Breaking Ballet Resources | Books
Transcription
Breaking Ballet Resources | Books
BalletMet 2015-16 Season Recommended Reading/Music Resources Please check these books out at your local library! All of these selections can be found at either www.amazon.com or www.bn.com. *BalletMet cannot guarantee the appropriateness of the content of these resources and advises consumers to review publications prior to purchase and/or use. *All quoted material is taken from synopses or reviews of the dance/music resources. Breaking Ballet Resources | Books George Balanchine, The Ballet Maker (Adult) Gottlieb, Robert. Harper Collins. October 26, 2004. “Written by the gifted author, editor, and dance critic Robert Gottlieb, George Balanchine describes the life and art of the celebrated, revolutionary ballet choreographer. Here is a necessary and singular look at the life of one of the great figures of the 20th Century: the dynamic Balanchine, founder of The New York City Ballet, collaborator of Stravinsky, and inspiration to countless fans over the course of his long and storied career. George Balanchine is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.” Balanchine- A Biography (Adult) Taper, Bernard. University of California Press; 2nd edition. November 8, 1996. “Written with wit, insight, and candor, Balanchine is a book that will delight lovers of biography as well as those with a special interest in dance. For this edition the author has added a thoughtful yet dramatic account of the working out of Balanchine's legacy, from the making of his controversial will to the present day. The author explores the intriguing legal, financial, and institutional subplots that unfolded after the death of the greatest choreographer of the century, but the central plot of his epilogue is the aesthetic issue: In the absence of their creator, can the ballets retain their wondrous vitality? Taper illuminates the fascinating transmission of Balanchine's masterworks from one generation to another, an unprecedented legacy in the history of ballet, that most evanescent of the arts.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet From Petipa to Balanchine: Classical Revival and the Modernisation of Ballet [Kindle Edition] (Adult) Scholl, Tom. Routledge; 1st edition. September 2, 2003. “Not only is this the first book to present nineteenth- and twentieth-century ballet as a continuous rather than broken tradition, From Petipa to Balanchine places works such as Sleeping Beauty, Les Sylphides, Apollo and Jewels in their proper cultural and artistic context. The only English-language study to be based on the original Russian soures, this book will be essential reading for all dance scholars. Written in an engaging and elegant style it will also appeal to anyone interested in the history of ballet generally.” Breaking Ballet Resources | Music Tchaikovsky: Piano Concertos Nos. 1, 2 & 3 The Philharmonia (Orchestra), Mikhail Pletnev (Performer) Composer: Piotr Il'yich Tchaikovsky Conductor: Vladimir Fedoseyev Label: Erato Disques This compilation includes three of Tchaikovsky’s piano concertos with orchestral accompaniment. Balanchine’s Allegro Brillante, which will appear in BalletMet’s Breaking Ballet, is set to Piano Concerto No. 3, the final track of the second disc. 2 Audio CDs, 1998 True Colours: The Best of Cyndi Lauper Cyndi Lauper Label: 101 Distribution “Australian two CD set from the Pop diva, celebrating 25 years since she released her debut solo album…Though her output since the '80s has been sporadic, she has achieved critical acclaim and adoration from her fans for two and a half decades. This double disc collection contains all her hits, album tracks, fan favorites and so much more. Experience Cyndi in all her True Colours on this, her most comprehensive collection to date!” 2 Audio CDs, 2009 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Breaking Ballet Resources | Video Balanchine (Not Rated) Starring: George Balanchine Studio: Kultur Video “Through rare archival footage, this program traces Balanchine's life from his youth at the Maryinsky Theater, to his creation of the New York City Ballet.” 1 DVD Disc, 2004 Dracula Resources | Books Dracula (Dover Thrift Editions) (18 and up) Stoker, Bram. Dover Publications, 2000. “A dreary castle, blood-thirsty vampires, open graves at midnight, and other gothic touches fill this chilling tale about a young Englishman's confrontation with the evil Count Dracula. A horror romance as deathless as any vampire, the blood-curdling tale still continues to hold readers spellbound a century later.” Classic Starts: Dracula (13 and up) Stoker, Bram. Sterling; Abridged edition, 2007. “Dracula, that compelling creature of the night, continues his neck-biting ways in a version of the novel that children will devour. Moving from Transylvania to London, the timeless vampire serves up thrills and chills as he imprisons and terrorizes the innocent Jonathan Harker, and then goes after his fiancée, Mina, and her friend Lucy. From creepy, insect-eating Renfield to Dr. Van Helsing—who valiantly fights Dracula’s evil—the characters and drama are spellbinding.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Dracula Resources | Music Feeney: Dracula Northern Ballet Theatre Orchestra Composer: Philip Feeny Conductor: John Pryce-Jones Label: Naxos “I've listened to the Feeney innumerable times (especially effective through headphones, by the way) and I am consistently impressed by his ingenuity, use of Hungarian folk rhythms (brilliantly and thrillingly realized in Act 1, Scene 2, "Transylvania," for example), highly-charged set pieces and a keen sense of dramatic atmosphere (as displayed in Act 2, "The Winter Garden of the Grand Hotel, Whitby"). And, of course, lest I forget, the overall spine-tingling moodiness Feeney creates, the eerie dread and downright spookiness, too. But this is no Halloween toss off; this is music of depth and substance, despite the nature of its subject, story and shadow. It's a treat, not a trick. Feeney is a serious composer and I, for one, marvel at his accomplishment. Sure: A DRACULA ballet. Of course the notion seems ludicrous, but don't let the Dracula "taint" throw you off. There's no Hollywood here. This is riveting, fabulous music that grips you in its vampiric tale, mesmerizes you, surprises and enthralls and, then, maybe, just maybe, lets you go. Its attraction is potent.” 1 Audio CD, 1997 Dracula Resources | Video Dracula: Pages from a Virgin’s Diary (Not Rated) Starring: Wei-Qiang Zheng, Tara Birtwhistle Director: Guy Maddin Studio: Zeitgeist Films “A ballet rendition of Bram Stoker's gothic novel DRACULA, presented in a style reminiscent of the silent expressionistic cinema of the early 20th Century. This work employs the subtle and sometimes bold use of color to emphasize its themes, but mainly is presented in black-and-white, or tinted in monochrome. No spoken dialogue can be heard, and the story of a sinister but intriguing immigrant who preys upon young English women unfolds through dance, pantomime and subtitles.” 1 DVD Disc, 2004 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet The Nutcracker Resources | Books The Nutcracker Ballet (4 and up) Vagin, Vladimir. Scholastic Paperbacks, 2002. “This beautifully illustrated adaptation of the Nutcracker delivers timeless magic and wonder right to your fingertips. A paperback edition offers front-row tickets to this beloved holiday tradition. It's Christmas Eve in 19th century Europe. And on this magical evening, young Clara's eccentric godfather has given her a beautiful wooden nutcracker. As midnight strikes, Clara's wooden toy transforms into a handsome prince, and Christmas quickly becomes even more enchanting. The prince takes Clara on a romantic overnight adventure into a dream world of delicacies called the Land of Sweets. Clara's adventure ends as she wakes up snuggly tucked in her bed. As she embraces her nutcracker, she realizes that the best part of Christmas...is the magic it brings.” Nutcracker (4 and up) Denchfield, Nick. Macmillan Childrens, 2003. “Explore the world of the Nutcracker through five spectacular pop-up scenes full of lift-the-flap surprises. Children can open the pop-up presents, watch the midnight battle between the mice and the toy soldiers (with the tallest pop-up Christmas tree you've ever seen) then join Clara on her sleigh ride to the Land of Sweets. Sue Scullard's astonishingly detailed illustration, combined with Nick Denchfield's miraculous pop-up scenes, make this the most magical "Nutcracker" ever.” The Nutcracker (9 and up) Unser, Virginia. New York: Peter Pauper Press, 1998. “You don’t have to wait for Christmas to enjoy The Nutcracker. This beautifully decorated version includes a Christmas present for kids and parents alike: a CD of Tchaikovsky’s Nutcracker is ingeniously wrapped in the book cover. This colorful and enchanting classic belongs in every collection.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet The Nutcracker Backstage: The Story and the Magic (Adult) Whitehill, Angela & Noble, William. Princeton Book company, 2004. “This inside look at the The Nutcracker combines both the story and insights into the performance, creating a rich complement to the classic ballet. Abundant illustrations and elaborate explanations of each character, from the Nutcracker Prince to Mother Ginger, provide an invaluable supplement to the ballet experience. The story behind Tchaikovsky's famous score and the elements of a quality performance are explained. The trials of auditioning and training are chronicled with the testimony of professional dancers, artistic directors, and choreographers who have been part of successful productions.” The Nutcracker Resources | Music Tchaikovsky: The Nutcracker Philharmonia Orchestra of London Composer: Peter Il'yich Tchaikovsky Conductor: Efrem Kurtz Label: EMI Special Products “Completed in 1892, Tchaikovsky’s entertaining masterpiece is one of the most popular pieces ever created for ballet. A perennial favorite in theaters and concert halls—especially at Christmastime—The Nutcracker vividly displays the composer’s virtuosity in creating varied orchestral colors.” 1 Audio CD, suite from ballet, 1995 The Nutcracker Resources | Video The Nutcracker / Baryshnikov, Kirkland, Charmoli (1977) (Not Rated) Starring: Mikhail Baryshnikov, Gelsey Kirkland Studio: Kultur Video “After making its triumphant U.S. Premiere and playing to sold-out houses, John Neumeier's superlative work of dance-theater returns, featuring an evocative score by Lera Auerbach, and danced by the prestigious San Francisco Ballet featuring acclaimed prima ballerina Yuan Yuan Tan. This heart-wrenching story of sacrifice and unrequited love comes to life against dazzling scenic, costume and lighting designs.” 2 DVD Discs, 2004 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet The Nutcracker / Mariinsky Theatre (2007) A full production of The Nutcracker by the Mariinsky Theatre Gergiev that can be viewed on YouTube here: http://www.youtube.com/watch?v=clWKDT4TQIk Carmen.maquia Resources | Books Carmen (Adult) Mérimée, Prosper. Norilana Books. September 16, 2007. “Carmen (1845) by Prosper Mérimée is the original novella that inspired the classic opera by Bizet. The unforgettable story of Carmen, a flirtatious, charismatic, and amoral gypsy who bewitches and emotionally enslaves Don José, a desperate man, into a tragic obsession, has captivated generations with its passion and sensual intensity.” A Night at the Opera (Adult) Forman, Sir Denis. Modern Library; Rev Sub edition . September 1, 1998. “With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera--its structure, composers, conductors, and artists--in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are "worth looking out for," "really good," or, occasionally, "stunning." He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma. The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of surtitles. A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet A History of Opera (Adult) Abbate, Carolyn and Parker, Roger. W. W. Norton & Company. November 26, 2012. A bold, engaging exploration of opera’s fundamental nature and enduring appeal, from the sixteenth century to the present. A reader perfect for those trying to gain a deeper understanding of opera. “A history of opera is not lightly undertaken in this Age of Information, particularly when it attempts to survey the entire 400-year period. Abbate and Parker are up to the task and have more than succeeded in this thoughtful, wide-ranging look at this art form. The opening chapter sets the stage with an overview of a number of operatic issues, including words and music, the question of reality onstage, and popularity and conventions in staging. Succeeding chapters discuss opera’s origins, major composers, and styles at length. This is not a dry recitation of musical facts but a collection of interesting, well-reasoned discussions supported by abundant references to contemporary writings, critical studies, biographies, and other sources. Opera fans who wish to go beyond program notes will appreciate the care and scholarship that went into this rich and elegant history.” --Carolyn Mulac from Booklist Carmen.maquia Resources | Music Bizet: Carmen (Metropolitan Opera) The Metropolitan Opera Orchestra Composer: Georges Bizet Conductor: Fritz Reiner Label: Sony Masterworks This 2-Disc Audio CD set contains a live performance of Bizet’s Carmen by the Metropolitan Opera from February 16, 1952. 2 Audio CDs, 2011 The #1 Opera Album Label: Decca Compilation includes famous arias from La Boheme, Don Giovanni, Carmen, and many others that will be sure to give you a great introduction to Opera classics. 2 Audio CDs, 2001 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Carmen.maquia Resources | Video Bizet: Carmen (The Metropolitan Opera LIVE in HD) (2010) (Not Rated) Starring: Elina Garanca, Roberto Alagna Directors: Richard Eyre, Gary Halvorson Studio: Deutsche Grammophon “One of the most popular operas of all time, Georges Bizet’s Carmen (1875) tells the story of a beautiful and passionate gypsy whose love affair with an officer ends in tragedy. The score boasts several of opera’s greatest hits, including Carmen’s Habanera and the Toreador Song.” 1 DVD Disc Carmen (1983) (Rated R) Starring: Antonio Gades, Laura Del Sol Director: Carlos Saura This contemporary film is a great example of an operatic story, Carmen, by Georges Bizet integrated with dance on film. Carlos Saura tells the story of Carmen through Flamenco dance as the production becomes intertwined with the dancer’s lives until you cannot quite tell reality from fiction. Watch the full movie here: http://www.youtube.com/watch?v=qabQZBeCjgs Inspired Resources | Books George Gershwin: An Intimate Portrait (Music in American Life) (Adult) Rimler, Walter. University of Illinois Press; 1st Edition. July 21, 2009. “George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet George Balanchine: American Ballet Master (Lerner Biographies) (Ages 11+) Kristy, Davida. Lerner Publications, April 1996. “Kristy offers an entertaining biography of the renowned Russian-born choreographer who changed the direction of American ballet by creating a style in which dancers "dance the music" instead of simply telling stories. Although she mentions Balanchine's autocratic management style and his sometimes cavalier treatment of dancers, Kristy presents her subject--from dancer to director of the prestigious New York City Ballet and creator of more than 100 ballets--in a fairly admiring tone… Ballet terms are clearly explained in the text, and numerous black-and-white photographs, notes, and a bibliography of adult books are provided.” Chris Sherman of Booklist The Real Jane Austen: A Life in Small Things (Adult) Byrne, Paula. Harper Perennial, January 7, 2014. “In The Real Jane Austen, acclaimed literary biographer Paula Byrne provides the most intimate and revealing portrait yet of a beloved but complex novelist. Just as letters and tokens in Jane Austen’s novels often signal key turning points in the narrative, Byrne explores the small things – a scrap of paper, a gold chain, an ivory miniature – that held significance in Austen’s personal and creative life. The Real Jane Austen is a fresh, compelling, and surprising biography of the author of some of our most enduring classic books – from Pride and Prejudice to Sense and Sensibility, Emma to Persuasion – and a vivid evocation of the world that shaped her.” This biography will provide readers with a background on the inspiration for Liaang’s Age of Innocence. Inspired Resources | Music George Gershwin: The Song Book; Rhapsody in Blue; Who Cares? The Royal Philharmonic Orchestra Composers: George Gerswhin, Hershy Kay Conductor: Andrew Litton Label: MCA Classics/RPO “Includes the Rhapsody in Blue, four short piano solos played by Andrew Litton, and an orchestral suite, "Who Cares," adapted from Gershwin songs by Hershy Kay.” 1 Audio CD © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Queen: Greatest Hits I & II Queen Label: Hollywood Records “This double-disc anthology supplants all previous hits collections with a 40page color booklet and 34 tracks packaged inside a gold box. Bohemian Rhapsody; Killer Queen; We Are the Champions; Crazy Little Thing Called Love; Another One Bites the Dust; We Will Rock You; Under Pressure; You're My Best Friend every top tune.” 2 Audio CDs, 1995 Philip Glass - The Complete Piano Etudes Composer: Philip Glass Performer: Maki Namekawa Label: Orange Mountain “In 1994, Philip Glass resolved to become a better pianist, setting to work on a series of short compositions that would help him hone his skills at the keyboard. Two decades in the making, his 20 exquisite etudes have recently been completed, standing as a record of one man s deeply personal relationship to his instrument and an embodiment of his evolving style. Orange Mountain Music is proud to announce the availability of The Complete Piano Etudes, a two-disc set covering both volumes of Glass piano etudes, 20 pieces in all.” 2 Audio CDs, 2014 Inspired Resources | Video New York City Ballet: Bringing Balanchine Back (Not Rated) Starring: George Balanchine, Valery Gergiev Director: Richard Blanshard Studio: City Lights Pictures “New York City Ballet: Bringing Balanchine Back tells the story of New York City Ballet's historic visit to St. Petersburg, Russia to perform at the famed Mariinsky Theater, where ballet legend and NYCB co-founder George Balanchine received his training and began his career. One of the most famous theaters in the world, the Mariinsky is where Tschaikovsky created The Nutcracker and The Sleeping Beauty, and where other greats of the ballet world such as Nureyev, Nijinsky and Baryshnikov took their first ballet steps.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Sleeping Beauty Resources | Books The Complete Fairy Tales (All Ages) Perrault, Charles. Oxford University Press; Reprint edition. November 5, 2010. The fairy tales of Perrault--stories that are known and loved around the world-are now available in this scintillating paperback edition, with twenty-six stunning illustrations by Gustave Doré. The superb translation by Christopher Betts exactly captures the tone and flavor of Perrault's world, and the delightful spirit of the originals. In addition to the classic prose tales--including The Sleeping Beauty in the Wood, Little Red Riding-Hood, Bluebeard, Puss in Boots, Cinderella, and Hop o' my Thumb--this new translation adds Perrault's tales in verse: a long poem on the subject of Patient Griselda; the notorious Donkey-Skin; and the comic Three Silly Wishes. Bett's introduction deftly illuminates why in Perrault's hands these humble fairy tales have such great imaginative power, showing how they transmute into vivid fantasies the hidden fears and conflicts by which children are affected--fears of abandonment, conflicts with siblings and parents--and resolve so satisfactorily the problems experienced by children while growing up. The volume also includes appendices on related tales and selected variants, a bibliography, chronology, and notes. Sleeping Beauty (Original Text with Classic Illustrations) (All Ages) Perrault, Charles. Hythloday Press, May 20, 2014. “Veiled in a thick and thorny wood, an enchanted princess lies sleeping for a century, awaiting a prince, whose time has come to break the spell. The original tale of The Sleeping Beauty in the Wood was written by Charles Perrault, inventor of the modern fairy tale and creator of such timeless characters as Little Red Riding Hood and Puss in Boots. It is among the most beautiful and enduring of all stories, and has inspired hundreds of adaptations, including Disney’s Sleeping Beauty and Maleficent” Sleeping Beauty: The Story of the Ballet (All Ages) Sale, Laurie. Andrews Mcmeel Publishers, August 1, 1995. “The enchanting tale of Sleeping Beauty is also a favorite ballet. Exquisitely illustrated, this retelling of the popular story uses scenes from the ballet to demonstrate how a story is translated into dance. A lovely and instructive introduction to ballet.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Ella Bella Ballerina and the Sleeping Beauty (Ages 4-8) Mayhew, James. Barron’s Educational Series, August 2008. “Little Ella Bella loves attending Madame Rosa's ballet class at the old theater. Most of all she loves the music that plays from Madame Rosa's special music box, the theme from The Sleeping Beauty ballet. One day, after ballet class has ended, Ella Bella is left alone with the music box on the theater stage. As its music begins playing, Ella is transported to the magical world where the Sleeping Beauty's story takes place. Entering the palace of Princess Aurora, the Sleeping Beauty, Ella meets all the story's characters--not only the good ones, but also the sinister bad fairy--and she sees the famous story unfold before her very eyes. Here is an unusually imaginative retelling of the classic fairy tale, with illustrations that capture the story's magic and mystery. A brief postscript on the book's final page summarizes the history of ballet from its origins during the Italian Renaissance to the late nineteenth-century, when the famous Russian composer Piotr Ilich Tchaikovsky wrote music for The Sleeping Beauty ballet.” Sleeping Beauty Resources | Music Tchaikovsky: Sleeping Beauty London Symphony Orchestra Composer: Pyotr Ilyich Tchaikovsky Conductor: Andre Previn Label: Warner Classics The London Symphony Orchestra’s interpretation of Tchaikovsky’s ballet, Sleeping Beauty. 2 Audio CDs, 2010 Sleeping Beauty Resources | Video Sleeping Beauty (Not Rated) Starring: Svetlana Zakharova, David Hallberg Director: Marius Petipa Studio: Bel Air Classiques Svetlana Zakharova and David Hallberg star in Bolshi Ballet’s Sleeping Beauty. Music by P.I. Tchaikovsky, choreography by Yuri Grigorovich. 1 DVD Disc, 2012 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet General Recommended Reading by Age Group Early Childhood (Ages 0-6) Leap and Twirl Anderson, Steven C. BalletMet Columbus. 2012. “Follow Leap and Twirl, a silly frog and a lovable squirrel, as they learn about friendship, creativity, self expression and the joy of exercise through dance in the new book, Leap and Twirl. With its whimsical story and fun, colorful artwork Leap and Twirl reminds kids that every day is a day to learn and to dance.” Angelina Ballerina 25th Anniversary Edition Holabird, Katharine. Viking Juvenile, 2008. “Fancy Nancy and her best friend, Bree, couldn’t be more excited about their upcoming dance show. After all, it’s all about mermaids— and who knows how to be a fancy, glamorous mermaid better than Fancy Nancy herself? But when another ballerina wins the coveted role of the mermaid, Nancy is stuck playing a dreary, dull tree. Can Nancy bring fancy flair to her role, even though it isn’t the one she wanted? And when disaster strikes right before the big ballet, who will step in to steal the spotlight?” Everybody Dance! Sandvick, Jenny Miglis. Random House Books for Young Readers, 2008. “ZOE LOVES BALLET and her friends on Sesame Street™ love all kinds of dance, from hula to tap! As Zoe looks for a partner, she visits each of them, trying out different dances along the way. But as she learns in the end, there’s nothing better than dancing with all your friends together! This sturdy board book has a half-page flap in each spread that can be flipped back and forth to make the characters really dance.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Giraffes Can’t Dance Andreae, Giles. New York, NY: Scholastic, 2001. “Gerald the giraffe longs to dance, but his legs are too skinny and his neck is too long…At the Jungle Dance, the warthogs waltz, the chimps cha-cha, and the lions tango…there is one little creature who believes in Gerald. "Everything makes music," the cricket explains… So Gerald starts swaying to his own sweet tune. With light-footed rhymes and high-stepping illustrations, this tale is gentle inspiration for every child with dreams of greatness.” Twinkle Toes Katz, Karen. USA: Penguin Group, 2008. “The ballerina star on the cover of this irresistible novelty board book has on a real tulle tutu! Inside, she is a fluttery butterfly with shimmering lamé wings, a toetapping cowgirl with a sequin vest, a dancing princess in a sparkly gown, and more. Toddlers will love touching the sparkly textures as well as copying all the dance moves.” Dancing Feet! Craig, Lindsey. Random House Children’s Book, 2010. “…features funny sound words (Tippity! Creepity! Stompity! Thumpity!), dancing animals, a singsong beat, and a guessing element just easy enough for preschoolers to anticipate. Marc Brown's artwork is bright, textured, and joyful, a collage of simple shapes for kids to find and name. So grab a partner and tap your feet to this read-aloud picture-book treat.” Josephine Wants to Dance French, Jackie. Abrams, Harry N., Inc., 2007. “Josephine aspires to be a ballerina, complete with a pink tutu and toe shoes. The only problem: she's a kangaroo! Little children, so often told "you can't do that," will relate to Josephine as they are transported by the lyrical language of the story. The whimsical illustrations are a perfect complement to this inspiring tale.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Dancing in the Wings Allen, Debbie. Puffin; Reprint edition. December 1, 2003. Sassy is a long-legged girl who always has something to say. She wants to be a ballerina more than anything, but she worries that her too-large feet, too-long legs, and even her big mouth will keep her from her dream. When a famous director comes to visit her class, Sassy does her best to get his attention with her high jumps and bright leotard. Her first attempts are definitely not appreciated, but with Sassy's persistence, she just might be able to win him over. Dancing in the Wings is loosely based on actress/choreographer Debbie Allen's own experiences as a young dancer. Juvenile (Ages 6+) A Child’s Introduction to Ballet: The Stories, Music, and Magic of Classical Dance (Book & CD) Lee, Laura. Black Dog & Leventhal Publishers, 2007. “The latest volume in Black Dog’s successful book-and-CD series combines the mesmerizing stories of the world’s great ballets with fun facts, dancing how-tos, history, profiles— all accompanied by charming original watercolors. From Swan Lake and The Nutcracker to Peter and the Wolf and Fancy Free, the of twenty-five of the world’s best-loved ballets are told, accompanied by corresponding tracks on an enclosed CD. These are the charming stories that bring ballet to life on the stage, along with the music that has made them into enduring classics. Surrounding the stories is a captivating, illustrated history of ballet, each page filled with information, artwork, and profiles of the world’s great dancers, choreographers, and composers. There are even instructions on ballet positions and the key moves that every dancer needs to know. The musical selections included on the CD are keyed to specific points in the text, making the book uniquely interactive, educational, and fun.” Ballet Stories: Swan Lake, Coppelia, Sleeping Beauty, Nutcracker, Giselle Angus, David. Playaway, 2007. “The stories of the most popular ballets are told against the backdrop of the music written by Delibes, Tchaikovsky, and Adam…[and set] out to present the definitive introduction for children in this sympathetic reading. The lively text is rich with detail and imagery to describe the scenes. The music punctuates and enlivens; the sound is perfect--clear, beautifully edited and mixed.” Preloaded digital audio player © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet The Book of Movement Exploration: Can You Move Like This? Feierabend, John. Gia Publications, 2004. “Children will develop an awareness for their bodies, time, space, weight, locomotion, flow, and shape. Performed quickly or slowly, with music or without, solo or in a group, these activities make for fun, engaging educational experiences for children.” Dance! With Bill T. Jones Kuklin, Susan and Jones, Bill. Hyperion Books, 1988. “This is a great book that introduces the use of the body and dance’s basic elements through text and photographs.” The BalletMet Education Department has a terrific dance unit built around this book. Contact us to bring the lesson to your school! The Only Boy in Ballet Class Gruska, Denise. China: Gibbs Smith, 2007. “Tucker Dohr loves to dance. His passion is ballet. When he gets to Madame Clara’s Dance Studio, takes off his shoes, and puts on his very worn-out ballet slippers, he jumps so high it feels like flying and everything in the world makes sense. Even though some people don’t understand his passion- including Uncle Frank and the boys on the football field-the chance is coming for Tucker to prove to everyone just how great ballet can be!” Steps in Ballet: Basic Exercises Mara, Thalia. Highstown, NJ: Princeton Book Company Publishers, 2004. “Steps in Ballet presents a clear and simple of exposition of beginning ballet technique. Throughout the book the correct balletic terms are given in French, with the phonetic pronunciation of each and their meanings. The book is profusely illustrated with line drawing showing the correct movements and occasional humorous drawings of what not to do.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet The Barefoot Book of Dance Stories Yolen, Jane. Barefoot Books, 2010. “Anansi, witches, gods, goddesses, and fairies inhabit these adventurous, mysterious, and fanciful stories that capture the magical power of dance. The bright watercolor and mixed-media illustrations with stylized backgrounds feature sweeping curves and patterns that swirl as if dancing across the page, as dynamic and graceful characters engage in their activities. With all of the recent popularity of dance, these ageless tales may get readers “moving to the beat.” Young Adult (Ages 12+) Girl in Motion: A Novel Wenger-Landis, Miriam. CreateSpace, 2010. “At the School of Ballet New York, the most prestigious ballet school in the country, aspiring ballerina Anna becomes friends with her talented roommate, Hilary, a French exchange student, Marie, a down-to-earth mid-westerner, Jen, and one of the cutest guys in school, Tyler. The competition is intense and Anna works hard to understand her famous teachers and navigate her ups and downs with her friends. Some of the dancers struggle with eating disorders, injuries, and depression. Everyone's goal is a contract with a professional ballet company, and as graduation nears, the pressure intensifies. Although Anna goes to all the ballet companies' annual auditions, she receives not a single offer. Falling for Tyler complicates things, but with the lead in the annual workshop performance, Anna gets one last chance to make her dreams come true.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Life in Motion: An Unlikely Ballerina Copeland, Misty. Touchstone; First Edition edition. March 4, 2014. “If you’d asked Copeland, soloist for the American Ballet Theatre, when she was a young African American teenager about her vision of the future, she would probably have said that the only thing less likely than her writing a memoir was her becoming a world-class ballerina. But when a teacher encouraged 13-year-old Misty to take ballet at the Boys and Girls Club of Los Angeles, she discovered a hidden talent. Her natural flexibility and grace had her on pointe within two months, something other ballerinas work years to achieve. She was offered lead roles before finishing high school. Her professional success is impressive, but it’s not what makes her memoir such an unexpected page-turner. After all, we already know Copeland will overcome racial and socioeconomic bias to claim her spotlight. What keeps us reading is Copeland’s intelligent, fair, and warm voice. She speaks with candor about having to lose her luscious curves and cover herself with white makeup to look more acceptable on stage, but she never places blame on those who asked her to do so. Her story is an inspiration to anyone—man or woman, black or white— who has ever chased a dream against the odds, and the grace with which she triumphs is an example for us all.” --Amber Peckham from Booklist Ballet Stories Denchfield, Nick. Kingfisher, 2004. “Serious ballet students as well as those who simply love to read about the dancer's art will enjoy this 15-story anthology featuring young people who are learning to dance or beginning their careers. Although two of the selections are drawn from autobiographies (Margot Fonteyn and Lynn Seymour), most are chapters from novels.” Popular Dance: from Ballroom to Hip-Hop Smith, Karen Lynn. Facts on File, Incorporated, 2010. “Popular Dance: from Ballroom to Hip-Hop takes readers on a journey through the trends and developments in popular dancing from European nobles during the Renaissance and early Baroque periods in Europe through twenty-first century America. In full-color, this book explores the social and historical elements that influence the waltz, the Charleston, jitterbug, and urban street dancing (such as Krumping), teaching readers about the continuous crossover between theatrical performance and dancing for pleasure.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet 101 Stories of the Great Ballets Balanchine, George. New York: Knopf Doubleday Publishing Group, 1975. “Written by the world’s most renowned choreographer, ballet master, and teacher, here are the scene-by-scene stories of 101 popular ballets- a choice selection of both classical and contemporary ballets as performed by the world’s leading ballet companies. More than half the selections have been created only recently and appear here in book form for the first time. The remaining balance are standard classical works, which form the core of the repertoire. Together these stories of ballets old and new provide a complete overview of, and introduction to, the current ballet scene.” Meet the Dancers: from Ballet, Broadway, and Beyond Nathan, Amy. Henry Holt and Company, 2008. “Lots of kids enjoy dancing, but what motivates them to push past the sore muscles, early-morning technique classes, and crazy schedule required to become a professional dancer? In this book, dancers from many backgrounds talk about their different paths to success in ballet, modern, jazz, Broadway, and hip-hop.” Dance Magazine MacFadden Performing Arts Media. -www.dancemagazine.com Dance Magazine is an awesome resource for all forms of information about dance itself and the dance community. Adult Conditioning for Dance Franklin, Eric. Human Kinetics, 2003. “Even the best sense of rhythm, the most careful technical training, and the most astute dance intuition aren't enough to make a dancer truly excel; you also need focused strength, balance, and flexibility to execute the movements with power and grace. Conditioning for Dance improves your technique and performance in all dance forms by strengthening the body's core (abdominal and back muscles) while improving coordination, balance, and alignment and optimizing flexibility. The result is more lift without tension, deeper pliés, higher jumps with less effort, tighter turns, and improved extension and turnout.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Anatomy of Movement Calais-Germain, Blandine. Seattle, Washington: Eastland Press, 2007. “Anatomy of Movement presents a dynamic, integrated approach to the study of the physical structures of the human body. In clear, concise text illustrated with more than a thousand graphic drawings, the author guides the reader on a lively tour of the muscles, bones, ligaments, and joints of the arms, legs, and trunk. The focus throughout the book is on anatomy not for its own sake, but in its functional relationship to actual movements of the body in dance, exercise, and other physical disciplines.” Oxford Dictionary of Dance Crane & Mackrell. USA: Oxford University Press, 2005. “This dictionary covers the explosion of new dance languages and choreography, the growing appreciation of dance forms from around the world as well as classical and modern dance.” Moving History/Dancing Cultures: A Dance History Reader Ed. Dils, Ann and Albright, Ann Cooper. Middletown, Connecticut: Wesleyan University Press, 2001. “This dance history reader is a collection of essays that surveys the history of dance in an innovative and well-ranging fashion. Editors Dils and Albright have created a multi-faceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. Illustrated with over fifty photographs, it makes an ideal text for undergraduate classes in dance ethnography, criticism, or appreciation, as well as dance history—particularly those with a crosscultural, contemporary or an American focus.” Partnering Dance and Education: Intelligent Moves for Changing Times Hanna, Judith Lynne. United States: Judith Lynne Hanna, 1999. “In Partnering Dance and Education, Dr. Judith Lynne Hanna presents a compelling argument for making dance central to every student’s education. She examines current trends and issues in dance education to show how dance can be successfully justified and taught in today’s changing educational environment.” © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Production Elements in Dance Technical Theater for Nontechnical People Cambell, Drew. New York: Allworth Press, 2007. “Technical Theater is an indispensable resource designed to help producers, actors, dancers, playwrights, directors, even planners, press agents, and anyone else involved in live performance, understand and utilize every aspect of the backstage environment. With comprehensive explanation of equipments and concepts, and important terms highlighted and defined in a convenient glossary, this book is an essential guide for working with technicians and technical equipment.” How to Dress Dancers: Costuming Techniques for Dance Harrison, Mary Kent. Highstown, NJ: Princeton, 1989. “Geared for costuming dancers, this book includes more than 400 line drawings that demonstrate how to make a costume from a sketch rather than a pattern. Detailed instructions for making classical and romantic tutus, bodices, blouses, costumes for men, tights, leotards, and skirts are presented, along with designs for character, national, and period costumes.” Additional Music for Dance Resources Ballet Adagios Composer: Pyotr Il'yich Tchaikovsky, Igor Stravinsky, Léo Delibes, etc. Label: DECCA “Ballet Adagios is a double-disc collection of dances and excerpts from ballets that generally have slow tempos and lyrical expressions as common features. Taken from Decca's backlist of recordings made between 1960 and 1993, the selections represent the most famous ballet composers.” 2 Audio CDs, 2009 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet Delibes: Coppélia (complete in three acts) / La Source (suites) Slovak Radio Symphony Orchestra (Bratislava) Composer: Leo Delibes Conductor: Andrew Mogrelia Label: Naxos “Not only is Coppélia notable as Delibes' first complete ballet score written solo, but it's also noted as a work that moved ballet music forward in a major step. Delibes provided a generous amount of expressive character in his music - a new idea at the time - to produce music that is a descriptive tone poem. Many find that his music contains early impressionist elements, as well as the new, more sophisticated use of the leitmotif.” 2 Audio CDs, 1996 Glazunov: The Seasons; Scènes de Ballet Czecho-Slovak Radio Symphony Orchestra (Bratislava) Composer: Alexander Glazunov Conductor: Ondrej Lenard Label: Amadis “Glazunov's music was and is individualistic, melodious, and filled with talent. His style ranged from Russian nationalism to Lisztian romanticism to classicism and his music was a true bridge between the Russian and the so-called German style of composition. He utilized folk melodies and songs that give his music its distinctly Russian character.” 1 Audio CD, 2000 Minkus: Don Quixote, Paquita, La Bayadere Boston Symphony Orchestra Composer: Ludwig Minkus Conductor: John Lanchbery Label: EMI Classics “Ludwig Minkus composed some of the most important full-length ballet scores during the golden age of classical ballet in Russia in the second half of the 19th century. His works, which often involved exotic settings like Spain and India, included Don Quixote and La Bayadère, and he frequently contributed additional music to existing ballets such as Paquita.” 2 Audio CDs, 2011 Complete Ballets Orchestre De La Suisse Romande Composer: Peter Il'yich Tchaikovsky Label: Brilliant Classics “A superb 6 CD set that brings together the very best of Ansermet's Decca Tchaikovsky recordings. © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet As well as the three great ballet scores, the 6th Symphony receives a wonderful reading.” 6-CD Box Set, 2010 The Copland Collection: Orchestral & Ballet Works (1936-1948) New Philharmonia Orchestra, London Symphony Orchestra, and Philharmonia Orchestra of London Composer: Aaron Copland Conductor: Aaron Copland Label: SONY “Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach.” 3 Audio CDs, 1991 George Gershwin: Ultimate Collection/Various Composer: George Gershwin Label: DECCA “This year marks the 100th anniversary of the birth of George Gershwin. This wonderful collection includes Gershwin standards performed by Ella Fitzgerald, Louis Armstrong, Billie Holiday, Oscar Peterson, Fred Astaire and Arthur Fiedler with the Boston Pops Orchestra.” 2 Audio CDs, 1998 Rufus Wainwright Artist: Rufus Wainwright Label: DreamWorks “The singer/songwriters working today who point to Tin Pan Alley and Broadway musicals as central inspirations can be counted on an index finger. Rufus Wainwright is quite an anomaly. Wainwright has been compared to Randy Newman for his piano-based orchestral sense, but unlike Newman, he rarely turns those poppy conventions against themselves: he's always sentimental and sincere about the fluff he explores. Fans of folk simplicity should skip this one, but the more adventurous may find the charm in Wainwright's ambitious debut.” 1 Audio CD, 1998 © 2015-2016 BalletMet Permission is granted to reproduce pages for conjunction with education activities by BalletMet