3(24) 2007 - Style Magazine

STYLE
A R C H I T E C T U R E
I N T E R I O R
D E S I G N
Tanamedrove litvis arqiteqtura
Contemporary Lithuanian Architecture
Tbilisis axali ipodromi
New Tbilisi Hippodrome
saxli wyneTSi
A House in Tskneti
xom zustad viciT?!
We All Know…
#24
Semodgoma
serTificirebulia
2007
arqiteqtura
interieri
dizaini
serTificirebulia
serTificirebulia
serTificirebulia
serTificirebulia
sareklamo kompania
gamomcemeli
direqtori redaqtori informacia
- kompania stili da dimitri mosuliSvili
eka javaxiSvili
nino laRiZe
- nino laRiZe, lali baxtaZe,
qeTevan odiSeli (spec.kor. berlinidan)
reklama - alisa Somaxia, qeTi mwariaSvili
Targmani - nata kurtaniZe
kompiuteruli dizaini - Tamaz CxaiZe
dizaini - gia nozaZe
gavrcelebis menejeri - mirian margalitaSvili
PUBLISHER - Company STYLE & Dimitri Mosulishvili
DIRECTOR - Eka Javakhishvili
EDITOR - Nino Lagidze
INFORMATION - Nino Lagidze, Lali Bakhtadze,
Ketevan Odisheli (Special correspondent from Berlin)
ADVERTISING - Alisa Shomakhia, Keti Mtsariashvili
TRANSLATION - Nata Kurtanidze
COMPUTER GRAPHIC - Tamaz Chkhaidze
DESIGN - Gia Nozadze
SALE MANAGER - Mirian Margalitashvili
kompania "stili"
0160 Tbilisi, gamrekelis q. N7, b.27
tel/faqsi: 38-33-24.
mob: 877 44-86-00, 893 42-74-73
7 Gamrekeli Str., 0160 Tbilisi, Georgia.
Tel/fax: (+995 32) 38-33-24.
Mob: (+995 77) 44-86-00, (+995 93) 42-74-73
http://www.archistyle.ge
E-mail: style_inbox@mail.ru
inbox@archistyle.ge
sareklamo teqstis
redaqcia pasuxs
Sinaarsze
ar agebs
gTavazobT:
gare reklamis damzadeba da ganTavseba;
video reklamis damzadeba da ganTavseba;
proeqtireba, mSenebloba, dizaini.
arqiteqtorebisa da dizainerebis
sayuradRebod!
nomris sponsoria
Sps `kaparol-jorjia~
arqiteqturul-dizaineruli Jurnali "stili" kvlav agrZelebs
TqvenTan TanamSromlobas.
gTxovT, mogvawodoT Tqvens mier realizebuli arqiteqturul-dizaineruli proeqtebi. maT Soris saukeTesoebi ganTavsebuli
iqneba Jurnali "stilis" momdevno nomrebSi, risTvisac winaswar
gixdiT madlobas.
redaqcia itovebs uflebas gacnoboT masalis momzadebisa
da publikaciisaTvis aucilebeli piroba - JurnalSi gamosaqveynebeli obieqti warmodgenili iqnas misi amsaxveli foto-masalis
maRalmxatvruli xarisxiT - avtorma uzrunvelyos obieqtis profesiuli fotogadaReba.
serTificirebulia
qalaqi
CITY
Tbilisis axali ipodromis
ganaSenianebis gegma
New Tbilisi Hippodrome
Plan of development
ucxouri arqiteqtura
FOREIGN ARCHITECTURE
Tanamedrove litvis
arqiteqtura
8
savaWro centri
`qarvasla~
Contemporary
Lithuanian Architecture
esTetikuri
kriteriumebi
47
`es Cemi saukeTeso
namuSevaria~
Trade Center
Karvasla
10
"The Best Thing
I’ve Ever Done"
97
funqcionalizmis
esTetika
54
sazogadoebrivi sivrcis
esTetikuri ganviTareba
Aesthetical Development
of Public Space
Pab Restaurant Big Ben
Functionalism
at Its Best
102
stili
interierSi
4+ arqiteqtorebi
14
61
4+Architects
Style Identification
Issues
107
tradicia
TRADITION
tradiciiT damuxtuli
awmyo
mTawmindis parki
Mtatsminda Park:
A Magnificent Kingdom
Where Dreams Come True
18
Modernity Saturated
with Tradition
sacxovreblis
interieri
68
109
Interior
interieri
INTERIOR
sacxovreblis
arqiteqtonika
xom zustad viciT?!
24
We All Know…
Residential Space
Architectonics
ofisi
72
110
Office Interior
saxli
HOUSE
SemoqmedebiTi
Zalis dasabami
saxli
A residential house
28
A Driving Force
Behind the Art
formaTa saxesxvaoba
77
Diversity of Forms
114
84
arqiteqturuli
sivrcis organizeba
116
funqciuri sivrcis
silamaze
qalaquris asociaciebi
Urban Associations
30
sacxovrebeli dupleqsi
mansardaSi
interieris Tanamedrove
klasikuri dizaini
da ara marto...
Da ara marto...
Beauty Space
Functional
34
Modern Classical design
86
A House in Tskneti
38
Ongoing exhibition
in Art-cafe
"Tan Tsaighe"
klasikis simboluri veli
profesionalizms
SemoqmedebiTi Sedegi
gansazRvravs
Symbolical Dimension
of Classical Style
Professionalism Level
as Defined by Result
44
119
axali ambebi
NEWS
saqarTvelo-britaneTis
mudmivmoqmedi gamofena
art-kafe `Tan waiRe~
saxli wyneTSi
Residential
interior
erToblivi arqeologiuri
eqspedicia fiWvnarSi
89
Joint Georgian-British
Archaeological Expedition
in Pichvnari
Strixebi
portretisaTvis
122
vernisaJi
VERNISAGE
Sculpture...
94
The art of imagining a form and
adapting it to the meaning, which
should define its character...
132
serTificirebulia
stili #24. 2007
qalaqi
CITY
Tbilisis axali ipodromis
ganaSenianebis gegma
Tbilisis axali ipodromi iqneba kavkasiaSi erT-erTi udidesi da saqarTveloSi erTaderTi umaRlesi donis kompleqsi. Tavisi parametrebis mixedviT, es aris
mravalfunqciuri infrastruqtura mTliani farTobiT – 32.8 ha, romelic moicavs
sxvadasxva Tematur zonas.
sportul-demonstraciuli zona: moicavs 2500-adgilian Ria tribunas.
ipodromis veli: gamoiyeneba cxenebis
gamosacdelad (cxenebis Sejibrebebis Casatareblad) da moicavs sarben biliks 1600
m. sigrZiT. es aris evropis ipodromebs Soris unikaluri veli, romelzec SeiZleba
rogorc rbolebis, aseve Sejibrebebis Catareba.
saswavlo-savarjiSo zona: Sedgeba pro-
8
fesionaluri gakveTilebisTvis gankuTvnili maneJisa da cxenosnobis skolisgan.
is agreTve moicavs 1 000-adgilian daxurul tribunas. aqve aris ganlagebuli
konkuris moedani farTobiT 60X40 m-ze.
sameurneo zona: gamoiyeneba cxensaSenebisa da cxenebis kerZo mflobelTaTvis.
masSi Sedis 6 srulad aRWurvili Tavla,
saveterinaro klinika cxenebis miRebis
punqtiT, saSxapeebi (dacvisaTvis gankuTvnili saTavsoebiT, saxanZro aRWurvilobis Sesanaxi saTavsoebiT, inventaris Sesanaxi saTavsoebiT, Svriisa da Tivis sawyobiT).
specnagebobebi: avtosadgomi, samWedlo,
sarwyavi sistemebi.
gasarTob-saTamaSo zona: mayureblisT-
vis warmoadgens restornebis, kafeebis, barebisa da totalizatorebis daqsaqsul kompleqss, romlis Semosavlebic ipodromis saqmianobasa da respublikis cxenosnobis dargis ganviTarebas moxmardeba.
perspeqtivaSi igegmeba damatebiTi Tavlebisa da 40-nomriani sastumros aSeneba.
warmodgenili infrastruqtura iqneba umaRlesi standartebis Sesabamisi da
sacxenosno sportis profesionalebisa da
moyvarulebis sazogadoebas miscems sayvareli saqmianobiT dakavebis saSualebas ukve gaumjobesebul pirobebSi.
es aris odiTganve qarTuli sportis
saxeobisa da dargis aRorZinebis axali etapi.
stili #24. 2007
New Tbilisi
Hippodrome Plan
of development
Tbilisi hippodrome will be one of the biggest ones
in Caucasus region and the only highest class complex in Tbilisi.
Via its parameters – it's multifunctional infrustructure, with total area of 32.8 hectares, which embodies
different thematic zones.
Sporting-demonstrative zone: includes 2500place open stand tribune.
Hippodrome field: is used for horse testing (used
for races) and includes race track which is 1600 meters
long. It is a unique valley compared to the Europe's
hippodromes, which can be used for races, as well as
for competitions.
Training-learning zone: consists of manege used
for professional learning of equestrianism and equestrian school, it also embodies closed tribune with 1 000
places. Nearby is placed the riding field.
Household zone: is used for private equestrians
and equestrianism. It includes 6 fully equipped stables,
veterinary clinic, with horse receipt point showers
(room for security, fire system, premises for outfits, barns
for oats and hay).
Special premises: parking, forge, irrigation systems.
Entertainment-playing zone: it is restaurants,
cafes, bars and totalizators' complex web, income from
those businesses will be used for hippodrome's activities and republic's equestrianism development. In future
we are planning to build additional stables and a 40
room hotel. Represented infrastructure will be of the highest standards and will give the ability to the equestrian sport lovers and professionals to engage in their
favorite hobby in better conditions. This is the new stage
for renaissance of the field and Georgian sport type.
9
stili #24. 2007
savaWro centri
`qarvasla~
korporacia "Cemi saxli da kompania" arsi, qalaq TbilisSi, rkinigzis sadguridan 140 metrSi, cotne dadianis #7-Si aSeneben Tanamedrove savaWro centrs “qarvasla”.
savaWro centri “qarvasla” moicavs 6
sarTuls, sadac ganTavsdeba 400 savaWro
obieqti: maRaziebi, hipermarketi, silamazis salonebi, bavSvTa oTaxebi, kafeebi, restornebi. TiToeul maTganSi damontaJdeba individualuri gaTbobisa da kon-
10
dicirebis sistemebi, eleqtrogayvanilobis dgarebi da individualuri mricxvelebi.
sarTulebis dakavSireba moxdeba uaxlesi tipis eskalatorebiT.
qarvaslis miwisqveSa avtosadgomi gansazRvrulia 300 manqanaze.
farTi gadadis myidvelis sakuTrebaSi da Cabarebis kondiciaa sruli remonti. savaWro centris mSenebloba sruli
remontiT damTavrdeba 2009 wlis maisSi.
stili #24. 2007
Trade
Center
Karvasla
Corporation Chemi Sakhli and construction company Arci are building a
modern trade center Karvasla to be located in no 7 Tsotne Dadiani Street, at
about 140 meters’ distance from the
Central Railway Station.
The Trade Center will comprise 6
levels, housing a total of 400 commercial units: shops, hypermarkets, beauty salons, children’s rooms, cafes, restaurants, etc. Each unit will be equipped
with individual heating, air conditioning
and power supply systems. Trade Center
levels will be interconnected by hi-tech
escalators; there will be a dedicated
underground parking lot with the capacity of 300 vehicles.
Trade Center will be launched in
May 2009.
11
konkursze ganixileba bolo wlebis
arqiteqturuli proeqtebi da interierebi.
dawvrilebiTi informacia, konkursSi
"arqiteqturuli premia 2007" monawileobis pirobebisa
da konkursis nominaciebis Sesaxeb,
ixileT veb-gverdze
www.archistyle.ge
serTificirebulia
stili #24. 2007
sazogadoebrivi sivrcis esTetikuri ganviTareba
daviT aRmaSeneblis gamziri
Tbilisis meriis rekomendaciiT (2001 w. oqtomberi) arasamTavrobo organizacia – “sazogadoebrivi sivrcis dagegmarebisa da ganviTarebis centrSi”, nato fircxalavas xelmZRvanelobiT, SemuSavda rusTavelis gamziris rogorc Zveli kompleqsis rekonstruqciisa da keTilmowyobis erTiani eskizuri proeqti (saxelovnebaTmcodneo Seswavlisa da laboratoriuli kvlevis Sedegebze daydnobiT).
amis safuZvelze, centrismierve, Seiqmna ru-
mogidgenT am SenobaTa restavraciis procesis amsaxvel foto-masalas da SemoqmedebiTad
gaazrebul, detalurad damuSavebul arqiteqturul naxazebs.
Tbilisis meriis TaosnobiT dawyebuli proeqti grZeldeba. misi mizania, tradiciulad Camoyalibebuli arqiteqturisa da urbanuli
formebis gaTvaliswinebiT, Cveni qalaqis sazogadoebrivi sivrcis esTetikuri ganviTarebis
xelSewyoba.
nTavsebis eskizuri proeqti; SenobaTa pirveli
sarTulebis keTilmowyobis eskizuri proeqti
da am teritoriaze ganTavsebuli skverebis keTilmowyobis proeqtebi.
proeqti, mTlianobaSi efuZneba saarqivo
safondo masalebs.
SesaZlebloba gveZleva warmogidginoT Zveli Tbilisis, aRniSnuli monakveTis, amsaxveli
fotoebi, proeqtis fragmentebi da metad saintereso informacia, romelic citirebulia ak-
sTavelis prospeqtze mdebare sami saxlis (##
24, 26, 28) fasadis rekonstruqcia-restavraciisa da dizain-gaformebis samuSao proeqti.
yvela danarCeni saproeqto samuSaoebi rusTavelis gamzirze, xorcieldeba municipaluri organizacia “Zveli Tbilisis reabilitaciis fondis” mier.
“stilis” erT-erT adreul nomerSi ganxilul iqna “sazogadoebrivi sivrcis dagegmarebisa da ganviTarebis centris” mier SemuSavebuli proeqtis eskizuri nawili. amJamad war-
daviT aRmaSeneblis gamzirisa da moednis
sazogadoebrivi sivrcis dizainis eskizuri
proeqti (pirveli etapi), kvlav `Tbilisis sazogadoebrivi sivrcis dagegmarebisa da ganviTarebis centrSi~ Sedga (xelmZRvaneli nato fircxalava). igi iTvaliswinebs arqiteqturulsamSeneblo samuSaoebis Catarebas daviT aRmaSeneblis gamziris monakveTze, marjaniSvilis
moednidan giorgi tovstonogovis quCamde. mis
farglebSi SemuSavebul iqna - landSafturi dizainis eskizuri proeqti; urbanuli avejis ga-
ademikos vaxtang beriZisa da giorgi CubinaSvilis saxelobis qarTuli xelovnebis istoriisa da ZeglTa dacvis samecniero centris mTavari specialistis maia manias, Tbilisis xuroTmoZRvrebisadmi miZRvnili naSromebidan.
XIX saukunis dasawyisSi da Semdomac saqarTveloSi germanelma kolonistebma ramodenime dasaxleba daaarses, romelTa Soris, ori TbilisSi iyo. erTi maTgani, e.w. `Tbilisis kolonia~ (Tiflisser Kolonie) kukiis miwaze daarsda, rac
dRevandel, daviT aRmaSeneblis gamzirs da mis
14
stili #24. 2007
rusTavelis gamziri. RUSTAVELI AVENUE
mimdebare ubnebs emTxveva. daviT aRmaSeneblis
gamziris winapar mixeilis quCas (1899 wlidan
gamzirs) orsav mxares, germanelma kolonistebma, mcire zomis sacxovrebeli saxlebi, xexilis baRebi da venaxebi gaaSenes. am nargavebis marTxkuTxa moyvanilobam, mogvianebiT, rogorc
cnobilia, dRevandeli daviT aRmaSeneblis gamzirisa da misi mimdebare kvartlebis regularuli xasiaTi gansazRvra, rasac didad Seuwyo xeli, Zveli kukiis vake reliefmac. germanelebis gaSenebuli iyo, agreTve ramdenime sazogadoebrivi baRi mixeilis quCis gaswvriv. yofili `Tbilisis koloniis~ Semadgenel quCaTa
qselSi, Tvali, dResac iolad gamoarCevs germaneli kolonistebis adreul erTsarTulian
eb rukss.
daviT aRmaSeneblis gamzirze, marjaniSvilis moedansa da g. tovstonogovis quCas Soris moqceul monakveTze ganlagebul sareabilitacio SenobaTagan, ramdenime dResac inarCunebs istoriul mniSvnelobas - Tundac, leopold
bilfeldis proeqtiT Sesrulebuli fridrix
vetcelis memkvidreTa sastumro. misi Tavisebureba isaa, rom igi Teatrsac Seicavda. samercxluliani mansardiT daxuruli samsarTuliani nagebobis arqiteqturuli morTuloba germanuli barokos tradicias misdevs. maRalmxatvrulobiT gamorCeuli Senobis garegnul saxes mravali naZerwi forma qmnis (maT Soris uCveulo kapitelebi da sada rustika). nagebob-
cias misdevs Sterniseuli daviT aRmaSeneblis
#117-Si mdebare, 1894 wels agebuli sacxovrebeli saxlic. misi gamzirispira fasadis arqiteqturul morTulobas evropuli arqiteqturis saerTo repertuaridan amokrefili elementebi Seadgens.
yuradRebas ipyrobs daviT aRmaSeneblis
#91 Si mdebare sacxovrebeli saxlis arqiteqturuli morTuloba (dekoratiuli frizi, Sekiduli rkinis aivnis aJuruli moajiri, konsolebi da sxva), romlis proeqtic p. Sternma
1892 wels Seadgina.
saparko arqiteqturis sagulisxmo nimuSia,
amJamad, Tumc sanaxevrod SemoZarculi e.w. artos baRi. misi saswrafo ganaxleba aucilebe-
saxlebs - germanuli gavlenis mauwyebeli maRali, viwro samkuTxafrontoniani fasadebiT,
zogjer ki kedelTa fxaverkuli wyobiTac. aseTi saxlebis, kvartalTa siRrmeSi ganviTarebuli viwro, wagrZelebuli formis ezoebi germaneli kolonistebis droindeli baRebis
fragmentebs inaxavs.
`Tbilisis koloniaSi~ dasaxlebulan da aqve augiaT sakuTari sacxovrebeli saxlebi arqteqtorebs - albert zalcmans, leopold bilfelds, paul Sterns, inJiner-mSenebels ios-
is mTavar Sesasvlels Cafxutiani frTosani hermesi-atlantebi moniSnavs..
sagulisxmoa TviT paul Sternis sakuTari
saxli, romelic 1893 wels aris agebuli (daviT aRmaSeneblis gamz. #128). arqiteqtorma am
SemTxvevaSi Tbilisuri sacxovreblis tradicia gaagrZela. fasadis islamuri da evropuli elementebi ezos mxridan mowyobil tradiciul, xis Wvirulmoajirian gadaxurul aivnebTan aris gaerTianebuli.
sivrciTi organizaciis Tbilisur tradi-
lia, radgan baRi erTaderTi mwvane masivia gamziris mWidrod dasaxlebul am, monakveTze.
sareabilitacio ubani, sainJinro-xuroTmoZRvruli gadawyvetis mxriv, sxva ramodenime sagulisxmo nimuSsac moicavs. maTi ganaxleba, Tundac pirveli sarTulis doneze (arsebuli arqiteqturuli fonis gaTvaliswinebiT savitrine CarCoebis, sareklamo abrebis, Ramis ganaTebis da sxv. dizainis gadawyveta) SedarebiT axleburad warmogviCens Cveni qalaqis am uZveles gamzirs.
15
stili #24. 2007
Aesthetical Development of Public Space
DAVID AGMASHENEBELI AVENUE
In October 2006 Tbilisi Municipality issued a decree
on reconstruction of Rustaveli Avenue as a part of the
historical zone of the city.
The project was developed by Tbilisi Public Space
Development Center, under direct supervision of its manager Nato Pirtskhalava. The action is well underway;
full restoration of three buildings – no. 24, 26 and 28
in Rustaveli Avenue has been launched on the basis
of preliminary studies and laboratory research. In one
of the recent STYLE issues we dedicated an article to
the above project; now we already have an opportunity to visualize for you the restoration process – an
immense creative effort, efficiency of which does not
need any further explanation.
The project started by Tbilisi Municipality is gradually expanding. It aims at supporting aesthetic development of city public space, incorporating local architectural traditions and historically developed urban
forms.
As a first stage of this sequential project, Tbilisi
Public Space Development Center (managed by Nato
Pirtskhalava) developed a spatial design plan for
Agmashenebeli Avenue. The plan implies architectural and construction activities in the section of the
avenue from Marjanishvili Square to its crossing with
Tovstonogov Street, including landscape design, positioning of urban accessories, refurbishing of groundlevel facades and squares. While planning spatial
design of the area, the Center based its work on
research of existing archive materials. On these pages
you will find photos of the target district, project sketches and interesting information on Tbilisi architecture,
16
provided to us by academician Vakhtang Beridze and
Maia Mania, chief expert of Vakhtang Chubinashvili
Scientific Center of Georgian Art History and Heritage
Conservation.
Since 1817, German colonists founded several settlements in Georgia (including two in Tbilisi). One of
these, the so-called Tiflisser Kolonie, was established
in a place called Kukia, which covers present-day David
Abmashenebeli Avenue and adjacent districts. To the
both sides of Mikheil Street (the “ancestor” of David
Agmashenebeli Avenue) German colonists built small
residential houses, planted orchards and vineyards.
Rectangular shapes of these plantings as well as the
relief of old Kukia district influenced the configuration
of David Agmashenebeli Avenue and the neighboring
quarters later on. The Germans also founded several public gardens along Mikheil Street. In the streets,
belonging to the former Tiflisser Kolonie, one can still
easily find old one-storey houses with slim facades
and, sometimes, specifically decorated walls, built by
German colonists. Narrow, oblong courtyards of such
houses still retain the traces of orchards, planted by
German settlers.
Population of Tiflisser Kolonie included several architects, who had designed their own houses – Albert
Salzman, Leopold Bielfeld, Paul Stern, civil engineer
Joseph Ruks.
Some of Agmashenebeli Avenue buildings intended for reconstruction still retain certain historical value
– e.g. the hotel of Friedrich Wetzel family, designed
by Leopold Bielfeld, special in that the building also
housed a theatre. The three-level construction with a
mansard on top follows the traditions of German
baroque style. Building façade is amply decorated with
sculptural forms, including original column caps and rustic ornaments. The main entrance is guarded by
winged atlantes.
Another building to note is Paul Stern’s house, built
in 1893 (present-day no. 128, David Agmashenebeli
Avenue). Here the architect followed local traditions of
residential architecture: Islamic and European elements of façade decoration are combined with roofed
balconies, opening onto the courtyard. Tbilisi tradition
of space organization is preserved in still another house,
located in no. 117 David Avmashenebeli Avenue and
built by Paul Stern in 1894; design of its façade, facing the avenue, represents a mixture of typically
European decorative elements. In 1892, Paul Stern
designed a house in no 91 David Agmashenebeli Avenue
– special feature of this building is its façade with a
decorative frieze, balconies with laced banisters, consoles, etc.
Among the more important samples of green landscaping in David Agmashenebeli Avenue we can mention the so-called Arto Garden. Unfortunately, this
place urgently requires redecoration, because this is
the only green zone in the densely populated area.
Generally speaking, the restoration zone contains
numerous buildings, interesting from the architectural
point of view. Rehabilitation of their ground-level facades
(e.g. refurbishing of display window frames, signboards, outdoor lighting and other decorative details to
match the existing architectural background) will give
a new look to this old avenue.
serTificirebulia
stili #24. 2007
mTawmindis parki
XIX saukunis pirvel naxevarSi, Zveli Tbilisis sazRvrebi gafarTovda da golovinis prospeqtze “evropuli Tbilisis” mSenebloba daiwyo. am periodSive gadawyda yvelaze “verani
da udaburi adgilis”- mTawmindis platos aTvisebac.
didi gegmebis gansaxorcieleblad jer
gzis gayvana iyo saWiro, gzis gasayvanad - funikulioris aSeneba, amitom, qalaqis TviTmmarTvelobam axali saukunis dasawyisSi - 1900
wels belgiel inJiners alfons robis im droisaTvis warmoudgeneli proeqtis ganxorcielebis neba darTo.
mSenebloba mTis Ziridan unda dawyebuliyo. belgiel, italiel, frang inJinrebs da spe-
18
cialistebs umokles droSi unda daesrulebinaT saukunis proeqti da warmatebis SemTxvevaSi, mTawmindasa da kojors Soris eleqtronuli rkinigzac unda gaeyvanaT. sxvaTa Soris,
am meore, grandiozuli gegmis Sesasruleblad
Tanxac gamoiyo, magram sxvadasxva mizezebis gamo ver ganxorcielda.
funikulioris mSenebloba XX saukunis dasawyisisTvis kolosaluri Tanxa 400 000 maneTi dajda. rogor gamoinaxa amdeni oqros Tumniani qalaqSi, sadac jer mxolod konka dadioda, ucnobia. pirveli vagonebi 50 kacs itevda da asvla-Camosvlas 6-6 wuTs andomebda. fasic Sesabamisi iyo - 20 kapiki. Tavidan xalxs bagiris gawyvetis eSinoda da vagonSi ar sxde-
boda. Tbiliselebi faetonebiT amohyavdaT da
fuls aZlevdnen – “nu geSiniaT, CasxediT”-o.
pirvel komerciul mgzavrebamde ki, 1904 w.
5 marts, dilis 10 saaTze mTawmindis qveda sadgurze, Sveicariidan Camotanil vagonebSi qalaqis xelmZRvaneloba, Jurnalistebi da sapatio stumrebi Casxdnen. mama daviTis eklesiis
mRvdelma gasavleli gza da vagonebi akurTxa,
qalaqis Tavma cisferi lenti gaWra da gza gaxsnilad gamoacxada. zeda sadgurSi asul stumrebs musikiT da gaSlili sufriT xvdebodnen. sabanketo darbazSi frangul Sampanurs
xsnidnen...
xelSekrulebis Tanaxmad, belgiis anonimur
sazogadoebas funikuliori qalaqisaTvis 45 we-
stili #24. 2007
liwadSi usasyidlod unda gadaeca, Tumca Tbilisis es ucvleli simbolo bevrad ufro adre gadavida dedaqalaqis mflobelobaSi. saqarTveloSi wiTlebi Semovidnen...
gadioda wlebi da mTis platoze gayvanil
funikuloris gzas mxolod zeda sadguris SenobasTan, e.w. “rotonda”-sTan da mxolod ramdenime duqanTan mihyavdi...
didi sabWoTa socialisturi respublikis
sasaxelod unda iTqvas, rom mSromelebma 1934
wels axali xuTwledis gegma dasaxes da mTawmindis platoze 12.5 ha. farTis teritoriis gamwvaneba iTaves.
1938 wlis 24 ivliss sabWoTa saqarTvelos
dedaqalaqSi mSromelebisTvis i.b. stalinis saxelobis mTawmindis dasasvenebeli parki gaixsna. im dRes 150 000-ze metma Tbiliselma inaxula funikulori, mozRvavebul damsveneblebs 22
salaro emsaxureboda. mas Semdeg, mTawmindis
parks yovelwliurad milioni mnaxveli stumrobda.
funikulioris gaxsnidan zustad 100 wlis
Semdeg, Tbilisis meriaSi kvlav dadga mTawmindis parkisa da ferdobis aTvisebis sakiTxi. grandiozuli proeqtis ganxorcielebis ufleba axla ukve Sps “linqsma” da britanulma kompania
“deito interneiSalma” konkursis wesiT moipoves da XXI saukunisaTvis kvlav kolosaluri Tanxis 60 000 000 laris Cadebac ganizraxes.
mTawmindis parkis proeqtis avtoria arqiteqtori mamuka zviadaZe. mxatvari - muraz murvaniZe. sazogadoebrivi obieqtebis interierebi ganxorcielda dizainerebis nia mgalobliSvilis, ia lipartelianis da sofo SevardnaZis
proeqtebis mixedviT.
funikuliorisa da mTawmindis parkis istoria TiTqos isev meordeba... ferdobze liandagebis da savali gzis mowyobaze kvlav ucxoeli specialistebi zrunaven da isev iseT vagonebs amontaJeben WonqaZis quCidan zeda sadgurze 50 mgzavrs ukve 4 wuTSi rom aiyvans. mgzavrobis fasic Sesabamisad 50 TeTri eRireba. samuSaoebi parkSi didi ZalisxmeviT mimdinareobs.
misi mniSvnelovani nawili ukve dasrulebulia.
Zalian male parki mTeli Tavisi brwyinvalebiT
warudgeba mnaxvels. 60 ha-ze gaSenebul, modernizebul da msoflioSi saamayo parks yovelwliurad isev milionobiT stumari estumreba.
parkis teritoriaze isev ufasod SexvalT, isev iqneba satelevizio anZa; axali, magram CvenTvis Cveuli “eSmakis borbali”, amfiTeatri da
radiosadguri.
Tu parkis SesasvlelSi mwvaneTvaleba, titlikana devis Svils dainaxavT patara rqebiT,
kaxuri qudiTa da daudevrad Sekruli sacvliT, dasaxmareblad dacvas nu mimarTavT - es bomboraa, mTawmindis parkis simbolo. mis Rimilian saxes ixilavT im specialur baraTebzec, romlis SeZenac parkSi da Tbilisis sxva adgile-
19
stili #24. 2007
bSic SegeZlebaT. nurc salaroebis Zebnas daiwyebT. am baraTebze daricxuli TanxiT nebismieri atraqcioniT SegiZliaT isiamovnoT. amxela teritoriaze gzis gakvleva rom ar gagiWirdeT specialuri ruqebiT ixelmZRvaneleT. iq daxatuli gzebi parkis sam sxvadasxva zonamde migiyvanT - bavSvebis, ojaxis da eqstremaluri. samive aRniSnul zonaSi, sxvadasxva saxis - gansxvavebuli sirTulisa da konstruqciis, mag: Drop towers, Merrygo-round, Ejection seats, Mini flies, Scary Wheel a.S. atraqcionebi dagxvdebaT.
Tu isars gasarTob moednamde ar mihyavxarT, nurc maSin SegeSindebaT. Tqven SesaZloa mTawmindis parkis oranJereaSi moxvdeT, romelic specialuri dakveTiT holandiidan Camoitanes. TvalSi uamravi, gansxvavebuli vardi mogxvdebaT - ar gagikvirdeT, aq revoluciisTvis ar emzadebian – Tqven rozariumSi moxvdiT. italiur parterSi msoflios yvelaze surnelovani yvavilebis eqspozicia moewyoba. floris keTilsurnelebiT
gabruebulebma, dro uqmad ar dakargoT, gverdiT, wynari musikiT da yavis ganumeorebeli aromatiT, elituri kafe geliT.
Tqveni bavSvebi Tu “kalTas Camogaglejen”, Cvens zonaSi gagvatareo, guls nu gaitexT, iqac saintereso sanaxaoba geliT.
qarTuli da ucxouri zRaprebisa da multfilmebis personaJebiT datvirTul bilikebTan Tqveni patarisaTvis sasurvel atraqcions aucileblad ipovniT. Tavbrudaxveulebs ki “Tolias”
ferad-feradi nayinis burTebi da londonidan Camotanili
tkbileulobis maRaziaSi arCeuli kanfetebi “moasuliereben”.
Tu bevri tkbileuli Tqveni patarisaTvis kariesis safrTxes Seqmnis, maSin ukraineli specialistebis mier awyobili “swrafi
kvebis” sistemiT isargebleT, sadac buterbrodebTan erTad, qarTul saWmelebsac SemogTavazeben.
20
stili #24. 2007
yvelaze amtanebisa da uSiSrebisaTvis gankuTvnil adgilze – eqstremalur zonaSi mZafri SegrZnebebis moyvarulT namdvilad gaumarTlebT. saTqmelad isic kmara, rom atraqcioni
“lava”, romelic Tbilisidanac gamoCndeba, radgan 60 metri simaRlis iqneba, Tavisi unikaluri formiT male “ginesis rekordebis” wignSi Se-
va. yvela atraqcioni germanuli kompania TUV-is
mier aris Semowmebuli da saerTaSoriso standartebs akmayofilebs. Tu am informaciam Tqvens
SegrZnebebs simZafre daukarga, parkis meore nawilSic gaiseirneT, sadac galiebis gareSe darCenil ybadaRebul niangebs da fafaraSlil lomebs matarebliT CauvliT. samomavlod, mTawmi-
ndis parkSi “safari parki” gaSendeba.
emociebiT datvirTulebs, albaT saxlSi dabrunebis survili gvian saRamos gagiCndebaT. wamosvlamde Cveni erTi rCeva gaiTvaliswineT:
aucileblad gadmoxedeT Tbiliss mTawmindidan da kidev erTxel darwmundiT, rom Cvens samSoblos qveyanaze samSoblo ar sjobia...
21
stili #24. 2007
Mtatsminda Park:
A Magnificent Kingdom
Where Dreams Come True
22
In the beginning of the second half of the 19th
century, as the residents of Tbilisi started to show
an interest in Mtatsminda’s upper plateau – especially during the hot days of summer – a group
of Tbilisi entrepreneurs came up with an idea for
turning this spot into a suburban leisure center.
The project for the construction of a funicular was
discussed and approved in March of 1901.
Although this funicular operated for many years,
the chaos and difficult economic conditions which
beset Georgia after the fall of the Soviet Union
allowed the Mtatsminda tram to fall into a state of
disrepair. Accordingly, the vivacious life of the
Mtatsminda Culture and Recreation Park – the place
where city residents could go to spend a good
time and have a rest – was suspended. However,
eternally optimistic Kids Today has not lost hope
that the funicular and the Mamadaviti Plateau Park
will someday become one of the best sights in
Tbilisi for the city’s residents and guests.
It has once again been decided to try to turn
the upper Mtatsminda area into a place where everyone is happy and cheerful – a place where the
population of Tbilisi, the residents of different
regions of Georgia and tourists from the wide world
over will be able to satisfy all of their needs, feel
exceedingly comfortable and make their dreams
come true…
Georgian magnate Badri Patarkatsishvili has
also long-supported this idea and finally decided
that the time was right to realize the plan that would
help turn Tbilisi into a city which would once again
be charming and winsome for its habitants and
attractive for tourists.
The prime company that is building this park
is the “ Leisure Development Group.” This company will create a Georgian national brand, which
is very important, and extra items have been envisioned which will turn Mtatsminda Park into one
of the best places in the city.
This project autor is architect Mamuka
Zviadadze, Artist - Muraz Murvanidze. This residential interiors designed by Nia Mgaloblishvili, Ia
Liparteliani, Sophio Shevardnadze.
The famous Georgian cartoon hero “Bombora”
(the big little shy boy who wants to learn) was
chosen as the host of the park.
Mtatsminda Park should be the biggest entertainment park in the Caucasus and it should satisfy the needs of entertainment-seekers of all ages.
In other countries, such kinds of parks are placed
on lowlands. Mtatsminda Park, however, is situated in a mountainous area above the heart of
the city and it should be quite accessible and easy
to reach. The territory of Mtatsminda is the best
ecological place for this kind of park.
Admission to the park will be free and a special card system will be introduced to pay for the
rides. Guests will be able to buy these cards in
the park itself, as well as at different sales points
across Tbilisi. It has been promised that the prices
for the rides will be reasonable and available for
everyone.
Mtatsminda Park is divided into three main
parts: the “Kid’s Zone,” the “Family Zone” and the
“Extreme Zone.” In each of these zones, guests
will be able to find different types of rides including “Drop Towers,” “Merry-Go-Rounds,” “Ejection
Seats,” “Mini Flies,” “Bumper Cars” and more.
Another special feature of the park will be the
“Lava” roller coaster, which at 60 meters, will be
the largest of it’s type in the world.
To ensure high security standards, all the rides
will be inspected by TUV (an international organization that aims to protect humans and the environment against hazards coming from factories and
mechanisms of all kinds). According to a sociological study, the park can expect to receive between
1.5 and 2 millions guests yearly. The opening of
one part of the park is planned soon. The Leisure
Development Group is planning the reconstruction
of the funicular and the cable car.
Mtatminda park project consultant Mr. John Ellis
extended his hospitality to Kids Today. He told us
many interesting things about the project. For instance,
most of the attractions are transported from Italy.
serTificirebulia
stili #24. 2007
xom zustad viciT?!
is, rom arqiteqtura xelovnebis sxva dargebTan SedarebiT yvelaze TvalnaTliv asaxavs dros, epoqas, gabatonebul wyobas, ideologias, ekonomikur Tu politikur viTarebas, kulturul-inteleqtualur mdgomareobas, es TiTqos yvelam didi xania viciT.
is, rom kacobriobis istoriis manZilze uamravi, sruliad gansxvavebuli, erTi-meoreze TviTmyofadi arqiteqturuli stilebi
_ romantikuli, goTikuri, klasikuri, kolonialuri, mavritanuli, imperiuli da a.S. (romeli erTi CamovTvalo?) arsebobda da rom
TiToeulma maTganma gamokveTili individualizmiTa da mkveTrad damaxasiaTebeli niSan-TvisebiT konkretuli drois, istoriuli
monakveTis, aRmavlobisa da daRmavlobis zusti amsaxveli nimuSebi dagvitova _ esec vicodiT.
ratomRac, romeliRaca animaciuri filmidan isic vicodiT, rom
soflis Senebas, mxolod da mxolod erTi kargi simRera undoda da
meti araferi. Tumca, realurad gairkva, rom Tundac Zalian karg simReraze bevrad ufro metad, zogadi ufleba, nebarTvaa saWiro da
mSeneblobebic gaCaRdeba. swored amaSi dagvarwmuna dRes aWaraSi (regionSi, romelSic ramdenime wlis win, faqtobrivad araferi SeiZleboda, dRes ki yvelaferi SeiZleba) mimdinare mSeneblobebis namdvilma bumma. is, Tu ras, rogor mmarTvelobas, rogor ideologias, rogor politikur, ekonomikur da kulturul mdgomareobas asaxavs es
bumi, Cveni drois Sesaxeb, rogor warmodgenas, suraTs dautovebs momaval Taobebs, Tu dRes naCqarevad, gauazreblad aSenebulis didi nawili maTi dasangrevi iqneba - namdvilad, an ar viciT, an viciT da ar
vufiqrdebiT.
qaoturma, usistemo, araprofesionalurma, ugemovno, mxolod komerciuli kriteriumebis damakmayofilebelma, erTpirovnulad mepa-
tronis gemovnebasa da interesebze damyarebulma, groteskuli mSeneblobebis ricxvma sagangaSod imata da erTeuli SemTxvevebis gamoklebiT, srul umetesobas warmoadgens.
rogor SeiZleba, rom dRes, 21-e saukuneSi mimdinare mSeneblobebis didi
nawili arc garemos, arc landSaftis,
arc arqiteqturis elementarul ana-banas, arc sakuTari qveynis, qalaqis, soflis specifikas, tradicias da arc kacobriobis mier miRebul uzarmazar gamocdilebas odnavadac ar iTvaliswinebdes? rogor SeiZleba, rom yvelaferi siiafes (`iafi~ arqiteqtori, rac
TavisTavad ukve cuds niSnavs, iafi
muSaxeli, iafi masala...), daCqarebul
temps, maqsimalur mogebas da erTdRian efeqts emyarebodes?
24
stili #24. 2007
baTumSi mimdinare samuSaoebis _ dasufTavebis,
gamwvanebis, gzebis gayvanis da a.S. ardanaxva, ardafaseba SeuZlebelia. marTlac rom daunaxavi unda
iyo! magram, amave dros, iseTi ucnauri grZnoba ibadeba, TiTqos am misasalmebel, ase efeqturad mimdinare process mizandasaxulad ukumimarTulebac
aqvs micemuli da erTi xeliT Tu valamazebT, vuvliT, meoreTi, paralelur reJimSi daundoblad vamaxinjebT. baTumis bulvaris axal nawilSi, momRerali Sadrevnis, dasufTavebuli tbis, axladgaxsnili kafe-restornebis, patara sastumroebis da uamravi axladdarguli palmebis fonze, erTi-meoreze gaugebari, mravalsarTuliani korpusi-monstri
Sendeba. `centrpointis~ mier wamowyebuli uzarmazari sacxovrebeli saxli, samwuxarod, ori saukunis winandel kitCs ufro mogvagonebs, vidre zRvispira zolze, subtropikul aWaraSi, 21-e saukuneSi mimdinare mSeneblobas, romelmac sxva saukunebTan paralelurad fexiT mosiaruleTa trotuaric ki STanTqa. e.w. `luJkovis~ saxlis, restornebis, sastumroebis win, tbis mTel gayolebaze _ trotuari aris. `centrpointjgufi~ ki trotuarisTvis gaTvaliswinebul naxevar metrsac ver Seelia.
es ise, erTi da samwuxarod sakmaod tipiuri, mogebis uzenaesobisa da ukanonod nebarTvis gacemis magaliTi.
viRacam trotuarze gadmosuli saxlis proeqts xeli xom moawera?
esec xom gemovnebis sakiTxi ar aris, romelzedac ar davoben?
baTumze, qobuleTze, maxinjaurze, iq wamoWimul, umetesad sadao korpusebze, restornebze, sastumroebze, ramdenic ar unda
vilaparakoT, goniokvariaTis `aRmSenebloba~ mgoni, rom mainc pirvel adgils imsaxurebs. visac unda, rogoric unda, ra zomac unda, ra ferisac moswons, ra
stilisTvisac moukravs Tvali da bolomde ver daumaxsovrebia, ra simaRlisac awyobs, iseTs aSenebs.
am erT dros lamaz, myudro soflebSi ras ar naxavT _ kolonebs, rikulebs, Wedurobas, koSkebs, mansardebs, portalebs, TaRebs, CuqurTmebs... gasuli
saukuneebis klasicizmidan konstruqtivizmamde _
sulo da gulo! yvelaferi damaxinjebul, groteskul, gagonil da ver gagebul formebSi. saxeze arsebuli SedegiT SegviZlia vimsjeloT, rom kaci momkiTxavic ar arsebobs. ara da ucnauria?! zustad
viciT, rom arqiteqtura dros asaxavs. vambobT, rom
axali tipis saxelmwifos vaSenebT, romelSic ras
da qaoss, anarqias aranairi adgili gaTvaliswinebuli ara aqvs. mSeneblobis procesi ki amave dros
yovelgvar strategias, gegmas, saerTo xedvas, elementarul koncefcias aris moklebuli da TiTqos
calkeuli individebis anabaraa miSvebuli. ratom?
saxelmwifoebriobasa da dRes mimdinare usistemo,
25
stili #24. 2007
qaotur mSeneblobebs Soris amgvari disbalansi visi bralia? saxelmwifosaTvis bevrad ufro mniSvnelovani, aqtualuri sxva sakiTxebiT dakavebuli xelisuflebis,
samwuxarod, jer kidev sakmaod korumpirebuli dabali biurokratiis, gamdidrebis surviliT dabrmavebuli da umetes SemTxvevaSi, ugemovno, magram Tavdajerebuli nuvoriSi mflobelebis, uvici mSeneblebis, araprofesionali da rogorc wesi,
`iafi~ arqiteqtorebis (romlebic, am bolo dros, ratomRac erTaderT `dabal Robed~ miiCnies), Tu yvelasi erTad, plius zogadi ukulturoba, romelmac erTpirovnuli interesebis uzneobis katastrofuli forma miiRo?
ai, axla, me vwer, Tqven kiTxulobT. viRaca ki, rac SeiZleba dids, rac SeiZleba
iafad, Cqar-Cqara aSenebs, Tanac imas, rac, vinc daxaza, imas moswonda, vinc aSenebs
_ imasac, vinc daamtkica _ imasac da nawilobriv, vinc unda daisvenos, an bina SeiZinos _ imasac. Cven Svilebs ki momavalSi dasangrevi, dRevandeli arqiteqturiT,
mSeneblobiT TvalnaTliv gamoxatuli Cveni drois suraTi wasaSleli gauxdebaT. esec xom, sul zustad viciT?
qeTusia ignatova
We All Know…
Current construction activities, going on in Ajara, cause ambiguous – if we put it mildly – reaction. The
region, obviously relieved from absurd action and thought control, imposed by the local administration in the
near past, is shaking up and changing its image. But where do these innovations lead us?
Large-scale cleaning, landscaping, road mending, refurbishing, etc. processes are nothing but welcome.
However, these positive things are counterbalanced by desultory development of commercial construction, which
seems to be trying to catch up on the involuntary inaction of recent years. The resulting changes in the region’s
architectural image are really alarming – on the one hand, we have “singing” fountains, newly planted palm
alleys, cleared ponds, refreshed road and pedestrian walkway surfaces, newly-opened cafes and hotels – a
comforting tendency, showing that the local authorities have finally started to develop normal, population-friendly living environment. But on the other hand there emerges a jungle of architectural monsters – large residential complexes by realty development companies, settlements of private houses growing wild in fashionable
resort areas without any backward thought about style integrity or even the quality of construction. Not without
a silent consent of the same governmental bodies, surely? The question is – why does this happen?
There comes to my mind the textbook truth about architecture reflecting the surrounding reality. Georgia
is now being built up anew. We all know that this process should represent a collective effort with systematic approach and integral, future-oriented strategy, but allow individual interests take over this bright goal anyway. Why?
KATE IGNATOVA
26
serTificirebulia
stili #24. 2007
saxli
HOUSE
28
stili #24. 2007
saxli
warmodgenili sacxovreblis Camoyalibebisas, idea - emociuri mdgomareobis cvalebadobis gamoxatulebad Camoyalibda. misi moculoba
da interieri, arqiteqtor mixeil vaSakiZis
proeqtiT Seiqmna.
Tanamedrove, Tavisufal formaSi, arqiteqturuli dekoris yoveli niuansi mniSvnelovan
datvirTvas iRebs. ekologiuri dizainis teqnologiur elementebTan Serwyma, efeqturi da gamomxatvelobiTia. erTiani sivrcis Seqmna, sasiamovno urTierTobebisaTvis gangvawyobs. dizainis saxe Tanamedrove dekoris motivebiT, moculobiTa da plastikuri gadawyvetebiT, arqiteqturuli riTmebiTaa miRweuli. Tavisuflad
formirebul sivrceSi, TiToeuli niuansia aqcentirebuli, rac TavisTavad dizainis stils
gansazRvravs. swored mignebuli intonaciebis fonze interierSi Sesabamisi atmosfero, sasiamovno ganwyoba, simyudrove, komforti isadgurebs da igi maqsimalurad srulyofili, dasamaxsovrebeli saxiT warmoCindeba.
nino laRiZe
A residential
house
Author of the residential construqtion is architect Mikheil
Vashakidze. Main accomplishment of the project is its close
connection with the surrounding space, the immediate environment. The construction is very compact with main architectonic groups ingeniously connected with each other. Its architectural composition is rather original and harmonious. Volume
of the building, composed of diverse geometric forms, develops dynamically and flexibly. Unusual, light and uncomplicated roofing acts as a dominating exterior detail.
Interior of the house is connected with the outer world by
a range of glazed
surfaces, which expand its borders and let in a great deal
of sunlight and air. Constructional lightness of larger masses
is reiterated by minor design elements, decorative compositions and accessories. The house breathes in unison with its
surroundings, offering its inhabitants a comfortable living environment as well as the exciting beat of city life.
NINO LAGHIDZE
29
stili #24. 2007
qalaquris asociaciebi
qalaqis istoriul ubanSi arsebuli sazogadoebrivi Senobis rekonstruqcia, misi sicocxlisunarianobis SenarCuneba, aucilebeli procesia, radgan is, rac Rirebulia, gafrTxileba unda. swored rekonstruqciis Sedegad moxda arqiteqturuli kompleqsis `qalaquris~ CarTva qalaqis majiscemaSi. Senobis Sida da gare
sivrceebis Tanamedrove konteqstSi Ser-
30
wymam mniSvnelovani gaxada misi moculobiT-sivrcobrivi kompozicia.
nagebobis Sida sivrcem rekonstruqciis Sedegad mniSvnelovani cvlilebebi ganicada, rac garkveulwilad misma mravalfunqciurma daniSnulebam ganapiroba.
SesaZlebloba gveZleva warmogidginoT
`qalaquris~ moculobaSi realizebuli,
stilisturad Tu mxatvruli Tvalsazris-
iT, absoluturad gansxvavebuli sazogadoebrivi interierebi - klasikuri restorani, `launji bari~, disko klubi da e.w. `marakanuli terasa~ (bari), romelTa dizaini, arqiteqtorebis, irakli lazariaSvilisa da giorgi xvitias proeqtiT Seiqmna.
`qalaquris~ eleganturi garemo Tavidanve amaRlebul, respeqtabelur SegrZnebebs iwvevs mnaxvelSi. avtorTa mier,
stili #24. 2007
originaluri gadawyvetiTa da saintereso mignebebiT, komfortuli, esTetikurad TviTmyofadi sazogadoebrivi sivrceebi warmoiqmna. interierSi moculobebi Tavisufladaa ganTavsebuli, Tumca maTi ganlageba mkacr kanonzomierebas eqvemdebareba - yvelaferi mxolod silamazisaTvis da sargeblobisTvisaa Seqmnili.
stilisturad radikalurad gansxvaveb-
ul sivrceTa TiToeuli monakveTi damoukidebeli da damTavrebulia, yoveli kuTxe da detali profesiuli TanmimdevrobiTaa Sesrulebuli. furnitura saerTo
asociaciaciebis sistemaSia CarTuli da arsebuli arqiteqturuli formebidan iRebs
saTaves. igi, garemos mxatvrul-dinamikur
gamoxatulebas - misTvis damaxasiaTebel
Sarms aZlierebs - ufro metad gamomxat-
velobiTs xdis.
... ganaTeba, feri, aqsesuarebi, proporciebi, moZravi grafika - maTi erTobliobiT araordinalur garemoTa gansxvavebuli xasiaTebi iqmneba da yoveli mocemuli SemTxveva, teqnologiuri siaxleebis
saSualebebiT gamogonil struqturaze
gacilebiT mniSvnelovania.
nino laRiZe
31
stili #24. 2007
Urban Associations
Architectural complex Kalakuri (literally translated
as “urban”) was returned to the active city life as a
result of reconstruction. Interior of the building underwent considerable changes conditioned by its diverse
functionality. At the time being, Kalakuri complex houses a classical restaurant, a Lounge Bar, a disco club
and a so-called “Moroccan terrace” bar – areas with
32
totally different styles, designed by the same authors
– architects Irakli Lazariashvili and Giorgi Khvitia.
In the elegant, imposing environment of Kalakuri
complex, the authors created several original, comfortable,
aesthetically unique public spaces with uninhibited but
logical structure and enhanced functionality. In the interiors, where all the details are developed with equal
skill and care, furniture and accessories are included
into the general associative structure, highlighting
expressivity of this or that space and increasing its charm.
Lighting, coloring, choice of decorations, flexible graphics help define the distinctive character of each particular interior with surprising efficiency and ease.
NINO LAGHIDZE
servis-mSeni
proeqtireba;
arqiteqturuli
naxazebis sivcobrivi
vizualizacia;
konstruireba;
saproeqto
gadawyvetebis
SeTanxmeba;
saxarjTaRricxvo
dokumentacia;
mSenebloba;
ultraTanamedrove
masalebiTa da
aRWurvilobiT
obieqtis
kompleqtacia;
yoveli etapis
zedamxedveloba.
serTificirebulia
Tbilisi,
taSkentis q. #27
tel.: 45-01-52
stili #24. 2007
da ara marto...
garemo - didi qolgebisqveSeTi bavSvobisdroindel saTamaSos gavs. mere ovaluri safexurebiT lamaz, stafaJur
sardafSi xvdebi, gansakuTrebuli ganwyoba iqmneba da ara
marto...
araordinaluri adamianebis - arqiteqtor oliko masxaraSvilisa da msaxiob nato ebanoiZis Seqmnili patara kafe, Zveli Tbilisis erT-erT myudro quCaze - `da ara marto...~,... ufro swored, is kafe ki ara, raRac gamWvirvalebiT daculi mudmivmoqmedi speqtaklia - scenaa myudro `kuluarebiT~, sadac survilisamebr, mTavar gmirad monawileob da realobiT tkbebi.
qveviT, stafaJSi melodia rialebs, gareT, qolgis qveS,
magidaze madisamZRvreli naturmortia - cxeli yava, originalur fialebSi naRebi, xili, salaTebi - arCeuli, ara
mxolod gemovnebis, aramed esTetikuri Taviseburebebis mixedviT. saerTod ki, TiToeuli `moqmedebis~ gaformeba, rom
aRaraferi vTqvaT sivrceze, avtorTa cxovrebis aucilebeli Semadgeneli nawilia. amasTan, yoveli `natiurmorti~
kompoziciis kanonebis gameorebis garda, moulodneli gadawyvetilebis Ziebaa, mignebaa da ara marto...
Ria Tu daxurul sivrceSi Tavisuflad rafinirebul
TiToeul nivTs mTeli sisavsiT aRiqvam. avtorebma spontanurad, TiTqmis TamaSiT mogonili Tematuri scenariT,
Sinaarsoblivad STambeWdavi eqspozicia Seqmnes, sadac sivrcis mTlianoba calkeuli moduluri elementebiTaa gajerebuli. yoveli detali pirovnulad ipyrobs yuradRebas, amitom aq usaxur aqsesuars adgili ara aqvs. niuansebi individualuria, Taviseburad efeqturia. maTi feri, forma, faqtura sagnebs utilitarul mniSvnelobaze ufro
amaRlebul, gansakuTrebul datvirTvas aniWebs...
mocemuli sivrcis formula Zalian ubralo iqneboda (radgan misi Semadgenlebi, garkveviT axsnadi da gasagebia), rom ar aRmoCeniliyo masSi avtorTa talantisa da gemovnebis raodenobis ganmsazRvreli ucnobi. ucnobi ki, rogorc viciT cvalebadi sididea, amitom Sedegi,
TiToeul mocemul SemTxvevaSi winaswar ganusazRvrelia
da ara marto...
nino laRiZe
foto: beso gulaSvili
34
stili #24. 2007
35
stili #24. 2007
Daaramarto...
This world, sheltered under big umbrellas looks little and appealing like a
child’s toy. From there, oval stairs lead into a cozy basement cafe with comfortable and relaxing atmosphere and a bit more than that…
Cafe “Daaramarto” (And More Than That…), designed by architect Oliko
Maskharashvili and actress Nato Ebanopidze, is nestled in a narrow street in old
Tbilisi. The place – a theater with its semi-transparent backstage world offers an
ongoing spectacle and invites visitors to just watch the show or join into the play
and become one of the key characters. Hot coffee, cream, fruits and salad served
under an umbrella on the terrace and accompanied by the sounds of music, coming from the basement, seem especially succulent. The choice of dishes not just
tasty, but also aesthetically refined. The hosts seem to relish every detail and
weave it into the general canvas of the cafe atmosphere, striving to conform to
the requirements of taste and find unexpected design solutions.
Both on the terrace and in the basement, the authors have created an
impressive composition, where the integrity of space is balanced by modular
elements. Objects, constituting the general thematic scenario, surprise with their
outstanding individuality, leaving no place for impersonal accessories. Every detail
with its color, form, texture, positioning, diversifies the background simplicity of
the interior, highlighting the authors’ imagination and ingenuity.
NINO LAGHIDZE
PHOTO BY BESO GULISHVILI
36
stili #24. 2007
siaxle qarTul bazarze dekoracia da landSafturi arqiteqtura `anikon stilisgan~
sivrciTi myudroeba, Sesabamisi tonalobebi, moculoba, farTo speqtris asortimenti, rogorc interier-eqsterieris, aseve dekoraciisa da landSafturi arqiteqturis
sferoSi, _ es is momsaxureba da maRali xarisxia, romelsac saerTaSoriso kompania `anikon stili” momxmarebels sTavazobs.
`anikon stilis” mier Seqmnili interieri
farTo diapazonis stilis gamoyenebis SesaZleblobas iZleva. kompanias klasikuri, modernisa Tu barokos stilis Seqmnis sakmaod didi gamocdileba gaaCnia. tonalobis SesaZleblobebi da sxvadasxva masalebisgan gakeTebuli nakeTobebi, rogoricaa graniti, brinjao, Zvirfasi metalebi, ganumeorebel individualur dekoracias qmnian.
kompania `anikon stili” 1987 wels moskovSi dafuZnda. ruseTis uZravi qonebis bazarze aqtiuri operireba ki, mogvianebiT 1999
wlidan daiwyo. Sesasrulebeli samuSaosadmi kvalificiuri midgomiT kompania rusul
bazarze upirobo liderad iqca. saqarTveloSi analogiuri tipis sawarmo ar arsebobs. `anikon stilma” erToblivi sawarmo ukrainaSi, odesaSi ukve daafuZna. gamoricxuli ar arias, komapaniam saqmianobis areali
sxva mezobel qveynebSic gaafarTovos.
swored, rom drouli aRmoCnda kompania
`anikon stilis~ saqarTvelos bazarze gamoCena, romelic maRali xarisxis momsaxurebiT ukve qarTvel momxmarebelsac gaanebivrebs. kompaniis qarTuli warmomadgenlobis
prezentacia seqtembris bolos Sedga. RonisZiebas saqarTvelos biznes seqtoris, maT
Soris uZravi qonebis bazarze moqmedi kompaniebisa da mediis warmomadgenlebic eswrebodnen.
`anikon stilis~ damfuZnebeli vaJa maxaraSvili
rogorc kompaniaSi ganmartaven, fasadebis gaformeba sakmaod rTuli, sapasuximgeblo da mZime procesia. aucilebelia miiRo,
ara ubralod Senobis originaluri eqsterieri, aramed dizainis koncefciis SemuSavebisas SeinarCuno Senobis fasadisa da interieris erTxmianoba. Senobis eqsterieri iTxovs
gansakuTrebul midgomas, erTis mxriv misi
gaformeba xdeba erTxel da samudamod, da meores mxriv es samuSaoebi sakmaod did xarjebTan aris dakavSirebuli. Sesabamisad, dasrulebuli samuSaos maRali done klientis
survilebidan gamomdinareobs.
`dRes kompaniis saqmianobis aucilebel
mimarTulebad TabaSiris Zerwvis warmoeba
iqca, romelic ZiriTadad Senobis interieris dekoraciisTvis gamoiyeneba. wlebis ganmavlobaSi miRebuli gamocdileba, saqmisadmi
da klientisadmi pasuximgeblobis grZnoba,
organizaciis daxvewili menejmneturi sistema, Tanamedrove teqnologiebi, kompanias
saSulebas aZlevs Seasrulos nebismieri
rTuli samuSao. xarisxis kontrolis evropuli sistema ki kompaniis specialistebs
proeqtis maRali xarisxiT SesrulebaSi exmareba” _ aRniSna kompaniis damfuZnebelma vaJa
maxaraSvilma.
kompania `anikon stili” sxvadasxva saxis
samuSoebTanerTad asrulebs eqskluziur dakveTebsac. `anikon stilis” mier Sesrulebul
proeqtebs Sorisaa: unikaluri buxari (boris
elcinis agaraki), vim-bil-danis prezidentis
(romelSic omis Semdgom periodSi cxovrobda sabWoTa kavSiris marSali konevi), mixeil
iukovis (saarbitraJo sasamarTlo), sergei
stepaSinis (kontrolis palatis Tavmjdomare, yofili premier-ministri), genadi seleznovis (dumis yofili spikeri), vladimer potaninis (interrosis prezidenti) agarakebi.
agreTve wminda giorgis saxelobis qarTuli
eklesia odincovoSi, qarTuli eklesia Zvel
arbatze, qarTuli skola-gimnazia moskovSi
da aleqsandres darbazi kremlSi.
kompaniis mier ganxorcielebuli erT-erTi proeqti
stili #24. 2007
saxli wyneTSi
warmodgenili sacxovrebeli saxli daba wyneTSi, arqiteqtor giorgi mosuliSvilis pirveli proeqtia. misi arqiteqtura
minimalistur stilSia Sesrulebuli, rac gamoixateba formaTa
sisadaviT, individualurobiT, bunebrivi ganaTebis mniSvnelobiT da gamoyenebuli masalebis da teqsturebis upiratesobiT
dekoratiul elementebTan mimarTebaSi.
38
stili #24. 2007
1.
2.
3.
4.
5.
6.
I sarTuli
holi
samzareulo
saerTo oTaxi
biblioTeka
sakuWnao
abazana
ezoSi xiT mopirkeTebuli terasebi da bilikebia. xis fenils,
mniSvnelovani upiratesoba gaaCnia gavrcelebul mosapirkeTebel qvis filebTan, rac mTavaria ekologiuri da usafrTxoa. magaliTad, bavSvebisTvis saTamaSod, `rbilia~ - xis koWebzea dagebuli da Seasabamisad drekadoba gaaCnia. garda amisa, xis masala Tbomedegia, masze, garemos temperaturuli cvalebadoba (zamTar-zafxul) zemoqmedebas advilad ver axdens. xis terasebze
sicxeSic da siciveSic fexSiSvela siaruli metad sasiamovnoa.
41
stili #24. 2007
1.
2.
3.
4.
5.
6.
7.
8.
II sarTuli
holi
mSoblebis saZinebeli
mSoblebis abazana
Ria veranda
bavSvebis saZinebeli
bavSvebis saZinebeli
bavSvebis abazana
bavSvebis saZinebeli
meore sarTuli mTlianad gankuTvnilia kerZo sferosTvis, kerZod saZineblebisaTvis.
aq ganTavsebulia sami saZinebeli bavSvebisaTvis da erTi saZinebeli mSoblebisaTvis,
romelsac Tavisi izolirebuli saabazano
oTaxi gaaCnia.
arqiteqoris SemoqmedebaSi igrZnoba
germaniaSi miRebuli ganaTlebis da gamocdilebis gavlena, rac gamoixateba germaneli
arqiteqtorebisTvis damaxasiaTebeli proeqtirebis sizusteSi, detalebis dawvrilebiT
gegmarebaSi da obieqtis eskizidan dawyebuli mSeneblobis procesis mudmiv kontrolSi.
42
stili #24. 2007
miwisqveSa sarTuli, sadac ganTavsebulia biliardis oTaxi,
oTaxi buxriT, bari, sauna da marani, aSenebulia ormagi kedlebiT - mTeli sarTulis garSemo, erTi metris moSorebiT meore
kedelia amoyvanili, rac asrulebs drenaJis da sarTulis bunebrivi ganiavebis funqcias. aqedan xdeba misi mudmivi ganiaveba.
sabiliardoSi da saunaSi Weri nawilobriv minis konstruqciiTaa gadaxuruli, ase, rom aq dargul bambukebs saarsebod sakmarisi bunebrivi Suqi miewodebaT da saerTod, dRis ganmavlobaSi, es saTavso ar saWiroebs xelovnur ganaTebas. miwisqveSa sarTulidan gavdivarT, rogorc avtofarexSi, aseve ezoSi.
saxlSi mTliani sivrcis daxvewili, mSvidi garemo drois nebismier monakveTSi axali, sasiamovno aRqmiTi moulodnelobebis rakursebis warmoCenis unars inarCunebs.
foto: gia javeliZe
43
stili #24. 2007
klasikis simboluri veli
Tbilisis erT-erT prestiJul ubanSi, oniaSvilis quCaze, arqiteqtor revaz tyemalaZis mier daproeqtebuli saxli dgas. proeqti, samSeneblo kompaniam `ei-en mSenma~ (mSeneblobas awarmoebdnen Tamaz yavlaSvili, daviT yavlaSvili,
irakli tyemalaZe) ganaxorciela. misi moculoba Soridanve TvalSisacemia. saxli Sekruli sasaxlis STabeWdilebas tovebs. misma moculobiTma dekorma da arqiteqtonikam SesaZlo gaxada
nageboba mikro garemoSi Caweriliyo. masiurobis miuxedavad saxli masStaburi da msubuqia.
eqsterieri avtoritarulia da garkveulwilad gvaiZulebs dauwerel kanonebs davemorCil-
44
oT. klasikuri stili warsulis didgvarovanTa sasaxleebSic gamoirCeoda rafinirebuli wesrigiT da axla Zveli epoqis gamoZaxili - gardaqmnili sivrcis klasikuri suli Tanamedrove Senobis moculobaSi gamovlinda.
avtori, Tavis SemoqmedebiT kredos msxvili formebis mokrZalebul realizaciaSi ayalibebs. amasTan erTad mniSvnelovania is, rom SemoqmedebiTad gaazrebuli moculobis saxe stilebis Tavisebur gadamRerebas warmoadgens. masSi arqiteqturuli detalebis koloriti yovel vertikalur Tu horizontalur WrilSia
gadaTamaSebuli da klasikis simbolur vels qmnis.
saxlis eqsterierul-interieruli agebuleba mravalplaniania. erTian mTlianobaSi moqceuli, gemovnebiT SerCeuli, Tanamedrove arqiteqturuli detalebis kompoziciebi, klasikur stilSi sasiamovno disonansis Semomtania da Sesrulebis maRal profesionalizms adasturebs. TiToeuli detalisadmi guldasmiTi damokidebulebiT, arqiteqtorma
Tu mSeneblebma, sacxovrebelSi mTliani sivrcis Tavisuflebis mzardi xarisxis gamoyenebiT mdidruli, komfortuli da mSvidi garemo Seqmnes.
nino laRiZe
stili #24. 2007
45
stili #24. 2007
Symbolical Dimension of Classical Style
In one of the fashionable districts of Tbilisi, in
Oniashvili Street, there stands a house designed by
architect Revaz Tkemaladze and realized by construction
company A-N Construction (construction works supervised by Tamaz Kavlashvili, David Kavlashvili and Irakli
Tkemaladze). The building is impressive and eye-catching. Its bulky and imposing exterior – repercussion of
46
classical style in the modern setting – stands out with
noble orderliness and lightness.
The author expresses his artistic identity through
modest realization of large architectural forms and mixing of different trends, so that every architectural detail
acquires a special meaning and the the symbolical background of classical style is gently interrupted by taste-
fully matched modern-style compositions.
Both exterior and interior structure of the house
have a very complex structure. By carefully considering all the aspects thereof, the architect succeeded in
creating a free-flowing, luxurious, comfortable and
peaceful residential space.
NINO LAGHIDZE
stili #24. 2007
ucxouri arqiteqtura
FOREIGN ARCHITECTURE
Tanamedrove litvis arqiteqtura
arqiteqturuli biuro
viliusi & partniorebi
(vilius adomaviCiusi, biuros xelmZRvaneli), vida viSniauskiene, darius ciuta,
neriJus sadauskasi, vitautas baltusi
kaunasis, Zveli qalaqis ganapiras mdebare
sacxovrebeli kvartali, daproeqtebuli vilius adomaviCiusis, vida viSniauskienes, darius ciutas da neriJus sadauskasis mier, Tanamedrove arqiteqturis meSveobiT istoriuli
sulis, xasiaTis gadmocemis mcdelobas warmoadgens. es ki, ara mxolod istoriuli formebis gauazrebeli kopirebiT, aramed Senobis gegmarebis konceftualuri gadawyvetiTaa miRweuli. erTiani moculoba ori sxvadasxva tipis
Senobas aerTianebs da qmnis ra sivrceTa simravles kvartlis SigniT, TavisTavad erwymis
Zveli qalaqis suls.
almantas brezasi `statiba pilotasi~. 006/12
SeuZlebelia gaeqce amaRlebul SegrZnebebs,
roca arqiteqtorebis vilius adomaviCiusisa
da vida viSniauskienes mier, ganzrax Tu SemTxveviT Seqmnil, 1918-39 wlebis damoukideblobis droindeli litvuri stilis saxls aRiqvam. igi, TavisTavSi lamazi marTxkuTxa formebiT, garemosTan myari kavSiriT, minis Ria horizontaluri xazebiT, kaunasis arqiteqturul momavals warmoaCens. mokrZalebuli arqiteqturuli ideebi, ki ar Zveldeba, aramed axal formebSi ibadeba da axali niuansebiT, axali stilistikiT gamovlindeba...
`statiba pilotasi~. 2006/3
es, namdvilad Tanamedrove klasikuri kolofia - raRac saSualoa, Tanamedrove funqcionalizmis momcveli bolodroindeli dizaineruli tendenciasa da uxeS, maRal teqnologiebs Soris. igi liTonis originaluri konstruqciebisa da Ria sainJinro sistemebis maRalmxatvruli, funqciuri gadanawilebiT Seiqmna.
qalaqis mgrZnobiare adgilze kaunasis aswlovani muxnaris parkSi warmoiqmna Tanamedrove struqtura, romelic erwymis arsebul garemos da TiTqos sul ase iyo wlebis ganmavlobaSi...
`namar ir az~ 2004/7-8
47
stili #24. 2007
48
stili #24. 2007
warmogidgenT litveli arqiteqtorebis
proeqtebiT ganxorcielebul ramodenime obieqts.
sacxovrebeli saxli `S house” kaunasSi, kaukos xeivanSi mdebareobs. proeqtis avtorebi, arqiteqtorebi vilius adomavisiusi da vida visniauskiene arian. Senobis arqiteqtonika mobiluri da minimalisturia. igi zedmiwevniT morgebulia garemo landSafts da mis Semadgenel nawils warmoadgens. sacxovreblis yoveli
funqciuri rgoli - sacxovrebeli (TiTqmis 300
kv.metria) da sarekreacio sivrceebi (ezo sauniT, jakuzi, terasa, auzi, garaJi da sxva) - erTmaneTTan kavSirSia.
fasadebis mosapirkeTeblad gamoyenebuli induri qviSaqvis faqtura, saxlis sxvadasxva rakursidan aRqmisas, gansxvavebul vizualur efeqtebs iZleva - kedlebis zedapiri TiTqos qreba da struqturuli baTqaSis muqi yavisferi
naTeba betonis struqturas imeorebs (proeqtis avtori n. gircisi). moculobaSi 60-iani wlebis retro detalebi - mrgvali, dinamikuri formebia gamoyenebuli. interieris dominanti,
pirvel sarTulze arsebuli, xelnakeTi keramikuli dekoriT mopirkeTebuli, 110 metri diametris mqone uzarmazari wriuli buxaria. erTmaneTSi gardamaval Sida sivrceebs zRudeebi ar gaaCnia, Tumca, koridorebi, paraduli Tu
sarekreacio zonebi, `Sualeduri~ monakveTebiT funqciurad arian dakavSirebuli. gamoyenebuli masalis feri da faqtura interieris
rbil struqturas ayalibebs. aq, ver naxavT Selesil zedapirebs, kedlebi naWris SpaleriTaa
dafaruli. xisa da tyavis aveji, specialurad
am saxlisTvis Seqmnes klasikuri modernizmis
varskvlavebma (le korbuzie, aSil qasTiglioni, viko magistreti, piter meli, paskal mourgi da luis poulseni) da litvelma dizainerebma (v. zabulionisi, a. straigite, s. gursiniene). yovelives fonze sacxovrebelSi gansakuTrebuli simyudrove da komfortia gamefebuli.
49
stili #24. 2007
kaunasis centrSi, erT-erT mimzidvel (ZvelTaZvel) parkSi, azuolinasSi (muxnari), Ria CogburTis kortebis gverdiT, sportul-gamajansaRebeli centria ganTavsebuli. parks, aRmosavleTis mxridan zooparki esazRvreba. dasavleTiT, or-sam sarTuliani sacxovrebeli raioni (XIX saukunis dasawyis ganaSenianeba) mdebareobs. parkis marjvniv, ki kaunasis sportuli darbazi, stadioni, CogburTis kortebi da
fizikuri ganaTlebis akademiaa. azuolinas parki harmoniulad erwymis qalaqis istoriul
memkvidreobas.
CogburTis moednTan, sabWoTa periodSi agebuli gasaxdelebi, veRar akmayofilebda Tanamedrove moTxovnebs - aucilebeli gaxda axali nagebobis aSeneba. igi, Tavisi forma-moculobiT araordinaluria da ZiriTadi Senobis
konfiguracias imeorebs.
axali sportul-gamajansaRebeli Senobis
forma, struqtura da moxazuloba asmetriani
monakveTis grZeli da viwro formiTa da mimdebare teritoriaze arsebuli situaciiT iqna gansazRvruli. grZeli, didi moculoba garemosTan rom Serwymuliyo da amave dros Zveli sacxovrebeli zona ar daeCrdila, ramodenime seqciad daiyo. misi zogierTi saTavso daproeqtebulia principiT - kolofi kolofSi.
sivrceebis Sesaqmnelad gamoyenebuli gansakuTrebuli rigi kolofebisa, miniT SemozRuduli eqsterieris kedlebidan ikiTxeba. xazovanwertilovani struqtura urbanizmsa da bunebriv garemos Soris originalur zRvars qmnis.
haerSi aRmarTuli nageboba parks ar faravs.
minis moculoba, miwis donidan meore sarTulamde metalis kolonebiTaa aweuli. qveda nawili manqanebis sadgomisa da ofisebisTvisaa gankuTvnili. struqtura karkasulia. mzidi konstruqciebi rkina-betonisaa. kolonaTa Soris biji 9 - 9,6 metria. konstruqciebi, saventilacio milebi da sxva sainJinro komunikaciebi Riadaa datanili fasadze da spilosZvlisferi plastikis feniliTaa daculi.
kafes aivnidan, romelic Senobis aRmosavleTis mxaresaa mowyobili, CongburTis matCis yurebaa SesaZlebeli. kafes sivrcec, mizanmimarTulad, sigrZiv aris ganvrcobili. magidebi da dasajdomi adgilebi minis vitrinas gasdevs. eqsteriersa Tu interierSi ostaturad mignebul
dizainerul gadawyvetebs Senobis erTian arqiteqtonikaSi saintereso niuansebi Seaqvs.
Sekidul WerqveS ganTavsebulia tanvarjiSisa da aerobikis darbazebi, gasaxdelebi saunebiTa da jakuzebiT, medpunqti, turistuli saagentoebi, kafe, administracia, instruqtorTa
oTaxebi. interierSi `mZime~ masala da usargeblo dekori araa gamoyenebuli. xe da metali saintereso kontrastebs qmnian. Savi feriTi konturebi ki xazs usvamen detalebis formas. yovelive martivi da ekologiuria. mTavar SesasvlelSi arsebuli funqciuri mrgvali kibe (pirvel sarTulze kibe xelovnurad naTdeba, rac
metad TvalSisacemia uamindobisas) da nagebobis wagrZelebuli formis koridori - sxvadasxva tipis moculobebis damakavSirebeli dominantebi - TavisTavad did yuradRebas iqceven.
interierSi gansakuTrebul atmosferos qmnis
arsebuli garemo, romelic TiTqmis yoveli mxridan iWreba Seminul moculobaSi da weliwadis
droTa cvalebadobis Sesabamisad icvleba.
Targmani: nata kurtaniZe,
mirian margalitaSvili
50
stili #24. 2007
Contemporary Lithuanian Architecture
Architectural Studio “Vilius and Partners”
Vilius Adomavicius (director), Vida Vysniauskiene, Darius Ciuta, Nerijus Sadauskas, Vytautas Baltus
...Residential housing block in the outskirts of kaunas' old
town, designed by architects V. Adomavicius, V. Vysniauskiene,
D. Ciuta and N. Sadauskas is rare architectural try to convey
historical spirit by contemporary architecture instead of just frivolously copying historical form. Conceptual solution of houses'
volume connected 2 different building types into one unit, nevertheless, creating space multiplicity inside the block which reflects
spontaneously evolving old-town spirit...
Almantas Bruzas, Statybu Pilotas, 2006/12
...One cannot escape a feeling that architects V.Adomavicius
and V.Vysniauskiene, deliberately or not, created rather a "19181939 independent lithuania style" house, which embodies in
itself the best interwar kaunas's architectural features - beautifully proportioned rectangular forms, tight connections with surroundings, horizontal lines of glass openings. Decent architectural
ideas never date - out, it rebirths in new forms with new aesthetical nuances, new stylistics...
Statybu Pilotas, 2006/3
...It is really a modern classic box ? la Mies Van Der
Rohe, something between moderate functionalism, rounded tendencies in the most recent design and somewhat brutal hightech, which means open engineering, pipes, air ducts, metal
beams et al...
Namas Ir As, 2004/7-8
51
stili #24. 2007
These quotations describe the activities of Lithuanian architectural studio "Vilius and
Partners". Below we would like to introduce several constructions, designed by the Lithuanian
architects.
S house - Kaunas, Lithuania; Architects - Vilius Adomavicius ,Vida Vysniauskiene
The house in Kauko Alley, Kaunas, was designed by Vilius Adomavicius and Vida
Vysniauskiene; it is alive and real because it 'lives' in peace and quiet somewhere between
moderate contemporary style, modern retro and Japanese minimalism. AII functional premises have been connected: the garage, the boiler room, storage premises, the living (almost
300 m2) and recreational spaces ( a private courtyard with a sauna, Jacuzzi, barbeque
terrace and mini-pool).
Patterns of Indian sandstone on the facade can be seen only from very close, and
they are changing when the observer is moving. The surfaces of the walls as if disappear leaving only the highlights of dark brown structural plaster that repeat the supporting reinforced concrete structure (designed by N. Gircys).
There are Retro details of the 1960s: bubble patterns and butterflies around the house.
The key object on the ground floor is a huge green round 110 cm diameter fireplace with
handmade ceramic finish and a witty Art Nouveau tongue reaching the floor.
Inner spaces merge with each other: transitional spaces have no supports: they connect the corridor, the sitting room and the recreational zone: glass partitions open the interior to the courtyard. There are two spacious balconies-terraces in the house. Colours,
materials and textures form a soft fabric: there are no plastered surfaces inside: everything is covered by textile wallpaper. Wooden and leather furniture was designed by the
stars of classical modernism (Le Corbusier, Achille Castiglioni, Vico Magistretti, Peter Maly,
Pascal Mourgue and Louis Poulsen) as well as by Lithuanian designers specifically for
this house (V.Zabulionis, A. Straigyte and S.Gurciniene). AII this creates the atmosphere
of a real home.
Sports and wellness center designed and built beside open tennis-courts in one of
the most attractive parks of Kaunas city - Azuolynas (Oakery). It is a hoary oak park situated in the city's center. East side of it bounds a zoo. At the west there is two-to-three
stories dwelling-house area, built at the beginning of the 19th century. And to the right of
Azuolynas's park there are Kaunas's sports hall, stadium, tennis courts and the Academy
of physical education. Azuolynas park is indrawn into town's list of heritage objects.
Previously the site beside tennis courts was occupied by stands for crowds with locker-rooms below it. While built in the soviet period it didn't fit nowadays community requirements and also was technologically out of date. The necessity of new quality object emerged.
The choice of form, structure and trimming materials for the building was prompted
by the long and narrow, 100-eter long site, creating a potential problem of parking lot and
natural surroundings. To fit the lengthy and massive size tenderly into natural surroundings as well as not to shade the surrounding residential houses, the bulk of the building
was divided into several sections with the help of partitions, decoration materials and illumination. Some of the rooms are designed as a box in the box - e.g. the hall, into which
the author has inserted rectangular guest and kitchen volumes with their own roofing.
52
stili #24. 2007
Peculiar precept of boxes is used to compose all the areas,
which can be "read" through exterior glass walls. Sports and
wellness center with its hatched-dotted structure delineates the
margin between urbanism and natural park environment.
Poising in the air, the building does not cover park's prospects.
Glazed volume of the building is lifted to the first floor
level by the metal columns. The area below is used as a parking lot and offices. The structure is framework with metal-reinforced concrete combined frames acting as main bearing constructions. The dimension of column net is 9 by 9.6 m. The
span between storey is monolith brim reinforced concrete slab.
The constructions, ventilation ducts and other engineering equipment are openly exposed on the exterior. Ventilation and conditioning equipment railed with metal grid is placed on the roof
hereby continuing the motive of "box formation". Rain drainage
and sewerage stanchions, plunging baldly from the building,
are insulated and hidden from view by layers of thick-walled
ivory-colored plastic.
Cafe with a terrace is arranged at the east side, from
where the tennis games can be observed. Cafe is stretched
wide on purpose, with tables and settees lined along glasscase of the building. Rails of the balcony are openwork tracery made of metal grid and glass. Flooring is natural larch.
The suspended level contains gym and aerobics halls, changing rooms with saunas and Jacuzzis, medical facilities and consulting rooms, a travel agency, a cafe, administration office and
tutor rooms. Interior decoration uses the minimum of "heavy"
materials and needless decor. Finishing materials are simple,
yet durable and environment-friendly. Key highlight of interior
space is the variety of changeable views, opening from the
windows.
Main entrance emerge of functional stairwell, rocketing form
causeway to vestibule straight through the slab. Illumination of
the ground floor stairwell is intensified so as to katch eye during the sunless part of the day. Due to the excessive length
of the building, the passage becomes a key element, an axis,
linking different areas. Passage floor and walls are coated with
durable polyvinilchloride, immitating the decoration of wooden
battens and contrasting with metal ceiling which has seven dome
skylights. Careing to hold weightlessness of the building some
of the partitions are glazed in the same manner as the inner
sash-doors. Frames are colored black, just like the other highlight details in the interior, e.g. kitchen block near cafe and the
furniture. There are two kinds of room lighting systems used
in the interior: strong functional light at the working and sporting areas and an intimate one in the cafe.
Sports and wellness center is intended not only for those
concerned with their health, but also for those straying into the
park to sit down and relax a bit on the terrace or the cafe.
53
stili #24. 2007
`es Cemi saukeTeso namuSevaria~
frenk geri
54
stili #24. 2007
„The best thing I´ve ever done“ - ase afasebs Tavis namuSevars, DZ Bank-is Senobas, gamoCenili arqiteqtori frenk geri. nageboba, iseve rogorc brandenburgis WiSkari berlinis yvelaze cnobil moedanze - Pariser Platz-ze
mdebareobs.
germaniis gaerTianebis Semdgom wlebSi moednisTvis SemuSavebuli qalaqgegmarebiTi koncefcia moSenebis mkacr pirobebs iTvaliswinebda, rac
calkeuli nagebobebis avtorebs gansakuTrebul moTxovnebs uyenebda.
1995 wels bankis Senobaze gamocxadebul konkursSi frenk gerim gaimarjva. geri Seecada mocemulobis pirobebi maqsimalurad daekmayofilebina. fasadi mopirkeTebulia italiuri kirqviT. daculia proporcia
fanjris Riobebsa da daxurul sibrtyeebs Soris. Senobis saerTo simaRlec winaswar dadgenil pirobebs eqvemdebareba. ukana fasadi, romelic
mimdebare berenStraseze gadadis, aseve italiuri kirqviT aris mopirkeTebuli, mTavari fasadisgan gansxvavebiT danawevrebuli da dinamiuria.
Senobis es nawili sacxovrebelia.
eqsterieris mkacri, mkafiod geometriuli moculoba, interierSi formis, sivrcis, feris da masalis namdvil feierverkad gardaiqmneba. miniT gadaxuruli atriumi namdvili xelovnebis nimuSia, romelic mnaxvelze waruSlel STabeWdilebas da momajadoebel efeqts axdens. marTkuTxa, mkacrad geometriul, xiT mopirkeTebul Sida ezoSi aRmocendeba uzarmazari amorfuli skulpturuli moculoba, sadac 100 kacze gaTvaliswinebuli sakonferencio darbazia moTavsebuli.
55
stili #24. 2007
moculoba garedan titaniT aris Semosili. darbazi ori xidiT ukavSirdeba mTavar
Sesasvlels. or doniani Sida ezo konferenciebis da miRebebisTvis aris gaTvaliswinebuli.
atriumis qveda donis iataki wiTeli xaliCiT aris dafaruli, rac gansakuTrebul sazeimo atmosferos qmnis, xolo amerikeli moqandakis, nikolas vainStainis, TeTri minis skulpturuli obieqtebi, romlebic Rrublebs mogvagoneben, organulad erwymian rogorc geris aseve skulpturul arqiteqturas.
atriumis gadaxurva ara marto esTetiuri TvalsazrisiT, aramed konstruqciuladac Sedevrs warmoadgens (konstruqtori iorg
Slaixi). gadaxurva Sesasvlel nawilSi brtyelia, Semdeg TandaTan iwevs simaRleSi, bolos ki erT wertilSi iyris Tavs.
61 m sigrZis da 20 m siganis atriumze 200
toniani konstruqcia, mxolod 16,5 metriT erTmaneTisgan daSorebul 8 konsolzea dakidebuli. mTeli konstruqcia, SemakavSirebeli elementebis CaTvliT, uJangavi foladisgan damzadda.
DZ Bank-is sruliad unikaluri nagebobis
Semqmneli arqiteqtori frenk geri (Frank O.
Gehry) 1929 wels daibada kanadis qalaq torontoSi. misi namdvili saxelia frenk efraim goldbergi. geri skolis damTavrebis Semdeg swavlas iwyebs harvardis universitetis arqiteqturul fakultetze, xolo Semdgom gadadis los anjelesis universitetSi. 1962 wels
geri kaliforniis qalaq venisSi aarsebs sakuTar arqiteqturul saxelosnos. frenk geri dekonstruqtivizmis yvelaze gamoCenil warmomadgenlad iTvleba. geris cnobili namuSevrebia - vitra-dizainis muzeumis Senoba germaniaSi, qalaq Weil am Rein-Si da ra Tqma unda gugenhaimis muzeumi espaneTis qalaq bilbaoSi.
1990 wels geri dajildovda pritckeris
(Pritzker Prize) arqiteqturuli jildoTi, xolo
1999 wels American Institute of Architects-is oqros
medliT. geris arqiteqturul-skulpturuli
namuSevrebi TavianTi rTuli konfiguraciiT,
ganviTarebis rTul etapebs gadian - kuburi
formebis “TamaSidan”, urTulesi kompiteruli programebis saSualebiT saboloo saxis Camoyalibebamde.
SeniSvna:
Pritzker-Prize - pritckeris jildo, msoflioSi yvelaze mniSvelovani jildoa arqiteqturaSi. es jildo 1979 dawesda, sastumro Hyatt-is mflobelis, Jay
A. Pritzker-isa da misi meuRlis sindis mier, xolo maTi gardacvalebis Semdeg am saqmianobas Hyatt-is fondi agrZelebs.
spec. korespondenti berlinidan
qeTevan odiSeli
foto qeTevan odiSelisa
56
stili #24. 2007
57
stili #24. 2007
“The Best
Thing I’ve Ever
Done”
FRANK O. GEHRY
„The best thing I´ve ever done“ – this is how architect
Frank O. Gehry evaluates one of his works – DZ Bank office.
The building is located in Parizer Platz, nearby
Brandenburger Tor.
In the years following reunion of West and East
Germany, Parizer Platz development plan posed a special
challenge to architects.
The competition on DZ Bank office project, launched in
1995, was won by Frank O. Gehry, who was most efficient
in his efforts to satisfy the requirements in place.
Facade of the construction is clad in Italian limestone.
Proportions of window openings and closed spaces, as well
as general height of the building are in strict conformance
with each other and the preliminarily set conditions.
The reverse facade, opening onto Baerenstrasse, is also
faced with Italian limestone, but differs from the main facade
with segmentation and dynamics. This part of the building
represents a residential complex.
Austere geometrical forms of the exterior are reversed
into a firework of colours and materials on the inside. Glazed
atrium is a real masterpiece, leaving an indelible impression
on a visitor. In the middle a rectangular, wood-clad inner
courtyard there rises an amorphous titan-coated sculptural
form, accommodating a 100-seat conference hall arranged
inside and connected with the main entrance by two bridges.
Deep red colour of the carpet, covering the lower floor
of the atrium and white cloud-like glass sculptures of
American sculptor Nicolas Weinstein, efficiently matching the
sculptural architecture of Gehry, enliven the atmosphere and
give it a tinge of festivity to.
Atrium roofing, designed by constructor Iorg Schleich,
is perfect both from the artistic and engineering point of view.
The roof – flattened over the entrance, gradually rises to
reach its culmination in one point. 200-ton stainless steel
construction, covering 61m long and 20m atrium, is reinforsed by no more 8 consoles, positioned at a 16,5 meters’
distance from each other.
Frank O. Gehry (Frank Efraim goldberg), author of this
unique building, was born in 1929 in Toronto, Canada. Gehry
received his architectural education at the architectural faculty of Harward and Los Angeles Universities. In 1962 Gehry
opened his own architectural studio in Venice, California.
Frank O. Gehry is considered as one of the most prominent representatives of constructivist style. Gehry’s most important works are Vitra-design Museum building in Weil-am-Rein,
Germany and, of course, Gugenheim Museum in Bilbao, Spain.
In 1990 Gehry was awarded with Pritzker Prize, and in
1999 he received a gold medal of the American Institute of
Architects.
Frank O. Gehry’s complex architectural-sculptural works
show gradual development from the intricate play of cubic
forms to complex design, based on advanced computer technologies.
NOTE:
Pritzker Prize - the highest architectural award of the world, was
established in 1979 by the owner of Hyatt network Jay A Pritzker
and his wife Sindy. After their death, the ward business is continued by Hyatt Foundation.
KETEVAN ODISHVILI,
SPECIAL CORRESPONDENT FROM BERLIN
PHOTO BY KETEVAN ODISHVILI
58
stili #24. 2007
„The best thing I´ve ever done“ - ase afasebs Tavis namuSevars, DZ Bank-is Senobas, gamoCenili arqiteqtori frenk geri. nageboba, iseve rogorc brandenburgis WiSkari berlinis yvelaze cnobil moedanze - Pariser Platz-ze
mdebareobs.
germaniis gaerTianebis Semdgom wlebSi moednisTvis SemuSavebuli qalaqgegmarebiTi koncefcia moSenebis mkacr pirobebs iTvaliswinebda, rac
calkeuli nagebobebis avtorebs gansakuTrebul moTxovnebs uyenebda.
1995 wels bankis Senobaze gamocxadebul konkursSi frenk gerim gaimarjva. geri Seecada mocemulobis pirobebi maqsimalurad daekmayofilebina. fasadi mopirkeTebulia italiuri kirqviT. daculia proporcia
fanjris Riobebsa da daxurul sibrtyeebs Soris. Senobis saerTo simaRlec winaswar dadgenil pirobebs eqvemdebareba. ukana fasadi, romelic
mimdebare berenStraseze gadadis, aseve italiuri kirqviT aris mopirkeTebuli, mTavari fasadisgan gansxvavebiT danawevrebuli da dinamiuria.
Senobis es nawili sacxovrebelia.
eqsterieris mkacri, mkafiod geometriuli moculoba, interierSi formis, sivrcis, feris da masalis namdvil feierverkad gardaiqmneba. miniT gadaxuruli atriumi namdvili xelovnebis nimuSia, romelic mnaxvelze waruSlel STabeWdilebas da momajadoebel efeqts axdens. marTkuTxa, mkacrad geometriul, xiT mopirkeTebul Sida ezoSi aRmocendeba uzarmazari amorfuli skulpturuli moculoba, sadac 100 kacze gaTvaliswinebuli sakonferencio darbazia moTavsebuli.
55
stili #24. 2007
moculoba garedan titaniT aris Semosili. darbazi ori xidiT ukavSirdeba mTavar
Sesasvlels. or doniani Sida ezo konferenciebis da miRebebisTvis aris gaTvaliswinebuli.
atriumis qveda donis iataki wiTeli xaliCiT aris dafaruli, rac gansakuTrebul sazeimo atmosferos qmnis, xolo amerikeli moqandakis, nikolas vainStainis, TeTri minis skulpturuli obieqtebi, romlebic Rrublebs mogvagoneben, organulad erwymian rogorc geris aseve skulpturul arqiteqturas.
atriumis gadaxurva ara marto esTetiuri TvalsazrisiT, aramed konstruqciuladac Sedevrs warmoadgens (konstruqtori iorg
Slaixi). gadaxurva Sesasvlel nawilSi brtyelia, Semdeg TandaTan iwevs simaRleSi, bolos ki erT wertilSi iyris Tavs.
61 m sigrZis da 20 m siganis atriumze 200
toniani konstruqcia, mxolod 16,5 metriT erTmaneTisgan daSorebul 8 konsolzea dakidebuli. mTeli konstruqcia, SemakavSirebeli elementebis CaTvliT, uJangavi foladisgan damzadda.
DZ Bank-is sruliad unikaluri nagebobis
Semqmneli arqiteqtori frenk geri (Frank O.
Gehry) 1929 wels daibada kanadis qalaq torontoSi. misi namdvili saxelia frenk efraim goldbergi. geri skolis damTavrebis Semdeg swavlas iwyebs harvardis universitetis arqiteqturul fakultetze, xolo Semdgom gadadis los anjelesis universitetSi. 1962 wels
geri kaliforniis qalaq venisSi aarsebs sakuTar arqiteqturul saxelosnos. frenk geri dekonstruqtivizmis yvelaze gamoCenil warmomadgenlad iTvleba. geris cnobili namuSevrebia - vitra-dizainis muzeumis Senoba germaniaSi, qalaq Weil am Rein-Si da ra Tqma unda gugenhaimis muzeumi espaneTis qalaq bilbaoSi.
1990 wels geri dajildovda pritckeris
(Pritzker Prize) arqiteqturuli jildoTi, xolo
1999 wels American Institute of Architects-is oqros
medliT. geris arqiteqturul-skulpturuli
namuSevrebi TavianTi rTuli konfiguraciiT,
ganviTarebis rTul etapebs gadian - kuburi
formebis “TamaSidan”, urTulesi kompiteruli programebis saSualebiT saboloo saxis Camoyalibebamde.
SeniSvna:
Pritzker-Prize - pritckeris jildo, msoflioSi yvelaze mniSvelovani jildoa arqiteqturaSi. es jildo 1979 dawesda, sastumro Hyatt-is mflobelis, Jay
A. Pritzker-isa da misi meuRlis sindis mier, xolo maTi gardacvalebis Semdeg am saqmianobas Hyatt-is fondi agrZelebs.
spec. korespondenti berlinidan
qeTevan odiSeli
foto qeTevan odiSelisa
56
stili #24. 2007
57
stili #24. 2007
“The Best
Thing I’ve Ever
Done”
FRANK O. GEHRY
„The best thing I´ve ever done“ – this is how architect
Frank O. Gehry evaluates one of his works – DZ Bank office.
The building is located in Parizer Platz, nearby
Brandenburger Tor.
In the years following reunion of West and East
Germany, Parizer Platz development plan posed a special
challenge to architects.
The competition on DZ Bank office project, launched in
1995, was won by Frank O. Gehry, who was most efficient
in his efforts to satisfy the requirements in place.
Facade of the construction is clad in Italian limestone.
Proportions of window openings and closed spaces, as well
as general height of the building are in strict conformance
with each other and the preliminarily set conditions.
The reverse facade, opening onto Baerenstrasse, is also
faced with Italian limestone, but differs from the main facade
with segmentation and dynamics. This part of the building
represents a residential complex.
Austere geometrical forms of the exterior are reversed
into a firework of colours and materials on the inside. Glazed
atrium is a real masterpiece, leaving an indelible impression
on a visitor. In the middle a rectangular, wood-clad inner
courtyard there rises an amorphous titan-coated sculptural
form, accommodating a 100-seat conference hall arranged
inside and connected with the main entrance by two bridges.
Deep red colour of the carpet, covering the lower floor
of the atrium and white cloud-like glass sculptures of
American sculptor Nicolas Weinstein, efficiently matching the
sculptural architecture of Gehry, enliven the atmosphere and
give it a tinge of festivity to.
Atrium roofing, designed by constructor Iorg Schleich,
is perfect both from the artistic and engineering point of view.
The roof – flattened over the entrance, gradually rises to
reach its culmination in one point. 200-ton stainless steel
construction, covering 61m long and 20m atrium, is reinforsed by no more 8 consoles, positioned at a 16,5 meters’
distance from each other.
Frank O. Gehry (Frank Efraim goldberg), author of this
unique building, was born in 1929 in Toronto, Canada. Gehry
received his architectural education at the architectural faculty of Harward and Los Angeles Universities. In 1962 Gehry
opened his own architectural studio in Venice, California.
Frank O. Gehry is considered as one of the most prominent representatives of constructivist style. Gehry’s most important works are Vitra-design Museum building in Weil-am-Rein,
Germany and, of course, Gugenheim Museum in Bilbao, Spain.
In 1990 Gehry was awarded with Pritzker Prize, and in
1999 he received a gold medal of the American Institute of
Architects.
Frank O. Gehry’s complex architectural-sculptural works
show gradual development from the intricate play of cubic
forms to complex design, based on advanced computer technologies.
NOTE:
Pritzker Prize - the highest architectural award of the world, was
established in 1979 by the owner of Hyatt network Jay A Pritzker
and his wife Sindy. After their death, the ward business is continued by Hyatt Foundation.
KETEVAN ODISHVILI,
SPECIAL CORRESPONDENT FROM BERLIN
PHOTO BY KETEVAN ODISHVILI
58
stili #24. 2007
59
stili #24. 2007
60
stili #24. 2007
donaldas
trainauskasi
DONALDAS
TRAINAUSKAS
darius
baliukeviCiusi
DARIUS
BALIUKEVICIUS
skirmantas
varnauskasi
SKIRMANTAS
VARNAUSKAS
4+ arqiteqtorebi
arqiteqturuli biuro `4 + arqiteqtorebi~
_ daarsda 2001 wels litvaSi, qalaq vilniusSi.
mis mTavar SemoqmedebiT birTvs warmoadgens
mravalgzis premirebuli da diplomirebuli arqiteqtorTa jgufi - donaldas trainauskasis,
darius baliukeviCiusis, skirmantas varnauskasis SemadgenlobiT.
am Semoqmed adamianebTan TanamSromloben arqiteqtorebi - akvile kepenite, elvina varnauskiene, linas krugelisi.
arqiteqturuli biuros moRvaweobis speqtri mravalferovania, igi SemoqmedebiTi mravalprofilurobiT gamoirCeva - saerTaSoriso konkusebze, gamofenebze monawileoba, ganxorcielebuli Tu gansaxorcielebeli qalaqgegmarebiTi proeqtebi, nebismieri specifikisa da daniSnulebis Senoba-nagebobebi, interierebi, rekonstruirebuli obieqtebi da a. S. es namuSevrebi
warmoadgenen arqiteqturuli biuros’`4+~ -is
reputacias, garantireben xarisxs, qmnian imijs.
mas zustad miesadageba sityvebi: profesiuli, gonivruli, moduri, respeqtabeluri. Sedegi arqiteqturuli avangardisa da inteleqtualuri
bohemis matarebelia.
arqiteqtorTa saqmianobis arss, ara gamogonili programa, aramed ukve formirebuli cxovrebis wesi Seadgens, rasac organizatoruli talanti, codna, mravalmxrivi kavSirebi, reputacia emateba da warmarTavs. warmodgenil obieqtTagan, TiTqmis yvela konceftualuria, TiToeuli maTgani artistulia, profesiuli grafika daxvewilia. `4+~-is mTavari amocanaa, xarisxiani proeqtebis ara konveiruli miwodeba, aramed ukve miRweuli, gansazRvruli, kulturuli,
profesiuli donis SenarCuneba, daxvewa, gamravalferovneba.
nino laRiZe
61
stili #24. 2007
jildoebi:
2004 w. - litvis arqiteqtorTa asociaciis kaunasis
filialis yovelwliuri gamofenis diplomi saukeTeso sazogadoebrivi SenobisTvis (utenas a. da v.
miskiniais saxelobis biblioTekis rekonstruqcia)
2004 w. - litvis arqiteqtorTa asociaciis kaunasis
filialis yovelwliuri gamofenis diplomi saukeTeso realizebuli interierisTvis (erToblivi sawarmo `plastenas~ ofisi)
2003 w. - saerTaSoriso gamofenis `litvuri arqiteqtura 2000-2003: introspeqcia~ diplomi (kaunasSi
mdebare kerZo saxlis rekonstruqcia)
2003 w. - saerTaSoriso gamofenis `litvuri arqiteqtura 2000-2003: introspeqcia~ diplomi (sportisa
da kulturis sasaxle kaunasSi; Tanaavtorebi: a. biblisi, g. balCitisi, e. miliunasi, l. tiuleikisi)
2003 w. - kaunasis meriam daafiqsira studiis wvlili qalaqis kulturis ganviTarebaSi
2002 w. - litvis arqiteqtorTa asociaciis gamofenis
`vilniusis arqiteqtura~ diplomi (mefe mindaugasis koronaciis 750-e wlisTavisadmi miZRvnili monumentis proeqti)
1998 w. - litvis arqiteqtorTa asociaciis kaunasis
filialis yovelwliuri gamofenis diplomi qalaqgegmarebis dargSi (erToblivi sawarmo `baltiuri verfis~ kuTvnili miwis nakveTi mdinare danes
mimdebare teritoriaze da kurSis yures infrastruqturis ganviTarebis proeqti)
COMPETITIONS:
International ideas competition "Laisves aleja - European communication space", Kaunas, 2005, honourable mention
Extension of Utena public library, Utena 2004, I prize
Monument in commemoration of 750th anniversary of coronation of King
Mindaugas (sculptor D. Liskevicius), Vilnius 2002
Residence of Lithuanian Embassy in Warsaw, 2001, I-II prize
6th International Plein Air Architectural Competition Szczecin 96,
"Concept for development of areas adjacent to the planned upgrading
of auxiliary city-airport in Sczecin-Dabie for sport and leisure functions",
Sczecin, Poland, 1996, IV prize (co-authors M. Mankus, S. Kiaune)
Layout of the territory between the Uosto St., Sankryos St. and Naujosios
uosto St., 1996, III prize
AWARDS:
2004 Annual Exhibition of AAL Kaunas Branch, diploma for the best
project in the public buildings category (reconstruction of Utena A.
and V. Miskiniai public library
2004 Annual Exhibition of AAL Kaunas Branch, diploma for the best interior realization (Office of the joint venture "Plastena")
2003 International exhibition "Lithuanian architecture 2000 - 2003: Glance
at Yourself", diploma;
2003 International exhibition "Lithuanian architecture 2000 - 2003: Glance
at Yourself", diploma (for the project for a monument for the occasion
of 750th anniversary of coronation of King Mindaugas);
2003 International exhibition "Lithuanian architecture 2000 - 2003: Glance
at Yourself", diploma (for the Sport and Culture Palace in Kaunas, coauthors A.Bublys, G.Balcytis, E.Miliunas, L.Tuleikis);
2003 Acknowledgement of Kaunas mayor "For Distinguished Signs of Culture
to the City"
2002 AAL exhibition "Architecture of Vilnius", diploma (for the project for a
monument for the occasion of 750th anniversary of coronation of King
Mindaugas)
1998 Yearly exhibition of AAL (Architects Association of Lithuania) Kaunas
Branch, diploma for the best project in the urban category (territory
between the River Dane and Pilies St., Joint venture "Baltic Shipyard"and
suggestions for Curonian Lagoon infrastructure projects)
62
stili #24. 2007
63
stili #24. 2007
64
stili #24. 2007
65
stili #24. 2007
Architects
Architectural studio 4+ Architects was founded in 2001 in Vilnius, Lithuania. Its
creative core is represented by a group of well-known architects with international
reputation - Donaldas Trainauscas, Darius Baliukevicius and Skirmantas Varnauskas,
who maintain close cooperation with architects Akvile Kepenyte, Elvina Varnauskiene
and Linas Krugelis.
4+ Architects is a complex architectural and artistic studio with a diverse working background, comprising international competitions, exhibitions, urban development
projects, constructions, interior designs, reconstructions, etc. These works visualize
the reputation of 4+ Architects, stand as a guarantee to its quality, create its image.
They can be well described by such epithets as professional, ingenuous, fashionable, respectable. The projects by 4+ emit the aura of architectural vanguard and
intellectual bohemia.
The vision, underlying creative activities of the studio is not an abstract action
plan, but an already formed mode of life, supplemented and directed by the ability
to organize, the expertise, diverse connections and reputation. Of the 4+ projects we
have represented here, each is conceptual, artistic and refined. The major goal of
the studio is to design top-quality projects - though not as a way of mass production, but as the means of expressing, refining and diversifying certain professional
and cultural principles.
66
stili #24. 2007
67
stili #24. 2007
tradicia
TRADITION
tradiciiT damuxtuli awmyo
ufliscixis teritoriaze, istoriuli
kompleqsis kompoziciaSi Tanamedrove arqiteqturuli forma - sagamofeno darbazis moculoba ganTavsda. igi landSafturi arqiteqturis TvalsaCino nimuSs warmoadgens. Senoba daviT maxarobliSvilis
proeqtiT ganxorcielda. proeqtze muSaobdnen arqiteqtorebi daTo gogiCaiSvili, nazibrola koSaZe, gia sosaniZe.
generaluri gegmis daxvewisas gaTvaliswinebuli iqna adgilis istoriulad Camoyalibebuli ganaSenianebis masStabi da
silueti. Sedga proeqtis arqiteqturul-funqciuri organizebis idea-programa, romelic moicavda urTierTSewonasworebul arqiteqturul-landSaftur dominantebs, vizualuri komunikaciebis arse-
68
buli sistemis SenarCunebas da mocemul
SemTxvevaSi, masSi axali komponentis Semosvlas.
sagamofeno darbazi arsebul bunebriv
bazazea ganvrcobili. igi Soridanve gamoikveTeba da misken mimavali gzis, arsebuli
garemos logikur sasruls warmoqmnis.
sagamofeno darbazis moculobis garegnuli formis, masebis urTierTgadanawileba, proporciebi arsebul istoriul elementebs eqvemdebareba, bunebriv landSafts zustad morgebulia da Taviseburad ganavrcobs mas. nagebobis arqiteqtonikaSi yuradRebas ipyrobs formebis mravalferovneba da mxatvruloba. daxuruli moculobebi bunebriv Ria sivrceebze
ixsneba, gadaiRvreba maTSi da moZravi sa-
myaros sinqronulia. erTiani arqiteqturuli sivrce Tanamedrove da qarTul
tradiciebzea dafuZnebuli. tradiciuli arqiteqtura am mimarTebaSi gamWoli
xedebis arqiteqtura, perspeqtivebis mravalferovnebaa - masSi sivrcis ganuwyveteli moZraobaa miRweuli, romelic mudmivad icvleba damkvirveblis moZraobasTan erTad.
sagamofeno darbazi ufliscixeSi, Tavisi masStabiTaa STambeWdavi da saintereso. aq tradicia Semoqmedebis wyarod,
energiad iqca. tradiciiT damuxtulma
awmyom ki Sesaferisi sayrdeni ipova da Seiqmna Zvelisa da axlis erTobliobis - SeTanxmebuli sinTezis saukeTeso nimuSi.
nino laRiZe
stili #24. 2007
69
stili #24. 2007
Modernity
Saturated
with
Tradition
A new exhibition hall was recently opened
in the historical complex of Uplistsikhe.
Authors of the newly-implemented project are
architects David Makharoblishvili, David
Gogichaishvili, Nazibrola Koshadze and Gia
Sosanidze.
While working on the master plan, the
architects considered the peculiarity of historically developed architectural setting, its form
and magnitude. Project development started
with creation of a conceptual program, incorporating architectural and landscaping dominants, as well as retaining and expansion of
the existing visual communication systems.
Dimensions and volume of the exhibition
hall conform to the historical architectural and
natural background. Architectonics of the
building is distinguished with surprising diversity of forms. The indoor spaces smoothly
pass over into open areas and synchronize
themselves with the surrounding landscape
– a traditionally Georgian form of architecture, characterized by transparency and diversity of perspectives, and transformed into a
source of creative energy, providing an efficient environment one could wish for an exhibition hall.
NINO LAGHIDZE
70
stili #24. 2007
71
stili #24. 2007
interieri
INTERIOR
sacxovreblis arqiteqtonika
Tbilisis erT-erT prestiJul ubanSi
arqiteqtorebis - merab gujabiZis da gela
kobiaSvilis proeqtiT sacxovrebeli saxli ganxorcielda. proeqtis Rirseba – misi sivrcis garemosTan urTierTkavSirSi
mdgomareobs. nageboba kompaqturia – arqiteqtonikis ZiriTadi jgufebi erTmaneTTan moxerxebuladaa dakavSirebuli. misi arqiteqtura originaluri kompoziciiT gamoirCeva da erT mTlianobaSi aRiqmeba. sxvadasxva geometriuli, mobiluri
formebis SerwymiT, Senobis moculoba
dinamiuri da Sesabamisad mravalferovania. saxli Tavidanve ipyrobs yuradRebas
72
araordinaluri gadaxurvis vizualuri simsubuqiTa da siluetis grafikuli sizustiT. amasTan erTad mniSvnelovania is, rom
SemoqmedebiTad gaazrebul moculobaSi
arqiteqturuli detalebis koloriti yovel vertikalur Tu horizontalur WrilSia gadaTamaSebuli da mikrosamyaros simbolur vels qmnis..
interieris atmosfero uxvad Seminuli sibrtyeebidan SemoWrili sinaTliTa
da haeriTaa savse da Tavisufalia. Seminuli sibrtyeebi zrdis sacxovreblis sazRvrebs da maTi mcdeloba moaqcion igi
xist, Tundac gamWvirvale CarCoebSi –amaoa.
didi masebis konstruqciul simsubuqes dizainis elementebic imeoreben. interierSi yuradRebas ipyrobs arq.fragmentebis
dekoratiuli kompoziciebi, sxvadasxva
aqsesuarebis forma, feri da a.S. Sida da
gare samyaros saxlis mgrZnobiare membranad gardaqmnili garsi erTimeoris monacvleobiT aRiqvams.
arqiteqtorma sacxovrebelSi mTliani
sivrcis Tavisuflebis mzardi xarisxis
gamoyenebiT komfortuli da mSvidi garemo Seqmna.
nino laRiZe
stili #24. 2007
73
stili #24. 2007
74
stili #24. 2007
Residential
Space
Architectonics
A residential house (authors: architects Merab Gujabidze, Gela
Kobiashvili) was recently built in one of the fashionable districts of Tbilisi.
Main accomplishment of the project is its close connection with the
surrounding space, the immediate environment. The construction is
very compact with main architectonic groups ingeniously connected
with each other. Its architectural composition is rather original and harmonious. Volume of the building, composed of diverse geometric forms,
develops dynamically and flexibly. Unusual, light and uncomplicated
roofing acts as a dominating exterior detail.
Interior of the house is connected with the outer world by a range
of glazed surfaces, which expand its borders and let in a great deal
of sunlight and air. Constructional lightness of larger masses is reiterated by minor design elements, decorative compositions and accessories. The house breathes in unison with its surroundings, offering
its inhabitants a comfortable living environment as well as the exciting beat of city life.
NINO LAGHIDZE
75
stili #24. 2007
76
stili #24. 2007
SemoqmedebiTi
Zalis dasabami
dRevandeli realiebi amaRelvebeli an
mosawyenia, maTSi gaurkvevelia rogorc Soreuli, aseve axlo momavlis Strixebi. vin
gansazRvravs arsebuli materialuri Tu
sulieri faseulobebis beds da ramdenad
realuria igi dRes?
Tanamedrove arqiteqturuli moculobis ganxorcielebisas, niSnobrivi klasikuri elementebis profesionalurad Serwyma aseTive niSnobriv Tanamedrove niuansebTan, arqiteqtoris erT-erTi saintereso meTodia. da miTumetes, profesionalisaTvis, araordinalur arqiteqtonikaSi erTiani interieruli sivrcis Seqmna,
romelic saqmiani Tu sasiamovno urTierTobebisTvis gangvawyobs aranair sirTules ar warmoadgens.
sabednierod, CvenTan arian saerTaSoriso klasis, maRali esTetikuri donis arqiteqtor-profesionalebi, romelTa Soris, erT-erTi amiran patarqalaSvilia. igi
im arqiteqtorTa pleadas miekuTvneba,
romelic profesiuli siaxleebis aTvisebisas, arqiteqturis Tanamedrove enis Ziebis procesSi ayalibebda Tavis SemoqmedebiT statuss.
Semoqmedis arqiteqturaSi Cans araCveulebrivi damokidebuleba formasTan, fe-
rTan, garemo anturaJTan. TvalSisacemia, mocemuli sivrcis erTiani moculobiT-sivrcobrivi kompozicia masSi calkeuli detalebis plastikis gamdidreba da piriqiT.
sul axlaxans Tbilisis erT-erT istoriul ubanSi, ulamazesi restorani `fifolz~ gaixsna. misi eqsterieris aRqma, pirvel rigSi, esTetikur siamovnebas gvaniWebs, rasac qalaqgegmarebiTi Canafiqris
moculobiToba, obieqtisaTvis zusti adgilis SerCeva, kompoziciis sivrcobrivi
wyoba, teqnikisa da nagebobis funqciuri
struqturis axali, progresuli sinqroni ganapirobebs.
77
stili #24. 2007
restornis erTiani interieruli saxe Tanamedrove da stilisturi dekoris motivebiT, moculobiTi da plastikuri gadawyvetebiT, arqiteqturuli riTmebiTaa miRweuli. yoveli Strixsa da niuansSi, maT tonalobasa da sivrceSi gadanawilebaSi profesionalizmi, daxvewili gemovneba Cans. Tavisuflad formirebul interierSi TiToeuli nivTi aqcentirebulia. ultraTanamedrove xazebi
da formebi, calkeuli detaliTa da niuansebiTaa
Serbilebuli. yoveli obieqti da detali iseTive
yuradRebas ipyrobs, rogorc gansakuTrebuli movlena, rogorc filmis saintereso fragmenti, rogorc msaxiobi scenaze.
gegmarebiTi gadawyvetis lakonizmi, detalebisadmi unatifesi damokidebulebiT kompensirdeba. maTi virtualizacia dizainis stilis ganmsazRvreli
xdeba. mosapirkeTebeli masalis faqturam erTiani,
naTeli sivrce Seqmna. Tbili, klasikuri ferebi amreklav zedapirebs harmoniulad erwymis. sxvadasxava monakveTebis mobiluri dizaini SemomsazRvreli sibrtyeebis tonalobiTaa gawonasworebuli. interieri, TiTqos Signidan naTdeba gansakuTrebuli,
miseuli SuqiT, rasac gamWvirvale detalebis, kriala aqsesuarebis, avtoris mier Seqmnili dekoratiuli nakeTobebis, bunebrivi da xelovnuri ganaTebis sinqroni aRrmavebs, da ara mxolod.
`fifolz~ - avtoris pirovnebis `savizito baraTia~.
misi interieruli garemo sazogadoebis kulturis erT-erTi metad mobiluri formaa, romelic
metad faqizad reagirebs nebismier cvlilebebze.
`fifolz~ TbiliselebisaTvis usayvarlesi dasasvenebeli da gasarTobi adgilia.
arqiteqtoris Canafiqri gamarTlda. man icis,
rom misi xelovneba aris mxolod nawili ufro metad mniSvnelovani saqmeebisa da rac unda ucnaurad JRerdes, amaSia swored misi SemoqmedebiTi Zalis dasabami.
nino laRiZe
foto: mari nakani, guram wibaxaSvili
78
stili #24. 2007
79
stili #24. 2007
80
stili #24. 2007
81
stili #24. 2007
A Driving
Force Behind
the Art
Present-day reality is only capable of causing excitement or boredom, but it does not reveal the future. Who
could suppose what becomes tomorrow of our current material or spiritual values or even say how tangible they are
for today?
A key to successful design, uniting fashion with comfort, is integration of characteristic classical elements with
up-to-date details – this is a must for forming of a positive
living or business environment.
From among the Georgian architects, possessing this
rare skill, today we would like to once again discuss Amiran
Patarkalashvili, who never misses professional innovations
and strives to find his own unique mode of expression.
Amiran Patarkalashvili’s architecture reveals unusually
careful approach to form, color and exterior setting. One
can also single out integral special-volumetric composition
of the space, inflexed and diversified with minor details.
Very recently, Amiran Patarkalashvili designed interior
of “Peoples” Restaurant, located in the historical part of Tbilisi.
The resulting interior, with its mixture of modern and classical motives, fully corresponds to what we said above. Each
detail is tastefully color matched and positioned to conform
to the general beat and draw the visitor’s attention as an
episode in a movie or an actor on the stage.
Moderate planning solution is, again and again, counterbalanced by careful attention to minor details, which serve
to highlight the overall style. Texture of finishing materials
lightens and visually expands the space; warm, soothing
colors harmoniously match the reflecting surfaces, interior
zones are differentiated by colora and mobile partitions. Interior
has a curios glowing effect, formed by transparent decorations, glittering accessories, synthesis of natural and artificial lighting.
“Peoples” clearly reflects the author’s personality. Its
interior atmosphere is a mobile representation of the public culture, sensitive to any change in the outer world.
The restaurant, offering a perfect setting for leisure and
fun, is quickly turning gaining in popularity.
Evidently, the architect’s expectations have been fully
justified. He knows that his professional activities are only
a particle inside something more important and general and
– strange as it might sound – this is a driving force behind
his art.
82
stili #24. 2007
83
stili #24. 2007
funqciuri sivrcis silamaze
sazogadoebrivi sivrcis sworad organizeba, ferisa da masalis harmonia, ostaturad mofiqrebuli da gadanawilebuli ganaTebis dizaini, interieris saerTo
stilisturi gadawyvetis Sesabamisi furnitura, gemovnebiT SerCeuli aqsesuarebi... - TiToeul mocemul amocanas, originaluri ideebis SemoTavazebiT da maTi warmatebulad ganxorcielebiT, dizaineri
wyvets. uzado dizaini gulisxmobs saer-
84
To ideiTa da TemiT gamTlianebuli harmoniuli interieruli saxis Seqmnas, romelSic gaTvlilia yoveli niuansi da maqsimaluradaa gaTvaliswinebuli damkveTis `tabudadebuli~ moTxovna. dizainerebis nia mgalobliSvilis, ia lipartelianis, sofo SevardnaZis proeqtiT, TbilisSi ganxorcielebuli maRazia-salonis
`elit-eleqtroniqsis~ interieri specifikuri daxvewili dekoriT gamoirCeva, Se-
sabamisad, garemo komfortuli da myudroa.
detalebamde gaTvlili sivrcis funqciuri organizeba, interieris Taviseburebaa. avtorTa ZalisxmeviT aRqmadi lakonizmiT SeniRbuli zustad gaTvlili gadawyvetebis fonze, misi specifikis Sesabamisi, stiluri interieri Seiqmna.
nino laRiZe
foto: irakli bluiSvili
stili #24. 2007
Beauty Space Functional
Correct space organization, harmony of colors and materials, skillful finishing and lighting, interesting interior design and well-chosen
furniture, tasteful accessories alongside with clear identity and style,
conforming the functional meaning of the space… - such are attributes, describing a successful architectural solution.
Interior of Elit Electronics, designed by Nia MgalobliSvili, Ia
Liparteliani, Sopho Shevardnadze, provide an open and comfortable
working environment with refined, purpose-specific style, corresponding to modern requirements.
NINO LAGHIDZE
PHOTO BY IRAKLI BLUISHVILI
85
stili #24. 2007
interieris Tanamedrove
klasikuri dizaini
dizainerebis nia mgalobliSvilis, ia
lipartelianis da sofo SevardnaZis mier ganxorcielebuli, amjerad warmodgenili sacxovrebeli interieri, sasiamovno disonansis mqone moulodnelobebzea agebuli. mTliani sivrce polaruli TemebiTaa aRsavse. mis organizebaSi minimalizmi da ekleqtika gaxda mTavari mxatvru-
86
li principi. aseTi midgoma Tanamedrove
stilistikaSi `istoriul CarTvebs~ ganapirobebs da mas dasaSvebs xdis. sacxovrebelSi sazogadoebrivi cxovreba ramodenime dominanti niuansisadmia koncentrirebuli, Tumca aralokalurad. aq moxvedrili damkvirvebeli aRiqvams, rom WeSmaritad Tanamedrove interieris esTe-
tika saWiroebs ara mxolod Tanamedrove
formebsa da sagnebs. is aucileblad eyrdnoba warsulis saxasiaTo formebs, calkeul asociaciebs, rac mTeli sivrcis WeSmaritad Tanamedrove JReradobis gamosavlenadaa aucilebeli.
nino laRiZe
foto: irakli bluiSvili
stili #24. 2007
87
stili #24. 2007
Modern
Classical
design
This residential interior, designed by Nia mgaloblishili, Ia Liparteliani, Sophio Shevardnadze boasts
clear functional organization and refined architectonics, diversity and high quality of forms, which merge
together into an integral space. Original language
of sculptural plasticity, lighting, proportion and movement graphics, combined with advanced technology and modern construction materials, form an original composition, which is much more than an artificial structure, based on technological innovations.
NINO LAGHIDZE
PHOTO BY IRASKLI BLUISHVILI
88
stili #24. 2007
mudmivmoqmedi gamofena
art-kafe `Tan waiRe~
89
stili #24. 2007
yoveli araordinaluri garemo iseve
ipyrobs, yuradRebas, rogorc saintereso
pirovneba, radgan orive SemTxvevaSi, maTSi koncentrirebulia yovelive, rac CvenTvis Zvirfasia.
Tbilisis erT-erT patara, lamaz quCaze, dutas kafeSi (am saxeliT icnobs mas
xalxi) - art-kafeSi `Tan waiRe~, TiToeuli monakveTi TavisTavSi, sasiamovnoze
90
Tu sanukvarze garkveul fragmentebs moicavs. misi myudro garemo mxolod komfortuli interieri ar aris. igi bednierebis damcvelia da iseve rogorc Semoqmedeba Tavisi kanonebiT transformirdeba
realobaSi.
originaluri furnituriTa da lamazi sagnebiT Seqmnili sivrcis calkeuli
monakveTi gansakuTrebuli xiblis matare-
belia. mSvenieri esTetikuris aRqmiT ar
Semoifargleba, radgan igi mravalmxriv
rTulia, usazRvroa da moazrebul, konkretul materiad gardaqmnas moiTxovs. es
procesi ganuwyvetliv mimdinareobs `Tan
waiReSi~, rogorc aRniSnulis Sesabamisi,
aseve pirdapiri mniSvnelobiT. aq mosul
stumars survilisamebr SeuZlia SearCios da Tan waiRos interieris dekoris Se-
stili #24. 2007
madgeneli nebismieri nivTi da amitom isic - stumaric, TavisTavad, art-kafes dizainis dausruleblad ganaxlebis uSualo
monawilea.
interierSi ganTavsebulia lela bagrationis, sofo gongliaSvilis, guga kotetiSvilis, rati eraZis da kidev bevri
niWieri Semoqmedis mier Seqmnili umSvenieresi furnitura da nakeTobebi. dame-
TanxmebiT Znelia gulgrili darCe amgvari mudmivmoqmedi gamofenis mimarT, miTumetes, roca dizaineruli TvalsazrisiT
TviTmyofad sivrceSi TiToeuli niuansi
TavisTavad warmoCindeba da ipyrobs mnaxvelis yuradRebas.
art-kafes interieris dizainis avtorebis, qalbatonebis - marina nacvliSvilisa da nato erisTavis mier Seqmnili gare-
mo absoluturad Seesabameba mis `binadarTa~ moTxovnilebebs, gemovnebas, sulierebas. aq muSaoben, isveneben, erTobian da
sasiamovno siurprizebis molodinSi ufrTxildebian `Tan waiRes~ samyaroSi arsebul harmonias.
nino laRiZe
fotografi: giorgi barsegiani
91
stili #24. 2007
Ongoing exhibition in Art-cafe “Tan Tsaighe”
Any original setting draws attention as much as a
personality, because in both cases they contain an
essence of the qualities we value most.
In art-cafe “Tan Tsaighe” (literally translated as “take
away with you”), settled in a small, pretty street in downtown Tbilisi, each corner reminds of something pleasant, something vaguely dear and beautiful. The inside
of the establishment is not just a comfortable interior.
It conserves happiness and artistically merges with the
reality. Various fragments of the interior, marked off with
92
original furniture and accessories, add up to general
charm of the space, which saturates the atmosphere
and enlivens the interior. This process never ends in
“Tan Tsaighe”.
Visitors are free to pick up and take away any
object, decorating cafe interior, thus taking immediate
part in the perpetual rejuvenation of art-cafe design.
The cafe contains furniture and decorative articles by
Lela Bagrationi, Sophie Gongliashvili, Guga Kotetishvili,
Rati Eradze and many other gifted artists. It is obvi-
ously hard to stay indifferent to this ongoing exhibition
especially that the unordinary interior design brings to
the fore originality of every single object and catches
the eye of occasional onlookers.
Cafe interior, created by designers Marina Natsvlishvili
and Nato Eristavi, fully conforms to the requirements
of its “inhabitants”, who feel free to work, take rest and
protect this unique world of harmony and surprise.
NINO LAGHIDZE
PHOTO BY GIORGI BARSEGIANI
stili #24. 2007
93
stili #24. 2007
profesionalizms SemoqmedebiTi
Sedegi gansazRvravs
94
stili #24. 2007
dRes, saqarTveloSi, mogexsenebaT, mSeneblobis bumia, magram, xSir SemTxvevaSi, sakuTari
sacxovrebeli garemos Seqmnis procesSi Cabmuli adamianebi Canafiqris gansaxorcieleblad,
ara mgonia profesionalebs mimarTavdnen da Sedegic dameTanxmebiT, umetesad savalaloa.
sacxovreblis Camoyalibebisas aucileblad
gasaTvaliswinebelia arqiteqtoris, dizainer-
is profesionalizmi, romelsac gansazRvravs SemoqmedebiTi Sedegi - konkretuli ojaxis Tu
pirovnebis SemoqmedebiTi Taviseburebebis, individualurobis, gemovnebis gaTvaliswinebiT
realizebuli sivrce.
arqiteqtor aleko korkotaSvilis proeqtebiT ganxorcielebuli warmodgenili sacxovrebeli interierebi, udaod maRali ostato-
bis dasturia. TiToeuli maTgani Tavisi parametrebiT, Sinaarsobrivi datvirTviT Tu mxatvrul-stilisturi gadawyvetiT radikalurad gansxvavdeba erTmaneTisgan, magram maTi arqiteqtonika absoluturad Tanamedrove, araordinaluri da kosmopolituria. `damkveTebi~
ar Semcdaran, arqiteqtorma zustad ganaxorciela maTi Canafiqri.
95
stili #24. 2007
erT SemTxvevaSi, mniSvnelovnad
mcire moculobaSi - or doneze, xolo meore SemTxvevaSi ki vrcel horizontalze gadanawilebul (salonuri tipis) sacxovrebel interierebSi moculoba plastiurad viTardeba. saTavsoTa Sida struqtura, maTi zonireba, formaTa mravalferovnebiT iqmneba. originaluri dizaini da dinamikuri grafika sivrcis vizualuri JReradobis ganmsazRvrelia.
avtoriseuli gadawyvetebiTa
da mignebebiT Seiqmna esTetikurad,
funqciurad TviTmyofadi sacxovreblebi. SemoqmedebiTma Tavisuflebam SesaZlebeli gaxada araordinalur sivrceebSi miRweuliyo
stilisturi mTlianoba. mas ganmarteba ar sWirdeba. mniSvnelovania
sacxovreblis stilis sruli Sesabamisoba mis mflobelTa cxovrebis wesTan.
nino laRiZe
Professionalism
Level as
Defined by
Result
Residential interiors designed by architect Aleko Korkotashvili stand a proof to top
notch qualification. Each of these spaces,
with its parameters, contents or stylistic finishing is radically different from the others,
but their architectonics is fully modern,
unordinary and completely cosmopolitan. The
"clients" did not make a mistake - architect
realized their thoughts perfectly well.
A considerably small space distributed
on two levels in one case and a vast onelevel expanse of interior volume in the other
develop with equal dynamics, supported by
inner structure of the rooms and their efficient distribution. Original design, diversity
of architectural forms and dynamic graphics endow the resulting spaces with extra
expressivity.
NINO LAGHIDZE
96
stili #24. 2007
esTetikuri kriteriumebi
WavWavaZis gamziri. pabi-restorani `big beni~
proeqtis avtori, arqiteqtori dimitri TofuriZe
97
stili #24. 2007
`big beni~, Tbilisis prestiJuli ubnis - quCis `parteris~ interieruli kompoziciis erT-erT mniSvnelovan dominantad iqca. misi sivrciTi monakveTebis Tanmimdevrobis erTian xasiaTs arqiteqtorisaTvis damaxasiaTebeli profesiuli xelwera gansazRvravs. SemoqmedebiT niuansebs, romelic aq vlindeba, mxolod tradicia ar ganapirobebs - aris raRac
ufro mniSvnelovani, rac interieris gadawyvetaSi
ikveTeba.
interieruli sivrcisadmi damaxasiaTebeli moZraoba cocxali da riTmulia da movlenis adeqvaturad gaazrebasa da aRqmasTan SedarebiT, metis momcvelia. aq saocari wonasworobaa simSvidesa da moZraobas, bunebriv daxvewil formebsa da Seqmnil siluetebs Soris da ufro metia Tavisufali tipis
Semoqmedebis Sedegi. moduluri kompozicia, konstruqciuli elementebis proporciebi Tavisufalia.
mas safuZvlad esTetikuri kriteriumebi udevs.
interierSi - gegmareba, dizaini, svetebiT, koWebiT, zRudarebiT Seqmnili moculobiTi kompoziciebi funqcionalur-esTetikuri xasiaTis matarebeli
da TviTmyofadia. mTlian Tu ganyenebul formebSi
nagrZnobi sivrce ganusazRvrel mravalferovnebas
iZleva da amiT TviTgamovlenis srul harmonias
sTavazobs mnaxvels.
nino laRiZe
98
stili #24. 2007
profesionalizms SemoqmedebiTi
Sedegi gansazRvravs
94
stili #24. 2007
dRes, saqarTveloSi, mogexsenebaT, mSeneblobis bumia, magram, xSir SemTxvevaSi, sakuTari
sacxovrebeli garemos Seqmnis procesSi Cabmuli adamianebi Canafiqris gansaxorcieleblad,
ara mgonia profesionalebs mimarTavdnen da Sedegic dameTanxmebiT, umetesad savalaloa.
sacxovreblis Camoyalibebisas aucileblad
gasaTvaliswinebelia arqiteqtoris, dizainer-
is profesionalizmi, romelsac gansazRvravs SemoqmedebiTi Sedegi - konkretuli ojaxis Tu
pirovnebis SemoqmedebiTi Taviseburebebis, individualurobis, gemovnebis gaTvaliswinebiT
realizebuli sivrce.
arqiteqtor aleko korkotaSvilis proeqtebiT ganxorcielebuli warmodgenili sacxovrebeli interierebi, udaod maRali ostato-
bis dasturia. TiToeuli maTgani Tavisi parametrebiT, Sinaarsobrivi datvirTviT Tu mxatvrul-stilisturi gadawyvetiT radikalurad gansxvavdeba erTmaneTisgan, magram maTi arqiteqtonika absoluturad Tanamedrove, araordinaluri da kosmopolituria. `damkveTebi~
ar Semcdaran, arqiteqtorma zustad ganaxorciela maTi Canafiqri.
95
stili #24. 2007
erT SemTxvevaSi, mniSvnelovnad
mcire moculobaSi - or doneze, xolo meore SemTxvevaSi ki vrcel horizontalze gadanawilebul (salonuri tipis) sacxovrebel interierebSi moculoba plastiurad viTardeba. saTavsoTa Sida struqtura, maTi zonireba, formaTa mravalferovnebiT iqmneba. originaluri dizaini da dinamikuri grafika sivrcis vizualuri JReradobis ganmsazRvrelia.
avtoriseuli gadawyvetebiTa
da mignebebiT Seiqmna esTetikurad,
funqciurad TviTmyofadi sacxovreblebi. SemoqmedebiTma Tavisuflebam SesaZlebeli gaxada araordinalur sivrceebSi miRweuliyo
stilisturi mTlianoba. mas ganmarteba ar sWirdeba. mniSvnelovania
sacxovreblis stilis sruli Sesabamisoba mis mflobelTa cxovrebis wesTan.
nino laRiZe
Professionalism
Level as
Defined by
Result
Residential interiors designed by architect Aleko Korkotashvili stand a proof to top
notch qualification. Each of these spaces,
with its parameters, contents or stylistic finishing is radically different from the others,
but their architectonics is fully modern,
unordinary and completely cosmopolitan. The
"clients" did not make a mistake - architect
realized their thoughts perfectly well.
A considerably small space distributed
on two levels in one case and a vast onelevel expanse of interior volume in the other
develop with equal dynamics, supported by
inner structure of the rooms and their efficient distribution. Original design, diversity
of architectural forms and dynamic graphics endow the resulting spaces with extra
expressivity.
NINO LAGHIDZE
96
stili #24. 2007
esTetikuri kriteriumebi
WavWavaZis gamziri. pabi-restorani `big beni~
proeqtis avtori, arqiteqtori dimitri TofuriZe
97
stili #24. 2007
`big beni~, Tbilisis prestiJuli ubnis - quCis `parteris~ interieruli kompoziciis erT-erT mniSvnelovan dominantad iqca. misi sivrciTi monakveTebis Tanmimdevrobis erTian xasiaTs arqiteqtorisaTvis damaxasiaTebeli profesiuli xelwera gansazRvravs. SemoqmedebiT niuansebs, romelic aq vlindeba, mxolod tradicia ar ganapirobebs - aris raRac
ufro mniSvnelovani, rac interieris gadawyvetaSi
ikveTeba.
interieruli sivrcisadmi damaxasiaTebeli moZraoba cocxali da riTmulia da movlenis adeqvaturad gaazrebasa da aRqmasTan SedarebiT, metis momcvelia. aq saocari wonasworobaa simSvidesa da moZraobas, bunebriv daxvewil formebsa da Seqmnil siluetebs Soris da ufro metia Tavisufali tipis
Semoqmedebis Sedegi. moduluri kompozicia, konstruqciuli elementebis proporciebi Tavisufalia.
mas safuZvlad esTetikuri kriteriumebi udevs.
interierSi - gegmareba, dizaini, svetebiT, koWebiT, zRudarebiT Seqmnili moculobiTi kompoziciebi funqcionalur-esTetikuri xasiaTis matarebeli
da TviTmyofadia. mTlian Tu ganyenebul formebSi
nagrZnobi sivrce ganusazRvrel mravalferovnebas
iZleva da amiT TviTgamovlenis srul harmonias
sTavazobs mnaxvels.
nino laRiZe
98
stili #24. 2007
99
stili #24. 2007
Pab Restaurant Big Ben
The comfortable and peaceful interior of this restaurant has
been created by Dimitri Tophuridze.
Its unusual and memorable design is based on dynamic and
flexible planning with clearly delimited zones, which nevertheless
leave an impression of integrity. Semicircular, fully glazed wall fills
the space with air and sunlight and merges the interior into the
magnificent panorama of Tbilisi. Unusual combinations of construction
materials, distribution of dominant elements and accessories
allowed the designers to form a free and original atmosphere, a
place, which is always a pleasure to visit.
NINO LAGHIDZE
100
stili #24. 2007
101
stili #24. 2007
funqcionalizmis
esTetika
102
stili #24. 2007
arqiteqturuli sivrce mravlismTqmelia.
proeqtireba niSnavs konkretul sivrceSi gaazrebulad moaqcio sazogadoebrivi cxovrebis kanonzomierebani. es mtkicebuleba metad marTebulia interierTan mimarTebaSi. warmogidgenT arqiteqtor merab gujejianis mier ganxorcielebul, sazogadoebriv da ramodenime
sacxovrebel obieqts. pirveli maTgani Tbilisis saxelmwifo universitetis biblioTekis
sivrce - zemoTTqmulis dasturia. igi gamWvirvale da msubuqia, rasac originaluri koloristuli gadawyveta udevs safuZvlad. mTliani palitra optimalur fons uqmnis nebismier sagans, gamokveTs mis moculobas. es gansakuTrebiT mniSvnelovania - interierSi yovelives Tavisi adgili aqvs miCenili da skulpturuli xasiaTis matarebelia. gamoyenebul masalaTa faqturebis zedapirebze sinaTlis aTinaTi interierisaTvis damaxasiaTebel grafikul ideas, ufro metad aqcentirebs. saerTo gamWvirvalebaSi SeWrili xazebi da paralelebi, dinamikuri simrudeebi maorientirebel monaxazebsa da siluetebs qmnian. dizaineruli melodia, misi riTmis cvliTa da Sesabamisi notebis registris gaZlierebiTaa agebuli.
nino laRiZe
103
stili #24. 2007
104
stili #24. 2007
105
stili #24. 2007
Functionalism
at Its Best
For an interior to acquire a definitive
image, it requires involvement of a professional
who will interpret the concept and express it
in his own way. While creating an interior, a
designer skillfully removes unfavorable traits
and builds up an atmosphere, corresponding
to the client’s wishes and/or the purpose of
the interior.
The above exactly corresponds to the interior of University,s Library (reading-hall) designed
by architect Merab Gujejiani. Original coloring
solution renders the space transparent and light
and creates an efficient and advantageous background to any object. Which is especially
important is that all the components of the interior are put in right places and possess a monumental quality. Graphic precision of the design
is further accentuated by lighting. Parallel and
perpendicular lines, dynamic curves interrupting the general transparency of the space, structure the interior and facilitate orientation. The
melodious flow of the design is set off by variable rhythms and tonalities.
NINO LAGHIDZE
106
stili #24. 2007
stili
interierSi
interieris dizaini mis binadarTa
gemovnebis, socialuri mdgomareobis
bunebrivi xorcSesxmaa da dResdReobiT, rodesac sul ufro meti upiratesoba eniWeba funqcionalizms, Warbobs simartive da gonivruloba - saxlSi adamianisaTvis aucilebel simyudroves profesionali qmnis.
warmodgenili sacxovreblis mflobelTa gemovnebisa da survilebis gaTvaliswinebiT, arqiteqtorma, sakuTar profesionalizmze dayrdnobiT,
mkafio arqiteqturuli grafikiT, forma-moculobebis originaluri monacvleobiT da feriTi kontrastebiT
Tanamedrove daxvewili interieri Seqmna.
konstruqciuli Tu dekoratiuli
detalebis erToblioba interiers vizualurad zrdis. stilistur mTlianobaSi, TiToeuli saTavsos individualuroba, funqciuroba Taviseburad ikveTeba da Tavisufal atmosferoSi, sadac misi Seqmnis ideas sivrcis yoveli elementi eqvemdebareba, ganumeorebeli simyudrove gabatonebula.
nino laRiZe
107
stili #24. 2007
Style
Identification
Issues
Designing of a residential interior is a complex and responsible issue. People, choosing this
or that style for their houses, actually define their
environment and living style for years to come,
while the environment of a house extends a great
deal of influence – both positive and negative –
on its inhabitants.
The interior presented in this article has been
created by designer Merab Gujejiani. He implemented this project considering the taste and interests of its owners as well as her own professional
experience, which motivated her to create a distinctively graphical and brightly colored house with
unexpected design solutions and comfortable
planning.
Within the overall design, this each particular room stands out according to its function. These
contrasts, as well as smaller constructional and
decorative elements, far from disrupting the uninhibited atmosphere of the house, create a pleasant feeling of weightlessness, visually expand and
diversify the space. Lighting design plays an important role in the interior, highlighting the form, stressing the depth and intensity of colors.
House interior design is a realization of its
owners’ taste, social status and lifestyle. Today,
when the importance of functionality, simplicity and
rationalism increases daily, the atmosphere of comfort, indispensable for any living space, can be
created only with the designer’s professional
assistance.
NINO LAGHIDZE
108
stili #24. 2007
sacxovreblis
interieri
sacxovrebeli interieris Tavisufali gegmareba, geometrizmi da formaTa grafika esTetikasTan Serwymuli funqcionalizmis tradiciebs gvkarnaxobs. dizainSi gamoyenebuli masalis faqtura da feri, Tavisufali moculobebi da formebi, lokaluri tonebis da dekoris TvalSisacemi minimumi naTlad warmoaCens interieris ganumeorebel saxes. sacxovreblis moduluri kompozicia - arqiteqtonikuri
elementebis proporciebi Tavisufalia, sivrciTi kompozocia funqciurmxatvruli xasiaTis matarebelia da interieris TviTmyofadobas gansazRvravs.
sacxovrebelSi zedmeti dekoratiuli detalebis ignori lakonuri
feriTi kontrastebiTaa kompensirebuli. sacxovreblis fragmentebis saerTo tonalobebis, formaTa grafikulobis Tanaarseboba mSvid, dadebiT ganwyobas qmnis.
interieris dizaini Tavisufali
da gamomgoneblurobas absoluturad
moklebulia. mTliani sivrce, misTvis
damaxasiaTebeli funqciurobidan gamomdinare, gansakuTrebuli emociuri
datvirTviT aRiqmeba da Tavisi esTetikiT srulad Seesabameba mis mobinadreTa moTxovnebs, gemovnebas, cxovrebis esTetikas.
nino laRiZe
Interior
Interior, designed by architect Merab Gujejiani,
is saturated with modern aesthetics and dominant
stylistic elements. Simple planning and strict
graphic forms remind us of functional traditions.
Textures and colors, free volumes and forms, minimum of local overtones and decorations clearly
highlight originality of the design and professionalism of its authors.
The interior space with its light, breathing atmosphere evokes the associations of fragility and delicacy. Small number of decorative details is compensated by color contrasts and geometric forms.
In spite of all its piquancy, interior design does
not disturb one with excessive originality. On the
emotional plane, the house fully conforms to the
taste and character, day-to-day life aesthetics of
its dwellers.
NINO LAGHIDZE
109
stili #24. 2007
ofisi
sazogadoebrivi sivrcis Tanamedrove garemo arasodes yofila mxolod komfortuli interieri. igi gansakuTrebuli, mxolod misTvis damaxasiaTebeli simyudrovis damcvelia da iseve rogorc Semoqmedeba, Tavisi
kanonebiT transformirdeba realobaSi.
arqiteqtorebis kaxa dekanoiZisa da da giorgi feraZis proeqtiT Seqmnil saofise interieris dizainSi,
daxvewili furnituriTa da lamazi sagnebiT Seqmnili
calkeuli monakveTi gansakuTrebuli xiblis matarebelia. mSvenieri, esTetikuris aRqmiT ar Semoifargleba, radgan igi mravalmxrivia da moazrebul, konkretul materiad gardaqmnas moiTxovs. dizainSi detalebi araordinaluri gamovlinebiT gamoirCeva da mTlianobis gamomxatvelobiTi xasiaTis ganmsazRvreli xdeba. igi xiluli Tu uxilavi barierebiT Seqmnil msubuq erTianobas warmoadgens, sadac saerTo feriTi gama dekoratiuli aqsesuarebis, furnituris mkveTri tonebiTaa aqcentirebuli. advili warmosadgenia, ra sasiamovno iqneba adamianebisaTvis aq TavSeyra, urTierToba da saqmianoba.
nino laRiZe
110
stili #24. 2007
111
stili #24. 2007
Office
Interior
Nowadays, an efficiently
designed public space offers not
just comfort, but above all originality and a distinctive character,
transforming the outside life according to its own laws.
Light and integral office interiors, created by architects Kakha
Dekanoidze and Giorgi Peradze skillful designs with tasteful decoration and refined furniture and a
variety of physical and virtual barriers, formed by coloring, accessories and furniture shapes - form
a perfect, unforgettable atmosphere for work and interaction.
NINO LAGHIDZE
112
stili #24. 2007
113
stili #24. 2007
formaTa
saxesxvaoba
patara saxli qalaqis gareubanSi, axalgazrda arqiteqtoris naTia goqaZis proeqtis mixedviT ganxorcielebuli, erT-erTi axali obieqtia. aq moculobiTi
kompoziciebi masisa da sivrcis urTierTobiT xasiaTdeba. formawarmomqmnel sawyiss skulpturuli, cocxali masa warmoadgens. sivrce ki kompoziciurad eqvemdebareba mas. arqiteqtori, umTavres adgils formebis saxesxvaobas, adamianisaTvis gansazRvrul, emociurad datvirTuli garemos Seqmnas uTmobs. interierSi
Tanamedrove Tu tradiciuli arqiteqturuli dekoris yoveli fragmenti mniSvnelovan datvirTvas iRebs.
eleganturoba natif niuansebSia gansxeulebuli. dizainis saxe dekoris motivebiT, moculobiTi da plastiuri gadawyvetebiT, riTmebiT iqmneba. TiToeul fragmentSi axlis, Tanamedroveobis suliereba SeigrZnoba da erTiani sivrcis gansakuTrebuli, myudro atmosfero sasiamovno urTierTobebisTvis gangvawyobs.
naTia goqaZe SemoqmedebiTi gzis dasawyisSive,
Rrmad swvdeba realizms da sworad aRiqvams samyaros sulier dialeqtikas. amis dasturi, mis mier fotofirebze aRbeWdili metyveli fragmentebia. naTias SemoqmedebiTi manera, iseve, rogorc moculobiTi
arqiteqtonikis gadawyvetisas, aqac lakonuria, magram gansakuTrebuli poeturobiTaa gaJRenTili. es ki,
TiToeul namuSevars ganumeorebel xibls aniWebs,
mnaxvelSi sruliad gansxvavebul SegrZnebebs iwvevs.
mxatvruli mTlianoba da musikaluroba TviTmyofadobis esTetikas warmoSobs da bunebaSi warmoqmnil
myisierebas maradiuls xdis.
nino laRiZe
foto: naTia goqaZe
Diversity of Forms
In this small city suburb house, realized according to the project
by young architect Natia Gokadze, volumetric compositions are characterized with special interrelation of mass and space. The author's
goal is to create an emotionally charged environment, attaching primary importance to diversity of forms and providing of special background meaning to modern and traditional architectural decor. Overall
design comprises innovative, modern-style decorative motives, volumetric and plastical solutions and rhythms, merging into a comfortable, positive atmosphere.
Natia Gokadze's deep perception of reality and spiritual dialectics
of the world shows itself with equal clarity in her photos. Both in architecture and in photography, Natia's style is terse but poetic, endowing each work with specific charm and emotional coloring, integrity
and melodiousness.
NINO LAGHIDZE
PHOTO BY NATIA GOKADZE
114
stili #24. 2007
115
stili #24. 2007
arqiteqturuli sivrcis organizeba
arqiteqturuli sivrcis gaazrebulad
organizeba, masSi ferisa da masalis harmonia, ostaturad mofiqrebuli da
gadanawilebuli ganaTebis dizaini,
interieris
saerTo
stilistur
gadawyvetasTan Sesabamisi furnitura,
gemovnebiT SerCeuli teqstili da aqsesuarebi...
arqiteqtori
daviT
xurcilava
TiToeul mocemul amocanas, originaluri
ideebis SemoTavazebiT da maTi warmatebulad ganxorcielebiT, konkretul
116
obieqtze muSaobisas wyvets. uzado dizaini gilisxmobs saerTo ideiTa da TemiT
gamTlianebuli harmoniuli interieruli
saxis Seqmnas, romelSic detaluradaa
gaTvlili
yoveli
niuansi
da
gaTvaliswinebulia damkveTis moTxovnebi.
daviT
xurcilavas
proeqtiT
Sesrulebuli, amjerad warmodgenili
`taobankis~ filialTa interierebi
TviTmyofadia, daxvewili, zomieri
dekoriT gamoirCeva da Sesabamisad,
TiToeul konkretul SemTxvevaSi kom-
fortuli, myudro samuSao garemo warmoiqmneba. feri, interieris xasiaTis
Sesabamisad, tonalur niuansebSi lavirebs
da amgvari lakonuri optimaluri
anturaJi,
sagnobrivi
garemosTvis
araCveulebriv fons qmnis. interieris
eleganturoba furniturisa da aqsesuarebis daxvewil dekorSi vlindeba.
Tanamedroveobis suliskveTeba, avtoris
profesionalizmi, yovel fragmentSi
SeigrZnoba.
nino laRiZe
stili #24. 2007
117
stili #24. 2007
eleganturi
anturaJi
msoflioSi aRiarebuli brendis Bugatti-s axali maRaziasalonis interieri daxvewili, zomieri dekoriT gamoirCeva. dizaini Bugatti-s Sesabamisi sarTaSoriso standartebis
gaTvaliswinebiT Seiqmna. feri, interieris xasiaTis Sesabamisad, tonalur niuansebSi lavirebs da amgvari lakonuri, optimaluri anturaJi sagnobrivi garemosaTvis araCveulebriv fons qmnis. interieris eleganturoba furnituris, aqsesuarebis araordinalur dekorSi vlindeba, daxvewil stils deklarirebs da maTTvis, visac ZaluZs silamaze gadaWarbebuli Teatralurobisa da prezentabelurobis gareSe Seafasos, warmodgenili dizainis esTetika metad axlobelia.
nino laRiZe
118
stili #24. 2007
sacxovrebeli dupleqsi mansardaSi
proeqtis avtorebi: zurab da daviT nikolaiSvilebi
119
stili #24. 2007
Tavisufali da lakonuri erTiani atmosfero vizualurad gazrdilia, xist sazRvrebs scdeba da garemosTan organuladaa Serwymuli.
ideis garegnuli moCvenebiTi `simartive~ gaazrebul funqcionalizmTan da ko-
120
mfortTanaa Serwymuli. amgvarad iqmneba
`pirovnulobisken~ mimarTuli sacxovreblis dizaini. es stili Zalzed mosaxerxebelia sivrcis Semdgomi gardasaxvisaTvis, radgan dizaini, praqtikulad, xelovanis mier Seqmnil, nebismier detals `iT-
visebs~. es detalebi da aqsesuarebi `sakuTari~, gansazRvruli adgilebis dakavebiT interiers dasrulebul saxes aZlevs
da amiT ganumeorebel, sacxovrebel atmosferos qmnis.
nino laRiZe
stili #24. 2007
Residential
interior
This time, we have an opportunity to describe
several realized residential interior designed by
Zurab and David Nikolaishvili.
The distinguishing traits of their architecture
are flexibility, originality and elegance, forming an
inspiring environment tailored to meet the require-
ments of a family intending to live therein.
Seeming simplicity of the concept is merged with
functionality and comfort, allowing further “personalization” and creation of a unique living atmosphere.
NINO LAGHIDZE
121
stili #24. 2007
axali ambebi
NEWS
Zv.w. V s., qalis mdidruli samarxi, berZnuli
nekropoli. 5th century B.C. – rich woman’s tomb; Greek
necropolis
1. oqros sayureebi. Golden earrings
2. vercxlis samajurebi. Silver bracelets
ukve rva weli Sesrulda, rac muSaoba daiwyo pirvelma qarTul-britanulma eqspediciam fiWvnarSi. fiWvnari mdebareobs aWaraSi, Coloqisa da oCxamuris SesarTavTan, qobuleTis
CrdiloeTiT.
fiWvnaris Zveli istoriuli saxeli CvenTvis ucnobia. misi saxelwodeba ukavSirdeba Savi zRvis zolze SemorCenil endemur fiWvis xeebs. am teritoriaze dasaxleba brinjaos xanidan Cndeba. Zv.w. VIII-VII ss. diunuri dasaxleba
adrerkinis xanis kulturas asaxavs samsxverplo da Sesawiri moednebiTa da sakurTxevlebiT. mosaxleoba ufro SeZlebuli xdeba Zv.w. V
saukunidan, berZnuli kolonizaciis periodSi,
roca savaWro da kulturuli urTierTobebi
ganmtkicda aRmosavleT SavizRvispireTsa da elinistur samyaros Soris. swored amave periodis, Zv.w. V da IV saukuneebis sami samarovani
20 ha farTobzea gadaWimuli, xolo uZveles dasaxlebebs daaxloebiT 100 ha teritoria ukavia.
1948 da 1952 ww.-Si fiWvnarSi SemTxveviT iqna aRmoCenili monetebis ganZi, ramac arqeologebis yuradReba miiqcia da 50-ian wlebSi aq mcire masStabis arqeologiuri samuSaoebi Caata-
ra nino xoStariam (iv.javaxiSvilis sax. istoriis instituti), xolo 1966 wlidan fiWvnarSi daiwyo sistemuri gaTxrebi baTumis n. berZeniSvilis saxelobis samecniero institutis
arqeologiurma eqspediciam profesor amiran
kaxiZis xelmZRvanelobiT. eqspediciis mier mikvleul iqna Zv. w. V-IV ss. 500-mde samarxi, maT
Soris iyo mdidruli samarovani oqros cvaras tiqnikiT Sesrulebuli natifi sasafeTqleebi, (romlis asli dRes oqsfordis aSmolis muzeumSi inaxeba, TviT nivTi ki baTumis bankis seifSia saimedod daculi), vercxlis WurWeli,
`niobidebis~ mxatvris mier moxatuli iSviaTi
moxdenilobis krateri da sxva fufunebis sagnebi. eqspedicia warmatebiT muSaobda 30 wlis
ganmavlobaSi, magram sabWoTa imperiis ngreva
1991 wlidan, cxovrebis yvela sferos Seexo da
saxsrebis ar arsebobis gamo 1990 wels eqspediciam muSaoba Sewyvita.
fiWvnaris eqspediciis kvlav aRorZineba am
rTul periodSi ukavSirdeba profesor maikl
vikersis saxels.
Cemi meuRle, maikl vikersi pirvelad saqarTveloSi 1994 wels Camovida, roca qveyanaSi
jer kidev komendantis saaTi moqmedebda. arqe-
saqarTvelo-britaneTis erToblivi
arqeologiuri eqspedicia fiWvnarSi
xelovnebaTmcodneobis kandidati manana odiSeli. oqsfordi 2007
ologiis doqtoris darejan kaWaravas ojaxSi
man pirvelad SeigrZno qarTuli stumarTmoyvareoba da kidev ufro gauRrmavda qarTuli
kulturisadmi interesi. mis erT-erTi Camosvlisas, Cven gavemgzavreT baTumSi, sadac profesorma amiran kaxiZem gaacno maikls fiWvnaris istoria da misi Seswavlis aucilebloba. maSinve daibada TanamSromlobis idea. aSmolis muzeums, sadac maikl vikersi berZnul-romauli siZveleebis mcvelia, saerTaSoriso eqspedicieb-
is didi gamocdileba aqvs. muzeumisa da oqsfordis universitetis jesus kolejis TanadgomiT, 1998 wels pirvelad Sedga eqspedicia qarTuli da inglisuri mxareebis monawileobiT. Tanxebi gaiRo oqsfordis universitetma, britaneTis akademiam, britaneTis arqeologiurma institutma ankaraSi, oqsfordis kraven komitetma, marjori uordropis fondma.
Cveni eqspediciis muSaoba ori mimarTulebiT
warmoebs: nekropolis da naqalaqaris midamoebSi.
eqspediciis ezoSi: marcnidan: amiran kaxiZe, greg, miranda, aleksi CikvaiZe - aWaris
kulturis ministri, meri, olga, klaudio, manana odiSeli, maiql vikersi, 2007 w.
Expedition courtyard (from the left): Amiran Kakhidze, Greg, Miranda, Alex Chikvaidze – the Minister of
Culture of Ajara, Mary, Olga, Claudio, Manana Odisheli, Michael Vickers (2007)
122
fiWvnaris nekropolis gaTxras udidesi gamocdileba da sifrTxile sWirdeba, raSic qarTveli arqeologebi uaRresad arian daxelovnebulebi. ostatobiT xdeba samarxi masalis gamovlena, maTi fotofiqsacia da konservacia. gaTxrebis specifikis SeswavlaSi ucxoeli studentebi saocar warmatebebs aRweven uxvi aRmoCenebiT. am 8 wlis ganmavlobaSi 30-ze meti
studenti monawileobda fiWvnarSi oqsfordis universitetis jezus, sent jonis, somervilis, kibel kolejebidan, kembrijis universitetidan, belgiis, holandiis, germaniis da CexeTis sxvadasxva universitetebidan.
samarovani uxvad Seicavs Zv. w. 5-4 ss. berZnul da kolxur Tixis WurWels, samkauls, amuletebs, minis sanelsacxeble WurWelsa da
mZivebs. fiWvnaris siliani niadagis gamo, Jangbadi Rrmad aRwevs niadagSi da droTa ganmavlobaSi xdeba organuli nivTierebebis sruli
wva, ris gamoc micvalebulTa skeletoni mTlianad aris gamqrali, iSviaTad gvxvdeba TiToorola kbili, romelSic egreTwodebuli `qaronis oboli~ hqondaT moTavsebuli. es tradicia amierkavkasiaSi mxolod fiWvnarSi dasturdeba da aq Zveli berZnebis arsebobaze miuTiTebs. berZnuli tradicia dasturdeba agreTve Cvili bavSvebis amforebSi damarxvis wesis arsebobiT fiWvnaris samarovanze.
berZenTa samarxebi gansxvavdeba kolxebis samarxebisagan, maTi regularuli damxrobiT aRmosavleTisaken. kolxur samarovanze samarxi ormoebi umetesad wriulia da momcro zomisaa.
berZnebi ki imarxebodnen gaWimul pozaSi, rkinis da iSviaTad spilenZis lursmnebiT SeWed-
stili #24. 2007
1
2
3
4
1. lekiTosi, Zv. w. V s.; mdidruli samarxi, 2007 w. Lecythus, 5th century B.C.; a rich tomb (2007); 2. Savfiguruli oinoxoi, Zv.w. V s. A vessel with black ornaments; 5th century B.C.;
3. kanTarosi, gaTxris procesi, fiWvnari, 2007 w. Cantharus; excavation process, Pichvnari (2007); 4. amfora, Zv. w. V s. Amphora; 5th century B.C.
il xis sasaxleSi. berZnul samarxebSi Warbobs
atikuri Savlaqiani WurWeli, savaWro damRiani amforebi, kolxuri samarxebi ki gamoirCeva kolxuri WurWlis da samkaulis siuxviT, Tumca berZnuli keramikis arseboba maT Soris savaWro urTierTobebis damadasturebelia. berZnul samarovanze regularulad gvxvdeba saaRapo adgilebi damwvari da sagangebod damtvreuli WurWliT, sadac saWirisuflo puroba imarTeboda, Sesawiri micvalebulis saxelze iwveboda da daclili sasmisebi imtvreoda.
erT-erTi saaRapodan iqna aRdgenili 1998 w. aRmoCenili Savlaqiani kiliki berZnuli warweriT, romelic albaT misi mflobelis saxels gvamcnobs - dionisios laodamantos. es da sxva berZnuli warwerebi utyuarad mowmobs berZnuli eTnosis arsebobas fiWvnaris miwaze.
aRsaniSnavia, rom samarxebSi sruliad ar
gvxvdeba sabrZolo iaraRi, rac ueWvelad metyvelebs imaze, rom ZirZveli kolxi mosaxleoba da axalmosuli berZnebi mSvidobianad Tanaarsebobdnen urTierTsasargeblo pirobebSi.
Zv. w. IV saukunis samarxebi berZnul-kolxuri urTierTobebis Semdgomi etapis suraTs
gvaCvenebs, roca eTnikuri gansxvavebebi samarxis inventaris da dakrZalvis wesis mixedviT,
ukve waSlilia. kolxuri WurWeli berZnuli WurWlis formebis gavlenas ganicdis, procentulad Tanabari xdeba adgilobrivi da importuli keramikis gamoyeneba - cxadia, mosaxleobis
elinizirebis procesi da SesaZloa piriqiT, mosuli berZnebis `kolxizacia~.
Cveni eqspediciisaTvis moulodneli iyo ax.
w. V saukunis ramodenime samarxis aRmoCena, romelic lazTa samefos aRmavlobis xanas ukavSirdeba. Zv.w. V s. berZnuli samarxebi TiTqmis 10
saukunis Semdeg kvlav samarxebad gamouyenebiaT. micvalebulisTvis CautanebiaT sabrZolo
iaraRi, Rvinis WurWlebi da langrebi, minis da
kaJis avgarozebi rac gvafiqrebinebs, rom zogi samarxi meomris unda yofiliyo. SarSan aRmoCnda qalis samarxic. masSi SesaniSnavi minis
da Zowis CanarTebiT dekorirebuli oqros sakidi da gulsabnevi aRmoCnda. ax.w. IV-V -is Zveli samarxebis miwiszeda niSnebi gamqralia.
Cven ar viciT rogori iyo sasaflaos miwiszeda suraTi, mxolod erTi stelis fragmentia
mikvleuli gaTxrebis Sedegad, savaraudoa, rom
qvis stelebi droTa ganmavlobaSi axal samSeneblo saqmianobisTvis gamoiyenes. radgan es mxare qviT ar aris mdidari, safiqralia, rom umetes samarxebze xis stelebi iyo aRmarTuli.
mdinaris gadaRma, namosaxlaris teritoriaze, arqeologiur samuSaoebs xelmZRvanelobs irakli CavleiSvili. gaTxrebis meTodebi da pirobebi aq radikalurad gansxvavebulia. aq aRmoCe-
jgufuri suraTi arqeologiur TxrilTan, 2007 w. A group photo near an archaeological excavation ditch (2007)
nilia kolxuri tipis jargvalebi, sameurneo da
sayofacxovrebo nivTebi, kolxuri da importuli amforebi da sasmisebi. ucxour nakeTobebs adgilobrivi mosaxleoba farTod iyenebda yoveldRiur saqmianobaSi, rac elinistur centrebTan maT savaWro urTierTobebze metyvelebs.
sistemurma arqeologiurma gamokvlevam
gviCvena, rom fiWvnari, romelic adgilobrivi
da berZnuli civilizaciebis erT-erT mniSvnelovan sakontaqto zonas warmoadgenda, Zv.w. VIV ss-Si aRmosavleT SavizRvispireTis mniSvnelovan savaWro-saxelosno, saporto da strategiul centrad Camoyalibda.
jerjerobiT ar aris mikvleuli berZnebis
sacxovrebeli adgili, rac momavali gaTxrebis amocanad gvesaxeba.
2004 wels daibeWda `fiWvnari 1~ qarTul da
inglisur enebze. masSi 1998-2002 ww. erToblivi
eqspediciis Sedegebia gaSuqebuli. dainteresebul mkiTxvels SeuZlia ixilos fi Wvnaris vebsaiti. aSmolis muzeumSi fiWvnaris eqspediciis fotoebi da eqsponatebis aslebia gamofenili.
gasakeTebeli kidev bevria da mraval kiTxvazea pasuxi gasacemi. dagegmilia `fiWvnari 2~is gamosacemad momzadeba.
minda madloba gadavuxado yvela im organizacias da kerZo pirs, romelic saSualebas
gvaZlevs ufro Rrmad CavixedoT Cveni qveynis
warsulSi, gavacnoT igi msoflios da amave
dros, gavdoT TanamSromlobis da megobrobis
xidi saqarTvelosa da ingliss Soris.
fiWvnaris namosaxlari, gaTxrebis procesi
Remains of Pichvnari settlement; excavation in progress
123
stili #24. 2007
Joint Georgian-British Archaeological
Expedition in Pichvnari
kolxuri TeTri, moneta Zv.w.V s.
samarovnidan, 2007 w.
MANANA ODISHELI, PHD, ART HISTORIAN
OXFORD UNIVERSITY, 2007
Colchic tetri – a 5th century B.C. coin
extracted from a tomb (2007)
Pichvnari is located to the north from Kobuleti, in Ajara
Region, at the confluence of Choloki and Ochkhamuri rivers.
This area has been populated since the 8th-7th centuries B.C.
and contains important signs of Bronze Age and early Iron
Age cultures as well as the period of Greek colonization.
In 1948-1952, several treasures discovered in Pichvnari
attracted the interest of archaeologists. In the 1950’ies minor
architectural research was conducted in this area, and in 1966
systematic excavation works were started by archaeological
expedition of Batumi N. Berdzenishvili Scientific Institute, supervised by professor Amiran Kakhidze. The expedition worked
very successfully for 30 years, until 1991, when dispersal of
USSR left the scientists without funds required to continue their
research.
Relaunching of Pichvnari expedition in this difficult period
became possible due to professor Michael Vickers, who first
visited Georgia in 1994. Heartfelt hospitality of the Georgian
archaeological community deepened his interest toward the local
culture in spite of the dire situation which existed then in the
country. The idea of joint research in Pichvnari area emerged
after his personal meeting with professor Amiran Kakhidze.
Zv. w. V s.kolxuri samarxi, doqi da mZivebi
A jar and beads from the 5th century B.C. Colchic sepulchre
aribalosi, sanelsacxeble WurWeli, Zv.w.V s,
berZnuli nekropoli, 2007 w. Aribalus – ointment vessel,
preparirebuli samarxi. A dissected sepulchre
5th century B.C., Greek necropolis (2007)
kolxuri samarovanis saerTo xedi gaTxrebis dasrulebis Semdeg
GENERAL VIEW OF A COLCHIC SEPULCHRE AFTER THE END OF EXCAVATION PROCESS
olga da sulxani preparaciis procesSi,
berZnuli samarovani
Olga and Sulkhan dissecting; Greek sepulchre
124
Ashmolean Museum, with which Michael Vickers cooperates
as a guardian of Greek and Roman antiquities, possesses a
great deal of experience in the sphere of international expeditions. The Museum, with the support of Jesus College, Oxford,
set up its first expedition of Georgian and British scientists to
Pichvnari in 1998, while necessary funding was donated by
Oxford University, the British Academy, British Archaeology Institute
in Ankara, Oxford Craven Committee and Marjory Wardrop
Foundation.
Since then, the expedition has been working in two directions, studying the territories of Pichvnari necropolis and settlement. On-site research, involving scientists and students from
Oxford and Cambridge Universities, Belgium, Holland, Germany
and Czech Republic, provides important data about the interrelation of local and Greek cultures as well as trade and military activities, centered in Pichvnari in the 5th-4th centuries B.C.
In 2004, findings of the joint expedition were covered in
a special publication, titled “Pichvnari-1”. Pichvnari expedition
runs a dedicated website, and Ashmolean Museum stores a
collection of archaeological exhibits and photos, reflecting the
research.
There is still a lot of work ahead – unanswered questions, uncovered materials...
Using this opportunities, we would like to thank all the
organizations and individuals, who helped us to take a deeper look into the history of our country, spread this knowledge
worldwide and establish links of friendship and cooperation
between Georgia and the UK.
qalis samarxi, Zv.w.V s.,
berZnuli samarovani, 2007 w
A woman’s tomb, 5th century B.C.,
Greek sepulchre (2007)
stili #24. 2007
avlabris
qalaqgegmarebiTi
koncefciisa da
ganaSenianebis
generaluri gegmis
prezentacia
2007 wlis 8 oqtombers, sastumro `Seraton metexi palasis~ me-10 sarTulze prezentacia gaimarTa.
developeruli kompaniebis `arsi~-s, `libo+~ da `sasko~-s iniciativiT, 5 oqtombridan 8 oqtombramde e.e. vorqSofi mimdinareobda, romlis mizani, Tbilisis erT-erTi
Zveli ubnis - avlabris qalaqgegmarebiTi koncefciis SemuSaveba da generaluri gegmis (masterplanis) Camoyalibeba iyo.
developeruli kompaniebi avlabris teritoriaze aRniSnuli ubnis umetes nawils
floben. arsebuli ganaSenianeba ki erTi da
or sarTuliani barakuli tipis sacxovrebeli saxlebiT ganisazRvreba. vorqSopis Sedegad SemuSavebuli masterplani developerebs saSualebas miscems Tanamedrove stilis
Sesabamisi, komfortuli sacxovrebeli garemo Seqmnan.
kompaniebis mowveviT vorqSofSi 13 ucxoeli arqiteqtori monawileobda. maT Soris – aSS-dan lans brauni, ziv lavi da rob
leini; didi britaneTidan – pablo iglesiasi, TCaiq Cesi da robert elkinsi; germaniidan – diter fvanenSteili, hainer limbroqi da feliqs vogelpohli; CexeTidan – oleg hamani, piter niumani da arqiteqtorebi
belgiidan patrik godiTiaboisi da griiT
blevrasqi.
aRsaniSnavia is garemoeba, rom developerul kompaniebs Soris urTierTSeTanxmeba
kompania `libo+~ iniciativiT moxda, xolo
msgavsi sakiTxebis gadasawyvetad konkurenti developeruli kompaniebis aliansi pirvelad Sedga.
Presentation of Avlabari
Urban Planning and
Development Master
Plan Concept
On October 8 2007, Sheraton Metechi Palace Hotel
hosted a presentation.
From October 5 to October 8, development companies Arci, Libo+ and Sasco conducted a workshop, aiming
at development of Avlabari (old Tbilisi) Urban Planning and
Development Master Plan. Based on the invitation of
Georgian companies, there were 13 foreign architects participating in the workshop: Lance Brown, Ziv Lavi and Rob
Lane from the USA, Pablo Iglesias, Tchaik Chassay and
Robert Elkins from the UK, Dieter Pfannenstiel, Heiner Limbrok
and Felix Vogelpohl from Germany, Oleg Haman and Peter
Neuman from the Czech Republic and Patrik Goditiabois
and Greet Blervacq from Belgium.
This first instance of coordination between the competing development companies is due to the initiative of
Libo+.
125
stili #24. 2007
WISH 2007 Tbilisi
saqarTvelo
avtori: SixiaSvili ianeki
mogexsenebaT, Tbilisi istoriuli `abreSumis gzis~ gaswvriv, evropisa da aziis gzajvaredinze mdebareobs da rogorc savaWro, satranzito centri, jer kidev mniSvnelovan
rols TamaSobs.
saqarTvelo aZlierebs Tavis prodasavlur orientacias,
mxars uWers moqnili sabazro ekonomikis ganviTarebas da ekonomikuri reformebis ganxorcielebas, aseve socialuri seqtoris restruqturizacias da daSlili da bevrwilad funqciadakarguli socialuri dacvis sistemis ganaxlebas. adeqvaturi urbanuli dagegmvisa da ganaxlebis politikis ararseboba didi riskis qveS ayenebs gardamaval etapze myofi
saqarTvelos qalaqebis momavals. amave dros, yovelive es problemas uqmnis gansaxlebis axal proeqtebs, romlebic saTanado urbanuli zrdisa da ganviTarebis gansazRvris aqtualur instruments unda warmoadgendnen.
gvsurs, gagacnoT proeqti, romlsac Sveicaruli mxare saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis da dizainis fakultetTan erTad ganaxorcielebs.
saqme is gaxlavT, rom Sveicariis erT-erTi prestiJuli
arqiteqturuli skola - sauniversiteto qalaq mendrizios
arqiteqturis akademia, romelic Tanamedroveobis erT-erTi
ucnobilesi arqiteqtoris, mario botas mier aris daarsebuli, bolo ramodenime weliwadia dedamiwis sxvadasxva kontinentze ganlagebul qveynebSi anxorcielebs proeqtebs, romlis mizania adgilobrivi xelisuflebis da profesiuli arqiteqturuli kadrebis CarTva, iseTi mniSvnelovani da saWirboroto problmis gadawyvetaSi, rogoricaa adgilobrivi
mosaxleobis socialurad daucveli fenebis uzrunvelyofa
sacxovrisiT.
aseTi proeqtebi ganxorcielda 2003 wels pueblaSi (argentina), 2004 wels meqsikaleSi (meqsika), 2005 wels nan-jinSi (CineTi), 2006 wels iohanesburgSi (samxreT afrika)
(www.wish.arch.unisi.ch), ramac msoflio sazogadoebriobis didi yuradReba da dadebiTi Sefaseba daimsaxura.
wlevandeli proeqtis gansaxorcieleblad mendrizios
arqiteqturis akademias SerCeuli hqonda indoeTi, magram TbilisSi moqmedi Sveicariis ganviTarebis da TanamSromlobis
saagentos erT-erTi xelmZRvanelis batoni ernesto morozinis energiulma Carevam, misma piradma Sexvedram Cveni da Sveicariis umaRlesi arqiteqturuli skolebis, gaeros ekonomikuri komisia evropisaTvis (UNECE) xelmZRvanelobasTan
(romelic rogorc erT-erTi partniori CarTulia zemoTaRniSnul proeqtSi), gadamwyveti roli iTamaSa proeqtis ganxorcielebis adgilad Tbilisis SerCevaSi.
mendrizios arqiteqturis akademiis mTvari partniorebi
aRniSnuli proeqtis ganxorcielebis procesSi arian:
- saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis da dizainis fakulteti;
- SDC Sveicariis ganviTarebisa da TanamSromlobis saagento, Sveicaria.
- UNECE gaeros ekonomikuri komisia evropisaTvis.
- Sveicariis saelCo saqarTveloSi.
- q. Tbilisis meriis urbanuli ganviTarebis saqalaqo samsaxuri.
proeqtis mxardamWerebi da sponsorebi arian:
saqarTvelos teqnikuri universiteti (reqtori batoni
arCil mowoneliZe),
arqiteqturul – samSeneblo kompaniebi “kid-arqiteqtura” (xelmZRvaneli batoni nika SaviSvili) da
saaqcio sazogadoeba “iberia uZravi qoneba” (xelmZRvaneli batoni ramaz mosaSvili).
avtori: daviT giorgaZe
126
stili #24. 2007
avtori: maxoSvili mamuka
avtori: SukakiZe gigi
proeqti miznad isaxavs:
- sxvadasxva erovnebisa da cxovrebis stilis
matarebel studentebs Soris kulturuli
gamocdilebis gaziarebis xelSewyobas konkretuli sagnebisa da cxovrebiseuli saWiroebebis garemoSi maTi moqceviT.
- TbilisSi gansazRvruli arqiteqturuli
da qalaqgegmarebiTi proeqtis ganxorcielebiT socialuri gansaxlebis arqiteqturuli da urbanistuli aspeqtebis gaumjobesebis xelSewyoba;
- socialur gansaxlebasTan, rogorc qveynis
gansaxlebis politikis nawiliTan, dakavSirebiT debatebis wamowyeba da marTva-xelSewyoba;
- Sesabamis adgilobriv dawesebulebebs Soris
(xelisufleba, universiteti, saerTaSoriso
organizaciebi da kerZo seqtori) informaciisa da gamocdilebis mimocvlis xelSewyoba.
iqmna aTi studentisagan Sedgenili Zewkvi, romelSic TiToeuli rgoli or sxva rgols ukavSirdeba.
28 ivliss Tbiliss Sveicariidan estumra
5 studentis romina grilo - italia, oskar
antonio maradiaga - aSS, filip r.v. uresi Sveicaria, Joze alfredo uresti garsa - meqsika, fabricio balabio - italia) da 2 xelmZRvanelisgan (profesori martino pedroci
- programis direqtori, Sveicaria; profesori oto krausbeki - TanaSemwe, argentina) Semdgari delegacia. ucxoel stumrebs maspinZlobdnen stu-s arqiteqturis, urbanistikis da
dizainis fakultetis dekani, profesori goCa miqiaSvili; arqiteqturis istoriis da Teoriis kaTedris gamge, profesori nika SaviSvili; stu-s arqiteqturis, urbanistikis da dizainis fakultetis dekanis moadgile profesori gia nacvliSvili; gaeros ekonomikuri ko-
am proeqtis mixedviT, saqarTvelos teqnikuri universitetisa da mendrizios arqiteqturis akademiis studentebma Tavdapirvelad
TbilisSi, naturaSi Seiswavles socialuri
sacxovrisis gansaTavseblad mizanSewonili 10
konkretuli teritoria, romlebic Tbilisis
urbanuli ganviTarebis saqalaqo samsaxuris mier winaswar iqna SerCeuli, gaecnen winasaproeqto saZiebo monacemebs, sayrden saproeqto ma-
misia evropisaTvis (UNECE - Economical Commission for Europe) - eqspertebi profesorebi lado vardosaniZe da qalba130
salas, xolo Semdeg ki mendrizioSi TiToeulma studentma erTi konkretuli adgilisaTvis SeimuSava sakuTari saproeqto winadadeba. amave dros TiToeuli studenti konsultacias uwevda erT ucxoel students misi
proeqtis ganxorcielebis dros. amgvarad Se-
avtori: jamagiZe levani
toni naTia joxaZe, agreTve, adreve SerCeuli 5 qarTveli studentisgan Semdgari (daviT giorgaZe, gigi SukakiZe, levan jamagiZe,
mamuka maxoSvili, ianek SixiaSvili) jgufi.
saerTaSoriso seminari socialuri mSeneblobis Temaze, 30 ivlisidan 5 agvistos CaTvliT mimdinareobda saqarTvelos teqnikur universitetSi. yoveli samuSao dRe SemoqmedebiTi TvalsazrisiT metad datvirTuli, saintereso da nayofieri iyo. seminarebze, rogorc
ucxourma, aseve qarTulma mxarem warmoadgines da ganixiles arqiteqturisa da urbanistikis sferoSi socialuri sacxovrisis problematikasTan dakavSirebuli metad saintereso Temebi da sakiTxebi. garda amisa, erTi kviris ganmavlobaSi, erTad, naturaSi, adgilze Seswavlil iqna socialuri sacxovrisisTvis gankuTvnili teritoriebi (rac Tbilisis meriis urbanuli ganviTarebis samsaxuris mier winaswar
iqna SerCeuli).
6 agvistos, qarTveli studentebi Sveicariel partniorebTan erTad gaemgzavrnen mendrizioSi, sadac Tvenaxevris ganmavlobaSi a.w.
22 seqtembramde, erToblivad imuSaves proeqtebis Seqmnaze. erToblivi muSaoba 24 seqtembers dasrulda didi gamofeniT, romlis gaxsnaze miwveuli iyvnen evropis sxvadasxva arqiteqturuli skolebis warmomadgenlebi. ga-
mofenam cxadyo, rom Sedegs sakmaod didi rezonansi hqonda.
4 oqtombers, TbilisSi, galerea `universis~ sagamofeno darbazSi moewyo SveicariaSi Seqmnili 10 proeqtis gamofena (amave periodSi Cvens dedaqalaqSi gaimarTeba Sveica-
127
stili #24. 2007
WISH 2007 Tbilisi, Georgia
Founded along the historic Silk Route, Georgia’s capital city still plays an important
role as a trade and transit center due to its strategic location at the crossroads between
Europe and Asia.
Fifteen years after the break-up of the Soviet Union the country is in the process of
reinforcing its prowestern orientation, promoting a market economy and implementing economic reforms, restructuring the social sector and at the same time upgrading dismantled
and dysfunctional social protection system.
For Georgia while being in transition, the lack of adequate urban planning and housing policies involves great risks for the future of its cities and stands as a challenge for
new housing projects, which should serve as actual instruments for the qualification of the
proper urban growth and development.
We would like to draw your attention to a project, which will be implemented by the
Swiss organizations in cooperation with the Faculty of Urban Planning and Design of the
Georgian Technical University in Georgia.
The point is that during the last years one of the most prestigeous Swiss architectural schools - Academy of Architecture of Mendrisio, founded by Mario Bota, has been implementing in the different parts of the world projects, fostering involvement of local authorities and architectural communities into settlement of such an important issue as housing
of socially vulnerable members of local population.
Similar projects, implemented in Tucumàn (Argentina) in 2003, in Mexicali (Mexico) in
2004, in Nanjing (China) in 2005, in Johannesburg (South Africa) in 2006
(www.wish.arch.unisi.ch), attracted a great deal of public attention worldwide.
Initially, Academy of Architecture of Mendrisio intended to implement this year’s project in India, but active involvement of Ernesto Morosin, Tbilisi-based member of Swiss
Agency for Development and Cooperation and his personal meetings with representatives
of Georgian and Swiss architectural schools and UNECE administration (participating in
the mentioned project as one of partner organizations) played a decisive role in identifying Tbilisi as a site for project implementation in 2007.
-
Main partners of the Academy of Architecture of Mendrisio within WISH 2007 are:
Faculty of Urban Planning and Design, Georgian Technical University
SDC – Swiss Agency for Development and Cooperation – Switzerland
UNECE – United Nations Economic Commission for Europe
Embassy of Switzerland in Georgia
Urban Planning Department of Tbilisi Municipality.
Sponsors and supporters of the project are:
- Georgian Technical Universoty (rector: Mr. Archil Motsonelidze)
- Architectural and construction companies: CID-Architecture (director Nik Shavishvili) and
JSC Iberia Real Estate (director Ramaz Mosashvili).
Key goals of the project are as follows:
- To provide academic knowledge on social housing field to students resulting in wider
professional opportunities.
- To contribute to the improvement of architectural and urbanistic qualities of social housing through the elaboration of a concrete architectural and urban project in Tbilisi.
- To initiate and contribute to debate on Social Housing as part of overall Housing Policy
need in Georgia.
- To favour the knowledge-exchange between relevant local institutions (government, university, international operators, and private sector).
128
stili #24. 2007
On July 28, Swiss side of the project sent to
Georgia a delegation consisting of 5 students:
Romina Grilo (Italy), Oscar Antonio Maradiaga
(USA), Philipp R.W. Urech (Switzerland), Jose
Alfredo Uresti Garza (Mexico) and Fabrizio Ballabio
(Italy) and 2 supervisors: professors Martino Pedrozzi,
programme director (Switzerland) and Otto Crausbeck,
assistant (Argentina). On the Georgian side, the foreign delegation was hosted by professor Gocha
Mikiashvili, dean of the Faculty of Urban Planning
and Design of the Georgian Technical University,
professor Nika Shavishvili, head of the Department
of History and Theory of Architecture, professor Gia
Natsvlishvili, deputy dean of the Faculty of Urban
Planning and Design of the Georgian Technical
University, professors Lado Vardosanidze and Natia
Jokhadze, experts of UNECE - Economical
Commission for Europe and a group of five Georgian
students (David Giorgadze, Gigi Shukakidze, Levan
Jamagidze, Mamuka Makhoshvili and Janek
Shikhiashvili).
From July 30 to August 5, Georgian Technical
University hosted international seminar on Social
Housing. Each workday was very busy, interesting
and beneficial. Participants presented and discussed
several issues, connected with the problems of social
housing, architecture and urban development and
visited social housing sites, previously identified for
this purpose by Urban Planning Department of Tbilisi
Municipality.
On August 6, Georgian students together with
their Swiss counterparts left for Mendrioso, where
they worked on project development. Joint activities were concluded on September 24 by a large
exhibition, opening of which was attended by representatives of different European architectural
schools. The exhibition clearly showed public importance of the issue.
On October 4, exhibition hall of Universi Hallery
hosted the exhibition of joint works by Georgian and
foreign students. The exposition was highly evaluated by professionals.
For your information, next WISH projects will
be implemented in the Near East in 2008 and in
India in 2009.
129
stili #24. 2007
vorqSopi
`qarTuli
pleneri~
proeqtis kuratorebi:
kote jinWaraZe da
aleqsandre florenski
dRevandel Cvens realobaSi, saqarTvelosa
da ruseTs Soris arsebuli rTuli geopolitikuri da socialur-ekonomiuri problemebis
fonze yoveli pozitiuri nabiji, momavalSi or
saxelmwifos Soris keTilmezobluri urTierTobebis dadebiTi tendenciebis imeds saxavs.
axali kontaqtebis damyareba, kavSirebis
ganaxleba mezobel saxelmwifos saxelovnebo sivrcis warmomadgenlebTan, maTi Semoqmedebis gacnoba, kulturuli dialogis damyareba gansakuTrebul mniSvnelobas iZens.
am konteqstSi, dagveTanxmebiT, metad aqtualuria, Tanamedrove qarTveli da rusi mxat-
vrebis Sexvedrebi. da erToblivi vorqSopebi.
wels 8-19 maiss raWaSi ukve meored Catarda Tanamedrove xelovnebis warmomadgenlebis
“vorqSopi”. amjerad sofel WyviSis old house maspinZlobda Tbiliseli da peterburgeli mxatvrebis erTobliv iniciativas saxelwodebiT
“qarTuli pleneri”.
RonisZiebaSi monawileobdnen - erTis mxriv,
80-90-iani wlebis rusuli avangarduli mimdinareobis erT-erTi popularuli art jgufis,
“mitkebis” damfuZneblebi, cnobili peterburgeli mxatvrebi ivan sotnikovi, aleqsandr da
olga florenskebi - maT mier, 2003 wels daa-
rsebuli `ferwerisa da xatvis moyvarulTa sazogadoebis~ warmomadgenlebi, meores mxriv ki
jgufi `restarti~, qarTveli mxatvrebis - vaxtang buRaZis, miSa Sengelias, mamuka jafariZis da kote jinWaraZis SemadgenlobiT.
Rest art - dasveneba artSi SemoqmedebiTad, anu
iTargmneba, rogorc dasvenebis xelovneba. meore
mxriv, restart axali kompiuteruli terminia da gadatvirTvas, ganaxlebas niSnavs. amdenad jgufis saTauris ormagi datvirTva zustad miesadageba kote jinWaraZis winaprebis karmidamoSi, ukve meored ganxorcielebuli proeqtis xasiaTs, sadac pirveli vorqSopi 2005 wels Catarda.
RonisZiebaTa mravalferovanma programam sixalise SeisZina aTdRian vorqSops. raWis ulamazesi peizaJebiT moxibluli stumrebi nayofierad muSaobdnen plenerze, rac TvalnaTliv aisaxa maT mier Seqmnil ferwerul da grafikul namuSevrebSi. yovel diliT, axlomdebare istoriuli Zeglebze gacnobiTi eqskursiebi ewyoboda, Semdeg, imarTeboda seminarebi, masterklasebi. iyo kamaTi, diskusiebi, azrTa gacvla-gamocvla. mxatvrebisTvis moulodnelad,
soflis sabWos SenobaSi, bolo dRes gamarTulma spontanurma gamofenam adgilobrivebis
didi interesi gamoiwvia. kuratorebma damswreT gaacnes maTi iniciativis arsi da mizani,
isaubres xelovnebis rolze arsebuli realiebis konteqstSi da msgavsi kulturuli RonisZiebebis aucileblobaze. Crdiloelma stumrebma TavianTi naivuri ferwerebiT, originaluri xelweriT moxibles da gaaxalises mnaxvelebi. ivan sotnikovma, aleqsandr da olga flo-
renskebma raWis bunebis ganumeorebeli lanSaftebi asamde ferweruli tiloze, peizaJebSi
da grafikul namuSevrebSi gadaitanes. mamuka
jafariZem soflis gauqmebuli Zveli samWedlo
art-iventiT gaaaqtiura, inglisur pabad gadaaqcia – ai aqcia. igi, ganuyreli leptopis daxmarebiT, jon keijis kompoziciebis fonze, raWvel Tineijerebs Tanamedrove xelovnebis anabanasTan aziarebda. miSa Sengelias mier, Cveuli ostatobiT Sesrulebul, postmodernistuli safosto konvertebis serias, organulad daemata kuTxisadmi damaxasiaTebel motivebze Seqmnili `wereTelma dagvibara~ da `raWuli lori~. aRsaniSnavia, mxatvar vaxo buRaZis instalacia `pantera TivaSi~ da fotoproeqti `mitovebuli WiSkrebi~, romelic dRevandeli raWis problematikasTan da postsabWoTa warsulis realiebTan Tu fsevdomelanqoliur ganwyobasTan oponirebs. vorqSopis bolo
Rames, kote jinWaraZis instalacia-perfomans-
Si - `vilaparakoT xelovnebaze~, romelic firosmanis cnobili frazis vizualur interpretacias warmoadgenda, Tavad mxatvrebi monawileobdnen.
daskvniTma gamofenam, romelic Tbilisis
istoriis muzeumSi moewyo, saxelovnebo sazogadoebis gulwrfeli simpaTia daimsaxura. gamofena 27 maiss daixura.
vorqSopi dasrulda. kulturuli dialogi Sedga, daiwyo Ria, megobruli, SemoqmedebiTi urTierToba Tbilisel da peterburgel mxatvrebs Soris da Cven darwmunebuli varT, igi,
droTa ganmavlobaSi ufro gaRrmavdeba, gafarTovdeba da axal Sexvedrebs, axal SemoqmedebiT kontaqtebs, axal erTobliv proeqtebs daudebs saTaves.
proeqtis, “qarTuli pleneris~ yvela monawile guliTad madlobas uxdis galerea `qarvaslas~ da Tbilisis istoriis muzeums aqtiuri mxardaWerisaTvis.
130
stili #24. 2007
Georgian Plenary Workshop
PROJECT SUPERVISORS – KOTE JINCHARADZE AND ALEXANDER FLORENSKI
In the present-day general background of strained
geopolitical and social-economic relations between Georgia
and Russia every positive event stands out as a hope
for future positive development of peaceful neighborhood.
New contacts, refreshment of existing ties with representatives of the artistic community of our neighbor country, promotion of their art, deepening of cultural dialogue,
personal meetings between Georgian and Russian artists
acquire special importance.
On May 8-19 2007 Racha Region (West Georgia
highland) hosted the second workshop of Georgian and
Russian artists. The event, christened “Georgian Plenary”,
took place in an old house in Chkvishi Village.
Participants of the action were, on the one hand,
artists Ivan Sotnikov and Alexander and Olga Florenski
– founders of the vanguard art group Mitki, popular in
Russia in the 1980-1990’ies, and, on the other hand, RestArt
Group, represented by Georgian artists Vakhtang Bugadze,
Misha Shengelia, Mamuka Japaridze and Kote Jincharadze.
RestArt can be interpreted as “leisure through art”
or, if twisted another way – “the art of leisure”. On the
other hand, “restart” is a computer neologism, meaning
“to recharge”, “to refresh”. Ambiguous title of the Georgian
art group fell in full conformance with the character of the
action, organized for the second time in Kote Jincharadze’s
old family house (the first workshop was held in 2005).
The workshop had a very diverse and lively program.
Guests, impressed by beautiful Racha landscapes, committed themselves fully to painting and drawing. Each morning participants arranged sightseeing tours to nearby historical monuments, then conducted seminars and master classes. There was a great deal of discussion and
experience-sharing. Unexpectedly for the artists, an
impromptu exhibition arranged in the village club on the
last day of Georgian Plenary caused immense interest
among the local population. Supervisors found it necessary to explain the meaning and purpose of their action
and underline the role of art in present-day life and necessity of arranging such cultural events. Naive and original
art of the Russian guests charmed and amused the locals.
Ivan Sotnikov, Alexander and Olga Florenski reflected Racha
landscapes on up to 100 paintings and drawings. Mamuka
Japaridze occupied the abandoned village smith??, turning the place into an English-style pub. Armed with a laptop and a series of John Cage paintings, Mamuka educated the local youngsters on the basics of modern art.
A series of post-modernist envelopes, designed by Misha
Shengelia, was matched by compositions “Tseretelma
Dagvibara” and “Racha Bacon”, based on regional
motives. Vakho Bugadze presented installation “Panther
in the Straw” and photo-project “Forlorn Gates”, protesting against present-day problems of the region, post-Soviet
inheritance and pseudo-melancholic mood. On the last
evening of the workshop, Kote Jincharadze produced installation “Let Us Talk About The Art”, visualizing Niko
Pirosmani’s famous words and actually animated by workshop participants.
The conclusive exhibition, organized in the Museum
of History in Tbilisi, won the hearts of the Georgian artistic community. The exhibition ended on May 27.
The workshop is over. Summary: one more successful
attempt at cultural dialogue made, friendly relationships
and artistic cooperation established between Georgian and
Russian artists. We believe that these results will multiply in the future and motivate new meetings, new creative contacts and joint projects.
Participants of Georgian Plenary Workshop pay their
gratitude to Karvasla Gallery and the Museum of History
of Tbilisi for active support.
131
stili #24. 2007
vernisaJi
VERNISAGE
qandakeba... rodesac warmosaxviT gamogyavs forma da SegrZnebiT argeb arss,
romelmac misi xasiaTi unda gansazRvros...
Strixebi portretisaTvis
irakli wulaZe.
daibada 1973 wlis 29 oqtomebers.
1991-1997 w. daamTavra q. Tbilisis samxatvro akademia, saxviTi xelovnebis fakulteti, qandakebis ganyofileba.
1999-2002 w. asistentura – staJireba
Tbilisis saxelmwifo samxatvro akademiaSi amave ganxriT.
am droidan moyolebuli aqtiurad moRvaweobs qarTul da evropul sivrceSi.
mas icnoben, rogorc aqtiur da saintereso pirovnebas.
uyavars musika da adamianebTan urTierToba, kidev - lurji.
isurvebda iseTi namuSevris Seqmnas,
romelic Tavisi formiTa Tu SinaarsiT gaaswrebda dros.
ras Secvlida? sakuTari xedvis siRrmes, romelic mxolod mocemul momentSi pasuxobs survils.
da isev: mudmivi Ziebis da Widilis procesi.
Rvinis dabadeba
Seiqmna 2002 wels Tanamedrove xelovnebis muzeumisaTvis evropis parkSi, Ria
cis qveS. (“The Birth of Wine“ Park of Europe,
Lithuania, 270 x 150 x 160, Iron, Steel, 2002)
gudiaSvilis skveri -…gadauRebeli wvima da bavSvebis xmauri...
qolgas amofarebuli wyvilis CurCuli, romelic xmovans xdis sxvisaTvis dafarul gancdas.
132
stili #24. 2007
es aris Tanamedrove tipis konceftualuri obieqti, sadac mTlianobis aRqma miRweulia Sekruli moculobebis kompoziciuri
gaerTianebiT.
masala: rkina, foladi, zeTi.
sicarieliT avsebuli moculoba, WurWlis garRveuli kideebi da iluzia – Rvinis dabadebis, sruliad moulodnelad elodeba imedgacruebas aRqmisa da wakiTxvis reJimSi darCenili mayureblis: Rvinis adgili
iq ar aris, sadac igi daibadeba.
pirveli wvima
Tbilisi.
sadac brinjaosfrad uyvarT...…
gudiaSvilis skveri -…gadauRebeli wvima da bavSvebis xmauri...
qolgas amofarebuli wyvilis CurCuli,
romelic xmovans xdis sxvisaTvis dafarul
gancdas.
(“First Rain”, 260 x110 x110, Bronze)
talRa
Seqmnilia Tanamedrove xelovnebis bienalesTvis, antanas monCis saxl-muzeumi.
(“Wave” Antanas Monchys Hause Museum,
Palanga, Lithuania, Stainless Steel, 600x70,
2003).
dinamiuri forma, ayolili moqcevas wylisas.
darbilebul formaTa svla, moZraobis usasrulo fragmenti. talRis sxivuri TamaSebi cvlis kompoziciis saxes dRis nebismier
monakveTSi. ager, sadacaa damiwdeba da eli
im wams, roca unda damTavrdes Seyinuli svla
da mdinareba sulac, iqneba – drois (?)
2007 wlis 26 seqtembers darulda marTlmadidebluri filmebis saerTaSoriso festivali “wmida andrias jvari” romelic eZRvneboda misi uwmindesobis, saqarTvelos kaTolikos patriarqis aRsayrdnebis 30 wlis iubiles.
organizatori: “studia meoxi”
qalaqi – baTumi
festivalisTvis damzadda qandakebaTa
seria, romelTagan erT-erTi gadaecema mis
uwmindesobas saqarTvelos kaTolikos patriarqs.
dagegmilia:
2008 wlis gazafxulze gamofena sent galenSi (Sveicaria).
misi qandakeba natifi sxeulebis da Ria
sivrceebis aTamaSebiT konstruirdeba. qandakeba muSaobs urbanistuli dagegmarebis
im nawilSic, sadac arsebobs xazgasmulad kulturuli fena da Tavisi saTqmeliT emuqreba formis axlebur wakiTxvas.
aseTia Tanamedrove xedva samyarosi, romelTanac brZola mxolod artefaqts SeuZlia.
rusudan nikoloziSvili
133
stili #24. 2007
SCULPTURE...
THE ART OF IMAGINING A FORM AND ADAPTING IT TO THE
MEANING, WHICH SHOULD DEFINE ITS CHARACTER...
Background Data
Name – Irakli Tsuladze
Date of birth – October 29 1973
Professional experience:
1997 – Graduated from Tbilisi Academy of Art (faculty of Fine Arts, department of Sculpture)
1999-2002 – internship in Tbilisi Academy of Art
(same profile)
Since 2002 – active work in Georgia and Europe.
Public opinion – interesting and diverse personality
Preferences – music, human relations, blue color
Wishes – to let his art, with its form and meaning, advance ahead of time
What would he change in himself? – The depth
of his own perception
Current activities – constant search for perfection,
constant struggle.
THE BIRTH OF WINE
Created in 2002 for Park of Europe, Lithuania.
This is a modern-style conceptual object, where
the sense of integrity is reached through compositional integration of closed volumes. The volume, filled with
emptiness, torn edges of the vessel and the illusion of
wine being born to be suddenly changed by a feeling
of disappointment: because wine does not belong where
it was born.
Materials: iron, steel, oil
Dimensions: 270 x 150 x 160
FIRST RAIN
Tbilisi, where they love bronze color...
Gudiashvili Square: pouring rain and children’s voices...
Sheltered under an umbrella stands a couple, voicing their emotions in barely audible whisper...
Material: bronze
Dimensions: 260 x 110 x 110
WAVE
Created for the modern art biennale and currently stored in Antanas Monchys House Museum, Palanga
Lithuania.
Dynamic form, following the tide. Captured fragment of incessant, constantly changing motion of a wave,
so alive, that you expect this frozen figure to finish its
movement and hit the land any moment – or maybe
it is time that is about to stop when you are looking
at the sculpture?
Material: stainless steel
Dimensions: 600 x 70
On September 26, 2007, the city of Batumi will
host the conclusive stage of the International Festival
of Orthodox Christian Films “St. Andrew’s Cross”, dedicated to the 30th anniversary of the CatholicosPatriarch of Georgia in office. The Festival featured a
series of sculptures by Irakli Tsuladze, one of which
was passed to His Holiness the Catholicos-Patriarch
of Georgia.
RUSUDAN NIKOLOZISHVILI
134
stili #24. 2007
liTonis
stiqia
liTonis dizaineruli elementi
sazogadoebrivi Tu sacxovrebeli Senobis aucilebeli elementia. bolo xanebSi igi gansakuTrebul popularobas iZens. liTonis nakeToba ama Tu im
arqiteqturuli kompoziciis centrs,
misi dizainis logikur dasrulebas warmoadgens da xSir SemTxvevaSi, interieris Tu eqsterieris gadawyveta
mis forma-moculobazea damokidebuli.
liTonis stiqiis filosofia SemoqmedebiTi ideebis safuZvelia da Tanamedrove dizaineruli saukeTeso nimuSebis Seqmnisas mniSvnelovan rols
TamaSobs. dizaini ganuwyvetliv moZraobaSia, srulyofaSia. stili da
forma erTmaneTs swrafad da moulodnelad cvlis.
mocemul WrilSi, metad mravalmxrivia mxatvar giorgi jinoriZis Semoqmedeba. igi, uCveulo formis liTonis modelebis SeqmniT, maTi dizainis proeqtirebas xelovnebis calke
sferod gamoyofs.
mxatvris namuSevrebi momxibvlelia ostatobis xarisxiT da pirovnulobis niSniTaa aRbeWdili (miuxedavad imisa, rom maTSi damkveTis - mflobelis gemovneba da Sexedulebebia areklili).
giorgi jinoriZem Tanamedrove xelovnebis klasikuri safuZvlebis aRqmiTa da maTi emociur prizmaSi gatarebiT, sakuTari gacnobierebuli
SemoqmedebiTi saxe warmoaCina mravalferovnebaSi. calkeuli moculobisa Tu sivrcisaTvis Seqmnili mravalferovneba ki, misi Semqnelis mimarT
interesebs mudam aZlierebs. yovel
konkretul SemTxvevaSi, saqmisadmi SemoqmedebiTi, skurpulozuri midgomiT, kompoziciebis uCveulo, pirobiTi Tu konkretuli Temebi samuSao sibrtyidan sxvadasxva statikur da dinamikur sistemad gamTlianebul moculobebad gardaiqmneba.
Cvens realobaSi giorgi jinoriZis ideiTa da uSualo ZalisxmeviT
mravali proeqti ganxorcielda. mis
mier Seqmnili SemoqmedebiTi samyaro
mdidari da poeturia.
nino laRiZe
135
stili #24. 2007
Nature of Metal
Metal is an important design element, enjoying increasing popularity in both public and residential interiors. Metal accessories
are efficient key points, providing logical finishing to architectural
compositions - quite often, their form and volume determine overall interior and exterior design.
Philosophy of this natural element, implying speed motion in
any of their diverse forms, suggests creative ideas and plays an
important role in creation of the best samples of modern design.
In this regard, activities of artist Giorgi Jinoridze, who strives
to express his unusual design ideas through metal, appear
diverse and original.
Giorgi Jinoridze's works are marked with high performance
skill and individuality, reflecting both the author's inner world and
the taste of the person ordering this or that particular design. His
art integrates classical background of modern art and his own
emotional self into unforgettably colorful personal style, leaving an
indelible impression on the onlookers.
NINO LAGHIDZE
136
stili #24. 2007
137
stili #24. 2007
ETALON-JENAVI - natifi stilis samyaro
pirveli primitiuli samkauli, aqsesuari, erTdroulad gaCnda planetis sam absoluturad gansxvavebul wertilSi: aRmosavleT afrikaSi, xmelTaSua zRvis aRmosavleTSi da evropis samxreT-aRmosavleTSi. erTi SexedviT, gakvirvebas iwvevs
is faqti, rom, adamianebSi, erTmaneTisgan gamorCevis survili, jer kidev, 40 aTasi wlis win Caisaxa. uZvelesi droidan
moyolebuli, Cveni winaprebi, sakuTari individualurobis xazgasasmelad, biJuteriiTa da Zvirfasi liToniT irTvebodnen. unda aRiniSnos, rom imdroindel modis mimdevrebs Zalzed daxvewili gemovneba hqondaT. ZiriTad samkaulebad gansakuTrebuli faseulobis mqone, iSviaTi saxeobis zRvis niJarebi gamoiyeneboda.
urTierTkavSiri mosaxleobis ricxobriobasa da forma-Sinaarss Soris dResac aqtualuria. dafiqsirebulia, rom rac
ufro mWidrod cxovroben adamianebi megapolisebSi, miT ufro metad surT maT
gansxvavdebodnen erTmaneTisgan. es ki Tanamedrove moduri samkaulebis uCveulo
dizainSi da originalur formebSi ganuwyvetliv realizebas ganicdis.
svarovskis xelovnurad Seqmnili kristali - daxvewili samkaulia. misi Rirebuleba xSirad aRemateba imitirebuli `namdvili~ qvis Rirebulebas (topazi, zurmuxti, safiri, brilianti, lali).
svarovskis kristalebiT Seqmnili biJuteria, aqsesuari - es ara mxolod Zvirfasi qvebis imitaciaa.
Cveulebriv, swavlulebis azriT, im dros, dedamiwis mosaxleobis raodenobis mkveTrma zrdam,
Sesabamisad, adamianSi sakuTari pirovnulobis mkafiod gamoxatvis idea Casaxa. samkauli (mZivebi, niJarebi, sayureebi, samajurebi) Tu aqsesuari sazogadoebebSi arsebuli sxvadasxva socialuri fenisa Tu klasis mTavari ganmasxvavebeli niSani, simbolo gaxda. ZiriTad azrobriv datvirTvas ornamenti atarebda. mas SeeZlo vrclad `moeTxro~ samkaulis mflobelis mdgomareobaze sazogadoebaSi, mis damsaxurebaze da profesiul miRwevebze.
dRes, rogorc specialistebi, ise ubralod silamazis damfaseblebi aRiareben, rom svarovskis
samkaulebi saiuveliro xelovnebis damoukidebeli saxeobaa.
brolis imperiis damaarsebeli daniel svarovski daibada 1862 wels bohemiaSi - saxelganTqmuli
bohemiuri minis samSobloSi. saukeTeso ganaTlebis miRebis Semdeg, igi, im droisaTvis ganviTarebis
procesSi myofi eleqtroteqnikuri miRwevebiT dainteresda. 90-iani wlebis dasawyisSi, man, brolis
masiuri damuSavebisaTvis specialuri danadgari gamoigona. ramodenime wlis Semdeg ki ganaaxla igi,
im droisaTvis ararsebuli gamWvirvalebisa da brwyinvalebis mqone brolis Sesaqmnelad. es meTodi
dRemde umkacresadaa gasaidumloebuli.
1895 wels daniel svarovskim brolis nakeTobebis sawarmoeblad qarxana daarsa. am periodSi, igi
umaRles teqnologiur dones aRwevs - misi samkaulebi Zvirfasi briliantebis WeSmariti alternativaa. svarovskim `namdvili~ qvebis imitaciebi Seqmna. modis axali talRis warmateba gamaognebeli iyo.
parizsa da sankt-peterburgSi, sadac svarovskim samkaulebis pirveli nimuSebi gaagzavna, modis
moyvarulebi sruliad aRfrTovandnen. SekveTebi brolis `briliantebze~ niaRvariviT wamovida.
kompania ETALON-JENAVI svarovskis kristalebis erT-erT msxvili sabiTumo Semsyidvelia ruseTSi,
kerZod sankt-peterburgSi. mas Tavisi filialebis qseli aqvs regionebSi,
maT Soris saqarTveloSic (TbilisSi). svarovskis kristalebiT xorcSesxmuli ETALON-JENAVI-s markis nakeTobebi, msoflio saiuveliro modis ukanasknel tendenciebs iTaviseben.
sxvadasxva formis, ferisa da zomis kristali STagonebas aZlevs dizainers Seqmnas originaluri koleqciebi. ETALONJENAVI-s samkaulebis, aqsesuarebis saidumlo martivia - igi
mgZnobiare membranasaviT reagirebs nebismier Tanamedrove stilze, modis ganwyobis nemismier cvalebadobaze, amavdroulad ar iviwyebs klasikas. efeqtur da eqstremalur axalgazrdobas, saqmian, respeqtabelur Tu
romantikul adamianebs - yvelas, nebismieri gemovnebis personebs SeuZliaT SearCion da SeiZinon svarovskis kristalebiT Seqmnili ETALON-JENAVIs nakeTobebi - saxelobiTi koleqciidan iqneba igi Tu eqskluziuri. keTili iyos Tqveni mobrZaneba ulamazesi samkaulebisa da natifi stilis samyaroSi.
moamzada lali baxtaZem
138
stili #24. 2007
Crystal Voyage
The style of the great Petersburg jeweler Karl Faberge, the dynamics of
the present day and the technologies of the 21st century are all reflected in
the fashion jewelry bearing the Petersburg trade name Etalon-Jenavi. The collaboration with Swarovski introduces new perspectives to Russian jewelry design.
When the company Jenavi was founded in St. Petersburg in 1991 the
Russian economy was experiencing a major crisis. Nevertheless, the family
business, managed by the Protopopov family, rapidly developed into the largest
fashion jewelry manufacturer in Russia and today employs several thousand
members of staff. The production facilities were expanded, the company bought
the buildings of the traditional Petersburg works Etalon, and in combining the
names Etalon and Jenavi not only signalized their business expansion, but also
married traditional Petersburg jewelry skills with contemporary fashion jewelry
production.
Jewelry from the house of Etalon-Jenavi is manufactured in accordance
with the very finest jewelry making techniques – hence the products are easily mistaken for real jewelry. The jewelry pieces are plated with gold (plating
thickness: 0.5 micron), silver (9 to 40 micron) and rhodium (0.2 micron) using
electroplating methods. Stones used include semi-precious stones from the Ural
Mountains, Bernstein, real coral or artificially grown pearls. For avant-garde jewelry creations Etalon-Jenavi uses leather, fur and crystal – and this is where
the collaboration with Swarovski gained particular importance. They have worked
together for seven years.
The current collections are very diverse and
symbolize the dynamics of our time. From cheeky
and eccentric to classically elegant or even romantically pretty, there exists something for all tastes.
Of course there is jewelry for men as well. The
“Rocker” collection was specifically created with men
in mind. A jubilee collection has been created the
10th anniversary and, for the first time ever, a children’s collection is being prepared for the next season.
The Protopopov family has often been to
Wattens to visit Swarovski, meet his employees on
site and explore the crystal Worlds. “We use
Swarovski crystal in many models”, explains Viktoria
Protopopova. “We respect the company’s trend competence and expertise. Russian ladies love Swarovksi
crystal – they are fascinated by the amazing variety of shapes and sizes, the play of light and spectral colors, as well as the unique brilliance. Owning
a piece of hewelry bearing Swarovski crystal is a
real status symbol in Russia too.”
One parallel with Swarovski is particularly
obvious: like Swarovski, Etalon-Jenavi also attaches great importance to the exciting presentation of
its jewelry creations. The display cabinets in St.
Petersburg invite you to linger and be amazed, as
they not only display beautiful jewelry, but they are
the inspiration for a journey through time and space
as well. Some models provoke associations with
Norwegian Fjords, others remind you of the
advanced civilizations in Egypt or Greece. In short:
The Swarovski and Etalon-Jenavi cooperation has
enriched fashion and jewelry design with its trend
competence and up-to-date inspiration.
LALI BAKHTADZE
The quality and variety of Swarovski crystal enhanced Etalon-Jenavi production and played a significant part in increasing productivity. Although the
designer team at Etalon-Jenavi is very small – there are only three people –
the range has since grown to include more than 5000 jewelry variations. Between
10 and 12 new collections are launched every year. The ring selection is particularly impressive. The Etalon-Jenavi range is not only the largest on the Russian
marked, it is the largest in Europe.
139
stili #24. 2007
jansaRad cxovrebis
xelovneba
jansaRi cxovrebis umniSvnelovanesi Semadgeneli nawili
jansaRi kvebaa.
saxlis erT-erTi `strategiulad~ mniSvnelovani adgilis - samzareulosa da sasadilo zonis mowyobisas, TavisTavad vlindeba misi mflobelis gemovneba. niuansebSi gaTvlili
sivrce zustad gansazRvravs Tavisi xasiaTiT nakarnaxev sagnobriv samyaros - sufris gaformeba-gawyobis wesebs Tu gastronomiul miswrafebebs. sasadilo zonaSi miuRebeli xdeba
SemorbeniT waxemseba da mxolod Cveulebrivi ojaxuri sadiliTa da vaxSmiT ar amoiwureba misi SesaZleblobebi. satrapezo, stilisturad daxvewili servisi Sesabamis garemos
qmnis - sanTlis SuqiT ganaTebuli, uzadod gawyobili sufra, daxvewili formis bokaliT Rvinis, lobsterebis neba-neba dagemovneba, musika, saintereso, sasiamovno saubrebi megobrebTan - es xelovnebaa da ufro metad seriozul midgomas
moiTxovs.
WurWeli uZvelesi droidan gaxda erT-erTi pirveli moTxovnilebis sagani. viRac mixvda - uwesrigod dayrili sakvebis xeliT Wamas misi TefSidan mirTmeva sjobda da mas Semdeg moyolebuli, WurWeli, misi dizaini - xelovanTaTvis, dizainerebisaTvis sakuTari fantaziisa da araordinaluri eqsperimentebis gamovlenis saukeTeso saSualebad iqca. saukuneebis manZilze sxvadasxva masalaSi iqmneba WurWlis dizaini. yoveli dizaineri Tavs movaled Tvlis Seqmnas originaluri modeli im imediT, rom mis namuSevars daafaseben.
da afaseben kidec. mravali satrapezo servizi Tu calkeuli egzempliari gaxda kultirebuli, maTi avtorTa saxelebi dizainis istoriaSi Caiwera.
Tanamedrove, Zepter-is saservize dizaini, romelmac aRiareba moipova da romelzec moTxovna didia, dRes ara marto interieris dekors qmnis, aramed, swori kvebis erT-erTi
ucilobeli pirobaa. misi damzadebis teqnologias daaxloebiT naxevari saukunis win Caeyara safuZveli SveicariaSi. Zepter-is saxelobiTi servizebi mniSvnelovani tempebiT da tiraJiT iwarmoeba, iqmneba oficialuri rimeikebi.
Zepter-is - msoflioSi aRiarebuli WurWlis mwarmoebeli
kompaniis warmomadgenel saxlebSi, maRazia-salonebSi, SesaZlebelia nebismieri stilis vip-interierisaTvis, momxmareblis gemovnebis Sesabamisi WurWlis da sufris aqsesuarebis
dizaini SeirCes.
amjerad SesaZlebloba gveZleva saqarTveloSi, kerZod TbilisSi, Zepter-is warmomadgeneli WurWlis saxlis kompetenturi konsultantebis, qalbatonebis - Tamila pertiasa da marina maxaraZis komentarebi da rCevebi SemogTavazoT aRniSnuli produqciis Sesaxeb.
- cepteris WurWeli, garda Tavisi araordinaluri, superTanamedrove dizainisa, unikaluri TaviseburebebiT gamoirCeva, kerZod: WurWeli damzadebulia e.w. cepteris liTonisagan (nikel-qromi sinjiT 18/10).
- liTonis Semadgenlobidan gamomdinare, Zepter-is WurWeli neitraluria - Cveulebrivi WurWlis xmarebisas metalis
elementebi (tyvia, alumini da sxva) gadadis sakvebSi, riTac
organizmi iwamleba, xolo cepter-WurWlis SenaerTi qimiurad mdgradia. ris gamoc sakvebi momzadebisas ar binZurdeba liTonis elementebiT.
- cepter-WurWli sufTaa - forebis ararseboba sufTa sakvebis garantia.
-cepter-WurWlis xmarebis vada ganusazRvrelia. is ar saWiroebs Secvlas.
- cepter-WurWeli produqts ar iwvavs. Cveulebriv WurWelSi saWmlis momzadeba xdeba 100 gradus celsiussa da
met temperaturaze. am dros produqtis yvela sasicocxlo
komponenti iSleba. cepter-WurWels aqvs specialuri Termoakumulirebadi Ziri, romelic inaxavs siTbur energias. as140
stili #24. 2007
eTi Ziri saSualebas iZleba movamzadoT sakvebi dabal temperaturaze (60- 80 gradus celsiusze), rac
uzrunvelyofs sakvebi produqtebis yvela komponentis (cilebi, cximebi, naxSirwylebi, vitaminebi) SenarCunebas.
- cepter-WueWelSi saWmlis mosamzadeblad sakmarisia misi Ziris gacxeleba. Semdeg qura gamovrTod
da saWmeli Tavad momzaddeba dagrovili siTburi energiis xarjze. garda amisa, cepter-WurWlis komponentebi, romlebic Sedis kompleqtSi, advilad iwyoba sistemad, rac 3-4 saxis kerZis erT quraze erTdrouli momzadebis saSualebas iZleva.
udavoa, cepter-WurWlis lamazi forma, daxvewili dizaini, ekologiuroba, funciuroba, ekonomiuroba, ergonomiuroba da Tqven warmoidgineT xmarebis mudmivi garantia - Cvens jansaRi cxovrebis wess
gansazRvravs.
nino laRiZe
How to Lead a
Healthy Life
An integral part of the healthy lifestyle is healthy nutrition.
Arrangement of strategically important areas of the house –
the kitchen and dining zones – clearly reflects the taste and
preferences of its owner. A dedicated dining zone makes it
impossible to eat on the run, but on the other hand the opportunities it offers are not limited to just family breakfast, lunch
and dinner. Further impact can be achieved by selection of
stylized crockery and cutlery, appropriate music, friendly attitude toward the commensals – in other words, this is art, requiring a very careful approach.
After it occurred to our far ancestors that food should be
eaten in an orderly manner, crockery has become a top requirement in every household. Since then, crockery as a design
theme offers a great deal of maneuvering space and challenges to people with creative imagination. As in any other
walk of life, this sphere has its famous names, outstanding
events and milestones.
Modern Zepter crockery and kitchen utensils, highly popular and demanded throughout the world, not only add variety in dining zone interior design, but also sets standards for
healthy eating. Development of Zepter production technology
started half a century ago in Switzerland. Nowadays, Zepter
works both on mass production and individual orders, creating a wide variety of designs, satisfying any taste conceivable.
We asked consultants of Georgian representation of
Zepter – Tamila Pertia and Marina Makharadze – to tell us
about the specialties of Zepter products. The summary is most
favorable: unique, ultra-modern design, environment-friendly and
healthy materials, special production technology, thermal conservation systems, long-term service and affordable prices can
indeed make Zepter welcome in any household.
NINO LAGIDZE
141
stili #24. 2007
literaturuli grafika
maka ldokoneni
musikasac vxatav xolme – yvelaze kargad
jazi ixateba, vinaidan, jazs gansakuTrebulad uxdeba grafika. pirvelad petruCianis
musika movxaze. mere ise moxda, mis koncertzec movxvdi - mxolod koncerti ki ara, vizualuradac sakmaod eqspresiuli sanaxaoba
gaxldaT. axali koleqcia davxate maSin `pet-ruCianis akordi,~ romelSic Svidi nota-suraTi Sevida: `do-minanti,~ `re-veransi,~
`mi-mika,~ `fa-ntazia,~ `sol-isti,~ `lai-lai,~
`si-nTezi.~
bensoni ixateba araCveulebrivad, zavinulis zogierTi kompoziciac, stingi... didi xania minda `qvinebis koncerti~ davxato, aTi naxati moxazuli maqvs kidec TvalebSi da erT
mSvenier dRes, ufro sworad erT mSvenier 23
seqtembers gamovfen – am dRes Cemi sayvareli
142
sityvebis gamogoneba miyvars - sityvebis gamogoneba xatvas gavs. ucnauri sityvebis Segroveba da mosmenac mitacebs –
ai, iseTebis, Zvelebur, qarTul gamocanebSi rom ismineba: `bewikuri Sukanani, broliT gamotenilani,~ an `aSi-baSi, TunTrubaSi,~ an kidv `CaiskilikimaJur-moiskilikimaJura...…~ SeiZleba aseTi sityvebi ar daxato?
adamiani gaCnda, `qvinebic~ man momasmenina pirvelad, mansardaSi, saidanac Zveli Tbilisi
moCanda.
amJamad axal koleqciaze vmuSaob - `literaturuli grafika~ hqvia. rodesac karg wigns
wavikiTxav an saintereso personaJs aRmovaCen,
guli ar miTmens ar davxato. maqvs ori wigni,
sul Tan rom davatareb: `natvris xe~ da `gzaze erTi kaci midioda.~ deda damcinis xolme,
riT veRar waikiTxeo? gavbede da vxatav – vxatav xelis kankaliT, aso-aso gamomyavs xazebi.
vxatav: `Cems fufalas,~ `Cems maritas,~ `Cems medeas,~ `Cems oqromWedlebis ubans,~ mokled Cemeburad mivdivar martosaval gzaze, Cemeburad vkideb ferad-ferad safxuwebs natvris xeze... `literaturul grafikaSi~ Tanaedrove
mwerlebic moixaza: `foruxis yvavilebis genocidi,~ `ganjelis salocavi qristiani qali.~ Sahid balhelis saxelsa da gvarsac vxatav, ra
lamazad JRers: S-a-h-i-d b-a-l-h-e-l-i! - ar daxatva ar iqneba! paviCis qalebsac ixilavT: `nawnavebian da grZelklanWeba heras,~ `veluCas
dausrulebel Rameebs,~ `TeTr xarze amxedrebul evas~... Cems Semodgomis qalebsac SemogTavazebT: sanduas `zRaparTasxmuladan,~ gvianelas `lekalodan,~ momgonias `yvela nivTidan~. Tumca, maTTan gacnoba gamofenamde Cems
novelebSic SegiZliaT (www.literatura.ge).
`xSirad mekiTxebian, ferebSi ratom ar xatavo da mikvirs. imasac msayveduroben, qalebi ratom Warbobs Sens naxatebSio da meRime-
stili #24. 2007
ba. Seni personaJebi aqeT-iqiT icqirebian, saxeSi ar gviyurebeno, daaskvnian xolme da mxrebs
viCeCav.
mimaCnia, rom or ferSi (Sav-TeTrs vgulisxmob) realoba Tu emociebi gacilebiT eqspresiulad ixateba. grafika Tavis TavSi gansxvavebul eqspoziciasa da damTvalierebels gulisxmobs, iseve rogorc jazis mosmenas sWirdeba
gansakuTrebuli garemo da msmeneli. rac Seexeba qals – misi mobiluri, elastiuri buneba
Tu sxeuli, mexmareba gadmovce nebismieri gancda, movlena, weliwadis dro Tu amindi, Tundac sagani an nivTi. amitom qali Cems naxatebSi mxolod qali rodia, mas SeuZlia fiqric iyos, ganwyobac, sityvac da dekoric - nu dagafrTxobT maTi simravle. Cemi personaJebis ganze gaqceul mzeraze ki ra giTxraT? - zogjer
damTvalierebeli imdenad pedanturia, iseT kanonzomierebas aRmoaCens namuSevrebSi, avtors
azradac rom ar mosvlia. am SemTxvevaSic aseT
fenomenTan maqvs saqme. dasasruls ki damTvalierebels minda mivmarTo: imedi maqvs, Cems naxatebs guliTadad gaesaubrebiT _ Cveulebrivi,
mokvdavi sityvebiT ki ara, Tval(ier)ebiT. ~ (Canaxatidan `mxolod ori feriT~).
zRaparTasxmula
zRaprebi miyvarda bavSvurad. axla gavxedav xolme, Cems Soreul `merqana Rrubels~ da
xan vxedav, xanac ar moCans.
mainteresebs, romel fiqrs ufro xSirad fiqrobs adamiani, mowyenils Tu mxiaruls?
davdivar da TvalebSi vuyureb: `dedamiwaze, marTalia, uamravi adamiani cxovrobs, magram TiToeuls mxolod sakuTari arseboba miaCnia yuradRebis Rirsad _ TiTqos, quCaSi Semxvedri nebismieri mokvdavi mis gareSe arafers warmoadgens. istoriac misi arsebobis dRemde mosaRwevad iwereboda mxolod. warsuli
fotoebad aRiqmeba _ grZnobebi, emociebi da ocnebebi ki mxolod awmyoSi, mis konkretul cxovrebaSi isxams xorcs. sinamdvileSi ki yvela erT
gzazea: yovel ocdaoTx saaTSi erTxel, wlidan wlamde _ TiToeuli uxilavs, gaugonarsa da
jer ar nagems daeZebs~ (novelidan `zRaparTasxmula~).
maSin vxvdebi, rom adamians usaTuod sWirdeba zRapris dasanaxi Tvali, cota xniT gasaxelad, wamiT gasaxedad mainc.
qnebi, yvela ambis `Wiri iqa!~ Sens baliSTan Cavcucqdebi, siyvarulmodebul loyas Sublze migadeb, Tmas mkerdze gadagafen da Tavs ver movabam saTqmels:
- ici?.. ici?.. ici?..
mipasuxeb:
- rom...…rom... rom...
verc Sen miagneb sityvebs, kocnis magiers verc alersis sanacvlo winadadebas Seadgen. samagierod, ukve meramdened miambob, rom sadRac, romeliRac veluri tomis Seyvarebulebi erTmaneTs ki ar kocnian, ynosaven – ai ase, Rrmad
da vnebianad. kidev erTxel dagwydeba guli, rom
istoriul erebsa da periodebSi ar aris dafiqsirebuli xana, rodesac adamianebma udidesi aRmoCenebi gaakeTes: mixvdnen, rogor ekocnaT da moferebodnen erTmaneTs.~ (Canaxatidan
`saaxalwlo saCurCulo~).
vrceli P.S. mTavar grZnobaze.
grZnobebis gamogoneba ar miyvars – gamogonili grZnobebi cxovrebas ar gavs. gamogonili grZnobebiT arc naxati gamodis, arc ambavi.
grZnoba Txevadia: agavsebs, iRvreba da gvarwyulebs.
me ase vgrZnob:
`minatre da gavCndebi. faskunjis frTas dawvav, meliis TivTiks, Tu Tevzis qercls, mainc me moval - yvela zRapris `iyo da ara~ vi-
143
stili #24. 2007
gamofenebi
Exhibitions
baia galerea
Baia gallery
`baia galerea~ dRemde moqmedi pirveli kerZo galereaa saqarTveloSi.
igi mdebareobs Sardenis quCaze, qalaqis Zvel, istoriul ubanSi. galereis
damfuZnebeli da direqtori baia wiqoriZea.
galerea, daarsebidan dRemde, aqtiurad monawileobs qarTuli xelovnebis ganviTarebis procesSi da Tanamedrove qarTuli kulturuli memkvidreobis - XX saukunis xelovnebis - popularizaciaze muSaobs.
misi ZiriTadi mimarTulebebia: xelo-
vneba interierSi, mxatvari - galerea koleqcia. galerea 300 - mde gamofenis
organizatoria saqarTveloSi da mis farglebs gareT. gamofenebze warmoCenili
eqspoziciebi yovelTvis aqtualuria,
araordinaluria da sazogadoebis jerovan yuradRebas ipyrobs. amjerad warmogidgenT gamofenaTa uwyveti ciklis erTerT fragments, romelsac oqtombris
Tve moicavda. es Tvec, rogorc sxva danarCeni, sakmaod datvirTuli da mravalferovani aRmoCnda.
lali baxtaZe
10-17 oqtombramde galerea maspinZlobda mxatvar koka ramiSvilis gamofenas `me Sen miyvarxar”
KOKA RAMISHVILI
oqtombris bolos ki gaixsneba mxatvar miSa Sengelias gamofena `ROYAL MAIL”. warmodgenili iyo mxatvris
postmodernistuli namuSevrebis - safosto konvertebis seria. xelovnebis moyvarulT, SesaZlebloba
miecemaT 1 noembramde gaecnon mxatvris Semoqmedebas
MISHA SHENGELIA
144
stili #24. 2007
19 oqtombers gaixsna mxatvar oleg timCenkos gamofena. eqspozicias Zveli Tbilisis peizaJebi qmnida.
gamofena 29 oqtombramde gagrZelda.
OLEG TIMCHENKO
Tanamedrove qarTuli xelovnebisa da naivuri mxatvrobis ganviTarebis centrSi, `vernisaJi~ (direqtori zaira bereliZe) 18 seqtembers metad saintereso gamofena gaixna. eqspozicias
mxatvar Tengiz mirzaSvilis namuSevrebi da Zveli, kavkasiuri fardagebi qmnida. damTvalierebels 6 oqtombramde mieca SesaZlebloba damtkbariyo Tanamedroveobis araCveulebrivi ferwerisa da tradiciuli, ostatTa mier xelTqmnili namuSevrebis originaluri sinqroniT.
`vernisaJi~
145
stili #24. 2007
kompania PRS Georgia
msoflioSi unikalur teqnologias Geoweb-s nergavs
26 ivliss, sastumro `meriot TbilisSi~gaimarTa
PRS Georgia-s da Geoweb teqnologiebis sazogadoebisaTvis gacnobisadmi miZRvnili prezentacia. RonisZiebas daeswrnen ekonomikuri ganviTarebis saministros, gzebis departamentis, garemosa da bunebrivi
resursebis dacvis saministros, saqarTvelos rkinigzis, BP-sa da biznes seqtoris warmomadgenlebi da
maTi ucxoeli partniorebi. mowveul strumrebs da
medias gaacnes gzebis, mdinareebis napirebis, molsadenebis da mewyriani zonebis problemebTan brZolis
uaxloesi meTodebi, romelTa danergvasac saqarTveloSi kompania PRS Georgia apirebs.
PRS Georgia - moqmedebs PRS Mediterannean Ltd-is mier gacemuli nebarTviT da iyenebs PRS Mediterannean
Ltd-is mier SemuSavebul da warmoebul yvela teqnologiur process Tu produqcias. PRS Mediterannean
Ltd msoflio lideri kompaniaa. misi proeqtebi ganxorcielebulia did britaneTSi, italiaSi, ruseTSi, afrikisa da aziis qveynebSi.
`miuxedavad imisa, rom Cveni kompania axali dafuZnebulia, vimedovnebT, rom partnior kompania PRS
Mediterannean Ltd-sTan erTad warmatebebs mivaRwevT~
- ganacxada PRS Mediterannean Ltd-is direqtorma, daviT kacitaZem.
international architectural awards
saerTaSoriso arqiteqturuli konkusebi
Ria saerTaSoriso konkursi bakminster fuleris vizebis samecniero
dizainisa, aSS, 2007 w.
konkursis tipi: novatoruli ideebis Ria saerTaSoriso konkursi;
konkursSi monawileobis miReba SeuZliaT arqiteqtorebs, dizainerebs,
mxatvrebs. aucilebeli moTxovnaa - inglisuri enis codna;
konkursis dedlainia: 2008 wlis 30 ianvari;
gamarjvebuli dajildovdeba 100 000 aSS. dolariT;
finalistebisaTvis gankuTvnilia sxvadasxva saxis wamaxalisebeli prizebi
konkursis veb gverdi: http://challenge.bfi.org/main.php
Re:Store-2008
konkursis tipi: ideebis Ria arqiteqturuli konkursi;
konkursSi monawileoba SeuZliaT arqiteqtorebs, dizainerebs, studentebs, inJinrebs;
dedlaini: 2008 wlis 15 ianvari. namuSevrebis Cabarebis bolo vada 2008
wlis 1 Tebervali;
sapremio fondi: sami pirveli premia: TiToeuli - 2000 aSS. dolari;
7 wamaxalisebeli premia.
konkursis veb gverdi: http://www.urbanrevision.com/competition_store_rules.html
The 2007/2008 Leading Edge Student Design Competition
studenturi arqiteqturuli konkursi `wina mxare~, aSS., 2007-08 w.w.
konkursis tipi: proeqtebis Ria saerTaSoriso konkursi;
konkursSi monawileobis miReba SeuZliaT umaRlesi saswavleblebis
studentebs;
dedlaini: registraciisaTvis - 2008 wlis 28 marti; namuSevrebis
Casabareblad - 2008 wlis 13 ivnisi.;
saprizo fondi: I adgili - 3000 aSS. dolari (or nominaciaSi);
II adgili - 2000 aSS. dolari.
konkursis veb gverdi: http://www.leadingedgecompetition.org/
arqiteqturuli proeqtebis regionaluri konkursi Holcim Awards 2007
konkursis tipi: proeqtebis Ria saerTaSoriso konkursi;
konkursSi monawileobis miReba SeuZliaT: 35 wlamde asakis
arqiteqtorebs, damproeqteblebs da umaRleskursdamTavrebulebs;
dedlaini: 2008 wlis 29 Tebervali;
saprizo fondi: I premia - 100000 aSS. dolari;
146
II premia 50 000 aSS. dolari;
III premia - 25 000 aSS. dolari.
konkursis veb-gverdi:
http://www.holcimfoundation.org/T528/A09-About-Conditions.htm
avejis dizainis saerTaSoriso konkursi 2008 w. iaponia
IFDA Furniture Design Fair Asahikawa 2008, Japan
konkursis tipi: avejis dizaini Ria saerTaSoriso konkursi;
saregistracio gadasaxadi: 5000 ieni internetiT, 6000 ieni fostiT;
dedlaini: 2007 wlis 7 dekemberi;
saprizo fondi: am etapze gansazRvruli ar aris;
konkursis Tema: xis aveji
079-8412 Japan
Tel: 81-166-47-0655 Fax: 81-166-48-4749
ifda-e@asahikawa-kagu.or.jp
konkursis veb-gverdi: http://www.asahikawa-kagu.or.jp/ifda/e_site.html
saerTaSoriso landSaftis konkursi Chichen Itza, peru 2007
konkursis tipi: saerTaSoriso Ria akademiuri konkursi;
konkursSi monawileoba SeuZliaT: arqiteqtorebs, landSaftis arqiteqtorebs, garemos dizainis sferoSi moRvawe profesionalebs, studentebs;
dedlaini: am etapze ar aris dazustebuli;
saprizo fondi: I premia - 5000 aSS. dolari + publikaciebi germanul,
espanur, laTinoamerikul arqiteqturul JurnalebSi;
konkursi tardeba internet-formatSi.
konkursis veb-gverdi: http://www.arquitectum.com/
Ria konkursi `saxli bergmanisTvis~, aSS. 2007 w.
architectural award , House For Bergman, USA, 2007
konkursis tipi: Ria saerTaSoriso konkursi arqiteqtorebisTvis,
romlebic uRrmavdebian cxovrebis azrs da uyvarT kino;
saregistracio gadasaxadi: 25 aSS. dolari
dedlaini: 2007 wlis 1 noemberi
saprizo fondi: gamofena CikagoSi da publikaciebi;
adress: ICARCH Gallery, 709 Washington Street, Evanston, Chicago, USA, 60202
E-mail: A_House_for_Ingmar_Bergman@yahoo.com
serTificirebulia
serTificirebulia
STYLE
A R C H I T E C T U R E
I N T E R I O R
D E S I G N
Tanamedrove litvis arqiteqtura
Contemporary Lithuanian Architecture
Tbilisis axali ipodromi
New Tbilisi Hippodrome
saxli wyneTSi
A House in Tskneti
xom zustad viciT?!
We All Know…
#24
Semodgoma
serTificirebulia
2007
arqiteqtura
interieri
dizaini