61st ARD International Music Competition Munich 2012

Transcription

Voice
Clarinet
String
Quartet
September 6 to
September 21, 2012
61st ARD International Music Competition
Munich 2012
Internationaler Musikwettbewerb der ARD
Bayerischer Rundfunk
Rundfunkplatz 1
80335 München
Deutschland
Tel. ++49 89 5900-2471
Fax ++49 89 5900-3573
E-Mail ard.musikwettbewerb@brnet.de
www.ard-musikwettbewerb.de
Organizers
The 61 st ARD International Music Competition 2012 in
Munich is open for the following categories:
The 61 st ARD International Music Competition in
Munich – 2012 – is presented by the Association of Public
Broadcasting Corporations in the Federal Republic of
Germany (ARD).
Clarinet
Voice
String Quartet
The invitation to participate in this competition is
extended to young musicians, who are ready to launch an
international career.
The competition is open to musicians of all nations
for clarinet born between 1983 and 1995, for voice born
between 1980 and 1992 and for string quartet born
between 1983 and 1995 (average age maximum 29 years:
one member may be older).
The competition will be conducted during the period
from September 6 to 21, 2012 (including the prize winners’
concerts).
The auditions are open to the public.
Contents
1 Title
2 General Conditions | Organizers
3 Prizes
4 Special Prizes
6 Concert Invitations
7Further Concert Engagements
8 Conditions of Participation
9Conduct of the Competition
10Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
21 Honorary Committee | Patrons
22 Main Committee | Directors
23Upcoming Competitions
Deadline for registration: March 31, 2012
Bayerischer Rundfunk Munich
Hessischer Rundfunk Frankfurt /Main
Mitteldeutscher Rundfunk Leipzig
Norddeutscher Rundfunk Hamburg
Radio Bremen
Rundfunk Berlin-Brandenburg
Saarländischer Rundfunk Saarbrücken
Südwestrundfunk Stuttgart
Westdeutscher Rundfunk Cologne
Deutsche Welle Cologne
Deutschlandradio Cologne/Berlin
Member of the World Federation of
International Music Competitions, Geneva
2
General Conditions | Organizers
General Conditions
3
Clarinet
First Prize
Second Prize
Third Prize
c 10,000
c 7,500
c 5,000
Voice (Female)
First Prize
Second Prize
Third Prize
c 10,000
c 7,500
c 5,000
Voice (Male) First Prize
Second Prize
Third Prize
c 10,000
c 7,500
c 5,000
String Quartet
First Prize
Second Prize
Third Prize
c 24,000
c 18,000
c 12,000
The prize winners will be determined by the jury.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Prizes
Prizes
Audience Prizes
Audience prizes totaling c 6,000 made possible by
the Theodor Rogler Foundation will be awarded in the
final round as follows:
– Clarinet in the amount of c 1,500
– Voice Female in the amount of c 1,500
– Voice Male in the amount of c 1,500
– String Quartet in the amount of c 1,500
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Special Prizes for the Best Interpretation of a Commissioned Composition
Special prizes totaling c 3,000 for the best interpretation
of the individual commissioned compositions, made
possible by the Alice Rosner Foundation, will be awarded
in the category:
– Clarinet for the composition by Jonathan Harvey
in the amount of c 1,000
– Voice for the composition by Manfred Trojahn
– String Quartet for the composition by Erkki-Sven Tüür
Special Prize from the Munich Chamber Orchestra
The Special Prize from the Munich Chamber Orchestra
totaling c 1,000 will be awarded by the members of
the Munich Chamber Orchestra for an outstanding
interpretation by a semi-finalist in the category clarinet.
Special BR-KLASSIK Prize
The BR-KLASSIK program division of Bayerischer Rundfunk will be presenting the Special BR-KLASSIK Prize in
the amount of c 1,000 for an outstanding performance.
4
Alice Rosner Prize
The Alice Rosner Foundation awards the Alice Rosner
Prize in the amount of c 1,000 for the best interpretation
of a 20th century work.
Osnabrück Music Prize
The Osnabrück Music Prize, made possible by the Werner
Egerland Foundation, in the amount of c 7,500 is awarded
to a finalist in the categories clarinet or voice. It is linked
to a concert with the Osnabrück Symphony in January/
February 2013.
Special Prize “Prima la musica”
The Prize in the amount of c 5,000 will be awarded by
Ms Krista Pfleiderer to a prize winner or finalist in the
category clarinet or voice. It is linked to three concerts
with orchestra.
Busch Brothers Prize
The Busch Brothers Circle awards the Busch Brothers
Prize in the amount of c 3,000 – in collaboration with
the South Westphalian Philharmonic – to an outstanding
finalist in the category clarinet. It is linked to a concert
appearance at the Busch Brothers Circle and potential
subsequent concerts with the South Westphalian Phil
harmonic.
ifp Music Prize
The special prize from ifp Cologne in the amount of
c 3,000 is awarded for outstanding achievement in the
category voice.
Special Prize U21
The Special Prize U21 totalling c 2,000, underwritten
by the Dr. Marianne Kunkel Fund will be awarded by the
BR-KLASSIK young people’s program “U21 – Your Program.
Your Music” for an outstanding performance by a
participant under the age of 21.
Continued on page 5
Special Prizes
Special Prizes
Special Prize from Freunde Junger Musiker München e.V.
Freunde Junger Musiker München e.V. will award a
Special Prize for an outstanding performance by a young
soloist in the category clarinet, who at least reached the
semi-final.
The prize in amount of c 2,500 is linked to a chamber
concert in Munich. Further engagements can be
announced from other Associations of the Freunde
Junger Musiker in Berlin, Bremen, Frankfurt/Main, Kassel,
Köln, Bonn, Mainz, Wiesbaden, Meerbusch and Düsseldorf.
Special Prize from Neue Philharmonie Westfalen
Neue Philharmonie Westfalen will award a Special Prize
in the amount of c 6,000 to a finalist in the category
clarinet. The prize is linked to four concerts with the Neue
Philharmonie Westfalen in the season 2013/2014.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Special Prize Palazzetto Bru Zane
The Special Prize in the amount of c 4,000 will be awarded by the Foundation Bru Zane for the best interpretation
of a work of the French romanticism. It is linked to an
invitation for a recital in the Palazzetto Bru Zane in
Venice.
Jeunesses Musicales Deutschland Sponsorship Award
The prize consists of a full-tuition scholarship for a string
quartet to participate in the “Jeunesses Musicales International Chamber Music Campus” with the Vogler Quartett at Weikersheim Castle from September 4 to 15, 2013.
5
Special Prize from Schwarzwald Musikfestival
The Schwarzwald Musikfestival will present a Special
Prize in the amount of c 3,000 to an outstanding finalist
in the category string quartet. It is linked to a concert
in the series “Junge Elite” in collaboration with the Hotel
Bareiss, in the Christuskirche zu Mitteltal between
April and September 2013.
Special Prize from Walter and Charlotte Hamel Foundation
The Walter and Charlotte Hamel Foundation will award
two Special Prizes, each in the amount of c 2,500 for an
outstanding achievement of a female and male singer,
who at least reached the semi-final.
Special Prize from Freunde des Nationaltheaters
Freunde des Nationaltheaters will award a Special Prize
in the amount of c 2,000 for an outstanding achievement
in the category voice/opera.
Bärenreiter Urtext Prizes
Sheet music vouchers with a value of c 1,000.
Special Prize from OehmsClassics
The OehmsClassics label invites a prize winner or finalist
to record a CD.
Special Prizes
Special Prizes
Prize winners may be invited to give concerts or make
recordings.
Broadcast Appearance
Prize winners will receive invitations from ARD broad
casters to perform concerts or make recordings under the
usual radio conditions.
Prize winners may be invited as soloists:
– by the Symphonieorchester des Bayerischen Rundfunks
– by the Frankfurt Radio Symphony Orchestra
– by the MDR Symphony Orchestra
– by the Deutschen Radio Philharmonie Saarbrücken
Kaiserslautern
– by the Radio Symphony Orchestra Stuttgart of the
Südwestrundfunk
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
6
Concert Invitations
Concert Invitations
Possible concert engagements
may be offered by the following
institutions:
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Auditorium du Louvre
Braunschweig Classix Festival
Burghofspiele im Rheingau
Sommer
Camerata Andechs
Central European Music Festival
Žilina
Chor des Bayerischen Rundfunks
Collegium Musicum Basel
Davos Festival
Euregio Musikfestival
music and arts
Festival Classic Oberfinning
Festival der Nationen,
Bad Wörishofen
Festival EuroArt Praha
Festival Musical Olympus
St. Petersburg
Festspiele Mecklenburg
Vorpommern
Festspiele Orff in Andechs
Folkwang-Kammerorchester Essen
Frankfurter Museums-Gesellschaft
Freunde der Musik Landshut
Gebrüder-Busch-Kreis
Hapag-Lloyd Kreuzfahrten
Heidelberger Frühling
Hofer Symphoniker
Inselfestival Hombroich
InselKonzerte – Kammermusik
auf Herrenchiemsee
Internationale Iffeldorfer
Meisterkonzerte
Internationale Stiftung Mozarteum
Salzburg
Internationales Musikfestival
Ceský Krumlov
Junges Podium Altrip
Juventudes musicales de España
Kaisersaalkonzerte Frankfurt/Main
Kammerkonzerte im Deutschen
Elfenbeinmuseum Erbach
Kirchberg-Forum Hessen
Kissinger Sommer
Klavierfestival Ruhr
Konzerte auf Henkellsfeld,
Wiesbaden
Konzertgesellschaft Wuppertal
Konzerthaus Berlin
Kulturdienst Weimar
Kulturverein Zorneding-Baldham
Kunstfreunde Bensheim
Kurpfälzisches Kammerorchester
Landesbank Saar, Saarbrücken
Leitheimer Schlosskonzerte
Liesborner Museumskonzerte
Lions International Club
Schwäbisch Gmünd
Ludwigsburger Schlossfestspiele
Meisterkonzerte im
Alten Bahnhof Kettwig
Meister von morgen, Herdecke
Mosel Musikfestival
Mozart-Gesellschaft Dortmund
Münchener Kammerorchester
Münchner Konzertdirektion
Hörtnagel
Münchner Rundfunkorchester
Münchner Symphoniker
Musik und Sprache, Hessenbrückenmühle
Musikverein Bamberg
Nordwestdeutsche Philharmonie
Herford
Osnabrücker Symphonieorchester
Philharmonie Merck, Darmstadt
Philharmonie Südwestfalen
7
Philharmonisches Orchester
Freiburg
Rathauskonzerte Vaterstetten
Rheingau Musik Festival
Schleswig-Holstein Musik Festival
Schlosstheater Fulda
Schwarzwald Musikfestival
Schweizer Musikfestwochen
Schwetzinger SWR Festspiele
Serenade Timmendorfer Strand
Südwestdeutsches Kammer
orchester Pforzheim
Stiftung Mozarteum Salzburg
Symphonieorchester
»Wilde Gungl« München
Theaterforum – Klassikforum
Gauting
Ticino Musica, Locarno
Tonicale Musik & Event München
Tonhalle Düsseldorf
Weilburger Schlosskonzerte
Weingartner Musiktage
Junger Künstler
Wetzlarer Kulturgemeinschaft
Wiener Konzerthaus
Winners & Masters München,
Kulturkreis Gasteig
Württembergisches Kammer
orchester Heilbronn
Württembergische Philharmonie
Reutlingen
Zeughauskonzerte, Neuss
Concert managers, concert agencies and representatives of the
music industry will be invited
to the final rounds and the prize
winners’ concerts.
Further Concert Engagements
Further Concert Engagements
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
8
Registration Deadline
The registration deadline for applications: March 31, 2012
The documentation must arrive in Munich between
March 15 and March 31, 2012 (date stamp does not apply).
Please send by post mail to:
c/o Bayerischer Rundfunk
Rundfunkplatz 1
D-80335 München
Germany
Admission
Once the selection has been made, the decision of the
pre-selection jury, made up of members of the compe
tition jury along with the artistic director, on admission to
the competition will be released by June 15, 2012 at the
latest. Its decisions are final and incontestable. No explanations will be provided.
The chosen competitors will receive written notification of their selection. Competitors from abroad can, if
necessary, use this confirmation to apply for an entry visa.
Application
The following documentation should be enclosed:
– application form (Download from February 2012:
www.ard-musikwettbewerb.de)
– for the pre-selection, a personally recorded CD:
the CD may not be edited, may not be processed and
may not be older than one year (the works required for
the pre-selection can be found in the repertoire conditions). Cuts, editing or other technological manipulation
of pitches or lengths of held notes within the sections
performed are not permitted.
– a declaration by the recording studio/engineer on the
recording of the CD – cf. application form
– two recommendations from prominent musical
personalities
– in the case of students, the approval of the teacher
– an artistic curriculum vitæ
– a portrait photograph of the applicant, which will
appear in the competition program, black & white or
color (also in TIF format, minimum 300 dpi, can be sent
digitally)
Recognition of Conditions
With the application for the competition the participant
acknowledges acceptance of the participation and
competition conditions as well as the decision of the
pre-selection jury and the competition jury as binding.
There is no right of appeal.
Participation is only possible in one of the competition
categories.
Applications that do not meet the requirements of the
competition can be rejected. Submitted documents and
sound recordings cannot be returned.
Important for shipping: Do not declare the recording with
any value, due to a large sum of customs charges thereby
incurred!
Participation Fee
Following receipt of the admission confirmation, the
participation fee of c 100 for soloists and c 180 for string
quartets must be transferred “free of bank charges for
the recipient” at the latest by July 31, 2012. Should the
competitor be prevented from attending, or should he or
she cancel his or her participation, this participation fee
cannot be refunded.
Subject to alterations!
In cases of doubt, the German text applies.
The text of this invitation is available in the Internet
in German, English and French, the invitation can be
downloaded with repertoire and application form
(from February 2012): www.ard-musikwettbewerb.de.
Conditions of Participation
Conditions of Participation
Jury
The jury will be selected from among personalities
with international reputations without regard to ethnic,
ideological, political or linguistic considerations.
The decisions of the jury cannot be contested.
Students of a Jury Member
If there is a student of a jury member among the par
ticipants, this jury member may not take part in the
appraisal of this competitor.
Jury members are not allowed to teach their students
during the competition itself, otherwise the student,
the jury member, or both may be disqualified. To this end,
a student is defined as someone who studied with a jury
member for a lengthy and continuous period, and such
study was completed less than three years before the
beginning of the competition. Participation in master
classes is not affected.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Competition Rounds
Four competition rounds are obligatory in all categories.
The semi-final for clarinet will be accompanied by the
Munich Chamber Orchestra without conductor. The
semi-final for voice will be accompanied by the Münchner
Rundfunkorchester with conductor. A maximum of six
instrumentalists and six string quartets will be admitted
to the semi-finals. In category voice a maximum of six
female and six male singers will be admitted to the semifinal.
The final round will be accompanied by the Symphonieorchester des Bayerischen Rundfunks for the categories clarinet and voice.
A maximum of four semi-finalists will be admitted to
the final round in each category.
9
First Audition Date
All participants will receive notification of the scheduled
date and time of their first audition – along with the
admission to the competition – in writing.
Competition Program
The following repertoire lists and the conditions therein
contained are binding for the competition program.
The competition program submitted by the com
petitors is binding. Subsequent alterations are not permitted.
No works in the competition program may be repeated
except on the express wish of the jury. The sequence of
performance is at the participant’s discretion. If possible,
original text editions should be performed.
Participants will not be allowed to perform their own
compositions.
In certain cases, the jury may allow only selections of
individual works to be performed in the first two competition rounds, or may select works from the submitted
repertoire.
Piano Accompanists
Official piano accompanists are available at no charge
to the competitors in categories clarinet and voice.
Each competitor will receive at least two rehearsals
with the accompanist.
Participants may bring along their personal accompanist at their own expense.
Conduct of the Competition
Conduct of the Competition
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Accommodation
Presence of the Participant at the Competition
Each participant has to register personally at the central
competition office one day before the first audition and
present his or her passport, ID card or officially recognized
birth certificate, and should not leave Munich as long as
he or she is an active participant in the competition without the express approval of the competition management (prize winners may first depart after September 21,
2012).
Each participant accepts the obligation to remain free
of all professional obligations or concerts throughout the
duration of the competition.
Accommodation during the Competition
For the duration of the first round, reasonably priced
hotels will be recommended to the participants.
All competitors who reach the second round will be
provided by the competition management with the cost
of accommodation and meals from this point for the
duration of their further participation in the audition
process. This does not apply to piano accompanists or
other companions.
All competitors who reach the semi-final will be guests
of the competition until the prize winners’ concerts.
10
Presence | Accommodation
Presence
Awards Ceremony
The awards ceremony will take place after the prize
winners’ concert on September 21.
Competitors will be expected to receive their awards
in person.
Prize Winners’ Concert
At the prize winners’ concerts, chamber music works
and works for soloists with orchestral accompaniment
will be performed. The decision regarding the program
and at which concert specific participants will appear will
be made by the competition management in conjunction
with the jury and the music department of Bayerischer
Rundfunk.
Prize winners will receive no fee for their participation
in the prize winners’ concerts.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
11
Media Exploitation
The Competition, including the prize winners’ concerts,
will be recorded by Bayerischer Rundfunk. These recordings can be used for broadcasting (radio or television,
including on-line) in full and/or in selections, live or at a
later time, and also provided for individual access independent of the type of receiver and also be made publicly
available. Other broadcasters in Germany and abroad can
make use of these recordings simultaneously or at a later
time. Further use of our broadcasts and availabilities
regardless of time and place (in full, in part or in selections) are possible.
The administration of the Competition reserves the right
to use the recordings of the Competition rounds and
prize winners’ concerts for the production of a CD and/or
a DVD to serve as publicity for the prize winners and
documentation of the Competition. The administration of
the Competition further reserves the right to release or
have released, and/or distribute or have distributed, itself
or through third parties, commercially or non‑commercially, any and all material from the Competition in audio
or audio-visual form, on analogue or digital sound/
image/sound-image data carriers including platforms,
regardless of format or process. The declaration of agreement required from the prize winners is regarded as
given with the application to the ARD International Music
Competition, the same applies to the transfer of rights in
accordance with the aforementioned stipulations. The
prize winners have no claim to additional compensation
of any kind.
Prize Winners
Prize Winners
Pre-selection with Recording
a) Carl Maria von Weber, Concertino
b) Claude Debussy, Première Rhapsodie
First Round
1. one of the following works: Luciano Berio, Sequenza IX
Pierre Boulez, Domaines
Marius Constant, For Clarinet
Franco Donatoni, Clair
Jörg Widmann, Fantasie
2. one of the following works: Leonard Bernstein, Sonata
Jean Françaix, Thema con Variationi
Bohuslav Martinů, Sonatine
Darius Milhaud, Sonatine
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
3. one of the following works: Carl Maria von Weber, Concerto No. 1 in F minor op. 73
Carl Maria von Weber, Concerto No. 2 in E-flat major
op. 74
Louis Spohr, Concerto No. 1 in C minor op. 26
Louis Spohr, Concerto No. 4 in E minor WoO 20
Bernhard Henrik Crusell, Concerto in F minor op. 5
Second Round
12
6. one of the following works: Gioacchino Rossini, Introduction, Theme and Variations
Donato Lovreglio, Fantasia da Concerto su motivi de
“La Traviata” di G. Verdi
Luigi Bassi / Alamiro Giampieri, Fantasia di Concerto
“Rigoletto” di G. Verdi
Semi-final with the Munich Chamber Orchestra (without conductor)
7. one of the following concertos: Wolfgang Amadeus Mozart, Concerto in A major KV 622
Carl Stamitz, Concerto in F major (Edition Schott)
Carl Stamitz, Concerto in E-flat major (Darmstädter
Konzert) (Edition Hoffmeister)
Final with the Symphonieorchester des Bayerischen Rundfunks
8. one of the following concertos: Paul Hindemith, Concerto
Carl Nielsen, Concerto
Jean Françaix, Concerto
Sandor Veress, Concerto
The works from No. 3, 6 and 7 are to be performed from memory.
* The best interpretation of one of the works marked will be
awarded the special prize Palazzetto Bru Zane.
4. commissioned composition by Jonathan Harvey
Composition commissioned for the 2012 ARD International Music Competition. The sheet music will be supplied along with the admission to
the competition. The commissioned composition may be played with the
sheet music but not publicly performed prior to the competition.
5. one of the following works: Johannes Brahms, Sonata in F minor op. 120 No. 1
Johannes Brahms, Sonata in E-flat major op. 120 No. 2
Max Reger, Sonata in A-flat major op. 49 No. 1
Max Reger, Sonata in F-sharp minor op. 49 No. 2
Robert Schumann, Fantasy Pieces for Clarinet and
Piano op. 73
Louis Théodore Gouvy, Sonata for Clarinet and Piano*
Jury Clarinet
Milan Turkovic Chairperson Austria
Franklin Cohen USA
Eric Hoeprich Netherlands
Karl Leister Germany
Paul Meyer France
Sabine Meyer Germany
John Bruce Yeh USA
Repertoire
Clarinet
Preliminary Remarks
The repertoire to be presented at the 2012 ARD International Music Competition in the voice category must
cover the baroque, classical, romantic and 20 th century
periods. Each participant must sing in at least three
European languages in the course of the Competition.
The order of performance in all rounds may be
determined by the participant.
In the first round, the participant may determine the
first work to be performed from the repertoire submitted
therefor.
With the exception of oratorios and the commissioned
work, everything must be performed from memory.
Participants are obligated to sing in the original languages. Art songs may be transposed. This necessarily has
to be stated when the program is submitted.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
The participants must decide between the two following
groups: either focus on concert or focus on opera.
As of the semi-final with orchestral accompaniment,
the repertoire must be selected from the repertoire list
stipulated by the Competition. Arias with cabalettas or
“B-sections” must be performed in full (e.g. Anna Bolena
“Piangete voi?” with the cabaletta “Coppia iniqua”).
All in all, preparations should be made in accordance with
the following stipulations:
13
Pre-selection with recording
 Two arias or one aria and an art song of the participant’s choice.
Both works may be repeated in the Competition.
First round (with piano accompaniment)
 Three pieces to be freely chosen. They must contain
one aria or one song by W. A. Mozart and an operatic or
oratorio aria from the romantic era.
One of these arias must be performed at first. It may be
selected by the competitor himself.
The jury may subsequently require and determine
a second one of these three works selected by the competitor.
Second round (with piano accompaniment)
 Two works the jury will select from the repertoire list
submitted by the competitor.
 In addition, the competitor is to sing one operatic aria,
one art song or one oratorio aria to be freely chosen.
Focus on opera
At least 14 arias, at least six of which must be taken from
the repertoire list stipulated by the Competition and at
least six art songs.
Focus on concert
At least ten arias, at least three of which must be taken
from the repertoire list stipulated by the Competition and
at least ten art songs.
Continued on page 14
Repertoire
Voice
Semi-final with the Münchner Rundfunkorchester (with orchestral accompaniment in the operatic category,
orchestral and piano accompaniment in the concert category)
Final with the Symphonieorchester des Bayerischen Rundfunks (with orchestral accompaniment in the operatic category and orchestral and piano accom
paniment in the concert category)
 Commissioned composition by Manfred Trojahn
Focus on opera
 Four arias, one of which already had been sung in
the semi-finals, to be freely selected by the competitor
from the repertoire list stipulated by the Competition.
And additionally
Focus on concert
 Two operatic or oratorio arias, one of which already
had been sung in the semi-final, to be freely selected by
the competitor from the repertoire list stipulated by the
Competition.
Focus on opera
 Three operatic arias to be freely selected by the
competitor from the repertoire list stipulated by the
Competition, one of them by W. A. Mozart. (One aria
from a previous round may be repeated.)
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
14
Focus on concert
 One operatic aria or oratorio aria with orchestral
accompaniment to be freely selected by the competitor
from the repertoire list from the Competition.
 Three art songs, from three different periods. (One song
from a previous round may be repeated.)
 Two art songs with piano accompaniment, one of them
by F. Schubert and one from the late romantic era or the
20th century.
Jury Voice
Brigitte Fassbaender Chairperson Germany
Juliane Banse Germany
Konrad Jarnot Great Britain
Tom Krause Finland
Pal Moe Norway
Cristoph Prégardien Germany
Edith Wiens Canada
Repertoire
Voice
Oratorio arias
The oratorio arias are to be freely
selected from the following works:
J. S. Bach, Matthäus-Passion
Johannes-Passion
B. Britten, War Requiem
(Bariton/Tenor)
M. Duruflé,Requiem
G. Fauré, Requiem (Sopran)
G. F. Händel, Messias
J. Haydn, Die Schöpfung
F. Mendelssohn Bartholdy, Elias
C. Orff, Carmina burana
R. Schumann, Das Paradies und
die Peri
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Soprano
L. v. Beethoven Fidelio Abscheulicher!
Wo eilst du hin? (Leonore)
V. Bellini I Puritani O rendetemi la
speme – Qui la voce – Vien diletto
(Elvira)
A. Berg Lulu Wenn sich die Menschen
um meinetwillen (Lulu)
L. BernsteinCandide Glitter and be
gay (Cunegonde)
G. Bizet Carmen C’est des contre
bandiers – Je dis que rien (Micaëla)
B. Britten The Turn of the Screw
How beautiful it is (Governess)
G. DonizettiDon Pasquale Quel
guardo il cavaliere (Norina)
Lucia di Lammermoor Regnava nel
silenzio (Lucia)
A. Dvořák R
usalka Mesícku na nebi
hlubokém (Rusalka)
Ch. W. GluckAlceste Divinités du Styx
(Alceste)
Ch. Gounod Faust O Dieu! Que de
bijoux – Ah! Je ris de me voir (Marguerite)
Philémon et Baucis Enfin, il a perdu
ma trace – O riante nature (Baucis)*
G. F. Händel Alcina Tornami a
vagheggiar (Morgana)
Giulio Cesare Piangerò la sorte mia
(Cleopatra)
R. Leoncavallo Pagliacci Qual
fiamma avea nel guardo! – Stridono lassù (Nedda)
W. A. Mozart Così fan tutteTemerari
– Come scoglio immoto resta
(Fiordiligi)
Don Giovanni In quali eccessi –
Mi tradì quell’alma ingrata (Donna
Elvira)
Die Entführung aus dem Serail
Durch Zärtlichkeit (Blondchen)
Idomeneo Estinto è Idomeneo –
Tutte nel cor vi sento (Elettra)
Le Nozze di Figaro E Susanna non
vien – Dove sono i bei momenti (Contessa); Giunse alfin il momento
– Deh vieni, non tardar (Susanna)
Zaïde Ruhe sanft (Zaïde)
Die Zauberflöte Ach, ich fühl’s
(Pamina); O zittre nicht – Zum
Leiden (Königin der Nacht)
Konzertarie KV 583 Vado, ma dove?
– Oh Dei
O. Nicolai Die lustigen Weiber von
Windsor Nun eilt herbei (Frau
Fluth)
J. Offenbach Les contes d’Hoffmann
Les oiseaux dans la charmille
(Olympia)
15
G. PucciniLa Bohème Si, mi chiamano
Mimi (Mimi)
Suor Angelica Senza mamma
(Suor Angelica)
Turandot Signore, ascolta (Liù);
Tu, che di gel sei cinta (Liù)
H. Purcell Dido and Aeneas Thy hand
Belinda – When I am laid in earth
(Dido)
G. Rossini Il Barbiere di Siviglia
Una voce poco fa (F-Dur) (Rosina)
G. SpontiniLa Vestale Toi que
j’implore – Impitoyables dieux
(Julia)*
R. StraussDer Rosenkavalier Die Zeit,
die ist ein sonderbar Ding
(Marschallin)
G. VerdiLa Forza del Destino Pace,
pace, mio Dio (Leonora)
Rigoletto Caro nome (Gilda)
R. WagnerTannhäuser Dich, teure
Halle (Elisabeth)
C. M. v. Weber Der Freischütz Wie
nahte mir der Schlummer – Leise,
leise (Agathe); Einst träumte –
Trübe Augen (Ännchen)
Mezzo-soprano and contralto
G. BizetCarmen Seguidilla (Près des
remparts) (Carmen)
B. Britten T
he Rape of Lucretia Give
him this orchid (Lucretia)
Ch. W. GluckAlceste Divinités du Styx
(Alceste)
Orfeo ed Euridice Che farò senza
Euridice (Orfeo)
G. F. Händel R
inaldo Or la tromba
(Rinaldo)
Alcina Verdi prati (Ruggiero)
Repertoire
Voice: Reperoire list for semi-final and final
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
V. JoncièresDimitri O nature,
toi si douce (Marpha)*
J. Massenet W
erther Werther,
Werther (Charlotte);
Va! Laisse couler mes larmes
(Charlotte)
A. Mermet R
oland à Roncevaux
Prête à te fuir – Le soir pensive,
au pied des Pyrénées (Alde)*
G. Meyerbeer Les Huguenots Nobles
seigneurs, salut (Urbain)
W. A. Mozart La Clemenza di Tito
Parto, parto (Sesto); Deh, per
questo istante solo (Sesto)
Così fan tutte Ah scostati –
Smanie implacabili (Dorabella)
Lucio Silla Il tenero momento
(Cecilio)
H. Purcell D
ido and Aeneas Thy hand
Belinda – When I am laid in earth
(Dido)
G. Rossini C
enerentola Nacqui
all’affanno (Angelina)
Tancredi Oh, patria – Di tanti palpiti
(Tancredi)
C. Saint-Saëns Samson et Dalila
Amour, viens aider ma faiblesse
(Dalila)
R. StraussAriadne Seien wir wieder
gut (Komponist)
Der Rosenkavalier Wie du warst!
Wie du bist! (Octavian)
G. VerdiDon Carlos O don fatale
(Eboli)
W. WaltonTroilus and Cressida
Slowly it all comes back (Cressida)
Countertenor
Ch. W. GluckOrfeo ed Euridice
Che farò, senza Euridice? (Orfeo)
G. F. HändelAriodante Dopo notte
(Ariodante)
Rinaldo Cara sposa (Rinaldo); Venti,
turbine (Rinaldo)
Theodora Sweet rose and lily (Didymus)
W. A. Mozart La Clemenza di Tito
Parto, parto (Sesto)
Mitridate Re di Ponto Venga pur,
minacci e frema (Farnace)
G. RossiniTancredi Oh, patria –
di tanti palpiti (Tancredi)
J. Strauss D
ie Fledermaus Ich lade
gern mir Gäste ein (Orlofsky)
Tenor
G. BizetCarmen La fleur que tu
(Don José)
B. Britten B
illy Budd I am an old man
(Captain Vere)
Peter Grimes Now the Great Bear
(Peter Grimes) G. Donizetti L’elisir d’amore Una furtiva lagrima (Nemorino)
La Favorita Spirto gentil (Fernando)
La fille du régiment Ah! Mes amis –
Pour mon âme (Tonio)
Chr. W. Gluck Iphigénie en Tauride
Unis dès la plus tendre enfance
(Pylade)
Ch. GounodFaust Salut, demeure
chaste et pure (Faust)
G. F. HändelAlcina È un folle, un vile
affetto (Oronte)
Theodora Descend, kind pity
(Septimius)
V. JoncièresDimitri Si Dieu, Marpha,
qui nous compte les heures (Dimitri)*
16
J. Massenet M
anon Ah! Fuyez
(Des Grieux)
A. Ponchielli La Gioconda Cielo e mar
(Enzo)
G. PucciniLa Bohème Che gelida
manina (Rodolfo)
Manon Lescaut Donna non vidi mai
(Des Grieux)
W. A. Mozart Così fan tutte Un’ aura
amorosa (Ferrando)
Don Giovanni Dalla sua pace (Don
Ottavio); I l mio tesoro (Don Ottavio)
Die Entführung aus dem Serail
Konstanze, dich wieder (Belmonte);
Ich baue ganz (Belmonte)
Idomeneo Fuor del mar (Idomeneo)
Die Zauberflöte Dies Bildnis ist
(Tamino)
R. StraussCapriccio Kein andres,
das mir so (Flamand)
Der Rosenkavalier Di rigori armato
(Sänger)
P. I. TschaikowskyEugen Onegin
Kuda kuda (Lenski)
G. VerdiLuisa Miller Quando le sere
(Rodolfo)
Macbeth O figli, figli miei –
Ah, la paterna mano (Macduff)
Rigoletto Ella mi fu rapita –
Parmi veder le lagrime (Duca)
La Traviata Lunge da lei – De’ miei
bollenti spiriti (Alfredo)
R. WagnerDie Walküre Winterstürme
(Siegmund)
C. M. v. Weber Der Freischütz
Nein, länger trag ich nicht –
Durch die Wälder (Max)
Repertoire
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Baritone and bass
L. v. BeethovenFidelio Hat man nicht
auch Gold (Rocco)
V. BelliniI Puritani Ah per sempre io
ti perdei (Riccardo)
La Sonnambula Vi ravviso, o luoghi
ameni (Rodolfo)
G. BizetCarmen Votre toast (Escamillo)
A. BorodinFürst Igor Ni sna, ni
otdikha (Igor)
B. BrittenBilly Budd Handsome
indeed – O beauty, handsomeness (Claggart); Look! Through the port
(Billy Budd)
F. David L a Perle du Brésil Jusqu’à ce
jour, sans désir (Salvador)*
C. DebussyPelléas et Mélisande
Maintenant que le père (Arkel); On dirait que ta voix (Pelléas)
Chr. W. Gluck Iphigénie en Tauride
Dieux qui me poursuivez (Oreste)
Ch. GounodFaust Avant de quitter
ces lieux (Valentin); Vous qui faites
l’endormie (Méphistophélès)
G. F. Händel A
cis and Galatea O ruddier than the cherry (Polypheme)
Orlando Sorge infausta (Zoroastro)
Rinaldo Sibilar gli angui d’Aletto
(Argante)
E. Korngold Die tote Stadt Mein
Sehnen, mein Wähnen (Fritz)
A. LortzingDer Wildschütz Heiterkeit
und Fröhlichkeit (Graf von Eberbach)
W. A. Mozart Così fan tutteRivolgete
a lui lo sguardo (Guglielmo)
Don Giovanni Madamina
(Leporello)
Figaro Se vuol ballare (Figaro); Hai
già vinta la causa – Vedrò mentr’io
sospiro (Conte); Tutto è disposto –
Aprite un po’ quegl’occhi (Figaro)
Die Zauberflöte In diesen heilgen
Hallen (Sarastro)
M. Mussorgsky Boris Godunow Kak
vo górode bylo vo Kazàni (Varlaam)
G. PucciniLa Bohème Vecchia zimarra
(Colline)
G. RossiniLa Cenerentola Come
un’ape ne’ giorni (Dandini)
Il Barbiere di Siviglia La calunnia
(Basilio); Largo al factotum (Figaro)
A. SacchiniRenaud ou la Suite
d’Armide Rappelé dans son camp
(Hidraot)*
R. StraussAriadne auf Naxos Lieben,
Hassen, Hoffen, Zagen (Harlekin)
I. Strawinsky The Rake’s Progress
Fair lady, gracious gentlemen
(Nick Shadow)
A. ThomasHamlet O vin, dissipe
(Hamlet)
P. I. TschaikowskyEugen Onegin
Lyubi vse vozrasti pokorni (Gremin)
Pique Dame Ja vas ljublju (Jeletzki)
17
G. VerdiDon Carlos Ella giammai
m’amò (Filippo); Son io, mio Carlo –
Per me giunto – O Carlo, ascolta –
Io morrò (Rodrigo)
Falstaff È sogno? O realtà? (Ford)
Simon Boccanegra A te l’estremo
(Fiesco)
Il Trovatore Il balen / per me ora
fatale (Conte di Luna)
I Vespri Siciliani O tu Palermo
(G. da Procida)
R. Wagner T
annhäuser O, du mein
holder Abendstern (Wolfram)
* The best interpretation of one of the
works marked will be awarded the special
prize Palazzetto Bru Zane.
Repertoire
Preselection with Recording
a) The first and the slow movement from a quartet
by Joseph Haydn or Wolfgang Amadeus Mozart, which
may be repeated in the competition program.
b) Hugo Wolff, Italian Serenade in G major
First Round (40 minutes)
1. Ludwig van Beethoven, a quartet from op. 18
or Joseph Haydn, a work from op. 33, 50, 64 (except for
No. 1 and No. 3), 74, or 76 (except for No. 3)
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
2. one of the following quartets:
Alban Berg, Lyrische Suite
Bertold Goldschmidt, No. 1, No. 2 or No. 3
Pavel Haas, No. 1 or No. 3
Paul Hindemith, op. 16 or op. 22
Leoš Janáček
Gideon Klein
Hans Krasa
Arnold Schönberg, No. 3 op. 30
Erwin Schulhoff
Igor Strawinsky, Three pieces and Concertino
Viktor Ullmann
Alexander Zemlinsky, No. 2 op. 15
Second Round (50 minutes)
Johannes Brahms
Antonín Dvořák, op. 105 or op. 106
Felix Mendelssohn Bartholdy, op. 12, op. 13, op. 44
or op. 80
George Onslow, op. 50*
Robert Schumann
18
Luciano Berio, Notturno
Pierre Boulez, Livre pour Quatuor (1948/49)
John Cage, String Quartet
Elliot Carter, No. 2, No. 4 or No. 5
Franco Donatoni, La souris sans sourire
Henri Dutilleux, Ainsi la nuit
Hans Werner Henze, No. 5
György Kurtág, Officium breve
Helmut Lachenmann, No. 3
György Ligeti, No. 1 or No. 2
Conlon Nancarrow, No. 1
Wolfgang Rihm, No. 4 or No. 9
Iannis Xenakis, Tetras
Semi-final
5. Wolfgang Amadeus Mozart, one of the quartets
KV 387, KV 421, KV 428, KV 458, KV 464, KV 465, KV 499,
KV 575, KV 589 or KV 590
6. commissioned composition by Erkki-Sven Tüür
Franz Schubert, Quartettsatz (Movement for String
Quartet) in C minor D 703 or
Anton Webern, Five movements
Repertoire
String Quartet
String Quartet
19
Repertoire
Final
Ludwig van Beethoven, op. 59, op. 127, op. 130, op. 131
or op. 132 or
Franz Schubert, in A minor D 804, in D major D 810
or in G major D 887
9. one of the 6 quartets by Béla Bartók:
No. 1 (1908)
No. 2 (1915 – 17)
No. 3 (1927)
No. 4 (1928)
No. 5 (1934)
No. 6 (1939)
* The best interpretation of one of the works marked will be
awarded the special prize Palazzetto Bru Zane.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Jury String Quartet
Markus Hinterhäuser Chairperson Austria
Vladimír Bukač Czech Republic
Ruth Killius Germany
Raphaël Merlin France
Heime Müller Germany
Jacqueline Thomas Great Britain
Oyvor Volle Norway
Clarinet
Thursday, September 6: 1 st round begins
Sunday, September 9: 2nd round begins
Wednesday, September 12: semi-final
Friday, September 14: final
Voice
Friday, September 7: 1st round begins
Monday, September 10: 2nd round begins
Friday, September 14: semi-final
Sunday, September 16: final
String Quartet
Friday, September 7: 1st round begins
Monday, September 10: 2nd round begins
Thursday, September 13: semi-final
Saturday, September 15: final
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
20
Prize Winners’ Concerts
Concert with the Münchner Rundfunkorchester
Wednesday, September 19, 8:00 P. M.
Concert with the Munich Chamber Orchestra
Thursday, September 20, 8:00 P. M.
Concert with the Symphonieorchester des
Bayerischen Rundfunks
Friday, September 21, 8:00 P. M.
Schedule
Schedule 2012
Patrons
Sir Colin Davis
The General Directors of the ARD
Thomas Goppel
Ulrich Wilhelm
Conductor
President of the Bavarian
Music Council
Hans Werner Henze
Composer
Wolfgang Heubisch
Bavarian State Minister of Science,
Research and Culture
Mariss Jansons
20 Schedule
Udo Reiter
Mitteldeutscher Rundfunk
Lutz Marmor
Norddeutscher Rundfunk
Martin Maria Krüger
Rundfunk Berlin-Brandenburg
Conductor
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
Hessischer Rundfunk
Jan Metzger
Zubin Mehta
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Helmut Reitze
Chief Conductor of the
Symphonieorchester des
Bayerischen Rundfunks
President of the German
Music Council
Contents
Bayerischer Rundfunk
Kent Nagano
General Music Director of the
Bavarian State Opera
Peter Ruzicka
Head of the Biennale Music Theater Festival,
Munich
Albert Scharf
Former Director General
of Bayerischer Rundfunk
Christian Ude
Lord Mayor of of the
State Capital of Munich
Winrich Hopp
Artistic Director of “musica viva”
at Bayerischer Rundfunk
Radio Bremen
Dagmar Reim
Thomas Kleist
Saarländischer Rundfunk
Peter Boudgoust
Südwestrundfunk
Monika Piel
Westdeutscher Rundfunk
Erik Bettermann
Deutsche Welle
Willi Steul
Deutschlandradio
21
Honorary Committee | Patrons
Honorary Committee
Directors
Ulrich Wilhelm, Chairman
Artistic Director of the Competition
Axel Linstädt
Dorothea Enderle
Deputy Artistic Director
Oswald Beaujean
Brigitte Fassbaender
Administrative Director
Elisabeth Kozik
Director General of Bayerischer Rundfunk,
Munich
Head of the Music Division, Südwestrundfunk,
Baden-Baden
Director General of the Tiroler Landestheaters Innsbruck
Siegfried Mauser
President of the Academy of Music and Theatre,
Munich
Christoph Poppen
Conductor
Detlef Rentsch
Program Director of the Mitteldeutscher Rundfunk
Cultural Division, Leipzig
Werner Wittersheim
Head of the Music Program Group,
Westdeutscher Rundfunk, Cologne
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
Assistant
Amelie Krause
22
Main Committee | Directors
Main Committee
2013 Competition
Violin – Viola – Bassoon – Piano trio
2014 Competition
Piano – Violoncello – Percussion – Wind Quintet
2015 Competition
Voice – Flute – Trombone – Piano Duo
23
Informationen:
c/o Bayerischer Rundfunk
Rundfunkplatz 1
80335 München
Deutschland
Telefon ++ 49 89 5900-2471
Fax ++ 49 89 5900-3573
ard.musikwettbewerb@brnet.de
www.ard-musikwettbewerb.de
Subject to alterations!
In cases of doubt, the German text applies.
Contents
1 Title
3 Prizes
4 Special Prizes
11 Prize Winners
Repertoire and Jury
12 Clarinet
13 Voice
18 String Quartet
20 Schedule
The text of this invitation is available in the Internet in
German, English and French, the invitation can be
downloaded with repertoire and application form (from
February 2012:
www.ard-musikwettbewerb.de.
Impressum
Redaktion
Elisabeth Kozik
Gestaltung und Satz
Gorbach, Büro für Gestaltung, Utting
Redaktionsschluss
23. September 2011
für das grafische Erscheinungsbild des
Internationalen Musikwettbewerbs der ARD München
Upcoming Competitions
Upcoming Competitions

61st ARD International Music Competition Munich 2012

Transcription

Similar documents

61st ARD International Music Competition Munich 2012

Alois Woldan Das Rusalka-Motiv bei Puškin, Ševčenko

PDF (1 MB ) - Postdienste, Speditionen und Logistik