Feature - Silicon Web Costumers` Guild
Transcription
Feature - Silicon Web Costumers` Guild
Feature A Look Back at “Captain Jack” Al Megas A cosplayer who is well-known for portraying “Jack Sparrow” from 'Pirates of the Caribbean' talks about the character and his costume, and offers some helpful how-to tips in case you want to copy the act! At first, it was because I didn’t want to shave. Cosplaying mostly at WonderCon, I’d chosen from among my favorite DC Comics characters for my ability to impersonate them without sacrificing my facial hair. “Green Arrow” had a beard (though mine was the wrong color) and “Anarky” wore a mask. These were modest costuming successes. Then, one year, I wanted something new for Halloween and I wanted to start planning for it early. But was there a more current choice? I was idly considering “Dr. Kroenen,” that masked Nazi from Hellboy, but was watching out for something better. Along came a week in summertime with two movies opening that held some cosplay promise. It was mostly a joke that I could bill myself as an “Extraordinary The Virtual Costumer Volume 12, Issue 2 Copyright © 2010 Silicon Web Costumers' Guild Gentleman” per that (now halfforgotten) League adaptation. The other film was one I planned to see once, hoped to like, but expected to forget. It was Pirates of the Caribbean: the Curse of the Black Pearl. I went with a small group that included longtime friends Alex, Cara, and Mike Fin. We discussed dressing up as pirates for opening day. (I had an idea to disguise my head as a parrot.) But we weren’t organized so we ended up seeing it in civvies. It turned out this summer side dish of a movie was actually something pretty special. And that lead pirate? That mega-quirky, bold character who was unhampered by artificial limitations like “the rules of engagement” and -6ISSN 2153-9022 spoke of what freedom really is? I liked stories that explore the idea of freedom with characters who question rules. Did I decide to do the character then and there? It’s strange to think of now, but I don’t believe the idea was really in my head. It wasn’t long, however, before another friend, Mary Watson, saw the film. Between the mustache, complexion, long hair, and affinity for his hat (for I've been known to sport a fedora), she thought of me right away, she said. Well, if someone else could envision it, I liked the idea. I had my cosplay plan. Alex and Cara agreed to make me a piratey shirt and brownish vest and we went to Debbie Lynn’s Closet (a San Francisco South Bay costume store) for much of the rest. I came to know some of the workers, there, including Adana Logan and Rachelle Spencer, and our friendship has deepened over the years. We collected some beads for my beard, dangly bits for my long hair, a maroon bandanna, and a cheap pirate hat (I colored the front of brown) to top it off. I was a dime store “Captain Jack Sparrow!” Al Megas as “Captain Jack” (first version) at BayCon 2004. Photo by Richard Man, ImageCraft Studios. May 2014 He's a Character! What I Do (and You Can, Too) Now, it always struck me as natural to impersonate the character one cosplays, at least a little. My “Anarky” would speak out against corporate greed, my “Green Arrow” would pose with his bow, etc. Did I take it a step further with “Captain Jack”? There again, I didn’t think much of it, at the time. He was pure characterization. All I did was mine the gold. The walk is simple enough. Just keep your body at a slant and your center of gravity where no one expects to find it. (Remember that Jack drinks a lot and is believed to be permanently discombobulated after having been marooned.) The right hand is kept at eye level, in most cases. I believe Johnny Depp said he imagined holding an invisible martini glass. Prior to hearing that, I always thought he was just showing off the billowy sleeves and forefinger ring. The voice requires a more subtle trick to get right. Also, as with most of this costume, I was trying to imitate without benefit of the DVD release my first several times out. Johnny gave a helpful (although characteristically strange) tip on The Tonight Show about combining Keith Richards with “Pepe Le Pew.” But I kept remembering the voice as being more guttural than it was. After listening as often as I had the chance to, it finally clicked how similar it was to the much easier to imitate voice he does in Fear and Loathing in Las Vegas. It works best to do a nasal voice first The Virtual Costumer Volume 12, Issue 2 and then let the guttural, “Spice Islands” brogue creep in. To reiterate, “Captain Jack” chooses moves that show off the costume. Though he walks at a funny angle, his stance has good posture which makes his hat prominent and gives you a good look at that long, flailing, double-braided goatee. According to the Disneyland team, the hip is held slightly forward to put the sword in easy reach. He holds that right hand high so we can see the ring! He swings his arms so those sleeves can impress or the trailing coat cuffs can flail! He may put a foot up (even though that’s another notable Captain’s pose) so they’ll notice the boots! And the costume was a hit again and again. As long as I kept the walk and talk up, faces brightened wherever I looked. I was asked to do birthday parties, be in films, participate in an iPad endorsement campaign, and the list went on. One Halloween in Hollywood, I met a celebrity impersonator (the “Fake Austin Powers,” he called himself) who offered to refer me to his specializing agencies. The streets were crawling with costumes, of course, and I crossed paths with another creative, Disney cosplayer. She Bringing Jack Memories And notice they did! Halloween in my home county proved little more than a rehearsal run for the fun ahead. Along came a BayCon, the San Francisco Bay Area scifi/fantasy convention, and it was like a fish finding water. For some reason, I had been second-guessing whether a pirate costume would fit in at a sci-fi convention. (Didn’t stop me, of course. I found it was just the place for the act.) Even though anyone with an eye for costumes could call mine out as being off, the masses seemed to love my “Jack” act. Heads turned, faces brightened, and cameras snapped away. A PotC group recruited (shanghai'd?) me for their masquerade entry. In one humorous instance, I'm told the simple act of descending a staircase in view of a costume characterization panel made for the perfect, unplanned example! -7- "Captain Jack" with Kathe Gust wearing a shirt with his likeness at BayCon. Even if the detail is way off, people recognize and appreciate the character! Photo: P. Gust. May 2014 combined a black fashion wig with fishnets and went by “Captain Hooker.” She proposed that pirates should stick together so we kept one another company for awhile. She hadn't seen PotC, so was surprised when many tourists stopped me for pictures. "You're really popular!" she exclaimed. Constant characterization also made for a few bumps in the road. I'm one of those guys who's kind of attached to his mobile phone and, at times, unthinkingly stayed in character while answering calls. One or two photographers caught me doing that on camera and posted with caption; "Pirates don't use cell phones!" I dabbled in making signs that say "out of character, back in 5" to get around that problem, not to mention to give people an even funnier photo op. On other occasions, someone would gingerly break it to me that me being “Jack” was making some people uneasy. Apparently, when I conduct entire interactions in character, they'd worry it wasn't an act so much as a psychological condition. (In case there's any confusion on this point, I assure you readers; it's just an act.) This tendency of mine does, on the other hand, play in to my difficulty with getting to know people, I'll give them that. SDCC and YouTube, who has made Jack his signature costume among many impressive recreations. And, regionally, we have “Captain Jack Spareribs,” a true entertainer whose juggling and magic act you can catch at the Vallejo, California Pirate Fest. If you put us all together, you'd have four Jacks...and that's tough to beat! The Disney Experience! Al with fellow contest-winning pirates in studio costumes at Disneyland. Other Jacks in Hand Of course, with “Captain Jack” cosplay becoming a fad, others have made a name for themselves doing it and we've come up on one another's radars. Supposedly one man who started BEFORE “Curse of the Black Pearl” came out, and made it surprisingly accurate just from early descriptions of the character. There's also Toby "Sith Camaro" Markham, known to Would I ever get to make my “Jack” impersonations official? I'll admit I was almost crestfallen to learn about the rule that adult guests of Disneyland aren't allowed in costume. Naturally, I looked into it when they added “Captain Jack” to their list of paid characters but was out of the running for being a scant two inches too short. Then a very special opportunity came along. As part of their Year of a Million Dreams promotion in 2007, Disney contracted with CareerBuilder to promote their Disney Dream Job contest. There was a call for short audition videos for a chance at being a Disneyland character for a day! My friend Mark Thornton, of many talents, has made a name for himself as a professional editor so I offered him a share of the prize in exchange for his assistance. After judges' deliberations, a campaign for votes, and a YouTube view count that would ultimately exceed 30,000, I got my phone call confirming that I was one of the contest's 25 winners. Sharing this honor were winners in four other categories (Haunted Mansion staff, High School Musical cast, Princesses, and Jungle Tour Guides) and four fellow pirates! Another good laugh came when, not all that long ago, I was told that I had once been investigated by F.L.A.R.E. (a convention security services organization) on suspicion of public intoxication! I was never stopped and questioned, though, so they must have heard me use pirate speak and concluded that I was merely staying in character. Watch Al Megas as a Disneyland pirate for a day on YouTube. The Virtual Costumer Volume 12, Issue 2 -8- May 2014 For a memorable, 4-day weekend, we enjoyed a full Disney vacation package. We stayed at the Disneyland Hotel, enjoyed VIP events, themed meals, and even the soft opening of the Finding Nemo ride! Sprinkling in Disney park training so we could interact with the guests in costume made for a thrilling but exhausting time. To this day, I'm grateful for all the support from the voters who helped send me there. Getting The Costume Right Moving along, there is much that can be said about improving a costume one component at a time. As the years have gone by, “Jack” cosplay has become popular and many eBay and Etsy makers have begun to sell reproductions. Happily, being Jack has also helped me make friends with Brianna Farber (contact: TheLironess@yahoo.com) who agreed to take me as a client! So now my costume is far closer to screen accurate. Want the rundown for a “Captain Jack” costume of your own? Personally, I like to list it off toe to head. Footwear: You need a pair of bucket boots. Best to get ones with an authentic leather or felt look. They're brown in the first film, tan in the second. Check the Caboots website for the most reliable service and quality. The Virtual Costumer Volume 12, Issue 2 Breeches: Knee-length pants that come in blue-grey, brown, or black. (I'm told authentic “Captain Jacks” wear no underwear.) The pants are an excellent place to skimp if you're going to, as high boots and the low waistcoat will hide them. The shirt: White, laced, ren faire style chemise with billowy sleeves, also largely hidden by the vest. The waistcoat: As mentioned, my new, blue waistcoat is the most special component of my getup. Brianna Farber made me some fully functional outerwear, built to last with pockets including one that fits my smartphone! ("So many buttons!" -Brianna) When searching for patterns, note that the Disney sanctioned one is deliberately changed from the film version to leave off posterior coverage. Bucket boots (left). Waistcoat made by Brianna Farber (right) -9- May 2014 The sash: This faded, red & white striped affair is huge! It covers Jack’s entire midsection with much left for a lengthy dangle over the baldric. If buying online, check the dimensions carefully as many craftspeople make smaller versions. It should be about a foot wide and almost as long as a car. POTC Costume Designer Penny Rose Goes to World's End for Fabrics POTC costume designer Penny Rose literally combed the world for fabrics and materials from which to create the costumes for At World's End. Baldric & belts: The dark brown gun belt is worn midway over the sash, exposing it above and below. The baldric is for sword carriage and the buckle is kept at chest level over the right breast. Then sweep the sash over the baldric on the left. The buckle has a clamshell motif in the first film but gets traded in for a more ornate design in the sequels. From the second film on, a second belt in a lighter shade is added, awkwardly askance below the gun belt, still allowing the bottom of the sash to show. "I spend three or four weeks intensively shopping at textile fairs, or with antique textile dealers. Then it travels everywhere we go. We have workrooms on all of the islands and locations where we shoot, so that everything is within the room.” For Rose, the story and character developments go hand in hand with their costume changes. Except, of course, for “Captain Jack Sparrow.” "Jack can never change,” insists Rose. "He doesn't have a closet full of clothes. He is “Captain Jack,” and the clothes make the man. Buckles for belts. (left) The clam-shell buckle is for a film 1 baldric while the other baldric replicates the sequel look,as described. The tan number is the second belt. Sash (above) covers “Jack's” midsection, and should be about the length of a car! The Virtual Costumer Volume 12, Issue 2 -10- "For example,” Rose said of costuming actor Johnny Depp for At World's End, "'Captain Jack's' sash was made by a hill tribe in Turkey, and I had to send someone to Turkey to persuade that tribe to weave me some more of the sash material. Because we tried to print it on old French hemp and linen sheets, but it just wasn't the same. So the hill-tribe people made me another hundred yards.” Source: Cinema Review May 2014 Belt accessories: If carrying the pistol, tuck it into the sash itself. The compass dangles from the left off the lower belt and should be fastened in an easily detachable way so it can be held as a prop. (You can get away with a modern snap hook.) For the sequel look, a chicken foot charm dangles from the lower belt buckle (most likely bestowed upon him by “Tia Dalma”). Forearm makeup: The "P" (for pirate) brand and the sparrow sunrise tattoo go on the arm just above the wrist and midway to the elbow, respectively. Many artists can copy them freehand. Stencils and rub-ons are also available. (If you want to go overboard with ink and wounds, peruse the PotC discs' special features and freeze frame shirtless scenes toward the beginning of At World's End to see the turmoil his torso has taken. Wrist wrap(s): There’s a knit black band wrapped around the right wrist. Around his left is a bit of cheese cloth. Palm glove: Functionally meant to prevent rope burn, this item (right) is the easiest to construct. Just cut a bit of pliable, brown leather or vinyl in the shape of the wearer’s palm. Include holes to form loops for the thumb, middle, and ring finger. Likewise make some smaller holes near the base of the palm through which to thread a strand. Tie the strand around the wrist to secure. Rings: The Master Replica rings are a good, economical option. In the first film, “Jack” wears one ring with a green stone set in skulls on his right forefinger. For costume purposes, this is called the skull ring. In movie #2, this gets complemented by the jewel encrusted button ring and the green, oval-shaped dragon ring, so named for the silvery dragons it depicts. These are worn on the left ring finger and forefinger, respectively. “Jack” is later shown stealing a gold ring with a violet jewel which we call the stolen ring. At that point, “Jack” switches the dragon ring to his thumb and the stolen ring rides on the left forefinger. If doing the On Stranger Tides version of the costume, the stolen ring Clockwise from left: forearm makeup from screen cap; replica compas; wrist wrap and palm glove,Master Replica skull ring. The Virtual Costumer Volume 12, Issue 2 -11- May 2014 is optional because “Angelica” steals it from “Jack.” The bandanna: A dark red, patterned scarf clings to “Jack’s” dome and trails down his back the length of his hair. It goes over the dreads and under the pony tail. The sailing needle: Actually a Chumash hairpin, this is the most authentic part of my costume. In networking, I was referred to Graywolf, the maker of the accessory seen in the films. He says that “Jack's” way of using it in his hair is comically improper but he's pleased that it has remained a part of the costume. To copy “Jack's” odd look, tie a side pony tail on the right and lash the needle around it. (I cheat with a black hair band, myself.) For authentic copies of the needle, contact the museum Graywolf represents through Chumash Indian Museum. Bead strands: The more prominent strands have particular names. The one with spotted beads is called the skunk strand. The blue disc is called the ocean coin. The long one is the coin strand. Most recognizably, the piece of eight is fixed over the bandanna above “Jack’s” right eye. It's replaced by a similar strand tipped with a large tooth by the fourth film. There are so many coin strands making up the set that only careful attention to detail can get everything in the right place. Face makeup: An unshaven, heavily tanned “Jack” rings truest to form. Remember; pirates had no sunglasses so heavy eyeshadow becomes the Captain. (Here, again, is a chance to characterize him by showing off.) His eyelids look heavy in most scenes, as if he wants you to notice his makeup.) For special effects, add a patch of rouge under the right side of his jaw to indicate his sore. For the On Stranger Tides update, there's an x-shaped scar upon the left cheekbone. Goatee beads: “Jack’s” beard is finely braided into two strands tipped with two beads each. It is possible to find screen accurate beads but they're such a minute detail that one need not be particular. If threading a real beard, beads with wide holes are a great boon. Hair/wig: “Jack” has ludicrously long hair reaching past the end of his ribcage. the back is lashed as a pony tale with many protruding dreads around his crown. My natural hair serves as the former while my dreadlocks are provided by Jean Batt of Cybermantic Hair. Fully styled wigs have been known to come up on eBay but they’re pricey. Curiously, some of the dreads appear to be bleached in On Stranger Tides. The hat: Any ren faire leather worker can whip up a nice tricorner while you wait! The shape and cracking are tricky to get just right, so someone with experience at this replication is preferable. The coat: Patterns abound to copy the coat but it's only to be attempted by an expert. I may yet commission a new one. I think that Eva Vanaceck wanted the job! Bandana and sailing needle. (left) Leather tricorn hat. (above) The Virtual Costumer Volume 12, Issue 2 -12- May 2014 At Article's End In a way, impersonating “Captain Jack” has taken me to World's End and back. It has opened doors, it has made me friends, it has shown me the convention circuit from all sides. Putting on a costume is like changing from an invisible secret identity to a famous super hero; the attention you garner can get a little intoxicating. With “Captain Jack,” never forget that doing the character is key. When I started out, it made a cheap costume into something noteworthy. At Disneyland, it changed me from a generic pirate to a head turner. If you do the character, you'll find that not everyone's a critic; just many people. Happily, most are usually just appreciative. Thanks and Credits My heartfelt thanks to everyone who contributed to the costume, over the years: • To Alexandra Connell for going to the movies with us, all those years ago, and lending her design skills to get me started. Likewise; to Cara Yim who, sadly, is no longer with us. • To my friend since childhood, Maya Attia, for constructing the original coat! • To Graywolf for the hairpin and the story behind it! (and Pepper Alexandria for the referral!) • To Helen "TK" Garcia for the best makeup job I've had. • To Brianna Farber for the superb vest in a pinch, helping me describe it in this article, and always being there to talk. • To Jean Batt for the dreadlocks. • To everyone who helped me get votes in the Disney contest, and to all those who’ve complimented my “Jack” act over the years. I’m really self-conscious as anyone, at heart. I needed it. Al Megas is s a rogue writer for various freelance publications like this one and has been a newsletter volunteer for multiple Bay Area sci-fi conventions. These days, he pays the bills by working relief shifts for the caregivers of his 95-year-old grandmother! He's also available for your pirate cosplay entertainment needs! You can contact him at Rackstraw@gmail.com Al Megas as “Captain Jack” (screen-accurate version) at WonderCon. The Virtual Costumer Volume 12, Issue 2 -13- May 2014