Friday, November 14, 2014

Thursday, November 13, 2014
Time
9:00am - 4:00pm
Location
Event
Northwestern - 345 CORD Board of Directors Meeting (closed to public) - beverages/snacks and lunch provided
9:00am - 4:00pm
Ohio State - 339
SDHS Board of Directors Meeting (closed to public) - beverages/snacks provided; lunch on own
1:00pm - 4:00pm
Wisconsin room 339
SDHS Editorial Board Meeting (closed to public)
2:00pm - 6:00pm
Purdue 343
5:00pm-8:00pm
Art Building West,
Room 240
Performance
8:00pm-8:30pm
Art Building West,
Room 240
Reception
8:30pm
Off-site venue, TBD
Registration &
Publishers Exhibit
Registration
Dancing/Writing/Writhing/Ranting featuring Susan Leigh Foster
& MFA Collaboration with the International Writing Program
5:00pm Reception with hors d'oeuvres
6:00pm Welcome and Remarks by Rebekah Kowal, Performance by Susan Leigh Foster
7:00pm MFA/IWP collaborative performances
Welcome Reception
hors d'oeuvres, finger foods, beverages with cash bar
Graduate Student Welcome
Friday, November 14, 2014
Location
Ballroom Foyer of
2nd Floor Ballroom
Presentation Type
Michigan Room 351
Working Group
Minnesota 347
Working Group
North Room 181
Working Group
Ohio State 343
Working Group
7:45am - 8:45am
2nd Floor Ballroom
Meeting
CORD Members Meeting
8:00am - 5:00pm
Purdue 343
Registration
Registration &
Publishers Exhibit
Time
7:15am - 9:00am
7:45am -8:45am
Title
Presenter(s)
Continental Breakfast
SDHS Working Group: Dance History Teachers
Session Convener:
To be announced
SDHS Working Group: Latin American, Latino and Caribbean Dance
Session Convener:
Elizabeth Schwall
SDHS Working Group: Practice-as-Research
Session Convener:
Vida Midgelow
Graduate Student Working Breakfast
Constructing the Archive
Michigan Room 351
Breakout 1
Miller Room 259
Breakout 2
Minnesota 347
Organized Panel 1
Mexican Trilogy/ Trilogía Mexicana: writing bodies through five hundred years
Archiving Dancing Bodies: Standardizing the Traditional Korean Mask Dance
Writing and Dancing Art and Politics beyond the Iron Curtain: Martha Graham's 1962 Tour to Yugoslavia and Poland
Writing Dance History
The Reda Troupe and State Support during the Nasser Period
Written Out of History: Black Square Dance Traditions
"Do I Like Them Too Much ... Or Too Little?: Using Oral History in Writing Ballroom Dance History
Writing Stages: Inventing and Undoing the Proscenium
9:00am - 10:30am
Writing Baroque Machines: Inventing the Proscenium
It Takes a Long Time To See Anything Clearly Anne Teresa De Keersmaeker's Illegible Dances
Dancing the Weather: Experimental dispositifs for a non-human choreography
Keywords for Dance Research I
North Room 181
Organized Panel 2
Ohio State 343
Organized Panel 3
"Contemporary"
"Classical Dance"
"Ausdruckstanz "
"Modern Dance"
Com/Posing Questions in the Nikolais-Louis Archive
Writing Motion, Performing Objects
Sounding the City Curious: Asia as Aural Abstraction in Alwin Nikolais' Imago
Session Moderator:
Linda Tomko
Ruth Hellier-Tinoco
Sangwoo Ha
Camelia Lenart
Session Moderator:
Paul Scolieri
Anne Vermeyden
Susan Spalding
Roger Wiblin
Session Moderator:
Ruth Hellier-Tinoco
VK Preston
Noémie Solomon
Amanda Graham
Session Moderator:
Judith Hamera
Ananya Chatterjea
Avanthi Meduri
Kate Elswit
Susan Manning
Session Moderator:
Hannah Schwadron
Tresa Randall
Angela Ahlgren
Ohio State 343
Organized Panel 3
"Performance Floats": Orphanhood, Innovation and Modernism in Murray Louis's Choreography and Pedagogy
Authorship and Improvisation
River Room I 103A
Breakout 3
Authorships of habitual bodies dancing
Authorship in the Insterstices: Collaborative Performance Making
blind spot: media memory and performing the intercultural body
Scores and notation systems
Michigan Room 351
Breakout 4
Miller Room 259
Breakout 5
Minnesota 347
Breakout 6
North Room 181
Round Table 1
Kazuo Ohno's dance and his methodology: from analyzing his Butoh-fu
Writing Kinesthetic History: Inscribing the Liminal Space Between Score, Screen & Stage
Embodying Images through Words: Notation Systems to Describe Process of Creating Movements
Dance and Print Media
Ballet and Beer: Discursive Multiplicity Mediated by Text
The Sound Heard Round the World: How 19th-Century Technology Re-Wrote Tap Dance, Minstrelsy, and the American Nation
Wrestling with Dance: Shifting from Being an Athlete of God to Standing Next to One
CORD Awards Panel
10:45am - 12:15pm
Sourcing Popular Dance: Danced Archives from the Cancan to Ragtime
Kelly Klein
Session Moderator:
Janice Ross
Susanne Ravn
Ann Kloppenberg
Michael Sakamoto
Session Moderator:
Alison Bory
Mariko Miyagawa
Heather Young
Tomoko Matsui
Session Moderator:
Melissa Templeton
Caroline Sutton Clark
Brynn W. Shiovitz
Maura Keefe
Session Moderator:
Ray Miller
Ketu Katrak
Ann Cooper Albright
Miriam Phillips
Session Moderator:
Julie Malnig
Susan C. Cook
Clare Parfitt-Brown
Jessica Ray Herzogenrath
The Language of the Expanse -* CANCELLED
Ohio State 343
Round Table 2
River Room I 103A
Breakout 7
Rewriting past, present, future
12:15pm - 2:00pm
Bodily Writing Nationalist Discourses for Contemporary Korean Identity
Bodies of Silence and Resilience: Writing Marginality
DiscorDance of Citizenship: Scripting Memory and Subjectivity on the Puerto Rican Body
Lunch and Awards Session
"Remembering Barbara Palfy"
2nd Floor Ballroom
Dancing Within the Archive
Michigan Room 351
Breakout 8
Miller Room 259
Breakout 9
Minnesota 347
Breakout 10
North Room 181
Organized Panel 4
Ohio State 343
Organized Panel 5
River Room I 103A
Breakout 11
Dancing in the Stacks: Dance Works and the Concept of Authorship in Libraries
Performing the Elders: Apprenticeship of Children of the Bizing Lineage in a Dagbamba Takai Performance.
The Photon Dance of African Caribbean in the UK
From the page to the stage: inspiration and restagings
Why Korean girls learn ballet in English?: The logic and characteristics of "English Ballet" phenomenon in South Korea
Dedication to Carson McCullers: Lester Horton's Homage to an American Author
Revealing the Art of Isadora Duncan: Isadora's Writings as Inspiration for Restagings
Embodiment of text: a complex relationship
2:15pm - 3:45pm
The Writing Cure: Agnes de Mille, dancing and traumatic experience
Auto/body/graphy: Mapping Inter-texts of Black Experiences
Liebe, an evolving solo
Lost and Found in Translation
Feuillet, Taubert, Philip Gumpenhueber, and the Spread of Beauchamps-Feuillet Notation
Reading Between the Lines: Interpreting Cecchetti's 1894 "Manuel des exercises de danse théatrâle"
Transculturation of South African Dance: Transliteracy and the Translation of Ballet
US Federal Dance Funding: Re-Writing Canons, Public Service, and Civic Benefits
Word Weapons and Commitment Muscles: Toward a Civic Justification for US Federal Arts Policy
The American Masterpieces Canon: Alwin Nikolais's Canonization through Reconstruction
"We are a nation of workers": Dance and the Comprehensive Employment Training Act (CETA) 1974-82
Writing and Dancing as Modes of Knowing
When Words Don't Get It: The Challenges of Writing about Ritual Dance
Dancing and Writing History: Developing Curriculum for Beginning Dance Majors
El Fandango Fronterizo: Un-writing the US-Mexico Border Through Transnational Son Jarocho
Historical Bodies of Inscription
Michigan Room 351
Breakout 12
Miller Room 259
Breakout 13
The Shape and Form of South Korea's Twenty-First Century Dance Landscape
Uncovering the Histories and Pre-Histories of Queer Tango: contextualizing and documenting an innovative form of social dancing
Dancing Archives - Ashtapadi in Mohiniyattam
The Dancing Body as Archive of Experience: Jennifer Monson, Jennifer Lacey, and Meredith Monk
Shifting Landscapes of Dance
4:00pm - 5:30pm
Sandra Doller
Clarinda Mac Low
Christopher Nealon
Jennifer Scappettone
Ronaldo V. Wilson
Session Moderator:
Lucía Suarez
Hyunjung Kim
Natalie Zervou
Brianna Figueroa
Here and Now
You Know What I am Saying?: Academic Writing on Dance and Possibility of Subjectivity of Meaning
Writing About Dancers Who Cannot Read: Ethical Dilemmas of Dance Scholarship
Session Moderator:
Joanna Dee Das
Dominique Bourassa
Habib Iddrisu
Carol Marie Webster
Session Moderator: Tresa
Randall
Ok Hee Jeong
Andrea Lujan
Lori Belilove
Session Moderator:
Melanie Bales
Victoria Thoms
Ninoska M'bewe Escobar
Kevin Stuart Schroder
Session Moderator:
Rachel Fensham
Tilden Russell
Norma Sue Fisher-Stitt
Sarah Davies Cordova
Session Moderator:
Clare Croft
Sarah Wilbur
Asheley Smith
Colleen Hooper
Session Moderator:
Ann Cooper Albright
Kimerer L. LaMothe
Amy C. Smith
Jade Power Sotomayor
Session Moderator:
Anna Paula Höfling
Kathleen Nasti
Ray Batchelor
Anisha Rajesh
Alison Bory
Session Moderator:
Debra Sowell
Fangfei Miao
Sue In Kim
Sharon Kivenko
Re-presentations and Re-actions. Combining artistic and academic approaches in research on past dance practices
Minnesota 347
Organized Panel 6
4:00pm - 5:30pm
Perception in writing and reading belle dance sources
Re vs. Act
Dancing Cheek to Cheek with Images
Rethinking the reKeywords for Dance Research II
"Copyright"
"African Dance"
"Latinidad"
"Jewish Dance"
Session Moderator:
Joanna Hall
Dora Kiss
Cecilia Roos
Astrid von Rosen
Elizabeth Svarstad
Session Moderator:
José Reynoso
Anthea Kraut
Jasmine Johnson
Ramon Rivera-Servera
Rebecca Rossen
Session Moderator:
Michelle Summers
Amanda Hamp
Chiayi Seetoo
Paris Adkins-Jackson
Session Moderator:
Katherina Farrugia-Kriel
Gretchen Alterowitz
Ida Meftahi
Melissa Templeton
North Room 181
Organized Panel 7
Ohio State 343
Breakout 14
River Room I 103A
Breakout 15
5:30pm-6:30pm
2nd Floor Ballroom
Members Meeting
Joint SDHS & CORD Members Meeting
followed by light reception & hors d'oeuvres
Led by Nadine GeorgeGraves
& Ann Cooper Albright
7:30pm
Space Place Theatre,
North Hall
Featured
Performance
Healing Wars
Liz Lerman
Title
Presenter(s)
Politics of the body
Choreographing Experience: Miguel Gutierrez's Remount of "myendlesslove" Rewrites the Politics of Being Seen
Yin Meis Cursive (2006) and the Writing/Dancing of Another Epistemology as Auto(bio)graphic Performance
Dancing to a Beat: Protest and Healing embedded in African/Black Diasporic Dance
Dancing Gendered and Raced Narratives
Writing Contemporary Ballet Through Counter-Fairy Tales: Katy Pyle's The Firebird, A Ballez and Sleeping Beauty and the Beast
(Re)Writing the Narrative of the Iranian Cabaret Dancer
Narratives of Whiteness, Embodiments of Blackness: Susanne Linke, Compagnie Jant-Bi, and Le coq est mort
Saturday, November 15, 2014
Time
7:15am - 9:00am
8:00am - 5:00pm
7:45am - 8:45am
Location
Ballroom Foyer of
2nd Floor Ballroom
Presentation Type
Purdue 343
Exhibit
Michigan Room 351
Working Group
SDHS Working Group: Dance and Technology
Indiana Room 346
Working Group
SDHS Working Group: Dancing the Long Nineteenth Century
Minnesota 347
Working Group
SDHS Working Group: Popular, Social and Vernacular Dance
Session Convener:
Joanna Hall
Northwestern 345
Working Group
SDHS Working Group: Dance and Music
Session Convener:
Nona Monahin
River Room I 103A
Breakout 16
Indiana Room 346
Breakout 17
Continental Breakfast
Publishers Exhibit
Narrating History with Bodies
Neo-Realism': Nikolai Minsky on the Ballets Russes
Failing at the Funky Chicken: Popular Dance Origin Myths and the Genres They Make
The Ballet d'action in Diderot and D'Alembert's Encyclopedia
Embodied agency and danced signifiers
Intersections of Dance and Poetry in Post-industrial Michigan
Your Body is Not a Shark: Discourses of Somatic and Poetic Engagement on the Page and the Stage
Is It Cultural Enough?
New Directions in Movement Notation Theory and Practice
Michigan Room 351
Organized Panel 8
Notation is to dance as writing is to speech: language, semiology and the problem of dance notation
Using 18th Century Dance Notation to Create Contemporary Dance Today
Plasticity through Digital Inscription: Labanotation and Digital Media
American Contemporary Dance Ideologies and Movement Literacy
Labanotation and the Study of Human Movement in Anthropology
Rewriting Identity
9:00am - 10:30am
Minnesota 347
Breakout 18
Northwestern 345
Organized Panel 9
Choreographing Cosmopolitanism: The Taipei Mambo Project at the Shanghai Salsa Festival
Nupe Women's Dances of Bida: A Performance Analysis
Lucky Plushs THE BETTER HALF: Challenging 1940s American Gender Markers through Dance and Physical Theatre
Valuing dance: Non-narrative dance, improvisation, and the question of aesthetic hegemony
Yvonne Rainer's Intermedial Collage Performances and the Limits of the Archive
Selling Spontaneity: Improvisation in Repertoire
Embodying the Taqism: Movement, Voice and Sound at the Limits of Improvisation
Un/Catholic Confessions, Un/Easy Authority, Un/Holy Methods: On the Hazards of Dance Ethnography
Ohio State 343
Organized Panel 10 Un/Catholic Confessions: On Passing for Christian
Un/Easy Authority: Why I Won't Dance My Dissertation
Un/Holy Methods: Facing Jewish Dance Ethnography
Narrative and Embodied Practices
Penn State
Breakout 19
Session Convener:
Susan Lynn Wiesner
Session Convener:
Debra Sowell
Session Moderator:
Gretchen Alterowitz
Hanna Järvinen
Alexandra Harlig
Olivia Sabee
Session Moderator: Sarah
Wilbur
Emma
Davis &
Custer
Cid Pearlman
&Nic
Denise
Leto
Emilia Ismael & Ray
Schwartz
Session Moderator:
To be announced
Victoria Watts
Catherine Turocy
Hannah Kosstrin
Brenda Farnell
Monica FA Santos &
Kate Grim-Feinberg
Session Moderator:
Jasmine Johnson
I-Wen Chang
Gladys. I Akunna
Kristin Leahey
Session Moderator:
Jennifer Kayle
Ira S. Murfin
Lizzie Leopold
Meiver De la Cruz
Session Moderator:
Susan Manning
Michelle Summers
Rachel Carrico
Hannah Schwadron
Session Moderator:
Victoria Fortuna
Penn State
Breakout 19
Iowa Theatre
Breakout 20
Dancing Faith: Narrative and Embodiment in American Evangelical Dance
The (M)other of Writing: Martha Graham "Writing a Script of Movement" for Jocasta and Oedpius
The Dramaturgy of Performance Generating Systems
Shifting relationships with the audience
Finishing the Sentences: how dance spectators are extending audience experiences into social media dialogues
Closer to the body: Reflections on Skript, a space for writing-dancing
Writing The Garden: Pathways Through Participatory Spectatorship
Indiana Room 346
Breakout 21
Michigan Room 351
Breakout 22
Minnesota 347
Breakout 23
Northwestern 345
Breakout 24
Session Moderator:
Ketu Katrak
[Reassigned]
Session Moderator:
To be announced
Suparna Banerjee
Katherine Mezur
Ana Paula Höfling
Session Moderator:
Written on the page and on the body
Elizabeth Bergman
Hye-Won Hwang
Dancing with the Symbols: Issues of Co-authorship and Universality
Swarnamalya
Ganesh
Writings as operations of disenfranchisement - investigating manuscripts and choreographer's notes from the 18th, 19th and 20th centuries as aides
to self learning
and the advantages an
Katelyn Sheffield &
Dance Notation as Super Text: Baroque, Modern and Postmodern case studies of applications in landscape architecture
Kimberly Wilczak
Session Moderator:
Librettos and manuals
Norma Sue Fisher-Stitt
Astrid Bernkopf
Librettology: Adapation, Appropriation and Analysing the ballet libretto
Melissa Melpignano
Dancing texts: writing the presence of the dancing bodies in dance librettos
Nona Monahin
Writing for Posterity: A Reassessment of Arbeau's Orchésographie (1588/9)
Place
Performing/writing heterotopia: dislocated places and fragmented temporality
Text's Bodies: Multi-lingual Movement and the (Defective) Design of Meaning
Folk•
authorship and tourist spectacle in mid-twentieth century Bahia, Brazil.
Session Moderator:
Constance Valis Hill
Jessica Anthony
Jennifer Fisher
Esther Baker-Tarpaga
10:45am - 12:15pm
Ohio State 343
Breakout 25
River Room I 103A
Workshop
Memoir/memory
90 Miles
The stories we learn to tell: memoir ethnography as method
Writing on the body revisited
Graduate Student Professionalization Workshop
Dance in Words: Four Rhetorical Approaches in Dance Studies
Penn State
Raqs Sharqi (Belly Dance) Technique
Organized Panel 11
Feelings that Move: An Exploration into Affect Theory and Dance Studies
Intimation of the Body: Approaching Gesture Through Chinese Folk Dance
Choreographers in ballroom dance and dancesport?
The ephemeral vs. technology
Iowa Theatre
Breakout 26
Emily Wright
Robert R. Shane
Pil Hansen
Session Moderator:
Anthea Kraut
Julia M. Ritter
Vida Midgelow
Laura D. Vriend
Scoring Choreographic Process: Intentions, Bodies and Digital Forms
Dance and Digitality: The Twice-Ephemeral
Digital Choreographic Lineage: A Global Access and Preservation Framework
12:15 - 1:30pm
Session Moderator:
Clare Parfitt-Brown
Christine Canady
Casey Avaunt
Wei-Chi Wu
Denise Machin
Session Moderator:
Colleen Dunagan
Hetty Blades
Harmony Bench
Melanie Aceto
Lunch: On your own
Session Moderator:
Ariel Osterweis
Pamela Krayenbuhl
From Ruth Page's Caméra-Stylo: A History as Written by the Dance Company Film
Deidre Cavazzi
Entangled States: Exploring the Intersection of Dance and Quantum Physics through Interdisciplinary Performance and Campuswide Collaboration
Krista Bower
Mississippi Stories in Motion: Authorship and the Construction of Meaning in a Museum-Based Movement Installation
Session Moderator:
Writing Strategies and Concerns: From the Ontological to the Practical
Susanne Ravn
Implied Ethics: Describing Haecceity and the Persistence of the Event
Michael J. Morris
Organized Panel 12
Time Signatures: Temporal Strategies for Writing About the Art of Time
M. Candace Feck
Float and Punch, Flick and Press: Recursive Patterns of Moving and Describing
Melanie Bales
Encountering Difference in the Physical World, and why newspapers matter to dance
Veronica Dittman Stanich
Session Moderator:
Baroque Readings: Parsing Writings about 17th and 18th-century Dance
Ellie Goudie-Averill
Enter
a
Queen:
Exchanges
between
Text
and
Performance
in
Ceremonial
Instructions
for
Queen
Christina
of
Sweden's
Journey
to
Rome
Camilla Eleonora Kandare
Organized Panel 13
A Sorcerer's Apprentice? John Weaver's Comic Muse
Richard Semmens
Fascinating Feuillet
Linda J. Tomko
Session Moderator:
Post-Modern Stagings: Then and Now
Esther Baker-Tarpaga
Jennie Goldstein
Dancing in Plain Sight: Recovering Choreography in the Art of the 1970s
Breakout 28
Re-Writing Canonical Choreography for Physical Disability: Yvonne Rainers Trio A Pressured #X
Elliot Mercer
Seonagh Odhiambo Horne
Body of Theory: Choreographing an Approach to Dance History
Session Moderator:
Hemispheric Translations: Dance Across the North/South Axis
Anusha Kedhar
Victoria Fortuna
Translating Miracles: Hemispheric Belonging in Gabily Anadón's El Milagro
Organized Panel 14
Beyond Ethnography: Katherine Dunham's Embodied Translations of Caribbean Dance
Joanna Dee Das
Raging Bodies. A critical journey through five dance pieces by Tamara Cubas
Lucía Naser
Writing Modernity: Translating Latinidad in Mid-Century US Dance
James Moreno
Session Moderator:
Gesture
Lizzie Leopold
Odilon Roble
Metakinesis between word and gesture in Capoeira and its possible supports for contemporary dance
Breakout 29
Ryan Platt
Queer Gesture in Trajal Harrell’s Twenty Looks or Paris is Burning at Judson Church
Meghan Quinlan
Danced and Discursive Freedoms in Gaga Classes
Inscribing Bodies in Motion
Indiana Room 346
Michigan Room 351
Minnesota 347
Northwestern 345
1:30pm - 3:00pm
Ohio State 343
River Room I 103A
Breakout 27
Narratives of Dance and Language [OR] Narratives, Dance, and Language
Penn State
Breakout 30
Iowa Theatre
Breakout 31
location TBD
Break
The Relationship between Ballet and Manga in Japan
The narrative of the dance in the Letters by J. -G. Noverre : studying the concept of the action
Negotiating for New Meanings: Intertextuality in the Staging Processes of the Dunhuang Dance Dramas
Interpretation, poetics and dance
3:00 - 3:15pm
A Poetics of the Dancing Body
Who, Where, When? Danced Deixis
Proposition
Scoring Project
Session Moderator:
Chiayi Seetoo
Yukiyo Hoshino
Keiko Kawano
Lanlan Kuang
Session Moderator:
Hanna J ärvinen
Erin Brannigan
Katja Vaghi
Ariel Nereson
Led by
Vida Midgelow
Session Moderator:
Emily Wilcox
Mediated Performances: Narrating Bodily Choreographies in Andrew X. Phams Memoir Catfish and Mandala : A Two-Wheeled Voyage Through
The
Landscape
Ying
Zhu
& Nhu Leand Memory of Vietn
Breakout 32
Ray Miller
Dance in American Plays: A Conversation Across Borders
Peter Dickinson
Narrative Matters: Reading and Writing Vancouver Dance
Session Moderator:
Popular dance and intertextuality
Pil Hansen
Julie Malnig
Organized Panel 15 The Revolution was Televised: Teen dance programs of the 1950s and the early 1960s
Palimpsestic Bodies: intertexuality, authenticity and popular dance
Joanna Hall
Hip-hop Battles and the Facial Intertext
Sherril Dodds
Session Moderator:
Dance Criticism and Writerly Visions of Dance
Rebecca Rossen
Susan Wiesner
Busted! How to make and break a fake review
Breakout 33
Erin Bomboy
Inherent Biases of the Non-Dancing Critic
From Text to the Stage - Cloud Gate 2's Cross-cultural Adaptation of Oscar Wilde's Dorian Gray
Yatin Lin
Session Moderator:
Capturing Dance and its Representations
Ananya Chatterjea
Carl Paris
Writing Black Male Representation in Modern/Concert Dance From Simmering Passivity to New Black Male Identity
Breakout 34
Alyssa Haney
Writing the New Burlesque
Rachel Mehaffey
Exploring Rhetorical Agency and Somatic Identity in University Dance Students
Session Moderator:
thINKingDANCE: Experimental Dance Writing in Philadelphia
Colleen Hooper
Ellen Gerdes
Round Table 3
Lynn Brooks
Megan Bridge
Ellie Goudie-Averill
Session Moderator:
Practicing Research and Writing Process
Rosemary Candelario
Megan Andrews
Questions of Method: Writing as a Thread through the Experiential Labyrinth
Breakout 35
Megan Nicely
Choreographic Thinking as Writing: A Mover's Perspective
Michelle LaVigne
Choreographic Thinking as Writing: A Spectator’s Perspective
Literary bodies
Indiana Room 346
Michigan Room 351
Minnesota 347
Northwestern 345
3:15pm - 4:45pm
Ohio State 343
River Room I 103A
Penn State
Breakout 36
Iowa Theatre
Breakout 37
Mediated dance
A Proposal for the Creation of a Dance Ontology
Neuroscience in Dance Studies. Expanding the field.
Celtic Monikers and Swell Numbers: Gene Kellys Dancing and Writing Irish American Identity through Postwar Hollywood
Dancing Happiness. Lyrics and Choreography in Singin in the Rain (1952)
Manifestos and Written Representations
Defining The Dance in America: Martha Grahams Modernist Manifestos of the 1930s
Fixating or evoking?: writing about contemporary dancers kinaesthetic experiences
Dancing Manifesto: The New Dance Group and the Performance of Politics
Choreographic Adaptations
Indiana Room 346
Breakout 38
Michigan Room 351
Round Table 4
Choreographing the Historical Novel: Adaptation Theory and Walter Scott's Ivanhoe
Literature as Dance Performance: The Dream of the Red Chamber by Cloud Gate Dance Theatre of Taiwan
A Summer Dream on a Winter Night: George Balanchine's A Midsummer Night's Dream
Dance Publishing in North America and Britain:
Issues and Opportunities
Writing Intertextuality
Minnesota 347
Breakout 39
Northwestern 345
Breakout 40
DANCING/WRITING transmodernism: Toward a theorisation of recent choreographic histories
Nijinsky's Faune and the emergence of authorship
Signed Sealed Delivered: ASL Poetry and the Wallflower Order Dance Collective
Writing Yoga in Modern Dance History: An Investigation into the History of Two Practices
Writing Dance in the Social
5:00pm - 6:30pm
Writings on Bulgarian Folk Dance: 1944-1989
Bumpkin Shepherds and Pastor Bobo: Noise as Social Critique in the Global Circulation of Zapateado
The Show Must Go On: A rewriting of euro-american contemporary folk dance
The Absent Presences of Dance Writing
Ohio State 343
Organized Panel 16
Fairy optics
Generative Misunderstandings
How to write about friends and alienate people: intimacy and the ethics of ethnographic writing
I Want Your Body: Eclipsing desire in dance ethnography
Session Moderator:
Petri Hoppu
Annabel Clarance
Sandra Frydrysiak
Kathaleen Boche
Cristina de Lucas
Session Moderator:
Stacey Prickett
Neil Baldwin
Shantel Ehrenberg
Stefanie Miller
Session Moderator:
Rachel Carrico
Debra H. Sowell
Shih-Chiau Huang
Ronald Altman
Session Moderator:
Allana Lindgren
Lynn Brooks
Vida Midgelow
Norm Hirschy
Session Moderator:
Arlene Yu
Kathrina Farrugia-Kriel
Gisela Doria
Sima Belmar
Jennifer Aubrecht
Session Moderator:
Susan Cook
Daniela Ivanova-Nyberg
K. Meira Goldberg
Rebecca Pappas
Session Moderator:
Kate Elswit
Clare Croft
Julian Carter
Anusha Kedhar
Ariel Osterweis
5:00pm - 6:30pm
Embodied histories
River Room I 103A
Breakout 41
Penn State
Breakout 42
Iowa Theatre
Breakout 43
Between dance and the written world...is it always a lost battle?
Bodying the Afrocentric: articulating a classical African meta-physical to deepen corporeal discourse.
The Choreography & Performance of Religion: Power and Ritual within an American Fundamentalist Practice
Rewriting Dance Criticism's Histories
Dancing the Redemption of French Literature: Jacques Rivière's Critique of Symbolism in Le Sacre du printemps
Writing Out the Ballerina: Cold War American Criticism of Soviet Ballet
Writing Dance in Stéphane Mallarmé's Divagations
Textual Tracings in Dance History
Lost in Translation? Writing about Odissi Dance
They Are All Cultivated Entertainers•
: Writing Dance and Desire in Storyvilles Infamous Blue Books
National-flamencoism and the Birth of Flamencology
Plenary Duet
& Performance Showcase
7:00pm - 9:30pm
2nd Floor Ballroom
Session Moderator:
Kimerer LaMothe
Cristina Goletti
Tawanda Chabikwa
Sarah Dove
Session Moderator:
George de la Pena
Chantal Frankenbach
Anne Searcy
Amanda Lee
Session Moderator:
Avanthi Meduri
Nandini Sikand
Jennifer Atkins
Theresa Goldbach
Featuring Thomas F.
DeFrantz
During intermission, the Graduate Student Book Raffle will take place.
Curated Performance
corpore-aporia
dream [factories]
rapture/rupture
Owen David
Gina Kohler
Cynthia Ling Lee
Title
Presenter(s)
Sunday, November 16, 2014
Time
Location
Ballroom Foyer of
2nd Floor Ballroom
Presentation Type
7:45 - 8:30am
To be announced
Working Group
8:00am - 11:30am
Purdue 343
Exhibit
7:30am - 8:30am
Continental Breakfast
Session Convener:
Jane Peck
SDHS Working Group: Early Dance
Publishers Exhibit
Crossing disciplines with writing and dancing
Indiana Room 346
Breakout 44
Northwestern 345
Breakout 45
River Room I 103A
Breakout 46
Michigan Room 351
Breakout 47
Cyclical Bloom in Ralph Lemon's Intertextual Dances
Writing Bodies: Isadora Duncan Movement and Metaphor
Talking In: Telling as Writing in Improvised Dance Performance
Generative recording systems and dance creation
Texts, Bodies, Multimodality: Dance Literacy in Context
Performing Interpretation: Writing for the Body in Three Indeterminate Language Scores
Tap Dance, Notation, and the Archive: The Possibilities are Plural
Bodies that Write
Choreographies of Resistance: Turkey's Occupy Gezi Movement
Qi, Xiang, Shi, Yun: Translating the Language of Chinese Dance
Correspondence as Improvisation: Archiving the Letters of Florence Fleming Noyes
Choreographic Writings
8:30am - 10:00am
Ruth Page in Wonderland: Alice (1970–1985)
Paul Draper’s Bach Ballet (1936) and the Origins of Balanchine’s Concerto Barocco (1941)
From Ausdruckstanz to the Big Four: Exploring the Identity of Modern Dance Pioneer Hanya Holm
Mobilizing Queer on Local, National, and Transnational Stages
"But now my knees hurt…my back hurts…": Choreographies of Black Queer Sociality
Snakes on the Dancefloor: Sridevi's Queer Gesture
Upon the Edges of the Heavens: Embodying Mahu in Contemporary Hula Practice
CHOKRA Loves You! Gender, Sexuality and Affect in Zawaj Al Khaleej
Minnesota 347
Organized Panel 17
Ohio State 343
Organized Panel 18 Organizing Sight: German Dance Critics and Questions of Seeing, 1910-1926
Sight, Verse, and Canon: Questions of Dancing and Writing in Twentieth Century Germany, US, and Cuba
Dancing in the Age of Anxiety: Jerome Robbins' Poetic Adaptations in the Early 1950s
Carmen (1967): Elided Experiments, Alternative Meanings and Monopolizing Canons
Corporeality, writing and creating
Iowa Theatre
Breakout 48
Room to be
announced
Organized Panel 18A
Gestures, Mental Processes, and Codified Texts: Articulating the Relevance of Flusser's Writings to the Field of Dance Studies
The power of ing: speaking through corporeality
Dancing in a house of cards: efforts to transcend the limitations of text
We Do It for the Fans: Engaging the Popular in Dance Writing
Session Moderator:
Sherril Dodds
Michael Bodel
Harmony Jankowski
Selene Carter
Session Moderator:
Vida Midgelow
Rachael Riggs Leyva
Alison D'Amato
Janet Schroeder
Session Moderator:
Elliot Mercer
Sevi Bayraktar
Emily Wilcox
Meg Brooker
Session Moderator:
Jingqiu Guan
Joellen Meglin
James Steichen
Elizabeth Kattner
Session Moderator:
Ramón H. Rivera-Servera
Kemi Adeyemi
Kareem Khubchandani
Angeline Shaka
Sara Wolf
Session Moderator:
Erin Donohue
Ana Isabel Keilson
Jennie Scholick
Elizabeth Schwall
Session Moderator:
Harmony Bench
Cristina F. Rosa
Kallee Lins
L. Archer Porter
Session Moderator:
Armando Duarte
MJ Thompson
JoDee Allen
Haitian Danced Inscriptions, Inscribing Haitian Dance
Indiana Room 346
Organized Panel 19 Virtuosic Complexities: Considerations of Artistry and Authorship in Haitian Dance
"Dedouble" by Haitians: Dance, Memory and Co-performative Witnessing
Inscribing/Inscribed: Bodies and Landscape in the Ritual of Embodied Remembrance at Souvenance Mystique
From Page to Stage to Screen to Ballet: Dancing and Romeo and Juliet
Northwestern 345
Organized Panel 20
Session Moderator:
Meiver De la Cruz
Dasha A. Chapman
Mario LaMothe
Ann Mazzocca
Session Moderator:
Jennifer Fisher
Northwestern 345
Organized Panel 20 "We'll measure them a measure, and be gone": Renaissance Dance Practices and Shakespeare's Romeo & Juliet
"A hall, a hall! Give room! And foot it girls": Realizing the Dance Scene in Romeo & Juliet
Rhetorics of Courtship in Sir Kenneth MacMillan's and John Cranko's Romeo & Juliet
Choreographing the Archive
Michigan Room 351
Breakout 49
Choreographing Archives: Contemporary Works by Eiko & Koma, Bebe Miller, and Jennifer Monson
Contextual Architecture
10:00am - 11:30am
Minnesota 347
Organized Panel 21 Digitized Figures (video installation)
Transnational Authorship
Ohio State 343
Breakout 50
What White Women Gave Me: Dance, Kinship and a Black Queer's Paranoia
Rewriting Skolt Sámi Dance History
Re-imagining Cartographies of Belonging:South African Jay Pather’s Site-Specific Artistic Creations
River Room I 103A
Breakout 51
Iowa Theatre
Breakout 52
Metaphors and Bodily Schema
Image Schema and Metaphor in Dance Analysis
"Locating the spine"
Trouble: a place in time: collaborative writing processes for new dance work
Protest/dance as activism
Resistance and Resilience: Embodied Dissonance in Tomson Highway's Kiss of the Fur Queen
Artists or Slave Laborers?: Burkinabé Performers in a South Korean African Arts Museum and Inapprehensibility of the Dancing Body
Tracing the Force of Law: Keith Hennessy and the testimony of the police report
Emily Winerock
Linda McJannet
Amy Rodgers
Session Moderator:
Hannah Kosstrin
Rosemary Candelario
Alicia Wilson & Samantha
Spriggs
Kathleen Kelley
Sarah Rose Nordgren
Session Moderator:
Charlotte Adams
Christopher-Rasheem
McMillan
Petri Hoppu
Ketu Katrak
Session Moderator:
Kristin Marrs
Larraine Nicholas
Cheryl LaFrance
Julie-Anne Long
Session Moderator:
Alexandra Bush
Shawn Newman
Soo Ryon Yoon
Macklin Kowal