A series of dialogues How to Collaborate? 10–11 October 2014

A series of dialogues
How to Collaborate?
10–11 October 2014
HOW TO COLLABORATE?
A series of dialogues on 10 and 11 October 2014
Five dialogues entertained between two researchers who meet up at
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is that so?
How to Collaborate?
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before agreeing or disagreeing) and a
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when it comes to collaborate by talking
3
DIALOGUE PARTNERS
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Public Sphere by Performance
Parallel Slalom: Lexicon of
Nonaligned Poetics
Score
Choreographing Problems: Expressive Concepts in
European Contemporary Dance and Performance
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Danse Guerre
and Spatial Confessions
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Margarita Tsomou
Assemblies and Participation: Urban Publics and Performance
Representation of the Many
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Manfred Füllsack
Networking Networks: Origins, Applications, Experiments
Leben
ohne zu arbeiten? Zur Sozialtheorie des Grundeinkommens Life
without labour? On social theories on basic income
Zuviel
Wissen? Zur Wertschätzung von Arbeit und Wissen in der Moderne
Too much knowledge? On the valuation of labour and knowledge in
modernity
Arbeit Work/Labour
Klaus Mainzer
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International Journal of Bifurcation and Chaos
in Applied Sciences and Engineering
Advanced Science Letters
KantStudies
Nicolas Y Galeazzi
discourses through artistic research and articulates them in instal-
GASTSTUBE°performance
n@work EMANUELLE
Transnational Art Commons
ment [a.pass] - advanced performance and scenography studies in
Nikolaus Gansterer
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Drawing
a Hypothesis
and Working in Vienna II
Moving Patterns
action
Living
Sonar Festival
Trichtlinnburg
Architecture of InterHard Rock Walzer
Wrong time,
The Stone Road
Potential Dialogues
Wrong place
Structures
Sound Escapes
Story behold. Story be told
Mifan
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Credits: Thomas Martius
Maria Lind
together with a curatorial team ran a programme which involved
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What if: Art on the Verge of Architecture and Design
Curating with Light Luggage and Collected Newsletter
Taking the Matter
into Common Hands: Collaborative Practices in Contemporary Art
European Cultural Policies 2015
The Greenroom: Reconsidering the
Documentary and Contemporary Art
recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios
and Performing the Curatorial: With and Beyond Art
Selected Maria Lind Writing
Lisa Robertson
Kootenay School of Writing
Revolution: A
Reader
Debbie: An Epic The Weather
and Lisa
The Men
Nilling
Cinema of the Present
Occasional Works and
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Credits: Thomas Martius
Igor Dobricic
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Table
Talks
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A History of Dance
Peter Pleyer
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their choreographies and improvisations have been staged internati-
choreographing books
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Visible Undercurrent
RESPONDENTS / AUDITORS
Guests
Diego Agulló
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CUE
CUE has occurred in
The Mischievous Mission
called: Dangerous Dances.
Ash Bulayev
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i-MAP
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Alice Chauchat
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togethering
Anke Hoffmann
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Doing No(thing)
F-Word
called RealismusStudio
tainment
Resolution 1-3
The blind spot
Happy Believers in a
Iconoclash, Future Cinema or Ctrlspace
Political Interventions
Subverting Disambiguities
Christine Standfest
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Bettina Vismann
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e
A Future
Archeology
in–visible inter–actions in Grain
Vapor Ray: Textures of the Anthropocene
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Siegmar Zacharias
tre
International Festival: The Thea-
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Fellows
at the IRC Interweaving Performance Cultures
Sruti Bala
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Narges Hashempour
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dissertation entitled Traditional and Modern: Iranian Theatre Culture
and Gender Performance
Kuan-wu Lin
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Chetana Nagavajara
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Auf
der Suche nach einer grenzüberschreitenden Wissenschaftskultur In
Search of a transnational Scholarly Culture
Nanako Nakajima
Aging Body in Dance
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David Savran
Breaking the Rules
Highbrow/Lowdown: Theater, Jazz, and the Making of the
New Middle Class
nographs Theater für Alle? Partizipation von Postmigranten am
Beispiel der Bühnen der Stadt Köln
Das Theater Thomas Bernhard zwischen Artaud und Brecht: Der
Ignorant und der Wahnsinnige
Theater und Migration
Theaterpädagogik
am Theater. Kontexte und Konzepte von Theatervermittlung
Stephen Wilmer
Theatre, Society and the Nation: Staging American Identities
Philosophy and Criticism
Interrogating Antigone in Postmodern
Native American Perfor-
mance and Representation
National Theatres in
a Changing Europe (Palgrave Macmillan, 2008), Writing and Rewriting National Theatre Histories
Philosophical, Political and Performative
Strategies
Deleuze and Beckett
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Directors and Staff
of the IRC Interweaving Performance Cultures
Erika Fischer-Lichte
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Most recent publications: The Politics of Interweaving Performance
Cultures: Beyond Postcolonialism
Global Ibsen.
Performing Multiple Modernities
Christel Weiler
Cultural
Exchange in the Theatre
Global
Ibsen. Performing Multiple Modernities
Helen Follert
Holger Hartung
Torsten Jost
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Die Aufführung. Diskurs – Macht – Analyse
The Politics of
Interweaving Performance Cultures: Beyond Postcolonialism
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Helene Röhnsch
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Florian Thamer
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FATSA/KOINA: Athen
CURATORS
Silke Bake
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On Hospitality
performance platform. body affects
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A Future Archeology
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Audience and communities? Between policies,
marketing and true desires
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Peter Stamer
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incubator
Ten Notes on Dramaturgy
Queens
Drama
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The Path Of Money
For
Your Eyes Only
A Future
Archeology
26 Letters to Deleuze
How to Collaborate?
A series of dialogues at the IRC ‚Interweaving Performance Cultures’
Friday, 10 October 2014
11 a.m.
Open doors (refreshments, snacks)
12 p.m.
Welcome by Erika Fischer-Lichte, Christel Weiler,
Silke Bake, and Peter Stamer
12.30 p.m.
Dialogue A
Bojana Cveji & Margarita Tsomou
1.30 p.m.
Discussion
2 p.m.
Lunch Break
3 p.m.
Dialogue B
Manfred Füllsack & Klaus Mainzer
4 p.m.
Discussion
4.30 p.m.
Coffee & Biscuits
5 p.m.
Dialogue C
Nicolas Y Galeazzi & Nikolaus Gansterer
6 p.m.
Discussion
6.30 – 8 p.m.
Wrap-up & Drinks
Saturday, 11 October 2014
11 a.m.
Open doors (refreshments)
12 p.m.
Dialogue D
Maria Lind & Lisa Robertson
1 p.m.
Discussion
1.30 p.m.
Lunch Break
2.30 p.m.
Dialogue E
Igor Dobricic & Peter Pleyer
3.30 p.m.
Discussion
4 – 6.30 p.m.
Final Discussion & Drinks