November20thAuction - New England Auction Company

Transcription

New England Auction Company, Inc.
Judaica Collection: Mane-Katz & Rare Items
Sunday - November 20, 2011
19th C. Persian Jewish Folk Art Painting "Aaron"
USD 750 - 2,500
Title: "Aaron"Medium: Oil on CanvasSigned: NoDate Created: 19th C. as determined by Mr. FriedenbergCanvas: 16.25 x
20"Dimensions with Frame: 17.5 x 21.5" Condition: This painting had restoration. It has been remounted on a newer canvas
with only the front portions of the canvas being from the original painting. The current condition is very good.
2: Cecil Roth's Sterling Henryk Winograd Paperweight
USD 450 - 900
This paper weight was purchased from the wife of Cecil Roth by Mr. Friedenberg along with other items in this auction in 1970.
A Henryk Winograd paperweight in .999 silver.Marked on side HW 999.
3: Reva Urban (1925 – 1987) "The Hellenic Woman" 1964
USD 8,500 - 10,500
Title: The Hellenic WomanMedium: Shaped Canvas and PaintSigned: In the paint lower rightDate Created: 1964Dimensions: 63
3/4 x 65 1/4" WCondition: Very GoodExhibited: Gippi and Waddell 1965Biography:Reva Urban (eventually known simply as
"Reva") was an American woman artist who achieved success in the art world in the 1950s and 1960s. Her career offers
important insights into the relationship of gender to art production, form, and content. Like that of some of her contemporaries,
Reva's engagement in feminist ideas augured concerns that became increasingly prominent in the art of the late 1960s and
beyond.Reva Urban spent her youth in California . In 1941 she returned to New York and studied with a Carnegie Fellowship at
the Art Students League of New York . In 1949 she married the German painter Albert Urban (1909-1959), after his death she
married George Robert Carley (1913-1993). From 1958 she exhibited her works nationally and internationally. Ms. Urban has
had the distinction of representing the United States in two festivals in Salzburg, and a selection of her paintings and graphics
has toured European museum under the auspices of the United States of America Information Service. Her work is
Represented in many public and private and public collections including the MOMA, NY, Univ. Art Museum, Berkely; Chicago
Art Institute; Finch College Museum of Art, Illinois University Museum; Avethorp Gallery, Jenkintown, PA, Grunwald Graphic
Arts Foundation, CA; and Fine Arts Gallery of San Diego, CA. Art Museum, Berkeley, Chicago Art Institute, Finch College
Museum of Art, University Museum, Illinois; Avethorp Gallery, Jenkintown, PA, Grunwald Graphic Arts Foundation, CA, and Fine
Arts Gallery of San Diego, CA.
4: Edouard Brandon (1831 - 1897) "Three Rabbis"
USD 500 - 5,000
Title: Three RabbisMedium: Oil On CanvasSigned: NoDate Created: unknownDimensions: 13 x 16" with frame: 18.5 x
21.5"Condition: ExcellentProvenance: Estate of Daniel FriedenbergJacques Emile Edouard Brandon (1831-1897) was
interested in capturing an aspect of Jewish life. Brandon was fully ensconced in the French art world, closely associating with
and influenced by such famous artists as Camille Corot and Edgar Degas. Indeed, Brandon exhibited at the very first and very
controversial Impressionist exhibition of 1874 (La Salon des Refusée). Brandon began his career painting Christian scenes
before turning by the late 1860s to Jewish subject matter. Living in the "golden age" of synagogues, a phrase that refers to the
building of some 250 elaborate synagogues throughout France during the nineteenth century, Brandon was fascinated with the
architectonic and aesthetic power of the synagogue. Brandon's imposing scenes illustrate the synagogue's physical centrality to
Jewish life. Brandon was the first Jewish artist to consider the synagogue not just as a place of religious prayer and meditation
but also as a temple of aesthetic worship and experience.
5: Leopold Krakauer (1890 - 1954) "Hillside Village
USD 1,250 - 3,000
Charcoal on Paper depicting a hidden hillside village. 21 x 17" unframed and 27 x 23" with the fame. Israeli architect and
graphic artist of Austrian birth. He graduated from the Technische Hochschule and Akademie der Bildenden K?nste, Vienna
(1912), and later worked for Friedrich Ohmann until 1914, when he joined the Austrian Army. In 1919 he participated in an
Expressionists' exhibition in Vienna, and in the early 1920s he was engaged to prepare architectural drawings for the new
Parliament building in Belgrade. In 1925 he moved to Palestine and, after working for Alexander Baerwald in Haifa, started his
own architectural practice in Jerusalem (1926). He participated in many art exhibitions in Palestine, later Israel, after 1928,
producing work in a restrained Expressionist style; as well as charcoal and crayon landscapes of the hills surrounding
Jerusalem, he also produced drawings of the faces of beggars from Jerusalem's Old City, which show the influence of Egon
Schiele and Edvard Munch. In his architectural work he was an ardent disciple of functionalism, with a preference for the
geometry of cubes and prisms that was influenced by De Stijl and Purism; these he could identify with the traditional morphology
of the Arab villages in Galilee that he had studied in many of his landscape drawings. His style matched perfectly the ideals of
community and austerity shared by the founders of the kibbutz movement, who became his most loyal clients. For them he
designed common dining halls, children's houses and general housing.
Bid Live Online at LiveAuctioneers.com
Page 1
6: Limestone Ossuary from the 1st C. Museum Quality
USD 8,000 - 22,000
A beautiful ancient limestone ossuary from the 1st century with Hebrew writing on the end. The writing we believe translates to
"Johanan Ben Jishua"Measures 22 3/4" length x 13.25" x 11.25" wide. These are approximate.Provenance: Estate of Daniel
Friedenberg, purchased from prominent dealer and collector Joseph Stieglitz, Tel-Aviv 1967.This limestone chest was used to
hold the bones of a dead person or family which had been gathered together after burial in the soil, when the flesh had
decomposed. The elaborate decoration may imitate a well-known building, possibly the Temple in Jerusalem started by Herod
the Great and completed in AD 64.The practice of family burial required secondary interment, that is the gathering of bones to
make room for a new generation of deceased family members. Burials were usually first made in pits but the wealthy cut a tomb
cave.Herod was appointed king of Judaea by the Roman Senate in 45 BC. Under his rule Jerusalem was rebuilt and the Temple
was completely remodelled. Soon after Herod died in 4 BC Judaea became a province of the Roman empire administered by
procurators. Power shifted between direct Roman control and Roman recognition of Herod's successors as king. In AD 66,
however, the Jews revolted. The revolt was crushed only after four years of bitter conflict. Jerusalem was besieged and
subsequently the city, including the Temple, was destroyed.
7: Mané-Katz (1894-1962) Cecil Roth Portrait
USD 60,000 - 220,000
INTERNET BIDDING WILL NOT BE ACCEPTED FOR THIS LOT. CALL 203-470-4405 TO REGISTER FOR PHONE BIDDING.
This has been called the single most significant work of Mane-Katz. A three quarter length portrait of one of the world's most
important Jewish scholars and his friend, Cecil Roth. Signed on the front with a personal inscription on the back this portrait is
rivaled by no other. Title: "Cecil Roth"Medium: Oil on CanvasSigned: Upper Left with inscription on reverseDate Created:
1956Dimensions without Frame: 35.8 x 29.1" or 91x 74 cm.Condition: ExcellentProvenance: Estate of Daniel Friedenberg A
summary of the Cecil Roth Portrait by Mane Katz. When a work of art is appraised first and foremost is authenticity. We have no
doubt as to the authenticity of this work based upon the impeccable provenance of the piece. In addition the style, brushwork
and signature are all correct for Mane-Katz. While an appraisal is subjective and contains many different elements the key point
are genre, composition, medium, style and yes, size matters. A work that is within the artist genre is worth more than a work that
is outside of the genre of the artist. (Example: Mark Rothko, Abstract within the genre of Rothko Untitled No. 17 (33.6 million
dollars) versus portrait of Leah Farber ($134,500) which is not within Rothko’s genre. The main genre and bestselling segment
of Mane-Katz works are his portraits of Jewish persons. The portrait of Cecil Roth is not only within the genre of Mane-Katz is
leads the genre. Most of the subjects of Mane Katz are not identified. In this portrait we have the identification of the subject who
with over 600 publications is famous in his own right. There is not one portrait, group nor individual, that contains elements as
strong as the ones presented in the Cecil Roth piece which identifies the subject with the Jewish religion and his writing
accomplishments. While a portrait of Cecil Roth would stand alone on its own merits, Mane-Katz went one step further and
embellished this portrait with an extraordinary amount of symbolism, leaving the viewer with no doubt as to the subjects religion
and occupation. The Menorah (symbolism: religion) in the background is framed by a light bulb (symbolism: enlightenment &
ideas) and the hand (symbol: writing/writer) gently cradled in green (symbolism: “to grow”, “growing” ) creates a perfect balance
between the various elements in this work . Both in style and composition this piece leads Mane-Katz’s works. Lastly we have
medium, which is oil on canvas and the canvas size being 29 x 36.5” which is what one wants in a ¾ length portrait. The
condition of this piece is excellent. Painted at the peak of Mane-Katz’s career and placed there not only by the style and color
but by the dated inscription on the reverse this piece has all of the elements that a serious collector desires. It is the best of
Mane-Katz. p>Biography of the Artist:Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and
became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had
been influenced by stories of Jewish mysticism, which was reflected in his paintings.He had a peripatetic life between Russia,
France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he
associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World
War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time
joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the
Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he
traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by
the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until
1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had
exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis and works
of Jewish symbolism. In this way, it is thought he was to satisfy his father, who had wanted him to be a rabbi. During these last
years, he also resumed intense travel, going to Brazil, Japan, Israel and Argentina as well as throughout Europe.About the
subject:Cecil RothCecil Roth (1899, London - 1970, Jerusalem), a renowned Jewish historian and recognized expert in Jewish
art, was educated at Oxford University. Initially trained as a general historian with an interest in Italy, Roth soon began to
concentrate on Jewish subjects, first as a freelance journalist and lecturer and later as a reader at Oxford University (1939
through 1964). Upon retiring from Oxford, Roth settled in Jerusalem and was a visiting professor at Columbia University,
Queens College of the City University of New York, Stern College for Women, Yeshiva University and Bar Ilan University. A
prolific writer, Roth published more than 600 books and articles, which have been translated into many languages. His popular
works include The House of Nasi (two volumes, of which Dona Gracia is the first), A Short History of the Jewish People, The
Jewish Contribution to Civilization and The Standard Jewish Encyclopedia. From 1966 until his death in 1970, he served as
editor-in-chief of the Encyclopaedia Judaica. INTERNET BIDDING WILL NOT BE ACCEPTED FOR THIS LOT. CALL
203-470-4405 TO REGISTER FOR PHONE BIDDING.
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8: Medallion: Hudson-Fulton Celebration1909 Sterling
USD 2,500 - 4,500
1909 Silver Hudson - Fulton celebration 4 inch medal 100 mintedAmerican numismatic society & Hudson-Fulton celebration
commission 1909 .Manufactured by Whitehead & Hoag Company, New York. Emil Fuchs Sculptor/ Large Henry Hudson Robert Fulton celebration low-relief sterling silver medalObv: Henry Hudson on the deck of his ship, the Half Moon, surrounded
by his crew, one pointing in the rigging, the bank of the Hudson apparition-like in the background. The legend surrounding
states "Discovery of the Hudson River by Henry Hudson a.d. Mdcix (1609), the American Numismatic Society, Hudson-Fulton
Celebration Comm."' The legend is divided by a jack-staff, astrolabe and sextant and the Dutch East India Company ship "Halve
Maene" is at the bottom.Rev: Above, 3/4 wreathed portrait (from the painting by Benjamin West) bust of inventor Robert Fulton
(his name below and dates 1765-1815) flanked by two fluted based columns. Left a view of New York Harbor seen from the
Hudson and on the right a view of the city skyline as seen from the Jersey Shore. Below three draped female figure seated on a
parapet. Middle facing figure represents "the genius of steam navigation" who holds in her lap a model of Fulton's steamship
"Clermont". Right is the figure of "History" with scroll and a pen in hand. Left is "Commerce" resting her hand on an anchor. In
exergue, the legend, "First use of steam in navigation on the Hudson River 1807".Contains 332.1 grams of .925 sterling silver
(9.88 ozs asw)103 mm (4 inches) in diameterCelebrated in New York and New Jersey from September to October in 1909, the
Hudson-Fulton festivities were held to commemorate henry Hudson's 300 year anniversary of the discovery of the River that
bears his name and also Robert Fulton's 100th anniversary of the successful use commercially of his paddle steamer on the
same River. The celebration showcased the city of New York as a world class city, owing much to the maritime importance of
the Hudson River, and also lauded its citizens for their achievements. Amongst the organizers on the celebration commission
were financial giants J.P. Morgan and Andrew Carnegie, and events were highlighted by the use of electric lights, firework
displays, parades and the sailing of ships such as the Lusitania and full scale reproductions of Hudson and Fulton's ships.
Wilbur wright also flew around the Statue of Liberty.Nine varieties, struck in various sizes, subject details and varying metals,
with each commemorative of low-mintage (100 in sterling silver), were issued. This four-inch Sterling Silver type was presented
to the commissioners and principal guests at banquets during the celebration with the 4" Bronze version available to the public
as an art object and historical keepsake.This medal is very rare with only 100 being minted in Sterling Silver.
9: Menorah: Vintage Pal Bell ca. 1958
USD 100 - 800
In 1939 in Tel-Aviv, Israel, Maurice Ascalon (formerly known as Moshe Klein) founded Pal-Bell Co. Ltd., with the mission of
creating tasteful decorative and functional metalwork and Judaica of the highest quality. From its founding in 1939, until 1956,
Pal-Bell - a.k.a. Palbell - created scores of distinct brass and bronze items. Its wares ranged from decorative bowls, vases,
pitchers, trivits and ashtrays, secular in motif, often Art Deco in style; to traditional styled, Judaic theme commemorative plates,
candle sticks, menorahs, bookends, figurines and more. 11" height x 8" wide.
10: 17th C. Lion from North Italy Synagogue
USD 900 - 1,350
Wooden lion facing to the right holding half of tables of law from North Italy Synagogue 17th century per Mr. Friedenberg.
11: Bela Lyon Pratt (1867 - 1917) Portrait A. Agassiz
USD 2,500 - 5,000
A rare chance to own a work by Bela Pratt. This portrait in brass of Alexander Agassiz is a beautiful piece of art. Agassiz served
as a president of the National Academy of Sciences, which since 1913 has awarded the Alexander Agassiz Medal in his
memory.Title: Portrait of Alexander Agassiz Size: 41" x 32"(104.14cm x 81.28cm)Created: 1911 Medium: BronzeSigned: Lower
right with dateProvenance: Estate of Daniel Friedenberg Biography of the Artist:A sculptor, medalist and art educator, Bela Pratt
had the distinction of finishing first in his class at the Ecole des Beaux Arts in Paris when he graduated in 1892. He then
returned to the United States and, at the request of sculptor Augustus St. Gaudens, created two large-scale sculpture groups for
the 1893 World's Columbian Exposition in Chicago. That year, he was appointed Professor of Sculpture at the Boston Museum
School of Fine Art, and held that position until his death in 1917. He had many commissions for medals and medallions, and in
1908 produced the quarter and half-eagle Indian Head gold coins for the Roosevelt administration. 1909 was his most active
year in medal work. The bulk of his 180 works, however, were portrait reliefs, portrait busts (such as the portrait bust of his good
friend, Frank Benson), colossal groups, statues, and ideal figures, and monuments (such as his memorial to the —Titantic˜). He
was also known for his decorative architectural sculpture (for the Liberal Arts Bldg., Buffalo Exposition and for Library of
Congress).Memberships included the National Sculpture Society 1899; Associate member of the National Academy of Design
1900; Architectural League, 1911; Guild Boston Artists, 1914 (founder); National Institute of Arts and Letters and Letters;
Connecticut Academy of Fine Arts; Tavern Club, Boston, 1894; The Country Club, Brookline, Massachusetts , 1910.
12: Jewish War (66-70 CE). AR shekel
USD 3,500 - 5,500
Year one shekel. Ungraded. 12 grams.Obverse: Chalice with smooth rim, pearl on each side, the base is flat with pearled
ends.Hebrew inscription: Shekel of Israel , Year 1.Reverse: Stem with pearled base and three pomegranates. 'Shekel of Israel',
omer cup with straight rim; above, date / 'Jerusalem the holy', stem with three pomegranates. Silver, 12 grams. Ungraded
however this appears to be in excellent condition. From the estate of Daniel Friedenberg.
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13: Persian Silver Siglos
USD 150 - 450
One of the highest quality Persian Silver Siglos for the serious collector.The Achaemenid kings of Persia did not use coins in
their homeland but they liked the idea when they encountered it in Lydia after they conquered it, and used the mint there to
make their own coins for use in the Mediterranean trade.
14: 1953 U.S. Coin Proof Sets (5 sets)
USD 875 - 1,200
Five US Proof Coin Sets from 1953 in their original boxes. 4 unopened and 1 opened.
15: 1955 U.S. Coin Proof Sets (5 Sets)
USD 600 - 3,000
Never removed from plastic bags. Four sealed boxes and one open box with coins still in bags. We assume the sets in the
sealed boxes are in similar condition to the open set.Half dollar, quarter, dime, nickel and penny.See other lots for other single
sets and sets of 10.
16: "Schulklopfer's" Mallet or Irish Cudgel
USD 1,500 - 3,000
A late 19th C. "Schulklopfer's" Mallet with a Hebrew Inscription & Carving of a Boar. The inscription which is the same as the
inscription on the mallet at the Jewish Museum (http://www.lessing-photo.com/dispimg.asp?i=30050628+&cr=30&cl=1) reads
"In the House of God We Shall Go with Feeling". While the inscription appears to be the same the overall feeling of this mallet
seems to have an Irish inspiration with the handle being similar to that of the Irish cudgel. This piece also appears to be made
from Blackthorn and appears to have the same finish found on Irish Cudgels which are also frequently called Shillelagh's with
the difference being found in the length of the stick. Our piece measures 21 inches in length and is quite heavy. There is a large
split on one side of the boar which runs from front to back but has not gone more than 1/3 of an inch. Schulklopfer's Mallet, Irish
Cudgel or both? We will leave that for you to decide.
17: 1872 Sampler Mazzah Blessing Joel Lieberman
USD 500 - 1,500
A unique sampler from 1872 by a 12 year old girl. Blessing over the Mazzah after drinking the second cup of wine at Passover.
Written on the back of the frame "To Joel Lieberman- After my decease will you present this picture to the chapel please.
Mother was 12 years old when she made this piece of art work" 1950. The date on the front of the sampler is 1872. Title:
NoneMedium: ClothSigned:NoDate Created: 1872Dimensions with Frame: 13.25 x 13.25Provenance: Estate of Daniel
Friedenberg.
18: Igael Tumarkin (1933 - ) Aluminum Sculpture
USD 2,500 - 4,800
Title: "Tribute to Kefler"Medium: Aluminum SculptureSigned: YesDate Created: 1972Dimensions: 12" x 8" x 11" Irregular
ShapeCondition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Igael Tumarkin is a painter and
sculptor, born 1933 in Dresden, Germany, and emigrated to Israel in 1935. He studied in 1954 with Rudi Lehman, Ein Hod.
Prizes: 1963 First Prize for Memoria of Choulikat1968 Sandberg Prize, Israel Museum, Jerusalem; 1968 First Prize for Memorial
to Sailors, Haifa1971 First Prize for Memorial for Holocaust and Resurrection, Tel Aviv1998 Awarded the Sussman Prize, Yad
Vashem, Jerusalem, but cancelled, subsequently the Sussman Foundation awarded the prize directly to Tumarkin. 1955-57
Worked as stage-designer for the Berliner Ensemble with Bertold Brecht. Outdoor Sculptures: Repertoire of over 100 including:
1966 Peace Memorial, Hebron Road, Jerusalem1971 Homage to Jerusalem, Givat Shapira1973 Challenge to the Sun, Ramot
Alon, Jerusalem1986 Chichen Itzma, Kiriat Menahem, Jerusalem1986 Pisgat Zeev, Jerusalem1992 Jerusalem - Three Faiths,
Mount Scopus, Jerusalem. 2000 sculptures - Abu Nabut Garden, Jaffa.
19: Bond: Confederate States
USD 200 - 500
Confederate States Bond - Five Hundred Dollars issued Aug. 19, 1861 depicting Thomas Watts. Coupons clipped up until the
surrender of Confederacy14" W x 10" H
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20: Medallion: The Source, Solid Sterling Silver
USD 300 - 800
Medallion: 1898 "The Source" by Daniel Dupuis Solid Sterling Silver Antique Art Medal Rectangle: 1.5" x 2.5"
21: 19th C. Akeda in a Persian Painting
USD 200 - 600
Note from Mr. Friedenberg on reverse of painting, " The Akeda in a Persian painting. 19th C. unknown painter. Ishmael in
Moslem Tradition". This painting is behind glass and we did not remove it for examination. We can observe that this appears to
be an oil on some type of board. There is crackle observed to the surface of this. There does not seem to be any loss of paint to
the surface however we can not warrant that the surface of this item is not stuck to the glass in any or many places even though
it does not appear to be. Observed size in frame: 10cm x 16 cm or 3.9375" x 6.25".
22: 19th C. Portrait of Diana the Huntress
USD 300 - 1,500
A lovely well executed 19th c. portrait of Diana the Huntress. Black chalk with with highlights. Possibly FrenchMedium: Chalk on
BoardSigned: noDate Created: estimated to be 19th c.Dimensions: 15 3/4 x 22" with Frame: 24 x 30.5Condition:
ExcellentProvenance: Estate of Daniel Friedenberg, purchased at Christie's Auction House sale 11/25/1988 lot 155 Biography
of the Artist: unknown
23: 19th Century Judaic Painting
USD 700 - 2,200
Title: UntitledMedium: Oil on CanvasSigned: UnsignedDate Created: 19th CenturyCanvas Size 19 x 26 3/4"Dimensions with
Frame: 21 x 28 1/2"Condition: Painting has been relined approximately 40 years ago. Most likely was re varnished during the
relining. Appears to be in very good condition.Provenance: Estate of Daniel Friedenberg purchased from Gloria Abrams 1980
who acquired it from a German woman from Bremen who's family had acquired at least two generations before.Biography of the
Artist:A 19th century Judiac painting on canvas. Two Cherubs are illuminate by a single candle as they gently float above a
menorah The Hebrew writing reads (approximate translation) For out of Zion shall go forth the law and the word of the Lord from
"Jerwalem"
24: Griffoul Foundry Book Ends (2)
USD 250 - 600
A pair of Griffoul Foundry Book Ends
25: 19th Century Pastel Portrait of A Gentleman
USD 700 - 1,400
A rare and wonderfully executed portrait from the 19th century of a Jewish Gentleman. Title: A Jewish GentlemanMedium:
Pastel on PaperSigned: noDate Created: 19th C.Dimensions: 13 x 16, with Frame: 18.5 x 21.5Condition: ExcellentProvenance:
Estate of Daniel FriedenbergBiography of the Artist:A 19th century European pastel on card of a Jewish Gentleman.
26: 20th c. Pastel Portrait of a Woman
USD 50 - 250
Title: Pastel Portrait of a WomanMedium: Pastel on PaperSigned: NoDate Created: Early 20th CenturyDimensions: 16 x
22"With Frame and Mat: 23.5 x 29.5"Condition: Without removing this from the frame it appears that there are at least two tears
to the paper. One extends from the edge at least 5 inches into drawing. The other also extends from the end 2 inches into
drawing.Provenance: Estate of Daniel Friedenberg purchased from Midas Gallery Portchester NY
27: 20th Century Contemporary Painting
USD 100 - 400
Title: Medium: Signed: A. VDate Created: 20th CenturyDimensions with Frame:Condition: ExcellentProvenance: Estate of
Daniel FriedenbergBiography of the Artist:
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28: Abel Pann (1883 - 1963) Lithograph "In Paradise"
USD 100 - 600
Title: "In Paradise"Medium: Lithograph: Ink on PaperSigned: Lower Right #16/30Dimensions: 7 3/4" x 10 3/4". Framed: 14 3/4 x
18 1/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Abel Pann (1883-1963)Born Abba
Pfeffermann in Latvia or in Kreslawka, Vitebsk, Belarus, he was a European Jewish artist who spent most of his adult life in
Jerusalem.Pann studied the fundamentals of drawing for three months with the painter Yehuda Pen of Vitebsk, who also taught
Marc Chagall. In his youth, he traveled in Russia and Poland, earning a living mainly as an apprentice in sign workshops. In
1898 he went south to Odessa where he was accepted into the Academy of Fine Arts. In 1903, he was in Kishinev where he
documented the Kishinev pogrom with drawings; an effort that is thought to have contributed to his self-definition as an artist
who chronicles Jewish history. Still in 1903, he moved to Paris, where he rented rooms in La Ruche, a Parisian building (which
still exists) where Modigliani, Chagall, Chaim Soutine and other Jewish artists also lived. Pann studied at the French Academy
under William-Adolphe Bouguereau. He earned his living primarily by drawing pictures for the popular illustrated newspapers of
the era. In 1912, Boris Schatz, founder and director of the Bezalel Academy of Arts and Design visited Pann in Paris and invited
him to come work in Jerusalem.In 1913, after traveling in Southern Europe and Egypt, Pann arrived in Jerusalem where he had
decided to settle for life. Pann went to see Schatz and it was decided that he would head the painting department at the Bezalel
Academy for several months while Schatz embarked on an extensive overseasfund-raising trip. According to Haaretz art critic
Smadar Sheffi, a work form this period with the simple title Jerusalem shows a cluster of buildings at sunset "with a sky in
blazing orange." The painting is "more expressive and abstract that is typical of his work," and Sheffi speculates that "the
encounter with the city" of Jerusalem was a "strong emotional experience" for the artist.Pann returned to Europe to arrange his
affairs before moving permanently to the British Mandate of Palestine, but was caught on the continent by World War I. Pann's
wartime paintings would prove to be among "the most important" of his career. He made many posters to support the French
war effort. He also made a series of fifty drawings showing the extreme suffering of Jewish communities caught in the fighting
between Germany, Poland and Russia. Art critic Smadar Sheffi regards them as "the most important part of his oeuvre." These
"shocking" drawings put modern viewers in mind of depictions of the Holocaust. Pann's drawings were intended as journalistic
documentation of the fighting and were successfully exhibited in the United States during the War. According to Pann's
autobiography, the Russians, who were allied with the French, refused to allow a wartime exhibition of the drawings in
France.According to the New York Times, the drawings were published in Paris during the war, but the government intervened
ot block their distribution on the grounds that they "reflected damagingly upon an ally" (Russia).]Upon his post-war return to
Jerusalem in 1920, Pann took up an teaching position at the Bezalel Academy and wrote that he was about to embark on his
life-work, the painting and drawing of scenes from the Hebrew Bible. He returned briefly to Vienna where he met and married
Esther Nussbaum and purchased a lithographic press, which the couple brought home to Jerusalem. Pann began work on a
series of lithographs intended to be published in an enormous illustrated Bible, and although that series was never completed,
he is widely admired for the series of pastels inspired by Bible stories that he began in the 1940s. The iconography of these
works is linked to the 19th century oriental ism. He was part of a movement of contemporary Jewish artists interested in Biblical
scenes, including Ephraim Moses Lilien, and Ze'ev Raban. All three were influenced by Art Nouveau and by the Symbolist
movement. He died in Jerusalem in 1963.Selected Exhibitions:Abel Pann Paints the Bible, The Israel Museum, Jerusalem.
Curator: Yigal Zalmona. (2003)"Abel Pann - The painter of The Bible, Catalogue by Shlomit Steinberg and Felix Salten, The
Jewish Museum, Vienn (2001).Abel Pann, Mayanot Gallery, Jerusalem. (1987)Paintings, Drawings, and Lithograph by Abel
Pann," Art Institute of Chicago, (1920)
29: Abel Pann lithograph from the Biblical Series
USD 45 - 100
Title: From the Biblical SeriesMedium: Lithograph: Ink on PaperSigned: Lower Right Plate Dimensions: 8.5 x 10.5 Dimensions
with Frame: 15.5 x 16.5"Condition: ExcellentProvenance: Estate of Daniel Friedenberg
30: Alexander Dobkin Litho "Susanna and the Elders"
USD 100 - 1,500
Title: "Susanna and the Elders"Medium: Ink on Paper LithographSigned: Lower RIght # 2/25Date Created: 1968Dimensions
with Frame: 31 1/4 x 24 1/4"Condition: Very Good with slight waving to paperProvenance: Estate of Daniel
FriedenbergBiography of the Artist:Alexander Dobkin: Born in Italy, Alexander Dobkin moved to New York at an early age and
studied at the City College of New York and at the Art Students League, under George Bridgeman and Jose Clemente Orozco.
His first one man exhibition was held at New York's A.C.A. Gallery in 1935. He later exhibited at such major institutions as the
Museum of Modern Art, New York, the Art Institute of Chicago, the Corcoran Gallery and the Carnegie Institute. Dobkin also
illustrated a number of fine books and taught for many years in New York at both the Educational Alliance and at the Art
Students League. Today his original paintings and lithographs are included in the following collections; the Butler Art Institute,
the Whitney Museum of American Art, the Tel Aviv Museum, Israel, the Philadelphia Museum of Art, the Library of Congress
and the Smithsonian Institute. Many of Alexander Dobkin's original lithographs deal with one of the artist's major themes -- his
masterful examinations of the world of childhood. Confidence, like Dobkin's other fine studies, reveals the mystery and
innocence of this all too short period of one's life. Confidence was commissioned by the Associated American Artists of New
York in 1959. The Associated American Artists was created in the mid 1930's and commissioned original graphic art from such
great American masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and many others. During the 1950's and 1960's
it published lithographs and etchings by artists of no less distinction, such as, Jack Levine, Sidney Chafetz, Marion Greenwood
and Alexander Dobkin.
31: Avigdor Arikha (1929 - 2010) "Abstraction"
USD 500 - 1,500
Title: "Abstraction"Medium: GouacheSigned: Bottom MiddleDate Created: 1965Dimensions: 22 1/2" x 30 3/4" with frame 25 1/2"
x 33 1/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Avigdor Arikha is an Israeli who
was born in Romania in 1929. He survived the Nazi labor camps in Central Europe and was repatriated as an orphan to an
Israeli kibbutz in 1944. He studied art and philosophy in Paris, where he lived with his wife and two children. Of those who
painted from life, Arikha is one of the few who, while not abandoning some older ways of painting, remains tellingly modern.
Page 6
32: Ben-Zion (-1987) "The Prophet"
USD 500 - 3,000
Title: The ProphetMedium: Oil on WoodSigned: Lower RightDate Created: unknownDimensions: 7 1/2" x 14 1/2"Condition:
ExcellentProvenance: Estate of Daniel Friedenberg; purchased from Paintings and Praying Ltd. Gallery New York.Biography of
the Artist:An emigrant from the Ukraine, he came here in 1920. He wrote fairy tales and poems in Hebrew under the name
Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only
one name.He was a member. along with such painters as Mark Rothko and Adolph Gottlieb, of the Expressionist group ''The
Ten.'' In the 1950's, he began working with welded iron sculpture. He also wrote essays on symbolism and insight in art.His
works are in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian Institution and the National Maritime
Museum in Haifa, Israel.
33: Benjamin Disraeli Photograph and Letter
USD 75 - 200
A photograph of Benjamin Disraeli and a letter composed by him.Disraeli, Benjamin(1804-1881) English Prime Minister who
established a strong foreign policy, consolidated the Empire and instituted many social reforms. Signed: A.L.S. with inital "D",
Nov. 12 (n.y.) to Henry redirecting a letter. Handsomely matted in Blue and set an engraved portrait into a speckled gilt frame. A
few foxed spots, otherwise in very good condition, unexamined out of the frame. Framed Sized" 16 x 12.5Provenance: Estate of
Daniel Friedenberg acquired from Alexander Autographs, Cos Cob Connecticut. Date of acquisition unknown.
34: Benjamin Long drawing of "Sampson Gideon"
USD 100 - 750
Title: "Sampson Gideon"Medium: Graphite on PaperSigned: Bottom LeftDate Created: UnknownPaper Size: 12 x
18.25"Dimensions with Frame: 18.75 x 25.25"Condition: ExcellentProvenance: Estate of Daniel FriedenbergSampson Gideon
(1699, London - 1762) was a Jewish-British banker in the City of London. He was a trusted "adviser of the Government," and
supporter the Jew Bill of 1753. His son, educated at Eton, was created Sampson Eardley, 1st Baron Eardley. He was also the
father of Elizabeth Gideon, the wife of William Gage, 2nd Viscount Gage.
35: Claire Gavronsky (1957-) "Jewish Cemetery at Pisa"
USD 150 - 900
Title: "Jewish Cemetery at Pisa"Medium: Charcoal on paperSigned: Lower CenterDate Created: UnknownDimensions: 24.5 x
18.25", framed: 28.25 x 22.25"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Claire
Gavronsky was born in Johannesburg, South Africa in 1957. She has lived and worked in Florence, Italy and Johannesburg,
South AfricaAwards and Merits2003-2004 Commission for public sculpture with Rose Shakinovsky outside South African
National Gallery, Cape Town, South Africa 1993 Award for Drawing, City of Lastra, Italy 1987 Award, 8th Drawing Biennale,
Middlesborough, UK 1985-1987 Italian Government Grant for graduate studies abroad 1985-1987 Lithography, Il Bosente,
Florence, Italy1985 Finalist in national sculpture competition, South Africa
36: Cynthia Von Buhler Portrait of Gracia Mendes Nasi
USD 1,750 - 3,500
Title: "Gracia Mendes Nasi"Medium: Acrylic on CanvasSigned: Lower RightDate Created: UnknownCanvas Size: 15 x
19.25"Dimensions with Frame: 18.75 x 23"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the
Artist:Cynthia von Buhler is an internationally exhibiting visual artist, illustrator, children's book author, and performer living in
New York City. Von Buhler uses traditional as well as unconventional media: painting, sculpture, performance, video projection,
installation, living fauna, collage, photography, human detritus, and electronic audio. By innovatively combining these media,
often enhanced with text and electronics, von Buhler's canvasses frequently become elaborate kinetic installations. In March
2006, Art & Antiques named von Buhler "one of the top contemporary surrealists"., she has also been linked to the Fluxus
movement.Her work has appeared on the covers of New York's Gallery Guide, Communication Arts, Step by Step Graphics,
New York Arts, The Boston Globe, The Boston Phoenix, and many other publications. Von Buhler's cover photograph and
headline for The Boston Globe Calendar section was later enlarged and used on billboards advertising the publication. Before
von Buhler moved to New York City she lived in Boston where she was chosen by Boston Magazine as one of the "40
Bostonians We Love" in their June 2002 cover feature article. " Von Buhler's paintings have appeared in more than a thousand
magazines, books, publications, billboards, and CDs. Her work has also appeared on TV in Law & Order SVU and Kidnapped
and she was interviewed and profiled in Mary Magdalen: An Intimate Portrait on The Lifetime Network. In addition, a painting of
hers commissioned by The New Yorker was featured in the show's introductory graphics.Von Buhler has won the Gold, Silver
and Bronze medals at the Society of Society of Illustrators Los Angeles, and the Gold Medal from the Visual Club. Her work has
been published frequently in The Society of Illustrators Annual, Communication Arts Illustration Annual, and American
Illustration, each of which feature the best and most cutting-edge illustration in the country.Howard Stern owns a portrait of
himself painted by von Buhler, while Jann Wenner, the publisher of Rolling Stone, bought von Buhler's portraits of Madonna and
Jimi Hendrix, both of which were featured in the "50th Anniversary of Rock and Roll" issue of Rolling Stone. Von Buhler's work
is also in the collections of The Nassau County Museum of Art, The Staten Island Museum, The University of Toronto, The
Opera Company of Philadelphia, Dana Farber Cancer Institute, and hundreds of personal collections all over the world.About
the subject:Gracia Mendes Nasi (Gracia is archaic Portuguese and Spanish for the Hebrew Hannah, also known by her
Christianized name Beatriz de Luna Miques, 1510–1569) was one of the wealthiest Jewish women of Renaissance Europe. She
married into the eminent international banking and finance company known as the House of Mendes. She was the aunt and
business partner of Joseph Nasi, who became a prominent figure in the politics of the Ottoman Empire. She also developed an
escape network that saved hundreds of Conversos - forcibly converted Jews - from the terrors of the Inquisition.
Page 7
37: David Levine (1926-) Caricature of A. Koestler
USD 50 - 500
Title: Arthur KoestlerMedium: Pen and Ink on PaperSigned: Lower right; To Daniel Friedenberg/David LevineDate Created:
1964Dimensions with Frame:Condition: ExcellentProvenance: Estate of Daniel Friedenberg, gift of the artistBiography of the
Artist:Pen and Ink caricature of Arthur Koestler. David Levine, painter, illustrator and caricaturist, was born in 1926 in Brooklyn,
New York, where he continues to live and work. He studied at the School of the Brooklyn Museum of Art; Pratt Institute,
Brooklyn; the Tyler School of Art, Temple University in Philadelphia, Pennsylvania; and the Eighth Street School of New York
with modernist-abstractionist Hans Hoffman. Though he is best known for his pen and ink caricatures of world figures in politics,
the arts and entertainment (since 1963, he has drawn 2800 pictures for the New York Review of Books alone), Levine also
paints figures, portraits and cityscapes of the roller coasters and piers of Coney Island in New YorkLevine has received many
awards: a Louis Comfort Tiffany Foundation fellowship in 1955; a Guggenheim Fellowship; the Childe Hassam Purchase Prize
from the American Academy of Arts and Letters; National Academy of Design prizes, including the Isaac Maynard, Julius
Hallgarten and Thomas B. Clarke awards; the George Polk Memorial Award; John Pike Memorial Prize; and the Gold Medal of
the American Academy and Institute of Arts and Letters, in 1993. Levine has also been awarded the French Legion of Honor
and, in Landau, Germany, the Thomas Nast Award. He is a long-time Academician of the National Academy of Design, New
York City.David Levine has exhibited in Stuttgart and Munich, Germany; Paris, France; Oxford, England, Beverly Hills,
California; Washington, D.C.; and Columbus, Georgia, as well as the Davis Gallery and Forum Gallery in New York City.Levine
is represented in the collections of the Metropolitan Museum of Art, New York City; Cleveland Museum of Art, Ohio; Brooklyn
Museum; Newark Museum, New Jersey; three Washington, D.C. venues including the Hirshhorn Museum and Sculpture
Garden, Library of Congress and National Portrait Gallery; San Francisco Fine Arts Museums, California; and National Portrait
Gallery of England.Pens and Needles, Gambit, Boston, 1969, and The Arts of David Levine, Knopf, New York, 1978, are among
six books published on David Levine's art.
38: Efraim Fima (1916 - 2005) "Abstract in Gouache"
USD 350 - 3,000
Title: "Abstrast"Medium: Gouache on PaperSigned: Lower LeftDate Created: unknownDimensions: 25 3/4 x 20" with Frame: 31
3/4 x 26 1/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Efraim 'Fima' Roeytenberg,
born December 22 1914 - died October 16 2005 One of the last of his generation of abstract painters, the Israeli-Parisian artist
Fima, who died in Jerusalem aged 90, moved between places and cultures more than most. Born and brought up in Harbin,
China, he had a multicultural background that enabled him to develop a personal idiom which sat naturally within the universal
language of modernist art. "It is only when I travel on my canvas that I feel at home," he said.Efraim Roeytenberg, commonly
known by his nickname Fima, was the son of Russian-Jewish parents. His father, an engineer who worked on the construction
of the Eastern China railway, had settled in the country 10 years earlier. Harbin, with a Russian community that grew
considerably after the 1917 revolution, was already a Russian-Chinese city: Fima went to a Russian school, where he also
learned Chinese.In 1933, after attending secondary school, he moved to Shanghai, a thriving cosmopolitan city with its own
Russian colony and a growing Jewish community. After a short attempt at studying architecture, Fima turned to art and began
studying with a Russian painter and a Viennes portraitist. He soon joined the Russian Academy of Fine Arts in Shanghai, and
later taught drawing there. He also studied Chinese calligraphy and became interested in Chinese philosophy. It was this part of
his education that would prove significant for his career.He made a modest beginning with a 1947 solo exhibition at the Jewish
Recreation Club in Shanghai and a couple of group shows, but his career in China was cut short when, in February 1949,
shortly before Shanghai came under communist control, Fima left for the young state of Israel.His encounter with the new
country was a difficult experience. To earn a living, he was forced to work as a construction inspector in the mass building
projects of the post-independence years, and had little time for painting. The brilliant Mediterranean light made his attempts to
paint even harder, and the local artistic community did not particularly welcome his figurative, anecdotal drawings along Chinese
lines. But it was in Israel during the 1950s that Fima made contacts with contemporary art and gradually developed a new
language of painting.In trips to Italy (1954) and to Paris (1956) he encountered the European old masters and modern art. By
the end of the decade he was gaining a reputation, and critical, as well as some commercial, success. His 1960 exhibition at the
Rina gallery in Jerusalem, owned by the American dealer Bertha Urdang (known for supporting contemporary and avant-garde
art), sold out, and led to his discovery by the French critic, Jacques Lassaigne.This meeting resulted in Fima's move to Paris in
1961, where he later joined the Jacques Massol gallery. He was to remain in Paris for the next 41 years (returning permanently
to Israel in 2002), exhibiting in the French capital and abroad. But he kept his Jerusalem studio, and his close contacts with the
Israeli art scene, by exhibiting regularly at the Bineth gallery and by taking part in numerous export group shows of Israeli art,
such as the 1964 Art Israel shown at the New York Museum of Modern Art.
Page 8
39: Georges Braque (1892-1963) Etching Birds in Flight
USD 75 - 600
Title: "Birds In Flight"Medium: Ink on Paper EtchingSigned:NoDate Created: UnknownPrint: 13.5 x 17 3/4"Dimensions with
Frame: 16.25 x 20.25"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Abstract depiction of
birds represented in dark silhouette against a lighter charcoal background. Bears a bold plate impression, accompanied by NYC
Collector's club letter of authenticity. Georges Braque was born in Argenteuil in 1892. From an early age, he attended evening
classes at the Ecole des Beaux Arts in Le Havre, where he met Othon Friez and Raoul Dufy. In 1904 Braque set up his studio in
Paris and three years later showed three paintings at le Salon des Indépendants.Braque regularly went down to l'Estaque, near
Marseille, to paint ; the works were shown by Kahnweiller in his gallery, the foreword to the catalogue of the exhibition being by
the poet Apollinaire. Kahnweiller also arranged for Braque to meet Picasso ; the latter had just finished the Demoiselles
d'Avignon painting, which made a strong impression on Braque. Braque then painted several pictures in the south of France, all
of which were refused at the 1908 Salon d'Automne. The critics were unsparing about Braque, and Vauxcelles wrote in the "Gil
Blas" review of the 14 th of November 1908 : "Mr Braque is a daring young man, he despises form, and reduces everything,
landscapes, people, houses, to geometric diagrams, to cubes". The term was coined... Braque and Picasso friendship was
strengthened, and until 1914 both artists worked in close collaboration, mutually influencing each other, and introducing into
their pictures stenciled letters and numbers, imitations of wood and marble, sand and other substances, collages etc.But in
1914, Braque was called up, and was seriously injured in the head. After a long convalescence, Braque started painting again in
1917, in a less angular and more colourful manner. From 1933 to 1938 Braque frequently returned to the still-life theme, and in
1949 finished the big "artist's studio" series, as well as designed the stage scenery for Molière 's Tartuffe at Jouvet request. In
1952, Braque was commissioned to decorate a ceiling in the Louvre ; in 1956, he made five stained-glass windows for a chapel
in Varengeville, where he owned a house. Braque then began his work on the bird theme.Georges Braque 's interest in prints
dates from 1907. Between 1907 and 1912, Braque produced engravings in the cubist style, using etching and dry-point ("Etude
de nu", "Petite guitare cubiste", "Fox", "Job", "Bass" ou encore "Pall"). He made his first lithograph in 1921, a still-life published
by Kahnweiller ("Nature morte aux verres et fruits" printed by Charlot in Paris). Throughout his life, Braque continued to make
prints, mastering the techniques of etching, lithography, aquatint, woodcut. Among the most important prints, there are "L'oiseau
de feu" etching and aquatint with varnish from 1958, "Théière et citrons" lithograph from 1949, "l'oiseau et son ombre" from
1959, "Corbeille de fleurs", etchign with varnish from 1951, whose edition is only 10 copies, "L'oiseau sur fond carmin", etching
from 1958 made in the Crommelynck atelier, "Le char noir", etching from 1958, "vol de nuit", lithograph from 1957, printed by
Fernand Mourlot in Paris, L'oiseau d'octobre or "Feuilles, couleur lumière", lithograph from 1953, always with the collaboration of
Fernand Mourlot.Braque engraved work includes joint productions with major poets : Eric Satie ("Léger comme un oeuf", with
one etching, Francis Ponge ( Cinq sapates) with five original etchings, Pierre Reverdy ( La liberté des mers, with 7 original
lithographs in colors, Franck Elgar ( La résurection de l'oiseau illustrated with 4 original lithographs, Jean Paulhan ("Braque le
Patron", with two lithographs), Guillaume Apollinaire ( Si je mourais là bas with 18 woodcuts), Marcel Jouhandeau ( La descente
aux enfers with 4 lithographs) ; Saint-John Perse ( L'ordre des oiseaux, with twelve etchings and aquatints in colors). The most
important of these productions is René Char 's Lettera amorosa ( Lettera amorosa), for which Braque made twenty-nine colour
lithographs.The artist has also print for collective books : "Un poème dans chaque livre" from Eluard, illustrated with 16 etchings
by Joan Miro, Alberto Giacometti, Marc Chagall, André Masson etc. ; "Sentences sans paroles" with an engraving of Alberto
Giacometti, Paroles peintes with prints of Marc Chagall, Bissière, Zadkine, Antoni Tapiès, Eduardo Chillida etc.Braque died in
1963. In is orbituary delivered at The Louvre in September of that year, Malraux stated : "There is a part of France's honor
called Braque, because a country's honor is also made of what it gives to the world."
40: Goldstein "Balancing Act"
USD 100 - 1,000
Title: "Balancing Act"Medium: Oil Crayon on PaperSigned: Lower RightDate Created: unknownDimensions: 22 x 30"With
Frame: 26 x 34"Condition: ExcellentProvenance: Estate of Daniel Friendenberg. Biography of the Artist:
41: Harold Altman (1924-2003) Etching "The Street"
USD 150 - 900
Title: "The Street"Medium: Original Sepia and White Etching 51/200Signed: Lower Right #151/200Date Created:
1960'sDimensions: Plate Size 6.5 x 18", Mat Size: 15" x 28", with frame 29 1/4" x 17"Condition: ExcellentProvenance: Estate of
Daniel Friedenberg, Purchased from Associated American ArtistsBiography of the Artist:Harold Altman was born in New York
City in 1924. He attended the Art Students League, the Black Mountain College, the Academie de la Grande Chaumiere in
Paris, and was a graduate of the Cooper Union Art School. Since 1962 he has lived in the central Pennsylvanian village of
Lemont, where a nineteenth century frame church serves as his studio. Altman spends one third of each year working in Paris
where his lithographs are printed at Atelier DesJobert. In previous years his etchings were printed at Atelier George LeBlanc.
The artist's works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is
represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while
the Whitney and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in
many museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the
Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the
Bibliotheque Nationale of Paris. Altman has received numerous awards, grants and fellowships. Among them are two
Guggenheim Fellowships, a Tamarind Lithography Fellowship, a National Institute of the Arts and Letters Award, a
Fulbright-Hayes Senior Research Fellowship for work in France and a National Endowment for the Arts Grant.
42: Harold Altman Etching "Garden"
USD 200 - 750
Title: Medium: Original Sepia and White EtchingSigned: LoDate Created: Dimensions: Condition: Very GoodProvenance: Estate
of Daniel Friedenberg
Page 9
43: Harriet Sadow Geometric Abstract
USD 25 - 100
Title: NoneMedium: Pencil on PaperSigned: Lower Right and InscribedDate Created: unknownDimensions: 21 3/4 x 15 3/4",
framed 29 1/4 x 22"Condition: ExcellentProvenance: Estate of Daniel FriedenbergGeometric drawing by artist Harriet
Sadow.Pencil on paper.
44: Irving Amen (1918-) Abstract
USD 100 - 1,000
Title: AbstractMedium: Watercolor or gouache on paperSigned: Bottom RightDate Created: 1973Dimensions: 24.75 x 19"
Framed: 31 x 25.25"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Born in New York City,
he began drawing at the young age of four. By the time he was fourteen years old, he won a scholarship to the Pratt Institute.
He emulated Michelangelo's masterpieces and spent years perfecting his own unique style. From 1942 to 1945 he served with
the Armed Forces. He headed a mural project and executed murals in the United States and Belgium.He had his first exhibition
was at the New School for Social Research in New York and his second at the Smithsonian Institute in Washington in 1949.
Amen studied in Paris in 1950. Upon his return to the United States, he had one man shows in New York and Washington DC.In
1953, Amen traveled throughout Italy. This resulted in a series of eleven woodcuts, eight etchings and a number of oil paintings.
One of these woodcuts, Piazza San Marco #4 and its four woodblocks constitute a permanent exhibit of block printing in color at
the Smithsonian Institution.Travel in Israel, Greece and Turkey in 1960 led to a retrospective show in Jerusalem. His art is
widely owned and loved. Irving Amen has taught at Pratt Institute and at the University of Notre Dame.Commissions include a
Peace Medal in honor of the Vietnam War and 12 stained glass windows for the Agudas Achim Synagogue in Ohio.He is listed
in Mantle Fielding Dictionary of American Painters, Sculptors and Engravers and the Dictionary of Contemporary American
Artists by Paul Cummings.Some of the museums that represent his art are:Albertina Museum – ViennaBaltimore Museum of Art
– MarylandBezalel National Museum – JerusalemCorcoran Gallery of Art – Washington, DCFogg Art Museum –
MassachusettsJewish Museum – New YorkMetropolitan Museum of Art – New YorkBoston Museum of Fine Arts –
MassachusettsMuseum of Modern Art – New YorkPhiladelphia Museum of Art – PennsylvaniaSmithsonian Institution –
Washington, DCStatische Museum – GermanyVictoria and Albert Museum – England
45: Ivan Schwebel (1932 - ) Original Drawing
USD 75 - 400
Title: "Hills of Jerusalem"Medium: Ink on PaperSigned: Lower RightDate Created: Paper Size: 26.25 x 18.75"Dimensions with
Frame: 32.5 x 25" Condition: Paper is mounted on backing with two dabs of glue and needs a proper remounting. Provenance:
Estate of Daniel Friedenberg acquired from Gallery of Isreali Art New YorkBiography of the Artist:Ivan Schwebel (1932-) is
known for his Biblical theme surreal, etchings and paintings. Listed in Davenports and the Artists Blue Book.
46: Jacob Landau Litho "The Mark of Cain"
USD 50 - 600
Title: "The Mark of Cain"Medium: Ink on Paper-Lithograph 14/15Signed: Right margin with inscription "To Daniel
Friedenberg"Date Created: unknownPrint Dimensions: 20.25 x 15"Dimensions with Frame: 27.25 x 22.15"Condition:
ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist: Jacob Landau (1917-2001) received a diploma in
illustration in 1938 from the Pennsylvania Museum & School of Industrial Art (PMSIA, now The University of the Arts College of
Art and Design).Smithsonian American Art MuseumFrederick R Weisman Art MuseumAcademy Art MuseumSt. Louis Art
Museum
47: Jeffery Packard "The Last Supper"
USD 200 - 1,000
Title: "The Last Supper"Medium: Acrylic on CanvasSigned:YesDate Created: 1987 This piece was commissioned by Mr.
FriedenbergDimensions with Frame: 42 x 60"Condition: ExcellentProvenance: Estate of Daniel Friedenberg commissioned by
Mr. Friedenberg.Winner will make any and all necessary arrangements for packing and shipping.
Page 10
48: Leon Kroll
USD 50 - 200
Title: NudeMedium: Conte on PaperSigned: YesDate Created: unknownDimensions: opening 11 x 17" Framed: 17.5 x
24"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Leon Kroll remained a painter of
realism at a time when the American art world was moving rapidly into abstraction and other styles that fell under the general
term of modernism. Nevertheless, asserting that he liked easy-to-recognize subjects that created a sense of that which was
warm, sympathetic, and romantic, he was a leading artist of his time painting lush landscapes, figures, and still lifes. Other
subjects such as his industrial scenes and cityscapes had elements of social realism and were painted with a heavier brush than
his other works.. He was especially focused on the human figure, and many of them seemed dreamlike in filmy dresses reclining
in landscapes.Kroll was born in New York City in 1884. He first studied at the Art Students League under John H. Twachtman,
and in 1904 entered the National Academy School, winning the Academy's premier award in 1908. To earn money, he worked
as a janitor and did mechanical drawing.He traveled to Paris in 1908, where he studied at the Academie Julian as a student of
Jean-Paul Laurens, and exhibited at some of the major Paris exhibitions. While in Paris, he came under the influence of the
Impressionists and was especially taken with the works of Paul Cezanne. When Kroll returned from Europe in 1910, he mounted
a one-man show of his Parisian work. The exhibition was a critical and financial success. He became an instructor at the
National Academy and also taught at the Maryland Institute (1919-23), the Art Institute of Chicago (1924-25), and The
Pennsylvania Academy of the Fine Arts (1929-30).Kroll began to paint views of New York in 1918, a subject that fascinated him
for the rest of his life. George Bellows, who not only became a friend but also exerted a strong influence upon Kroll's work, was
an admirer of his art. Through Bellows, Kroll was introduced to the Eight and began exhibiting with them at the MacDowell Club.
He also traveled to paint including to Rockport and Gloucester, Massachusetts; Monhegan Island in Maine; and in 1917, he
joined his friends Robert Henri, and George Bellows in Santa Fe, New Mexico.During the 1930s, he worked for the WPA on
murals for the Department of Justice Building.Kroll maintained an apartment at 253 West Forty-second Street in Manhattan,
from which he painted several views of New York scenes.He died in New York City in 1974.
49: Leon Sebag (1926-2009) Chromolithograph
USD 50 - 450
Title: At the Approach of SuccothMedium: ChromolithographSigned: On MatDate Created: 1999Dimensions: 10.75 x 12.75",
with frame 17 x 21"Condition: ExcellentProvenance: Estate of Daniel Friedenberg, Purchase Fulton Street Art GalleryBiography
of the Artist:Leon Sebag [1926-2009], Across five decades of artistic evolution, Leon remained single-mindedly true to the
liveliness and subtlety of color, to the elegance and vigor of form, and to the simplicity and intricacy of theme, all of which he
fused into the essence of his work.
50: Leopold Gottlieb (1883 - 1934) drawing of a woman
USD 100 - 1,000
Title: Drawing of A WomanMedium: Graphite on PaperSigned:LowerDate Created: UnknownSize of Paper: 11 3/8 x 13
1/4"Dimensions with Frame: 18 1/4 x 20"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the
Artist:Léopold Gottlieb was born in Drohobycz, Poland in 1883. From 1896-1902, he studied at the School of Fine Arts in
Krakow, Poland. In 1903, he continued his studies in Munich, where he earned his living painting portraits. In 1906, he taught
painting at the School of Fine Arts of Bezalel in Jerusalem; then he returned to Paris with his young wife who was a medical
student.Beginning in 1904, Gottlieb exhibited in Paris at the Salon d'Automne between1904 and 1928, the Salon Société
Nationale de Beaux-Arts 1911-12, at the Salon des Tuilleries, and the Salon d'Indépendants.Gottlieb exhibited with the Vienna
Secession, and in Zurich, Berlin, and Berne. I n 1912, he exhibited with other Polish artists at Gallery Dalmau in Barcelona. In
1914, it was reported the Gottlieb fought a duel with Moise Kisling, and there is actually a photograph of the duel.In the First
World War he fought in the Legions de Pilsudski. It is said he volunteered to fight on the front.In Krakow in 1917-1919, he
exhibited in group exhibitions. In 1921-1922, he participated in exhibitions of Jewish artists in Varsovie, Poland. He returned to
France in 1926. He exhibited at the Salon de France in 1926-1929. In 1927 a monograph by André Salmon was published. In
1929, Gottlieb reunited with the group Polish group "Rythme" and exhibited with them in Poland.He also exhibited at Les
Galeries des Quatre Chemins in Montparnasse, and Zak in 1934, where he had a one-man exhibition.Gottlieb brought to his
work many influences, Expressionism mostly, Postimpressionism, and that Eastern European fervor for freedom, a freedom
expressed deeply in his work. In his portraits one can always see the artist has an intimacy with the subject.In 2001, in an
exhibition was called "l'Ecole de Paris 1904-1929," two of Gottlieb's most famous portraits were exhibited, portraits of Jules
Pascin and André Salmon. The exhibition was at the Musée d'Art Moderne de la Ville de Paris.Gottlieb painted many portraits of
famous people, including Diego Rivera, and Helena Rubinstein.Gottlieb died in Paris in 1934.
51: Mimi Gross Grooms (1940 - ) Aluminum Sculpture
USD 300 - 700
Title: UntitledMedium: Enamel on AluminumSigned:Signed and numbered on the reverse 37/135Date Created: 1983Dimensions
with Frame:Condition: ExcellentProvenance: Biography of the Artist: Mimi Gross (1940-) is a New York City born artist. She is
the daughter of the sculptor Chaim Gross. From 1963-1976 she was married to the artist Red Grooms who was her collaborator
on many projects. Her work spans from painting and drawing to happenings, films, mail art, book design, costume and set
design, diorama and sculpture. She began exhibiting in Provincetown, MA, an artist colony where she spent her summers with
her family. She had a solo show at the Provincetown Art Association in 1957 followed by a solo show at the Sun Gallery in 1958
and a three-woman show at the Sun Gallery in 1963. She became well-known for large 3-D constructions she made with her
husband Red Grooms, including City of Chicago (1967-68), Discount Store (1970-71), Astronauts on the Moon (1972) and
Ruckus Manhattan (1975-76). She has collaborated with the dancer Douglas Dunn[1] on more than 18 dances, designing sets
and costumes, beginning with Foot Rules in 1978 and most recently tanks under trees (May 2008) with text by Anne Waldman.
Page 11
52: Mordecai Ardon (1896 - 1992) Lithograph "Creation
USD 50 - 200
Title: "Creation"Medium: Lithograph Edition 33/100Signed: Lower RightDate Created: Dimensions: 19.5x27.25 inches
Dimensions with Frame: 29 1/4 x 21 1/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the
Artist:Mordecai Ardon was born Max Bronstein in 1896 in Tuchow, Poland. He studied art under Klee, Itten and Kandinsky at
the Weimar "Bauhaus" and the technique of drawing with Prof. Max Doerner at the Munich Academy of Art. After teaching in
Itten's school of art in Berlin, he emigrated to Israel in 1933 where he taught at the Belazel School of Arts and Crafts in
Jerusalem. He became director of the school in 1940 and Art Advisor to the Israeli Minister of Education in 1952. Jaacov Agam
was among his students.The artist had a turbulent life as actor, revolutionary, Bauhas disciple and teacher. Ardon's paintings
have universal and immediate appeal. They are known for their gemlike colorshnical brilliance and great variety of mood,
ranging from the playfully ironic to the mysterious and pensive. The years of his artistic maturation were in Jerusalem, where his
stylistic evolution from realism to abstraction was fully realized.Ardon's paintings are not created by intellectual decisions and
technical procedures alone. He speaks of the "hidden spark", which appears suddenly in the midst of working, all his
calculations. Bringing the painting to life with his brush and colors, Ardon exalts all creation. Whether he paints leaf, stone, sun,
moon, wind or rain, the image is never merely a depiction of outer reality but a revelation of its essence. In bringing forms to life
on the canvas, Ardon adds a dimension to our perception of the universe, endowing it with fresh meaning.During the 1950s he
began to exhibit in Europe and gained a reputation as a distinguished colorist with a strong and near-Surrealist imagination. In
1954 he participated in the Venice Biennale where he won a UNESCO prize. He held one-man shows at the Stedelijk Museum,
Amsterdam in 1960 and the Marlborough Fine Arts Museum, London, in 1962. Like his contemporaries, Ben Shahn and Moshe
Castel, Mordecai Ardon often enriched his works with the Hebrew alphabet. His works, mainly executed in oils, are to be found
in the best-known museums of Amsterdam, Paris, Rome, Brussels, New York, Pittsburgh and Munich. He received the Israel
Prize 1963. He died in 1992.
53: Oppenheim (after) "The Examination"
USD 1,000 - 4,000
Oil on Paper signed lower left Oppenheim 1866. This is after the Oppenheim painting titled "The Examination" which is owned
by the Jewish Museum in New York. Paper size as observed: 7 x 9"With frame: 14.75 x 16.5"Condition: While the condition of
the paint on the paper appears to be very good the paper has some waves to it and could use some conservation and cleaning.
Overall fairly good. Condition. The frame has a few chips to it in various places.
54: Paintings of Isreal with Metal Frames
USD 25 - 200
Five small paintings of Isreal with metal frame. Each well executed painting has a different scene. 4" x 4 3/4" without frame5.5" x
6" with frame
55: Philip Levitan: Brass Relief Plaque
USD 200 - 700
Two brass relief plaques by Philip Levitn mounted on board. "The Baby and the River and "Ruth and Boaz". Medium: Brass
relief on boardSigned: Philip LevitanDate Created: unknownDimensions: 12 x 24Condition: ExcellentProvenance: Estate of
Daniel FriedenbergBiography of the Artist:
56: Photographs on Linen Puente Viesgo Cave Paintings
USD 70 - 300
Photographs on linen of the prehistoric drawings from the Puente Viesgo caves in Spain.Unframed: 10 7/8 x 7 3/8Framed 14.5 x
11.5"
57: Pieter Stevens Van Gunst (c.1667-1724) Engraving
USD 200 - 1,200
Title: Ferdinand Duke of AlbaMedium: Ink on Paper EngravingSigned: Lower Right in PlateDate Created: c. 1710Dimensions:
Plate 6 3/4" x 11.5" .16 x 19.25" framed.Condition: ExcellentProvenance: Estate of Daniel Friedenberg; Purchased from
Sotheby's New York Biography of the Artist:Pieter Stevens Van Gunst (1659-1724)was a Dutch draughtsman and copperplate
engraver. He engraved many portraits, mostly after Van Dyck, but also after other artists such as Adriaan Van der Werff and
Gerrit van Honthorst.Fernando Alvarez de Toledo, 3rd Duke of Albaby Pieter Stevens van Gunst, after Adriaen van der Werff
line engraving, late 17th to early 18th century.Signed below the plate on lower right.12 in. x 7 1/4 in. (305 mm x 183 mm) plate
size; 13 3/8 in. x 8 3/8 in. (340 mm x 212 mm) paper size
Page 12
58: Reva Urban (1925 – 1987) Pastel on Paper
USD 450 - 3,200
Title: NoneMedium: Pastel on PaperSigned: Lower RightDate Created: 1980Dimensions" 15 3/4 x 15 3/4'; with frame 22 /4 x 22
/4".Condition: ExcellentProvenance: Estate of Daniel Friedenberg; Midas Art Gallery Port Chester NYBiography of the
Artist:This is a rare chance to own an original work by Reva Urban. Since her death we are unaware of any of her works being
offered for auction. Reva Urban (eventually known simply as "Reva") was an American woman artist who achieved success in
the art world in the 1950s and 1960s. Her career offers important insights into the relationship of gender to art production, form,
and content. Like that of some of her contemporaries, Reva's engagement in feminist ideas augured concerns that became
increasingly prominent in the art of the late 1960s and beyond.Reva Urban spent her youth in California . In 1941 she returned
to New York and studied with a Carnegie Fellowship at the Art Students League of New York . In 1949 she married the German
painter Albert Urban (1909-1959), after his death she married George Robert Carley (1913-1993). From 1958 she exhibited her
works nationally and internationally. Ms. Urban has had the distinction of representing the United States in two festivals in
Salzburg, and a selection of her paintings and graphics has toured European museum under the auspices of the United States
of America Information Service. Her work is Represented in many public and private and public collections including the MOMA,
NY, Univ. Art Museum, Berkely; Chicago Art Institute; Finch College Museum of Art, Illinois University Museum; Avethorp
Gallery, Jenkintown, PA, Grunwald Graphic Arts Foundation, CA; and Fine Arts Gallery of San Diego, CA. Art Museum,
Berkeley, Chicago Art Institute, Finch College Museum of Art, University Museum, Illinois; Avethorp Gallery, Jenkintown, PA,
Grunwald Graphic Arts Foundation, CA, and Fine Arts Gallery of San Diego, CA.
59: REVA URBAN (1925 – 1987) Rare Original Work 1964
USD 5,500 - 6,500
This is a rare chance to own an original work by Reva Urban. Since her death we are unaware of any of her works being offered
for auction. Title: UntitledMedium: Mixed Media. Paint on wood. Nails.Signed: Lower RightDate Created: 1964Dimensions: 30 x
31"Condition: Very Good
60: Robert Rutman "Sacrafice of Isaac"
USD 100 - 900
Title: "Sacrafice of Isaac"Medium: Oil on CanvasSigned: NoDate Created: UnknownDimensions: 30 1/4 x 40"; 30 3/4 x 40 1/2
with frameCondition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:He exhibited at the Dunbarton
Gallery 1962
61: Robert Rutman "The Ruin of Sodom and Gomorrah"
USD 100 - 900
Title: "The Ruin of Sodom and Gomorrah"Medium: Oil on CanvasSigned:NoDate Created: UnknownDimensions: 40 1/4 x 30";
with frame 40 3/4 x 30 3/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:He exhibited at
the Dunbarton Gallery 1962
62: Siegmund Forst "The Messiah Crossing"
USD 200 - 900
Title: "The Messiah Crossing"Medium: Oil on BoardSigned: Lower Right Date Created: UnknownDimensions" 11.5" x 15"; 14" x
17.5" framedCondition: ExcellentBiography of the Artist:Siegmund Forst, illustrator was born 1904 in Vienna, Austria. Forst
began his artistic career in commercial package design and advertising along with Ketubbot, bookplates, B'nai Brith honor
scrolls and private commissions which he illuminated with self-made ink and gold lettering. After immigrating to America in 1939,
Forst gravitated to the Jewish publishing world where he illustrated Jewish texts and American-Jewish children's books. Forst's
art became a powerful cultural transmitter of Jewish values intertwined with modern ideals and had a strong influence on the
Jewish visual arts of his time.
63: Siegmund Forst Block Print ""Martyrdom"
USD 100 - 300
Title: "Martyrdom"Medium: Paper on ink block printSigned: Lower Right with # 46/48 on lower leftDate Created:
1981Dimensions: 33.5 x 21.5"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Siegmund
Forst, illustrator was born 1904 in Vienna, Austria. Forst began his artistic career in commercial package design and advertising
along with Ketubbot, bookplates, B'nai Brith honor scrolls and private commissions which he illuminated with self-made ink and
gold lettering. After immigrating to America in 1939, Forst gravitated to the Jewish publishing world where he illustrated Jewish
texts and American-Jewish children's books. Forst's art became a powerful cultural transmitter of Jewish values intertwined with
modern ideals and had a strong influence on the Jewish visual arts of his time.
Page 13
64: Siegmund Forst Woodcut "Tashkh"
USD 50 - 600
Title: "Tashkh" Casting Off SinsMedium: Woodcut ink print on paperSigned: Lower RightDate Created: UnknownPaper Size as
observed through glass. 8.5 x 6"Dimensions with Frame: 12.25 x 9.75Condition: ExcellentProvenance: Estate of Daniel
Friedenberg, acquired from Fulton Street Art GalleryBiography of the Artist:Siegmund Forst, illustrator was born 1904 in Vienna,
Austria. Forst began his artistic career in commercial package design and advertising along with Ketubbot, bookplates, B'nai
Brith honor scrolls and private commissions which he illuminated with self-made ink and gold lettering. After immigrating to
America in 1939, Forst gravitated to the Jewish publishing world where he illustrated Jewish texts and American-Jewish
children's books. Forst's art became a powerful cultural transmitter of Jewish values intertwined with modern ideals and had a
strong influence on the Jewish visual arts of his time.
65: Susan Smyly (1940-2009) Original Sculpture
USD 100 - 500
Signed: Bottom # 3/6Date Created: 1971Medium: Fiberglass with paint and pinstripesDimensions: 31"Condition: Crackled paint,
paint stripe damage to various areas, blue ink mark on front and rub marks in different areas.Provenance: Estate of Daniel
FriedenbergBiography of the Artist: Trained in Italy, a master of a myriad of sculptural techniques, Susan Smyly has worked for
years outside the gallery system, honing her technique by producing intimate busts and bas-reliefs of people she knew or
strangers she met on the street.The work is distinguished by an extraordinary sensitivity to personality and individuality, a trait
which carries over into her signature pieces, portrayals of beings inspired as much by the nightmares on the evening news as
they are by the faces at the corner store.Susan Smyly is a Fulbright scholar and has twice been awarded the Prix de Rome,
given out annually by the American Academy in Italy. Her work has been represented in exhbitions including The Hirshhorn
Museum, Washington, DC; The Smithsonian Museum, Washington, DC; and The Corning Museum of Glass, Corning,
NY.Selected Collections The Boston Public Library, Print Department, MA Mr. & Mrs. Henry Chalfant Cranbrook Academy of
Art, MI The Estate of Derek Jones, NY Demi Moore, ID Eastern Michigan University, MI The Forum Gallery. NY Hirshhorn
Museum, DC The Hotchkiss School, CT Mr. & Mrs. Rungwe Kingdon, UK Memphis College of Art, TN Prospect Park, New York
Historical Society, NY Steuben Glass, Corning Museum, Corning, NY The University Liggett School, MI University of
Massachusetts at Amherst, MA Mr. & Mrs. Mark Weil, MO Wynton Marsalis, NYMs. Nina Bohlen Ms. Shellie ArchboldMr. Lynn
Harrell & Ms. Helen Nightengale Mr. & Mrs.David Gamper Mr. David Van Vactor Ms. Bodie Brizendine & William Bullard Mr. &
Mrs. Jeff Miller Ms. Diane Lampert & Mr. Fred Stuart Dr. Karen Feibusch Dr. & Mrs. Norman Boyd Ms. Nora Pierson Ms. Elissa
Weaver Mr. & Mrs. Paolo Adami Mr. & Mrs. Richard Trythall Mr. & Mrs. Michael Hinkle Mr. & Mrs. Hyman Bloom Mr. Peter
Smith Dr. & Mrs. Richard Eaton Drs. Carrie & Alton Barron Mr. & Mrs. Eric Lidow Mr. & Mrs. Jeff Bomer Mr. & Mrs.William
Boland Mr. & Mrs. Ralph Allured Mr. & Mrs. Arvid Schmalz Mr. Julius Schmidt Mr. & Mrs. David Flaharty
66: Susan Smyly (1940-2009) Original Sculpture
USD 200 - 700
Signed: Inside of Base 1/6Date Created: 1971Medium: Fibergass with paintDimensions: 28" tall. Base is 12 x 12"Condition:
GoodProvenance: Estate of Daniel FriedenbergBiography of the Artist: Trained in Italy, a master of a myriad of sculptural
techniques, Susan Smyly has worked for years outside the gallery system, honing her technique by producing intimate busts
and bas-reliefs of people she knew or strangers she met on the street.The work is distinguished by an extraordinary sensitivity
to personality and individuality, a trait which carries over into her signature pieces, portrayals of beings inspired as much by the
nightmares on the evening news as they are by the faces at the corner store.Susan Smyly is a Fulbright scholar and has twice
been awarded the Prix de Rome, given out annually by the American Academy in Italy. Her work has been represented in
exhbitions including The Hirshhorn Museum, Washington, DC; The Smithsonian Museum, Washington, DC; and The Corning
Museum of Glass, Corning, NY.Selected Collections The Boston Public Library, Print Department, MA Mr. & Mrs. Henry
Chalfant Cranbrook Academy of Art, MI The Estate of Derek Jones, NY Demi Moore, ID Eastern Michigan University, MI The
Forum Gallery. NY Hirshhorn Museum, DC The Hotchkiss School, CT Mr. & Mrs. Rungwe Kingdon, UK Memphis College of Art,
TN Prospect Park, New York Historical Society, NY Steuben Glass, Corning Museum, Corning, NY The University Liggett
School, MI University of Massachusetts at Amherst, MA Mr. & Mrs. Mark Weil, MO Wynton Marsalis, NYMs. Nina Bohlen Ms.
Shellie ArchboldMr. Lynn Harrell & Ms. Helen Nightengale Mr. & Mrs.David Gamper Mr. David Van Vactor Ms. Bodie Brizendine
& William Bullard Mr. & Mrs. Jeff Miller Ms. Diane Lampert & Mr. Fred Stuart Dr. Karen Feibusch Dr. & Mrs. Norman Boyd Ms.
Nora Pierson Ms. Elissa Weaver Mr. & Mrs. Paolo Adami Mr. & Mrs. Richard Trythall Mr. & Mrs. Michael Hinkle Mr. & Mrs.
Hyman Bloom Mr. Peter Smith Dr. & Mrs. Richard Eaton Drs. Carrie & Alton Barron Mr. & Mrs. Eric Lidow Mr. & Mrs. Jeff Bomer
Mr. & Mrs.William Boland Mr. & Mrs. Ralph Allured Mr. & Mrs. Arvid Schmalz Mr. Julius Schmidt Mr. & Mrs. David Flaharty
Page 14
67: Wm Hogarth "The Enraged Musician" Hogarth Edition
USD 200 - 1,600
Very rare and much sought after Title: "The Enraged Musician"Medium: EtchingSigned: BottomDate Created: 1741Dimensions:
16.25 x 14.5" unframedFramed: 21.75 x 19.75"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the
Artist:William Hogarth (10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic
and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture
to comic strip-like series of pictures called "modern moral subjects". Knowledge of his work is so pervasive that satirical political
illustrations in this style are often referred to as "Hogarthian."William Hogarth was an English painter and printmaker who
poignantly commented the English society of the eighteenth century with biting satire. The career and life of Hogarth were as
unusual as his prints. William was born as the son of a shopkeeper (his mother) and a schoolmaster and publisher. The youth of
William was overshadowed by the chronic financial problems of his father, who was even imprisoned because of his debts. This
humiliating experience formed Hogarth for the rest of his life. Hogarth started an apprenticeship as a silversmith in 1714, but
never finished it. He then tried his luck as an independent engraver for copper plates. His early commissions were for cards,
book illustrations and single prints. In 1720, he registered at the John Vanderbank Art Academy. Around 1726 or earlier, he was
taught painting by James Thornhill whose daughter he later married. He earned some reputation for theater decoration
paintings. Hogarth experienced his first big financial success with A Harlot's Progress, a series of paintings from which he
produced engravings in 1732. Only the engravings survived. The paintings were lost in a fire in 1755. A Harlot's Progress is a
set of 6 prints about the hapless life of a prostitute. It was a completely new kind of genre prints that were referred as moral
history subjects. After the big success of A Harlot's Progress, Hogarth published a male counterpart series, A Rake's Progress a story in eight plates showing the decline of a promising young man into a life of drinking and immoral behavior. In 1743, the
painting series Marriage à la Mode was completed. It is considered his masterpiece. In Marriage à la Mode Hogarth turned his
satire on the follies of the upper classes. The theme of this series is about marriage for money. Although the prints of Marriage à
la Mode sold well, the paintings did not. Therefore all prints designed afterwards, were created exclusively as print designs
without any painted counterparts. In 1747 followed the series Industry and Idleness, a moral story of an idle and an industrious
apprentice in twelve plates.In 1753 Hogarth wrote his book The Analysis of Beauty, a wrap-up of his artistic and esthetic
principles. Hogarth was a very controversial and individual character. Driven by a sense for justice, he missed no chance to get
into a quarrel with his contemporaries. His most hated enemy was the British politician John Wilkes, whom he had ridiculed in
one of his engravings. William Hogarth died on October 26, 1764.
68: Ya'akov Boussidan Etching "Silent Figures"
USD 200 - 1,000
Title: "Silent Figues"Medium: Original Etching on PaperSigned: Lower right #14/15Date Created: Print Size: 19 1/2 x 12
3/4"Dimensions with Frame: 26 x 19 3/4"Condition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the
Artist:Ya'akov Boussidan was born in Port Said, Egypt, a melting-pot of cultures and languages. When he was ten, he
immigrated with his parents to Israel and was educated in Youth Aliyah, an immigrant youth framework at Kibbutz Givat-Chayim.
His artistic talent was discovered by Prof. Reuven Feuerstein, the former chief psychologist of Youth Aliyah and winner of the
Israel Prize for Education. Their close friendship continues to this day. Boussidan's artistic training in Israel began under the
guidance of Prof. Joseph Schwartzmann of the Germanic school and a distinguished student of Kathe Kolwitz. Boussidan
studied sculpture and ceramics with Rudi Lehmann and Hedwig Grossman and received important exposure to the modern and
abstract streams from Shlomo Vitkin. With the encouragement of Prof. Willem Sandberg (former head of the Stedelijk Museum
in Amsterdam, and one of the founders of the Israel Museum), the twenty-seven-year-old Boussidan won the Rothschild
Foundation Scholarship. This enabled him to continue his academic studies at Goldsmith College in London, where he
graduated with distinction for his abstract version of Song of Songs. This print also won an award at the Biennale for Prints in
Monte Carlo. In London, Boussidan became acquainted with luminaries in the art world, including Alix De-Rothschild, Yoko Ono,
artists Peter De Francia, Paul Drury and Sam Maitin, sculptor Claes Oldenberg, as well as with writer Alan Sillitoe and his wife,
the poet Ruth Fainlight, a close friend of Sylvia Plath. His longstanding friendship with artists such as Agathe Sorel, a fine
sculptor and a dedicated printmaker, has a clear impact on his approach to modern printmaking. In addition, the Israeli Cultural
Attaché in London at the time, Benjamin Tammuz, became a close friend and used Boussidan as the inspiration for the book
Bottle Parables. The noted collector Georges Bloch acted as one of Boussidan's patrons. In addition, Boussidan's achievements
have been credited by the manuscript researcher, Dr. Leila Avrin, who has written about his work in several sources, including
the Encyclopaedia Judaica. Dr. Bat Sheva Ida Goldman, Curator at the Tel Aviv Museum, is currently writing a consequential
essay on Boussidans' Haggadah, and has also interviewed Prof Reuven Feuerstein with his interpretation on this opus magnum
Boussidan has been awarded the Jesselson Prize of Judaica from the Israel Museum in 1990. His celebrated artist book
"Jerusalem – Names in Praise", has been launched at the Israel Musuem in 2006 and at the British Parliament in London in
2007, hosted by MP Louise Ellman Ya'akov Boussidan has been a visiting lecturer at several colleges in England. In his studio,
Boussidan teaches art as a métier, in order to develop his students' potential skills, based on the school of Prof. Schwartzmann.
After many years in London he has recently decided to move to his permanent studio in Israel.
69: Yosl Bergner (1920 - ) "Furnished Landscape" WC
USD 1,500 - 2,500
Title: Furnished LandscapeMedium: Pen and Ink with a watercolor wash on paper.Signed: Lower RightDate Created:
1966Painting Size 19 x 13"Dimensions with Frame: 29.5 x 23.25"Condition: ExcellentProvenance: Estate of Daniel
FriedenbergBiography of the Artist:Yosl Bergner , born in 1920 in Vienna, is a son of the Yiddish poet, Melech Ravitch. In 1937
he immigrated to Australia where he served the armed forces. In 1948 he left Australia for Paris. Two years later Bergner arrived
to Israel and settled in Safed and afterwards in Tel Aviv. He participated in numerous exhibitions in Melbourne, Paris, Tel-Aviv
New York and in the Venice Biennale and the Sao Paulo Biennale. "He paints still lives as though to install stabilizers against
the turbulence of the dream, and perhaps these stabilizers serve him in time as a touchstone." Nissim Aloni, 1983 The
Surrealism served as a source of inspiration for Bergner, though he does not consider himself a surrealist but a lover of stories,
and indeed narrative elements appear frequently in his work. He uses the "displacement" element, as the Surrealists did, and
that is detaching the figures, objects or landscapes from the logical context and into a poetical-magical climate.
Page 15
70: "Tree of Life" Fabric Art
USD 40 - 100
Title: "Tree of Life"Medium: Multi medium fabric ArtSigned:ASDate Created: 1984Dimensions with Frame: 37 x 31"Provenance:
Estate of Daniel FriedenbergBiography of the Artist:
71: 2 Bernardi Chalkware Figures 1967
USD 40 - 140
A pair of Bernardi chalkware figures. Seated Rabbi and Fiddler on the Roof. Fiddler missing his bow. Fiddler: 11" heightRabbi:
7" height
72: 20c. Model of a Ship
USD 50 - 250
21" height x 23" wide.Repairs made to various areas. Overal nice ship model.
73: Bonaparte Porcelain Bust
USD 160 - 200
Porcelain bust of a Gentleman marked made in France. Hallmark two olive branches and the letter "s".Measures: 8" height x
5.25" wide
74: Chinese Lacquered Panels
USD 200 - 1,800
A lovely pair of Chinese lacquered panels from the early part of the 20th century.2 panels measuring 30 x 42" each.Date
Created: Early 20th CenturyDimensions with Frame:Condition: Overall good condition with some chipping around bottom, a few
chips on sides and a few on the top. One panel has hairline crackle in the paint and a slight warp to the board. None of this
detracts from the beauty.Provenance: Estate of Daniel FriedenbergBiography of the Artist: None
75: David Kaplan Figurines (3)
USD 150 - 400
A group of three David Kaplan chalkware figurines. The Rabbi and student measure 10 inches overall very good condition.The
tall Rabbi measures 13" he has a chip to the back of his hat as shown in photo.The small statue measures 6.5" and has a small
crack to the back of the base. Damage on two pieces is minor.
76: Elizabeth Ryland Mears Candlesticks
USD 100 - 600
A whimsical pair of candlesticks by glass artist and author Elizabeth Ryland Mears. Excellent condition with no chips. 11.5" in
height.BiographyElizabeth Ryland Mears is a full time, award winning, studio artist. She creates works in glass and mixed media
using primarily the glassblowing technique of flamework. After a successful career in flat glass and teaching those techniques in
such places as the Smithsonian Institution and the Building Museum in Washington DC, she began flameworking in the early
1990's. She intensively studied her new found technique at Penland School of Crafts, Pilchuck Glass School and the Studio of
the Corning Museum of Glass. She was a scholarship student at the latter two and now teaches at Penland and was a teaching
assistant at Pilchuck in 2001.
Page 16
77: Laura Brietman "Red Dining Room" Collage
USD 1,500 - 5,000
Title: "Red Dining Room" CollageMedium: Paint on FabricSigned:Date Created: Dimensions with Frame:Condition:
ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:Laura Brietman "Red Dining Room"Paint on
fabric.Raised in Queens, NY, Laura Breitman attended the High School of Music and Art where she majored in textile design.
She also studied children's book illustration and photography at the College of Visual Arts in New York.From 1971 to 1975
Laura worked in New York's garment district as a textile designer and colorist. In 1975 she left New York in search of a slower
pace and more peaceful surroundings. She lived in California and Mexico through 1977, soaking up the brilliant colors and
textures of her environment, while networking with other artists.Missing her family and friends, she returned to New York where
she engaged in numerous occupations including New York City cab driver, waitress, and welder for an iron works company.
Through all her endeavors, she continued to gather visual information, trying new techniques with fabric and adding to her
already extensive fabric collection.After years of perfecting her skills, Laura became a full time studio artist in 1986. Her collage
technique has been widely recognized and awarded over the years. Her work appears in private and corporate collections
throughout the United States and abroad. She is now living in Warwick, NY with her husband Michael and their poodle Vinny.
78: M. Penzer Ceramic Candlesticks
USD 10 - 100
A fanciful pair of ceramic candlesticks. Created by M. Penzer.8" in height2 minor chips to backside of man
79: Melvin Silverman "One Hundred Gates" Lithograph
USD 100 - 650
Title: "One Hundred Gates" LithographMedium: Ink on PaperSigned: Lowe RightDate Created: 1962Dimensions: 29 x 20", 36
1/4" x 28" framedCondition: ExcellentProvenance: Estate of Daniel FriedenbergBiography of the Artist:He was born and raised
in Denver where he went to North High School. An outstanding baseball pitcher, he was offered a minor league contract with the
Yankees organization. Instead, he decided to pursue art at the Chicago Art Institute. While in Chicago, he met his wife, Sydel
Silverman, who is now a world reknowned anthropologist. They lived in NYC, but they traveled extensively. Many of his works
were inspired by his travels in Italy and in Israel. He worked in many different media. I have seen collages, oils, woodsculptures,
metal sculptures,charcoals, pencil drawings, cartoons, and book illustrations.Mel died of cancer when he was 35. Mel is
survived by two daughters, Eve and Julie, and his widow, who continues to live in the NYC area.Colorado Springs Fine Arts
CenterWashington County Museum of Fine ArtsFrederick R Weisman Art MuseumAllentown Art Museum
80: Persian Jewish Folk Art Painting "Moses"
USD 250 - 1,000
Title: MosesMedium: Oil on CanvasSigned: NoDate Created: 19th CenturyCanvas Size: 16.25 x 20"Dimensions with Frame
17.5 x 21.5:Condition: This painting has had extensive restoration. It has been remounted on a newer canvas with only the front
portions of the canvas being from the original painting.Provenance: Estate of Daniel Friedenberg
81: Sampler, "God Bless Our Home"
USD 25 - 100
21.5 x 9.75" unframed23.75 x 11.75 framed20th C. embroidered sampler
82: Sir David Wilkie's Sketches Spanish & Oriental
USD 750 - 5,000
Sir David Wilkie's Sketches Spanish and Oriental drawn on Stone by Joseph Nash. 24 sketches are present with 2 missing. All
sketches have some degree of foxing. Edges of etchings have tears which do not extend into the plate. There is a dedication
page:To The Most Noble Henry Marquess of Lansdowne, Lord President of he Council KG. This second volume of Sir David
Wilkies Sketches in Spain, Italy and the Easte is as a testimony of His Lordships Admiration of the Fine Arts humbly dedicated
by His Lordship's most obligated and humble Servants Henry Graves and Co. No. 6., Pall Mall, Feb 1847. We have over 66
image for this lot. Please see our website: wwwnewenglandauctioncompany.com for a link to all 66 images.
Page 17
83: Toussaint Louverture wood bust
USD 20 - 80
Nicely carved bust of Francois-Dominique Toussaint Louverture signed, "Darbouze" on the back. 7" in height.
François-Dominique Toussaint Louverture (May 20, 1743 – April 7, 1803) was the leader of the Haitian Revolution. His military
genius and political acumen led to the establishment of the independent black state of Haiti, transforming an entire society of
slaves into a free, self-governing people. The success of the Haitian Revolution shook the institution of slavery throughout the
New World.Toussaint Louverture began his military career as a leader of the 1791 slave rebellion in the French colony of Saint
Domingue. Initially allied with the Spaniards of neighboring Santo Domingo, Toussaint switched allegiance to the French when
they abolished slavery. He gradually established control over the whole island, expelling the British invaders and using political
and military tactics to gain power over his rivals. Throughout his years in power, he worked to improve the economy and security
of Saint Domingue. He restored the plantation system using free labour, negotiated trade treaties with Britain and the USA and
maintained a large and well-disciplined army.In 1801 he promulgated an autonomist constitution for the colony, with himself as
governor for life. In 1802 he was forced to resign by forces sent by Napoleon Bonaparte to restore French authority in the
colony. He was deported to France where he died in 1803. The Haitian Revolution continued under his lieutenant,
Jean-Jacques Dessalines, who declared independence in 1804.
84: Unamuno, Miguel de. First Edition
USD 100 - 300
First edition of this short story, which appeared as a single number of La Novela Corta. It was later incorporated into Tres
Novelas Ejemplares y un Prologo in 1920.34 Pages in th original illustrated wrappers, a few small tears and repairs.
85: 1953 U.S. Coin Proof Set
USD 175 - 250
US Proof Coin Set from 1953 in their original boxes.
USD 175 - 250
US Proof Coin Set from 1953 in their original box.
USD 175 - 250
1953 U.S. Coin Proof set in original box.
USD 175 - 250
USD 175 - 250
90: 1953 U.S. Coin Proof Sets (10)
USD 1,750 - 2,500
Ten US Proof Coin Sets from 1953. 9 sets are still in their original boxes and sealed shut. One set has been opened but the
coins have not been removed from the plastic bags.
Page 18
USD 875 - 1,200
USD 875 - 1,200
USD 875 - 1,200
USD 875 - 1,200
95: 1955 U.S. Coin Proof Set - Five Sets
USD 300 - 1,500
USD 600 - 3,000
Never removed from plastic bags. Nine sealed boxes and one open box with coins still in bags. We assume the sets in the
USD 600 - 3,000
Never removed from plastic bags. Nine sealed boxes and one open box with coins still in bags. We assume the sets in the
USD 600 - 3,000
99: 1955 U.S. Coin Proof Sets (Single Set)
USD 60 - 300
Never removed from plastic bags. Half dollar, quarter, dime, nickel and penny.See other lots for other single sets and sets of 10.
Page 19
USD 60 - 300
USD 60 - 300
USD 60 - 300
USD 60 - 300
104: American Large Cent 1827
USD 15 - 100
Ungraded
USD 15 - 100
Ungraded
USD 15 - 100
Ungraded
USD 15 - 100
Ungraded
USD 15 - 100
Ungraded
Page 20
USD 15 - 100
Ungraded
USD 15 - 100
Ungraded
111: 1864 2 Cent Coin
USD 3 - 15
Very worn unable to tell if it is small motto or large motto.
112: 1865 Three Cent Nickel
113: 1879 "S" Morgan Silver Dollar
USD 5 - 25
USD 25 - 100
Ungraded. Mint mark "S"
114: 1883 Morgan Silver Dollar
USD 20 - 100
Ungraded
115: 1885 O Morgan Silver Dollar
USD 25 - 100
Ungraded. Mint mark "O" for New Orleans
116: 1886 "O" Morgan Silver Dollar
USD 20 - 100
Ungraded
USD 20 - 100
Ungraded. Philadelphia (no mark)
Page 21
USD 25 - 100
Ungraded
USD 20 - 100
Ungraded.
120: 1891 Liberty Seated Dime
USD 5 - 20
Ungraded
USD 25 - 100
Ungraded. Mint mark "S"
USD 20 - 100
Ungraded. "O"
USD 25 - 100
Ungraded.
124: A mezuzah with an inlaid wood case
125: Brass Candelabras 3 Light 19th C.
USD 25 - 100
USD 125 - 500
14.25" Height x 9.25" WideSolid Brass 3 light candelabras late 19th C.
126: Rare Impressions of Jewish Seals- BA1
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:20 Seal ImpressionsThese
are rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are a must have for
any scholar who wishes to seriously study seals. The impressions were obtained and then studied by Mr Friedenberg. Some of
the impressions were taken from seals which Mr. Friedenberg donated to the Jewish Museum in Museum in New York while
others come from Museums in Europe. The impressions are in plaster, wax and silicone. Due to space limitations on this server
we have placed photos of all of the seals included in this lot at:http://www.newenglandauctioncompany.com/
Page 22
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:16 Seals from Various parts of
the worldThese are rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are a
must have for any scholar who wishes to seriously study seals. The impressions were obtained and then studied by Mr
Friedenberg. Some of the impressions were taken from seals which Mr. Friedenberg donated to the Jewish Museum in Museum
in New York while others come from Museums in Europe. The impressions are in plaster, wax and silicone. Due to space
limitations on this server we have placed photos of all of the seals included in this lot
at:http://www.newenglandauctioncompany.com/
USD 50 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations: 9 Misc. Seals (Manila
Envelopes) These are rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are
a must have for any scholar who wishes to seriously study seals. The impressions were obtained and then studied by Mr
USD 20 - 100
Impressions of Jewish and other seals dating back hundreds of years from the following locations:6 assorted sealsThese are
rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are a must have for any
scholar who wishes to seriously study seals. The impressions were obtained and then studied by Mr Friedenberg. Some of the
impressions were taken from seals which Mr. Friedenberg donated to the Jewish Museum in Museum in New York while others
come from Museums in Europe. The impressions are in plaster, wax and silicone. Due to space limitations on this server we
have placed photos of all of the seals included in this lot at:http://www.newenglandauctioncompany.com/
USD 50 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:10 Seal impressions from
Jewish Encyclopedia Vol XI, pg 138These are rare impressions of Jewish and other Seals that are located in Museums
throughout the world. These are a must have for any scholar who wishes to seriously study seals. The impressions were
obtained and then studied by Mr Friedenberg. Some of the impressions were taken from seals which Mr. Friedenberg donated
to the Jewish Museum in Museum in New York while others come from Museums in Europe. The impressions are in plaster,
wax and silicone. Due to space limitations on this server we have placed photos of all of the seals included in this lot
131: Rare Impressions of Jewish Seals- Box 1
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:2 Strasbourg1 Minden,
Germany2 Muesnter27 KoblenzThese are rare impressions of Jewish and other Seals that are located in Museums throughout
the world. These are a must have for any scholar who wishes to seriously study seals. The impressions were obtained and then
studied by Mr Friedenberg. Some of the impressions were taken from seals which Mr. Friedenberg donated to the Jewish
Museum in Museum in New York while others come from Museums in Europe. The impressions are in plaster, wax and silicone.
Due to space limitations on this server we have placed photos of all of the seals included in this lot at:
http://www.newenglandauctioncompany.com/
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations: 4 seals from Ueberlingen 19
seals from Regensburg 3 seals from Ottingen-Wallerstein These are rare impressions of Jewish and other Seals that are
located in Museums throughout the world. These are a must have for any scholar who wishes to seriously study seals. The
impressions were obtained and then studied by Mr Friedenberg. Some of the impressions were taken from seals which Mr.
Friedenberg donated to the Jewish Museum in Museum in New York while others come from Museums in Europe. The
impressions are in plaster, wax and silicone. Due to space limitations on this server we have placed photos of all of the seals
included in this lot at:http://www.newenglandauctioncompany.com/
Page 23
USD 50 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:•27 seal impressions from
Regensburg GermanyThese are rare impressions of Jewish and other Seals that are located in Museums throughout the world.
These are a must have for any scholar who wishes to seriously study seals. The impressions were obtained and then studied by
Mr Friedenberg. Some of the impressions were taken from seals which Mr. Friedenberg donated to the Jewish Museum in
Museum in New York while others come from Museums in Europe. The impressions are in plaster, wax and silicone. Due to
space limitations on this server we have placed photos of all of the seals included in this lot
USD 150 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:7 seal impressions from
England2 from Post Medieval England 27 from Spain1 from Post Medieval GermanyThese are rare impressions of Jewish and
other Seals that are located in Museums throughout the world. These are a must have for any scholar who wishes to seriously
study seals. The impressions were obtained and then studied by Mr Friedenberg. Some of the impressions were taken from
seals which Mr. Friedenberg donated to the Jewish Museum in Museum in New York while others come from Museums in
Europe. The impressions are in plaster, wax and silicone. Due to space limitations on this server we have placed photos of all of
the seals included in this lot at:http://www.newenglandauctioncompany.com/
USD 180 - 600
FranceThese are rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are a
USD 100 - 600
France2 seal impressions from Marburg Germany14 seal impressions from Koblenz & AndernachThese are rare impressions of
Jewish and other Seals that are located in Museums throughout the world. These are a must have for any scholar who wishes
to seriously study seals. The impressions were obtained and then studied by Mr Friedenberg. Some of the impressions were
taken from seals which Mr. Friedenberg donated to the Jewish Museum in Museum in New York while others come from
Museums in Europe. The impressions are in plaster, wax and silicone. Due to space limitations on this server we have placed
photos of all of the seals included in this lot at:http://www.newenglandauctioncompany.com/
USD 120 - 600
France3 seal impressions from Jewish Museum in one box1 seal from Jewish Museum1 mold1 seal of Stephen2 wax seal
impressions unknownThese are rare impressions of Jewish and other Seals that are located in Museums throughout the world.
These are a must have for any scholar who wishes to seriously study seals. The impressions were obtained and then studied by
Mr Friedenberg. Some of the impressions were taken from seals which Mr. Friedenberg donated to the Jewish Museum in
Museum in New York while others come from Museums in Europe. The impressions are in plaster, wax and silicone. Due to
space limitations on this server we have placed photos of all of the seals included in this lot
USD 200 - 600
Weberlingen, Germany5 seal impressions from Augsburg, Germany2 seal impressions from Marburg, Germany3 seal
impressions from Duisburg, Germany2 seal impressions from Rothenburg, Germany4 seal impressions from Graz, Austria2 seal
impressions from Judenburg, Austria1 seal from Medieval Byzantine8 seal impressions from SwitzerlandThese are rare
impressions of Jewish and other Seals that are located in Museums throughout the world. These are a must have for any
Page 24
139: Rare Impressions of Jewish Seals Box 10
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations: •5 seals from Arnhem,
Holland •6 seals from Braunschweig, Germany •13 seals from Regenburg •2 seals from Metz, now France These are rare
impressions of Jewish and other Seals that are located in Museums throughout the world. These are a must have for any
USD 300 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations: •34 seals labeled SB2-1 thru
SB2-34 These are rare impressions of Jewish and other Seals that are located in Museums throughout the world. These are a
USD 100 - 600
Impressions of Jewish and other seals dating back hundreds of years from the following locations:• 3 seals from Post Medieval
5 seals from Holland 9 seals from Duisburg/Dusseldorf, Germany 3 seals from Graz, Austria These are rare impressions of
Jewish and other Seals that are located in Museums throughout the world. These are a must have for any scholar who wishes
to seriously study seals. The impressions were obtained and then studied by Mr Friedenberg. Some of the impressions were
taken from seals which Mr. Friedenberg donated to the Jewish Museum in Museum in New York while others come from
Museums in Europe. The impressions are in plaster, wax and silicone. Due to space limitations on this server we have placed
photos of all of the seals included in this lot at:http://www.newenglandauctioncompany.com/
142: Rare Impressions of Jewish Seals- Wiener Collect.
USD 220 - 600
Impressions of Jewish and other seals dating back hundreds of years from The Wiener Collection, Nancy France (French Seal
Archives)29 Seal impressions (SW-1 thru SW-30 /one seal missing #14)These are rare impressions of Jewish and other Seals
that are located in Museums throughout the world. These are a must have for any scholar who wishes to seriously study seals.
The impressions were obtained and then studied by Mr Friedenberg. Some of the impressions were taken from seals which Mr.
Friedenberg donated to the Jewish Museum in Museum in New York while others come from Museums in Europe. The
impressions are in plaster, wax and silicone. Due to space limitations on this server we have placed photos of all of the seals
included in this lot on our website:http://www.newenglandauctioncompany.com/
143: Token: Delaware/New Jersey
USD 10 - 15
Token: Bridge Token - joint Delaware River/New Jersey bridges.75" dia.
144: Token: Jacob De Cordova
USD 35 - 90
Token: Jacob De Cordova - Jewish Jamaican who founded the Jamaica Daily Gleaner newspaper ad. He became a Texas
LegislatorSilver 1.5" dia.
145: Token: Polish
USD 10 - 30
Tokens, set of 5 - two bronze, one silver, one copper, one aluminum (tomasz bylicki kustosz mennica panstwowa s.a.)size .75"
dia.
Page 25
146: Token: Vacation
USD 10 - 40
Token: Vacation Decision Maker - Heads or Tails from Historic Tours of America
147: Tokens: Israeli Government Mint
USD 10 - 30
Coins: Israel Mint, silver color (2) 1.5" dia., (5) 1" dia.7 coins total
148: PILGRIM TERCENTENARY HALF DOLLAR
USD 80 - 100
Circulated ungraded.
149: Menorah: Brass made in Israel
USD 35 - 100
Lovely 9 candle brass Menorah marked, "Israel" 7.5 x 11"
150: Menorah: Ivan McLean Dancing Figures
USD 35 - 200
Handmade Steel Dancing Figures Menorah by Ivan McLean22" long x 10" high x 5" wide.
151: Menorah: Light Up Lucite ca. 1970
USD 50 - 200
A wonderful Lucite Menorah that lights up. Measures 11" height x 14" wide. Candles can be turned on one at a time!
152: Menorah: Oppenheim Isreal ca. 1960
USD 35 - 100
Lovely 9 candle brass Menorah marked, "Oppenheim Isreal"
153: Menorah: Three Menorahs
USD 50 - 200
Painted Ceramic in Blue: 6" height x 11" wideAluminum: 11" Height x 12" WideOther metal: 6" Height x 11" Wide
154: Chinese Mid 19th Century Ming Dynasty Painting
USD 600 - 2,400
19th century painting on fabric , Ming Dynasty. Healer with a staff and tree of life.Medium: Ink on FabricSigned: NoDate
Created: 19th Century Ming DynastyDimensions with Frame: 48 x 27"Condition: Very GoodProvenance: Estate of Daniel
Friedenberg
Page 26
155: Medal: Jewish War Veterans
USD 10 - 50
Medal: Jewish War Veterans World War II, Officers Presentation badge.Back: Arthur Weiner 1940 Post 154 New Bedford
156: Medallion: 1911 Motherhood Medal. Bronze
USD 150 - 250
1911 Motherhood Medal. Bronze, 70mm. By Victor B. Brenner. Smedley- 87, Alexander COF 4. About Uncirculated. Obv.
Mother holding infant. Rev. Putto with trumpet on field blank for engraving. This was a work of Brenner's Paris years, modeled
after Maternité Medal of his mentor Louis Oscar Roty. Issued by the Circle of Friends of the Medallion, struck by Joseph K.
Davison's Sons, Philadelphia.
157: Medallion: 1988 Bronze Toledo 80mm
158: Medallion: 350 Years of Jewish Life In America
USD 20 - 60
USD 20 - 100
Bronze medal. Official Medal 957/1000. Certificate and Bag. 2004 Issue.
159: Medallion: Aaron Copland; Bronze
USD 10 - 30
Medallion: Aaron Copland by US MintBronze 3" dia
160: Medallion: Angels in Bronze
USD 150 - 300
Medal: Set of 2, Angel, one playing cello, 1 playing harp; Bronze square 2"x2"
161: Medallion: Caesar Vespasianvs
USD 30 - 70
Medallion Front : CAESAR VESPASIANVS AVGLaureate head right Rev : CE-RES AVGVSTCeres standing left, holding grain
ears Side Mark: 1974 126/5002.5" dia.
162: Medallion: Congregation B'Nai Jeshurun
USD 35 - 100
Medallion: Congregation B'Nai Jeshurun 100th Anniversary Commemorative Bronze Medal, New York, c. 1925, shows
synagogue structure. Bronze. 4:dia.
163: Medallion: David Sarnoff; bronze
USD 15 - 55
Medallion: David Sarnoff by US MintBronze 3" dia
Page 27
164: Medallion: Doménikos Theotokópoulos (El Greco)
USD 300 - 400
Medallion: Doménikos Theotokópoulos (El Greco) front, Toledo Spain on back, Bronze3" dia.
165: Medallion: Dr. Arthur Kornberg 1960 Bronze 76mm
USD 25 - 500
College of the City of New York Award MedalDate: 1960Related People:Artist/Maker: Albert P. D'AndreaArtist/Maker: Medallic
Art Co.Depicted: Arthur KornbergMedium: Bronze; cardboard, paperDimensions: 76 mmPlace made: North America, U.S.A.,
New YorkDescription: Bronze struck medal with obverse showing clothed bust of Arthur Kornberg facing right with stylized
depiction of chemical equipment at right; legend at left: "DR. ARTHUR KORNBERG"; date in exergue: "1960." Reverse depicts
nude female bust at center, labeled "ADSPICE" above, flanked by male head facing left, labeled "RECPICE," and female head
facing right, labeled "PROSPICE"; legend around border within scalloped rim: "COLLEGII URBIS NOV EBORAC
SIGILLUM/MDCCCXLVII."
166: Medallion: Dr. Jonas E. Salk; Bronze
USD 25 - 75
Medallion: Dr. Jonas E. Salk by US MintBronze 3" diameter.
167: Medallion: Gottfried Keller Bronze 1889
USD 40 - 80
Modelled in 1889 by D. Bocklin
168: Medallion: Henry Morgenthau Jr, bronze
USD 20 - 40
Medallion: Henry Morgenthau Jr., Secretary of the Treasury by US MintBronze, 3" dia.
169: Medallion: Hugo Grunthal
USD 45 - 75
Medallion: Hugo Grunthal, Bronze 2.25" dia.
170: Medallion: Ira Rezak MD 2008 95 mm
USD 20 - 100
95 mm
171: Medallion: Isaac Bashevis
USD 40 - 90
Medallion: Isaac Bashevis, Singer | Bronze | side reads: cu 1979 no. 14/1003" dia.
172: Medallion: James Monroe Indian Peace
USD 200 - 500
1817 James Monroe Indian Peace Medal. First Size. Copper bronzed, 75.5mm. By Moritz Furst.
Page 28
173: Medallion: John Platt MP for Oldham, Silver
USD 50 - 100
Medallion: John Platt MP for Oldham, Silver medal. 1-5" dia.Statue of John Platt MP, by Kenning London, silver, 44mm. dia,
obv. central statue surrounded by inscription "John PlattM.P. for Oldham, died in Paris May 18th 1872" rev. seven line
inscription "To Commemorate the unveiling of the statue of the late John Platt M.P. by Mrs Platt Sept 14th 1878" EF In case of
issue. John Platt entered the family firm of textile machinery makers in 1837 and helped to build up the firm into one of the
largest textile machinery makes in the world. His younger brother, James also worked in the firm, until his sudden death in 1857.
Platt was also deeply involved in politics. He was a strong supporter of the Anti Corn Law League. His advocacy of free trade
continued and his business knowledge led him to go to Paris with Richard Cobden to assist in the negotiations of the French
Commercial Treaty. In Oldham he was considered to be the leading Liberal, helping to lead in the 1840s the campaign for the
municipal charter. Later he was regarded as the "Father of the Oldham Corporation. He held various local government offices
both before and after the creation of the borough. He served as mayor in 1854-5 and 1855-6, and again in 1861-2. He was
elected as MP for the borough in 1865... and served until 18xx. His brother James (1824-57), who also helped to build up the
firm, was also active in promoting working-class adult education in Oldham, especially the Oldham Lyceum. As with his brother
he served as a councillor and was elected MP for the borough. He died in He died in Paris from typhoid fever on 18 MAY 1872...
Buried in Chadderton cemetery on 25 MAY 1872.
174: Medallion: Kahal Kadosh Beth Elohim Synagogue
USD 35 - 90
Medallion: Kahal Kadosh Beth Elohim Synagogue - Charleston South Carolina Side Mark 0098 Silver - 1.75" dia.
175: Medallion: Leonard Bernstein
USD 80 - 200
Medallion: Leonard Bernstein, composer | side reads 1882 | Silver color 2.5" dia.
176: Medallion: Maria Teresia Regina Bronze
USD 60 - 100
Medallion: Maria Teresia Regina 1743 Bronze 3.5" Dia
177: Medallion: MariaI 1553 British Coronation
USD 250 - 450
Medallion: Maria I 1553 British Coronation MedalBronze2-5/8" dia.Maria I REG ANGL FRANC ET HIB FIDEI DEFENSATRIX. A
bust in profile to the right, in a plain coiffure and lappet behind, surrounded by a fillet of pearls; an embroidered robe, turn down
at the top, discovering a collar, or neck-lace of jewels, and fastened on the breast by a cluster and rose of the same, with a pearl
pendant. CESIS VISVS TIMIDIS QUIES. A figure representing the Queen in the Charachter of Religion, with a radiated crown,
fitting in curule chair, on a rock near the sea: In her right hand a branch of palm and olive; below, the winds are dispelling the
clouds, and the mists, supposed of ignorence and error, from many figures struck with wonder and grattiyude. In her left is a
torch setting fire to a heap of arms before a temple, in and near which all seem calm, as the ledgend intimates, and over all
appear the rays of the sun, the emblem of light and comfort. A cast bronze medal by J. da Trezzo struck after 1554
178: Medallion: Pierre-Jean David D
USD 200 - 1,200
A wonderful portrait medallion Signed P. J. David of Andrzej Tadeusz Bonawentura Kosciuszko.Measures: 6.5" or 16.2
cmInscribed right in relief KosciuszkoSigned on Right PJ DavidIllegible foundry mark front bottom
179: Medallion: Robert Oppenheimer
USD 20 - 40
Medallion: Robert Oppenheimer | side reads, 1968 1 argent2.75" dia.
Page 29
180: Medallion: Salute to Coin Collecting
USD 5 - 10
Medallion: Turks & Caicos Islands - ANA Salute to Coin Collecting - First Lunar Landing - 5 Crowns - 1994 - BU1.5" dia
181: Medallion: Saul Bellow
USD 20 - 40
Medallion: Saul Bellow, writer. | color | side reads: cu 1978 no. 11/1003" dia.
182: Medallion: Simon Wiesenthal 1980 75mm
USD 25 - 100
183: Medallion: Society of Medalists 1954 Beiskie
USD 50 - 200
AE Medal of Society of Medalists, Medallic Art Co., United States. 1954Obverse:Angel, female nude, holds small statue of
angel, female nude; Pegasus behind: A/ C/ BReverse:Hand holding clay-modelling tool;other sculpting tools(?) behind: THIS
ABOVE ALL TO THINE OWN SELF BE TRUEMeasurements:71 mmArtist :Adam Beiskie
184: Medallion: Stella Hackel 75mm
USD 30 - 60
75mm
185: Medallion: The Ram's Horn, Bronze
USD 45 - 80
Medal: The Ram's Horn sides read: Judaic Heritage Society AMI Bronze 02191.25" H x 2.25" W
186: Medallion: Thomas Paine Sterling by Medallic Art
USD 100 - 500
Thomas Pane sterling silver medallion by Medallic Art Co. Ny. Marked .999+ Pure Silver
187: Medallion: Touro Synagogue, RI
USD 25 - 60
Medallion: Touro Synagogue, Rhode Island commemorative medal ND, circa. 1990Silver color. 3" dia.
188: Medallion: Wolfgang Amadeus Mozart 1896 Bronze
USD 50 - 200
Wolfgang Amadeus Mozart Medal 1896 Bronze 55mm
Page 30
189: Medallion:Robert Capa Award; Bronze
USD 25 - 59
Medallion:Robert Capa Award by US MintBronze, 3" dia
190: Coins: American Numismatic Society
USD 10 - 30
Medallions & Coins: American Numismatic Society Member Medal and yearly coins 1997, 2000 2002, 2003, 2004, 2007 (10
total)
191: Sheraton Style Drop Leaf Round Dining Table
USD 50 - 500
Early 20th c. Sheraton Style drop leaf dining table.
192: Prohibition Era Liquor Cabinet
USD 50 - 300
A classic example of a prohibition era liquor cabinet.
194: Coins International
USD 10 - 25
International coins, miscellaneous: USA, Spanish, Polish, Euro (13 coins)
196: Majolica Table Lamps (2)
USD 400 - 1,200
An impressive pair of large majolica table lamps. Marked Italy on the bottom. Excellent condition.
197: Early 19th Chairs (4)
USD 600 - 1,600
A set of 4 early 19th century chairs.
198: 19th C. Sheraton Style Chair
199: Coin 1999 Penny off center
USD 400 - 800
USD 35 - 90
1999 -LINCOLN MEMORIAL PENNY10% STRUCK OFF CENTER
Page 31
200: From the desk of Cecil Roth
USD 200 - 600
This worn paper was kept in a frame on the desk of Cecil Roth and was purchased by Mr. Friedenberg from Cecil's wife Irene
in1970. Mr. Friedenberg and Cecil Roth were friends for many years.5" x 6"
201: Large Collection of Rocks, Minerals and Fossils
USD 300 - 600
A huge collection of Rocks, Minerals and Fossils.
202: Pair of 20th C. Chairs with Cane Sides
USD 30 - 100
203: Siegmund Forst print "On the Arrival of Adar Joy "
USD 50 - 600
Title: "On the Arrival of Adar Joy Increases"Medium: Linoleum block print/ink on paperSigned: Lower Right in Pencil#33/48Date
Created: 1981Dimensions with Frame:Condition: ExcellentBiography of the Artist:Siegmund Forst, illustrator was born 1904 in
Vienna, Austria. Forst began his artistic career in commercial package design and advertising along with Ketubbot, bookplates,
B'nai Brith honor scrolls and private commissions which he illuminated with self-made ink and gold lettering. After immigrating to
204: Siegmund Forst Woodcut
USD 500 - 600
Title: UnknownMedium: Linoleum block print/ink on paperSigned: YesDate Created: UnknownPlate: 11.5 x 15.25"Dimensions
with Frame: 17.25 x 21.75"Condition: ExcellentBiography of the Artist:Siegmund Forst, illustrator was born 1904 in Vienna,
Austria. Forst began his artistic career in commercial package design and advertising along with Ketubbot, bookplates, B'nai
Brith honor scrolls and private commissions which he illuminated with self-made ink and gold lettering. After immigrating to
Page 32

November20thAuction - New England Auction Company

Transcription

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