SFE-BFE preliminary program v2 Eng Dates

SFE-BFE 2015
Société Française d’Ethnomusicologie (SFE) and British Forum for Ethnomusicology (BFE)
Joint conference, 2-­‐5 July 2015, Paris, Musée du quai Branly
Border Crossings/Boundary Maintenance
Subtopics:
I Music crossing boundaries
II The bounds of tradition in music
III Crossing categories
IV Intellectual territories
Preliminary programme
Salle de cinéma (94 places)
Salle de cours (40 places)
Thursday 2 July 2015
Thursday 2 July 2015
14h30 Ouverture
IV.1 Cognitive approaches to the study of music
I. 1 The globalisation of gospel
Schema theory in ethnomusicology: a disciplinary boundary-­‐
« Rate This MezmuR ». Ethnographie d’un groupe de discussion 15h
Widdess, Richard
crossing?
15h
Ferran, Hugo
Facebook sur le gospel éthiopien
Transculturation et notion de frontière musicale sous l’angle de l’anthropologie cognitive : diffusion de la microtemporalité afro-­‐
Local Praise, Global Worship:The Role of Music in the Globalization of 15h30 Guillot, Gérald
diasporique en Occident 15h30 Ingalls, Monique
Pentecostal-­‐Charismatic Christianity
16h
Pause
16h
Pause
I.2 Music moving into new contexts
I.3 PANEL: Heritage, agency and reconfigured bodies: the challenges of exploring mobile matter
« Calypso Delight » : d’un calypso de steelband trinidadien à la Border Crossings and Heritage Wars: Indigenous Culture and 16h30 Helmlinger, Aurélie World japonaise, limites d’un genre
16h30 Stobart, Henry; Michelle Proprietary Bigenho, N ationalism in Bolivia.
‘Pan Can Play Anything’: Genre Crossing and Boundary Formation Moving Matters: Caring about Instruments and Circulation in the 17h
Hayward, Rachel
in Trinidadian Steel Pan Repertoire
17h
Joe Browning
Transnational Shakuhachi Scene
L’émergence du tabla sur la scène mondiale : amplitude et limite 17h30 Bourgeau, Antoine d’une diffusion
17h30 Rachel Willson
From reconfiguring the body to reconfiguring the language?
18h fin
18h fin
Friday 3 July 2015
Friday 3 July 2015
I.4 Sharing music across ethnic boundaries
I.5 PANEL : Negotiating Boundaries in Scotland and Northern Ireland: Bands, Fans, and Musical Scenes
Transgressions musicales et processus créatifs. Enjeux sociaux et Performing boundaries: Ritual, space, and song in the Irish rebel 9h30
DeRuyter, Magali
relations interethniques dans le rituel Bwete du Gabon central
9h30
Millar, Stephen; scene
The Ulster-­‐Scots folk revival: The maintainance, subversion and transcendence of musical boundaries in post-­‐conflict Northern 10h
Léotar, Frédéric
Les lamentations de noces en Asie centrale
10h
Gordon Ramsey, Ireland
Da Merry Boys O Greenland: Musical Reflections of Shetland 10h30 Wilkins, Frances
Maritime Culture
10h30 Katy Radford
Racism, sectarianism, and all that jazz
11h
Pause
11h
SFE-BFE 2015
III.1 Listening and being heard
11h30 Alaghband-­‐Zadeh, Chloe
Listening to North Indian classical music
Standing out from the crowd. Vocal and sound techniques for 12h
Guillebaud, Christine catching peoples’ attention in an Indian bus stand
12h30
Lunch
III.2 Forbidden sounds and practices 14h30 Droutsa, Eftychia
Frontières mouvantes, entre mérite et interdit
Gabry-­‐Thienpont, Quand les femmes « font le zār »… Ambivalences d’un rite de 15h
Séverine
possession égyptien
‘Happiness is our People’s Right’: Happy in Tehran and the 15h30 Nooshin, Laudan
Contesting of Social Boundaries
16h
Pause
II.2 Music, tradition and the nation state Musiciens maliens à Cuba : la création d’une musique malienne « 16h30 Djebbari, Elina
moderne » à l’indépendance
17h
Kruger, Simone
17h30
18h fin
Sebiane, Maho
II.1 Stipulation and style
11h30 Duong, Yvonne
“We Don’t Play That”: Music as an Ethnic Classifier in Vietnam
Le hát bội contemporain, entre origines chinoises et recherche d’une modernité typiquement vietnamienn
12h
Ó Briain, Lonán 12h30
IV.2 Disciplinary boundaries
14h30 Fürniss, Susanne What is a part? Polyphony between perception and conception
15h
Schöpf, Jürgen
Speech and music, boundaries to be redrawn?
15h30 Lobley, Noel
Curating Ethnographic Sound Galleries
16h
IV.3 PANEL: Challenging Boundaries between Ethnomusicology and Sound Studies
16h30
The Role of the Guitar in Constructing Paraguayidad (Paraguayan-­‐
ness): Rolando Chaparro’s Crossing of Musical Boundaries 17h
Traverser la frontière : Musiques et États-­‐nations émergents du Golfe arabo-­‐persique 17h30
18h fin
Bronfman, AlejandraRecords of the Sonic Exotic
Tom Western
Securing the Aural Border: Radio Fieldwork, the BBC, and Postwar Audio Nationalism
Brisdall Carolyn
Collection, Library, Archive: Tracking Sound Recordings between Research and Broadcasting ca. 1930-­‐1950
Saturday 4 July 2015
Saturday 4 July 2015
II.3 PANEL : La musique classique indienne et ses répertoires : frontières, passages, emprunts I.6 Music and markets
9h30
Le Gargasson, Ingrid, 9h30
Quaintrell, Cecilia
10h
Jeanne Miramon-­‐Bonhoure, 10h30 William Tallotte
11h
Pause
III.3 Genres spanning religious categories
On the role of music in the delimitation of religious boundaries: a 11h30 Khoury, Stéphanie discussion on the Khmer pinpeat music (Cambodia)
The choral genre in Northern Ireland: Crossing boundaries, re-­‐
12h
Gibson, Sarah-­‐Jane imagining identities.
12h30
Lunch
I.7 Traveling and migrating music
Sechehaye, Hélène; Des Gnawa à Bruxelles aux Gnawa de Bruxelles : pratiques 14h30 Stéphanie Weisser musicales gnawa dans la capitale de l’Europe
Arab Music and Transnational Labor: One Hundred Years in an 15h
Rasmussen, Anne
Arts Economy
15h30 Luciano Pereira
L’annonce du voyage des Batutas en France (1922)
16h
Pause
10h
Enclosure acts: sheep, goats and musical endings
Re-­‐crossing borders through materiality: Greek musicians turn into Tsioulakis, Ioannis artisans
Strumming Strings: Guitar Accompaniment in the Sliabh Luachra Kearney, Daithí
Sound 10h30
11h
IV.4 French and British ethnomusicological territories
From Paris to London – Learning Ethnomusicology on both sides of 11h30 Balosso-­‐Bardin, Cassandre
the channel Ethnomusicologies française et britannique dans les années 1930. 12h
Gérard, Brice
Institutionnalisation et circulation des savoirs.
12h30
III.4 Music and scholarly categorisation
Entre frontières inventées et passerelles ignorées : la composition sur 14h30 Belly, Marlène
timbre
Catégories ethniques, catégories musicales, le cas du chant khap des 15h
Lissoir, Marie-­‐PierreTai-­‐Dam du Laos
15h30 Delétré, Cécile
Unité et variété dans les cérémonies des chasseurs yoruba
16h
SFE-BFE 2015
II.4 Transmission
16h30
De la transmission communautaire à la patrimonialisation Saint-­‐Sardos, Jeanne internationale : l'exemple de la danse des ciseaux (Pérou)
17h
Morgan, Deirdre
17h30
18h fin
Hofmann, William
I.8 PANEL: Orchestras crossing boundaries
Jouer du Telemann à La Courneuve: La ‘musique classique’ comme 16h30 Amico Marta
musique de l’Autre dans les banlieues parisiennes
Revival/Continuation: Paradigms of transmission and boundaries of knowledge in the Norwegian munnharpe smithing tradition
17h
Border Crossing: Stylistic Similarities and Musical Dialogues in the Sarod and Afghan Rabab
17h30
18h fin
Sunday 5 July 2015
PANEL : On boundaries between performers and audiences
9h30
Doffman, Mark
Alone together? Listeners' and musicians' experience of participatory discrepancies in performance
10h
Clayton, Martin
Performer and audience roles in presentational performance: A perspective from North Indian classical music.
10h30
11h
11h30
12h30
Leante, Laura Pause
Final discussion
Fin
Audience involvement in North Indian classical music
Norton, Barley
Vietnamese court orchestras, nationalism and heritagization
Ramnarine, Tina
Comparative reflections on orchestras in two decolonising contexts
Sunday 5 July 2015
I.9 Music and inter-­‐religious relationships
"Silsulim" (improvised 'curls') in the vocal performance of Israeli "oriental" music: Crossing the nationalistic border, maintaining the 9h30
Morad, Moshe
cultural boundaries.
Transcender les tensions inter-­‐ethniques et inter-­‐religieuses par la mise en scène du « vivre ensemble ». L’exemple du Festival du monde 10h
Roda, Jessica
arabe à Montréal Musiques et religions dans le « dialogue des civilisations » : le cas des Bachir-­‐Loopuyt, musiques arabes et turques dans des créations interculturelles en 10h30 Talia
France