treats tropical Radhika Bajaj & asmita
Transcription
treats tropical Radhika Bajaj & asmita
DAILIES: DAY 05 CATCHING TRENDS Style Files Palazzo Tales Radhika Ba ja j & Asmita Aggarwal official Blogger WIFW SS’ 13 Advice by Tarun Tahiliani Tropical Treats Pia Pauro Spring Summer 2013 1 DAILIES: DAY 05 papparazi’s corner Publisher & Chief Editor Parineeta Sethi Group Editor Arati Thapa Celebrations continue Here is a wrap of the pre- and post-show celebrations the venue… Ranna Gill Assistant Editor Ashwin Ahmad Features Head Anuradha Kaul Sr. Correspondent Nisha Verma Trainee & Interns Arushi Chaturvedi, Anirudh Sharma & Shivani Nirula Reviews Mohit V. Bhardwaj - Asst. Professor, GD Goenka School of Fashion & Design, R.V. Purusothaman Ranna Gill with husband Jason vita Bali ier & Ka v a X r u Fle Shabnam Singhal & Neena Verma Chief Designer Surender Kumar Sr. Designer Raju Darai Graphic Designer Ganesh Bohra Nisha JamVwal & Ambika Shukla Photographer Atul Chowdhary, Mustafa Raza, Raman Nagar, Sunil Sharma Edit Submissions parineeta@asiaspaindia.com Advertising Sales & Marketing Vinit Pandhi, Soumya Maheshwari, Abhinav Kaushal, Varun Khanna & Tanya Puneet Anil Rajput & Atul Chand l mila Siba udy & Pro R m la e e N Gauri & Nainika Managing Director Rajiv Sethi the designer MODE dailies is published by Exposure Media Marketing Pvt. Ltd., 4th Floor, KS House, 118 Shahpur Jat, New Delhi-110049, Tel.: 011-46055000 on behalf of Fashion Design Council of India JMD, Regent Plaza, 4th Floor, DLF Phase-I MG Road, Gurgaon, Haryana Tel.: +91-124-4062881 email: contact@fdci.org All information in the designer MODE dailies are derived from sources, which we consider reliable. 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Ashish Soni rewal i & Misha G Ashish Son Aftab & Pia Pauro ni & Gauri Karan Singh, Malini Rama AD , ran Ka ka ini Na Rohit Bal Rajesh Pratap & Alex Davis Sanjay & Sheena Sharma hew i & Joey Mat Bina Raman Kamra Vaishali S & Rohit utam Kalra Tarun Tahiliani & Ga Fatima & Gaur av Karan Wills Lifestyle India Fashion Week Spring Summer 2013 SHOW SCHEDULE October 6 - 10, 2012, Hall Number 18, Pragati Maidan, New Delhi a Manoviraj Khosla & Sanchit Day 5, Wednesday – October 10, 2012 2:00 PM Raj Shroff, Virtues by Viral, Ashish & Vikrant MSA 2 3:15 PM Jenjum Gadi, Pia Pauro, Shivan & Narresh MSA 1 4:30 PM Charu Parashar, Rajdeep Ranawat, Soltee by Sulakshana MSA 2 5:45 PM Hemant & Nandita, Joy Mitra, Nida Mahmood MSA 1 9:30 PM Wills Lifestyle Grand Finale by Ritu Kumar MSA 2 3 DAILIES: DAY 05 reviews Anand Bhushan Abhi Singh Crocheted fable A bhi Singh, for his Spring Summer 2013 collection, used distortion as his inspiration. The yarns ran all over ensembles in vertical and horizontal format. Yarns were also used as elongated tassels. The techniques like tie and dye on yarns and surfaces looked like family. The palette moved from blue, grey to off-whites. Red got the center stage. Innovative swimsuits looked attractive. The neckpieces made out of origami in contrast shades stood out. Crochet circles prominently emphasised the bust lines. The colours were combined well—maroon and yellow with green streaks looked chic. Black and pink combos with crochet floral motifs were the surface treatments to look out for this season. Graphic digital prints in grayscale mode were amazing to look at. Dandy Conqueror A nand Bhushan took his surface techniques a level above for Spring Summer 2013. Grey, silver, white, along with blue ruled his sober yet soulful story. His line progressed while amalgamating the broken textured pieces together, which later formed rich continuous surfaces. The hems were cut thoughtfully in diagonal asymmetrical format. Whites were combined with cerulean blue creating a fresh look. A strong sense of heroism was portrayed through Anand’s silhouettes. They spoke the language of steel. Silver crisscross formations over translucent white surfaces appeared marvellous. Metal chains formed shoulder straps and circular structures. Hexagonal shapes with bugle beads in brown shade palette once again portrayed robust geometry. Kallol Datta Péro by Aneeth Arora Gypsy in Lungi P éro by Aneeth Arora’s Spring Summer 2013 collection draws its inspiration from the kurta-lungi clad men outside mosques. Aneeth Arora’s forte, the gypsy look, featured surface techniques such as chikankari embroidery, lace and smoking details making the garments more feminine and subtle. The show was the perfect example of fusing traditional elements in terms of fabrics and silhouettes with modern day sensibilities. The garments were light-hearted, whimsical and essentially prêt. Traditional elements, such as the chikankari embroidery, ‘bleeding’ Madras checks inspired from the lungi were combined with European lace with techniques such as smocking, quilting and gathering to make cosy feminine silhouettes. Lace dresses were also styled with boyfriend jeans and chic oversized beach bags. Lacetrimmed palazzo pants, slip dresses, cropped denim jackets were other notable separates. 4 Grotesque Insanity K allol Datta’s Spring Summer 2013 featured whacky monochromatic silhouettes featuring skeleton prints in black and white on formdefying dresses with asymmetric hemlines and flap details in collars. The show started with a head-to-toe skeleton printed black and white ensemble followed by draped asymmetric kurta dresses with diamond placket opening. Clean silhouettes in monochromatic black and white had horizontal pleat details on sleeves. Menswear featured cozy kurta jackets in black, paired with fitted trousers with graphical skeleton prints in black and white. Oversized forms, deconstructed jackets and round billowing capes were juxtaposed with controlled silhouettes s uch as peplums featuring net at hem or sleek tunics in black and white. Dresses with dropped shoulders and gigantic sleeves concluded the insanity show for Kallol Datta. 5 DAILIES: DAY 05 reviews Arabian Romance P ratima welcomed Spring Summer 2013 with generous layers. Prama by Mostly, the bright prints were Pratima given muted treatments Pandey as they were overlaid with ivory opaque and translucent surfaces. The crushed effect was evident on the long flairy skirts. Prints spoke a different language as they were always combined with other characteristics. The thread embroidery was inspired from the prints underneath. They moved freely across the silhouettes. Centre front plackets from middle half down were followed by life-size slits, keeping the symmetry in focus. Rolled-up sleeves and organic stoles with tassels around the neck matched the fun and frolic concept. Embroidery motifs as solo and groups were placed diagonally. ‘my village’ by Rimzim Dadu Metamorphosis M oving away from her regular futuristic surfaces with a hint of glamour, Rimzim Dadu has taken a crafty turn for Spring Summer 2013. The show started on Rimzim’s trademark graphical-techglam note with sequins, glitter and monochromatic palette before moving to feminine blooms in vivid colours juxtaposed on black base fabric. Rimzim’s usual relaxed and easy silhouettes focussed on wearable separates. A sequinned white shirt with weave patterns with sleek trouser opened the show followed by straw woven cropped jackets and shorts, which looked graphical in black and white. The mood changed to an unspoken feminine allure as 3-D floral forms were delicately crafted in dresses and petal skirts. The latter sequence of the show sported interesting evening looks in vivid hues of lime, apricot and electric shades of purple and vermillion. 6 Evolution of Thoughts P rerna’s Spring Summer 2013 collection was a depiction of her thought process, which is an Prerna amalgamation of varied Bharadwaj ideas - hopes, fears, faith and courage. The initial sequence of the garments featured random drapes in mix-match of colours depicting disturbance. The black garments that started the show for the designer had random drapes depicting confusion and disorder with monochromatic coined texture scattered arbitrarily. Disorderly drapes gave way to beautiful and flowy silhouettes, which were more controlled with a dash of colours. Tender pleats delicately opened up at the hem to create multiple layers of gentle cowls in tones of coral, grey and bottle green. A series of red draped dresses added to the glam and allure of the show. Intricate embroidery details and play of frills were meticulously used in the later part of the show to add exquisiteness to the garments. Presents Rahul Singh Shibori Twist F or Spring Summer 2013, Rahul Singh offered a wide range of comfortable and easy silhouettes treated with Shibori dying technique from Japan. Rahul’s garments were dyed with a pattern by binding, stitching, folding, twisting, compressing and capping techniques to achieve controlled and desired patterns in bright summery shades of lime, coral and maroon on comfortable light weight fabrics for the fierce summers ahead. Trendy peplum tops were teamed with roomy and airy tunics and dresses with pencil-fit trousers featuring stripes and checkered patterns achieved with Shibori. The show climaxed with ingenuity drenched with Rahul’s designs. The garments are perfect for an immaculate summer journey with a feeling of tranquility. Ladies. You are cordially invited. The 3rd PRECIOUS Golf Cup presented by Audi India invites you to an all women’s corporate golf tournament- a day of stylish swings followed by a glamorous evening. Partner Powered by G O L F C U P By Invitation Only October 29, 2012 Hospitality Partner For more details contact marketing@emmindia.com Managed by 7 DAILIES: DAY 05 DAILIES: DAY 05 reviews Lush Horizons P reeti greeted the approaching Spring Summer with floral rhapsody. The prints and rich Preeti Jhawar thread embroideries went hand in hand to create a greater impact. Yellow and red combinations came as a new wave for the season. Organza layers were patched over with lifelike flowers. The colours were beautifully placed to create rainbow effect. Solid colours looked genuine. Ombre technique was used with peaches and off whites. Frills on the hems were broader and nicer. The colourblocked leggings with solid shaded tunics went very well. Appliqué work in 3-D budlike shapes was an experimental approach, celebrating playful spirits. Copper gave a new dimension to the entire summer palette. Sequins highlight on cutwork shrugs are teamed well with slitted tunics. Elegance Personified F Vaishali S or Spring Summer 2013 Vaishali S gave chanderi fabric extreme importance. Her creativity revolved around experimenting and giving the same material a new meaning with each of her creations. The sewn effect with ribbons in contrast shades was a new direction. See-through blacks on ivory mediums looked elegant. Orange in the beginning was played as highlight. The designer tastefully incorporated oranges and maroons. Drapes, along with voluminous gathers, portrayed a contemporary design element for the new generation. Diagonal geometry through various features was displayed skilfully. The ensembles enjoyed the pampering of angular overlays that appeared more like accessories. Pintucks in ascending horizontal format sat well. 8 reviews Paranoia P Ritesh aranoia by Kumar Ritesh Kumar is a concoction of complex emotions where fear and conviction fall in a single realm of existence and human incoherence is accepted without denial. For Spring Summer 2013, Ritesh offered plenty of sheer separates, frayed tassel details and colour blocking trends with graphical summer layering in jute, linen, flax and silk organza with astute compassion. The surface detailing at Ritesh’s show emerged to be the real undisputed hero. Frayed tassels added an element of tactile aesthetics, which was combined with optical experience, endowed with sheer garments. Pearl handcuffs were elegantly styled with eveningwear, which sported 3-D textures with washed colour blocks on streamlined silhouettes. Ritesh Kumar brought together the crude with refined, which embraced the beauty bound by melancholy and vulnerability. Moroccan Union V Vineet Bahl ineet Bahl for Spring Summer invoked a Moroccan feel and transferred it aesthetically to Indian Silhouettes. The designer mixed and matched different mediums and experimented it with the deeper extents. Ivory and whites were colour themes through which he defined the sartorial sober theme. Black and maroon with orange highlighted the shapes in a mesmerising manner. Chiffley fabrics along with plain surfaces were engineered to achieve the desired effect. From an outward journey, the collection trekked inwards. It seemed our indigenous silhouettes through the designer’s vision acted more like absorbers. The colours, like fuchsia, red and blue beautified the scenery. The borders in velvets and other embellishments thrown over blouses and peplum tops went well with Indian shapes. Zealous Fighter M alini Ramani’s SS’13 collection paid tribute to womanhood. The designer Malini gracefully brought in loads Ramani of offerings incorporated by silhouettes, colours and embellishments. The collection began with free spirited silhouettes from swimwear to kaftan bodies. The fabrics congratulated the modern day woman for her feminism. Silver studs spread over prints offered a strong sense of attitude. The palette had blues, oranges, pinks and yellows supported by blacks, once again to provide stronger feel. Metallic tassels and belts with chunky metal embroideries suited the collection perfectly. Fringes in tone on tone were gorgeous to look at. The fabric with crushed and ombre effect portrayed a wanderlust feel. Foil prints in gold over brown palette will be a trendsetter for the season. Garden of Eden R Cell-tic Splendour A Ashish N Soni shish Soni gets inspiration from the human body for his Spring Summer 2013 collection. The palette, inspired by blood cells, got along well with colours like khaki and grey. The cellular formation looked perfect in polka dot prints. Human cells and organs are a beautiful creation by the almighty, and the designer incorporated the same marvellously. Black on white combination was teamed with beige brown prints. There was a perfect sense of balance in silhouettes. The cuts were perfectly done even when the colour symmetry was broken. Ruffles in net on neckline looked just right. Ashish also played with drapes and cowl by experimenting them at different areas keeping aesthetics in proportion. My Fair Lady Ranna Gill anna Gill showcased Fiama di Wills’ ‘Exotica’ while portraying a virtual sculptural garden. Sensuous and feminine forms, which were extremely comfortable for the vicious summers, were crafted in silk jerseys and georgettes fused with in-house woven brocades. The garments were a mélange of exotic flora and fauna depicting the Garden of Eden. Breathtaking stunts by a skilled acrobat marked the beginning of the show, which featured a range of vibrant 70s inspired loose fitted dresses with gentle pleats and tuck details. Dashes of fluorescent shades were faceted in contrast with pastel hues of blues, greens and oranges with oodles of shimmer. Dyeing techniques such as shibori patterns and tie and dye were combined with intricate embroidery details depicting orchids and joyous garden landscape. Evening gowns featured gathers and pleats clinching the waist, which in turn venerated the womanly curves. R evisiting the high fashion and glamour Gauri & Nainika of roaring 20’s and the lady-like look of 40’s, designer duo Gauri & Nainika set the ramp ablaze with plenty of huge ruffles, frills, bounce and kinematics – all rendered in serene ivory tones with hints of black! Romantic red-carpet dresses glorifying the feminine curves in pure whites celebrated the starkness and beauty of what the races stood for in the earlier part of the twentieth century. Body conscious dresses with revealing backs, raglan sleeves, ribbon tie-up details and halter necks were pristinely crafted in rich organza, predominantly in whites. Flaring side panels, peplums and mermaid hem rejoiced the romanticism associated with the inspiration. The dresses and evening gowns featured ruffles all over the sides, princess seam, back, neckline and hem, illuminating some big evening wear trends for the season ahead. 9 DAILIES: DAY 05 DAILIES: DAY 05 fashion etc. Trend Spotting The return of the ‘Palazzo Pant’ A fad during the ‘60s; Palazzo Pants have made a comeback and are now this season’s hot new trend. Designer Mode Dailies takes a look at this unique fashion item. P alazzo Pants are trending big time this season. Showcased by designers such as Fendi, Ralph Lauren and Rachel Zoe this year, these pants, which had gone out of fashion, are now making a comeback. Thanks to their loose flowing silhouette and comfortable fabrics, the pants today are being worn by many women. Their history of ‘Palazzo Pants’ goes back to the early 60s; when many restaurants followed a very strict dress code of not allowing women to wear trousers. To find a way around this restriction, a group of inventive women started wearing high waist pants with a very loose and wide leg that flared out. This gave the impression of wearing a skirt, but also had the comfort of wearing pants. This style soon came to be known as Palazzo Pants. Sported both for evening wear and formal occasions, On the Cover Palazzo Pants - Making a statement •Use flowing fabrics like chiffon, jersey and georgette! • Opt for solid colours to make a statement, • Pick Palazzo’s with floral, retro or quirky summer prints! • Pleated Palazzo’s can look stylish as well, but keep your accessories minimal Palazzo Pants really came into the spotlight when iconic actresses - Greta Garbo, Katherine Hepburn and Marlene Dietrich started wearing them in Hollywood films, making it a must-have item. And today, with designers at the WIFW SS’13 showcasing the pants on the runway, this trend is only going to get bigger! Tropical delight Pia Pauro speaks about her concept behind her collection Isola Pia and her debut at WIFW SS’13. designer speak ‘We need to make Indian fashion understandable to the world’ Ace designer Manish Malhotra talks about his association with FDCI, his journey through Indian fashion, and what the industry needs to do now to get global recognition. What has been your experience with FDCI over the years? FDCI has an interesting mix of designers comprising of new eclectic, alternative, Indian and couturiers. In the last three years I have been doing a lot more work in Delhi, so my association with FDCI and the WIFW has been very strong and interesting. I think a lot of credit goes to Sunil Sethi for managing so many different designers. Tell us about your journey through Indian fashion? I first used to model and I remember thinking ‘I want to design.’ However, films were fascinating for me and in the early nineties, when I started my career, style in films were very down and out, and I thought why don’t I make a change there. So for 1990 to 2000, I only did movies and I had no intention of going mainstream. Till date I have been getting accolades for my work in Heroine. But now having received recognition through films, I feel there must now be more of an effort to reach out to lots more people through stalls and sales. There where I want to go now. What do you think Indian designers need to do today? I think for any designer sustainability is the key. I also see today’s designers Payal Jain 5 essentials to perk you up • Yoga • Calm instrumental music • Traveling to a new place • A good book • A glass of wine sticking to what they do best, not being fearful of critiques, and looking to be a fashion brand which is a very healthy trend. What we need to do now as designers in Indian fashion is something that the Japanese do; they take so much from their culture but they make it global by making it something that everybody understands. Too Indian and too organically Indian, is something the world will only praise, it can’t become them. How do you feel about debuting at WIFW SS’13? I’m very happy to be here. Even though I retail all over the world in places like Ibiza, New York, Goa, Mumbai and Dubai, showcasing in Delhi is very special for me, since this is where I’m based. What is the inspiration behind your collection ‘Isola Pia’? ‘Isola Pia’ literally means Pia’s Island- and my collection promises to transport you to my fabulous world of tropical island life and sexy beach parties. What are you looking to take back from WIFW SS’13? I’m looking forward to meeting people and buyers from cities all over the world that understand my look and connect with my concept. And of course, showcasing my collection here in Delhi for the first time is very exciting. Fashion goes green P romoted by celebrities and endorsed by top fashion brands, ecofashion is no longer a trend but a movement in the fashion business to make us all think about the environment. Eco-fashion isn’t just a trend anymore, it is a movement. As we get increasingly conscious about our surroundings and resources, the fashion we buy, wear and create has started reflecting this new awareness. Be it high-street retail brands, or high-end design houses many designers in different part of the world have attached themselves to the green brigade. The Red Carpet goes green The trend has come from 10 many celebrities and actors who have popularised the concept of eco-fashion. Livia Firth, the wife of actor Colin Firth, is one of the pioneers of the movement. Her initiative - Red Carpet Green Dress competition, has challenged designers to create a gown made entirely of sustainable materials, and the prize is that the winning design to be worn on the Oscars red carpet. As a result, since 2009, many celebrities have sported eco-fashion thanks to this challenge. From Cameron Diaz in an organic Stella McCartney creation, to Meryl Streep in a Lanvin gown made from recycled polyester, the list is long. Brands like Chanel, Gucci, Yves Saint Laurent and Armani have also participated by creating ethical designs for Livia’s campaign. On the street From celebrities the ecofashion trend has percolated down to the street. Iconic jeans brand Levi’s started their organic line back in 2006, under the now hugely popular label ‘Levi’s Eco’. Topshop has also created its very first Fair-trade clothing line, People Tree, followed by H&M who have also introduced an organic line. In India, eco-conscious brands are also coming up in a big way- like the Hyderabad-based ‘Creative Bee’ which uses only natural and organic dyes, and ‘Ethicus’ which is known for its beautifully handwoven organic Appachi- cotton saris. What is Eco-Fashion? • • • • Fashion which is often made from recycled, upcycled materials Clothes made using organic raw materials. Clothes which have been made under fair trade regulations Garments which don’t involve the use of harmful chemicals and bleaches. 11 DAILIES: DAY 05 DAILIES: DAY 05 style advice The history High-Waist Bikini: A must have this season. V-necks: Deep plunging neck lines will do you a world of good. Fashionable forever Designers Shivan and Naresh tell us what’s haute in resortwear this season. Back to the future: There should be a lot of 1950s in your swimwear. Stripes: They will help make a bold statement. Innerwear is outerwear: Feel free to wear your swimsuits with trousers or shorts! The Duo Speak! hemant & nandita Hemant and Nandita On each other What keeps both of you together? As Nandita is the designer and I am the one who takes care of marketing, we both have a good rapport. As Nandita says “I am the creator. You are the distributor.” One thing that I like about Nandita: She is very hardworking. One thing that I don’t like about Hemant: He is too straightforward. One thing that I like about Hemant: His very jolly nature. One thing that I don’t like about Nandita: She is too straightforward! reviews HAUTE PICKS history of fashion of the boot Made for both walking and flaunting, the boot has a long history. Designer Mode Dailies trace the history of this essential fashion item. A few years after Julia Roberts showcased thigh boots in Pretty Woman, Vogue Magazine declared 1993 “The Year of the Boot”. Available in a number of styles, the boot today is a must have fashion accessory in your wardrobe staple. From fashionable Uggs or bohemian suede boots, cowboy style leather boots, or Posh-Spice inspired high-heeled thighhigh sexy boots - it’s safe to say the world is truly at your feet! Boots didn’t always have this aura of luxury around them. The first pair of boots known in history came from the Bronze Age, where they served as protection against the difficult terrain. Nomads in eastern Asia wore more refined versions of these boots, and bought them to China, India and Russia. Boots only became common footwear for men and women in the 1800s. As for fashion, it was only in the early 1900s, when Madame Denise Poiret, the wife of French couturier Paul Poiret, wore knee length boots in wrinkled leather and caused quite a stir in the fashion world. But Poiret’s efforts were a one off. Boots only stopped becoming utilitarian and became a fashion statement after the 1920s, when the roads became smoother, and cars replaced horse drawn carriages. However it still took time for attitudes to change. Designers like Elsa Schiaparelli tried reintroduce ankle boots into mainstream fashion but met with little success. It was only in 1963, when American designer Beth Levine, also known as “The first Lady of American Shoe Design” introduced an entire collection of fashion boots, that things changed. After that boots took their place in footwear fashion history with the result that today it is impossible to buy boots without considering the style. From kneelength, platform-soled, cowboy and PVC boots to name but a few styles, the boot surely has come a long way from its utilitarian origins. Stella Mc-Cartney H e sai d, sh e sai d Fendi reviews urban living My Collection I have played a lot with volumes this season. I have also introduced sarees with a lot of detail work in the collection. Inspiration The shapes of this collection are made to fit the body structure, designed for the busy wonder woman of today. Highlights: The highlights of this collection are the volumes that I have played with in the collection. Buyer’s response: The buyers response is good. I am focusing a lot on the Middle East and Indian market. Association and experience with FDCI: I have a strong six-year-old relationship with FDCI and am looking forward to a healthy future. Pinky Saraf My Collection My collection is all about a stunning range of clutches, neckpieces, rings, kamarbandhs, bracelets and anklets presented in an assortment of styles with gorgeous elements of Spring Summer like flowers, prints and bright hues. Passive Personality: She never, never, takes the initiative. I have to always make the first move in bed. Why? Isn’t this the age of equality? Expert advice: There are certain things that women expect men to do - like not leave the toilet seat up and be the initiator in the bedroom Why? Just part of being a man. Lack of Space: She’s moved in and I’m happy, but at times I need my space! Her things dominate the bedroom, bathroom and the wardrobe. Is there anything of me left in the house? Help! Expert advice: Her things are not going to move – you will, if you mention it too often. Let it go. My favourite designer is… 12 Prashanti, Jabong Overall, it has been a good experience this time. A lot of work is done by designers which makes a lot of sense. There is some pretty amazing work done by the younger designers. I really liked Manish Gupta’s collection. As the WIFW SS’13 draws to a close, Designer Mode Dailies speaks to a few buyers and asks them their experiences at the WIFW SS’13. What drives her crazy about him! Double standards: He’s not too happy with me meeting his male friends, but he is always happy to meet my girlfriends ? Expert advice: Most men, no all men get power from attracting women, hence the eagerness to meet your friends. But by introducing you to his male friends, men fear the power of other men. Illogical? Yes. But that’s how his mind works. Not Available: He always says he’ll call me back, but he never does. Sometimes he even cuts my calls. How can I get him to be more responsible? Expert advice: Men are problem solvers and call each other if there is an emergency. If you do not have an emergency he switches off. Sad but true. Amit Aggarwal Alpa, Calcutta Sloppy dresser: When we first met he was immaculately dressed. Now he can’t be bothered to make an effort. Expert advice: Despite the onset of the metrosexual man; men are still more relaxed than women when it comes to dressing up. Try and remind him of the last time how his appearance caught the eye of your best friend. He should dress very well after that. Surinder, London relationships Veteran designer Tarun Tahiliani shares his advice for budding designers, and also mentions the upcoming designers, whose work he admires. Style tip Be what you are. Fashion Faux Pas Too much makeup. Inspiration My inspiration is from life, it’s a bitter-sweet amalgamation of beautiful moments that only the person who experiences could understand and cherish. My collection’s name is Morceau De Moi - A Piece of Me. Highlights Varied stones, fabrics, styles and embellishments have been used in vibrant tones like emeralds, Egyptian blues, lemon yellow, deep reds, bright amber and fuchsia pinks. Style Tip A perfect amalgamation of bling and subtleness. Fashion Faux Pas Too much of bling can spoil your look. I always have a good time here. This season a few of my favourite designers were missing like Abhishek Gupta and Nupur Kanoi. But there is still a lot to see this year. My favorite designer is Manish Malhotra – for all time! Lots of talent was showcased this season, with some amazing collections from designers. This is my second time at the WIFW SS’13 and I like Alpana and Neeraj a lot. ‘Mentor under a designer you like’ Buyers Speak Complicated yet heartwarming, the relationship between men and women, have puzzled the best of minds. Here’s a look at what drives the sexes crazy about one another. What drives him crazy about her! Fickle dieter: She starts by saying she’s on a diet, but when we order, guess what? She not only eats salad, she then goes for pasta and starts lusting after the chocolate dessert. What’s going on? Why can’t she make up her mind! Expert advice: This problem has plagued the sexes since Adam and Eve. After all Eve did eat the apple. Relax, and next time let her do the ordering. Stall Check Faisal, Saudi Arabia My second time at the WIFW SS’13 has been very nice. I love the collections. There are many more designers this season with a lot of interesting work and fresh designs. My favorite designers are Rohit Gandhi and Rahul Khanna. My advice: Budding designers should first learn their craft, go to a design school like Parsons in New York or NIFT in India, and make sure to mentor under a designer whose work you admire. Young designers I like: My favourites at the moment are Aneeth Arora – Pero for her revival of Indian handicraft technoiques. I also like Amit Aggarwal from Morphe for his futuristic designs and garment constructions. Bejewelled brides Silverline’s wedding collection ensures that brides have the perfect accessories for every ceremony. W edding season is just round the corner, and as we all know, no one can get into a celebratory mood without a dash of jewellery. So before you get decked up in your heavy saris, you will have to ensure that you have the perfect accessories to go with what you wear. And that’s where Silverline steps in. Providing options that range from traditional wedding pieces to more contemporary, the Silverline jewellery collection provides a look for every ceremony and every occasion, from a night out with friends to the auspicious day itself. Model Speak ‘I wear what I feel comfy in Model Bhavna Sharma, speaks about her health routine and style tips. What is your fitness mantra and how do you stay healthy? I eat 4-6 small meals through the day, starting with a good breakfast- which is extremely important. I work out five days a week, and it involves cardio and Surya Namaskar. What is your personal style all about? I dress for nobody else but myself and I wear what I feel comfortable in. I like experimenting with different colours, looks and I love accessorizing my outfit with fun bags and shoes. Tell us about your association with FDCI and about your experience at WIFW. My association with FDCI began back in 2000, and it has been an incredible one. The WIFW brings together the best of the industry. 13 DAILIES: DAY 05 mixed bag ‘WIFW is India’s most powerful fashion platform’ Atul Chand, Divisional Chief Executive, ITC’s Lifestyle Retailing speaks about Wills Lifestyle long association with FDCI and reveals his thoughts on the business of fashion in India. Tell us about Wills Lifestyle’s strong association with the FDCI. The association with Fashion Design Council of India and being the title sponsor of India Fashion Week has certainly built equity for the brand. We have also leveraged the association by introducing the ‘Wills Signature’ range of designer wear, which has been very well received by the consumers. With each passing year, WIFW SS’13 sets new standards for the Indian fashion industry. What is so special about this year? There are two things. First, the association with the Dutch Government for a unique Indo-Dutch Fashion Collaboration is something to be lauded. Then, the Ministry of Textiles initiative to promote fashion from the Northeast has brought in a new perspective to the WIFW SS’13. These unique partnerships definitely further strengthen the objective of promoting the business of fashion and take the event to new heights. The Czarina of Indian fashion, Ritu Kumar is doing the Grand Finale. Your comments. We are very excited to have Ritu Kumar, as the Wills Lifestyle Grand Finale Designer for WIFW SS’13. Her collection will depict both history and the future, and will appeal to all generations and tastes. She has also created an exclusive collection for Wills Lifestyle’s Signature Line for the AW’12 season which will be retailed from our stores across the country. What has WIFW done to promote the business of fashion? Our collaboration with FDCI has taken WIFW to new heights with industry support and international collaborations. This is India’s most powerful platform driving the ‘Business of Fashion” agenda with novel business opportunities, ideas, inspiration and industry partnerships. ITC as a stakeholder is seriously committed to taking the event to ground-breaking levels. This edition again, the best of India’s fashion industry has come together to make the country’s largest and biggest fashion event, even more successful. Official bloggers of the WIFW SS’13 Radhika Bajaj and Asmita Aggarwal go trend spotting Prints are a must use with designers Radhika Bajaj C ome Spring-Summer and prints have become a tool to depend on for a majority of the fashion fraternity. The reason is simple. Summer clothing has to be light and airy with minimal add-ons and prints allow that without making an outfit boring. At WIFW SS ‘13 too almost every other designer booth offers an array of prints. The debate is which is ‘cooler’ to wear- The classic floral/nature inspired numbers or the crazier geometric prints that are seen lining the racks this season? Ironically, the queen of floral Anupama Dayal had ‘not a single’ flower in her collection this time. Her prints were geometric and used ikat influences. “Spring- 14 Summer 2013 is not about the flower, it’s about the weave, it’s about going tribal,” says Anupama. Ranna Gill whose ‘Birds of Paradise’ print in the SS 2013 collection is nature inspired yet designed towards a geometric feel adds: “It is the age of geometric prints… florals have their moment in spring summer but geometrics are a mainstay, they run through winter and summer.” While you’re likely to see many other designers sticking to geometric or even ‘non-floral’ themes in their prints, flowers do have loyalists in the industry. Designer Rajdeep Ranawat has been inspired by the falling Bougainvillea around the villas in Santorini. James Ferreira showed delicate floral on his sarees and dresses too. And then there are some designers who are putting the best of both themes together! Hemant & Nandita have mixed their digitized jewel print with classic floral prints. And in some of their pieces you’ll see a floral base with some geometric designing. As Nandita Raipurani from the label says: “You open any woman’s wardrobe, you will find newer prints but the florals will definitely be there. Floral patterns can never go out.” In the end then, what you chose to wear depends on your personal style. But a word of caution. The size and colour of the print and it’s placement on the garment can make a huge difference to how you look in it! So chose what theme you will, but remember to make that print work for you. It can’t get better then black and Asmita Aggarwal M onochromes seem to be the flavour of the season and a spring-summer staple. There is something easy and simple about the contrast that makes it a winning combo. Fashion’s new young gun Kallol Dutta used it to his advantage to highlight printed foetuses on a white draped dress, while Gaurav Gupta, sketched abstract illustrations on body clinging floor length dresses. “Black is slimming; it doesn’t matter if it is for summer or winter. Women want to look thin all year round, so it can’t get better than black and white,” says Priyanka Modi of the label AM:PM. Viral of Virtues agrees and adds: “I believe that while fashion shouldn’t be colour specific or dominated by whims; it is refreshing - after a riot of colours every spring - to see black and white back as it is a classic. The two manage to contour the body beautifully.” Rimzim Dadu of the label My Vil- white lage used straw with a weaving pattern to make a cropped jacket and shorts, again in black and white. Rahul Mishra used a black canvas in the form of a cape and added white aari work to drive home the point that it always works if you combine dark with light. As he says, “Monochromes are eternal, they are charming and most effective.” Alpana Chauhan who worked blacks in her dresses and added white in the form of snow flakes in her Arctic themed line agrees. “We wanted to make something wearable without colour disruptions,” she adds. Apart from these designers, Vineet Bahl turned ingenious with the combination, using white churidaars teamed up with black, printed striped tunics. Black velvet borders also revved up layered, full flared kurtas, showing once again that the duo remained a winning combination and almost inseparable. G oa Soak in e Spirit of Wellness Govt. of Goa Purshottam Bhagwan Building Dr. Atmaram Borkar Road, Opp. Hotel Nova Goa, Panaji, Goa- 403 001 Tel: 0832 - 2438750/51/52 Email: goatourism (at) dataone.in