by W. Böhm.
£175
Hirsch III.1183.
List compiled by Colin Coleman