The Flag Stone 14, Sept 2008 - Dry Stone Walls Association of

The Flag Stone
Issue No. 14, September 2008
Patron: Sir James Gobbo
ABN 31 721 856 687
Newsletter Editor: Charmian Brent
The DSWAA makes its mark in New South Wales
by Jim Holdsworth, DSWAA President
Dry stone retaining walls around the Grevillea Garden at Mount Annan Botanic Garden.
Master waller Geoff Duggan’s Wedding Knot.
The weekend of 2–4 May this year marked the first formal
activity of the DSWAA in New South Wales (NSW). It is hoped
that it will also mark the beginning a formal presence of the
DSWAA in that State.
Former Committee member and master waller Geoff Duggan
is a landscaper at the Mount Annan Botanic Garden, near
Campbelltown, south of Sydney. Over recent years, Geoff has
conducted dry stone walling workshops at the Garden which
have been attended by more than 300 people. Their labours,
under Geoff ’s expert tutelage, resulted in the construction of
several hundred metres of dry stone retaining walls to create
planting beds for the Grevillea Garden, a new feature of this
extensive public gardens.
Friday, 2 May was to be the day for the Grevillea Garden to be
opened and the yellow sandstone walls glistened in the autumnal
sun. The Garden was opened by Angus Stewart, from the ABC’s
Gardening Australia. I spoke on behalf of the DSWAA,
reminding the guests of the passion that Geoff has for his craft
which he has devoted to these walls and other dry stone
structures in the Garden, and giving some background to the
aims of the DSWAA.
After lunch, several of the people who had helped build the
walls joined our Secretary and me for a meeting to discuss the
formation of a group of DSWAA members in NSW. Following
the meeting, Geoff then took us on a tour of the grounds which
are also home to a wide range of interesting public art
Setting up a NSW interest group: the meeting at Mount Annan Botanic Garden.
Walls in the Kiama region of New South Wales.
Walls in the Kangaloon region, east of Bowral, New South Wales.
installations, including a spectacular dry stone work entitled,
Wedding Knot designed and built by Geoff and ably assisted by
Victorian wallers Alistair Tune and David Long. Wedding Knot is
one of two dry stone sculptures on the Mount Annan site, the
other, entitled Door to the Sun was built by Geoff in 2003 during
the time our then Secretary Raelene Marshall’s Exhibition A Stone
Upon A Stone was on tour.
On Saturday, a tour of walls in the Kiama area was arranged.
Geoff led two car loads of us and we travelled through some
delightful rural areas east of Bowral, viewing fine examples of
new and older walls along the roadside and at gates to properties,
before meeting our hosts for the afternoon at the hotel in
Jambaroo. Showing us around were Kiama Municipal Council
engineer Bryan Whittaker, ex-Councillor Les Davey and Council’s
resident dry stone waller Ian Downes.
The rolling hills of Kiama are renowned for some excellent
dry stone walls, set in open farming country just inland
from the coast. British immigrant ploughman Thomas
Newing, who arrived in the area in 1857, is credited with
constructing many of the walls from the local volcanic rock.
Many of these walls are maintained by the Council as a tourist
feature of the area. Interestingly, what is probably the
first comprehensive survey of dry stone walls in Australia
is of Kiama’s walls, undertaken in 1988 by Mayne-Wilson
and Associates.
2 THE FLAG STONE, ISSUE NO. 14
We were fortunate to visit two of the district’s early properties.
At Ayr Park Homestead we inspected a massive dry stone culvert
which carries the driveway to the house across a broad gully. The
current owner, David Green, is progressively restoring this
impressive structure, and sees his role as an important custodial
one for the district’s early European heritage.
After a visit to Saddleback Mountain for a panoramic view out
over the countryside and the Pacific Ocean, we visited the new
residential suburb of West Kiama, where former farm boundary
walls have been preserved, now serving as the front fences in a
recent housing estate. It is commendable that the Council
recognised the practical and heritage value of incorporating these
old roadside walls into a new residential subdivision, even if they
have lost their rural context.
A late afternoon tea was taken at the Robert East Reserve, a
small park overlooking the ocean at Bombo, north of Kiama,
where a dry stone wall forming a circle some 30 metres across
has been restored by the Rotary Club of Kiama and the Council.
The wall is thought to be a yard to hold horses used in local
quarrying operations in the 1880s.
Kiama Council is to be congratulated for its commitment in
promoting its walls, restoring some, and building dry stone walls
as entrance markers to some towns and villages. The area
provides opportunities to see dry stone walling in many different
types of structure and setting.
Sunday was a highlight of the weekend because it presented
the chance to visit one of Australia’s oldest and most extensive
groups of dry stone walls – the Great North Road. Eight of
us, with Geoff Duggan at the wheel of the Botanic Garden’s
mini-bus, headed to Wiseman’s Ferry on the Hawkesbury
River, where we met Elizabeth Roberts, the executive director
of the Convict Trail Project. Extending from Hornsby to the
Hunter Valley, a distance of some 240 kilometres, the Great
North Road was the first inland route between Sydney and the
food bowl of the Hunter. Built by convict labour between
1826 and 1836, the parts of the road near Wiseman’s Ferry are
an engineering feat of massive proportion.
After a picnic lunch we headed on foot up the broad and
slightly inclined Great North Road north out of the Hawkesbury
River valley towards the upper plateau. The road is about six
metres wide and is now a popular walking path through the
hilly native bushland. South of Wiseman’s Ferry, however, the
road is still used by vehicular traffic!
DSWAA members headed on foot up the broad and slightly inclined Great North
Road north out of the Hawkesbury River valley towards the upper plateau.
Retaining walls on the Great North Road are beautiful to look at, especially given
the bushland setting and the history they represent.
What makes this part of the Great North Road so
impressive is the remoteness of the location, the crude tools
and equipment, and the unskilled labour used to cut and blast
into the often rocky hillsides to build the long retaining walls,
culverts and the road itself. Some retaining walls are six or
more metres high and over 100 metres long, constructed of
hewn stones laid in ashlar pattern and showing great skill in
construction. They are beautiful to look at, especially given
the bushland setting and the history they represent. This part
of the road is marked with interpretive signs telling the story
of the convict gangs, life on the road and the role of soldiers
and convicts in this relatively harsh environment. Elizabeth’s
passion for the road, its history and its preservation was
infectious, and we all appreciated the opportunity to have
such a knowledgeable guide to show us much more than the
casual visitor would see.
It is important that the DSWAA and its objectives are
known to State bureaucrats and, on the Monday, Raelene
Marshall and I met with senior staff of the Heritage Branch
of the State Department of Planning at their offices in
Parramatta. This was a most useful introductory meeting and
we were able to provide information about the DSWAA and
express our hope that the State takes an active interest in
preserving dry stone walls throughout the State. Thanks are
particularly due to Stuart Read, heritage officer, who had
joined us on the Saturday for the Kiama tour, for his interest
in assisting us with contacts in local government in NSW.
This first formal visit of representatives of the DSWAA
to NSW was a successful initial step in establishing a
presence there. A number of people joined the DSWAA, the
Convict Trail was made an honorary member and the potential
for interesting field trips to the Sydney region in the future
was explored.
The next step is to form a group of active members in
NSW which can promote the goals and vision of the
DSWAA.
For further information, visit:
www.rgbsyd.nsw.gov.au
www.kiama.com.au
www.convicttrail.org
www.heritage.nsw.gov.au
Crude tools and equipment, and unskilled convict labour were used to cut and blast
into the often rocky hillsides to build culverts such as this on the Great North Road.
Some retaining walls are six or more metres high, constructed of hewn stones laid in
ashlar pattern.
Contributions for
The Flag Stone
invited
Pictures of unusual
walls/damaged walls
Dry stone wall-related literature
Any item of interest to members
of DSWAA
News from overseas
Deadline for the February 2009
issue is 14 January 2009
All material to: chabrent@bigpond.net.au
THE FLAG STONE, ISSUE NO. 14
3
President’s Message
Jim Holdsworth
Greetings!
Our fourth Annual General Meeting was held at the Ballarat
Club on Saturday, 14 June. Highlights of the meeting were the
presentation of the Annual Report, election of office-bearers and
committee members for the next two years, and a talk by local
historian, academic and DSWAA member Anne Beggs Sunter
about Ballarat’s bluestone heritage. Anne’s excellent illustrated
talk is reported elsewhere in the newsletter.
The Annual Report included reports by outgoing office-bearers
and the financial statement for the year to 31 May. If any
member would like to receive a copy of the Annual Report, please
contact our new Secretary, Andrew Miller, using the details on
the back page.
As I said in my annual report, the DSWAA has been
marvellously and diligently served by our outgoing Secretary,
Raelene Marshall, whose behind-the-scenes work has kept the
administrative and operational side of the DSWAA moving
ahead over the past four years. Raelene is our new VicePresident. A new face on the Committee is Sandra Fitzgerald
who has taken on the role of membership officer. I welcome her
and thank retiring Committee members Kathy Woodward and
Geoff Duggan for their valued contributions over recent years.
Fortunately, both remain active members.
Your new Committee and Working Group met on Saturday,
9 August to do some forward-planning. We reviewed a long list
of current and proposed projects and activities and resolved to
focus on a manageable scope of work and a program of events
that collectively will not only advance the DSWAA’s vision but
provide opportunities for members and their friends to
participate in activities that will be of practical and social interest.
A couple of projects are worthy of specific mention. One is
the ‘Gateway Project’. The idea of a roadside interpretive site
about the area’s dry stone walls, on the Princes Highway in the
heart of Victoria’s Stony Rises, was an initiative of the DSWAA.
Committee member Josie Black is part of a working group,
which includes representatives of Corangamite and Colac-Otway
Councils, local arts associations and VicRoads. Josie has reported
good progress on the enthusiasm of all parties, the selection of a
site, and a process to prepare a brief for the design of the site
and its interpretive material (see ‘Gathering stones’, p. 9).
Another vital project is the upgrade of our website, which was
launched at our Inaugural Dinner in 2006. It’s time to make the
website more engaging and informative and to maximise its value
as a means of communication with our members and the wider
community. Andrew Miller is co-ordinating this upgrade, and we
can look forward to a new era in the way we promote the
DSWAA and its activities.
Also, we are soon to launch an online Directory of Wallers. Dry
stone wallers are in great demand, whether to repair existing walls
4 THE FLAG STONE, ISSUE NO. 14
or build new ones. The Directory will provide details
of people who work in dry stone construction, wherever they
live in Australia.
Other projects include: a widely-distributed brochure about dry
stone walls in Australia, to be available in tourist information
centres in places where walls are prevalent; a 2009 Calendar; and
another round of our popular greeting cards.
As for field trips and other activities, our next event is a visit to
the dry stone walls of the Adelaide Hills and Barossa Valley,
over the weekend of 11–12 October. Planning is well under way
and the weekend will provide not only the chance to tour some
of the Barossa’s best dry stone walls, but to learn of the history
of that delightful area and enjoy the hospitality of our South
Australian colleagues and strengthen the national identity of
the DSWAA.
On Saturday, 15 November we propose a field trip, possibly to
the area around Skipton, followed by a Member’s Dinner in
Ballarat, with a guest speaker.
Look out for a future Bulletin with more details of these
upcoming field trips.
Your Committee looks forward to working on your behalf and
on behalf of wall owners everywhere, to preserve the best
examples of this country’s dry stone heritage and to promote the
craft of dry stone walling. We want to give you the chance to see
and learn about the role of dry stone walling in the development
of those parts of the country where walls exist. Your Committee
looks forward to seeing you at our field trips.
There is always room for more members to become actively
involved in the DSWAA. If you have some enthusiasm for what
the DSWAA does, and would like to contribute a little of your
time or ideas, I would be very pleased to hear from you.
I look forward to seeing you near a dry stone wall somewhere
soon!
Jim Holdsworth
‘The Association’s vision is for dry
stone walls to be widely recognised for
their unique place in the culture and
economy of Australia and for the
legacy they represent; that this
recognition is manifested by appropriate
statutory protection and landowner and
community respect and celebration; and
that the craft of dry stone walling
grows as a modern reinforcement of the
contribution that dry stone walls have
made to the culture of early settlement
in Australia.’
Dry stone walling as sculpture
By John Cox, DSWAA member
On a recent trip to the UK, I was able to spend time with some
professional stone walling friends. They were building a wall
with the help of volunteers, who were there to get a ‘taste’ of
what dry stone walling is all about.
I also spent a cold, wet (snow forecasted) Saturday at
Grassington, Wharfedale, Yorkshire with members of the Otley
and Yorkshire Dales branch of the DSWA on a ‘practice meet’;
these are held every fortnight so that non-professionals can
literally practise walling. Practice meets are usually organised at a
location where existing walls have fallen into disrepair. These
can be on a farmer’s property or, in the case of Grassington, the
Woodland Trust. It is a social day out with a lot of chat among
people of similar interests.
I then followed this up with attendance at the Otley and
Yorkshire Dales branch meeting in Otley, of which I am a
member. Meetings are held once a month with general business
and then a guest speaker. Generally the topic is stone walls or
associated structures – how unusual!! The guest speaker at the
meeting was Steven Allen, one of the UK’s noted wallers. In
recent years, he has spent a lot of time walling with sculptor
Andy Goldsworthy and he spoke of a recent project in the USA.
This made me wonder what ‘the art of dry stone walling’ is;
is it just the skill of putting up a wall or can it be more? Is it
just building a retaining wall or can it be creating a stone
structure that enhances and leads the eye to perhaps a Grevillea
Garden? Geoff Duggan’s Mount Annan works are certainly art.
I have a number of books illustrating Andy Goldsworthy’s
art. Many of his sculptures are dry stone structures, quite often
these are the rebuilding/recreation of an existing wall or the
building of, with stone, a ‘sculpture’. As his work interests me, I
visited the Yorkshire Sculpture Park near Wakefield to view
some of his work that was constructed for an Andy
Goldsworthy retrospective in 2007. There are three dry stone
features on permanent display in some 200 hectares of
parkland. You could say that his works are ‘just a dry stone wall’
but there are always twists to the feature whether it be a stone
slab as in the Shadowstone Fold’, the fact that the structure has
no entry point Outclosure, or the pits created within a wall that
have suspended oak trees in them – Hanging Trees.
Much of Goldsworthy’s art uses natural elements such as
stone, leaves, wood, ice, mud, bracken. All these elements will
eventually rot, melt, disintegrate or, in the case of stone walls,
just fall down. It is this fact that makes one ask the question is
‘nature’ ‘art’? Degradation in nature can start the instant that
something is formed or it can take years, maybe hundreds of
years to disintegrate.
Dry stone walling is an art; it is probably one of the oldest
skills known to man; it is also a dying art – steel fences are
much cheaper and quicker to build. We can slow this decline by
using those old skills to create our own sculptures and it doesn’t
have to be a Constable – picture perfect, it could be a Picasso
with a few lumps here and there. The point is to practise the
skills as they do at a ‘practice meet’, talk about it, and just enjoy
walling.
The walls/sculptures (art) we build will eventually fall down
but then – that’s nature.
Hanging Trees by Andy Goldsworthy
Outclosure by Andy Goldsworthy
Shadowstone Fold by Andy Goldsworthy
THE FLAG STONE, ISSUE NO. 14
5
No fixed boundaries
By Raelene Marshall, DSWAA Vice-President
My long and public-transport-challenging journey to
Cortemilia in Northern Italy in October last year was the last
stopover before returning home at the tail end of my
European dry stone adventures in Spain as discussed in Issue
No. 13 of the Flag Stone. During the Dry Stone Walling
Congress in Mytilini in Greece in 2004, I had met and been
very impressed by the creative ideas and community work of
Donatella Murtas the Director of a fascinating and quite
unique EcoMuseo in the centre of the Cortemilia township.
Since Greece, Donatella and I had kept in touch and the
EcoMuseo was expanding its horizons to learn more and
educate its visitors about Italian migration to other countries.
As part of that venture, Donatella asked if I would do a
presentation to the local community during their planned dry
stone wall workshop and chestnut harvesting celebrations in
October. Our September 2006 issue of the Flag Stone, that
described our DSWAA field trip to the areas in and around
Hepburn in the August had also heightened her desire to
educate her contemporaries and show at first hand images of
the stone walls made by the Swiss Italian settlers to the central
goldfields area.
Cortemilia has a population of 2500 inhabitants. It is
situated in the heart of the ‘Alta Langa’, an area of southern
Piedmont known for its superb wine, mushrooms, cheese,
hazelnuts and truffles. The town is dotted with several
architectural charms and, like many places in Europe, is
EcoMuseo headquarters, Cortemilia.
6 THE FLAG STONE, ISSUE NO. 14
Terraced dry stone walls on the road to Monte Oliveto.
divided into two parts, the old displaying its distant past in
the form of Romanesque-style columns and captivatingly
exquisite stone arches, and the new part with a selection of
shops, restaurants, banks and bars. Its gentle surrounding
hills are lined with rows of dry stone terraced vineyards and
crested by small, medieval villages. Local wines like Barolo
and Barbaresco provide a delicious accompaniment to a
cuisine that combines the simplicity of farmhouse cooking
with the more noble and parochial dishes of the area.
I always find it a privilege to spend time in a place where
one can, albeit fleetingly, become part of the local lifestyle
and culture. So, thanks to Donatella’s almost perfect
command of the English language, my time in Cortemilia
was to be a deep and rich experience of day-to-day life in
this somewhat remote and interesting part of Italy. There
was the very Catholic aesthetic ambience of my B&B
accommodation, the local coffee and pasta haunts and the
almost-next-door Pasticceria La Corte di Canobbio, where
the smells and fame of papa Siamo Guiseppe Canobbio and
his family’s hazelenut delicacies entice even lycra-clad bicycle
tours into town. I visited local farms, participated in the
chestnut-drying celebrations at the dry stone ‘scau’,
presented at their dry stone information forum, worked in
the EcoMuseo and became actively involved in its calendar
of cultural events and other dry stone activities.
What is remarkable about the EcoMuseo for the
‘Celebration and Protection of Terraces and Grapevines’ is
that it is the idea of one person, Donatella, who, from very
humble ‘a-desk-in-a–communal-office’ beginnings, is now
the Director of an enterprise that in seven short years has
changed the face of the Cortemelia and the social, cultural
and economic lives of many of the locals.
With the eventual support of the Piedmont area
government, Donatella has developed her idea so that today
people come from near and far to celebrate and learn about
the characteristics of this special rural area. The EcoMuseo
development has influenced the revival of the Cortemilia
township, in which its headquarters are located; the town
square has been cobbled and is again alive with people,
markets and local produce.
Interior EcoMuseo with vernacular arched ceiling and artist’s interpretation.
So what is an EcoMuseo? ‘An EcoMuseum has no fixed
boundaries. Rather it is a dynamic process whereby
communities conserve, interpret and evaluate their unique
characteristics and seek ways of sustainable development for
future generations. Although the area is well known for its
stone-walled terraces that were originally built for agricultural
purposes, what was less well understood until recently was the
aesthetic and spiritual value they have for the unique imprint
they make on the cultural landscape.
Over the past century, the area had witnessed a decline in its
social, economic and lifestyle quality, and was at best viewed
with an admiring nostalgia which had relegated it to an era of
hard labour that had passed. Modern day life began to change,
transport infrastructures and people had moved away to find
new work opportunities in the industrial centres in the north,
and those who were left behind had begun to lose their sense
of place, belonging and much-valued lifestyles.’
As mentioned, ‘the “Alta Langa” is a region of grapevines
and truffles, wild mushrooms, chestnuts and hazelnuts. Its
people are renowned for their hard work and hospitality, both
reflected in the history and architecture as well as the
traditions of the region. The unique countryside gives the
observer an emotional experience that is difficult to describe
or forget. It offers both a sense of space and yet infinite
miniature detail at the same time.’ So the aim of establishing
an EcoMuseo was to try ‘to restore long lost traditions and to
revitalise some sense of place, purpose and nurturing for their
souls for those people who had remained in the area, and for
their descendants.’
Although philosophically an EcoMuseo has ‘no fixed
boundaries’ the restoration and creative use of the
EcoMuseo’s headquarters the ‘Palazzo dell’Ex Pretura’ has
completely revitalised and transformed community life.
Located in what was the ‘original old magistrates’ court and
seat of local administration, the renovated Palazzo now
houses the administration, a library and has rooms for
displays and demonstrations for the public.’
To step inside this ancient building from its unadorned
street façade is to walk into an artistic paradise. Every aspect
of its interior and ‘public face’ has been interpreted by artists
who have brought with them an exquisite sense of colour,
design and aesthetic awareness. Today the place is alive with
tangible evidence of the community’s participation in
workshops, storytelling and other creative industries and
produce-related activities and events.
But Donatella’s ideas do not stop at the walls of the Palazzo.
Here in Australia the term Community Cultural Development
[CCD] practice has been almost exclusively owned and claimed
by the Arts. Yet in this part of Italy I was privileged to
experience CCD as an exciting, sustainable and holistic
contribution to the daily lives of the local people. With the
help of the Piedmont area government, the EcoMuseo has
revived a local wine industry and in the ‘frazione’, or hamlet of
Doglio they have lovingly restored an ancient chestnut drying
kiln [called a ‘scau’ in the local dialect of Cortemilia].
Additionally, they have managed to gather together enough
funds to purchase and develop a rather unique farm the
‘Cascina di Monte Oliveto’ which commands breathtaking
views of the surrounding stone-terraced landscape. Originally
an estate house, it is ‘believed that Monte Oliveto may have
gained its name from the monks’ order of the Benedictine
Olivetani. Perhaps it was the monks themselves who were the
first to construct the dry stone walls created to help control
the erosion of the steep hillsides and make new flat areas for
agriculture. For it was from here, beginning in the eleventh
century, that the technique of stone terracing spread through
the valleys.’
Today the Cascina di Monte Oliveto is a hive of workshops
and agricultural activity. Local farming communities have been
actively involved in researching and reviving a range of
agricultural techniques and plantings of past times. A new
chestnut plantation and local vineyards planted with Dolcetto
d’Alba grapes that can only be grown in ‘Cortemilian’ soil
have been established and are now a working and viable
enterprises. Original seed sources of herbs, fruits and
vegetables have been sourced and tested and are now
organically produced at the Cascina di Monte Oliveto farm for
sale at the EcoMuseo headquarters and elsewhere.
Cortemilian ‘scaus’ or chestnut-drying outhouses are circular with conical roofs,
built entirely of stone and without mortar (dry stone-walling).
THE FLAG STONE, ISSUE NO. 14
7
The children of the area are also aware of the importance of
the dry stone terraces through the development of a new fairy
tale and legendary character, the ‘Giant of the Langhe’. The
Giant is now the much loved mythological figure that emerged
from Donatella’s Cortemilia Junior School competition project
that asked the children to create a story about: Who built the dry
stone terraces? This exercise was to become the first of a series
of new fairy tales, created by the children of the region in what
has now become an annual writing and publishing venture.
‘In days gone by chestnuts were a staple food in the local diet
and almost every farm had a chestnut drying out-house.
Although there are many legends surrounding when and how
the first one was built only a few of the older inhabitants had
some memories of this activity so their experiences were vital in
recreating the tradition that had disappeared over sixty years ago.
Whereas the most common chestnut drying outhouses seen
in many valleys in the Piemonte and other areas in Italy and
in Europe are square or rectangular in shape and divided into
two levels, the Cortemilian scaus are of a particular unique
design: circular with conical roofs, built entirely of stone and
without mortar (dry stone-walling). It was for this reason that
the EcoMuseo decided that as an integral and typical part of
the local landscape it was important and timely to recognise
and restore one of their unique “circular scaus”.’
The timing of my arrival in Cortemilia was perfect. Not
only was I to experience the EcoMuseo’s first dry stone wall
restoration workshop located on the scau site but it also
happened that the local farmers had begun the tradition of
the 40 days and 40 nights chestnut-drying process vigil,
whereby they build and maintain a moderate fire to dry out
the recently harvested chestnuts. Around this was planned a
range of community activities and events to celebrate the
age-old process during which the smoke rises up through a
hardwood lattice in the scau, that is then spread with
chestnuts. The chestnuts are enveloped by the warm air from
the ground beneath – a process that slowly dries them
without burning, and, once perfectly dry, they are easily freed
from their hard outer coat.
In Greece, I had given Donatella an Australian stone to
take home to Italy, and as I picked my way for the first time
up the old stone pathway en route to the dry stone ‘scau’
with her and her partner Oscar, little did I realise that what
would eventually unfold was to be a journey into yet another
world of culture, storytelling, celebration and romance.
As we drew closer, Donatella and Oscar pointed out with
much delight my Aussie stone tucked neatly into the wall of
the ‘scau’ that Oscar and the local community had so
lovingly restored some few years ago. Not only had
Donatella and Oscar between them breathed new life into
the ‘scau’ and the local community, but although they had
known each other for eight years previously, it was actually
during the restoration of the ‘scau’ that they had grown to
love each other, so when Donatella joyfully explained she was
seven months pregnant with her first child, in true Aussie style
we nicknamed the little unborn child [now called Ricardo] the
‘scau’ baby!
NOTE: the text in inverted commas throughout this article is taken
from the EcoMuseo’s website http://www.ecomuseodeiterrazzamenti.it/
The site had been translated into English, but was further transcribed
by me during my time at the EcoMuseo.
The case of the Disappearing Dry Stone Walls
By Sir James Gobbo, DSWAA Patron
When I was a junior barrister, I appeared in a case where one of
the critical issues was the presence – and disappearance – of dry
stone walls.
The case concerned a pastoral property near Werribee, called
Werribee Park. There was a dispute between the owner and the
Commissioner for Land Tax – for whom I appeared– as to the
value of the land for purposes of Land Tax. The Tax was levied
according to the Unimproved Value of the land which was to
be arrived assuming the land without any improvements, whether
buildings or such improvements as drainage, fencing and
clearing. This was sometimes described as the land in its natural
or native state.
There was inevitably dispute in this type of valuation case as to
the original condition of the land when there was sometimes
little direct evidence of this. This often led to parties seeking out
‘the oldest living inhabitant’ who could speak to the ‘native
condition of the land in question.
In the Werribee case, neither party was able to find such a star
witness and the case was sought to be argued on less direct
proofs. For the owner, for whom the late Billy Sneddon
appeared, it was argued that the area was geologically one that
was on a basaltic flow which generated much stone and boulders
on the land. The owner’s valuer declared that there had been
much clearing of rock, which had been used to create dry stone
walls and as a result, there should be a reduced value of the land
to take account of this clearance work as an improvement.
8 THE FLAG STONE, ISSUE NO. 14
The trouble with this argument was that there was little ‘rock
fencing’ on the subject property. When I pressed the owner’s
valuer in cross-examination as to what had happened to these
walls, he said that it was common for suburban gardeners to
come out to this area and load up their carts with rocks to use in
their home gardens. I was able to have him concede that it
required large numbers of weekenders coming out at weekends
to dismantle the walls – presumably without demur from the
owners. I suggested that the property should – on this
hypothesis– have been named Werribee Ghost Park or the
Property with the Diasappearing Dry Stone Walls!
The Magistrate agreed and rejected the rock clearing argument
and found for my client, the Commissioner for Land Tax.
As I am now out of touch with current valuation law, I
consulted my son, Jeremy, who is QC with much activity in
valuation and planning work. He tells me the issue of rock
excavation is still relevant in assessing Unimproved Value, now
known as ‘Site Value’. Indeed, the issue of rock excavation was
the subject of a recent decision by His Honour Justice Stuart
Morris in the Victorian Civil and Administrative Tribunal,
namely, ISPT v City of Melbourne 207 VCAT652. It concerned
whether arriving at the Site Value of a developed building, it was
appropriate to deduct the original excavation of the site
preparatory to its building construction. I confess I found the
case not nearly as interesting as my case of the Disappearing
Dry Stone Walls.
Gathering Stones...
Northern Territory finds
A reader of our website kindly sent us this information about
dry stone constructions in the Northern Territory. The
Beatrice Hill Well is located in an embankment of earth
approximately 200 metres to the west of the Windows on the
Wetlands Visitor Centre. It is 175 cm in diameter and is sunk
to a depth of 7.7 metres. It is lined with banded ironstone,
which spirals down the shaft. Banded ironstone, which is
readily found in this area, consists of alternating layers of
chert, haematite, and magnetite, giving it a strong dark red
colour; The Beatrice Hill stone wall fences are believed to have
been built in the 1880s, around the same time as the well. The
stone wall fences were rediscovered when surveys were
conducted for the Beatrice Hill area in 1956. Despite the
relatively poor construction of the stone walls, they remain solid
Manifold (CA/DSWAA), John Menzies (CA/DSWAA) and
Josie Black (CA/DSWAA). Brendan Grace of VicRoads is
supporting the project and has attended all three meetings.
The working group has defined the task and with
VicRoads has inspected several potential sites as close as
possible to the boundary between the two Shires. The group
has identified that the site will be near the eastern entry to
the Stony Rises, on the south side of the Princes Highway,
able to accommodate parking for a bus and several cars,
have a pullover lane, include a dry stone sculpture and
information/interpretation boards. The preferred site is the
truck parking bay near the Swan Marsh T-intersection with the
highway, and almost opposite the former rabbit factory.
VicRoads has said that this site is suitable and we are now
waiting for formal confirmation.
The next step is to write a brief for the design of the site
and call for expressions of interest from suitably qualified
people. The intention is to secure funds from both LGAs
in next year’s budget and then seek matching funding from
other sources.
Josie Black OAM
Irish walls
Above: the Beatrice Hill well, Northern Territory.
Below: the Beatrice Hill stone wall fences are constructed of banded ironstone.
Dry stone walls gateway in the Stony Rises
A small working group has been formed to scope this project
and already has held three meetings since April. The project is
to plan and oversee the design and construction of a dry
stone structure and interpretation panels which will mark the
entrance to the Stony Rises in south-west Victoria, where are
found the most extensive and impressive networks of dry
stone walls in the country.
The project brings together a partnership of Corangamite
Shire, Colac Otway Shire, Corangamite Arts and DSWAA.
The members of the working group are Cr Chris Smith
(COS), Cr Ruth Gstrein (CS), Gail Watson (CA), Chris
Maguire (CA), Kathy Woodward (CA/DSWAA), Louise
Word spreads about DSWAA members’ eclectic interests and friends send photos.
Above: this house at Ballyvaughan, County Galloway belongs to a GP friend of
John Menzies, and he does occasional locums in Camperdown.
Below: southern Ireland, along the west coast, ‘It just looked such a beautiful
example of the old craft that I pulled up and grabbed a snap.’ Photo: Ian Baker.
THE FLAG STONE, ISSUE NO. 14
9
SOUTH AUSTRALIA: field trip to Woodchester
By Steve Botroff, DSWAA member, South Australia
In May, the South Australian Branch of the DSWAA went
on its second field trip to the small hamlet of Woodchester,
45 kilometres south-east of Adelaide, near Mount Barker
Initially, we met a local lady, Margaret, a long-term resident of
the hamlet who had dry stone walls all around her own home and
her family’s property in Woodchester. She said she would be happy
to show us around as her grandfather, William Moore (1859–1939)
had built these walls as well as many others in the region.
The walls were built of bluestone and limestone – some
individually of each type of stone and one long wall built from
a mixture of bluestone and limestone together.
Margaret’s son’s backyard boundary dry stone wall, with a mixture of limestone
and bluestone.
After admiring the work of William Moore, we wandered
further down Callington Road to look at other walls in the
main street of Woodchester, which were built in the 1990s
and early 2000s by a local man, and they really took our
breath away. Unfortunately, the builder had moved away in
2007 so we were unable to find out where he learned his skills
as a waller and what had inspired him to build such beautiful
walls in this little hamlet.
Five kilometres further on we came across some largely
intact old stone walls leading into a farmstead that terminated
Highland Valley Road. We walked along the walls to examine
The tight stone work done by the dry stone mason in Woodchester.
The unique walls that line Highland Valley Road.
10 THE FLAG STONE, ISSUE NO. 14
The limestone walls south west of Woodchester.
the unique style of construction. A mixture of large, chunky
and sometimes long rocks were placed in a vertical position
and interspersed with smaller stones, some in vertical and
some in horizontal positions. The builder of these walls
clearly knew what he was doing.
After that, we eventually retraced our steps and headed back
north towards Woodchester where we came across a short
section of limestone dry stone walling. The stay was brief as we
were in danger of being cleaned up by close passing traffic,
including a few big trucks.
The wall on Wellington Road, heading back towards Mount Barker.
It was time to get back onto our original schedule and head
towards Wellington Road to view a section of walling that
parallelled the road and then headed north-east into the hills
towards Hartley. I love the setting of this area of walling as it
followed the line of a creek and headed steeply up the hill. I
wanted to go and get close-up photos of the wall but was
reminded that it was on private property so my exuberance
had to be checked.
One more short drive led us to the last walls to be viewed
on the day at Falkai Road. We had a quick look and took more
photos before sitting down for our meeting to make plans for
the rest of 2008. Our second field trip was enjoyed by all,
with each member confirming their ongoing interest in the
local branch of the DSWAA.
The walls on Falkai Road, north of Woodchester.
Bluestone Ballarat
Summary of presentation by Anne Beggs Sunter, Historian, University of Ballarat, at the DSWAA AGM
Geology
Originally gold was deposited in granite, which was
gradually eroded and deposited in the base of streams.
A number of volcanic eruptions millions of years ago
deposited layers of basalt over the landscape, the last being
some three million years ago. In some places the basalt
comes very close to the surface, especially in the west part
of the city of Ballarat, from Lake Wendouree southwards
towards Sebastopol.
Goldminers had to penetrate these layers of basalt to
reach their El Dorado. In some cases, such as the Band of
Hope mine in Sebastopol, it took seven years to penetrate
the more than 300 metres to the gutter, where they finally
found gold. The miners had to drill down through layers of
basalt, underground lakes, sand deposits and more basalt
until they found the buried rivers. Great perseverance and
faith were required!
But the basalt was found to be useful as a building
material. A number of stone quarries were opened to
supply building materials for the maturing city of Ballarat.
The first was at View Point on the margin of the swamp
that became Lake Wendouree. More quarries opened along
Pleasant Street and in the Redan area. For quarrymen, it was
hard and dangerous work, that supplied stone to the more
than 70 stonemasons working in Ballarat in the 1870s.
Styles of building
•
•
•
•
Snack work – blocks cut of different sizes and fitted
together in broken courses. Lines where they meet lined
in black or white (St Patrick’s cathedral, Dana Street
School 1858).
Course work, using regular rows of stone.
Smooth ashlar with basalt chiselled absolutely level
(Craig’s Hotel).
Rough ashlar, surface left unchiselled (Goller’s Building –
1860).
Entrance to Ballarat Gaol.
•
Combination of rough and smooth ashlar techniques
with very pleasing results. The Ballarat Town Hall 1870.
The last bluestone building in Ballarat was St Alipius
Tower, constructed in 1924
• Monuments – often combined bluestone, granite and
marble – for example, Eureka monument, Eight Hours
monument at the bottom of Sturt Street.
Importantly, within the City of Ballarat’s Heritage Study and
its Heritage Precincts (C58 in Ballarat Planning Scheme) the
Channels and Rivers Heritage Precinct has been created –
many kilometers of underground channels, taking old creeks
and the Yarrowee River underground through the heart of the
city. All lined with bluestone pitchers.
Some of the old laneways remain around town, still paved
in bluestone blocks. Bluestone gutters are also a feature of
Ballarat’s streets, and are noted in the Heritage Study.
Dear Member
The South Australia group welcomes you to the DSWAA's first official meeting and field trip in
South Australia during the weekend of Friday, 10– Sunday, 12 October. A fascinating program of
field trips, a practical walling demonstration, dinners, an informal gathering and picnic lunches, as
well as opportunities to visit the wineries of the Barossa valley, are all part of what will be an
excellent weekend.
I encourage you to set this weekend aside to visit some of South Australia's finest dry stone walls in
superb landscapes. For interstate members this is the perfect opportunity to see some different walls
and to meet our South Australian colleagues. Your participation in the weekend will help strengthen
the national flavour of the Association.
I look forward to seeing you in South Australia. I'm sure you'll enjoy it!
Jim Holdsworth
President
THE FLAG STONE, ISSUE NO. 14
11
Stonewalling in the Stony Rises:
Mr George Castles’ recollections
Reprinted with kind permission of the Camperdown Historical Society
Interviews with some men are comparatively easy, while with
others some finessing has to be done. This was the case with
Mr George Castles, nevertheless he had some very interesting
incidents to relate. His father came out from the Old Country
some time in the forties, long before the discovery of gold in
Victoria caused a stir all over the world. The first report that gold
existed in Australia, however, goes back to 1814 when it was
stated that some convicts, cutting a road towards Bathurst in
New South Wales, had found a considerable quantity but were
forced to keep silent by threats of being flogged. Mr Smyth, a
surveyor found gold near the Ovens River in Victoria in 1844,
while gold found in the Pyrenees Mountains was exhibited in the
shop of a Melbourne jeweller in 1848, the year before the
Californian gold rush started. The gold rush commenced in
Victoria in 1851 and it was in February of that year that Black
Thursday cast a pall over the whole of the colony. Mrs Castles,
the mother of Mr. Geo Castles, found it necessary to take refuge
with her two sons (George’s elder brothers) in the Barongarook
Creek, which empties itself into Lake Colac, so dense was the
smoke screen and so awful were the bush fires. The dreadful
happenings at that time were recounted time and again to the
children by the parents who had experienced much peril and
anxiety, and the Castles’ boys were made very familiar with those
experiences. Mr George Castles was born in the Colac district on
19 January, 1852, and spent his very early days in that part of the
colony. At the tender age of eight years George was learning to
drive bullocks and was not far into his teens when he was using
the whip on a team of bullocks for Mr David Prosser, one of
the champion ploughmen of the colony. They used the swing
ploughs in those days, having mould-boards and a wooden
frame, but no wheels. With these primitive ploughs the experts
could do wonderful work and drive a straighter furrow probably
than the champions of today.
Travellers by road between Colac and Camperdown in bygone
days right down to the present time must all have noticed the
splendidly constructed stone walls that line the road between
Pirron Yallock and Weerite. They were not only cattle and sheep
proof but prevented also the entrance to the land of the rabbit,
that destructive rodent that since its importation into the country
has cost landholders and the Government of Victoria millions
upon millions of money in the endeavour to exterminate. The
war against the rabbit stills goes on, but Master Bunny has more
than held his own, and his ravages have extended far and wide
throughout the several States of the Commonwealth. Speaking
of the rabbit, Hutchinson’s Australian Encyclopedia published in
1892, has the following particulars: ‘Rabbits were first introduced
into Victoria about 1865, and into Tasmania about the same
period, by the Austin family. For some time they were carefully
protected, but they gradually spread from Winchelsea, on the
Barwon River near Geelong all over the south western district of
Victoria, and thence all over Victoria, New South Wales and the
southern portions of South Australia and Queensland. The
rabbits breed all through the year, and the young, driven off by
the old rabbits, keep on migrating further and further north.
12 THE FLAG STONE, ISSUE NO. 14
George and Emma Castles
They quickly found their way into the Stony Rises, which was a
natural breeding ground, and there they have remained in full
possession despite all the efforts made with poison fumes,
trapping and other means to exterminate them.
Mr Castles remembers when hundreds of pairs were
‘dispatched’ three times weekly in several of Hallyburton’s four
horse waggons to the Colac Rabbit Preserving Factory, which
used to employ several hundred hands in preserving bunnies and
supplying the public with mulligatawny soup and very appetising
it was, too. Later another factory was established in Cressy Road,
Camperdown, and for years was a busy going concern. Naturally
landholders became alarmed at the depredations of the rabbit,
and to counteract its steady encroachment on their property,
Messrs Manifold Bros. went in for stonewalling throughout and
round almost the whole of their extensive holdings. Mr Castles
was one of many stonewallers who obtained employment at this
work and he built many a mile of fencing. Mr John Manifold was
one of the original pioneers of the Western District, and it was
with his brother, Peter, that Mr Castles had most to do when he
was engaged on stonewall work. Contracts were let at so much
per chain and Mr Peter Manifold saw to it that the work was
thoroughly carried out to schedule. All along the wall alignment
trenches had to be dug to a depth of 3 ft 6 in., and these
trenches were filled with stone and the walls built on this
foundation, being 3 ft wide at the base, and thus the burrowings
of the rabbits were thoroughly countered. A properly built
stonewall is a work of art and expert workmen in the early days
commanded good wages. The stonewalls all over Purrumbete and
portions of Wiridgil stand today as monuments to the hard working
stonewallers who erected them from 50 to 60 years ago. The walls if
given fair treatment are as sound now as the day they were erected and
infinitely better than any post and rail fence that was ever built. Mr
Castles can go back to the time when in the forest country most of
the land was enclosed by log fences, or perhaps the dog-leg fence, but
as these were only harbours for rabbits, the Government in later years
had them destroyed and other fencing erected. Amongst stonewallers
working in his time, Mr Castles can recall Breen, Tom Bolden, Harry
Fleming, Geo. Bateman Peter McPhail, Bloom, Bill Hands and Tom
Carr. There were numbers of others, but just at the moment he
could not remember them. While mention has been made of
the fine stonewalls lining the Princes Highway, Mr Castles considers
the best built wall was that from the factory at Pomborneit to the
Duck Hole. This stonewall, 4 ft 9 in. in height without the cap, was
perfectly constructed. It was an extra good man that could average
anything near a chain a day in building stonewalls.
One stonewall fence built by Messrs Manifold ran approximately
north and south and crossed the Princes Highway at right angles
about eight miles from Camperdown. They had a rabbit-proof
gate erected on the roadway and appointed a gatekeeper to look
after it day and night. Mr Castles says it was not a toll gate, as has
been erroneously stated, but was controlled by Messrs Manifold as
a safeguard against rabbit encroachment. The gatekeeper was a
one-legged man named Johnny Callaghan, who had met with an
appalling accident. It happened while driving a horse and dray. One
horse was hitched on behind and becoming frightened, the animal
pulled back, causing the dray to turn over on its side and the
unfortunate driver was pinned by the legs, both of which were
fractured. He suffered awful agony but was unable to extricate
himself. Eventually, however he managed to get a piece of the
prop-stick of the dray, which the horse had broken, and with this
he levered himself free. Crawling away with broken legs, Callaghan
was out all night and next day was found on Leslie Manor Estate
in a dreadful plight surrounded by bullocks. Under treatment one
leg was saved, but the other had to be amputated and was replaced
with a wooden one, but through it all he has shown marvellous
fortitude, and when he was able to get about again he was given
the job as gate keeper.
In connection with Cobb & Co’s coaches which used to run from
Geelong through to Warrnambool, of the drivers Mr Castles
remembers best was Noah Holloway, and he had sound reason for so
doing. George is a thorough humorist and tells this tale against himself
with much gusto. Walking along the road in the Birregurra district one
day the coach passed him and he hopped on to the step on the
opposite side to the driver, Holloway. All went well for three or four
hundred yards, when the long lash of the driver came round and
caught him across the nether garment, but Castles hung on and
received more cuts. He was urged by some commercial travellers
inside the coach to join them, which he was not game to do, but hung
on and ‘took his medicine.’ Fearing, however, that he might get a cut
across the face and perhaps the eyes, with the whip, Castles eventually
jumped off the step and fell on his knees on the hard macadamised
road, sadly damaging his trousers and sustaining grievous wounds to
his knees. Holloway, who lived in the Birregurra area, was the father of
a large family, of whom Mr J. Holloway, herdsman and dog inspector
of the Shire of Hampden, is the eldest son.
Mr Castles was working in the Stony Rises in 1869 and during his
lengthy stay in that district he had periodical trips to Camperdown
and made a lot of friends, many of whom must have passed on to
that bourne from whence no traveller returns. Nevertheless he
claims to know more of the Colac district, about which in the early
days he could give a good account. He was always a keen sportsman,
with an especial penchant for greyhound coursing and shooting.
When in Birregurra he had a half-bred greyhound which was very
speedy, and with which he won a number of trials. As for the
shooting, it is enough to say that last year when the quail season
opened he got 17 birds from 19 shots, an extraordinary
performance from a man at his time of life. He had been out after
quail again this season and did very well, but contracted an attack of
rheumatism, which has kept him somewhat of a prisoner for two or
three weeks. Mr and Mrs Castles have retired from active life and
have taken a house in Scott Street, Camperdown, and their many
friends will wish them a continuance of good health and happiness.
From The Camperdown Chronicle 1932.
Photos of Tasmania in the winter, to go with Andrew Garner’s article on p. 16
‘The office”, 8 am.
Welcome sun on new wall at Dairy Plains, August 2008.
THE FLAG STONE, ISSUE NO. 14
13
Intangible Cultural Heritage: a new field of endeavour
By Raelene Marshall, DSWAA Vice-President
So what is Intangible Cultural Heritage and how
and why should it be preserved?
‘Doing is akin to dancing on stage. We live, we are seen. We
breathe meaning and purpose. We are part of the ongoing
creation process, if we so choose. Whose lives have we touched?
Whose lives have touched us? Who have we become after the
dance?’ This quotation by Deborah Ruiz Wall OAM, which was
included as part of the proceedings at the National Trust’s
Intangible Cultural Heritage Symposium seems to sum up the
flavour of the two days of presentations held at St Peter’s church
hall in Gisborne Street, East Melbourne on 1–2 July.
As we escaped the cold morning winds of the street outside,
we were greeted by the stained-glass dust-particled glitter of
morning light beams and a warm and welcoming smell of hot
coffee and cake. At first glance, to gather together people from
across Australia and indeed the world, into the ambience of a
church hall seemed a tad unusual. However, over the two symposium
talkfest days, the fact that we were being hosted by the earliest
Anglican city church to survive on its original site, in a way
became symbolic of the wide range of stories and ideas that
emerged as this relatively unexplored topic began to unravel.
Under the chairmanship of Barry Jones, day one
commenced with an introduction by the Honourable Justin
Madden, Minister for Planning and former well-known
footballer and architect, who discussed such things as the need
to celebrate and preserve the diversity of Melbourne’s cultural
lifestyles, oral histories and crafts. Of particular interest to the
DSWAA, was the part of his presentation that outlined the
Heritage Council of Victoria’s authority to now include on its
Register, objects [with their associated stories and traditions],
archaeological sites and cultural landscapes.
Dr Celestina Sagazio, one of the two National Trust
speakers then explained that ‘one of the main reasons for
staging the symposium was the nomination by the Melbourne
Football Club for classification by the Trust.’ Celestina pointed
out that this had ‘been a very challenging issue to deal with’ as
their ‘current classification system, like the systems for
statutory bodies, is founded on traditional planning principles
which focus on protection of tangible historic fabric’. Celestina
said that the Trust was ‘keenly aware of the complexity of
conserving intangible heritage, and that they were confident
that the symposium would “play a role in guiding” their
future directions.’
The purpose of Celestina’s presentation, which was jointly
presented with Tracey Avery, was to ‘review the National Trust's
treatment of intangible cultural heritage and to examine its
current projects. Over the years, the National Trust in Victoria
had been slowly edging towards recognising aspects of intangible
cultural heritage although ‘most of its work has involved
significant places and objects as defined by the Burra Charter.’
Celestina pointed out that some ‘aspects of intangible cultural
heritage have also been acknowledged in the Trust’s
classifications’ such as ‘historic properties, collections,
publications and recent schemes to identify cultural icons, such as
Aussie Rules football.’
The Keynote Speaker Richard Engelhardt was educated in
anthropology and archaeology at Yale University and Harvard
14 THE FLAG STONE, ISSUE NO. 14
University. For ‘the past 30 years Richard directed archaeological
and urban heritage conservation projects throughout Asia and
the Indo-Pacific region. In 1981, he joined the United Nations
system and worked with the Economic and Social Commission
for Asia and the Pacific...and from 1994 until his recent
retirement served as the UNESCO Regional Adviser for Culture
for Asia and the Pacific.’
As an introduction to the question, What is Intangible
Cultural Heritage?, Richard’s presentation was most
enlightening and set the scene for a challenging and thoughtprovoking debate both generally and also in the context of its
relevance to the DSWAA’s Statement of Purposes. Richard
spoke of Cultural Heritage being ‘more than the monuments
and objects that have been preserved over time’ and about the
‘cultural heritage of humanity also including the living
expressions and traditions that countless communities and
groups in every part of the world have received from their
ancestors and are passing on to their descendants. This
intangible cultural heritage provides communities, groups and
individuals with a sense of identity and continuity, helping
them to understand their world and giving meaning to their
lives and their way of living together. A mainspring of cultural
diversity and an unmistakable testimony to humanity’s creative
potential, intangible heritage is constantly being recreated by its
bearers, as it is practised and transmitted from person to
person and from generation to generation. In recent decades,
living heritage has gained increasing worldwide recognition and
become a focus of international cooperation.’
The presenters and papers were representational of all walks
of life and cultural diversity – such as Marcia Sant’Anna, the
Director of the Intangible Heritage Department, National
Institute of Historic and Artistic Heritage (Iphan),
Safeguarding Intangible Cultural Heritage in Brazil. Marcia’s
paper highlighted the awareness of ‘the role of popular culture
expressions on the formation of Brazilian cultural identity
related to the thirties, and belonging to the context of the
creation of the National Institute of Historic and Artistic
Heritage the country’s first governmental institution dedicated
to the protection of cultural heritage. However, this both
complex and comprehensive conception of cultural heritage
was supplanted, still in its birthplace, by a notion of “historic
and artistic heritage” more strict and applicable only to
movable and immovable assets. However, during the seventies
they broadened the notion of cultural heritage together with
the understanding of cultural assets as “landmarks” in the
nation’s formation and also as tangible and intangible resources
for its social and economical development.’
Dr Heather Builth from Monash University’s School of
Geography and Environmental Science presented a Victorian
example of Intangible Heritage of indigenous Australians
which she ‘broadly defined in terms of “oral traditions,
expressive culture, the social practices, ephemeral aesthetic
manifestations, and forms of knowledge carried and
transmitted within cultural communities”. Despite the vast
regional diversity in the tangible material culture across this
continent, there is an underlying thread that joins the different
language groups via shared spiritual values. In essence, the
indigenous relationship with country is based on a highly evolved
awareness of the non-material world or the spirit of their
country and it has nurtured via language, stories, song, dance
and ceremony through climatic extremes and more recently,
invasion. A spiritual and ecological knowledge base pertaining
to each language landscape, plus a national communication
network, evolved over thousands of years to a level that is yet
to be realised by non-Aboriginal people in this country.’
Heather pointed out that the ‘very recent occupation of
this land by other nationalities has failed to quell an
underlying cultural knowledge or separate indigenous people
from it – despite a prolonged and determined effort at
eradicating such relationships. The knowledge lives on in
many families both rural and urban. Memories are long. The
nature of this inherited cultural heritage means that it will
not easily be extinguished. It is a part of the people and the
land and therefore the possibility remains that they can
always reconnect. For too long archaeologists have only
concentrated on the tangible at the expense of
understanding the future role of the intangible. The
intangible is arguably more important as it brings the past
into the future, not just the present. And it brings the
relationship of indigenous people and their past connections
into reality.’
As one by one by one the speakers presented their ideas
and thoughts on what Intangible Cultural Heritage is and
how and why we should preserve it, it became evident that
we were on the brink of a new and exciting way of looking at
and understanding our heritage. Among the more unusual,
and for me the most appealing, were the presentations by
Kate Darian-Smith, Professor of Australian Studies and
History at the School of Historical Studies, University of
Melbourne and Professor Robert Pascoe, Dean Laureate at
Victoria University.
During the meal breaks much laughter and childhood
schoolyard reminiscing took place, following the trip down
memory lane which Kate had taken us on with her paper
entitled, ‘Children’s Folklore: Playing with Intangible
Heritage’. Her wide repertoire of old visual images moved
through ‘the change and continuity in Australian children’s
folklore across such activities as rhyming, skipping and
chanting games, imaginative play, and ball and team games.’
She spoke of the ‘diversity of objects associated with
children’s play, from knucklebones to swap cards to
electronic devices…and also alongside this material culture
of play the intangible forms of children’s playlore…such
as…chants, spoken and sung words, stories and songs and
physical actions and movements.’
I wonder if I dare confess here that the presentation
which captured my imagination by far the most was historian
Professor Robert Pascoe’s paper, entitled. ‘Sport: The
Unbearable Lightness of a Bag of Wind’. And, yes, it was
about nothing less than the Intangible Cultural Heritage
associated with Aussie Rules football. So, on 2 July 2008 in
St Peter’s church hall in Gisborne Street, East Melbourne,
within the space of 15 minutes and under creative tutelage
of one Professor Robert Pascoe, ‘yours truly’, a lifelong and
firmly entrenched Aussie Rules philistine, became an Aussie
rules convert [well, almost!]. So, you may well ask, what was
his magic formula and how does this relate to the DSWAA
and its aims and objectives? Are there any parallels and if so
what are they? What is the importance of: the history of and
stories about the art of dry stone walling; the oral histories
of wall owners past and present; the gathering of
memorabilia, factual data and associated narratives?
‘Thirty-six fools kicking a bag of wind around is not my
idea of a Saturday afternoon’ scoffed one newcomer to
Melbourne and its peculiar code of football. But for many
Australians, their attachment as spectators to a particular sport
weighs on them so unbearably as to justify a Milan Kundera
novel. Their conversations with both strangers and intimates
are threaded with the shared memories of sporting
personalities, episodes and venues. How is this intangible
heritage to be preserved? In the year 2000, Robert Pascoe,
appeared before Heritage Victoria and put the case,
successfully, that an obsolescent football stadium on
Melbourne’s outskirts possessed cultural significance and
should not be completely demolished. Accordingly, Waverley
Park was preserved in an agreed form, the grandstand and
oval becoming the centrepiece of a new housing estate, whose
streets followed the template of the old car park.’
The first part of Robert’s symposium presentation
rehearsed ‘the arguments that proved successful in his
presentation’ to Heritage Victoria, whilst the ‘middle part
attempted to infer from this case the salient aspects of the
broader case for the intangible heritage of sport and what are
the crucial elements involved in assessing claims for cultural
significance of sporting heritage?’
The third and concluding part, and the ‘magic formula’
element of his paper, was when he turned to ‘artworks as one
valuable source in the process of cultural assessment.’ His
insightful capacity to dig out the oral and social histories
beneath the wonderful array of memorabilia and old
photographs and to associate these with other powerful
Australian football imagery in the works of several painters,
sculptors and other artists, forged a powerful understanding
of the important heritage of this sport.
But it was his animated presentation about the players’ craft
of football which he likened to performance, theatre and
dance that has now triggered this convert’s new dream that
the DSWAA should arrange to install a ‘dry-football’ wall in
the centre of the MCG on Grand Final Day 2009. Dream on!
Quotations used throughout this article are taken directly from
the relevant speakers’ Paper Abstracts. They have been kindly
supplied by the National Trust of Victoria.
DSWAA event and meeting calendar dates
10–12 October
15 November
Field trip to South Australia ( more details
of what to expect on p. 11)
Field trip to walls in the Skipton area of
Victoria, followed by a dinner in Ballarat
with a guest speaker.
THE FLAG STONE, ISSUE NO. 14 15
Winter walling in Tassie?
Cold hands, cold feet…
Who’s Who in the DSWAA
President
Jim Holdsworth
0417 648 218
jim@planningcollaborative.com.au
By Andrew Garner, DSWAA member
Vice-President
Raelene Marshall dswaa@optusnet.com.au
Well, the wintery chill has certainly been felt by all here in Tasmania,
0418 523 900
with several weeks of cold fronts and snow to low levels.
Secretary
This combined with short days of getting up and going home
enquiries@dswaa.org.au
in the dark plus frosty starts (-6oC our best to date this year) has Andrew Miller
0408
139
553
aksdmiller@bigpond.com.au
certainly tested the resolve of this waller at least!
For those of you foolish enough to be working outdoors at this Treasurer
Brad Purvis
brad@yarragroup.com.au
time of year, here is a quick checklist:
Membership
Sandra Fitzgerald t_sfitzgerald@bigpond.com
Winter walling challenges
Editor Newsletter
(i)
‘Clown Feet’: thick mass of sticky clay and rocks
Charmian Brent chabrent@bigpond.net.au
accumulated under ones boots, resulting in at least 3 cm gain in
height and 1 kg in weight. Possibility of job offers at the circus or Committee Members
Josie Black
mountnoorat@tca-online.com.au
children’s parties.
Louise Manifold lmanifold@bigpond.com
(ii)
‘Greasy Cannonball’: rounded basalt boulders once
Rob Wuchatsch robert.wuchatsch@bigpond.com
coated with aforementioned clay become seemingly heavier (if
that’s possible) and difficult to work with.
(iii) ‘Frost-tight’: interesting phenomenon whereby rocks grow
New members
very attached to mother earth by means of ice crystals. Seems to occur Please complete (or photocopy) and either post to OR email
in conjunction with ‘frostbite’ (see below)
to: DSWAA Membership, c/o Sandra Fitzgerald at 2 Officer
(iv) ‘Frostbite’: painful condition caused by one’s use of
Court, Warrnambool, Vic. 3280 or t_sfitzgerald@bigpond.com
sodden gloves from previous day on frosty mornings. Does
nothing to enhance one’s ability to move rocks afflicted with
Payment: monies can be deposited in the Association’s bank
‘frost-tight’ (see above).
account 013 274 4997 47356 at any ANZ Bank or send a
(v)
‘Hammer Gone!’: constant, frustrating ability of one’s
cheque payable to: The Dry Stone Walls Association of
hammer to disguise itself with any other clay-covered object,
Australia Inc. at the above address.
such as the ground, wall, adjacent stone. NB: painting hammer
(*Please indicate payment method below.)
fluoro pink only works for about 10 mins, by which time hammer
has again reverted to the clay colour…
The Dry Stone Walls Association of Australia Inc.
So, who ticked any of those boxes?
No. A004473S. ABN 31 721 856 687
Despite the elements, a few events have still occurred to promote
Application for Membership
the craft here in Tasmania to the wider population. The first of these Professional (voting rights)
$40.00
was a TV segment on ABC’s Stateline program, aired 16 May. The
Individual (voting rights)
$25.00
sandstone walls around Oatlands were featured, with several DSWAA Corporate (voting rights)
$80.00
members interviewed, including Eleanor Bjorksten, Maria Weeding
Family (voting rights)
$40.00
and Shirley Fish. These images and interviews were combined with
those of basalt walls built in the Deloraine-Mole Creek area by
* Paying by: Cheque enc.•
Bank deposit •
DSWAA members Andrew Garner, John Wilson and James Boxhall.
Although the editing left much of the technical information
Name
out of the program, the segment still helped promote dry stone
Address
walling as a living craft, accessible to all. A transcript of the
Telephone
Mobile
programme is available at
Email
http://www.abc.net.au/stateline/tas/content/2006/s2247244.htm Area of interest, for example, farmer, heritage, etc.
The second event was a field trip led by Eleanor around the
walls (both old and new) of the Oatlands district. This trip
occurred in conjunction with the WildCare Inc. affiliated
Contributors: photographs and illustrations
Drystone Wall Preservation Group. Information is available at
page 1
Raelene Marshall
http://www.wildcaretas.org.au/pages/groups.php
page 2
Jim Holdsworth, Raelene Marshall,
For Andrew’s photos see p. 13.
page 3
Jim Holdsworth, Raelene Marshall
Some websites you may like to visit
www.rbgsyd.gov.au
www.pierreseche.net
www.stonefoundation.org
www.dswac.ca
16 THE FLAG STONE, ISSUE NO. 14
page 4
page 5
pages 6 and 7
page 9
page 10
page 11
page 12
page 13
Raelene Marshall
John Cox
Raelene Marshall
Internet, John Menzies’ friend; Ian Baker
Steve Botroff
Anne Beggs-Sunter
Camperdown Chronicle
Andrew Garner