Anything Goes at The 5th Avenue Theatre_Encore Arts Seattle

Transcription

UC
TIO
N
OCTOBER 2013
D
RO
P
Y
AN
AR
P
M
OUNDA
O
BOUTTHEATREC
2013/14 SEASON
SECONDHAND LIONS SEPT 7 - OCT 6, 2013
ANYTHING GOES OCT 15 - NOV 3, 2013
OLIVER! NOV 29 - DEC 31, 2013
MONTY PYTHON’S SPAMALOT JAN 30 - MAR 2, 2014
LITTLE SHOP OF HORRORS MAR 8 - JUNE 15, 2014
A CO-PRODUCTION WITH ACT - A CONTEMPORARY THEATRE
A ROOM WITH A VIEW APR 15 - MAY 11, 2014
THE GERSHWINS’ PORGY AND BESS JUNE 11 - 29, 2014
UW MEDICINE
|
S TOR I E S
U W M E D I C I N E . ORG
YOU Deserve a Night Out
...OR FIVE!
We’re Raising the Curtain
on
2013/14 SEASON
Oliver! Nov 29 - Dec 31, 2013
Monty Python’s Spamalot Jan 30 - Mar 2, 2014
5
FABULOUS
MUSICALS
Little Shop of Horrors Mar 8 - June 15, 2014
A co-production with and performed at ACT
A Room With a View Apr 15 - May 11, 2014
The Gershwins’ Porgy and Bess June 11 - 29, 2014
(206) 625-1900 | WWW.5THAVENUE.ORG
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October 2013
Volume 11, No. 2
2013–2014 SEASON
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WITH THE SEATTLE SYMPHONY
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Peters
Bernadette
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Music Director Ludovic Morlot and Principal Pops
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80
AUTOIMMUNE
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HAVE MET THEIR
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them. By researching the underlying causes of immune system malfunctions,
the breakthroughs we make can be applied against many diseases, and have the
potential to improve the lives of millions of people around the world.
Progress against one autoimmune disease is progress against them all.
BenaroyaResearch.org
BOARD OF DIRECTORS
Barbara L. Crowe
Chairman
Wanda J. Herndon
President
Sterling Wilson
Treasurer
Margaret C. Inouye
Secretary
Robert A. Sexton
Immediate Past Chairman
Kenny Alhadeff
Linda Anderson
Ann Ardizzone
Clodagh Ash
Les Biller
Robert R. Braun, Jr.
Margaret Clapp
Larry Estrada
Mona Fandel
Gary J. Fuller
Sarah Nash Gates
Richard Kagan
SaSa Kirkpatrick
William W. Krippaehne Jr.
William J. Nichols
Tom Norwalk
Llewelyn G. Pritchard
Gordon Prouty
David Quinn
Ann Ramsay-Jenkins
Stephen P. Reynolds
Norman B. Rice
Elliot Silvers
Kirk A. Soderquist
Heather Sullivan McKay
Bonnie Towne
Eric Trott
Kenneth Willman
Tom Walsh
Michael Zyskowski
PAST CHAIRMEN
OF THE BOARD
Robert A. Sexton (2009-2011)
Norman B. Rice (2007-2009)
Kenny Alhadeff (2004-2007)
William W. Krippaehne Jr. (2002-2004)
Bruce M. Pym (2000-2002)
John F. Behnke (1998-2000)
Faye Sarkowsky (1996-98)
Donald J. Covey (1994-96)
Kenneth L. Hatch (1992-94)
John D. Mangels (1990-92)
Stanley M. Little, Jr. (1986-88)
Robert F. Buck (1988-90)
R. Milton Trafton (1983-86)
W.J. Pennington (1981-83)
D.E. (Ned) Skinner (1979-81)
Marilynn Sheldon
Founding Managing Director
THE 5AVENUE
TH THEATRE
• The 5th Avenue Theatre is one of America’s leading musical theater companies.
Our mission is to advance and preserve our great indigenous art form
– The Musical.
• We are nationally renowned for our production and development of new musicals.
Since 2001, The 5th has premiered 15 new works, eight of which have subsequently
opened on Broadway. They include First Date, A Christmas Story The Musical,
Scandalous, Shrek, Catch Me If You Can, The Wedding Singer, and the Best Musical
Tony Award-winners, Hairspray and Memphis.
• We are equally acclaimed for our vibrant new productions of musicals from the
“Golden Age of Broadway” and contemporary classics. These signature revivals
enthrall fans of these enduring works and introduce these great shows to new
generations of musical theater lovers.
• The 5th is committed to the highest standards of artistic excellence by employing
world-class performers and creative artists, full live orchestras and exceptional and
imaginative physical productions, with a special emphasis placed on using our
amazing community of Puget Sound-based artists and technicians.
• Our celebrated Educational Programs serve more than 60,000 young people each
year through a host of projects including our Adventure Musical Theatre Touring
Company, our 5th Avenue Awards, and our unique Rising Star Project. For adults,
we offer free-to-the-public events such as the popular Spotlight Night series, preperformance Show Talks, and Curtain Up! -- our annual community open house.
• We are the largest arts employer in the Pacific Northwest with more than 800
actors, singers, dancers, musicians, creative artists, theatrical technicians, and arts
professionals working for us each season.
• As a non-profit theater company supported by the community, we enjoy the
patronage of more than 25,000 season subscribers (one of the largest theater
subscription bases in America). More than 300,000 audience members attend our
performances each year.
OUR HISTORIC THEATER
A beautiful and unique Seattle landmark, The 5th Avenue Theatre’s breathtaking
design was inspired by ancient Imperial China’s most stunning architectural
achievements, including the magnificent Forbidden City. Built in 1926 for vaudeville
and silent pictures, The 5th Avenue Theatre reigned for decades as Seattle’s favorite
movie palace. In 1979, 43 companies and community leaders formed the non-profit
5th Avenue Theatre Association. Their goal was to restore the theater to its original
splendor. The 5th Avenue Theatre re-opened in 1980 as Seattle’s premier home for
musical theater.
The 5th Avenue Theatre gratefully acknowledges our 43 original founders and sponsors.
Please visit www.5thavenue.org for specific information on these important companies and individuals.
from the desk of
Musical
David Armstrong
Comedy High!
Executive Producer and Artistic Director
N
o, I’m not referring to some performing arts high
school where “Belting It Out to the Back Row”
and “Laying Them in the Aisles” are core parts of the
curriculum. The musical comedy high I’m talking about
is that intoxicating feeling that comes over you while
watching and listening to a crackerjack musical comedy
like Anything Goes. This feeling often begins with the
first brassy notes of the overture, and in the most potent
examples, it will still have you walking on air hours, days,
even weeks after the curtain has come down. Shows such
as this are true mood-altering experiences.
This vintage Cole Porter musical comes from what I call
the “Silver Age of the Broadway Musical”— that period
in the 1920s and ‘30s when the best popular songs came
from Broadway musical comedies, and girls, gags, taphappy dance numbers, and hit tunes were the crucial
ingredients for a rousing success.
Hundreds of musical comedies were produced during
those decades, but only a handful of them are still
performed today, with Anything Goes being, by far, the
prime example. This is no doubt because its authors
created a story and characters that have continued to
captivate audiences through changing times and decades.
Maybe the reason the characters are more vivid than usual
in the era of get-to-the-next-song librettos is that they were
based on real-life models. Anything Goes debuted in 1934.
Prohibition had ended the previous year, and J. Edgar
Hoover had just begun his manhunt for the revolving list
of gangsters he dubbed “Public Enemy No. 1” — ruthless
thugs like John Dillinger, Pretty Boy Floyd, and Baby Face
Nelson. Anything Goes features “Public Enemy No. 13” —
the hapless Moon Face Martin. And the vibrant character
of Reno Sweeney is a combination of two 1930s headlinegrabbers, the former speakeasy hostess Texas Guinan (who
greeted her guests with a hearty “Hello, suckers!”) and
the controversial saint-or-sinner evangelist Aimee Semple
McPherson. (You may have met her in our new musical
premiere Saving Aimee or when that show subsequently
moved to Broadway under the title of Scandalous.)
One of the challenges in writing lighthearted musical
comedy is finding an effective way to bring a diverse
group of people together without spending a lot of time
on tedious back story. We want the mix-ups, not the setups! The writers of Anything Goes came up with a perfect
premise — put everyone aboard a trans-Atlantic ocean
liner, a luxury setting where they have nothing to do but
get into farcical scrapes and all go a little cuckoo. And, of
course, perform some of the greatest songs ever written by
the master of sophistication, Cole Porter.
Anything Goes has never lost its luster. It’s the most
frequently revived show of the 1930s and one of the
most adaptable. The original production was a mammoth
affair: big sets, big orchestra, big cast (maybe, in truth,
too big for its fast and funny story). A pocket-sized offBroadway mounting in 1962 proved that what mattered
were the songs, the jokes, and the performers. A quarter
of a century later, another revision was commissioned by
Lincoln Center Theater, bringing the cast and band up to
an ideal size: large but not lumbering.
That version provided the basis for the dazzling
Roundabout Theatre Company’s 2011 Tony Awardwinning Broadway revival that we are now thrilled to
bring to our 5th Avenue stage. The band is warming up,
the champagne is chilled, the ship is about to set sail.
Bon voyage!
David Armstrong
Executive Producer and Artistic Director
encore artsprograms.com 7
My doctor says pool therapy
can help me. Is there an
affordable option?
Vera was pleased to learn that aqua therapy could
help ease her joint pain — but joining a health club
was too expensive. So we reviewed her Regence
BlueShield benefits and connected her to a
discounted membership at a gym with water aerobics
classes just for seniors.
— John, Regence Customer Service Specialist
regence.com
Regence BlueShield serves select counties in Washington and is an independent licensee of the BCBSA.
©2013 Regence BlueShield, all rights reserved. Story based on actual member event.
THE 5TH AVENUE THEATRE
David Armstrong
Executive Producer & Artistic Director
Bernadine C. Griffin
Managing Director
and
Bill Berry
Producing Director
Todd Haimes, Artistic Director
Harold Wolpert, Managing Director
Julia C. Levy, Executive Director
presents
ANYTHING GOES
Music & Lyrics by
Cole Porter
Original Book by
P.G. Wodehouse & Guy Bolton
and Howard Lindsay & Russel Crouse
New Book by
Timothy Crouse & John Weidman
Starring
Rachel York
with
Jeff Brooks Joyce Chittick Alex Finke Josh Franklin Dennis Kelly Vincent Rodriguez III
Marcus Shane Sandra Shipley Joey Sorge Chuck Wagner
Sarah Agar Sara Andreas Ashley Arcement Leslie Becker Tyler Foy Katie Hagen
Derek Hanson
Kristie Kerwin Gary Lindemann Sean McKnight Marla McReynolds
Koh Mochizuki Tony Neidenbach Ashley Peacock Vanessa Sonon
Ryan Steer
Kristopher Thompson-Bolden Aaron Umsted Mackenzie Warren Correy West
with
Fred Applegate
Original Scenic Design
Costume Design
Lighting Design
Sound Design
Additional Orchestrations
Original Orchestrations
Dance Arrangements
Vocal Arrangements
Music Coordinator
Hair & Wig Design
Makeup Design
Production Stage Manager
Music Supervisor
Music Director
Associate Director
Associate Choreographer
Casting
Production Management
Tour Booking Agency
Press & Marketing
Associate Managing
Director
Director of Marketing
& Audience Development
Director of Development
Founding Director
Executive Producer
General Manager
Derek McLane
Bill Elliot
Seymour Red Press
James Lowe
Jim Carnahan, C.S.A.
Stephen Kopel, C.S.A.
Greg Backstrom
Sydney Beers
Martin Pakledinaz
Michael Gibson
Paul Huntley
Jay Alger
Aurora Productions
Tom O’Connor
Howell Binkley
David Chase
Angelina Avallone
Marc Bruni
The Booking Group
Lynne Gugenheim Gregory
Brian Ronan
& Keith Caggiano
Rob Fisher
John M. Galo
Jennifer Savelli
Type A Marketing
Gene Feist
Adams Associate
Artistic Director*
Scott Ellis
Richards/Climan, Inc.
Directed and Choreographed by
Kathleen Marshall
The National Tour of Roundabout Theatre Company’s Anything Goes is dedicated to the memory of Martin Pakledinaz, a beloved member of the
Roundabout Theatre Company family.
*Generously underwritten by Margot Adams, in memory of Mason Adams.
Anything Goes was produced by Lincoln Center Theater in 1987.
www.roundabouttheatre.org
MARLEEN AND KENNY ALHADEFF, 5TH AVENUE PRODUCING PARTNER
Official Airline
ArtsFund, US Bank, Safeco Insurance, and The Seattle Times are co-sponsors of The 5th Avenue’s 2013 / 14 season.
CAST
In order of appearance
Book By caNDace vaNce Music aND Lyrics By saM vaNce
DirecteD By kareN LuND
ProfeSSioNAl theAtre iN A Neighborhood SettiNg.
Nov. 21 - Dec. 28
taproottheatre.org
206.781.9707
204 N. 85th Street
Seattle, WA
9/13/2013 12:44:13 PM
Just a ferry ride away...
LeClubNoel_cityarts.indd 1
AlderbrookResort.com
TTC
091313 noel 1_6v.pdf
360.898.2200
Elisha Whitney. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DENNIS KELLY
Fred, a bartender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEREK HANSON
Billy Crocker. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSH FRANKLIN
Reno Sweeney . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RACHEL YORK
Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHUCK WAGNER
Ship’s Purser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFF BROOKS
Crew . . . . . . . . . . . . . . . . . . . TYLER FOY, DEREK HANSON, GARY LINDEMANN,
KOH MOCHIZUKI, RYAN STEER, KRISTOPHER THOMPSON-BOLDEN,
AARON UMSTED, CORREY WEST
A Reporter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON UMSTED
A Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KOH MOCHIZUKI
Henry T. Dobson, a minister. . . . . . . . . . . . . . . . . . . . . . . . . . . . . GARY LINDEMANN
Luke. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VINCENT RODRIGUEZ III
John. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARCUS SHANE
Angels
Purity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ASHLEY ARCEMENT
Chastity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATIE HAGEN
Charity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARLA MCREYNOLDS
Virtue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VANESSA SONON
Hope Harcourt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALEX FINKE
Mrs. Evangeline Harcourt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SANDRA SHIPLEY
Lord Evelyn Oakleigh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOEY SORGE
FBI Agents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RYAN STEER, CORREY WEST
Erma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOYCE CHITTICK
Moonface Martin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FRED APPLEGATE
Old Lady in a Wheelchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LESLIE BECKER
Quartet . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEREK HANSON, GARY LINDEMANN,
AARON UMSTED, SEAN WATKINS
Ship’s Passengers . . . . . . . . . . . . SARAH AGAR, LESLIE BECKER, DEREK HANSON,
KRISTIE KERWIN, GARY LINDEMANN, KOH MOCHIZUKI,
AARON UMSTED, MACKENZIE WARREN
AR 091913 ferry 1_6v.pdf
SWINGS
SARA ANDREAS, SEAN MCKNIGHT,
TONY NEIDENBACH, ASHLEY PEACOCK
UNDERSTUDIES
Understudies never substitute for the listed players unless
a specific posting or announcement is made at the time of the performance.
For Reno Sweeney: KRISTIE KERWIN, MACKENZIE WARREN; for Billy Crocker
& Evelyn Oakleigh: DEREK HANSON, AARON UMSTED; for Moonface Martin:
JEFF BROOKS, GARY LINDEMANN; for Hope Harcourt: SARAH AGAR, KRISTIE
KERWIN; for Mrs. Evangeline Harcourt: LESLIE BECKER, MACKENZIE WARREN;
for Elisha Whitney: JEFF BROOKS, CHUCK WAGNER; for Captain: GARY
LINDEMANN; for the Purser: SEAN MCKNIGHT; for Erma: ASHLEY ARCEMENT,
VANESSA SONON; for Luke: KOH MOCHIZUKI, AARON UMSTED,
for John: SEAN MCKNIGHT, KOH MOCHIZUKI
Mention this ad and we’ll
pay your ferry fare!
Dance Captain: SEAN MCKNIGHT
Assistant Dance Captain: VANESSA SONON
Production Stage Manager: JOHN M. GALO
Stage Manager: SARAH A. TSCHIRPKE 9/13/13
Assistant Stage Manager: GENEVIEVE KERSH
2:10 PM
SCENES & MUSICAL NUMBERS
ACT 1
Overture
Scene 1: A Smoky Manhattan Bar
“I Get a Kick Out of You” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reno Sweeney
Scene 2: The Afterdeck of an Ocean Liner
“There’s No Cure Like Travel” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Captain, Purser, and Sailors
“Bon Voyage” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sailors and Passengers
Scene 3: On Deck, that evening
“You’re the Top” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reno Sweeney and Billy Crocker
“Easy to Love” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Crocker
Reprise: “Easy to Love” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hope Harcourt
Scene 4: Whitney’s Stateroom/Moon’s Adjacent Cabin
“The Crew Song” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elisha Whitney
Scene 5: On Deck, mid-morning
“There’ll Always Be a Lady Fair” (Sailor’s Chantey) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quartet
“Friendship” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Moonface Martin and Reno Sweeney
Scene 6: Evelyn’s Stateroom
Scene 7: On Deck, at twilight
“It’s De-lovely” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Crocker and Hope Harcourt
Scene 8: On Deck, early the following morning
“Anything Goes” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reno Sweeney, Sailors and Passengers
There will be one 15-minute intermission
ACT 2
Entr’Acte
Scene 1: The Ship’s Nightclub
“Public Enemy Number One” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Captain, Purser and Passengers
“Blow, Gabriel, Blow” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reno Sweeney, Angels and Passengers
“Goodbye, Little Dream, Goodbye” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hope Harcourt
Scene 2: The Ship’s Brig
“Be Like the Blue Bird” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Moonface Martin
“All Through the Night” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Crocker, Hope Harcourt and Quartet
Scene 3: On Deck, later that night
“The Gypsy in Me” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lord Evelyn Oakleigh and Reno Sweeney
Scene 4: The Ship’s Brig
Scene 5: On Deck
“Buddie, Beware” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Erma and Sailors
Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company
ORCHESTRA
Conductor: Jay Alger • Associate Conductor: Albin E. Konopka
Music Coordinator: Seymour Red Press
Drums: Joshua Mark Samuels; Reed 1 (Piccolo, Flute, Clarinet, Alto Sax): Dewey Marler
Reed 2 (Flute, Clarinet, Soprano Sax, Alto Sax): Dane Andersen;
Reed 3 (Oboe, English Horn, Clarinet, Tenor Sax): Dave Long
Reed 4 (Clarinet, Bass Clarinet, Tenor Sax, Bari Sax): Jay Easton
Trumpet/Flugel Horn 1: Brad Allison; Trumpet/Flugel Horn 2: Michael Van Bebber
Trumpet/Flugel Horn 3: Bruce Staelens; Trombone 1: Dan Marcus; Trombone 2: Keith Winkle
Trombone 3: Jen Hinkle; Guitar: Greg Fulton; Percussion: Alec Wilmart; Bass: Jon Hamar
Keyboard Sub: Dwight Beckmeyer; Synthesizer Programmer: Bruce Samuels
Music Copying: Emily Grishman Music Preparation - Katharine Edmonds/Emily Grishman
COLE PORTER’S
In 1964, shortly before his death, Cole Porter
was asked if his songs would last.“I never gave
it a thought,” he answered.“My enjoyment was in
writing them.” A wise attitude. Most popular songs last a
few weeks or a season. A lucky few live longer, then die with
the generation who first danced and made love to them.
Yet, defying the odds, some 30 or 40 of Porter’s creations are
still alive in popular culture, and dozens more are treasured
by aficionados. We encounter them in the movies, in jazz
clubs, and while waiting in line at Starbucks. They are part of
the permanent soundtrack of our lives.
Just recently, we’ve heard “Too Darn Hot” on So You Think You
Can Dance?,“Begin the Beguine” in Behind the Candelabra,
“Let’s Misbehave” in The Great Gatsby,“Always True to You
in My Fashion” on Glee,“Another Op’nin’, Another Show”
on Smash,“You Do Something to Me” in Midnight in Paris,
“Night and Day” in The Fantastic Mr. Fox, and “I Love Paris”
on House. Going back a bit, who can forget the AfricanAmerican work gang in Mel Brooks’ wickedly funny film
Blazing Saddles? Pressured by their racist white overseer to
sing one of their “typical” songs, the men on the chain gang
respond with a sarcastic close-harmony rendition of “I Get a
Kick Out of You.”
Porter tribute vocal and jazz albums continue to be best
sellers. And Porter’s two classic shows, Anything Goes and
Kiss Me, Kate, are very much alive, enchanting theatergoers
young and old in hundreds of productions every year.
Why are Porter’s songs timeless? Maybe it’s because they
picture an exquisite alternate world -- a panorama of luxury
and heartbreak, neatly summed up in one of his titles:
“Down in the Depths on the Ninetieth Floor.” Cole’s world
is rich in novelistic detail: Bendel bonnets, educated fleas,
the pants on a Roxy usher, the Kinsey Report, a trip to the
moon on gossamer wings, the kling-kling bird on the dividivi tree, Mister Fritz (who’s full of Schlitz), Professor Munch
(who ate his wife and divorced his lunch). At a time when
most songwriters delivered the mundane and the easily
understood, Porter created an enticing fantasy verging on
alt-fiction. It’s recognizably our Earth, and yet not quite.
Porter blends high and low elements with the abandon of a
mad scientist mixing chemicals just to see what happens.
“You’re a Nathan panning; you’re Bishop Manning; you’re
broccoli!” Even if we’ve forgotten the acerbic drama critic
George Jean Nathan or the lofty Episcopal Bishop William
Manning, we get the point and the formula still makes us
laugh.
Porter’s songs were written for a wide range of characters:
society wives on the prowl, comic gangsters, super-rich
“debu-tramps,” narcissistic actors, brash night club singers,
and clueless cocktail-party chatterers (“Have you heard? It’s
in the stars. Next July we collide with Mars!”“Well, did you
evah! What a swell party this is!”)
Unlike the dramatically integrated song-scenes of Rodgers
& Hammerstein and their followers, nearly all of Porter’s
songs are written in the voice of Mr. Porter himself —
amused, cynical, gay (in all senses of the word), and
often devastatingly sad. Love, according to Cole, is carnal
and invasive (“under my skin,”“under the hide of me”),
nocturnal, a dream doomed to fade “like the moon growing
dim on the rim of the hill, in the chill still of the night.”
It still is. Porter returned again and again to Subject Number
One. His frank treatment of sex can still startle us:“Love for
sale — appetizing young love for sale.”“If Mae West you like,
or me undressed you like, nobody will oppose.”“Moths in
your rugs do it — what’s the use of moth balls?”“The world
admits bears in pits do it, even Pekingeses in the Ritz do
it.” Let’s misbehave! Let’s step out! Let’s not talk about love!
Let’s do it!
Porter liked to foster the illusion that he was a carefree bon
vivant who plucked his songs out of the air. In truth, he was a
tireless craftsman with a strong work ethic. And carefree? In
mid-career a riding accident crushed both his legs, leaving
him crippled and in constant pain for the rest of his life.
Toward the end of Porter’s life, when he was a virtual recluse,
his secretary would play recordings of his songs to cheer
him up. After the music stopped he would shake his head
and say,“How did I ever do it?”
Porter was a musical modernist who created his signature
sound by blending Latin dance rhythms with a heady
infusion of Jewish cantillation, over a solid foundation of
big-band swing. His melodies often begin in brooding minor
keys and twist their way to major resolutions (“Just One
of Those Things,”“So In Love,”“I Love Paris”). He dared to
expand the rigid structure of the 32-bar pop song, giving his
tunes ample time to evoke the erotic journey of a “night of
tropical splendor” (“Begin the Beguine”).
We don’t know, Mr. Porter, but we’re glad you did. Your songs
are still delightful, delicious, de-lovely. You are, now and
forever, the top!
Albert Evans, Artistic Associate
In the words of critic Walter Clemons:
“A Porter song is a luxury item, expensively
made and extravagantly rhymed. In a way no
other songs of the period quite did, Porter
created a world. It was a between-the-wars
realm of drop dead chic and careless
name-dropping insouciance. And it was a
sexy place to be invited.”
WHO’S WHO
RACHEL YORK
(Reno Sweeney) is best
known for her critically
acclaimed Broadway
performances in City of
Angels, Les Misérables,
Victor/Victoria, The
Scarlet Pimpernel, Sly
Fox, and Dirty Rotten
Scoundrels. She also turned heads on
television with her courageous portrayal of
Lucille Ball in the CBS movie, Lucy. On
tour: Cruella de Vil in The 101 Dalmatians
Musical, Guenevere in Camelot, Kate in Kiss
Me, Kate (US and West End). OffBroadway: The Best Is Yet to Come, Putting It
Together (MTC), Dessa Rose (Lincoln
Center), Gentlemen Prefer Blondes (Encores).
Favorite regional: The King and I, Turn of the
Century (Goodman Theatre), Hello, Dolly,
Into the Woods, Ragtime, Summer and Smoke.
In concert: performances with the NY Pops
at Carnegie Hall; the National Symphony,
the Los Angeles Philharmonic, the San
Francisco Symphony, the Jerusalem
Symphony Orchestra and many others. She
has also performed her celebrated cabaret For
the Love of It to rave reviews nationwide.
Film: One Fine Day, Happy Feet, Billy
Bathgate, Second Honeymoon, Au Pair II.
Additional TV: Hannah Montana, Frasier,
Reba, Numb3rs, Spin City. Voice of Bitty in
Higglytown Heroes. For more information,
please visit Rachel York on the web at
www.rachelyork.com. @TheRachelYork
FRED APPLEGATE
(Moonface Martin) has
starred in London and
on Broadway as Max
Bialystock in The
Producers. Other
Broadway: Monsignor
O’Hara in Sister Act,
M. Dindon in La Cage
aux Folles, Inspector Kemp/the Blind
Hermit in Young Frankenstein, and Max
Detweiller in The Sound of Music. Other
NY: Kevin in Happiness at Lincoln Center
and Panisse in Fanny for Encores! Regional:
Guthrie Theater (resident company, 11
productions), Old Globe, Geffen Playhouse,
Mark Taper Forum (4 productions), others.
More than 150 television episodes and
narrations for many documentaries.
Married to Cherie Sprosty, a Catholic
liturgist, and proud father of Ben, Meredith
and Ethan. www.fredapplegate.com.
JEFF BROOKS
(Purser, u/s Moonface
Martin, u/s Elisha
Whitney) Broadway:
Mickey in A History of
the American Film,
Phil in Loose Ends, the
Bellhop in Lend Me a
Tenor, Pastey in Gypsy,
Spider Malloy in Nick and Nora, Nathan
Detroit in Guys and Dolls, and Cogsworth
in Beauty and the Beast. Film: Julie & Julia,
IQ, The Bonfire of the Vanities, The Secret of
My Success.
JOYCE CHITTICK
(Erma) Broadway:
Anything Goes, Grease,
Pajama Game, Sweet
Charity, Wonderful
Town, Thoroughly
Modern Millie,
Seussical, Cabaret, Once
Upon a Mattress, Big,
Tommy, Cats. Off-Broadway: Belle Epoque,
Wild Party, A Dybbuk. Las Vegas: Jersey Boys.
Film/Television: Virgin Alexander, Across the
Universe, In & Out, Leading Ladies of
Broadway. Performed with Spinal Tap.
Chittick has also choreographed for film,
television, and stage.
ALEX FINKE (Hope
Harcourt) is thrilled to
be setting sail with this
amazing production!
From Dayton, OH,
BFA University of
Michigan. Regional:
Fiddler on the Roof
(Tzietel), Legally Blonde
(Serena) at MT Wichita, Tarzan (Jane), Lend
Me a Tenor (Maggie), at WagonWheel.
Endless gratitude to God, my family, friends,
teachers, everyone at Carnahan Casting, and
Harden-Curtis.
JOSH FRANKLIN
(Billy Crocker) is
thrilled to be a part of
this de-lovely company!
Broadway: Grease,
Legally Blonde,
Anything Goes and
Ghost. 1st National
Tours: Jersey Boys (Bob
Gaudio), Grease (Danny Zuko), All Shook
Up, On The Record. BFA from Webster
Conservatory. Franklin has just released his
debut pop album of all original music,
produced by Grammy winner Peter
Wade. www.joshfranklin.net.
DENNIS KELLY
(Elisha Whitney) is an
award-winning
Chicago and New
York-based actor, who
has performed on
London’s West End, on
and off Broadway, in
national tours and in
regional theater for nearly 50 years. TV:
Detroit 187 and Boss. He is an alumnus of
Chapman University and is the recipient of
the Chapman University 2010 Alumni
Lifetime Achievement in the Arts Award.
VINCENT
RODRIGUEZ III
(Luke) Recent NY:
Pipe Dream (New cast
recording). National:
Xanadu, 42nd Street.
Regional: White
Christmas (Original
cast and recording),
Oklahoma! (Arena Stage, Helen Hayes Award
Winner). He would like to thank Kathleen,
Carnahan Casting, JBDC, Greg, and my
undyingly supportive family and friends.
Proud graduate of PCPA Theaterfest.
www.VR3rd.com.
MARCUS SHANE
(John) is thrilled to be
sailing with the S.S.
American. National
Tours: The King and I.
Regional: Sacramento
Music Circus,
Pittsburgh CLO,
North Shore Music
Theatre, TUTS, MTWichita, and Cape
Playhouse. Thanks to Mom and Dad, The
Mine, Kathleen Marshall and Jim Carnahan/
Stephen Kopel Casting!
SANDRA SHIPLEY
(Mrs. Evangeline
Harcourt) Broadway:
Blithe Spirit, Equus,
Pygmalion, Retreat
From Moscow, Vincent
in Brixton, Indiscretions.
Off-Broadway:
Gentlemen Prefer
Blondes, Suddenly Last Summer, Deep Blue
Sea, Kindertransport, Stuff Happens, Venus.
Regional: ART, Hartford, Huntington, La
Jolla, Long Wharf, Old Globe, Williams
town. UK: RSC, Royal Court, West End.
Film/TV: Monument Ave, Law & Order:
SVU, Third Watch, Lipstick Jungle.
JOEY SORGE (Lord
Evelyn Oakleigh)
Broadway: Nice Work If
You Can Get It, How To
Succeed..., Drowsy
Chaperone, Thoroughly
Modern Millie, Follies
(2001 Revival). Off
Broadway: Saturday
Night (Second Stage), Summer of ’42 (Variety
Arts). Tours: Fonz in Happy Days, Jimmy in
Thoroughly Modern Millie. Regional: Animal
Crackers (Williamstown), Singin’ In The Rain
(Ogunquit), Radio Girl (Goodspeed), Marty
(Huntington), Film: New Year’s Eve,
Valentine’s Day, Audrey, Contradictions of the
Heart. TV: Numb3rs, Commander in Chief,
Night Stalker. www.joeysorge.com @sojoey.
CHUCK WAGNER
(Captain, u/s Elisha
Whitney) Broadway:
The Beast in Disney’s
Beauty and the Beast,
Javert in Les Misérables,
Rapunzel’s Prince in
Into the Woods, Van
Helsing in Dracula,
Athos in The Three Musketeers. National
Tours: Into the Woods, Kiss Me, Kate, the title
roles in Jekyll and Hyde. TV: Automan. For more
information, visit www.chuckwagner.com.
ASHLEY
ARCEMENT (Purity,
u/s Erma) Broadway:
Grease. Recent
Regional: A Chorus
Line at Paper Mill
(Val). Tours: Thoroughly
Modern Millie, Pippin.
Other Regional:
Goodspeed, TUTS, Berkshire and
Williamstown Theatre Festivals. Thank you
Kathleen, Stephen/Carnahan, Nicolosi,
family and friends!
GJD
Fall 2013
A r t & Fi n e C ra f t s b a c k a t M a g nu s o n Pa r k i n H a n ga r 3 0 !
A Two Act Show with 100 Different Artists in Each
October 18, 19, 20 & November 8, 9, 10
Our 25th Anniversary!
Parking is Free
Go to nwartalliance.com for tickets
pro d u ce d by
Background Art: Mellisa Graves Brown Artists: Lommer, Niemi, Jones, Christiansen
NWA
WHO’S WHO
SARAH AGAR
(Ensemble, u/s Hope) is
honored to be a part of
this wonderful cast.
Past Credits: White
Christmas (Judy), Band
Geeks (Nicole), The
Light in the Piazza
(Clara Johnson). Proud
graduate of Wright State University. Special
thanks to JC, BLOC, and my family!
SARA ANDREAS
(Swing) Broadway:
Catch Me If You Can.
National Tour: Legally
Blonde, Addams Family.
Regional: A Chorus
Line, (Berkshire
Theatre Festival), Soul
Doctor (Colony
Theater), World Goes Round (Riverside
Theatre), Legally Blonde (North Shore Music
Theatre). Love to Mom, Dad and Mikey!
LESLIE BECKER
(Ensemble; u/s
Evangeline Harcourt)
Broadway: Anything
Goes, Bonnie & Clyde,
Nine. Tours: Wicked,
Cinderella, Show Boat,
Beauty and the Beast.
Regional: Starring roles
in Hello, Dolly!, The King and I, Sweeney
Todd, Little Women and more. Author of
The Organized Actor books.
www.LeslieBecker.com
TYLER FOY
(Ensemble) National
Tours: Mary Poppins
1st National. Regional:
Paper Mill Playhouse,
Maine State, North
Carolina Theatre,
Fulton Theatre,
Riverside Theatre, and
MT Wichita. OCU Dance Graduate.
Originally from Perry, GA. Love and thanks
to family, friends, and CESD.
www.TylerFoy.com / @TylerFoy.
KATIE HAGEN
(Chastity) is thrilled to
be joining the Anything
Goes family! Recent
Credits: World
Premiere of Frog Kiss
(EveryWoman) and The
Rolling Stones: One Last
Shot 50th Anniversary
Concerts. Regional: Paper Mill, Fulton,
Maltz, Jupiter, Maine State, Flat Rock. Love
and thanks to MSA, family and Jake.
www.katiehagen.com.
DEREK HANSON
(Ensemble, Fred,
Quartet, u/s Billy, u/s
Evelyn) is from
Missoula, Montana.
Broadway: Anything
Goes. Tours: A Chorus
Line, Shrek, Cats. BA
from UNCo. Thanks
to God, Kathleen, Kopel, The Mine, his
family and friends for their love and support,
and his amazing wife Becky. AEA.
KRISTIE KERWIN
(Ensemble, u/s Reno, u/s
Hope) Broadway/
National: Spamalot,
South Pacific (Ensign
Yaeger, Nellie), White
Christmas, Bye Bye
Birdie (Encores!).
Regional Favorite:
Dames at Sea (Mona). BFA, NYU/CAP21.
Love to family and friends!
www.KristieKerwin.com.
GARY LINDEMANN
(Ensemble, Henry T.
Dobson, Quartet, u/s
Captain, u/s Moonface
Martin) Broadway:
Anything Goes,
Phantom of the Opera.
National Tours: High
School Musical,
Trans-Siberian Orchestra. TV: Law & Order,
SVU, Law & Order, All My Children. BFA
Carnegie-Mellon.
SEAN MCKNIGHT
(Swing, u/s Purser, u/s
John, Dance Captain)
Broadway/Tour:
Merrily We Roll Along,
Curtains, Shrek the
Musical, Girl Crazy, The
Producers, 42nd Street,
Cinderella, The Radio
City Christmas Spectacular, Annie Get Your
Gun, Kennedy Center: Ragtime, Carnival!
and Mame.
MARLA
MCREYNOLDS
(Charity) is thrilled to
join this production!
Broadway: Chicago
(Mona), The Color
Purple (Older Olivia)
Tour: Chicago (Swing,
Roxie U/S), West Side
Story, European/Asian Tour (Francisca).
Cirque du Soleil Viva Elvis, Television:
Boardwalk Empire, Billie Holiday
Documentary, Japan (Billie Holiday). Thanks
to MSA, Carnahan Casting, and Kathleen
Marshall. For my family and my better
half, MW.
KOH MOCHIZUKI
(Ensemble, Quartet, u/s
Purser) Broadway/
National Tours: Mary
Poppins, Aida and On
The Record. Regional:
Carinval! (Paul u/s)
Kennedy Center,
Grendel, Lincoln
Center, and Cape Playhouse. TV: Saturday
Night Live, Dancing with the Stars, Conan.
Thanks to my loverly landlubbers CTG,
family and David for support.
TONY
NEIDENBACH
(Swing) is thrilled to be
touring with this
magnificent company!
Off-Broadway: Naked
Boys Singing! Regional:
Virginia Stage,
Northern Stage,
Pioneer, TUTS, MUNY, Seaside. He holds a
BFA from Penn State and dances with the
Liz Gerring Dance Company in NYC.
Thanks to TKO, LGDC, and the fam.
ASHLEY PEACOCK
(Swing) National/
International Tours:
White Christmas, 42nd
street, Joseph.., I Love a
Piano, Regional:
Goodspeed, Arena
Stage, Westchester,
Engeman, Gateway,
Theatre of the Stars. Love & thanks to my
supportive husband, family and everyone
involved with this beautiful show!
VANESSA SONON
(Virtue, u/s Erma,
Assistant Dance
Captain) Broadway:
42nd Street (u/s Peggy
Sawyer), Spamalot (u/s
Lady of the Lake),
Anything Goes (u/s
Erma). Many thanks
and love to family, friends and Chris
for everything.
RYAN STEER
(Ensemble) National/
International Tour: A
Chorus Line. Regional:
Paper Mill (Damn
Yankees), McCarter,
Lyric OKC, Arizona
Broadway (Cats),
Surflight (Hairspray).
BM, University of Central Oklahoma.
Endless love to my family, friends, MSA and
Carnahan Casting.
KRISTOPHER
THOMPSONBOLDEN (Ensemble)
is excited to be a part
of this wonderful
production! World
Premiere: The Nutty
Professor. Broadway
Tours: Billy Elliot, The
Color Purple, Joseph... Special thanks to JC,
Mama, Talentworks, friends and family.
AARON UMSTED
(Ensemble, Quartet, u/s
Luke, u/s Billy Crocker,
u/s Lord Evelyn
Oakleigh) National
Tours: Mary Poppins, A
Chorus Line.
Hometown: Durant,
OK. Education: BFA,
University of Oklahoma. Things I Love:
Mom, Dad, family, friends, laughing, and
living life to the fullest.
MACKENZIE
WARREN (Ensemble,
u/s Reno Sweeney, u/s
Evangeline Harcourt) is
thrilled to make her
tour debut! Proud
University of
Oklahoma graduate.
Regional: MT Wichita,
Dallas Theater Center, Kansas City Starlight,
and North Carolina Theatre. Thanks to the
Lord, family, friends, and The Mine.
Psalm 16:11.
CORREY WEST
(Ensemble) Broadway:
Nice Work If You Can
Get It, South Pacific.
Tours: 42nd Street, The
Radio City Christmas
Spectacular. NY
Theatre: Lunch
(NYMF). Numerous
regional theater credits. Thanks to family
and friends, everyone at BlocNYC and
Kathleen!
COLE PORTER (Music & Lyrics) was born
in Peru, Indiana in 1891. He attended Yale.
In the late 1920s he gained renown for many
great songs, among them “Night and Day,”
“You’re the Top,” “Begin the Beguine” and
“I Get a Kick Out of You.” His 1930s were
highlighted by such Broadway offerings as
Anything Goes, Gay Divorce, and Jubilee.
A crippling accident in 1937 left him in
constant pain yet he continued to write
memorable scores, among them Kiss Me
Kate, Can Can and Silk Stockings. He died
in 1964.
GUY BOLTON (1884-1979) and P.G.
WODEHOUSE (1881-1975), were both
born in England. Together, with Jerome
Kern, they wrote the famed Princess
Theatre musicals. Usually, they collaborated
on the book, and Wodehouse wrote the
lyrics. Bolton, with one collaborator or
another, or on his own, had a hand in well
over 100 musicals and straight plays as
well as numerous film scripts and novels.
Wodehouse wrote 97 books, most notably
the “Jeeves” novels, and countless short
stories, articles, essays and films. In addition
to Anything Goes, their work together
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WHO’S WHO
includes Oh, Boy!, Leave It To Jane, Oh, Lady!
Lady!!, Sitting Pretty, Oh, Kay! and Rosalie.
HOWARD LINDSAY and RUSSEL
CROUSE (Co-Authors of the Original Book)
The Lindsay and Crouse partnership stands
as the longest of any writers in theatrical
history. It began in 1934 when they rewrote
the libretto for Anything Goes. Their Life
With Father (1939) holds the record for the
longest-running play on Broadway. They
also wrote The Sound of Music (with Rodgers
and Hammerstein), State of the Union
(Pulitzer Prize), Call Me Madam (with Irving
Berlin), and The Great Sebastians, as well as
produced Arsenic and Old Lace. Prior to their
teaming up, Howard Lindsay (1889-1968)
was an actor, stage manager, director, and
playwright. Russel Crouse (1893-1966) was
a newspaperman, press agent, author, and
librettist.
TIMOTHY CROUSE (Co-author of the
New Book) has been a contributing editor of
Rolling Stone and the Village Voice, as well as
the Washington columnist for Esquire. He is
also an O. Henry Prize-winning short story
writer. He is the author of The Boys on the
Bus, a classic account of the role of the press
in presidential campaigns and the son of
Russel Crouse, one of the original authors of
Anything Goes.
JOHN WEIDMAN (New Book) has
written the books for a wide variety of
musicals, among them Pacific Overtures,
Assassins, and Road Show, all with scores
by Stephen Sondheim, and Contact, cocreated with director/choreographer Susan
Stroman. Since his children were preschoolers, Weidman has written for Sesame
Street, receiving more than a dozen Emmy
Awards for Outstanding Writing for a
Children’s Program. From 1999 to 2009, he
served as president of the Dramatists Guild
of America.
KATHLEEN MARSHALL (Director
& Choreographer) Broadway, Director/
Choreographer: the current new musical
Nice Work If You Can Get It, Anything Goes,
The Pajama Game, Grease and Wonderful
Town. Broadway Choreographer: BoeingBoeing, Little Shop of Horrors, Follies,
Seussical, Kiss Me, Kate, 1776 and Swinging
on a Star. Off-Broadway: Two Gentlemen
of Verona (New York Shakespeare Festival),
Saturday Night (Second Stage), Violet
(Playwrights Horizons), and As Thousands
Cheer (Drama Dept). City Center Encores!:
Bells Are Ringing, Carnival, Hair and Babes
in Arms and artistic director for four seasons.
ABC/Disney: Once Upon a Mattress and
Meredith Willson’s The Music Man (Emmy
nomination). She has received three Tony
Awards, three Drama Desk Awards, three
Outer Critics Circle Awards, the Astaire
Award, the George Abbott Award and the
Richard Rodgers Award. She is an associate
artist of the Roundabout Theatre Company.
For Scott, Ella and Nathaniel, and in loving
memory of Martin Pakledinaz.
DEREK McLANE (Original Scenic Design)
Credits: How to Succeed..., Bengal Tiger at
the Baghdad Zoo, Blood From a Stone, The
Miracle Worker, Ragtime, 33 Variations (2009
Tony Award, Best Scenic Design), The
Pajama Game, Grease, Threepenny Opera,
Little Women, I Am My Own Wife, The
Women, Present Laughter, Holiday, Ruined,
A Lie of the Mind, Becky Shaw, Rafta, Rafta,
10 Million Miles, Things We Want, The Voysey
Inheritance, Two Trains Running, Hurlyburly,
Abigail’s Party, Aunt Dan and Lemon.
MARTIN PAKLEDINAZ (Costume
Design) NY Theater: The Glass Menagerie
(Lortel nomination), The Pajama
Game (Tony nomination), Lend Me a
Tenor (Hewes Award, Tony and OCC
nominations), Thoroughly Modern Millie,
Blithe Spirit (Tony nomination), Kiss Me,
Kate, The Wild Party (Lippa), Golden Child,
and The Life. Opera: Iphigenie en Tauride
(Metropolitan Opera), The Bartered Bride
(Juilliard), Tristan and Isolde and Adriana
Mater (Paris Opera/Bastille), L’amour de
Loin (Salzburg, Paris/Chatelet, Santa Fe,
Helinski and works throughout the U.S.,
Canada, Europe and Japan). Awards
include two Tonys, Drama Desk, Obie, and
Lucille Lortel, among others.
HOWELL BINKLEY (Lighting Design)
Recent Broadway: Jesus Christ Superstar,
How to Succeed… (2011 Tony nomination),
Memphis, West Side Story (2009 Tony
nomination), In The Heights (2008 Tony
nomination), Jersey Boys and Avenue Q.
Proud co-founder of/lighting designer for
Parsons Dance. 1993 Olivier Award and
Canadian Dora Award for Kiss of the Spider
Woman. 2006 Tony Award, Henry Hewes
Design Award and Outer Critics Circle
Award for Jersey Boys.
BRIAN RONAN & KEITH CAGGIANO
(Sound Design) Their work can be heard on
numerous Broadway shows. Some favorites
are Bring It On The Musical, Nice Work If
You Can Get It, On A Clear Day, Book of
Mormon, Spider-man, American Idiot, ELF
The Musical, Next to Normal, Rock of Ages,
Spring Awakening, and 12 Angry Men.
JAY ALGER (Music Director/Conductor)
conducted three U.S. companies of Disney’s
The Lion King and was the associate music
supervisor of eight companies of the show
worldwide. Broadway: Cats, Starlight Express,
Les Misérables and Miss Saigon. Tours: 42nd
Street, Cats, Andrew Lloyd Webber – Music of
the Night, Joseph.... and Ragtime. Las Vegas:
Phantom – The Las Vegas Spectacular.
JAMES LOWE (Music Supervisor)
Broadway: Gypsy. National Tours: My Fair
Lady, The Light in the Piazza. Houston
Grand Opera: Carmen, Le nozze di Figaro,
Die Entführung aus dem Serail, The Tender
Land, The Little Prince, The End of the Affair.
Pittsburgh Opera Center: Flight. Wolf Trap
Opera: Sweeney Todd. Houston Ballet: The
Nutcracker. Concerts with Sir Elton John
(including orchestrations and arrangements)
and Randy Newman (Houston Symphony).
Music director, Butler Opera Center.
www.jameslowemusic.com.
BILL ELLIOT (Additional Orchestrations)
is an arranger, composer, conductor and
bandleader who specializes in swing and
vintage styles of music. His original songs
and arrangements have appeared in many
TV shows and films including Northern
Exposure, Introducing Dorothy Dandridge,
The Gilmore Girls, and Wedding Crashers. His
19-member Bill Elliott Swing Orchestra has
performed widely and recorded four CDs.
SEYMOUR RED PRESS (Music
Coordinator) Tony honor for Excellence
in the Theatre. Credits include more than
100 shows from the original Gypsy through
Dreamgirls, Nine, Noise/Funk, Elaine
Stritch: At Liberty, The Color Purple and the
acclaimed revivals of Anything Goes, Guys
and Dolls, Carousel, ...Forum and Flower
Drum Song. Screen credits include Disney’s
Hunchback of Notre Dame, Mike Nichols’
The Birdcage and Paramount’s In & Out.
Kirsten deLohr Helland
This season will mark the 20th year of bringing the
wonder and joy of musical theater to school-age children
throughout the Northwest with our popular outreach
program, The 5th Avenue’s Adventure Musical Theater
Touring Company (AMT). Started in 1994, AMT is
The 5th Avenue’s longest running education outreach
program. Founding Managing Director Marilynn Sheldon
championed the program with a vision of bringing
original musicals to young students. She says, “I knew
musical theater would capture their interest and they
would love stories told through song and dance. I also
knew that AMT could be an important addition to their
educational development and do so in an entertaining
way. I never tired of watching kids watch the performance
with mesmerized interest.” The first AMT show to visit
schools was Mrs. Mortimer’s Gift. It was performed 18
times for 4,500 students in Seattle. Today AMT performs
at more than100 schools throughout the Pacific Northwest
each year, reaching roughly 45,000 students.
In addition to presenting high quality, educational
musicals, Adventure Musical Theater has another goal
aligned with the mission of The 5th Avenue Theatre: to
nurture local Northwest talent. Some of Seattle’s most
recognized performers got their start by working on
AMT shows and many have gone on to perform with
Seattle’s leading theaters and on Broadway. “Doing an
AMT performance repeatedly, day after day, teaches
actors how to tell a story and make it fresh every time,”
says Producing Director Bill Berry. He adds, “There is
no audience more honest or discerning than a roomful
of 300 second and third graders.” Seattle actors who
performed with AMT before they became known for
their professional work include Jared Michael Brown,
Taryn Darr, Kirsten deLohr Helland, Diana Huey, Naomi
Morgan, Kat Ramsburg, and Dane Stokinger. Many have
had notable careers in New York and on Broadway,
including Eric Ankrim, David Austin, Mo Brady, Louis
Hobson, Brandon Ivie, Chad Jennings, Jason Kappus,
Heath Saunders, L. Steven Taylor, and Billie Wildrick.
Here are some of their AMT memories.
Anya Rudnick - Director of Education
AMT: Rosie the Riveter;
The 5th Avenue: Oklahoma, RENT,
The Pirates of Penzance, ELF - The
Musical, and Titanic; Village:
Trails, Village Originals; Balagan:
Spring Awakening, Avenue Q
AMT was my first professional job. I learned
how important it is to give 110% every show
because each time you perform it, 100-600 kids
are seeing it for the first time. Bringing theater to
our schools and to kids who have never or may
never see a piece of live theatre is so important,
heart-warming and humbling. Knowing that we
can make a child smile or laugh or ask questions
is so humbling. It’s the greatest job.
Billie Wildrick
AMT: Northwest Bookshelf;
The 5th Avenue: 23 productions
including Hair, Wonderful Town,
Into the Woods, On the Town, Guys
and Dolls, Saving Aimee, and
the upcoming Oliver!; Village: Hello Dolly, The
Sound of Music, Village Originals; ACT: Vanities,
Das Barbecu, Broadway: Scandalous
AMT helped me become a more collaborative,
ensemble-minded actor who brings ideas to the
table. [Everyone I worked with on AMT] became
my dear friends and collaborators. It was an
amazing gateway into the fantastically multitalented Seattle theater community.
L. Steven Taylor
AMT: Northwest Bookshelf, Journey
West; The 5th Avenue: Miss Saigon,
Rocky Horror Show; Broadway:
Disney’s The Lion King, Cutman,
Ataria; Television: The Electric
Company; Film: Expiration Date, Game Over
The roles that I played for AMT were very diverse
and “across the board.” We were encouraged
to treat them seriously – approaching them as we
would any other role. The development process
for so many character types and in such a short
amount of time helps me to prepare for the rigors
of auditioning in NYC and LA to this day!
Jason Kappus
Brandon Ivie
AMT: Best of Northwest Bookshelf
(Director), Rosie the Riveter
(Director); The 5th Avenue: Rodgers
and Hammerstein’s Cinderella
(Director); Broadway: Next to
Normal (Assistant to the Writers), First Date
(Assistant Director), A Christmas Story The
Musical (Assistant Director)
As a director, I learned how to economize. It taught
me that something creative that challenges your
mind can be ten times more effective and exciting
than something literal. When I watched the first
performance of an AMT show I directed and saw
an entire room of kids witnessing theater for the
first time, laughing and gasping and applauding
and yelling things at the actors (“No! Don’t go in
there!”), all of a sudden I understood why people
spend their lives teaching students through theater.
I don’t know any other time when kids are as
engaged in what they’re learning as when they’re
watching AMT. You don’t see kids laughing and
screaming at a video about long division.
Eric Ankrim
AMT: Klondike, Mercer Girls; The
5th Avenue: West Side Story, Catch
Me If You Can; Seattle Children’s
Theatre: High School Musical,
The Wizard of Oz; Village: Stunt
Girl, Once Upon a Time in New Jersey, Aida;
Broadway: American Idiot; National Tour: Legally
Blonde, Jersey Boys
I think the biggest things I learned from AMT
were adaptability and consistency. When your
stage set-up changes every show, when you’re
performing at all different hours of the day,
when your audience reactions and interactions
constantly vary, the phrase “the show must go
on” quickly takes on deeper meaning. And
doing the same show 2-3 times a day for a few
months will test and expand your ability as an
actor to present the same material in a fresh
and engaging way over and over. These things
certainly helped prepare me for the last 700
performances of Jersey Boys.
Louis Hobson
AMT: Children of the Earth;
The 5th Avenue: Miss Saigon,
Hair, Pippin, West Side Story;
Village: Evita, The Sound of Music;
Broadway: Next to Normal, Bonnie
and Clyde, The People in the Picture, Leap of
Faith; Artistic Director of Balagan Theatre
AMT: Northwest Bookshelf, Journey
West; The 5th Avenue: Rocky Horror
Show, Miss Saigon, Into the Woods,
Oklahoma, First Date; Seattle Rep:
Time of Your Life, Rejoice!: Village:
The Secret Garden, Girl of My Dreams, The Gypsy
King; ACT: A Christmas Carol; Seattle Children’s
Theatre: Peter Pan; Balagan: Dr. Horrible’s Sing-aLong Blog; Broadway: First Date
I [was in] one of the AMT tours in 2000. I
happily look back on that time of discovery, the
friendships I made, and feel grateful for the work
we did inspiring all those young people with the
increasingly rare gift of live performance. I am
so proud to be a part of this amazing program
and the legacy it has created.
AMT was my first time doing any professional
theater, and the quality of work I found myself
surrounded by immediately forced me to improve
on a daily basis. The work is fast-paced,
passionate, and energetic. One time I came down
with a horrific ear infection while on tour with
AMT. And wouldn’t you know it, but we visited my
middle school that VERY day, and I performed with
little to no hearing whatsoever. While on stage
during songs, my fellow actors bobbed their heads
to the rhythms so I could stay in tempo with each
song. Trouble is, even though I stayed in tempo, I
didn’t necessarily stay in tune. After a solo, I came
backstage, and the entire cast was on the floor
with laughter. I was so out of tune it was painful.
So much for impressing my old middle school!
Expedia
The Loeb Family Charitable Foundation
Perkins Coie
Safeco Insurance
Union Bank
Students enjoying an AMT performance.
Thanks to our AMT sponsors:
WHO’S WHO
DAVID CHASE (Dance Arranger) Anything
Goes is Chase’s fifth Roundabout production
and umpteenth show with Ms. Marshall.
Twenty-two other Broadway shows as music
director and/or arranger over the last 20
years. For my mother, who made me take
tap in first grade. The feet couldn’t do it,
but somehow the hands remembered the
rhythms. Music Education: Harvard biology
degree.
JOHN M. GALO (Production Stage
Manager) has extensive credits on Broadway,
regionally and on the road. Favorites
include Fiddler on the Roof, 12 Angry Men,
Legends, Movin’ Out, Thoroughly Modern
Millie, Contact, La Cage aux Folles, Come Fly
Away. A 37-year member of Actors’ Equity
Association, he served on the National
Governing Council and is a Tony voter.
Thanks for your support of live theater!
ROB FISHER (Vocal Arranger) is the
founding music director of City Center
Encores! (1994-2005), and has made
numerous recordings including the
Grammy-winning Chicago cast album. He
continues as supervising music director
of Chicago worldwide. Other Broadway
includes Hair, The Apple Tree, Wonderful
Town and Threepenny Opera. He has led
great U.S. orchestras including the NY
Philharmonic (My Fair Lady), San Francisco
(Sweeney Todd), Los Angeles, and Cleveland.
SARAH A. TSCHIRPKE (Stage Manager)
Broadway: Jersey Boys, Phantom of the Opera,
Little Mermaid, Tarzan. National Tour: Jersey
Boys, Young Frankenstein, 101 Dalmatians,
Little House on the Prairie, Little Shop of
Horrors. Cirque du Soleil’s Zarakana (Radio
City and Madrid). Various off Broadway and
regional.
PAUL HUNTLEY (Hair & Wig Design)
London-born Paul Huntley has worked on
hundreds of Broadway shows, including the
original productions of Amadeus, Cats, Evita,
Les Misérables, The Producers, and Hairspray.
A recipient of the Drama Desk and Tony
Awards, his current projects include War
Horse, Chaplin, and Nice Work If You Can
Get It.
ANGELINA AVALLONE (Make-Up Design)
Broadway: The Importance of Being Earnest,
The Addams Family, Rock of Ages, Memphis,
West Side Story (revival), A Little Night
Music, Bye Bye Birdie, Dreamgirls (National
Tour), Gypsy (with Patti LuPone), Young
Frankenstein (Broadway and National Tour),
The Color Purple (Broadway and National
Tour), and The Little Mermaid.
KATHY FABIAN/PROPSTAR (Properties
Coordinator) holds more than 35 Broadway
credits. She is especially proud of Propstar’s
RTC credits, which include Bye Bye Birdie,
Waiting for Godot, Pal Joey, A Man for All
Seasons, Les Liaisons Dangereuses, Sunday
in the Park With George, Pygmalion, Old
Acquaintance, 110 in the Shade, Prelude to a
Kiss, and The Foreigner.
GENEVIEVE KERSH (Assistant Stage
Manager), a graduate of Ithaca College’s
Theatre program, has recently worked
as an assistant stage manager for Boston
Ballet’s spring season. Prior credits include
Alvin Ailey American Dance Theater’s City
Center Run.
JENNIFER SAVELLI (Associate
Choreographer) Native Clevelander and
trained by her mother Dianne, Savelli loves
working with this cast after playing Charity
and serving as dance captain for the show
on Broadway. Her career includes numerous
performances on Broadway, television, and
film. Love to my family!
MARC BRUNI (Associate Director)
Directing credits include Ordinary Days
(Roundabout Underground), Fanny
(Encores!), The 25th Annual Putnam County
Spelling Bee (Paper Mill/PTC), Glimpses of
the Moon (Oak Room), High Spirits (York),
Such Good Friends (NYMF Directing
Award), The Sound of Music (MUNY, Kevin
Kline nomination), The Music Man (Kevin
Kline nomination).
JIM CARNAHAN (Casting) Roundabout’s
director of artistic development.
Roundabout: Harvey, Waiting for Godot,
Sunday in the Park with George, 110 in
the Shade, Pajama Game, Twelve Angry
Men, Assassins, Nine, Big River, Cabaret.
Other Broadway: Peter and the Starcatcher,
Jerusalem, Clear Day, Scottsboro Boys, La Bête,
American Idiot, Seagull, Spring Awakening,
Boeing-Boeing, Curtains, Pillowman,
La Cage, Democracy, Fiddler, Thoroughly
Modern Millie. Film: A Home at the End
of the World, Flicka. TV: Glee (Emmy
nomination).
TYPE A MARKETING (Marketing & Press)
is an independent, full-service marketing
company specializing in Broadway and
national tours. Founded in 2008 by
Anne Rippey, who continues to provide
strategic supervision, Type A is led by Elyce
Henkin and John McCoy, who manage
the campaigns for the current/upcoming
roster, including Broadway’s Kinky Boots, The
Phantom of the Opera, Les Misérables, Tuck
Everlasting and the touring productions of
The Addams Family, American Idiot, Anything
Goes, I Love Lucy: Live on Stage, Flashdance
the Musical, Million Dollar Quartet and The
Gershwins’ Porgy and Bess. www.typeamktg.
com
AURORA PRODUCTIONS (Production
Management) Current Projects: The Book
of Mormon (Broadway and National Tour),
Once, Cyrano de Bergerac, If There Is..., and
The Addams Family (National Tour). Aurora
has been providing technical and production
management to the entertainment industry
since 1989. For more information, visit
www.auroraprod.com.
RICHARDS/CLIMAN, INC. (General
Manager) David R. Richards and Tamar
Haimes also currently manage Rodgers
& Hammerstein’s Cinderella, The Glass
Menagerie, Becoming Dr. Ruth (OffBroadway) and The Gershwins’ Porgy and
Bess (National Tour). Past: Who’s Afraid
of Virginia Woolf?, Glengarry Glen Ross,
The Gershwins’ Porgy and Bess, The Best
Man, Driving Miss Daisy, August: Osage
County, and Annie. Upcoming: Bullets Over
Broadway.
GENE FEIST (Founding Director) Since
founding Roundabout in 1965, Feist has
been intimately involved as producerdirector for more than 150 productions.
For Broadway, he directed The Play’s the
Thing (1973) and produced A Taste of Honey
(1981) and the Tony Award-winning revival
of Joe Egg (1984). He sent The Winslow
Boy and A Raisin in the Sun on national
tour. Among the produced plays he has
written are James Joyce’ s Dublin, Jocasta
and Oedipus, Wretched the Lionhearted, A
Toy of the Clowns and Building Blocks. He
Celebrate Family ...honor their life
has provided distinguished adaptations of
the works of Feydeau, Ibsen, Chekhov and
Strindberg. Most recently, Feist produced a
festival of Israeli plays at the Public Theater.
A WWII Army Air Force veteran, he holds
degrees from Carnegie Mellon and New
York Universities. Member: Dramatists
Guild, Society of Stage Directors and
Choreographers, the Broadway League. He
is the recipient of the 1996 Lucille Lortel
Foundation’s Lifetime Achievement Award.
Celebrate family... honor their life
Funeral • Cemetery • Cremation Services
www.BonneyWatson.com
ROUNDABOUT THEATRE COMPANY
(Todd Haimes, Artistic Director) is committed
to producing the highest quality theater with
the finest artists, sharing stories that endure,
and providing accessibility to all audiences.
Founded in 1965, Roundabout has become
one of New York City’s most accomplished
cultural institutions and one of the country’s
largest not-for-profit theater companies.
Each year, Roundabout presents a variety of
plays, musicals, and new works on its five
stages, both on Broadway and off, reaching
more than 675,000 people. In addition to
providing an artistic home for many of the
finest actors, playwrights, composers, and
directors of our time, Roundabout is home
to model education and outreach programs
designed to diversify and develop the
theater’s audiences.
Avenue Theatre • ACT Theatre • Book-It Repertory Theatre • Broadway
Reach a 5th
Center for the Performing Arts • Pacific Northwest Ballet Paramount & Moore
Theatres • Seattle Children’s Theatre • Seattle Men’s
SophiSticated Chorus
• Seattle Opera • Seattle Repertory Theatre
• Seattle Shakespeare Company • Seattle Symphony
WC 100713
grand
1_3s.pdf
audience Seattle Women’s Chorus • Tacoma City Ballet • Tacoma
Philharmonic • Taproot Theatre • UW World Series at Meany Hall • Village Theatre Issaquah & Everett •
BW 111912
celebrate
American Conservatory Theater • Berkeley Repertory Theatre • Broadway San Jose • California
Shakespeare
Theater • San Francisco Ballet • San Francisco Opera • SFJAZZ • Stanford Live • TheatreWorks • Weill Hall at
Sonoma State University • 5th Avenue Theatre • ACT Theatre • Book-It Repertory Theatre • Broadway Center
for the Performing Arts • Pacific Northwest Ballet • Paramount put your business here
& Moore Theatres • Seattle Children’s Theatre • Seattle
Men’s Chorus • Seattle Opera • Seattle Repertory Theatre
Seattle Shakespeare Company • Seattle Symphony • Seattle
Women’s Chorus Tacoma City Ballet • Tacoma Philharmonic
• Taproot Theatre • UW World Series at Meany Hall • Village
www.encoremediagroup.com
EAP House 1-6H REV.indd 1
3/26/13 11:22 AM
1
WHO’S WHO
ADDITIONAL STAFF FOR
ANYTHING GOES
ROUNDABOUT THEATRE COMPANY STAFF
ARTISTIC DIRECTOR.......................TODD HAIMES
MANAGING DIRECTOR.............HAROLD WOLPERT
EXECUTIVE DIRECTOR....................JULIA C. LEVY
ADAMS ASSOCIATE
ARTISTIC DIRECTOR.................... SCOTT ELLIS
DIRECTOR OF ARTISTIC DEVELOPMENT/
DIRECTOR OF CASTING.......................Jim Carnahan
Literary Manager......................................... Jill Rafson
Senior Casting Director..........................Carrie Gardner
ASSOCIATE MANAGING DIRECTOR...... Greg Backstrom
GENERAL MANAGER............................... Sydney Beers
General Manager,
American Airlines Theatre................. Denise Cooper
General Manager,
Steinberg Center.......................Nicholas J. Caccavo
Human Resources Director................ Stephen Deutsch
Operations Manager...........................Valerie Simmons
DIRECTOR OF FINANCE.......................... Susan Neiman
DIRECTOR OF
DEVELOPMENT................Lynne Gugenheim Gregory
DIRECTOR OF INFORMATION
TECHNOLOGY................................ Daniel V. Gomez
DIRECTOR OF MARKETING AND
AUDIENCE DEVELOPMENT................. Tom O’Connor
DIRECTOR OF AUDIENCE SERVICES......... Wendy Hutton
Roundabout Theatre Company
231 West 39th Street, New York, NY 10018
(212) 719-9393
www.roundabouttheatre.org
STAFF
GENERAL MANAGER
RICHARDS/CLIMAN, INC.
DAVID R. RICHARDS TAMAR HAIMES
Michael Sag Kyle Bonder
COMPANY MANAGER
Denny Daniello
PRODUCTION MANAGEMENT
AURORA PRODUCTIONS
Gene O’Donovan
Ben Heller
Chris Minnick Anita Shah Anthony Jusino
Liza Luxenberg Jarid Sumner Rachel London
David Cook Bridget Van Dyke Melissa Mazdra Cat Nelson
TOUR DIRECTION
THE BOOKING GROUP
Meredith Blair Kara Gebhart
www.thebookinggroup.com
NATIONAL TOUR MARKETING & PUBLICITY
TYPE A MARKETING
Elyce Henkin John McCoy
Kelly Stotmeister
GENERAL PRESS REPRESENTATIVE
POLK & CO.
Matt Polk Jessica Johnson
ADVERTISING
SPOTCO
Drew Hodges
Tom Greenwald Josh Fraenkel
INTERACTIVE MARKETING
SITUATION INTERACTIVE
Damian Bazadona John Lanasa
Elizabeth Kandel Mollie Shapiro Danielle Migliaccio
Production Stage Manager....................... John M. Galo
Stage Manager...............................Sarah A. Tschirpke
Assistant Stage Manager....................Genevieve Kersh
Associate Scenic Designer.................Erica Hemminger
Associate Costume Designer....................Justin L. Hall
Assistant to the Costume Designer......Heather Lockard
Assistant to the Costume Designer............. Anne Grosz
Costume Coordinator............................. Nadine Hettel
Costume Intern....................................... John Dunnett
Associate Lighting Designer...................... Ryan O’Gara
Assistant Lighting Designer.......................... Joe Doran
Moving Light Programmer.................Timothy F. Rogers
Head Carpenter........................................ Eric Stewart
Flyman................................................... Sean Hulbert
Automation................................................. Paul Ebert
Production Electrician................................ Fraser Weir
Head Electrician..........................................Bob Jarvis
Assistant Electrician/Followspot Operator.Rachel Wilson
Moving Light Technician...................... Jeffrey Chandler
Production Sound................................. Pea-Jae Stasuk
Head Sound........................................Keith Monaghan
Assistant Sound................................... Pea-Jae Stasuk
Head Properties................................... Greg Tassinaro
Assistant Properties................................. Glenn Belfer
Wardrobe Supervisor.............................. Michael Louis
Wardrobe Assistant........................... Megan McGilvery
Hair Supervisor............................................Tim Bohle
Production Assistant........................Patrick David Egan
Production Photographer..........................Joan Marcus
Merchandise Manager.............................Jose Solivan,
SEE Merchandising
Hotel Booking..........Road Rebel Entertainment Touring,
Tayler Barry, Kendra Smith, Christopher Zeng
Travel Services.........................Tzell Travel/Andi Henig
Nanny to Ms. York.....................................Julia Dimant
Physical Therapy.....NEURO TOUR Physical Therapy, Inc
Medical Director.............................Thomas Myers, MD
CREDITS
Scenery fabrication by Hudson Scenic Studio, Inc.
Scenic elements constructed by Global Scenic
Services, Inc. Bridgeport, CT. Lighting equipment from
PRG Lighting. Sound equiptment from PRG Audio.
Costumes by Arel Studio, Inc.; Artur & Tailors Ltd.;
Carelli Costumes Inc.; Krostyne Studio; Parson-Meares,
Ltd; Paul Chang Custom Tailors; Tricorne, Inc.; John
Kristiansen New York, Inc. Millinery by Lynne Mackey
Studio; Rodney Gordon, Inc; Arnold Levine. Men’s hats
by J.J. Hat Center. Furs by Sharnelle Furs. Shoes by JC
Theatrical, LaDuca, Worldtone Dance. Hosiery and
undergarments by Bra*Tenders. Makeup provided by
M.A.C. Softgoods by I. Weiss and Rosebrand. Specialty
prop constructions by Cigar Box Studios, Inc.; Costume
Amour; Craig Grigg; Anne Guay; Aardbark Interiors.
Flame treatment bby Turning Star, Inc. Chain motors
supplied by Hudson Scenic Studio, Inc. Automation by
Hudson Automation. Rehearsed at the New 42nd Street
Studios.
The Actors and Stage Managers employed in
this production are members of Actors’ Equity
Association, the Union of Professional Actors and
Stage Managers of the United States.
Backstage employees are represented by the
International Alliance of Theatrical Stage
Employees (or I.A.T.S.E.).
The Musicians, Conductors, Music Preparation
Personnel and Librarians employed in this production
are members of the American Federation of
Musicians of the United States and Canada.
The Press Agents and Company Managers
employed in this production are represented by
the Association of Theatrical Press Agents &
Managers.
The Director is a member of the Society of
StageDirectors and Choreographers, Inc., an
independent national labor union.
United Scenic Artists represents the designers and
scenic painters for the American Theatre.
This production is produced by a member of
TheBroadway League in collaboration with our
professional union-represented employees.
The 5th Avenue Theatre is a member of
the National Alliance for Musical Theatre.
Founded in 1985, NAMT is a national
service organization dedicated exclusively to musical theatre.
Members, located throughout 34 states and abroad, are some of
the leading producers of musical theatre in the world, and include
theatres, presenting organizations, higher education programs
and individual producers.
A Letter From Our Production Partner
ROUNDABOUT THEATRE COMPANY
Dear Theatregoer,
For over 45 years, Roundabout Theatre Company has provided New York audiences with season after
season of thrilling, award-winning productions – live theatre at its best. From rarely-seen classic plays like
Harvey starring Jim Parsons to timeless musicals like Anything Goes, and even to new work like Pulitzer Prize
finalist Sons of the Prophet, Roundabout is committed to bringing high-quality productions with today’s finest
artists to each of our five stages. As a not-for-profit theatre, we are also dedicated to making these enduring
stories accessible to the largest possible audience, through extensive education and audience development
programs.
Roundabout has been producing musicals on Broadway for 20 years, including our long-running production
of Cabaret, and The Pajama Game. While you may have seen our touring production of Twelve Angry Men
many years ago, this tour marks the first time that one of our musical productions will be seen outside of
New York. I am incredibly proud of director/choreographer Kathleen Marshall’s stunning work on the Tony
Award®-winning Anything Goes, and it’s truly a joy to be able to share it with the whole country.
Anything Goes is the kind of classic musical that offers pure delight. It has some of Cole Porter’s greatest
songs (which I promise you’ll leave the theatre humming) and the most exciting dance numbers any fan of
musical theatre could ask for. It’s comedy, romance, and adventure on the high seas all wrapped into one
blissful package.
This kind of musical deserves to be seen anew and we’re happy to be able to bring you what I hope is only
your first of many great Roundabout musical productions.
Thank you for welcoming us to Seattle, and please visit us next time you are in New York City, or online at
www.roundabouttheatre.org. We are thrilled to continue growing our Roundabout family. Enjoy the show!
Sincerely,
Todd Haimes
Artistic Director
BOARD OF DIRECTORS
Thomas E. Tuft, Chairman
Mary C. Solomon, Vice Chairman
Todd Haimes, President
Samuel R. Chapin, Treasurer
Lawrence Kaplen, Secretary
Alec Baldwin
Jeff Barker
Bill Borrelle
Matthew Broderick
James J. Burke, Jr.
Jim Carter
Mary Cirillo-Goldberg
Michael T. Cohen
Mike de Graffenried
Douglas Durst
Sylvia Golden
Patricia R. Goldstein
John R. Gordon
Harry E. Gould, Jr.
Perry B. Granoff
Jeanne Hagerty
Meryl D. Hartzband
Maureen A. Hayes
Katheryn Patterson Kempner
Abby F. Kohnstamm
Gene R. Korf
Stephanie Kramer
Carole S. Krumland
Cathy Lasry
Mark J. Manoff
David E. Massengill
John P. McGarry, Jr.
Cynthia Nixon
Laura Pels
Charles Randolph-Wright
Gregg Rechler
Steven A. Sanders
Steven Schroko
Beryl Snyder
Alyce Toonk
Johannes (Johs) Worsoe
Adam Zurofsky
Christian C. Yegen and Steven F. Goldstone, Chairmen Emeriti
Bob Donnalley and Carol Mitchell, Directors Emeriti
Past Chairmen
Steven F. Goldstone, 2003-2006
Mary Cirillo-Goldberg, 1999-2003
Christian C. Yegen, 1997-1999; 1982-1994
Ernest Ginsberg, 1994-1997
Contributors TO THE 5TH AVENUE THEATRE
THE CREATIVITY FUND
Members of The Creativity Fund make gifts of $100,000 or more in support of the development of
new musicals and their premiere production on The 5th Avenue Theatre mainstage.
Stephen P. Reynolds and Paula Rosput Reynolds
The Sheri and Les Biller Family Foundation
Barbara L. Crowe
Richard and Julie Kagan
Wanda J. Herndon
Ann Ramsay-Jenkins
Bonnie and Jim Towne
Tom and Connie Walsh
Sterling and Melinda Wilson
ANNUAL FUND
We would like to say thank you to the following donors who provided support at the $600 level
and above between August 31, 2012 and September 1, 2013. Through their gifts, donors become
partners in our commitment to artistic excellence, community engagement, education, and
expanding the canon of musical theater. For more information on how you can support The 5th,
please contact Development at (206) 625-1418.
NEXT GENERATION FOUNDERS
$100,000 - $249,000
ArtsFund
Stephen P. Reynolds and Paula Rosput Reynolds
DISTINGUISHED BENEFACTORS
$50,000 - $99,999
The Sheri and Les Biller Family Foundation
The Boeing Company
Delta Airlines+
National Endowment for the Arts
Safeco Insurance
Seattle Office of Arts & Culture
The Seattle Times+
Bonnie and Jim Towne
Unico Properties+
U.S. Bank
DISTINGUISHED PRODUCERS
$20,000 - $49,999
4Culture
Marleen and Kenny Alhadeff
Barbara L. Crowe
Richard and Julie Kagan
Wanda J. Herndon
Glenna Kendall
McCallum Print Group+
Peoples Bank
Ann Ramsay-Jenkins
The Seattle Foundation
Heather Sullivan-McKay and Mike McKay
Tom and Connie Walsh
Sterling and Melinda Wilson
Wells Fargo
EXECUTIVE PRODUCER’S CIRCLE
$10,000 - $19,999
David Armstrong
Robert R. and Renee Braun, Jr.
Expedia
Rick and Kandy Holley
Peter and Peggy Horvitz
Benjamin Leifer
The Loeb Family Charitable Foundation
Faye and Herman Sarkowsky
Valorie and Larry Osterman
Ann and Arthur Thomas – In Memory of
Buzz and Beth Porter
Nancy Ann Meagher Hicks
Puget Sound Energy
R.“Porky” Thomsen and Terri
RealNetworks Foundation
Stephenson
Tiia-Mai Redditt
Bruce and Peggy Wanta
Russell Investments
+In-kind
226 5 5T THHAAV VE ENNUUE EMMUUS ISCI CAAL LT THHE EAAT TR RE ECCOOMMP PAANNY Y
DIRECTOR’S CIRCLE
Aegis Living
Linda Anderson
Ann and Joe Ardizzone
Apex Foundation
ArtsFund/John Brooks Williams
& John H. Bauer Endowment
for Theatre
Robert and Clodagh Ash
Rex and Angela Bates
Andrew and Shayna Begun
Becky Benaroya
Sherry and Larry Benaroya
Maureen and Joel Benoliel
Bill Berry
Eric Blom and Min Park
Debby L. Carter
Margaret Clapp
The Coca-Cola Company
$5,000 - $9,999
Perkins Coie– Kirk Soderquist
Myron and Shirley Lindberg
Larry and Brittni Estrada
Thomas and Juli Lindquist
Mona and John Fandel
Twyla and Tom Lucas
Gary J. Fuller and Randy L.
Lucky Seven Foundation
Everett
Macy’s
Travis and Christy Gagnier
Macy’s Foundation
Jean Gardner
William and Nancy Nichols
GM Nameplate
Marvin Parsons and Jeanne
Bernadine C. and Sean G. Griffin
Sheldon
John and Sondra Hanley
ProMotion Arts+
Hilton Seattle Hotel+
David and Hillary Quinn
Mary Ellen and Lawrence
Tom and Teita Reveley
Hughes
Norman and Constance Rice
Margaret C. Inouye
James and Bet Schuler
Nicholas and Amanda Jones
Rob and Jan Sexton
Lisa Kroese
Jean Sheridan
Jean K. Lafromboise Foundation Elliot and Lauren Silvers
Roger S. Layman
Bob and Lynne Simpson
Thomas and Nita Sitterley
Brad and Kathy Smith
Marilyn and Doug Southern
Linda and David Stahl
Cynthia Stroum
Gary and Elizabeth Sundem
Robert F. and Karen R. Trenner
Julie and Eric Trott
Rodger and Tonica Voorhies
Dale and Lynda Wagner
Washington State Arts
Commission
Karla and Gary Waterman
Tracy Wellens
Becca and Bill Wert
Rosemary and Kenneth Willman
4 Anonymous
ARTIST’S CIRCLE
Michael Amend and Jeff Ashley
Ernie and Pam Ankrim
Edith and Ray Aspiri
ArtsFund/Peter F. Donnelly Merit
Fund
Keith and Sheri Bankston
Adam and Maura Barr
William Bartholomew and
Lauren Taylor
Howard and Lynn Behar
Theresa Binger
Eileen and Donald Bowman
Thomas L. Button
Steve and Georgene Camp
Hope and Peter Cochran
Kevin and Lisa Conner
Ronald Corbell and Martha
Dawson
The Covey Family
Jim and Nancy Crim
John DeVore
Dennis and Deborah DeYoung
James R. Ellis
Joyce Farley and Tom Steele
Tom and Carol Fleck
$2,500 - $4,999
Marty and Sharon Lott
Richard and Maude Ferry
Jeff and Lydia Lukins
Sarah Nash Gates
Judith Lybecker
Lynn and Colleen Giroir
The Mailhandlers+
The Greco Family
Mary Ann and John Mangels
Sandra and Bob Guiley
May McCarthy and Don Smith
David and Cheryl Hadley
Michael and Nikki McCormack
CeCe Haw
Jennifer McGetrick-Swan
Bart and Toni Heath
Erika and Ernest Michael
Mindy and Brady Hill
Steve and Barbara Moger
Steven and Susan Horton
Jeffrey C. Morris -The Happy
Hal and Donna Howard
Cooker
Carolyn and George Hubman
Christian Huitema and Neige Gil Mardi Newman
Scott and Laurie Oki
Interior Environments+
Pacific Office Automation
Derek and Karol Jamison
Arthur and Rachel Patterson
Danuta Kasprzyk and Daniel
The Peach Foundation
Montano
Nancy and Dale Peinecke
Jeffrey and Barbara King
Walt Pisco
Kenneth Kluge and Susan
Protiviti
Dogen
Puget Sound Business Journal Karen Koon and Brad Edwards
Gordon Prouty+
Bill and Michelle Krippaehne
Bruce and Celia Pym
Chris and Christy Lane
R.B. and Ruth H. Dunn
Stefan Lewis
Charitable Foundation
Maureen and Jim Lico
Ken Ragsdale
Ronald & Deborah Reed
Sandi and James Reed
Samuel J. Rentfro
Rick Rocco
Ansel Rognlie and David R.
Steindl
Don and Bev Schmidt
Arjuna Shunn and Sarah
Kennedy
Peggy and Greg Smith
The Standard
Jeffrey Sutherland
Gary and Barbara Stone
Pamela and Rick Trujillo
Jim and Kathy Tune
David Wang
John and Ginny Wells
Dennis and Jo Anne White
Allen and Janice Wiesen
Arlene A. Wright
5 Anonymous
+In-kind
Circles Members Celebrate the World Premiere of Secondhand Lions!
hard
: Jennifer Ric
Photo credit
oese and
member Lisa Kr
Director’s Circle
toast
n
ctor Bernie Griffi
Managing Dire
cast party.
e
th
at
s
ons’ succes
Secondhand Li
On September 26, Circles members joined
the Secondhand Lions creative team at
a pre-show reception in our Producer’s
Club. After the exciting opening night
performance, Director’s Circle members
were invited to Purple Cafe and Wine Bar
to toast the cast, crew, and writers, and to
celebrate the newest musical (our 15th)
to grace The 5th Avenue stage.
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Contributors TO THE 5TH AVENUE THEATRE
PRODUCER’S CIRCLE
A+ Storage Container and
Modification
Kathy Aaron and Roger Samples
Albert Lee Appliance
Michelle Ammenwerth - In
Memory of Michael Verdone
Ron Anderson and Mary
Hawkins
Stephen and Rita Anderson
Susan and Heather Anstead
Baby Pictures Ultrasound
Janine Baldridge and Suzy
Wahmann
Julie and Kristen Barclay
Michael Bauer
Maria Bayer
Ellen Beauchamp
Tanya Bednarski and Greg
Johnson
Charlotte Behnke
Lani Bertino
Deidre J. Blankenship
Glen and Sherri Bodman
Neal and Katherine Booth
Catherine Boshaw and Doug
Edlund
Donald and Susan Bressler
Bob and Bobbi Bridge
Cleve and Judy Borth
Scott Bright
Sandee Brock
Michael and Janelle Brookman
Kerry Burger
Susan Buske
Sherry Carman and Patrick
Burns
Douglas and Mary Casady
Brian Chang, Kristine Chan, and
Arthur Carre
Judith L. Chapman
Sandra B. Chivers
Barbara Clinton
Matthew and Catherine Coles
Tedesco
Megan and John Collier
Kathleen and Bill Collins
Bill and Ellen Conner
Consumer Perspectives
Kevin and Cheryl Cooney
David Coons
Bob and Linda Cornyn
Shelia and Michael Cory
Steve and Kim Cowman
Kate Curtis
Christina Cyr and Alan Page
Brian and Laura Denault
Robert DeVinck
Gregg DuPont and Linda
Debowes
Robert J. and Olga T. Earle
Leo Eberle and Lisa Vivian
Sharon and Burrard Eddy
Robert and Jane Ehrlich
Craig E. Elkins
Ruth-Ellen and Tom Elliot
$1,250 - $2,499
Lee Huey
David and Linda Ernst
Laurin C. Huffman II
Jennifer and Michael Faddis
Samsara and Jeremy Irish
Janet Faulkner
Marilyn Iverson
Lauren and Rod Fisher
Kathy and Michael Jackson
Gene and Judy Flath
Marlene and William Jenkins
Alvin and Mary Formo
Frederick M. Johnson
Priscilla Fortiner
David and Riofelia Jones
Brian and Windy Foster
Judy and Bill Jurden
William Foulk
Walter and Cindy Kaczynski
Linda M. Fox and Monica Fox
Nick and Michele Keller
Steve Freimuth
Robin and Bill Montero
Mitzi and John Morris
Ron and Maria Murphree
William and Denise Nielsen
Gregg and Judy Nelson
Rebecca and Rod Nelson
Robert Nelson
John E. Norton
Tom and Linda Norwalk
Steven and Victoria Odden
Rick and Amy Ouhl
In Memory of Beloved Partner Bart A. Paff
Annette and Bob Parks
Connie and David Parker
Stan and Sharon Parry
PCL Leasing Corporation
Ovidio Penalver
Robert and Steffi Pencovic
Shelley and Gregg Percich
Karen E. Phillips
Marcia Pirnie
Judy Pigott
Guy and Nancy Pinkerton
Mike and Wendy Popke
Linda and Bill Potter
Prime Electric+
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ier won th
Richard E. Pyle
d Hugh Laboss
an
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in
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Tracy, Celin
enes packag
Paula Raschko
Sc
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Secondhand Li
Richard and Sharon Reuter
the work’s evol
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Carrie Delaney Rhodes
this year’s gala
pe
t
gh
ni
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in
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Victrinia and Eric Ridgeway
from early stag
Joe and Linnet Roberts
Teddi Kendall
Marilyn and Patrick Roberts
Bruce & Linda Kilen
Gene and Vallie Jo Fry
Doug and Lori Rosencrans
Chris Knoll and Cheryl Dobes
Gerry and Linda Gallagher
Janet Ryan
Robert Koehler
Greer Garrett
Skip Sampelayo
Steve and Carol Koehler
Brain Gartner
Frederick and Katherine Sands
Judith A. Kramer
Deborah Gates
Desiree Saraspi
Scott and Sandra Kurtzeborn
Erich Gauglitz
Terry Scheihing and Ben Kramer
Marian E. Lackovich
Robert Gay and Heather
Margaret Scheyer
Dawnell Lamb
Christianson
John and Beth Schleck
Perry and Lynnda Langston
Michael J. Gazarek
John and Anne Searing
Heinz Gehlhaar and Eileen Bear Patrick and Cheryl Layman
Seattle Mariners RBI Club
Grace and Franz Lazarus
Anton and Karen N. Gielen
Seattle Rotary Service
Florence Leonard and Lynn
Ginny Gilder
Foundation
Holms
David and Kathryn Godwin
Michelle Seibel
Ross Leventhal
Mary and David Gordon
Mark Levine and John Keppeler Darren and Anne Shakib
Kathy and Kelly Graffis
Dick and Pat Shinstrom
Becky Loeb
Keith and Susan Gray
Joe and Lynetta Showaker
Sue and Bill Lowery
Jan and Rich Green
David Showalter
Gary Lynch
Dona and Gary Gresham
Catherine and David Skinner
Antoinette Malveaux
Marie Gunn
Beth Smith
Joan A. Martin
Chuck and Kathy Hamilton
Christy and Brian Smith
Marcella McCaffray
John and Laura Hammarlund
Trish and Bob Stanton
Connie K. McKinley
Elizabeth Hammonds
Gladys Steele
Christe McMenomy
John and Katherine Harnish
Leigh and Susi Stevens
Dianne McMullin
Judy and Tom Harris
Susie and Phil Stoller
Jim and Laura Mendoza
John and Cheryl Hendricks
J. Keith Michel and Hanjun Chen Helen R. Stusser
Mary and Tom Herche
Todd and Jane Summerfelt
In Memory of Elizabeth Ann
Vaughn Himes
The Sunada Family
Michelman
Rod and Nancy Hochman
Alison and Doug Suttles
Michelle Moga and JeanDiane and David Hoff
Rita Swanson
Francois Peyroux
Ken and Melinda Holland
Nadyne Tauscher
Kim Moger
James Holmes
In Memory of Jackie Taylor
Dorothy Sloan Huey and Marilyn Stephan Mollman
+In-kind
428 5 5T THHAAV VE ENNUUE EMMUUS ISCI CAAL LT THHE EAAT TR RE ECCOOMMP PAANNY Y
Todd Thompson
Russ and Pat Thurman
Jerome and Faye Truskowski
The Twilight Exit
Ronniel Valdez and Dustin
Clewell
Patty and John White
D.R. Whitson
John and Darlene Wilczynski
Madeline Wiley and Bob
Smithing
Christine Wiltz
Cornelis Van Rij
Mark and Kathy Wagner
Mark and Christina Walker
Tom and Valerie Wall
Mary Washer
Mary Jo Wertheimer
Andrew and Jennifer Wolfe
Mark Won
The Zyskowski Family - In Loving
Memory of Jerry and Betty
Mae McBride
6 Anonymous
PATRON
Photo credit
: Heather Cu
rbow
$600 - $1,249
David and Barbara Repanich
Brent Johnson
Robert and Alexandra Dunn
Ray and Carol Airone
Tony Repanich and Julie Florida
Donald C. Johnson
Jerry and Julie Elkington
Donald and Eathel Allyn
Betty and Wayne Robertson
In Memory of Elaine Johnson
Vicki Fabre
John Averllar
Simon Robinson
Fred and Nancy Juhos
Jean Falls
Earl and Marilyn Barker
Curtis and Myrna Rosler
Virginia and Richard F. King
Jack and Jeanne Fankhauser
Tom and Kris Bassett
Cara Rudd and Mercy Stone
SaSa and Ken Kirkpatrick
Nyle and Terri Farmer
Jack and Bea Baker
Leree Ryan
Cindy A Klett
Thomas Becker and Cheryl Hart Juli Farris
Christopher Santini
June Kubo
Brent Ferdig
Linda Betts
Jasper Schneider
John and Gloria Langen
Kevin Flanagan
Dave Black
Kevin and Amy Schreck
Linda Larson
Micki and Bob Flowers
Penny Blair
Errol Scott and Kazi Langbehn
David Lasarte-Meeks & Family
Colleen Freeman
Marcie Blakesley
Dewayne and Judy Sennett
Floyd and Kimberly Lorenz
Eleanor Freeman
Shane Boehm
Joan Shalikashvili
David and Gina Frost
Milton and Ann Bohart
Nan and Bill Garrison
John Boling
Steve Gattis and Sue Nevler
Brandon Bray
Colette and James Geppert
Rich and Kathleen Bray
James and Bernice Gilmore
Alice M. Brown
Laura B. Gowen
Bill Brown and Laura Smith
Rick and Jeannie Greaves
Patty Brown
Terry and Jill Greer
Deryl Brown-Archie
Eric and Merle Hamada
Michael and Janet Burks
Judy Hamilton
Mike and Lynne Bush
Deborah Haynes
Edward Callar
Marilyn Heger-Guy
Alex Camara
Paul Hensel
John and Arlene Carpenter
Michael Herzfeld and Charles
Kathy Cartwright / Dimension
Drabkin
Systems
Richard and Sheila Hess
Mike and Linda Casey
Producing Dire
ctor Bill Berry an
Harold and Mary Frances Hill
d Board membe
Dennis and Aline Caulley
Rob Sexton at Se
r
condhand Lion
Kathy J. Hill
Sandra Cheah
s opening nigh
t.
Karen and Paul Hogle
Dwayne J. Clark
Neal and Linda Shulman
Ken and Darlene Lowe
Robert and Denise Hoglund
Peter and AnneMarie Colino
Don and Marilyn Sidel
Brad and Christina Mace
Camille Cornacchia
Bob and Pan Smith
Jennifer and Douglas Maines
Robert L. Smith
Jeanine Matthews
Charlie and Benita Staadecker
Mary McDonell
Linda Kay Stockham
Michael and Nicole McHale
Jessimai and Byron Strange
Jeffrey and Jamie MerrimanDonna Strickland
Cohen
Erik Strom
Glenn and Kelly Midomaru
Mike and Shawn Tavern
Carol and Hart Miller
Brenda and David Terrill
Sarah Miller
Brian Thomas
Hollie Mooers
Janet Turpen
The Morgan Fund
Lisa and Norbert Van Dam
Alan Newstead
James Voelker
Bob and Lois Nicholl
Sheri Ward
Larry and Kristin Neilson
Lyle and Stephanie Waterman
Matthew
G.
Norton
Company
ive
ut
and Exec
David Werblow and Greg
Sue Oskowski
Margaret Inouye
r
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be
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Bo
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Tii
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be
Debbie
and
Rick
Pabst
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Producer’s Circ
Rochelle and Scott Whelan
John and Mary Payne
le Café and Win
rp
Pu
at
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pa
cast
Ben and Barbara Whisler
Chris Peterson and Mark Wert
Charles White
Rosemary Peterson
Clarence Hopson
Amy Whittenburg and Stephen
Barbara Phillips
Don and Joan Horvancsek
Bob and Sally Curnutt
Rattner
Jeanette and Joe Piott
Randy and Gwen Houser
Richard and Sandy Dallam
Kathryn Williams
Dan Poliak
Meredith and Jim Hutchins
Alan and Karin Dashen
Nancy Zevenbergenn
John E. Rasmussen
Norman Jenks
Bob and Elaine DeLappe
Rao Remala
Eric and Linda Jeppesen
Richard and Elizabeth Dobes
Photo credit
hard
: Jennifer Ric
+In-kind
encore
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Photo by Jeff Carpenter
A 5th Avenue Theatre / ACT Collaboration
MARCH 8 - JUNE 15, 2014
Presented at ACT Theatre
A CO-PRODUCTION BETWEEN
TICKETS AVAILABLE AT
or
(206) 292-7676 WWW.ACTTHEATRE.ORG
5TH AVENUE’S 2013/14 SEASON SPONSORS
OFFICIAL AIRLINE
RESTAURANT SPONSOR
DELTA IS PROUD TO BE THE OFFICIAL AIRLINE
OF THE 5TH AVENUE THEATRE.
Art and culture are what make many of the destinations that we fly to
each and every day truly unique and special. Delta celebrates, supports
and promotes art and culture by partnering with organizations like The 5th
Avenue Theatre, the Whitney Museum, the Atlanta Symphony Orchestra
and The Grammy Museum in Los Angeles.
As a world-class global airline, Delta has a quite a cast. Over 80,000 employees
hit the stage each day to provide our customers with a premier travel experience
to more than 327 destinations in 63 countries on six continents, including 44
peak-day departures from Seattle.
With nonstop transcontinental service from Seattle to New York–JFK and new nonstop
service to Seoul, Hong Kong and London–Heathrow coming in 2014, Delta is working
hard to connect you to worlds of talent.
0905713_SEA_5thAveTheatre_Testimonial_Delta_5.indd 1
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9/30/13 1:49 PM
10/7/13 2:40 PM
GROUPS OF 10 OR MORE CALL 1-888-625-1418 1308 5TH AVENUE, SEATTLE, WA 98101
PHOTO: MUSICAL THEATRE WEST
OFFICIAL AIRLINE
RESTAURANT SPONSOR
EXECUTIVE LEADERSHIP
DAVID ARMSTRONG (Executive Producer and Artistic
Director) Since his appointment in 2000, Armstrong has
guided The 5th Avenue to a position as one of the
nation’s leading musical theater companies, acclaimed for
both its development and production of new works and
its innovative stagings of classic musicals. As a director, he
has created memorable 5th Avenue productions of
Candide, Hello, Dolly!, Sweeney Todd, White Christmas,
Hair, Mame, A Little Night Music, The Secret Garden,
Anything Goes, Company, The Rocky Horror Show, Pippin,
Vanities, Yankee Doodle Dandy!, and Saving Aimee, which made its Broadway
debut as Scandalous under Armstrong’s direction in November 2012. Prior to
The 5th, he spent nearly 20 years as a freelance director, choreographer, and
librettist. His work has been seen in New York, Los Angeles and at many leading
regional theaters including The Kennedy Center, Ordway Center, Ford’s Theatre,
Cincinnati Playhouse, and New Jersey’s Paper Mill Playhouse. From 1990
through 1995, he served as artistic director of Cohoes Music Hall in upstate NY.
Armstrong has also written the books for the musicals The Wonder Years (winner
of seven Drama-Logue Awards), Gold Rush, and Yankee Doodle Dandy!
See It Again for $25*
*Bring paid ticket stub to The 5th Avenue Box Office on day of performance.
One stub per customer. $25 tickets subject to availability. Not valid for
Prime/Pearl seating, with other offers or on previously purchased tickets.
BERNADINE (BERNIE) C. GRIFFIN (Managing
Director) was appointed managing director in January
2010 and is responsible for the administrative,
fundraising, information services and facility operations,
as well as oversight of all activities related to the Board of
Directors. Griffin first joined the Theatre in 2002 as
director of theater advancement and development.
During her tenure, The 5th Avenue has grown from a
$10 million to a $25 million organization. She brings to
her position 30 years of fundraising and arts management experience. Prior to The 5th Avenue, she served as director of development
for the prestigious Geffen Playhouse in Los Angeles, as well as for The Laguna
Playhouse in Laguna Beach, California. Before moving to California, she served
at the Seattle Symphony where she is proud to have been part of the team that
built Benaroya Hall. In addition to the Symphony, Griffin worked for the Tony
Award-winning Seattle Repertory Theatre, as well as Tony Randall’s National
Actors Theatre in New York. She began her career at the University of Denver.
She received her Bachelor of Arts degree from St. Martin’s University in Lacey
Washington and is proud to have been born and raised in Walla Walla,
Washington. She is a member of the National Alliance for Musical Theater and
a board member of Seattle Rotary #4. Most recently, she served as a grants
panelist for the National Endowment of the Arts. She is married to awardwinning actor Seán G. Griffin.
BILL BERRY (Producing Director) served as The 5th
Avenue’s associate producing artistic director and casting
director from 2002 through 2009. During that time, he
directed productions of West Side Story (Seattle Times
Footlight Award), Wonderful Town (Seattle Times
Footlight Award), Wizard of Oz and Smokey Joe’s Café. He
recently made his Broadway debut as the director of the
hit musical First Date at the Longacre Theatre. Berry’s
directing work has been seen at theaters across the
country, most recently at New Jersey’s Paper Mill
Playhouse where he directed a critically acclaimed production of On the Town.
Directing highlights include Cabaret performed at The 5th Avenue Theatre, St.
Paul’s Ordway Center (Ivey Award), San Jose’s American Musical Theatre, and
Houston’s Theatre Under the Stars, as well as the smash hits First Date and
RENT at The 5th. From 2002 to 2009, he served as the producing director for
The 5th Avenue’s education and outreach programs. During that time he
significantly expanded the scope and impact of these initiatives, including
spearheading the creation of Fridays at The 5th and The 5th Avenue Awards,
honoring excellence in high school musical theater, as well as substantially
increasing the reach of the Adventure Musical Theatre Touring Company
throughout the Northwest. These programs combined now serve 60,000
students annually. He also initiated the Show Talk series, which seeks to deepen
the theater-going experience. Prior to his work at The 5th Avenue Theatre, Berry
was a freelance theater artist based in New York City.
April 15 - May 11, 2014
GROUPS OF 10 OR MORE CALL 1-888-625-1418 1308 5TH AVENUE, SEATTLE, WA 98101
OFFICIAL AIRLINE
PRODUCITON
SPONSOR
RESTAURANT
SPONSOR
PHOTO: MARK KITAOKA
ArtsFund strengthens the community by supporting the arts
through leadership, advocacy and grant making.
Thank you to all of our donors for sharing and supporting our vision of a community
with a dynamic and world-class arts and cultural sector where the arts are accessible
to all and valued as a central and critical component to a healthy society.
Visit www.artsfund.org for a full list of our donors and to learn more about ArtsFund
Pledges, donations and in kind gifts made between 7/1/12—6/30/13
$300,000 and up
$100,000 - $299,999
$50,000 - $99,999
Support from The Boeing Company, Microsoft Corporation, K&L Gates, POP, Sellen Construction, Starbucks Coffee Company,
U.S. Bank and Weyerhaeuser Company includes employee workplace giving.
$10,000 - $24,999
Alaska Airlines, Inc.
BNY Mellon Wealth Management*
Columbia Bank*
Comcast
The Commerce Bank of Washington*
Davis Wright Tremaine LLP*
Dorsey and Whitney LLP*
Federal Home Loan Bank of Seattle*
KING Broadcasting*
Medical Consultants Network, Inc.*
Nordstrom, Inc.
Presentation Services
Puget Sound Energy*
R.D. Merrill Company
$25,000 - $49,999
ADP/Cobalt*
Amgen Foundation
BigHouse Production
Chihuly Garden and Glass
DLA Piper*
EXCLAIM LLC
Getty Images*
KeyBank
King County Employees*
Perkins Coie*
Russell Investment Group
Stoel Rives LLP*
Washington State Combined Fund
Drive*
Arts Benefactor Circle
Gold Club
$100,000 and up
Neukom Family
Mary Pigott
$50,000 - $99,999
Joshua Green Foundation, Inc.
Stephen P. and Paula R.
Reynolds
Pete and Julie Rose
$25,000 - $49,999
Katharyn Alvord Gerlich
Mr. and Mrs. Lawrence and
Mary Ellen Hughes
Patricia Britton and Stellman
Keehnel
Conductor’s Circle
$10,000 - $24,999
Nancy Alvord
Norman Archibald Charitable
Foundation
Judi Beck and Tom A. Alberg
William Beeks
Jim and Gaylee Duncan
Ray Heacox and Cynthia
Huffman
Peter and Peggy Horvitz
Margaret Inouye
Glenn Kawasaki
Deborah Killinger
Thomas and Gwen Kroon
Benjamin Leifer
Charlotte Lin and Robert Porter
Sandy and Chris McDade
Moccasin Lake Foundation
Douglas and Theiline
Scheumann
Sequoia Foundation
Jon and Mary Shirley Foundation
Mary Snapp
James and Katherine Tune
Arlene Wright
Anonymous (1)
First Chair
$5,000 - $9,999
Chap and Eve Alvord
Casey Banack
Annette and Daniel Becker
Steve Behnen and Mary
Hornsby
RealNetworks
Regal Entertainment Group
Seattle Foundation
Snoqualmie Tribe
Sparling*
Symetra Financial Corporation*
Washington Dental Service
$5,000 - $9,999
Alaskan Copper & Brass Company and
Alaskan Copper Works
APCO Worldwide
Big Door Inc.
Clise Properties Inc.
Dwaffler
Ernst & Young LLP
Sally S. Behnke
Pam and Gary Beil
Michael and Anne Bentley
Toby Bright
Lori Campana
C. Kent and Sandra C. Carlson
Matthew Clapp
Melanie Curtice
Allan and Nora Davis
Mrs. Jane Davis and Dr. David
R. Davis
Kevin and Lynne Fox
Ms. Heather Howard
Andrea and Steve Jones
Richard and Francine Loeb
Family Foundation
Douglas and Joyce McCallum
Bruce and Jolene McCaw
Matthew and Mary Ellen
Nickerson
Elaine Nonneman
Mary Ellen Olander
Judy Pigott
Ann Ramsay-Jenkins and the
William M. Jenkins Fund
Herman and Faye Sarkowsky
Maryanne and David TagneyJones
Financial Resources Group
Fishing Company of Alaska
Foss Maritime Company
Gaco Western, Inc.
Goldman, Sachs & Co.
Jones Lang LaSalle
Mithun*
Nintendo of America Inc.*
PhenoPath Laboratories PLLC
Puget Sound Business Journal
Raisbeck Foundation
Riddell Williams P.S.
Seattle Mariners Baseball Club
Union Bank
*Includes employee workplace giving
Mark and Arlene Tibergien
Dr. Clyde and Mrs. Kathleen
Wilson
Ann P. Wyckoff
Lynn Hubbard and David
Zapolsky
Encore
$2,500 - $4,999
Kim A. Anderson
Bob and Clodagh Ash
John H. Bauer
Lisa and Nick Beard
Kathleen Pierce
Sue and Artie Buerk
Linda Cheng
Peter and Susan Davis
Melanie and Robert Dressel
Nancy and James Dunn
Karl Ege
Lea Ennis
David Ferguson
Michael and Melanie Fink
Robert Fleming
Dan and Mareth Fulton
Lynn and Brian Grant
Maria Gunn
Darren Hamby
Aya Hamilton
Phillip and Sally Hayes
Richard and Marilyn Herzberg
Kevin and Eddy Hoffberg
Mari Horita
Dan and Connie Hungate
Randle Inouye
Ed Kim
James Kraft
John and Tina Lapham
Don Marcy
Tim Mauk and Noble Golden
Blanche and Stephen Maxwell
Paul C. Mayer
Anthony R. Miles
Douglas and Nancy Norberg
Nancy S. Nordhoff
Glenna Olson and Conrad
Wouters
Ms. Carol Powell
Marlene Price
Clifford G. Bunch and David A.
Pritchard
Scott Redman
Stanley D. and Ingrid H. Savage
Schoenfeld-Gardner Foundation
Gail and Bill Weyerhaeuser
Anthony and Linda Whatley
5TH AVENUE THEATRE STAFF
David Armstrong, Executive Producer and Artistic Director
Bernadine C. Griffin, Managing Director
Bill Berry, Producing Director
EXECUTIVE AND
ADMINISTRATION
Sean Glynn
Executive Assistant to Mr. Armstrong
& Mr. Berry
Jessica Alberg
Executive Assistant to Ms. Griffin
ARTISTIC
Ian Eisendrath
Alhadeff Family Director of New Works
& Music Supervisor
Frank Lott
Associate Producer
Christopher D. Littlefield
Associate Music Supervisor
Lauren Smith
Company Manager
Albert Evans
Artistic and Music Associate
Dane Andersen
Music Coordinator
Makaela Pollock
New Works Associate
Logan Skirm
Music Apprentice
Kelsey Thorgalsen
Casting Assistant
COMMUNICATIONS,
MARKETING AND TICKETING
Patrick Harrison
Vice President of Marketing and
Communications
Gretchen Douma
Director of Marketing
Peggy Busteed
Director of Customer Service
Marketing and Public Relations
Chris Marcacci
Associate Director of Marketing
Jennifer Flood
Marketing Manager
Steve West
Marketing Manager
Bridget Summers
Public Relations Manager
Carmel Dunn
Senior Graphic Designer
Robin Herbst
Graphic Designer
Jeff Carpenter
Graphic Designer
Jeramy Sewer
Marketing Associate
Mary Dellasega
Patron Relations
Customer Service/Ticketing
Maryke VanBeuzekom
Senior Customer Database Manager
Nichole Mines
Customer Database Manager
Khajha Rogers
Customer Service Manager
Christina Moon
Customer Service Manager - Box Office
Martha McKee
Assistant Customer Service Manager
Isabel Dickey
Assistant Customer Service Manager
Customer Service Associates
Candis Anderson, Misha Dumois,
Jenna Galdun, Megan Gurdine ,
Kasey Harrison, Kelsey Kelmel, Kat
LeMaster, Becky Lewis, Caleb Miller,
Sean Murphy, Meghan Nash, Sascha
Streckel, Tenille VanHollebeke, Pam
Wagher, Patrick Walrath
Direct Sales/Telefundraising
Star Zatine
Direct Sales/Telefunding Manager
Manager
Niklaus Lopez
Group Sales Representative
Michael Blue, Darren Camp, Camille
Cornacchia, Joyce Hanin, Wilda
Heard, Dan Jacoby, Irwin Michelman,
Mark Williams
Representatives
DEVELOPMENT
Michelle Moga
Vice President of Philanthropy
Christine Aguon
Circles Manager
Chelsea Judd
Development Assistant
Sarah McKee Bednar
Corporate Giving Manager
Madison Murphy
Donor Relations and Events Manager
Molly Suhr
Grants Manager
Justin Sundberg
Donor Information Services Manager
Jeanne Thompson
Membership Manager
Staci Towne
Development Assistant & Intranet
Administrator
EDUCATION AND OUTREACH
Anya Rudnick
Director of Education and Outreach
Connie Corrick
Community Programs Coordinator
Lauren Ruhl
Education Associate
FINANCE
Dean Frerker
Vice President of Finance
Rory Krout
Controller
Joanna McRho
Accountant
Grace Kang
Accounts Payable Coordinator
Ben Leifer
HR Manager
Sean Stelfox
Accounting Associate
Kelly Radke
Office Manager
INFORMATION TECHNOLOGY
Jim Cornelson
Director of IT
Melisa Bumpus
Systems Administrator
Douglas Day
Helpdesk Administrator
OPERATIONS
Catherine Johnstone
Director of Facility Operations
Alda Shepherd
Facility Manager
Jaime Welker
Front of House Manager
Alicia Hall, Lauren Ruhl, Donald Yates
Assistant House Managers
Mike Chang, Lila Hughes, Van Pham,
Erin Pike, Markus Polendey, Bobby
Manuva, Sean Martin
Head Ushers
Mike Chang, Sean Martin, Van Pham
Assistant Head Usher
Sue Campbell, Barbie Denand,
Kathy Parker, Paula Wharton, Lisa
Brooks
Concierges
Christine Jew
Usher and Stage Door Scheduler
Jim Malatak
Volunteer Coordinator
USHER STAFF
Lisa Books, Kathleen Bryant, Sue
Campbell, Jenniey Chesnut, Frank
Chinn, George Chrisafis, Dave Cusick,
Jessica Davis, Barbie Denend, Chip
Edwards, Stephanie Guerrero, Karen
Hall, Chris Halstead, Nancy Harris,
George James, Sophia Kowalski, Ed
Lammi, Nancy La Roque, Emily La
Vassar, Tony Mazzella, Jenny Mazzella,
Sue Moser, Angela Neice, Robin
Obourn, Sue Pozo, Liz Pyle, Emma
Ruhl, Scott Seramur, Meadow Swanson,
Paula Wharton
STAGE DOOR/SECURITY STAFF
Warren Bohner, Jessica Davis, Karen
Hall, George James, Christine Jew,
Erik Knauer, Dean LaRoque, Meg
Plimpton
ATTORNEYS
For The 5th Avenue Theatre:
Levin Plotkin & Menin
Loren H. Plotkin and Susan Mindell
John W. Hanley, Jr.
Sendroff & Baruch, LLP
PRODUCTION
Julia L. Collins
Production Manager
Mo Chapman
Production Logistics Coordinator
Erik Holden
Technical Director
Lisa Armstrong, Rachael Dorman
Season Production Assistants
Cristian Lopez, Laurel Johnston
Production Interns
Shannin Strom-Henry
Costume and Wardrobe Director
Laurel S. Horton
Head Carpenter
Greg Davis
Production Carpenter
Ken Berg
Automation Carpenter
John Hudson
Head Flyman/Rigger
Dave McCawley
Production Flyman
Sean Callahan
Head Electrician
Stephen A. Graham
Assistant Electrician
Ross M. Brown, Sal Ponce
Key Electricians
Craig Bradshaw
Programmer
Karen Katz
Head Sound Engineer
James Rudy
Assistant Sound Engineer
Kelly Mickelson
Key Sound Engineer
Diana J. Gervais
Production Property Master
Tristan E. Hansen
Creative Property Master
Ron Darling
Assistant Property Master
Ariana Donofrio, Austin Smart
Props Artisans
C. Luke Mathis
Head Builder
Brian Ainslie
Builder
Christopher Moad
Costume Shop Manager
Deborah Engelbach
Costume & Wardrobe Assistant
Rigmor Vohra
Cutter/Tailor
Gillian Paulson
Draper
Robin Montero, Ruthie Nicklaus
First Hands
Marlys McDonald
Wardrobe Master
Randy Werdal
Assistant Wardrobe Master
Mary Jones
Head Hair and Make-up
Heather Sincic
Assistant Hair and Make-up
Aime Palmer
Charge Artist
SERVICES
AAA Pest Control • Ad Mark
Services • ACCO • Alphagraphics •
Capital Grille • Dennis Warshall Art
and Events • Eden Pest Control •
Evergreen Fire and Safety • Fantasy
Finishes • Interior Environments, Inc
• Justin Orvold Home Renovation
• Mailhandlers • Mark Kitaoka and
Tracy Martin • Mayflower Park Hotel
• McCallum Print Group • McKinstry
• Minuteman Press • Pacific Furniture
Installation • Palomino • Penske •
Prime Electric • Rainier Building
Services • Servicemark LLC • Standard
Parking • Topper’s English Floral
Design • Unico Properties • Union
Square Garage • Walter E. Nelson Co.
• Whitman Global Carpet Care • Zee
Medical Service
PATRON INFORMATION
EMERGENCY EVACUATION PROCEDURES
In the event of an emergency, please wait for an announcement for further instructions. Ushers will be
available for assistance.
EMERGENCY NUMBER The theater’s emergency
number in Coat Check is: 206-625-1294. Leave your
account number or exact seat location with your
emergency contact in case they need to reach you.
SMOKING POLICY Smoking is NOT allowed in
any part of the theater or within 25 feet of entrance.
FIREARMS POLICY No firearms of any kind are
allowed in any part of the theater.
FOOD & UNCAPPED DRINKS are not allowed
in the auditorium.
COAT CHECK is located on north side of lobby.
ACCESSIBILITY Wheelchair seating is available.
The theater is equipped with the Sennheiser Listening
System for the hard of hearing; headsets are available
at Coat Check for use, free of charge, with a valid ID
and subject to availability. Braille playbills are available at no cost from Coat Check. Elevator access is
available with usher assistance.
ADDRESS The 5th Avenue Theatre is located at
1308 5th Avenue, Seattle, WA 98101.
The Theatre Administrative Offices are located at
1326 5th Avenue, Suite 735, Seattle, WA 98101.
BOX OFFICE 206-625-1900.
ADMINISTRATION 206-625-1418.
FAX 206-292-9610.
WEBSITE www.5thavenue.org
The 5th Avenue offers American Sign Language
interpreted, audio described, and open captioned performances. For more information, call 206-625-1900
(voice) or email ticketing@5thavenue.org.
THEATER RENTAL For information regarding
booking, please contact Cathy Johnstone at
206-625-1418.
LOST & FOUND Call 206-625-1418 between
10 AM and 4 PM on weekdays.
GROUP SALES Groups of 10 or more can save.
Call 888-625-1418 or email groups@5thavenue.org.
STAGE THREE,
EXIT STAGE LEFT.
The difference between fighting cancer and beating cancer can come down to where you’re treated.
At Seattle Cancer Care Alliance, we unite doctors who are experts in specific cancer types from Fred Hutchinson Cancer
Research Center, UW Medicine and Seattle Children’s. And patients treated by SCCA have higher 5-year survival rates for
almost every cancer type*. Learn more at SeattleCCA.org/survival. Or call us at 800-804-8824 today.
*2011 NCDB Survival Reports
turning cancer patients into cancer survivors

Anything Goes at The 5th Avenue Theatre_Encore Arts Seattle

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