YUMI PAK 909.537.3809 Department of English
Transcription
YUMI PAK 909.537.3809 Department of English
YUMI PAK Department of English California State University, San Bernardino 5500 University Parkway San Bernardino, CA 92407 909.537.3809 ypak@csusb.edu EDUCATION Ph.D. C.Phil. M.A. B.A. Literature, University of California, San Diego 2012 Literature, University of California, San Diego 2009 Literatures in English, University of California, San Diego 2009 Honors in Literature and Women’s Studies, University of California, Santa Cruz 2004 APPOINTMENTS 2014 – present Assistant Professor, Department of English, California State University, San Bernardino 2013 – 2014 Visiting Assistant Professor, Department of Africana Studies, Hamilton College 2012 – 2013 Visiting Postdoctoral Scholar, Department of Theatre and Dance, University of California, Davis PUBLICATIONS “‘Jack Boughton has a wife and a child’: Generative Blackness in Marilynne Robinson’s Gilead and Home.” Essay in This Life, This World: New Essays on Marilynne Robinson’s Housekeeping, Gilead and Home, edited by Jason Stevens, Brill Press. Forthcoming. Review of Black Power, Yellow Power, and the Making of Revolutionary Identities, by Rychetta Watkins. Callaloo 36.3 (2013): 827 – 830. Review of The African American Theatrical Body: Reception, Performance, and the Stage, by Soyica Diggs Colbert. Theatre Survey 54.2 (2013): 320 – 323. “An Oracular Swan-song?: American Literary Modernism, Modernity and the Trope of Lynching in Jean Toomer’s Cane.” Essay in Race and Displacement: Nation, Migration, and Identity in the Twenty-First Century, edited by Maha Marouan and Merinda Simmons, University of Alabama Press. 2013. GRANTS & AWARDS Faculty Professional Development Grant. California State University, San Bernardino. 2015 – 2016. Faculty Development Group Grant. Hamilton College. 2013 – 2014. Dean of Faculty’s Office Research Grant. Hamilton College. 2013. One Quarter Dissertation Fellowship, Department of Literature. University of California, San Diego. 2011. Summer Research Grant, Department of Literature. University of California, San Diego. 2011, 2010. PRESENTATIONS “‘Boys will be boys’: Black and Blue in Claudia Rankine’s Citizen: An American Lyric.” In Black Sites and Fugitive Visions. American Studies Association Annual Conference. Toronto, Canada. October 2015. Desiring, Writing, Thinking, Recording: The University in the Asian American Literary Imagination. Co-seminar organizer. Cultural Studies Association Annual Conference. Riverside, California. May 2015. “‘Freedom is Near!!!’: Chester Himes, Insurrection and Failure.” In Black Thought and the Popular. Co-seminar organizer. American Comparative Literature Association Annual Conference. Seattle, Washington. March 2015. “Emergence, Theft, Escape: Blackness in the Undercommons.” In Avant-Gardes, Otherwise. Working group participant. American Society for Theatre Research Annual Conference. Baltimore, Maryland. November 2014. Speculative Archives: Imagining the Unthinkable in Tension with Neoliberalism in the Post-American Century. Panel chair. American Studies Association Annual Conference. Los Angeles, California. November 2014. Pedagogy and Performance in the Undercommons. Seminar participant. Cultural Studies Association Annual Conference. Salt Lake City, Utah. May 2014. “Reading Subjectivity: Resisting Performance, Resisting Literature.” In Drama Divisions: Today. Modern Language Association Annual Conference. Chicago, Illinois. January 2014. “‘Say, who owns this house?’: Communal Debt and National Ingratitude in Toni Morrison’s Home.” In Default: Black Life and the Poetics of Nonpayment. Copanel organizer. American Studies Association Annual Conference. Washington, D.C. November 2013. “Carceral Blues: Reproducing the Familiar/Familial in Gayl Jones’ Corregidora.” In Doing Time: Being Black in the Carceral City. Co-panel organizer. Performance Studies international Annual Conference. Stanford, California. June 2013. “Communal Debt, National Ingratitude and Toni Morrison’s Home.” Department of African American and African Studies Brown Bag Lecture Series. University of California, Davis. May 2013. “Reading Subjectivity: Resistance, Performance, Literature.” Keynote paper. Northern California Performance Platform. University of California, Davis. April 2013. “‘A Being Outside Relationality’: Alternative Blackness in Chester Himes’ Yesterday Will Make You Cry.” In Queer Subjectivities, Queer (Mis)representations. Panel chair. Cultural Studies Association Annual Conference. Chicago, Illinois. March 2011. Dissertation prospectus. University of California International Performance and Culture Multicampus Research Group (UCIPC) Symposium. University of California, Santa Barbara. June 2010. “‘Me talkee Chinese talk’: Language, Over-Exaggeration and Passing in John Steinbeck’s East of Eden.” UCLA Center for Performance Studies Annual Graduate Conference. University of California, Los Angeles. April – May 2010. “An Oracular Swan-song?: American Literary Modernism, Modernity and the Trop of Lynching in Jean Toomer’s Cane.” In Race and Displacement. University of Alabama Annual Symposium on English and American Literature. Tuscaloosa, Alabama. October 2009. “A Queer (Re)production: Desire, Natal Alienation and the Formation of Family in Chester Himes’ Yesterday Will Make You Cry.” UCLA Queer Studies Conference. University of California, Los Angeles. October 2008. SELECTED COURSES ENG 441 Studies in a Major Author: James Baldwin, Chester Himes and Richard Wright. Assistant Professor. California State University, San Bernardino. ENG 339 African American Literature. Assistant Professor. California State University, San Bernardino. ENG 319 Studies in Literary Diversity: Black Women Write Social Justice. Assistant Professor. California State University, San Bernardino. ENG 303B Analysis and Writing of Prose Fiction. Assistant Professor. California State University, San Bernardino. AFRST 550S Senior Program. Visiting Assistant Professor. Visiting Assistant Professor. Hamilton College. AFRST/ENG 241 Performances of Passing, Performances of Resistance. Visiting Assistant Professor. Hamilton College. AFRST 234 Queers of Color Critique. Visiting Assistant Professor. Hamilton College. AFRST 101 Introduction to Africana Studies. Visiting Assistant Professor. Hamilton College. RESEARCH & TEACHING African American Literature; Literatures of the Black Diaspora; Black Studies; Queer Theory and Queers of Color Critique; Performance Studies; Critical Race and Gender Studies; U.S. Multi-ethnic Literatures; American Literature; Literary Theory. PROFESSIONAL SERVICE Manuscript review. Women & Performance: A Journal of Feminist Theory. New York University. 2014. UNIVERSITY SERVICE Advisory Board. American Studies Program. California State University, San Bernardino. 2014 – present. Faculty participant. NY6 LGBTQIA Spectrum Conference. Hamilton College. February 2014. Faculty participant. Revolt? Reform? Rethink? The Posse Foundation Annual PossePlus Retreat. Hamilton College. February 2014. DEPARTMENT SERVICE Organizer. “Race and Speculative Fiction.” Department of Africana Studies Dialogue Series. Hamilton College. October 2013. STUDENT ADVISING Senior thesis advisor. Department of Africana Studies. Hamilton College. Spring 2014. PROFESSIONAL AFFILIATIONS American Studies Association American Society for Theatre Research Critical Ethnic Studies Association Cultural Studies Association Modern Language Association REFERENCES Patrick Anderson, University of California, San Diego pwa@ucsd.edu; 858.534.2356 Associate Professor, Ethnic Studies and Communication Camille F. Forbes, University of California, San Diego cfforbes@ucsd.edu; 858.534.2363 Associate Professor, Literature Lisa Lowe, Tufts University lisa.lowe@tufts.edu; 617.627.2051 Professor, English Nigel Westmaas, Hamilton College nwestmaa@hamilton.edu; 315.859.4269 Associate Professor, Africana Studies