Be a real guitar hero. - AV-iQ

ZFX Plug-in models of these products
12 Guitar Amps
1
2
3
4
5
6
7
8
9
10
11
12
16 Cabinets
FENDER TWIN REVERB '65
ROLAND JC-120
MARSHALL JCM800
MESA/BOOGIE DUAL RECTIFIER
VOX AC30TBX
PEAVEY 5150
MARSHALL 1959
FENDER BASSMAN
HIWATT CUSTOM 100
DIEZEL HERBERT
MATCHLESS DC-30
ORANGE GRAPHIC 120
1
2
3
4
5
6
7
8
9
10
11
5 Bass Amps
1
2
3
4
5
12
AMPEG SVT
FENDER BASSMAN 100
HARTKE HA3500
ACOUSTIC 370
MARSHALL SUPER BASS
13
14
15
16
41 Stomp Effects
2 x 12" FENDER
TWIN REVERB '65 CAB
2 x 12" ROLAND JC-120 CAB
4 x 12" MARSHALL 1960A
4 x 12" MESA/BOOGIE
RECTO STANDARD ARMOR
2 x 12" VOX AC30TBX CAB
4 x 12" PEAVEY 5150SL
4 x 10" FENDER BASSMAN CAB
4 x 12" HIWATT SE-4123
4 x 12" ORANGE PPC 412
4 x 12" DIEZEL V-412 FD
2 x 12" MATCHLESS DC30 CAB
8 x 10" AMPEG SVT-810E
4 x 12" FENDER BASSMAN CAB
4 x 12" MARSHALL 1935A
1 x 18" ACOUSTIC 301
4 x 10" HARTKE 4.5XL
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
MXR DYNA COMP
COMPRESSOR
LIMITER
AUTO WAH
RING MODULATOR
VOX WAH
JEN CRY BABY
BOSS OD-1
IBANEZ TS808
MARSHALL GUV'NOR
PROCO RAT
DALLAS-ARBITER FUZZ FACE
MXR DISTORTION+
ELECTRO-HARMONIX BIG MUFF
BOSS MT-2
BOOSTER
18
19
20
21
22
23
24
25
26
27
28
29
30
31
ACOUSTIC
SIMULATOR
CHORUS
FLANGER
PITCH SHIFTER
PEDAL PITCH
VIBRATO
STEP
OCTAVE
ENSEMBLE
CRY
H.P.S.
TREMOLO
PHASER
BOSS CE-1
DELAY
32
33
34
35
36
37
38
39
40
41
ANALOG DELAY
REVERSE DELAY
ECHO
HALL REVERB
ROOM REVERB
SPRING REVERB
PLATE REVERB
ZNR
VOLUME PEDAL
10 BAND EQ
Be a real guitar hero.
4 Microphones
1
2
3
4
SHURE SM57
AKG C414
SENNHEISER MD421
NEUMANN U87
*Manufacturer names and product names mentioned in this table are trademarks or registered trademarks of their respective owners.
The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Computer
Guitar or
Bass
17
CD/MP3
Player etc.
Synthesizer or
Sampler etc.
Headphones
Powered Monitors
FRONT SIDE
Foot Switch FS01
REAR SIDE
Expression Pedal FP02
Dynamic or Condenser
Microphones
Dynamic or Condenser
Microphones
CD/MP3
Player etc.
System Requirements
Headphones
REAR SIDE
Windows® XP(SP2) / Windows® Vista
Intel® Pentium® 4 1.4GHz / AMD Athlon™ 64 or better
512MB RAM minimum (1GB or more recommended)
1024 x 768 monitor resolution or more
USB 1.1 or 2.0 compatible port
Supported Plug-in format : VST®
* ZFX Plug-in includes stand-alone application.
* 64bit operating system is not supported.
* USB hub is not supported.
* Intel® Chipset is recommended.
Guitar or
Bass
Synthesizer or Sampler etc.
Powered Monitors
Computer
S2t / C5.1t SPECIFICATIONS
●Simultaneous Recording Channels: 2（stereo）●Simultaneous Playback Channels: 2（stereo）●Quantization: 24bit ●Sampling Frequency: 44.1/48kHz ●Frequency Response:［44.1kHz］20Hz to 20kHz
（＋0dB/­0.5dB）[48kHz] 20Hz to 22kHz（＋0dB/­1dB）●USB Interface: Type B（USB1.1 Full-speed compatible）●Hi-Z Input: 1/4" phone jack（Input Impedance: 470kΩ, Input Level: ­17dBm to ＋4dBm）●Mic
Inputs: 2 XLR­1/4" phone combo jack
（Input Impedance: 1kΩ or more, Input Level: ­38dBm to ＋1dBm, Pin 2 Hot / Tip: HOT, Ring: COLD, Sleeve: GND）●Line Inputs: 2 1/4" phone jack（Input Impedance: 47k
Ω, Rated Input Level: ­10dBm）●AUX Input: 1/8" stereo phone jack（Input Impedance: 15kΩ, Rated Input Level: ­10dBm）●Phantom Power: 48V
（with On/Off switch）●Line Outputs: 2 1/4" phone jack（Output
Impedance: 5kΩ or less, Rated Output Level: ­10dBm）●Headphone Output: 1/4" stereo phone jack
（Output Impedance: 10Ω, Rated Output: 20mW / 32Ω load）●Residual Noise Level: ­96dBm（Output Jack,
Input short/at the unity gain/IHF-A typ.）●Control Inputs
（S2t only）
: Foot switch, Expression pedal ●Vacuum Tube: 12AX7 ●Direct monitoring: Mono/Stereo switchable ●Power Requirements: USB bus power
●Current Draw: 480mA ●Dimensions:【S2t】222
（W） 145
（D） 82.5
（H）
mm【C5.1t】390
（W） 245
（D） 83
（H）
mm ●Weight:【S2t】1.1kg【C5.1t】
3.2kg ●Supplied Accessory: USB cable ●Optional Accessories
（S2t only）
: Foot switch FS01, Expression pedal FP02
*0dBm＝0.775Vrms
Bundled Software
Intuitive Modeling Software
for Guitar and Bass
VST Plug-in Compatible DAW Software
Steinberg Cubase LE 4 Supplied
Cubase LE 4 is a powerful music production system that can handle recording,
editing, and mixing tasks both for audio and for MIDI. It incorporates the same
audio engine as the multi-award winning, higher-level version Cubase 4, and is
ideal as an entry into computer-based music production. VST plug-in support
means that you can get started right away, creating amazing tones to record your
guitar or bass using ZFX.
ZOOM CORPORATION
ITOHPIA Iwamotocho 2chome Bldg. 2F,
2-11-2 Iwamoto-cho, Chiyoda-ku, Tokyo 101-0032, Japan
•TEL: +81-3-5835-2206 •FAX: +81-3-5835-2201 •E-mail: info@zoom.co.jp
* Windows®, Windows® XP, and Windows® Vista are registered trademarks of Microsoft Corporation. * Intel and Pentium are
registered trademarks of Intel Corp. * AMD Athlon is a trademark of Advanced Micro Devices, Inc. * VST PlugIn Interface Technology
by Steinberg Media Technologies GmbH. * Steinberg, Cubase and VST are registered trademarks of Steinberg Media Technologies
GmbH. * All other trademarks, product names, and company names mentioned in this documentation are the property of their
respective owners. * All features and specifications are subject to change without notice. •February 2008 Printed in China.
ZFX Plug-In + S2t USB Audio Interface
ZFX Plug-In + C5.1t USB Audio Interface
Plug and Play.
ZFX Packages give guitarists and bassists the ability to create the
ultimate tone solutions with an intuitive software/hardware setup.
Incredibly easy and fun to use, ZFX combines sophisticated amp
modeling software with a USB audio interface. Faithfully
capturing the distinct tone of legendary amps, cabinets and
effects, ZFX puts an impressive library a mere mouse-click away.
With 12 classic guitar amps, 5 amazing bass amps, 16 cabinets, 4
types of recording mics and 41 stompbox effects, the tone
possibilities are virtually limitless. And with drag-and-drop
simplicity, you can choose any combination of amplifier, cabinet
and effects while positioning the mic anywhere your ears desire.
Tone Worship
Zoom’s newly developed modeling algorithms use precise analysis
of impulse response and frequency response to perfectly emulate
the sonic characteristics of tubes and transistors found on classic
amps. And we’ve duplicated all the internal circuit processes as
well, so you can tweak your tone in exactly the same way as the
knobs and switches on the actual amp. For even more tone
control, you can move the accurately modeled condenser and
dynamic mics to any position: close miking for a grittier sound, or
off-cabinet miking for more room ambience.
GUITAR AMPS
Intuitive Operation
With its intuitive user interface, we’ve made ZFX easy to setup
and change while you play. Changing amp settings, cabinet
layout, mic position and rearranging the stompbox effects is
simple with our unique drag and drop operation. So you can alter
your setup quickly, and get immediate results, unleashing your
creativity in ways that were previously unimaginable.
12 guitar amplifiers made famous throughout 50 years of rock history.
1965 Bright Amp
JAZZ CLEAN
MS Crunch
MB Dual Head
VX UK30
PV STACK
ZFX Plug-In + S2t
1959
Tweed Bass
HW 100 Custom
DZ Bert
MATCHING30
Tangerine
BASS AMPS
ZFX Plug-In + C5.1t
Catalog
Guitar Tuner
Preset Patches
Begin with its easy-to-read catalog view of
all the models available and double-click
to bring up detailed descriptions to find
just the right component for your desired
tone. Adding or changing amps is easy via
drag and drop.
The built-in chromatic tuner
lets you quickly tune at any
time. Special tunings are
onboard and you can drop
tune by a semitone or two
as well.
More than 300 tone presets are included, offering a
wealth of amp, cabinet, mic and effects setting
combinations. Chose from vintage rock tones, country,
jazz and blues to ultra modern or heavy metal setups with
a double-click of your
mouse. And we’ve also
pre-programmed 50
specific artist sounds
from rock, jazz, blues
and heavy metal.
CABINETS 16 cabinets to be used in any combination you need.
5 bass amplifiers
for classic bass tones.
Classic Amp
GUITAR
CABINETS
100BassMan
Bright Combo 2×12
HRT3500
AC Bass370
Jazz Combo 2×12
HC100 Stack 4×12
B/M Combo 4×10
Amplifier Area
UK30 Combo 2×12
With ZFX, you have complete control over
the mic position within the recording
booth. Whether you want a tight, gritty
sound from the center of the speaker cone,
a smooth sound from the edge of the cone
or more room ambience by pulling the mic
away from the cabinet, you can get the
setting you want.
MS Super B
STOMP EFFECTS
41 stompbox effects to add depth and color to your sound.
Tangerine Stack 4x12
MB Dual Stack 4×12
DZ Bert Stack 4x12
MS Crunch Stack 4×12
PV Stack 4×12
DC Combo 2×12
MICROPHONES
Dynamic Compressor
SQUEAK
PEDAL BOX
FUZZ SMILE
PEDAL CRY
+Distortion
Over Driven
GREAT MUFF
Tube Screamen THE governor
Metal World
4 professional recording mic models
found in every studio microphone locker.
BASS
CABINETS
ClassicAmp Stack 8x10
Acoustic Simulator
Effects Area
Click and drag your mouse to tweak the switches
and knobs on each stomp box. Zoom in on an effect
by double-clicking on it. By inserting tools such as a
splitter or mixer, you can place multiple amps* for
even more flexible routing.
AC Bass 370 Stack 1x18
* The number of amps and effects that can be used simultaneously
depends on the computer environment.
Tremolo
Flanger
Phaser
Chorus Vibrato
Analog Delay
Hall
B/M 100 Stack 4x12
MS SuperB Stack 4x10
HRT Stack 4x10
Dynamic 57
Dynamic 421
Condenser 414
■ Accelerator Blends Tube and
■ XLR microphone inputs with
■ Real-time Control
The Hi-Z input section of each
interface features a 12AX7 tube,
the classic guitar preamp tube.
Blending the clarity of solid-state
sound with the natural compression
and saturation of a vacuum tube
creates a warm, organic tone that
only comes from ZFX interfaces.
Two balanced XLR inputs with
48V phantom power are on
board for use with condenser
microphones to record vocal or
acoustic instruments.
The C5.1t has an expression pedal and five function
switches. While playing your guitar, you can control
preset parameters and effects of the ZFX with your foot
for comfortable, professional feeling performance. The
expression pedal not only handles regular effect control
functions such as volume, wah or pitch shift and can also
be used to adjust modulation rate or reverb mix level in
real time. The five assignable switches can be used to
turn effects on/off, toggle patches, perform tap tempo
input, activate bypass mode and more.
Solid-State Sound
The Audio Interface for Guitarists
The S2t and C5.1t are USB audio interfaces specifically designed for the
needs of guitarists. With a cool, amphead design, the compact S2t
works great on your desktop. Or use the C5.1t foot controller to put
your effects on the floor. Connect guitars, basses, vocal mics or
keyboards and get high-quality, 24-bit/48 kHz recording resolution. And
both are USB bus powered so an external power supply is not necessary.
Condenser 87
phantom power
(C5.1t only)
FS01
FP02
* The separately available
expression pedal FP02 or foot
switch FS01 can be connected
to the S2t, giving access to the
functions listed at left.