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Introduction
Paragon Studio /Nashville - US
The Origin of Dynaudio Acoustics
Dynaudio was founded in Denmark in 1977 with a focus on Hi-fi speakers. Later, the market approach was expanded to
include the automotive market supplying high-end car installations for VW and Volvo executive class cars. After experiencing
overwhelming interest from the professional audio market, Dynaudio decided to establish a subdivision in 1990. The new
division, named Dynaudio Acoustics, was to focus 100 percent on designing monitors for the professional audio market. In 1999
Dynaudio Acoustics entered into a strategic alliance with TC Electronic. Since then, a major leap forward has been taken within
the sphere of professional monitors, due especially to the sharing of knowledge between the two companies. Today, Dynaudio
Acoustics stands at the pinnacle of monitor technology - not only performance wise, but also in the areas of calibration and
networking - supplying unsurpassed stereo and surround monitoring systems for world leading broadcast companies, music and
post production studios, computer game developers and other significant players in the professional audio market.
Contents
Numerous world-class facilities are
equipped with Dynaudio Acoustics monitors
Vienna Symphonic Library - Austria
AIR Studios - UK
Half HP Studio - Japan
3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . References
4-5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dynaudio Core Technology
6-7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AIR Series - The Philosophy of AIR
8-9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AIR Series - Product Range
10 -11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AIR Series - Integration and Control
Nordisk Film Studios - Denmark
12-13 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BM Series - Design Principles
14-15 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BM A Series - Product Range
16 -17 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BM S and BM Series - Product Range
18-19 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M Series - Product Range
Option Facilities - Belgium
20-21 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AIR Series - Technical Specifications
22-23 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BM, BM A, BM S & M Series - Technical Specifications
24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Company Philosophy
The Bridge - UK
ESP Studio - Japan
2
3
Dynaudio Core Technology
Craftsmanship and Originality
Reliability and Quality
Most monitors rely on the simplest of electromagnetics principles. By passing current through a coil in the presence of a magnetic
field, a force is generated. As a result, the driver is one of the most vital parts of a monitor and so we chose to focus on the research
and development of unique driver technology and to improve upon every element of the conventional designs. Furthermore, we chose to avoid the use of conventional technologies like compression drivers, horns and metal domes. Instead, we
make use of ultra-lightweight aluminum wire and aluminum voice coils, which make it possible to reduce the mass of the voice coil
while at the same time increase its diameter and length. Naturally, this has a dramatically positive impact on the dynamic range.
The unusual choice of pure aluminum for the voice coils is one of the outstanding features of Dynaudio driver technology. Thanks to
the tremendous light weight advantage over conventional designs based on the heavier copper alternative, we have achieved larger
diameters and more coil windings – enabling greater linear movement and high reliability, without any compression.
A very comprehensive test program maintains Dynaudio Acoustics’ world-renowned standard of high quality and reliability. Every single
Dynaudio Acoustics driver is thoroughly tested with more than 100 quality checks from raw materials to finished systems. Quality is
the primary objective in the making of Dynaudio Acoustics monitor systems. The time used on each driver is on average 15 times longer
compared to speaker manufacturers in general. We guarantee that any Dynaudio Acoustics driver anywhere will match our demanding
requirements for a lifetime of regular use.
Woofer
Low distortion woofer
4
Tweeter cross section
Linear dynamic soft dome
tweeter with ultra lightweight
aluminium voice coil
Listening to the Sum of Details
Every Dynaudio monitor is the sum of the many details that have been carefully designed and developed through more than 20 years
of experience and innovative thinking. But when it comes to the listening situation, it is the sum of all these details, the synergy of every
single part, that produces the final result. That is exactly where Dynaudio Acoustics’ products are second to none.
Voice Coil
Large diameter ultra lightweight
aluminum voice coils
Woofer cross section
Woofer with center magnet structure
and one-piece magnesium silicate
polymer (MSP) cone
5
AIR Series - The Philosophy of AIR
Audio Objectivity
X TC Electronic and Dynaudio Acoustics, a perfect synergy match
Combining the best know-how from two significant players in acoustics; driver manufacturing and digital signal
processing
X Don’t take our word for it
AIR has been chosen as an industry standard by numerous broadcast and post production facilities
as well as some of the top music + film studios and computer game developers around the world
X
The list counts
BBC Radio & Music (UK), Danish Broadcasting Corporation (DK),
Sony DVD Center Europe (A), Abbey Road Studio (UK),
Music Lan (ESP), Half HP Studio (JPN),
Flower Surround (US), SoundandMore (PL),
and many others
X The AIR range is continuously granted THX certifications
Consistency
X Dynaudio driver production
Dynaudio’s driver manufacturing methods are known for their high quality and
accuracy - AIR drivers are no exception
X Monitor consistency
Each amplifier and driver combination is individually calibrated and matched to a 0.2 dB accuracy before leaving the factory
X
Input variety
AIR input connectivity accepts any format ranging from analog (96 kHz AD reference
design) to digital AES (32-192 kHz) keeping an ultra high precision and transparency,
while being true to the incoming signal - making integration with virtually any playback
seamless
X User calibration
Any AIR monitor allows a high level of user calibration (0.1 dB increments) ensuring the setup to
be consistently matched to the specific application
X Family consistency
Exchange any AIR model while maintaining the transparent Dynaudio Acoustics sound. Use e.g. AIR 6 as the
center or rear monitor with AIR 15 as left/right fronts
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Flexibility
X
Acoustic placement compensation
Placement filters, tone controls, 4 band parametric EQs (Installer’s Package only) and positioning delays are
included in every AIR monitor, enabling maximum adaptation to physical placement
X
Film mixing facilities
Predefined “X-Curve” filters for “behind-screen” simulation are included for film mixing
X
Setup versatility
Virtually any setup ranging from standard setups like 2.0, 5.2 or 6.1 to more specialized setups
like 7.1, 10.2 or 12.2 are covered by AIR
X Onboard bass management
Predefined bass management filters or advanced independent HP/LP filtering (Installer’s
Package) secure optimal subwoofer integration
X Preset storage & recall
Change setup, filtering, level calibration or bass management settings at the flick of a
button
Predictability
X Calibrated loudness across setups and rooms
Secure consistent levels through the central volume control, reference levels or presets.
What you see is what you hear
X Integration
The TC-Link network secures perfect tracking central volume control, speaker alignment and
setup control whether using HW remote control, Installer’s Package or AIR Soft
X Expert–user access control
Installer’s Package allows access to any system parameter as well as control and locking of individual
parameters, presets or the entire system securing programmed settings
X Backup system settings
Installer’s Package allows the entire system setup to be backed up and restored for security or maintenance
purposes
7
AIR Series - Product Range
AIR 6
AIR 12
AIR 20
Two-way active nearfield monitor - 6.9” woofer and 1.1”
soft dome tweeter
Powerful two-way nearfield monitor, 8” woofer and 1.1”
soft dome tweeter
Two-way active nearfield monitor - 10” woofer and 1.1”
soft dome tweeter
Three-way active nearfield monitor - 10” woofer, 5.5”
midrange and 1.1 soft dome tweeter
AIR 6 is developed for both stereo and multichannel monitoring
in any demanding environment. Post production facilities and
music recording and mixing studios will benefit greatly from the
technology and clear monitoring that AIR 6 provides. Installing
an AIR 6 system will be equally advantageous when it comes to
small film editing rooms and OB vans.
AIR12 suits all sizes of control rooms and OB vans and its high
precision amp/driver system (+/- 0.2 dB accuracy) ensures
complete consistency with the entire AIR family in a variety of
stereo and 5.1 setups - remote controllable via the AIR Remote
or the included Air Soft application.
AIR 15 is developed for both stereo and multichannel monitoring
and will work seamlessly in the most demanding environments.
For DVD authoring and mastering, and for 5.1 productions
where a clear and crisp sound is imperative, the AIR 15 will get
the job done. Even more so, the AIR 15 is equally suitable for
broadcast or edit suite purposes.
The AIR 20 monitor is the first three-way design integrating the
AIR technology. Combining brand new Dynaudio 221 (two-toone) technology with cutting-edge digital TC technology, the
AIR 20 defines new standards for performance and precision
in three-way powered monitors. Designed for stereo and
multichannel monitoring alike, any demanding environment like
post production, music recording and film editing will benefit
greatly from the technology inherent in AIR 20. DVD authoring,
5.1 productions and broadcasting will be equally honored by
the perfect integration and listening that the AIR 20 delivers.
DSP room adaption allows for perfect customization for any
room construction and its inter-monitor level calibration
feature ensures consistent levels in all sessions.
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AIR 15
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AIR Series - Product Range
AIR 25
Three-way active near/midfield monitor - two 10” woofers,
5.5” midrange and 1.1 soft dome tweeter
10
AIR Base 1
AIR Base 12
AIR Base 24
Active subwoofer - one 10” woofer
Active subwoofer - two 12” woofers
AIR 25 is the “big brother” of the AIR Series. Delivering unprecedented clarity combined with massive power, this monitor will
take care of the most demanding listening requirements.
AIR Base 1 is a more compact, dedicated active subwoofer
intended for small editing suites, post production facilities,
music recording and mixing studios, and OB vans. AIR Base 1
offers high performance where space is an issue yet delivering a
clear and crispy punch to the bottom.
AIR Base 12 is a recent addition to the AIR series, and with a
total frequency response of 22 Hz - 200 Hz and 500 watts of
amplification, this subwoofer delivers a lot of bang for the buck.
It is intended for editing suites, post production facilities, music
recording and mixing studios, and large OB vans.
AIR Base 24 is yet another new member of the AIR Series and it
comes with a total frequency response of 20 Hz - 200 Hz. With
the massive 700 watts of amplification, the AIR Base 24 gives the
phrase »Pump up the volume” an entirely new meaning.
With four massive built-in amps enabling more than 1200 watts
of power, the AIR 25 is designed for large music studios, and
mastering and post production facilities where power is an issue.
This monitor is equally suited for stereo as well as multichannel
monitoring.
This subwoofer will be a perfect match for small multichannel
and stereo setups. The integration to the AIR series monitors is
commonplace via the TC-Link.
Featuring advanced bass management and a wealth of other
tweaking possibilities, this subwoofer will be an ideal complement
for medium multichannel and stereo setups.
Suited for medium and large sized rooms, this subwoofer works
splendidly in editing suites, music recording and mixing studios,
post production facilities and multichannel production environments.
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AIR Series - Integration and Control
Integrated Solutions
AIR SOFT
AIR PC-IP
AIR Series goes far beyond conventional monitor performance in terms
of sound, operation and thinking. An AIR system provides a complete
and integrated solution for critical monitoring. It consists of a
number of intelligent components that communicate through
a network - in stereo as well as in multichannel systems. All
components in an AIR system are interconnected through the
TC-Link network and distribute control information as well
as audio in-between all system components. This enables
controlling a multichannel system from the sweet-spot
using the AIR Remote or the AIR Soft.
This MAC and PC compatible remote application allows central
real-time control of AIR system parameters such as volume
control, reference level, presets and setup. AIR Soft is included
with all AIR monitors.
The optional PC compatible advanced Installer’s Package
provides access to virtually any AIR system parameter. This
includes 4 band parametric EQ in each monitor, placement delay,
preset control and more. PC-IP access to advanced bass management features independent HP/LP crossover frequencies as well
as phase and polarity control of any AIR subwoofer. Additionally,
PC-IP allows the installer to control system access via individual
parameter securing, preset protection and UI locking.
The Essence of Central Control
AIR 6
AIR 12
AIR 15
AIR 20
AIR 25
Sound – Precision & Transparency
AIR WORLD
- Integrated Solutions
Control & Convenience
When working with wide dynamic range audio, it is essential
to control volume at the latest possible stage to assure
Subwoofer integration
minimum noise and maximum resolution at all times. Any
AIR remote provides exactly that, because the TC-Link network
allows each of the speakers to be controlled right before the
physical speaker: Outstandingly low noise, perfect tracking across
multiple channels, and the ability to control the level regardless of
the condition of the surrounding equipment. Additionally, the three
AIR Base-1
AIR Base-12
storable reference levels, presets, and mute/solo functionality allow the
user to always get a predictable performance from the AIR system. AIR features three different options of central remote control: AIR-Soft, AIR PC Installer’s
Package (PC-IP), and the AIR Hardware Remote. Utilizing the AIR Hardware Remote,
adjustments are always at hand, so the operator maintains control of levels regardless of the
DAW or computer state.
Advanced alignment
AIR Remote
AIR Base-24
AIR Remote provides instant access to the AIR system volume,
independent of your DAW or computer. Additionally, AIR Remote
features one-touch operation of system reference
levels, preset recall and solo/mute status for
each monitor. The calibrated volume knob of
AIR Remote allows accurate level setting,
perfect tracking as well as calibrated
loudness for any AIR setup. The AIR
remote is powered through TC-Link of
any AIR monitor.
Multichannel - For Film, Post, Gaming and Music
XGlobal level – central control of the overall level in multichannel systems securing calibrated predictable loudness
XRecall relative levels or filtering for each monitor
XProgram specific presets – customize the AIR setup to the individual application
XBass management – set the specific crossover frequency and levels at the flick of a button
XEnable/disable “X-curve” target responds – simulating “behind screen” frequency responds
Stereo Monitoring Solutions
The direct digital input makes AIR an obvious choice for any digital studio – seamless DAW to AIR connectivity. The option slot may be
equipped to accept analog or up to 192 kHz dual wire signals, and source selection can be controlled through preset changing. Link a
nearfield and midfield set of AIR monitors (e.g. AIR 6 & AIR 25), share the input source and A-B between the two at the flick of a switch.
Features - AIR Remote & AIR Soft Main
Placement & Calibration Test CDs
XGlobal Volume control
XRecall and storage of three reference levels
XMute and solo of individual monitors
XPreset handling
XEditing of standard parameters (AIR Soft only)
XBass management handling (AIR Soft only)
XBackup and restore of parameter settings (AIR Soft only)
XSetup and installation of AIR monitors (AIR Soft only)
The AIR Test CDs are produced for set-up, calibration, and test of
the AIR Series. There is one stereo CD and one DTS encoded
5-channel CD.
Acoustics and Calibration
The AIR concept features a lot of high quality tools for optimizing performance in any given acoustic environment – be it different
rooms or placements. Precise adjustments to each individual speaker, depending on its environment in terms of distance to reflective or
non-reflective surfaces, are done by choosing the appropriate placement compensation and level alignment of each individual monitor in
0.1 dB steps. Aiming at the same reference sound depending on the standard placement compensation, possibilities include:
Freestanding, Wall, Corner, Console (on top of Console), Console - Wall, Console – Corner
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BM Series - Design Principles
The Art of Science
Turning science into art is a challenge both when mixing audio and designing monitors for this very purpose. Great
mixing derives from attention to detail, while striving for a final mix that goes way beyond the sum of its parts. At
Dynaudio Acoustics we believe that the same principle applies when designing ultimate monitors.
Powerful and Excellent Monitors
The BM monitors – both in their passive and active forms - are clean, powerful and accurate monitors where excellent
results are easily achieved. The sound is always transparent and crisp ensuring the most realistic listening conditions for a wide array of applications. Comprised of renowned Dynaudio driver technology, these monitors
have become the standard when it comes to high performance and transparency. In combination with the
subwoofers, the BM series is also very well suited for multichannel facilities.
Consistency
Utmost care in selection of materials and production, combined with the industry’s most
thorough and extensive testing program, allow our monitors to achieve 100 percent
consistency – not just in between pairs, but also when crossing pairs or relying on pairs
in different locations.
Listen Longer
Due to our unique driver technology, our monitors are neutral and uncolored.
Smoothness, clarity and punch are some of the terms used to describe the listening
characteristics that we focus on. The smooth clarity in combination with the
outstanding dynamic capabilities of our monitors ensure that you can work long
hours without ear fatigue.
Main Features - BM series
X
Unique linear phase and frequency response
X 28mm soft dome tweeter with neodymium magnet and aluminum voice coil X Every monitor matched to any other monitor within ± 1.5 dB
X BM 5A Compact, BM 5 & BM 5A, BM 6 & BM 6A:
175mm (BM 5A Compact 145mm) magnesium silicate impregnated polypropylene (MSP) bass driver with exceptionally large 75mm aluminum voice coil
X BM 15 & BM 15A: 240mm magnesium silicate impregnated polypropylene
(MSP) bass driver with exceptionally large 100mm aluminum voice coil
X Internal damping for minimum cabinet resonance
X Thermal protection of the tweeter
Specific Features - BM 5A Compact, BM 5A,
BM 6A & BM 15A
Transparency
Our monitors tell you more than just EQ and level – they express the depth and detail
revealed in the actual quality of the sound. Quality is the third dimension in monitors,
and the sonic neutrality and transparency will ensure that your mix translates well out
of the studio.
Experience the Difference
Dynaudio Acoustics monitors are designed to speak the truth. You get exactly what you need for your
mixing – an exact reproduction of your mix - no more, no less. Exploring our concept of monitor design
is exploring the details that create the ultimate results. Explore by listening to our monitors – let your ears be
the judge.
14
Slow attack optical HF limiter
True clip indicator LED
X Professional XLR input terminals
X BM 5A & BM 5A Compact: Dual 50W amplifier
X Adjustable LF, MF and HF trim
X BM 6A: Dual 100W amplifier
X Adjustable LF and HF trim (-4 to 0 dB range)
X BM 15A: 100W HF amplifier and 200W LF amplifier
X Adjustable LF and HF trim (±3 dB range)
X
X
15
BM A Series - Product Range
BM 5A Compact
BM 6A mk II
BM 12A
soft dome tweeter
soft dome tweeter
Two-way full analog active nearfield monitor - 6.9” woofer
and 1.1” soft dome tweeter
Two-way full analog active nearfield monitor - 8” neodymium
magnet woofer and 1.1” soft dome neodymium tweeter
The BM 5A Compact is an extremely small yet surprisingly
powerful monitor, designed for professional film & post production and broadcast applications.
The BM 5A monitor is a further development of the BM series
and our engineers have put great effort into the design and
fine-tuning of the BM5A, using the latest Dynaudio Acoustics
technology.
The BM 6A Mk II delivers the distinctive Dynaudio objectivity
and accuracy exposing every audible detail to the critical and
demanding engineer - be it in music monitoring, mixing,
broadcasting, OB vans, editing suites, post production facilities
and project studios.
This medium-sized nearfield monitor delivers the worldrenowned Dynaudio clarity and transparency, building on the
latest Dynaudio Acoustics neodymium driver technology.
Extensive research has made it possible to fit an impressive 2 x
50 watt amplification into a cabinet that is as small as 170 x 260
x 235 mm / 6.7” x 10.2” x 9.3”. OB vans, editing suites and film &
post production facilities will benefit greatly from this monitor,
which provides loads of power in virtually no space. Combined
with the BM 9S it will make up an excellent multichannel system
of minute dimensions.
16
BM 5A
The monitor is extremely well suited for music monitoring and
mixing, broadcasting, OB vans, edit suites, playback suites and
project studios. This high-performance monitor comes in a very
compact design.
Onboard LF/MF/HF placement filters as well as subwoofer
high-pass filters allow optimal adaptation in any application
including a powerful combination with the BM 14S.
The onboard placement and subwoofer adaptation filters allows
BM 12A to blend seamlessly into a large range of applications
such as OB vans, project studios, post production facilities etc.
17
BM A and BM S Series - Product Range
BM 6A
Two-way active nearfield monitor - 6.9” woofer and 1.1“
soft dome tweeter
Two-way active nearfield monitor - 10” woofer and 1.25“
soft dome tweeter
Every aspect of sound engineering and reproduction services, like
radio stations, OB vehicles, edit suites, post production facilities
and recording studios will benefit greatly from the BM 6A.
The BM 15A is a revolutionary nearfield monitor offering
exceptionally high performance. Its full range extended bass
response makes it the perfect nearfield monitor. Commercial
studios, project studios and post production facilities will
benefit from the power that this monitor provides, but rock and
dance projects will greatly appreciate the punch and clear sound
of the BM 15A.
Using it as rear channel monitor in surround systems will provide
the perfect ratio of small size combined with brilliant performance.
It is equally suitable for multichannel setups in combination
with the BM 14S.
18
BM 15A
BM 9S
BM 14S
The BM 9S crams a lot of power and punch into very small
spaces without compromising on the overall power, clarity
and performance of your setup. The BM 9S is a serious and
complementary partner to the BM 5A monitor. With 200 watts
of power, a frequency response of 29-387 Hz and spacesaving
dimensions, this subwoofer is a small, yet very powerful addition
to any stereo or multichannel setup. Due to the low level
LFE input it’s got the surround issues covered, and with a LFE
output, more subwoofers can be daisy-chained. With its highpass filtering, the BM 9S offers dedicated bass management of
your satellite sub-system. This greatly increases your monitor’s
performance and precision, and you can rest assured that the
BM 9S will deal with the power consuming lower frequencies.
Based on the latest Dynaudio Acoustics subwoofer technology,
BM14S is designed to meet peak performances in stereo and
multichannel monitoring. With its 300 watts of power, this
powerful subwoofer was born to give that extra punch to the
bottom. And with a frequency response of 18 Hz - 250 Hz,
you have a full and serious coverage of the lows. Small in size
compared to its performance, the BM 14S makes a valuable and
preferred enhancement to any stereo or multichannel setup. It
comes with an LFE output enabling you to daisy-chain more
subwoofers to the same setup, and if you’re operating surround
setups, the low level LFE input will take care of business. BM
14S’s high-pass filtering offers perfect working conditions for
setting up bass management of your satellite sub-system.
Features
X 10” woofer X Phase adjustment in 0° / 180° X Auto on/off,
power LED X Mode selection, LFE or slave X Seamless adjustment of low-pass corner frequencies X SAT/SUB high-pass
adjustment, Flat, 60 Hz, 80 Hz X Small dimensions (W x H x D):
11.6” X 11.4” X 12.5” / 294 X 289 X 318 mm X 200 W @ 4 ohm
X Discrete LFE input, slave output for linking X Closed cabinet
for extremely precise low frequency reproduction
Features - BM 14S
X 12” woofer X Phase adjustment in 0° / 180° X Auto on/off,
power LED X Mode selection, LFE or slave X Seamless adjustment of low-pass corner frequencies X SAT/SUB high-pass
adjustment, Flat, 60 Hz, 80 Hz X Dimensions (W x H x D): 13.8”
x 14.5” x 16.5” / 350 x 368 x 420 mm X 300 W @ 4 ohm X
Discrete LFE input, slave output for linking X Closed cabinet for
extremely precise low frequency reproduction
19
BM Passive Series - Product Range
BM 5
BM 15
Two-way passive nearfield monitor - 6.9” woofer and 1.1“
soft dome tweeter
Two-way passive nearfield monitor - 6.9” woofer and 1.1“
soft dome tweeter
Two-way passive nearfield monitor - 10” woofer and 1.25“
soft dome tweeter
The BM 5 builds upon proven Dynaudio Acoustics technology
and sports the latest fine-tuning in combination with novel
design principles. This compact monitor is perfectly suited for
small stereo and multichannel setups, and it will complement
different aspects of sound engineering and reproduction, like
music monitoring, mixing and broadcasting.
The BM 6 nearfield monitor establishes a firm and realistic link
between the production environment and the increasingly high
demands of the consumers.
The BM 15 is the largest and most powerful monitor in the BM
passive range and is designed for any studio application where
high sound pressure levels and extended low frequency response
are required, making it the ideal monitor for producers working
on rock and dance music projects.
The BM 5 is ideal for OB vans, edit suites, project studios, recording studios and playback rooms where space is an issue.
20
BM 6
Applications for the BM 6 cover every aspect of sound engineering
and reproduction, including music and speech monitoring and
mixing, radio station, OB vehicles, edit suites, post production,
recording studios and playback rooms. In combination with
the BM 14S subwoofer it is also well suited for a full-blown
multichannel system in small rooms.
Its astonishing power handling and full range extended bass
response make it the perfect alternative to wall mounted main
monitors, particularly for commercial studios, project studios
and post production facilities.
21
M Series - Product Range
M1
M1.5
M2
Nearfield monitor, two 6” woofers and one 1.25” soft dome
tweeter
Near/midfield monitor, two 7” woofers and one 1.25” soft
dome tweeter
Three-way passive midfield/main monitor, two 8.25” woofers, 3” soft dome midrange and 1.25” soft dome tweeter
As the result of a long-term research project analyzing the
essential requirements of engineers working long hours at high
levels in front of a mixing console, the M1 is targeted first
and foremost at music mixing applications. The M1 is a quality
reference tool, which can transform almost any large consolemonitoring environment into one worthy of the digital era.
When coupled with one or two Dynaudio Acoustics subwoofers,
the M1 is transformed into a thoroughbred main monitoring
system capable of delivering very high SPLs in mixing position.
An obvious feature of the M1.5 is the extraordinary output from
this compact monitor. For the first time, a performance exceeding
that of many »main” monitors is available from a unit of a size
suiting even the smallest facility. The M1.5 is a punchy monitor
with an incredible bass response suitable for popular music
tracking and mixing, voice and dialog recording, and as L, C,
R monitors in high performance surround monitoring systems.
Mounted either in the nearfield on top of a console or in midfield
just behind the console on suitable stands, it easily meets the
majority of monitoring needs.
Producers and engineers from all over the world have found that a
mobile flight cased M2 system can satisfy all their main monitoring
requirements wherever they work, thereby virtually eliminating
the problems associated with different rooms and acoustics.
For television, radio and film work, the M2 provides extremely
accurate imaging with full frequency response in a remarkably
compact package, occupying the minimum of »real estate” in a
busy control room.
Main Features for the M Series
XUnique linear phase and frequency response
XEach monitor matched to any other monitor within ± 1.5 dB
XHigh efficiency soft dome tweeter with aluminum voice coil
XGold plated professional binding posts accepting heavy-gauge
speaker cable
XHeavy internal damping for minimum cabinet resonance
XThermal tweeter protection
XDual bass drivers with exceptionally large aluminum voice coils, offering dramatic improvements in power handling, bass
response and distortion figures over conventional systems
Specific Features - M1.5
XHigh efficiency soft dome tweeter with aluminum voice coil
XDual 175mm magnesium silicate polypropylene compound
(MSP) bass drivers with 75mm aluminum voice coils
Specific Features - M2
X28mm ESOTEC soft dome tweeter with aluminum voice coil
X76mm soft dome midrange with aluminum voice coil
XDual 210mm magnesium silicate polypropylene compound (MSP) bass drivers with 54mm aluminum voice coils
M3
Three-way passive/active main monitor, two 11.25” woofers, two 3” soft dome midrange and one 1.25” soft dome
tweeter
Designed for continuous high power operation in a correctly
constructed acoustic space, the M3 represents the fruit of a
research and development program aimed at elevating main
monitors above the realm of modified PA monitors. The M3 main
monitor is available in both passive and active versions. Both
versions employ the same sophisticated impedance corrected
passive crossovers between midrange drivers and tweeter. The
passive version has internal links for simple adjustment of low
frequency levels, and is primarily intended for user installation
on rigid stands within a control room.
X28mm ESOTAR soft dome tweeter with aluminum voice coil
(MSP) midrange drivers with 75mm voice coils
XDual 300mm polypropylene bass drivers with 100mm
aluminum voice coils
(MSP) bass drivers with 75mm aluminum voice coils
22
23
AIR Series - Technical Specifications
AIR 6 & AIR 15 (Master and Slave)
Model
System
Frequency response (+/- 3 dB)
Peak SPL 1m, pair (IEC Short Term)
Peak SPL 2m, 5.1 (IEC Short Term)
Max SPL 1m, (IEC Long Term)
Precision of monitor matching
Port tuning frequency
Internal cabinet volume
Bass principle
Crossover frequency
Crossover slope
Tweeter
AIR Base 1, AIR Base 12 & AIR Base 24
AIR 12
Two-way Active Nearfield Monitor
37 Hz – 22 kHz
> 128 dB peak
> 126 dB peak (no LFE )
104 dB RMS
+/- 0.2 dB
41 Hz
18 litres
Bass reflex
2100 Hz (DSP generated)
6 dB/oct (Linkwitz Riley, DSP generated)
Esotec 28 mm / 1.1” soft dome, rear chamber,
mag. fluid, 4mm alu front, pure alu wire voice coil
Mains voltage
Power consumption
AIR 6
40 Hz – 22 kHz
> 128 dB peak
> 126 dB peak
104 dB RMS
+/- 0.2 dB
45 Hz
12.1 litres
Bass reflex
mag. fluid, 4mm die-cast alu front, pure alu wire
voice coil
175 mm / 6.9”, one-piece molded polypropylene
cone, 75 mm / 3” pure alu voice coil, mag.
shielded
100 to 240 VAC, 50 to 60 Hz (auto-select)
40 W @ 1/8 max power (IEC 60065)
Finish
Amp
Cabinet
Dimensions (H x W x D)
Weight
Black anodized aluminum back plate
Dark gray MDF baffle, Silver foil
338 x 216 x 345mm / 13,3” x 8,5” x 13,6”
9.8 kg / 21.8 lbs
385 x 238 x 378mm
12.9 kg / 28.4 lbs
425 x 275 x 395mm / 16,7” x 10,8” x 15,5”
15.5 kg / 34.5 lbs
Amplifier
Tweeter and woofer
Tweeter 200 W amp/Woofer 200 W amp
Woofer
200 mm / 8”. Die-cast basket. One piece
moulded polyprop cone 75mm / 3” pure
aluminum voice coil
40 W @ 1/8 max power (IEC 60065)
AIR 15
33 Hz – 22 kHz
> 128 dB peak
> 126 dB peak (no LFE)
104 dB RMS
+/- 0.2 dB
40 Hz
27 litres
Bass reflex
mag. fluid, 4mm die-cast alu front, pure alu wire
voice coil
240 mm / 10”, one-piece molded polypropylene
cone, 100 mm / 4” pure alu voice coil
40 W @ 1/8 max power (IEC 60065)
Mains voltage
Power consumption
AIR 20
Three-way Semiactive Nearfield Monitor
31 Hz –22 kHz: +/- 3 dB
131 dB peak
129 dB peak
104 dB RMS
+/- 0.2 dB
40 Hz
35 litres
Bass reflex
390 Hz (DSP generated) and 2600 Hz
12 dB/oct and 6 dB/oct
Esotar 28 mm / 1.1” soft dome, neodymium magnet, rear chamber,
magnetic fluid, 4mm steel front, pure alu wire voice coil
145 mm / 5,5”, one-piece molded polypropylene cone, 38 mm /
1,5” pure alu voice coil
4” pure alu voice coil
45 W @ 1/8 max power (IEC 60065)
AIR 25
Three-way Active Nearfield Monitor
28 Hz –22 kHz: +/- 3 dB
134 dB peak
132 dB peak
107 dB RMS
+/- 0.2 dB
35 Hz
68 litres
Bass reflex
400 Hz (DSP generated) and 2400 Hz (DSP generated)
12/6 dB/Oct, 12/6 dB/Oct
Esotar 28 mm / 1.1” soft dome, neodymium magnet, rear chamber,
magnetic fluid, 4mm steel front, pure alu wire voice coil
1,5” pure alu voice coil
2x240 mm / 9,5”, one-piece molded polypropylene cone, 100 mm
/ 4” pure alu voice coil
100 to 240 VAC, 50 to 60 Hz (select)
45 W @ 1/8 max power (IEC 60065)
Finish
Amp
Cabinet
Dimensions (H x W x D)
Depth incl. amp and driver:
Weight
Black painted back plate
Black ash with dark gray MDF baffle
575 x 310 x 395 mm / 22,6” x 12,2” x 15,5”
435mm / 17,0”
28 kg / 62.2 lbs
Black painted back plate
510 x 535 x 450 mm /20” x 21” x 17,7”
490mm / 19,3”
46 kg / 101 lbs
Amplifier
Tweeter, midrange and woofer
Tweeter & Midrange 200 W amp/Woofer 200 W amp
Tweeter 300 W amp/Midrange 300 W amp/Woofer 2x300 W amp
Midrange
Woofer
24
Mains voltage:
Power consumption:
Finish
Amp:
Cabinet:
Dimensions (H x W x D):
AIR Base 1
Active Subwoofer
25 Hz – bssmng: 120 Hz, LFE: 2.5 kHz
119 dB peak
113 dB peak
+/- 0.2 dB
30 Hz
37 litres
Bass reflex
1/2 pcs. 240 mm/10”, one-piece molded
poly-propylene cone, 100 mm/4” pure alu
voice coil
40 W @ 1/8 max power (IEC 60065)
AIR Base 24
Active Subwoofer
20 Hz – 200 Hz +/- 3 dB, dep. on setting
126 dB peak
120 dB peak
+/- 0.2 dB
22 Hz
77 litres
Bass reflex. Downfiring port
2 pcs. 300 mm/12”, two-piece molded polyprop cone, 75 mm/3” pure copper voice coil
AIR Base 24
Active Subwoofer
20 Hz – 200 Hz +/- 3 dB, dep. on setting
126 dB peak
120 dB peak
+/- 0.2 dB
22 Hz
77 litres
Bass reflex. Downfiring port
2 pcs. 300 mm/12”, two-piece molded polyprop cone, 75 mm/3” pure copper voice coil
Idle: 50 W/Max: 375 W
Idle: 50 W/Max: 375 W
310 x 480 x 420mm (12.2” x 18,9” x 16.5”)
Depth incl. amp and driver: 447mm (17.6”)
Black painted metal back plate
720 x 360 x 502mm (28.3 x 14.2 x 19.7)
Depth incl. amp and driver: 550 mm (not
moving) Height incl. “feet”: 738
60 kg / 132.3 lbs
Weight:
18 kg / 39.6 lbs
Black painted metal back plate
720 x 360 x 502mm (28.3 x 14.2 x 19.7)
Depth incl. amp and driver: 550 mm (not
moving) Height incl. “feet”: 738
60 kg / 132.3 lbs
Amplifier
Tweeter and woofer
Room & Distance
AIR 20 & AIR 25 (Master and Slave)
Model
System
Frequency response (+/- 3 dB)
Precision of monitor matching
Port tuning frequency
Internal cabinet volume
Bass principle
Crossover frequency
Crossover slope
Tweeter
Model:
System:
Total frequency response:
Max. SPL 1m, one (IEC Short Term)
Max. SPL 2m, 5.1 (IEC Short Term)
Precision of monitor matching:
Port tuning frequency:
Internal cabinet volume:
Bass principle:
Woofer:
Typical listening distance
AIR 6
1.2-2 m / 4-7 ft
Typical room size
AIR 6
50-100 m3 / 1600-3500 ft3
AIR Base-1
30-60 m3 / 1000-2000 ft3
AIR 12
1.5-2.0 m / 5-8,5 ft
AIR 15
1.5-2.5 m / 5-8,5 ft
AIR 20
1.5-3 m / 5-10.2 ft
AIR 25
2-4 m
AIR 12
75-125 m3 / 2600-4400 ft3
AIR Base 12
50-125 m3 / 1600-4400 ft3
AIR 15
75-125 m3 / 2600-4400 ft3
AIR Base 24
75 -150 m3 / 2600-5200 ft3
AIR 20
80-130 m3 / 2800-4600 ft3
AIR 25
80-150m3 / 2800-5200 ft3
General specifications for AIR 6, AIR 12, AIR 15, AIR 20, AIR 25, AIR Base 1, AIR Base 12 & AIR Base 24
System sample rates
Internal sample rate
192 and 176.4 via Dual Wire (optional Digital Card required) and 96, 88.2, 64, 48, 44.1 or 32 kHz
AIR Masters only
I/O Connectors
Formats
Word clock input
Display
Operation
XLR (2 channels AES/EBU in) 3 x RJ45 proprietary TC-Link
AES/EBU (24 bit)
BNC, 75 ohm, 0.6 to 10 Vpp
2 x 16 character dot matrix
Menu system / four buttons
Analog input option
Input connectors
Impedance
Selectable full scale input level
Dynamic Range
THD+N
Crosstalk
A to D Conversion
XLR balanced (pin 2+, pin 3-)
10/3 k ohm (Balanced/unbalanced)
+9, +15, +21, +27 dBu
> 113 dB typ. (unweighted), BW: 20-20 kHz
< -105 dB typ. @ 1 kHz, -3 dBFS
< -120 dB, 20 Hz to 20 kHz
24 bit (Dual bit delta sigma sampling at 4.1/5.6/6.1/6.1 MHz)
AIR Slaves only
I/O Connectors
2 x RJ45 proprietary TC-Link
General for all products
EMC complies with:
Safety certified to:
Environment operating
Temperature:
Storage Temperature:
Humidity:
Warranty
EN 55103-1 and EN 55103-2, FCC part 15 class B, CISPR 22 class B
IEC 60065, EN 60065, UL 6500 and CSA E60065 CSA FILE #LR108093
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
2 years on parts and labor
25
BM, BM A, BM S & M Series - Technical Specifications
BM 9S & BM 14S
BM 5, BM 6 & BM 15
Model
System
Frequency Response (+/- 3 dB)
Amplifier minimum
Sensitivity (2.83 V/1m)
Impedance, Nominal
Impedance, HF (200 kHz)
Resonance Frequency
Internal Cabinet Volume
Bass Principle
Crossover Frequencies
Crossover Slope
Tweeter
Woofer
Weight
Dimensions (W x H x D)
BM 5
Two-way Passive Nearfield Monitor
50 Hz - 21 kHz
> 125 dB peak
> 126,5 dB peak
103 dB RMS
40 W (> 94 dB SPL @ 1m)
86 dB
4 ohm
5.8 ohm
55 Hz
9.5 litres
Bass reflex
2700 Hz
Woofer 6 dB/oct; Tweeter 12 dB/oct
Esotec 28 mm/1.1” soft dome, Magnetic
fluid, Rear chamber, Pure alu wire voice coil,
4 mm alu front
175 mm/6.9”, One-piece molded polypropylene cone, 75 mm/3” pure alu voice coil
7 kg / 15,4 lbs
186 x 320 x 290 mm / 7,3” x 12.6” x 11”
BM 6
43 Hz - 20 kHz
> 125 dB peak
> 126.5 dB peak
103 dB RMS
40 W (> 94 dB SPL @ 1.5m)
86 dB
4 ohm
5.4 ohm
54 Hz
10.5 litres
Bass reflex
3100 Hz
4 mm die-cast alu front
6.9 kg / 15.2 lbs
204 x 330 x 254 mm / 8” x 12.9” x 10”
BM 15
43 Hz - 20 kHz
> 127 dB peak
> 128.5 dB peak
109 dB RMS
50 W (> 94 dB SPL @ 2m)
88 dB
4 ohm
5.9 ohm
43 Hz
25.8 litres
Bass reflex
2700 Hz
4 mm die-cast alu front, Cover grille
240 mm/9”, One-piece molded polypropylene cone, 100 mm/4” pure alu voice coil
12.3 kg / 27.1 lbs
272 x 436 x 321 mm / 10.7” x 17.1” x 12.6”
BM 5A
50 Hz - 21 kHz
> 115 dB peak
> 116 dB peak
-16 dBu RMS @ 0 dB setting
+9 dBu Peak @ 0 dB setting
Idle: 10 W / Max: 90 W
Tweeter: 50 W / Woofer: 50 W
55 Hz
9 litres
Bass reflex
1500 Hz
6 dB/oct
Esotec 28 mm/1.1” soft dome, rear
chamber, Magnetic fluid. 4 mm die-cast alu
front, Pure alu wire voice coil
8.7 kg / 19.2 lbs
186 x 320 x 320 mm / 7.3” x 12.5” x 12.5”
BM6A Mk II
40 Hz - 21 kHz
119 dB RMS
120 dB RMS
+12 dBu RMS @ 0 dB setting
Idle: 15 W / Max: 130 W
37 Hz
11.7 liters
Bass reflex
1500 Hz
6 dB/oct
Esotec 28 mm/1.1” soft dome, rear chamber,
Magnetic fluid. 4 mm die-cast alu front, Pure
alu wire voice coil 4 mm die-cast alu front, l
10.5 kg / 23.12 lbs
203 x 335 x 327 mm / 8” x 13.2” x 12.9”
BM 12A
38 Hz - 21 kHz
123 dB RMS
124.5 dB RMS
+12 dBu RMS @ 0 dB setting
Idle: 15 W / Max: 130 W
40 Hz
13.6 liters
Bass reflex
1500 Hz
6 dB/oct
Esotec 28 mm/1.1” soft dome, rear chamber, Neodymium Magnetic. 4 mm die-cast
alu front, Pure alu wire voice coil
200 mm/8” Neodymium, One-piece molded
polypropylene cone, 75 mm/3” kapton
voice coil
12.1 kg / 26.6 lbs
234 x 370 x 327 mm / 9.2” x 14.6” x 12.9”
BM 15A
30 Hz - 21 kHz
> 124 dB peak
> 125.5 dB peak
-18 dBu RMS / -34 dBu RMS
+16 dBu peak / -1 dBu peak
Idle: 40 W / Max: 300 W
39 Hz
27.5 litres
Bass reflex
1800 Hz
30 dB/oct
Magnetic fluid.
BM 5A Compact & BM 5A & BM 6A mkII
Model
System
Max SPL 1m, pair (IEC Short Term)
Max SPL 2m, 5.1 (IEC Short Term)
Input level for 85 dB SPL @ 1m (+4/-10)
Input level for max peak SPL (+4/-10)
Power consumption
Amplifier power
Resonance Frequency
Bass Principle
Crossover Slope
Tweeter
Woofer
Weight
BM 5A Compact
55 Hz - 21 kHz
> 115 dB peak
> 116 dB peak
+9 dBu Peak @ 0 dB setting
Idle: 10 W / Max: 90 W
58 Hz
4.8 litres
Bass reflex
1500 Hz
6 dB/oct
alu wire voice coil
7 kg / 15.4 lbs
170 x 260 x 235 mm / 6.7” x 10.2” x 9.3”
BM 6A & BM 12A & BM 15A
Model
System
Max SPL 1m, pair (IEC Short Term)
Max SPL 2m, 5.1 (IEC Short Term)
Input level for 85 dB SPL @ 1m (+4/-10)
Input level for max peak SPL (+4/-10)
Power consumption
Amplifier power
Resonance Frequency
Bass Principle
Crossover Slope
Tweeter
Woofer
Weight
26
BM 6A
41 Hz - 21 kHz
> 118 dB peak
> 119.5 dB peak
-12 dBu RMS / -28 dBu RMS
+16 dBu peak / -1 dBu peak
Idle: 25 W / Max: 200 W
49 Hz
9.5 litres
Bass reflex
2200 Hz
24 dB/oct
alu wire voice coil
11.0 kg / 24.2 lbs
217 x 338 x 321 mm / 8.5” x 13.3” x 12.6”
Model
System
Low Frequency Limit*
High Frequency Limit*
Amplifier Power
Crossover Frequencies (HP Sat)
Low Pass Filter
Crossover Slope
Crossover Bypass
Phase adjustment
Inputs
Input Sensitivity for Full Output*
Maximum Input
Input Impedance
Output
Master / Slave Link
Drive Unit
Magnetic Shielding
Bass Principle
Power Consumption Max.
Power Consumption Standby
Mains Voltage**
Weight (net)
BM 9S
Active Subwoofer
29 Hz - 250 Hz
29 Hz
50 Hz - 250 Hz
200 W @ 4 ohm
Flat / 60 Hz / 80 Hz
50 – 150 Hz
2nd order Butterworth
Yes (Flat)
0° / 180°
Balanced/XLR
75mV - 5V
10Vrms
20 k (+ branch) 10k (- branch)
Balanced/XLR
Yes
10” (24 cm), long throw
Yes
15.9 litres
Closed
325 W
16 W
100-120V @ 50/60Hz or 220-240V @
50/60Hz
10 kg / 22 lbs
294 x 289 x 318 mm / 11.6” x 11.4” x 12.5”
BM 14S
Active Subwoofer
18 Hz - 250 Hz
18 Hz
50 Hz - 250 Hz
300 W @ 4 ohm
Flat / 60 Hz / 80 Hz
50 – 150 Hz
2nd order Butterworth
Yes (Flat)
0° / 180°
Balanced/XLR
75 mV – 5 V
10Vrms
10 k ohm
Balanced/XLR
Yes
12” (30 cm), long throw
Yes
31 litres
Closed
325 W
<3W
100-120V @ 50/60Hz or 220-240V @
50/60Hz
21 kg / 46.2 lbs
350 x 368 x 420 mm / 13.8” x 14.5” x 16.5”
* Depending on setting
** Please refer to your local network
M1, M1.5, M2 & M3
Model
System
Woofer
M1
Two-way Passive Nearfield
Monitor
50 Hz - 20 kHz
> 130 dB peak
> 131.5 dB peak
111 dB RMS
50 W (> 100 dB SPL @ 1,5m)
91 dB
4 ohm
3,5 ohm
55 Hz
13,3 litres
Bass reflex
3250 Hz
Woofer 12 dB/oct; Tweeter 12
dB/oct
Esotec 28 mm/1.1” soft dome,
Magnetic fluid, Rear chamber, Pure
alu wire voice coil, 4 mm die-cast
alu front
2x145 mm/5.5”, One-piece
molded polypropylene cone, 75
mm/3” pure alu voice coil
11,2 kg / 24.7 lbs
M1.5
Two-way Passive Near/Midfield
Monitor
34 Hz - 20 kHz
> 127 dB peak
> 128.5 dB peak
108 dB RMS
70 W (> 100 dB SPL @ 1.5m)
88 dB
4 ohm
6.2 ohm
39 Hz
29 litres
Bass reflex
2000 Hz
Woofer 18 dB/oct; Tweeter 12
dB/oct
alu front
2x175 mm/6.5”, One-piece molded
polypropylene cone, 75 mm/3”
pure alu voice coil
17.7 kg / 39 lbs
Weight
450 x 210 x 310 mm /
17.7” x 8.2” x 12.2”
440 x 300 x 400 mm /
17.3” x 11.8” x 15.7”
Amplifier minimum
Sensitivity (2.83 V/1m)
Impedance, Nominal
Impedance, HF (200 kHz)
Resonance Frequency
Bass Principle
Crossover Slope
Tweeter
Midrange
M2
Three-way Passive Midfield/Main
Monitor
34 Hz - 20 kHz
> 130 dB peak
> 131.5 dB peak
114 dB RMS
100 W (> 100 dB SPL @ 2m)
91 dB
4 ohm
9.6 ohm
45 Hz
70 litres
Bass reflex
900/4500 Hz
Woofer 12 dB/oct; Midrange 12
dB/oct Tweeter 18 dB/oct
alu front
75 mm/3” soft dome, 75 mm/3”
pure alu wire voice coil
2x220 mm/8”, One-piece molded
36.3 kg / 80 lbs
340 x 680 x 500 mm / 13.3” x
26.7” x 19.6”
M3
Three-way Passive Main Monitor
30 Hz - 20 kHz
> 129 dB peak
> 130.5 dB peak
112 dB RMS
140 W (> 100 dB SPL @ 2.5m)
90 dB
4 ohm
5.9 ohm
38 Hz
145 litres
Bass reflex
600/3700 Hz
Woofer 12 dB/oct; Midrange
12 dB/oct Tweeter 18 dB/oct
Esotar 28 mm/1.1” soft dome,
alu front
2x145 mm/5.5” One-piece molded
polypropylene cone, 75 mm/3” pure
alu wire voice coil
2x300 mm/12”, One-piece molded
55.0 kg / 121.3 lbs
555 x 775 x 505 mm / 21.8” x
30.5 x 19.8”
4 mm die-cast alu front, Pure alu wire voice
coil 240 mm/9”, One-piece molded polypropylene cone, 100 mm/4” pure alu voice coil
18.6 kg / 41 lbs
290 x 454 x 388 mm / 11.4” x 17.9” x 15.2”
27
The Essence of All Things Great
The development of great art and breathtaking music, astonishing architecture and imaginative design
- all have the same two things in common: Craftsmanship and originality. At Dynaudio Acoustics we
employ exactly those qualities in our research and development. We strive not only to build the best
monitors in the world, but also to conjoin the great masterpieces of the world. Today, our speaker
technology and monitor solutions stand as the apex of the industry. However, we strongly encourage
you to listen to our monitors yourself, as one thousand eloquent words will never capture the true
essence of our monitors. Once you listen you’ll discover the truth of Benjamin Franklin’s words to which
2008, Item no. 6120300xx
we adhere: “Well done is better than well said”.
T C E lectronic A / S • S indalsvej 3 4 • 8 2 4 0 R isskov • D enmark • P hone : + 4 5 8 7 4 2 7 0 0 0 • F A X : + 4 5 8 7 4 2 7 0 1 0
T C E lectronic I nc • 5 7 0 6 C orsa A venue , S uite 1 0 7 • W estlake V illage • C A 9 1 3 6 2 • U S A • P hone : ( 8 1 8 ) 6 6 5 - 4 9 0 0 • F A X : ( 8 1 8 ) 6 6 5 - 4 9 0 1
info @ tcelectronic . com
www . d y naudioacoustics . com

listen

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