An Evening of Percussion - BYU Arts
Transcription
An Evening of Percussion - BYU Arts
BRIGHAM YOUNG UNIVERSITY COLLEGE OF FINE ARTS AND COMMUNICATIONS School of Music presents An Evening of Percussion Percussion Ensemble Gamelan Bintang Wahyu Panoramic Steel RixStix Steel 7:30 p.m. 7 April 2015 de Jong Concert Hall Harr.s Fine Arts Center Percussion Ensemble Ron Brough, director Suite for Percussion William Kraft Toccata Bob Campbell, guest conductor Omphalo Centric Lecture Escape Velocity Nigel Westlake Dave Hall Notes The title, “Omphalo Centric Lecture” comes from a painting by Paul Klee—the direct and centered simplicity of which was an inspiration to me during the writing of this piece. The piece also owes much to the music of the African balofon, with its persistent ostinato, cross-rhythms and variations on simple melodic fragments. Like African music it seeks to celebrate life through rhythm, energy and movement. “Escape Velocity” was composed in the Spring of 2008. The quartet features three keyboards and a djembe part, although each player plays several other percussion instruments, often simultaneously with their primary part. This piece is influenced by the music of Béla Bartók as well as “drum ‘n’ bass” artist like Venetian Snares and Aphex Twin. Guest Conductor Bob Campbell’s career as a teacher and musician now spans more than sixty years. After graduation from Spanish Fork High School, he entered BYU and graduated in 1961 with a degree in music education, possibly being the first BYU student to complete that degree with percussion as a major instrument. In 1963 he returned to BYU as a graduate assistant and later as an adjunct instructor. Remaining until 1971 he organized BYU’s first percussion ensembles and together with Newell Dayley organized the first jazz performance groups at BYU resulting in what we now know as Synthesis. Bob then accepted a position as band director at South Davis Junior High School in Bountiful, Utah where he remained for the next thirty years. His involvement with professional organizations has included being the first state chairman for the Percussive Arts Society and extensive involvement with the Utah Music Educators Association including a term as its president. Currently he is percussion section leader for the Orchestra at Temple Square and he and his wife Gloria are the orchestra’s music librarians. Bob is also supervisor of music student teachers placed in the Salt Lake Valley by Brigham Young University Idaho. Bob and Gloria have five sons, all of whom have followed in the footsteps of their parents as musicians and teachers. Music has made life very sweet for the Campbell family. Personnel Whitney Christensen Nathuan Hurst Christina Hurlbut Alexandra Brown Gamelan Bintang Wahyu Jeremy Grimshaw, director Panji Marga Asombak (2015) Traditional, from the village of Bugbug Nathan Thatcher Notes Panji Marga is an adaptation for our large, modern, bronze gamelan semaradana of a piece for the smaller, iron-barred, and much older gamelan selonding. This type of ceremonial ensemble was heard in Besakih, the home of Bali’s oldest and most sacred temple, as early as 1000 years ago, and in recent years has enjoyed something of a resurgence among younger generations; in fact, Dr. Grimshaw learned this composition from Pande Ganha, a student at Bali’s music conservatory. Asombak is an original work for gamelan semadarana by ensemble manager and longtime group member Nathan Thatcher, a music composition major at BYU. The piece conveys a number of typical elements of the flashy kebyar style of contemporary Balinese gamelan, including a fractured, episodic opening, slow middle section, and fast ending. But it also weaves into the Balinese framework certain threads of contemporary pop music. As Thatcher explains: Much of popular music today can trace its origins to the works of American minimalists such as Steve Reich. These composers were, in turn, influenced by the rhythmic and textural techniques native to Balinese gamelan. This piece, drawing on motifs derived from popular music, completes the circle of influence. About Us Gamelan Bintang Wahyu was founded in the fall of 2008 to bring to Utah music of Bali, an island in Indonesia. Though relatively small, Bali boasts dozens of different styles of music, each with its own particular set of instruments. Our Balinese gamelan is a relatively new type known as samaradana. This type of gamelan is tuned in such a way as to allow players to play on a single set of instruments a number of different types of traditional gamelan styles. Consequently, we are able to bring onto one stage many different gamelan styles, including music created for royal courts, village competitions, funerals, temple ceremonies, and social gatherings. Our repertoire has included works by living composers as well as music that is likely several hundred years old. Balinese music requires and celebrates intense coordination between players, and exemplifies the strong emphasis Balinese culture places on cooperation and community. In that spirit, our group includes music majors and non-majors, as well as several faculty and staff members. If you are interested in joining or learning more about our ensemble, find us on Facebook or email Dr. Grimshaw at jeremy.grimshaw@byu.edu. Gamelan Bintang Wahyu would like to thank the BYU School of Music and the College of Fine Arts and Communications for the purchase of these wonderful instruments. We would also like to thank the teachers who have helped our ensemble to grow and expand its repertoire since its founding in 2008, including I Made Sumara from Pagan Kelod, Vaughn Hatch and Pande Ganha of Mekar Bhuana Conservatory, I Dewa Berata of Çudamani, Ida Bagus Mas of the Institut Seni Indonesia (Denpasar), I Made Lasmawan and I Putu Hiranmayana of Gamelan Tunas Mekar in Colorado, I Ketut Gede Asnawa of University of Illinois at Urbana-Champagne, and Edmundo Luna and Wayne Vitale, both formerly of Gamelan Sekar Jaya. Personnel Nathan Thatcher and Beau Hilton, ensemble managers Brent Duford James Eastmond Kelsey Edmondson Dirk Elzinga Natalie Haines Natalie Hodges Lour Kuttab Josie Layton Myrna Layton Rachael Nelson Jesmine Ong Joshua Palmer Jordan Routt Tyler Shelton Taylor Thomas Nicolas Totten Emmanuel Valdez Stuart Wheeler Megan Witt Panoramic Steel Panoramic Steel personnel Devin Vogelsberg Blake Morgan Nick Ayala Robi Aamodt Ron Brough, director RixStix Steel David Taylor, director Savannah Party Anna Meacham Ben Coffman Alexandra Brown Pelham Goddard arr. Darren Duerden All Out Posse arr. Jennifer Duerden Motor Scooter Monty Gary Gibson Cha Cha Mi Mama Gary Gibson Flag Woman Following a brief break at the conclusion of this performance, audience members will be invited onto the stage for an informal encore wherein they can see the Gamelan instruments and musicians up close. Traditional arr. Ron Brough RixStix Steel personnel David Arrott Curtis Gough Travis Lee Aaron Perrell Jessica Sanchez James Densley Zach Hulse Karl North Michael Petersen Marlowe Shirley This musical event is the 164th performance sponsored the BYU School of Music for the 2014–15 season. BYU School of Music BYU Philharmonic Orchestra Kory Katseanes Conductor Wagner Prelude to The Meistersinger Borodin Polovtsian Dances Rimski-Korsakov Capriccio Espanôl Ravel Bolero Friday, April 10, 2015 7:30 PM de Jong Concert Hall $10–15