live auction - Hodgins Art Auctions Ltd.

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HODGINSAUCTION.COM
AUCTION
November 23, 2015
November 24, 2015
Lot 93 Marion Nicoll
Lot 31 Illingworth Kerr
FALL 2015 AUCTION
Featuring Artwork from:
Estate of Dr. Howard Freeze, Calgary
Estate of John Lecky, Calgary
Estate of Bob Riley, Calgary
PREVIEW
Saturday, November 21
Sunday, November 22
Monday, November 23
Noon to 4 pm
Noon to 4 pm
10 am to 2 pm
LIVE AUCTION
Monday, November 23 @ 7 pm Lots #1 - 176
Tuesday, November 24 @ 7 pm Lots # 200 - 332
LIVE WEBCAST BIDDING
Preview and Auction
to be held at
Hodgins Art Auctions Ltd.
5240 1A St. S.E., Calgary, Alberta T2H 1J1
Tel: [403] 252-4362 Fax: [403] 259-3682 www.hodginsauction.com
TERMS AND CONDITIONS OF SALE
1. A premium of 17% of the successful bid price (including
absentee bids & telephone bids) shall be added thereto and is
payable by the purchaser as part of the total purchase price.
2. Goods and Services Tax of 5% will be charged on the hammer
price and buyer’s premium on all lots.
H.S.T. in rates applicable to the purchasing province will apply
unless the purchaser takes legal possession of purchases within
Alberta. If a purchaser from an HST eligble province arranges
their own shipping thent the legal delivery is deemed to have
occurred within Alberta and only GST shall apply.
3. Although Hodgins Art Auctions takes great care and diligence
in cataloguing of lots offered for auction, all property is sold ‘as
is’ and neither we nor the Consignor make any warranties or
representations as to the correctness of the catalogue entry or
other descriptions contained therein, of the physical condition,
size, authenticity, or quality. Prospective bidders should inspect
the property before bidding to determine the condition, size, and
whether the purchaser acquires any reproduction rights in the
property.
All photographic representations and other illustrations presented
are solely for guidance and are not to be relied upon in terms of
tone or colour or necessarily to reveal any imperfections in the lot.
4. Notwithstanding the preceding condition, if within twenty-one
(21) days of the sale of any lot, the purchaser can provide to us in
writing, the opinion of two acknowledged experts that the art, as
outlined in the glossary, is in effect inaccurately described in the
catalogue and within fourteen (14) days after such notice the
purchaser returns the lot to us in the same condition as when sold,
we as agent for the Consignor will rescind the sale and refund the
purchase price.
Due to both time constraints and changing scholarly opinion 19th
century and earlier works of art are not subject to the provisions
as outlined in paragraph four (4) above.
5. We reserve the right to withdraw any property before sale.
6. Unless otherwise announced by the auctioneer, all bids are per
lot as numbered in the catalogue.
7. The auctioneer reserves the right to refuse admission to the sale
or to refuse to recognize any or all bids from any particular person
or persons at any auction.
If the auctioneer decides that any opening bid is below the value
of the lot offered, he may reject the same and withdraw the lot
from sale, and if, having acknowledged an opening bid, he
decides that any advance thereafter is insufficient, he may reject
the advance.
8. The highest bidder acknowledged by the auctioneer will be the
purchaser. In the event of a dispute between bidders, or in the
event of doubt on our part as to the validity of any bid, the
auctioneer will have the final discretion either to determine the
successful bidder or to reoffer and resell the article in dispute. In
any dispute arises after the sale, our sales record is conclusive.
9. On the fall of the auctioneer’s hammer, title to the offered lot
will pass to the highest bidder acknowledged by the auctioneer,
subject to the conditions set forth herein, and such bidder
thereupon (a) assumes full risk and responsibility therefor, (b) will
thereupon pay the full purchase price therefore or such part as we
may require. All property must be removed at the purchaser's
expense not later than seven (7) days following its sale, after
which date the purchaser shall be responsible for all storage
charges until the date the lot is removed from the offices of
10. Payment in full must be made on the day of the sale by cash,
certified cheque, travelers cheque, Visa, Mastercard, or bank
draft, unless other arrangements have been made with the
auctioneer.
If the purchaser fails to pay for any lot within seven (7) days from
the date of the auction sale, Hodgins Art Auctions Ltd. may,
without limitation of rights of Hodgins Art Auctions Ltd. against
the buyer, resell any of the articles affected and in such case the
original buyer shall be responsible to Hodgins Art Auctions Ltd.
for; (a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer; (b) any
reasonable charge by Hodgins Art Auctions Ltd. for the storage of
such articles until payment and removal by the subsequent buyer;
(c) the amount of commission which Hodgins Art Auctions Ltd.
would have earned had payment been made in full by the original
buyer.
11. Neither Hodgins Art Auctions Ltd. nor its employees nor its
agents shall be liable for any loss or damage of kind to the lots
after the expiration of seven (7) days from the date of the sale,
whether caused by negligence or otherwise, while any lot is in or
under the respective custody or control of Hodgins Art Auctions
Ltd.
12. It is the responsibility of the buyer to make all arrangements
for insuring, packing and removing the property purchased and
any assistance by Hodgins Art Auctions Ltd. or the employees of,
agents or contractors in packing and removal shall be rendered as
a courtesy and without any liability to them.
Hodgins Art Auctions Ltd. shall not be liable for any damage to
glass or frames of the lot and shall not be liable for any errors or
omissions or damage caused by packers and shippers
notwithstanding the fact that Hodgins Art Auctions Ltd. may have
recommended such shippers or packers to the purchaser.
13. The purchaser(s) acknowledges that certain properties of
Canadian cultural import may be subject to the provisions of
Cultural Property Import and Export Act of Canada.
14. Persons attending the previews and , sales, or during removal
of goods assume all risks to person and property and specifically
releases Hodgins Art Auctions Ltd. from liability. Hodgins Art
Auctions Ltd. shall not be held liable by reason of any defect in or
condition of the premises on which the auction sale is being held.
15. This agreement comprises the entirety of the contract between
Hodgins Art Auctions Ltd. and the buyer. Hodgins Art Auctions
Ltd. shall not be held liable in respect of any representations not
made in writing herein. This agreement shall be governed in
accordance with the laws of the Province of Alberta. In the event
of a dispute hereunder, the Buyer agrees to submit to the exclusive
jurisdiction of the provincial courts and the federal courts sitting
in the Province of Alberta.
GUIDE FOR PROSPECTIVE BIDDERS
BIDDING OPTIONS
Our live auctions now feature a LIVE WEBCAST. What does this mean?
Live auctions are held at our showroom with an auctioneer and bidders in attendance. We have enabled our Live Webcast
system. You can now be at a computer anywhere, listening to the auctioneer and bidding in real-time, as long as you
pre-register and are logged in.
WAYS TO BID?
IN PERSON
Register in-house, obtain your bid card, and attend the auction.
WRITTEN ABSENTEE BIDS
Complete the Absentee Bid Form (found online or at the end of the catalogue), list your maximum bids, and
return the form to us by fax or email. Alternately, complete a form at the preview and submit it in person. Please
read the Guide to Absentee Bidders prior to completing the form. A staff member will adminster your bids
during the auction.
TELEPHONE BIDDING
To arrange a phone bid, please complete the Absentee Bid Form, indicating “PHONE” in the “Top Price” column
and submit it to us. A staff member will call you during the auction. This representative will relay information
and your bids during the sale. You should provide a backup phone number and/or a backup Absentee Bid in case
we are unable to reach you.
NEW FEATURE: ELECTRONIC WEBCAST BIDDING
The Web Catalogue now allows you to register for the Webcast and place electronic Webcast Bids prior to the
auction. A Webcast Bid is similar to an Absentee Bid, but it is adminstered by the software. Simply click into
the lot detail page, fill in your maximum bid, and click on the “Place Bid” button. Once you confirm your bid,
it take effect immediately. This is a contractually binding bid. The current top bid will appear online prior to
the auction (but not the maximum).
NEW FEATURE: REAL-TIME WEBCAST BIDDING
Register to bid through our Web Catalogue (you will receive a confirmation email). Approximately one half hour
prior to the auction a “Bid Live” button will appear.
As long as you are registered and logged in you will be able to listen to the auctioneer and bid in real-time
through your computer. If you choose this option please register early as we WILL NOT be able to offer
assistance during the auction.
GUIDE FOR PROSPECTIVE BIDDERS
BUYER’S PREMIUM
A premium of 17% will be added to the successful bid price of all property sold by Hodgins Art Auctions
Ltd. This premium is payable by all purchasers without exception.
GOODS AND SERVICES TAX
G.S.T. of 5% will be charged on the hammer price and buyer’s premium on all lots.
HARMONIZED SALES TAX
Rates applicable to the purchasing province will apply unless the purchaser takes legal possession of purchases
within Aberta. If a purchaser from an HST eligible province arranges their own shipping then the legal delivery
is deemed to have occured within Alberta and only GST shall apply.
REGISTRATION
All bidders need to provide the requested registration information with no exceptions.
RESERVES
A “Reserve” is the confidential minimum price agreed upon between the consignor and Hodgins Art Auctions,
below which the lot cannot be sold. Our standard advice to sellers is that reserves be set at a percentage of the
low estimate. In no case do we permit a reserve to exceed the low estimate.
Hodgins, as agent for the seller, protects reserves. In doing so Hodgins may place bids during the auction if and
when the highest outstanding bid is below the reserve on the lot being offered.
ESTIMATES
Hodgins’ catalogues provide detailed descriptions and pre-auction estimates for each lot included in the sale.
These estimates are guides for prospective bidders and should not be relied upon as representations or predictions
of actual selling prices. Estimates are determined well in advance of the sale date and are subject to revision.
Please contact our offices if you have any questions.
BIDDING
If your bid is successful at the auction, your bidder number will be called out by the auctioneer. You will not be
permitted to take delivery of your purchases until payment has been made.
ABSENTEE / PHONE BIDS
See the “Guide for Absentee Bidders” at the back of the catalogue for complete details.
REMOVAL OF PURCHASED LOTS / SHIPPING
Purchased lots may be picked up from 9 AM - 5 PM Monday-Friday. Please make arrangements to pick up your
purchases no later 72 hours after the end of the auction. Items left beyond this time may be moved to long term
storage, at an additional fee, and will require 24 hours notice to pick up.
Packing & shipping costs will need to be covered under separate invoice. The processing of sold lots will be
handled in the same order as payment is received.
We have been contracting packaging and shipping through third-party providers.
provided with invoices.
Information will be
Monday, November 23 at 7:00 pm
Lots # 1 through # 176
5
Orestes Nicholas (Rick) Grandmaison
1
Robert Genn
4
Arthur George Lloy
Canadian FCA [1936-2014]
Canadian [1929-1986]
ASPEN GROVE
oil on panel
8 x 10 in. (20.3 x 25.4 cm)
WOOD INTERIOR KEDGIE; 1985
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
signed & titled
signed, titled & dated
$ 900 / 1,200
WIND IN THE CHERRY ORCHARD; 1953
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
$ 900 / 1,200
$ 600 / 900
2
William (Bill) Duma
Canadian ASA, RCA [b. 1936]
BEAVER POND
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
$ 700 / 900
3
Gilbert A. Flodberg
6
Rod Charlesworth
Canadian [b. 1938]
Canadian [b. 1955]
SHIMMER
oil on board
14 x 18 in. (35.6 x 45.7 cm)
OKANAGAN LAKE
oil on canvas
20 x 16 in. (50.8 x 40.6 cm)
signed & titled
signed & titled
$ 900 / 1,200
$ 1,200 / 1,500
7
Margaret Dorothy Shelton
Canadian ASA, CPE, CSGA [1915-1984]
SECOND FALLS, JOHNSON’S CANYON;
1974 (1943)
linocut in five colours on paper; ed. #179/200
4 x 5.5 in. (10.2 x 14 cm)
signed, titled, dated & editioned
Note: This print appears on the front cover of
“Margaret Shelton, Block Prints 1936-1984”
(Ainslie-Glenbow).
13
William (Bill) Duma
10
Arthur George Lloy
SPRING COVE (COVE AT WILLIAMS
LAKE); 1978
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
HILLSIDE, WINTER
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
Provenance: Gold Design Fine Arts, Calgary (label
verso)
$ 600 / 900
$ 700 / 900
$ 600 / 900
8
LAKE LOUISE; 1984
linocut in 3 colours on paper; ed. #70/100
7.5 x 11 in. (19.1 x 27.9 cm)
$ 700 / 1,000
11
David Pugh
14
Roland Gissing
Canadian ASA [1895-1967]
FOOTHILLS SCENE; 1993
oil on canvas
24 x 24 in. (61 x 61 cm)
SWIFT CURRENT RIVER
oil on board
14 x 18 in. (35.6 x 45.7 cm)
$ 1,000 / 1,500
$ 1,400 / 1,800
9
WINDERMERE, B.C.; 1977
linocut and woodcut in eight colours on paper
4 x 5 in. (10.2 x 12.7 cm)
Note: Alternately titled “Saint Peters Church,
Windermere”.
$ 500 / 700
12
William (Bill) Duma
15
Neil Patterson
Canadian ASA, FCA, OPA [b. 1947]
ALONG THE SHEEP RIVER
oil on canvas
22 x 28 in. (55.9 x 71.1 cm)
BRIGHT LIGHT
oil on canvas
24 x 36 in. (61 x 91.4 cm)
signed & titled
signed & titled
$ 1,800 / 2,400
$ 2,000 / 2,500
16
RURAL MAIL ROUTE; 1974
linocut on paper; ed. #65/100
7.5 x 10 in. (19.1 x 25.4 cm)
19
Walter Joseph Phillips
$ 400 / 600
Canadian ASA, CPE, CSPWC, MSA, RCA
[1984-1963]
SKI LODGE (TEMPLE LODGE); 1943
colour woodcut on paper
11 x 7.25 in. ( 27.9 x 18.4 cm)
signed & titled; signed in the block
Provenance: Estate of Bob Riley, Calgary
$ 1,500 / 2,500
21
David Lloyd Blackwood
Canadian CPE, CSPWC, OSA, RCA [b. 1941]
WINTER ON BRAGG’S ISLAND; 1975
etching with aquatint and mezzotint on paper;
ed. #18/25
27 x 21.5 in. (68.6 x 54.6 cm)
Provenance: Masters Gallery, Calgary (label verso)
Exhibited: University of Lethbridge (1989)
$ 2,000 / 3,000
17
22
[1984-1963]
YELLOW POPLAR, BANFF; 1979
linocut and woodcut in 6 colours on paper;
ed. #79/200
5 x 4 in. (12.7 x 10.2 cm)
$ 600 / 800
20
ST. GEORGES, BANFF; 1974 (1944)
linocut in six colours on paper; ed. #103/200
4.5 x 5.75 in. (11.4 x 14.6 cm)
$ 500 / 700
18
David Pugh
SNOW-CAPPED MOUNTAIN AND LAKE
oil on canvas
24 x 32 in. (61 x 81.3 cm)
signed
$ 1,500 / 2,000
Tunnel Mountain; 1944
colour woodcut on paper; second state;
ed. #44/100
7.25 x 14.75 in. (18.4 x 37.5 cm)
signed, titled & editioned in pencil; monogrammed
in the block; state noted in pencil on the bottom
margin
Note: Illustrated p. 551 “Walter J. Phillips: The
Complete Graphic Works” (Boulet; 1981)
$ 2,500 / 3,500
26
Shirley Watson
Canadian ASA [20th/21st century]
23
Ernest Luthi
EARLY WINTER ON THE PRAIRIE NEAR
TATE
oil on board
12 x 16 in. (30.5 x 40.6 cm)
29
Ernest Luthi
FOOTHILLS ROAD; 1999
acrylic on canvas
30 x 48 in. (76.2 x 121.9 cm)
signed & dated
$ 900 / 1,200
OLD TIME HARVEST AT KHEDIVE
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
$ 700 / 900
signed & titled
$ 700 / 900
27
Duncan Mackinnon Crockford
24
Robert F. M. McInnis
ELEVATORS (CONRICH, ALTA); 1978
oil on masonite
12 x 16 in. (30.5 x 40.6 cm)
SPRINGBANK WEST OF CALGARY,
ALBERTA; 1987
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
Canadian [b. 1942]
$ 900 / 1,200
$ 600 / 900
28
HIGH RIVER
oil on canvas
20 x 24 in. (50.8 x 61 cm)
BEFORE THE STORM; 1982
oil on canvas
22 x 30 in. (55.9 x 76.2 cm)
$ 700 / 900
THE FARM IN LATE MARCH; 1977
oil on board
14 x 18 in. (35.6 x 45.7 cm)
signed & titled
$ 1,250 / 1,750
25
Theodor Marie Schintz
signed; titled on the stretcher
30
31
Illingworth Holey (Buck) Kerr
Canadian ASA, BCSA, FCA, RCA [1905-1989]
Provenance: Estate of Dr. Howard Freeze, Calgary
$ 2,500 / 3,500
PRAIRIE ROAD, MARCH
oil on panel
12 x 16 in. (30.5 x 40.6 cm)
monogrammed recto; signed & dated verso
$ 3,000 / 4,000
32
Janet B. (Holly Middleton)
35
Roland Gissing
38
Alan Caswell Collier
Canadian ASA, CPE [1920-1989]
Canadian OSA, RCA [1911-1990]
LANDSCAPE, CANADIAN ROCKIES
watercolour on paper
18 x 24.5 in. (45.7 x 62.2 cm)
ON PINCHER CREEK; 1966
oil on board
12 x 16 in. (30.5 x 40.6 cm)
YALE, B.C., ON FRASER RIVER; 1987
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed
signed twice; signed, titled & dated verso
$ 1,250 / 1,750
$ 700 / 900
Provenance: Estate of Dr. Howard Freeze, Calgary;
Hambleton Galleries, Kelowna (label verso)
$ 1,500 / 2,500
39
33
MOUNTAIN VIEW, AUTUMN DAY; 1972
13.5 x 19 in. (34.3 x 48.3 cm)
signed & dated
$ 800 / 1,200
HOWE SOUND; 1990
oil on canvas
24 x 36 in. (61 x 91.4 cm)
36
David Pugh
MOUNTAIN AND GNARLED TREE
oil on canvas
40 x 30 in. (101.6 x 76.2 cm)
$ 6,000 / 8,000
signed
$ 2,000 / 2,500
34
Norman Brown
ON THE WAY TO THE BUGABOOS
oil on canvas
20 x 26 in. (50.8 x 66 cm)
signed & titled
$ 1,000 / 1,500
37
Doris Jean McCarthy
40
Horace Champagne
Canadian CSPWC, FCA, OSA, RCA [1910-1920]
Canadian PSA, PSC [b. 1937]
CASCADE MOUNTAIN, BANFF; 1976
oil on panel
12 x 15.5 in. (30.5 x 39.4 cm)
CONSOLATION LAKE, BANFF; 1989
pastel on paper
48 x 36 in. (121.9 x 91.4 cm)
titled & dated on gallery label verso; inscribed with
artist’s inventory #760928A
Provenance: Canadian Art Galleries, Calgary
Wallack Galleries, Ottawa (label verso)
$ 3,000 / 5,000
$ 5,000 / 7,000
44
Jeff de Boer
WARHEAD; 2003
cast bronze and nickel; ed. #1/24
height 29 in. (73.7 cm)
signed, dated & editioned
This important work by Jeff de Boer began as an
exploration of technologies, a fusion of a 1950s
rocket ship with a Milanese helmet, and with the
observation that while technology has changed, the
basic person has not. “Warhead” came to represent
the power and duality of opposites: masculine and
feminine; beautiful and terrifying; religious and
sacrilegious; yin and yang. As an additional
dimension, a high polish in the bronze was critical to
de Boer, so that viewers could see themselves in the
work.
41
Robert Cadotte
Canadian [b. 1945]
WATCH OUT FOR FALLING ROCKS; 2006
mixed media on panel
32 x 32 in. (81.3 x 81.3 cm)
Provenance: Newzones Gallery, Calgary
In a 2004 video interview de Boer says of this work:
“It’s one of these rare sculptures that you make in
your life. I love this piece because it’s something
that I just can’t see myself improving on... It’s for
me, the perfect object.”
$ 800 / 1,200
Note: While part of an edition, based on prototype
patterns and models, de Boer constructs each
sculpture by hand, with variation, so that each piece
is unique.
$ 4,000 / 6,000
42
Robert Cadotte
Canadian [b. 1945]
TRUCKS TURNING; 2006
mixed media on panel
32 x 32 in. (81.3 x 81.3 cm)
Provenance: Newzones Gallery, Calgary
$ 800 / 1,200
45
Ted Harrison
43
Gershon Iskowitz
Canadian RCA [1926-2015]
VILLAGE WANDERERS; 1981
acrylic on canvas
24 x 36 in. (61 x 91.4 cm)
TREE REFLECTIONS; 1960
21 x 14.25 in. (53.3 x 36.2 cm)
signed & dated; titled on gallery label verso
Provenance: The Arwin Galleries, Detroit
$ 800 / 1,200
Provenance: Estate of John Lecky, Calgary
$ 9,000 / 12,000
49
William Roy (Bill) Brownridge
Canadian ASA, FCA [b. 1932]
46
Allan Dunfield
Canadian FCA [b. 1950]
HIGH AND DRY (INSPIRED BY CRYSTAL
COVE NEAR TOFINO ON VANCOUVER
ISLAND’S WEST COAST); 2015
acrylic on canvas
24 x 30 in. (61 x 76.2 cm)
UNDER A WINTER SUN
acrylic on canvas
20 x 30 in. (50.8 x 76.2 cm)
52
signed & titled
$ 2,000 / 3,000
LADY FRANKLIN ROCK, FRASER RIVER,
B.C.; 1987
oil on board
12 x 16 in. (30.5 x 40.6 cm)
$ 1,500 / 2,500
$ 1,100 / 1,400
47
Robert Genn
GOLDEN POINT
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
50
Robert Genn
53
John H. Burrow
American/Canadian [b. 1955]
EVENING, UCLUELET; 1985
acrylic on canvas
16 x 20 in. (40.6 x 50.8 cm)
AFTER THE RAIN, SQUAMISH SHORE
oil on board
30 x 45.25 in. (76.2 x 114.9 cm)
signed; titled & dated verso
signed & titled
$ 1,600 / 2,400
$ 1,500 / 2,000
54
51
Allan Dunfield
48
William Lewy Leroy Stevenson
FIR TREES
oil on masonite
18 x 24 in. (45.7 x 61cm)
titled verso
BEHIND THE SURF (APPROACHING THE
SURF ON VANCOUVER ISLAND’S WEST
COAST NEAR TOFINO); 2014
acrylic on canvas
20 x 40 in. (50.8 x 101.6 cm)
$ 1,500 / 2,000
$ 2,000 / 3,000
$ 1,200 / 1,500
ON FORTUNE BAY, NFLD (BELLEORAM,
NFLD); 1990
oil on canvas
24 x 36 in. (61 x 91.4 cm)
Kensington Paperworks Galleries, Calgary (label
verso)
$ 6,000 / 8,000
55
David Pugh
58
Roland Gissing
61
David Pugh
MOUNTAIN PEAKS
oil on canvas
24 x 30 in. (61 x 76.2 cm)
NEAR PINCHER CREEK; 1963
oil on board
14 x 18 in. (35.6 x 45.7 cm)
A ROCKY PEAK, SUNSET
oil on canvas
24 x 30 in. (61 x 76.2 cm)
signed
$ 1,500 / 2,000
$ 1,400 / 1,800
$ 1,500 / 2,000
62
[1884-1963]
56
THE VALLEY OF THE TEN PEAKS AND
MORAINE LAKE, ALTA; 1975
oil on canvas
16.25 x 20 in. (41.3 x 50.8 cm)
signed & titled
BEAVER LODGE; 1944
colour woodcut on paper
7.75 x 14.75 in. (19.7 x 37.5 cm)
59
Roland Gissing
ROAD IN KANANASKIS
oil on canvas
24 x 30 in. (61 x 76.2 cm)
signed
$ 3,000 / 4,000
$ 1,500 / 2,000
monogrammed in the block
Note: Phillips lists two states of this print, each as an
edition of 100. The difference appears to be one of
colouration, though the level of variation would
commonly be found in any single edition given the
nature of the medium, thus, the two states are not
distinguished.
$ 2,000 / 3,000
63
60
57
Roland Gissing
EMERALD LAKE; 1962
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed; titled & dated on artist’s label verso
$ 1,250 / 1,750
[1884-1963]
BESIDE THE DEMPSTER HIGHWAY
(YUKON’S OGILVIE MOUNTAINS); 1990
oil on canvas
24 x 32 in. (61 x 81.3 cm)
BURNT TIMBER IN A ROCKY MOUNTAIN
VALLEY; 1945
12.5 x 21 in. (31.8 x 53.3 cm)
signed & dated
$ 5,000 / 7,000
$ 7,000 / 10,000
64
Augustus Frederick Lafosse Kenderdine
SANDSTORM; 1920
charcoal on paper
10 x 14.5 in. (25.4 x 36.8 cm)
initialed & dated; titled on gallery label verso
Provenance: Uno Langmann Limited, Vancouver
$ 1,000 / 1,500
67
Francis Hans (Franz) Johnston
Canadian CSPWC, G7, OSA, RCA [1888-1949]
SNOW SHADOWS
oil on panel
10 x 12 in. (24.5 x 30.5 cm)
signed & titled
$ 6,000 / 9,000
65
William Henry Clapp
HOUSE THROUGH TREES
oil on board
7.5 x 9 in. (19.1 x 22.9 cm)
Provenance: Masters Gallery, Calgary
$ 2,000 / 3,000
66
Frederick Arthur Verner
CANOE ENCAMPMENT; 1897
9.25 x 19.25 in. (23.5 x 48.9 cm)
signed & dated
Reference: see pg. 14 of “The Last Buffalo”
(Murray; 1984) for an illustration of a similar work
from 1896.
$ 6,000 / 8,000
68
Nicholas de Grandmaison
BRAVE WITH RED HEADBAND
pastel on paper
25.5 x 20.25 in. (64.8 x 51.4 cm)
signed
$ 15,000 / 20,000
69
72
Canadian [b. 1942]
SOUTHERN ALBERTA LANDSCAPE,
WINDMILLS NEAR PINCHER CREEK;
1995
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
GROUND, FOG IN MOUNTAINS
oil on masonite
11.25 x 14.25 in. (28.6 x 36.2 cm)
signed & titled
$ 1,000 / 1,500
75
USERY MOUNTAINS NEAR SAGUARO
LAKE; 1982
oil on board
12 x 16 in. (30.5 x 40.6 cm)
monogrammed recto; signed, titled & dated verso
$ 1,500 / 2,000
signed & dated
$ 600 / 900
76
Rick Berg
73
Frank Vervoort
70
George A. Horvath
Canadian [b. 1956]
Canadian [b. 1933]
ANOTHER ALBERTA SKY
oil on canvas
26 x 26 in. (66 x 66 cm)
WINTER, LUMBRECK; 1971
acrylic on board
20 x 26 in. (50.8 x 66 cm)
IDLE; 1991
oil on canvas
20 x 28 in. (50.8 x 71.1 cm)
signed; titled on artist’s label verso
$ 1,000 / 1,500
$ 1,000 / 1,500
$ 1,200 / 1,600
71
Roland Gissing
74
77
Walter Drohan
Canadian [b. 1942]
GOLDEN EVENING; 1966
oil on board
14 x 18 in. (35.6 x 45.7 cm)
STORM FRONT
oil on canvas
24 x 30 in. (61 x 76.2 cm)
BORDERING THE BLACK FIELD; 1987
oil on canvas
37 x 48 in. (94 x 121.9 cm)
signed recto; signed, titled & dated on artist’s label
verso
Provenance: Gainsborough Galleries, Calgary
signed; titled on gallery label verso
Provenance: Canadian Art Galleries, Calgary (label
verso)
$ 1,400 / 1,800
$ 1,800 / 2,400
$ 3,000 / 4,000
78
Colin D. Graham
81
DEEP AUTUMN
gouache on paper
14 x 21 in. (35.6 x 53.3 cm)
$ 500 / 700
CALIFORNIA HILL FARM; 1981
oil on board
16 x 20 in. (40.6 x 50.8 cm)
signed & titled
$ 2,500 / 3,500
82
THE RICHNESS OF ALGOMA (NORTH OF
THE SOO, ONT.); 1990
oil on canvas
30 x 40 in. (76.2 x 101.6 cm)
$ 7,000 / 9,000
79
Frank Vervoort
AUTUMN DAY
oil on board
18 x 24 in. (45.7 x 61 cm)
$ 1,000 / 1,500
83
Alexander Young Jackson
Canadian CGP, G7, OSA, RCA [1882-1974]
ONWARD RANCH; 1949
oil on panel
10.5 x 13.25 in. (26.7 x 33.7 cm)
signed; titled & dated verso
Provenance: Loch Gallery, Winnipeg (label verso)
80
“It will always go onward” were the words used by Charles Eagle to describe his ranchland near
William’s Lake, BC. The ranch was established during the Cariboo Gold Rush, situated next to the first
gold miner’s trail. In the early days, miners often sought refuge there during the coldest winter days.
BADGER CREEK AT MANITOBA HWY.
#5; 1990
oil on board
12 x 16 in. (30.5 x 40.6 cm)
$ 1,500 / 2,500
The ranch was purchased and transformed in 1920 by Charles George Cowan and his wife Vivien, who
was a strong patron of the arts. Vivian studied at the Banff School of Fine Arts, developing a long-term
family friendship with A.Y. Jackson. Jackson stayed at the Cowan’s Onward Ranch during many summers, often for weeks at a time. The ranch became a place of significance in the arts community. It was a
regular haunt for artists, musicians and creative people, and during one of Jackson’s trips, saw the
inauguration of the Cariboo Arts Society.
$ 20,000 / 25,000
84
Allen Smutylo
Canadian OSA [b. 1946]
NUNAVUT COASTLINE
colour etching on paper; ed. #18/50
17 x 30.5 in. (43.2 x 77.5 cm)
90
Horace Champagne
87
Roland Gissing
signed, titled & editioned
$ 600 / 800
Canadian ASA [1895-1967
MOUNTAIN LAKE
oil on board
12 x 16 in. (30.5 x 40.6 cm)
MORNING SUN ON CLIMBING ROCK,
LAKE O’HARA; 1993
pastel on paper
24 x 18 in. (61 x 45.7 cm)
signed; titled on artist’s and gallery labels verso
Provenance: Alex Fraser Galleries, Vancouver
$ 1,250 / 1,750
$ 2,000 / 3,000
85
Roland Gissing
RED EAGLE LAKE, GLACIER NATIONAL
PARK (after John Fery); 1951
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
$ 1,250 / 1,750
91
Doris Jean McCarthy
88
Irene Wahl
Canadian CSPWC, FCA, OSA, RCA [1910-1920]
FROM THE SNARING ROAD; 1994
oil on panel
12 x 15.75 in. (30.5 x 48 cm)
Canadian ASA [b. 1927]
VERMILLION LAKES
oil on gallery-wrapped canvas
32 x 41.75 in. (81.3 x 106 cm)
signed & titled
$ 1,000 / 1,500
$ 3,000 / 5,000
92
Wilf Perreault
86
Ted Raftery
89
Cameron Bird
Canadian [b. 1938]
Canadian [b. 1971]
MT. LOGAN, BASE CAMP, Y.T.; 1991
oil on canvas
16 x 20 in. (40.6 x 50.8 cm)
BETWEEN STORMS, MT. NIGEL
oil on canvas
30 x 40 in. (76.2 x 101.6 cm)
signed & titled
Provenance: Artym Galleries, Invermere
$ 800 / 1,000
titled; titled & dated on gallery label verso;
inscribed with artist’s inventory #940418B
Provenance: Wynick/Tuck Gallery, Toronto
Canadian RCA [b. 1947]
$ 2,500 / 3,500
WET FALL; 1991
acrylic on canvas
42 x 42 in. (106.7 x 106.7 cm)
Provenance: Former collection of Gus van
Wielingen, Calgary
$ 3,000 / 4,000
93
Marion Florence Nicoll
Canadian ASA, RCA [1909-1985]
RITUAL; 1962
oil on canvas
48.5 x 28.25 in. (123.2 x 71.8 cm)
signed & dated recto;
signed, titled & dated “April ‘62” verso
Provenance: Former collection of Hugh McMillan,
Calgary, by descent to the family. Mr. McMillan was
a prominent architect and philanthropist. His notable
projects in Calgary included the Calgary Centennial
Planetarium, the Calgary Herald Building and the
Southern Alberta Institute of Technology. This work
was originally acquired through the Business Art
Service, Women’s Committee, of the Calgary Allied
Arts Centre (label verso)
References: “Ritual II” (alternately titled “Birth
Ritual”), 1963 oil on canvas; Collection of the
Alberta Foundation for the Arts. See pp. 29-30
“Marion Nicoll: Silence and Alchemy” (Davis &
Herbert; 2013) and p. 31 “Marion Nicoll Art and
Influences” (Jackson/Glenbow Museum; 1986).
Jackson writes of Nicoll’s focus during this time:
“The concepts of essential form, the primordial and
the archetypal became extremely important to
Marion later in the 60s when she wholeheartedly
committed herself to abstraction.” (p. 17)
Of her years following New York, and works of this
theme and imagery, he observes: “Increasingly her
work during the period became centred around
landscape and seasonal phenomena....The figure,
which had so occupied her while she was in New
York, virtually disappeared from her major canvases.
There are a few examples, Ritual II, 1962, Pregnant
Woman, 1933, but they are very different from her
work from the model. They are concerned with the
common events shared in virtually all women’s
lives, the rites of passage, rather than events in a
particular woman’s life. (p. 26)
$ 15,000 / 20,000
94
Lissi Legge
Canadian FCA, SCA [b. 1949]
100
Helmut Gransow
97
Horace Champagne
FALL IS HERE
oil on canvas
24 x 36 in. (61 x 91.4 cm)
signed & titled
$ 1,000 / 1,500
Canadian CPE, RCA [1921-2000]
MAPLE SYRUP IN THE OLD FASHIONED
WAY; 2004
pastel on paper
16 x 20 in. (40.6 x 50.8 cm)
LAURENTIAN ROAD IN APRIL; 1975
oil on masonite
16 x 20 in. (40.6 x 50.8 cm)
Provenance: Galerie Bernard Desroches, Montreal
$ 600 / 900
$ 2,000 / 3,000
95
Kathryn Amyson
Canadian [20th/21st century]
MEANDERING HOME
acrylic on canvas
24 x 48 in. (61 x 121.9 cm)
signed & titled
Provenance: Stephen Lowe Gallery, Calgary (label
verso)
$ 1,000 / 2,000
98
Henri Leopold Masson
Canadian CGP, CSPWC, RCA [1907-1996]
101
Frank Vervoort
A TOUCH OF AUTUMN (NEAR CANTLEY,
QUE.); 1976
oil on masonite
16 x 20 in. (40.6 x 50.8 cm)
Provenance: Kastel Gallery, Montreal
BOWNESS PARK; 1979
oil on canvas
26 x 30 in. (66 x 76.2 cm)
$ 1,100 / 1,400
$ 2,000 / 3,000
102
Horace Champagne
96
Cheryl Chartier
99
Gaston Rebry
Canadian [b. 1952]
GLOWING PINES, GEORGIAN BAY
oil on canvas
36 x 24 in. (91.4 x 61 cm)
MAGIE D’UN SOIR
oil on canvas
24 x 30 in. (61 x 76.2 cm)
signed & titled
signed & titled
$ 800 / 1,100
MARCH COLOURS, AFTER SUNSET (LES
EBOULEMENTS P.Q.); 1988
pastel on paper
30 x 40 in. (76.2 x 101.6 cm)
$ 2,500 / 3,500
$ 4,000 / 6,000
109
Janet Mitchell
103
106
Jack Nichols
Canadian [b. 1942]
BLUE FLOWERS; 2003
oil on canvas
20 x 16 in. (50.8 x 40.6 cm)
MONOLOGUE
mixed media on paper
29 x 20.5 in. (73.7 x 52.1 cm)
Provenance: Wallack Galleries, Ottawa
signed; titled on label verso
Canadian ASA, CSPWC, RCA [1912-1998]
END OF A SEASON
watercolour and gouache on paper
15 x 22 in. (38.1 x 55.9 cm)
Provenance: Canadian Art Galleries, Calgary
$ 900 / 1,200
$ 600 / 800
$ 800 / 1,200
104
Horace Champagne
A NEW FEELING IN THE STUDIO WITH
THE PINK VASE; 1992
pastel on paper
18 x 24 in.
107
John Howard Gould
110
William Arthur Winter
Canadian CSGA, RCA [1929-2009]
Canadian CGP, CSPWC, OSA, RCA [1909-1996]
THE GARDEN HAT; 1993
mixed media on paper
13.75 x 13 in. (34.9 x 33 cm)
THE SHOPPER; 1985
oil on board
12 x 16 in. (30.5 x 40.6 cm)
signed; titled & dated on gallery label verso
Peter Ohler Fine Arts, Vancouver
$ 800 / 1,200
$ 600 / 900
Masters Gallery Ltd., Calgary
$ 2,000 / 3,000
105
Janet Mitchell
HIDE & GO SEEK; 1983
19 x 27 in. (48.3 x 68.6 cm)
108
111
Janet Mitchell
THE CORRIDA, MADRID; 1965
oil on board
12 x 16 in. (30.5 x 40.6 cm)
THE PLACE WHERE THE MOONBIRD
RESTS FROM HIS FLIGHT; 1990
22 x 30 in. (55.9 x 76.2 cm)
Kensington Gallery, Calgary; Roberts Gallery,
Toronto
signed
$ 2,000 / 3,000
$ 800 / 1200
Masters Gallery, Calgary
$ 2,000 / 3,000
115
[1884-1963]
112
ROSIE; 1918
colour woodcut on paper; 1st state; ed. of 50
5.5 x 4.5 in. (14 x 11.4 cm)
Canadian ASA, CPE, CSPWC, MSA, RCA [1884-1963]
AN ESSAY IN WOODCUTS; 1930
wood engravings on paper; ed. #28/120 (10)
various dimensions; framed
signed & titled; monogrammed in the block
$ 600 / 900
each signed & editioned
Note: Includes “Dugout”; “The Hoh-Hok House Posts at Karlukwees”; “House of the Gulls, Karlukwees”;
“Zunuk, Karlukwees”; “Shacks on the Beach, Karlukwees”; “Ruin, Tsatsisnukomi”; “Thunderbird, Alert
Bay”; “The Clothes Line, Mamalilicoola”; “The Floating Dock, Mamalilicoola”; “Community Houses,
Mamalilicoola”
The sketchbook Phillips used during his West Coast trip of 1926 to the Kwakiutl country captured his
fascination with the totem poles he saw at Alert Bay, with Karlukwees and New Vancouver (Tsatsisnukuomi).
One day, while leafing through the pages of his sketchbook and revisiting his trip, Phillips was inspired and
compelled to convert several of these powerful images into a folio of wood engravings. Art collectors of that
time had become quite attracted to black and white prints as a medium, so he saw this as a two-fold
opportunity. The result, was “An Essay in Woodcuts”. While Phillips had produced two previous portfolios,
this one was the most unified in subject and medium. In his preface to the folio, Phillips says of wood
engraving that “no black is so rich and ‘fat’...and no white is so pure.” Phillips prized the medium for its
“graphic boldness, directness and simplicity”.
$ 4,000 / 6,000
116
113
[1884-1963]
SOFT MAPLE; 1930
colour woodcut on paper; ed. #54
4 x 4.25 in. (10.3 x 10.8 cm)
[1884-1963]
114
[1884-1963]
signed & editioned; monogrammed in the block
Note: Produced as the Christmas greeting of 1930.
Illustrated p. 90 “The Tranquility and the
Turbulence” (Boulet).
$ 600 / 900
MARGARET; 1918
colour woodcut on paper; edition of 50
diameter: 4.5 in. (11.4 cm)
signed; monogrammed in the block
$ 600 / 900
SUMMER IDYLL; 1926
colour woodcut on paper; ed. #95/100
18 x 12 in. (45.7 x 30.5 cm)
signed, titled & editioned; monogrammed & dated
in the block
Note: Illustrated p. 71 of “The Tranquility and the
Turbulence: The Life and Work of Walter J. Phillips”
(Boulet).
$ 16,000 / 20,000
120
Peter Eegeechiak (Eyeetsiak/Ejesiak)
117
Jack Lee Cowin
Canadian, Cape Dorset [1937-2011]
American/Canadian [1947-2014]
BULL OF THE BOW (WESTERN TROUT
SERIES); 1984
hand-coloured etching on paper; ed. #13/25
(unique)
17 x 21.75 in. (43.2 x 55.2 cm)
WALRUS; 1981
green stone
9.5 x 13.5 x 7.5 in. (24.1 x 34.3 x 19.1 cm)
signed faintly & dated
$ 900 / 1,200
123
Steve Hoar
THE OUTLAW; 1979
bronze; ed. #2/20
28.75 x 25 x 16 in. (73 x 63.5 x 40.6 cm)
$ 3,000 / 5,000
$ 600 / 900
121
Mark Totan
Canadian, Igloolik [b. 1953]
GRIZZLY, REFLECTION
green stone
10 x 18 x 7 in. (25.4 x 45.7 x 17.8 cm)
$ 1,000 / 1,500
124
Allen Sapp
BOYS PLAYING HOCKEY
acrylic on canvas
16 x 20 in. (40.6 x 50.8 cm)
118
Jody Skinner
signed
ONE OUTRIDER, HORSE FACE
oil on canvas
20 x 19 in. (50.8 x 48.3 cm)
$ 1,800 / 2,400
signed & titled
$ 1,200 / 1,600
119
Allen Sapp
GETTING WATER; 1979
acrylic on canvas
12 x 16 in. (30.5 x 40.6 cm)
signed; titled & dated on gallery and artist’s labels
Provenance: Continental Galleries, Montreal
$ 2,000 / 2,500
122
Ted Harrison
125
Ted Harrison
NORTHERN MOTHER & CHILD; 1969
acrylic on board
16 x 12.25 in. (15.2 x 31.1 cm)
THE ROUND UP; 1992
acrylic on canvas
18 x 24 in. (45.7 x 61 cm)
signed & dated
$ 3,000 / 4,000
$ 6,000 / 8,000
132
126
Manley Edward MacDonald
BOAT AT THE WATER’S EDGE; 1881
11.75 x 24.75 in. (29.8 x 62.9 cm)
129
Roland Gissing
Canadian, OSA, RCA [1889-1971]
NEAR LAKE SIMCOE
oil on board
10.25 x 15 in. (26 x 38.1 cm)
signed & dated
signed & titled
$ 1,000 / 1,500
$ 2,000 / 4,000
NEAR TURNER VALLEY; 1966
oil on board
12 x 16 in. (30.5 x 40.6 cm)
$ 1,000 / 1,500
133
INDIAN ENCAMPMENT; 1877
7 x 18.25 in. (17.8 x 46.4 cm)
signed & dated; titled on matting
$ 6,000 / 8,000
127
Ernest Lindner
130
Roland Gissing
Canadian CPE, CSGA, FCA, RCA [1897-1988]
THE WINTER TRAIL; 1937
oil on board
14 x 20 in. (35.6 x 50.8 cm)
THE TRAPPER’S CABIN
oil on canvas
16 x 20 in. (40.6 x 50.8 cm)
signed, titled & dated; personal inscription verso
$ 1,000 / 1,500
signed & titled
$ 1,500 / 2,000
128
Peter Clapham Sheppard
131
134
Nicholas de Grandmaison
OPEN STREAM
oil on panel
10 x 14 in. (25.4 x 35.6 cm)
RAIN NEAR A BRIDGE
oil on masonite
24 x 30 in. (61 x 76.2 cm)
ALDRED SMALL LEGS, PEIGAN; ca 1942
pastel on paper
22 x 17.25 in. (55.9 x 43.8 cm)
Provenance: Canadian Fine Arts, Toronto
signed & titled verso
$ 1,500 / 2,000
$ 2,000 / 3,000
Masters Gallery, Calgary
$ 15,000 / 20,000
138
Alfred Crocker Leighton
135
Richard Audley (Dick) Freeman
Canadian ASA, CSPWC, RBA, RCA [1901-1965]
BROODING SKY, FOOTHILLS
11.25 x 15.25 in. (28.6 x 38.7 cm)
LOOKING SOUTHWEST; 1973
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
signed
$ 800 / 1,000
141
Malcolm James (Mac) MacKenzie
NOT ALL BLUFF; 1975
bronze; ed. #7/10
11.75 x 8 x 8.5 in. (29.8 x 20.3 x 21.6 cm);
excluding base
$ 600 / 800
136
Ernest Luthi
$ 600 / 800
142
Karl Lansing
139
Neil Patterson
Canadian [b. 1959]
HARVEST NEAR CARMEL
oil on board
12 x 16 in. (30.5 x 40.6 cm)
NORTHERN LIGHTS
oil on masonite
16 x 20 in. (40.6 x 50.8 cm)
signed & titled
$ 700 / 900
137
Peter Ewart
signed & titled
143
Charles A. (Charlie) Beil
BEFORE SUNRISE - THOMPSON RIVER
VALLEY
oil on masonite
20 x 24 in. (50.8 x 61 cm)
Provenance: Estate of John Lecky, Calgary; Alex
Fraser Galleries, Vancouver
signed & dated; titled on gallery labels verso
Provenance: Canadian Art Galleries, Calgary;
Glenmore Gallery, Toronto
$ 1,000 / 1,500
$ 1,000 / 1,500
$ 1,000 / 1,500
140
Dorothy Elsie Knowles
CHALLENGER
bronze on a marble and wood base; ed. #13/25
12.25 x 16.5 x 8.5 in. (31.1 x 41.9 x 21.6 cm),
excluding base
STRAWBERRY VALLEY; 1975
charcoal & watercolour on paper
22 x 30 in. (55.9 x 76.2 cm)
$ 1,000 / 1,500
CALF ROPING
bronze
13 x 19.5 x 5.5 in. (33 x 49.5 x 14 cm)
signed
Provenance: former collection of Gid Garstad,
Canadian Pro Rodeo Association Bull Riding
Champion 1958, 1959, 1964, 1965 & 1966.
$ 3,000 / 5,000
144
148
BACKYARD RINK; 1983
oil on board
12 x 16 in. (30.5 x 40.6 cm)
YUKON RIVER
oil on canvas
24 x 32 in. (61 x 81.3 cm)
signed & titled
$ 800 / 1,200
$ 5,000 / 7,000
147
Stanley Morel Cosgrove
Canadian CGP, RCA [1911-2002]
TREES; 1967
oil on canvas
32.25 x 25.25 in. (81.9 x 64.1 cm)
signed & dated
$ 4,000 / 6,000
145
Peter Shostak
Canadian [b. 1943]
THIS IS NOT A BUSY ROAD; 1991
oil on canvas
12 x 16 in. (30.5 x 40.6 cm)
$ 1,000 / 1,500
149
Jean-Paul Lemieux
CANADA; 1985
colour serigraph on paper, ed. # 173/225 (12)
each 15.25 x 20 in. (38.7 x 50.8 cm)
146
Horatio Walker
each signed, titled & editioned
Titles include: “British Columbia”, “Alberta”, Saskatchewan”, “Manitoba”, “Ontario”, “Quebec”, “New
Brunswick”, “Nova Scotia”, “Prince Edward Island”, “Newfoundland”, “Yukon” & “Northwest Territories”.
SUMMER LANDSCAPE
oil on canvas, laid on board
6.75 x 10 in. (17.1 x 25.4 cm)
initialed
Provenance: Dominion Corinth Galleries Ltd.,
Ottawa
$ 1,500 / 2,500
Note: Unframed, in the original clamshell folio case with preface by Pierre Elliot Trudeau and an
introduction by Pierre Burton. Includes the complete texts and justifications. Additionally signed by Pierre
Burton, Pierre Trudeau & Jean-Paul Lemieux on justification page. Published by Editions ASL, Montreal,
1985.
$ 4,000 / 6,000
150
Horace Champagne
156
Roland Gissing
LAKE OESA, LAKE O’HARA, YOHO
NATIONAL PARK, BC; 1985
pastel on paper
12 x 15 in. (30.5 x 38.1 cm)
$ 1,200 / 1,600
153
David Pugh
LAKE WINDERMERE; 1962
oil on board
14 x 18 in. (35.6 x 45.7 cm)
WILD ROSES; 1988
oil on canvas
48 x 36 in. (121.9 x 91.4 cm)
$ 1,400 / 1,800
$ 2,000 / 3,000
151
Horace Champagne
157
154
Nicholas Johannes Bott
MORNING SUNSHINE ON THE PATH
AROUND LAKE O’HARA; 1993
pastel on paper
16 x 20 in. (40.6 x 50.8 cm)
MOUNTAIN LAGOON, SMITHERS AREA;
1992
oil on canvas
30 x 40 in. (76.2 x 101.6 cm)
THE HAINES ROAD
oil on canvas
24 x 36 in. (61 x 91.4 cm)
$ 6,000 / 8,000
$ 3,000 / 5,000
158
Alfred Crocker Leighton
Canadian ASA, CSPWC, RBA, RCA [1901-1965]
signed & titled
Kensington Paperworks Galleries, Calgary (label
verso)
initialed
$ 2,500 / 3,500
155
Keith C. Smith
RIVER RAPIDS
8.75 x 10.5 in. (22.2 x 26.7 cm)
$ 2,000 / 3,000
152
[1984-1963]
Canadian [b. 1941]
YOHO NATIONAL PARK, B.C. (YUKNESS
LAKE) ; 1993
oil on canvas
22 x 28 in. (55.9 x 71.1 cm)
$ 2,500 / 4,500
STORM IN THE MOUNTAINS; ca 1940
oil on canvas
18.25 x 22.25 in. (46.4 x 56.5 cm)
Provenance: Masters Gallery, Calgary;
Former collection of Jim Millard, Calgary
$ 4,000 / 6,000
159
Glen Pollard
Canadian, Haida Gwaii [b. 1957]
RAVEN AND BEAR PIPE
argillite with abalone inlay
1.5 x 1 x 10.5 in. (3.8 x 2.54 x 26.7 cm)
signed
$ 500 / 700
162
Mark Totan
Canadian, Igloolik [b. 1953]
GRIZZLY; 2006
black stone
8.75 x 17.25 x 8.75 in. (22.2 x 43.8 x 22.2 cm)
signed & dated
$ 1,000 / 1,500
165
CROWFOOT SPEAKS; 1977
bronze; ed. #2/15
13 x 5.5 x 6.5 in. (33 x 14 x 16.5 cm);
excluding base
$ 600 / 800
160
Glen Pollard
Canadian, Haida Gwaii [b. 1957]
TOTEM
argillite with abalone inlay
7.25 x 2.5 x 2.5 in. (18.4 x 6.4 x 6.4 cm)
signed
$ 500 / 700
163
Vilem Zach
166
Norval Morrisseau
Canadian [b. 1946]
CHIEF DAVE CROWCHILD OF THE
SARCEES, 1899-1982
bronze; ed. #16/36
16.75 x 9.5 x 6.75 in. (42.5 x 24.1 x 17.1 cm),
excluding base
BIRD FAMILY WITH BUTTERFLY; c. 1992
acrylic on paper
15 x 22 in. (38.1 x 55.9 cm)
signed in syllabics
Provenance: Coghlan Art Studio & Gallery,
Aldergrove BC
$ 1,000 / 1,500
$ 1,200 / 1,500
161
Kulula Itulu
164
Canadian, Iqaluit [b. 1952]
DRUMMER; 1989
serpentine, bone, sealskin and sinew
15.25 x 17 x 8 in. (38.7 x 43.2 x 20.3 cm)
MEN OF VISION; 1985
bronze; ed. #8/50
10.75 x 11.25 x 3.75 in. (27.3 x 28.6 x 9.5
cm); excluding base
Canadian [b. 1933]
signed & titled
signed in roman and syllabics & dated
$ 1,000 / 2,000
$ 500 / 700
167
Robert Dow Reid
#9100, THREE WEE BIRDS
ivory and rosewood sculpture
height: 17.5 in. (44.5 cm)
$ 500 / 800
171
Tinyan (Chan)
174
Janet Mitchell
168
Frederic Marlett Bell-Smith
MORAINE LAKE - CANADIAN ROCKIES
10 x 6.75 in. (25.4 x 17.1 cm)
TREES AT THE WATER’S EDGE
oil on canvas
24 x 36 in. (61 x 91.4 cm)
signed
$ 800 / 1,200
AT THE LAKE
14.5 x 21.25 in. (36.8 x 54 cm)
signed & dated
$ 900 / 1,200
signed
$ 900 / 1,200
172
Tinyan (Chan)
169
Frederick Stanley Haines
Canadian CPE, CSGA, CSPWC, OSA, RCA
[1879-1960]
NEAR UNIONVILLE
oil on board
8.5 x 10.5 in. (21.6 x 25.4 cm)
175
Frank Vervoort
POOL IN AUTUMN
oil on canvas
24 x 36 in. (61 x 91.4 cm)
signed
$ 800 / 1,200
REFLECTIONS IN A POND; 1982
oil on canvas
32 x 36 in. (81.3 x 91.4 cm)
signed & dated
$ 1,500 / 2,000
signed & titled
$ 800 / 1,200
173
170
HOUSES NEAR THE SEA
oil on board
16 x 20 in. (40.6 x 50.8 cm)
Provenance: The Edmonton Art Gallery
Exhibited: W. L. L. Stevenson Retrospective
Exhibition, 1992-1993 (label verso)
$ 1,500 / 2,000
176
Norman Brown
YELLOW CRANE: ca 1956
oil on canvas laid on board
12 x 15 in. (30.5 x 38.1 cm)
signed
Provenance: ex-collection George L. McMahon,
Calgary
HOBBEMA RESERVE, ALTA.
oil on canvas
24 x 30 in. (61 x 76.2 cm)
signed & titled
$ 900 / 1,200
END OF SESSION ONE
$ 1,200 / 1,600
Tuesday, November 24 at 7:00 pm
Lots # 200 through # 332
203
Allan Dunfield
HIKE IN YOHO (THE TEN PEAKS); 2015
acrylic on canvas
20 x 24 in. (50.8 x 61 cm)
$ 800 / 1,000
200
Robert Genn
EDGE COMPLEMENT
oil on panel
8 x 10 in. (20.3 x 25.4 cm)
signed & titled
$ 900 / 1,200
204
Roland Gissing
THE GHOST; late 1920’s
pastel on paper
15.75 x 12.75 in. (40 x 32.4 cm)
signed
$ 1,000 / 1,500
201
Arthur George Lloy
202
William (Bill) Duma
205
Peter Ewart
WINDY DAY; 1983
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
VIVID AUTUMN
oil on board
9 x 12 in. (22.9 x 30.5 cm)
MOONLIGHT NIGHT, WEST OF
WILLIAMS LAKE, B.C.; 1984
oil on board
8 x 10 in. (20.3 x 25.4 cm)
signed & titled
$ 600 / 900
$ 600 / 800
$ 600 / 900
206
Joe Fafard
209
Harold Lloyd Lyon
Canadian [b. 1942]
212
Robert Newton Hurley
Canadian [b. 1930]
BARB; 1991
serigraph on paper; ed. # 60/150
22 x 30 in. (55.9 x 76.2 cm)
Provenance: Mira Goddard Gallery, Toronto
LOOSE SHOE
oil on canvas
16 x 20 in. (40.6 x 50.8 cm)
FARMLAND & GRAIN ELEVATORS; 1963
11.5 x 13.5 in. (29.2 x 34.3 cm)
signed & titled
$ 900 / 1,200
$ 600 / 800
signed & dated
$ 600 / 800
210
Ernest Luthi
207
Richard Audley (Dick) Freeman
213
Ernest Luthi
HARVEST NEAR BOOTH SIDING (SASK.);
1962
oil on masonite
12 x 18 in. (30.5 x 45.7 cm)
BLUSTERY DAY; 1973
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
Provenance: Gainsborough Galleries, Calgary (label
verso)
$ 700 / 900
ROAD PAST THE FARM, SOUTHERN
SASKATCHEWAN
oil on board
20 x 28 in. (50.8 x 71.1 cm)
signed
$ 1,500 / 2,000
$ 600 / 800
208
211
Roland Gissing
BARN IN WINTER; 1980
9.75 x 14 in. (24.8 x 35.6 cm)
WEST OF OKOTOKS; 1962
oil on canvas
18 x 24 in. (45.7 x 61 cm)
Provenance: The Collector’s Gallery, Calgary
$ 600 / 800
214
Ted Harrison
$ 2,000 / 2,500
ALBERTA; 1975
acrylic on board
24 x 20 in. (61 x 50.8 cm)
$ 6,000 / 8,000
215
Rene Genis
French [1922-2004]
FLEURS AUX SPOTS, NOIRE ET BLANC
oil on canvas
36 x 23 in. (91.4 x 58.4 cm)
David Finlay, New York
$ 1,000 / 2,000
219
David A. Leffel
218
Joan Potter
American [b. 1931]
SWEET WILLIAM AND ORANGES; 1986
oil on canvas
24 x 20 in. (61 x 50.8 cm)
American [b. 1935]
WHITE PORCELAIN
oil on canvas
19 x 15 in. (48.3 x 38.1 cm)
signed & titled
Grand Central Art Galleries, New York (label verso)
$ 3,000 / 5,000
$ 1,500 / 2,500
216
Guy Bardone
French [b. 1927]
NATURE MORTE A LA TENTURE VERTE
oil on canvas
51.25 x 38.25 in. (130.2 x 97.2 cm)
David Findlay Galleries, New York
$ 2,000 / 4,000
220
Hovsep Pushman
217
Charles Cerny
Armenian/American [1877-1966]
Czech/French/American (1892-1965)
FANTAISIE PROVENCALE; 1948
oil on canvas
32 x 46 in. (81.3 x 116.8 cm)
signed & dated; titled on artist’s label verso
$ 2,000 / 4,000
SULTANABAD PLATE
oil on canvas
24.5 x 23 in. (61.6 x 58.4 cm)
Provenance: Estate of Dr. Howard Freeze, Calgary; Grand Central Art Galleries, New York
$ 15,000 / 25,000
221
Paul Surber
American [b. 1942]
ENCAMPMENT BY A RIVER; 1979
gouache on paper
12.25 x 19 in. (31.1 x 48.3 cm)
signed & dated
$ 600 / 800
224
Carl Clemens Moritz Rungius
American [1869-1959]
SKETCH FOR “RAMS ON THE BRAZEAU”
oil on board
12 x 15 in. (30.5 x 38.1cm)
222
Fred Cameron
Note: Bob Riley, in his youth, worked for a number of artists in the Banff area, including Rungius, assisting
them in their studios, and with their gear and supplies on sketching trips. Over the years, he received a number of works directly from those artists.
Canadian [b. 1937]
LAST LIGHT
oil on canvas
30 x 40 in. (76.2 x 101.6 cm)
signed & titled
$ 1,500 / 2,000
Note: The major canvas produced from this sketch is illustrated opposite p. 62 in “Carl Rungius, Big Game
Painter; 50 Years With Brush and Rifle” (Schaldack). A signed copy of this book, numbered 311 (of 2150),
accompanies this lot. The inscription inside reads “Inscribed for Bob Riley with my best compliments, Carl
Rungius, Sept. 8th, 1947”. This lot is also accompanied by several articles on Rungius as well as a signed (by
Rungius) photo of the artist by photographer Nicholas Morant.
This work demonstrates the process Rungius often used in preparing larger works from his sketches - a
technique he acquired at the Salmagundi Club in New York. Rungius would divide the preliminary sketch
using the lines of dynamic symmetry, which he then translated to the larger canvas before painting. In this
way, he arranged the visual elements and maintained the structure and balance of the composition.
$ 5,000 / 7,000
223
OUT OF THE CANYON; 1937
etching with drypoint on paper
8 x 11 in. (20.3 x 27.9 cm)
signed; inscribed “To Bob Riley from the Artist”.
Sept. 1953”
Note: Illustrated pp. 76 and 167 (Plate 39) “Carl
Rungius: The Complete Prints” (Crouch)
$ 2,000 / 4,000
228
225
Arthur George Lloy
COAST NEAR DUNCANS COVE; 1983
oil on masonite
8 x 10 in. (20.3 x 25.4 cm)
MOUNTAIN VIEW, AUTUMN DAY; 1974
12.5 x 19.5 in. (31.8 x 49.5 cm)
signed & dated
$ 800 / 1,200
231
Rod Charlesworth
Canadian [b. 1955]
SPIRIT LIGHT (HAIDA GWAII)
oil on board
18 x 24 in. (45.7 x 61 cm)
signed & titled
$ 1,400 / 1,800
$ 600 / 900
226
Janet Mitchell
232
Gaston Rebry
229
Dorothy Chisholm
Canadian SCA [b. 1942]
FALL TREES
14.5 x 21.25 in. (36.8 x 54 cm)
SOUS LE CIEL D’AUTOMNE
oil on canvas
16 x 12 in. (40.6 x 30.5 cm)
FOOTHILLS FALL
acrylic on canvas
20 x 20 in. (50.8 x 50.8 cm)
signed & dated
$ 900 / 1,200
signed & titled
$ 600 / 900
signed & titled
Provenance: The Artym Gallery, Invermere
$ 900 / 1,200
227
William (Bill) Duma
230
Peter Clapham Sheppard
233
Claude Langevin
Canadian [b. 1942
EVENING LIGHT
oil on board
12 x 16 in. (30.5 x 40.6 cm)
OLD STUMP, BACKWOODS COUNTRY
oil on board
10.5 x 13.75 in. (25.4 x 34.9 cm)
JOURNEE DE LAVAGE
oil on canvas
16 x 20 in. (40.6 x 50.8 cm)
Provenance: Canadian Fine Arts, Toronto
signed & titled
Provenance: Loch & Mayberry Fine Art, Winnipeg
(label verso)
signed & titled
$ 700 / 900
$ 1,500 / 2,000
$ 1,500 / 2,000
238
234
Rick Taylor
CHALLENGED; 1937
etching with drypoint on paper
8 x 11 in. (20.3 x 27.9 cm)
Canadian [b. 1950]
CROSSING THE CASSIAR; 2000
bronze on a wood swivel base; ed. #32/100
14.25 x 16 x 7 in. (36.2 x 40.6 x 17.8 cm)
signed; inscribed “To Bob Riley from the Artist”.
Sept. 1953”
Note: Illustrated pp. 12, 82 and 163 (Plate 37) “Carl
Rungius: The Complete Prints” (Crouch)
$ 900 / 1,200
237
Fred Cameron
$ 2,000 / 4,000
Canadian [b. 1937]
FALL IN THE HIGH COUNTRY
oil on canvas
30 x 24 in. (76.2 x 61 cm)
signed & titled
$ 1,000 / 1,500
235
Harley Brown
Canadian [b. 1939]
CROW CHIEF
pastel on paper
18.75 x 14.75 in. (476 x 37.5 cm)
signed; titled on a plaque
$ 1,500 / 2,500
236
Edward Sheriff Curtis
KOANINOK, CAPE PRINCE OF WALES
AIYAK, CAPE PRINCE OF WALES
HOME STRUCTURE, CAPE PRINCE OF
WALES
photogravure on Van Gelder paper (3)
each 7.5 x 5.5 in. (19.1 x 14 cm)
Provenance: The Lost American Art Gallery,
Longview, AB
$ 1,000 / 1,500
Lot of Three
239
RAMS (A STUDY)
oil on board
12 x 13.5 in. (30.5 x 34.3 cm)
$ 5,000 / 7,000
240
Daniel Sherrin
British [1868-1940]
CLIPPER SHIP - NORMAN COURT
oil on canvas
24 x 36 in. (61 x 91.4 cm)
signed; titled on gallery inventory label verso
Provenance: Luscombe Carrol (The Carroll
Galleries), London
$ 1,000 / 1,500
243
Reynolds Beal
SUNBEAM, WHALER AT FAIRHAVEN MASS.; ca 1905
oil on canvas
36 x 48 in. (91.4 x 121.9 cm)
signed & titled
$ 10,000 / 20,000
241
AFTERNOON RAIN
oil canvas laid on panel
14 x 18 in. (35.6 x 45.7 cm)
signed & titled
$ 1,250 / 1,750
242
Sam Barber
244
Reynolds Beal
American [b. 1943]
HARBORING THOUGHTS (GLOUCESTER,
MASSACHUSETTS); 1990
oil on canvas
36 x 48 in. (91.4 x 121.9 cm)
signed; signed, titled & dated verso
Wally Findlay Galleries, New York (label verso)
signed & dated; titled on gallery and exhibition labels verso
Exhibited: Greenville County Museum of Art, South Carolina
$ 2,000 / 3,000
EAST RIVER, NEW YORK CITY; 1910
oil on canvas
36 x 48 in. (91.4 x 121.9 cm)
$ 10,000 / 20,000
245
Joan Beltran Bofill
Spanish [1934-2009]
TARDE AZUL (MALLORCA)
oil on canvas
46 x 35 in. (116.8 x 88.9 cm)
signed & titled
$ 3,000 / 5,000
248
Guy Bardone
249
Joan Potter
French [b. 1927]
American [b. 1935]
AIL ET BOUQUET DE CLAUDE
oil on canvas
45.75 x 32 in. (116.2 x 81.3 cm)
GINGER JAR
oil on canvas
24 x 20 in. (61 x 50.8 cm)
David Findlay Galleries, New York
Grand Central Art Galleries, New York
$ 2,000 / 4,000
$ 1,500 / 2,500
246
Francois Gall
French [1912-1987]
LA SEINE - PONT DES ARTS
oil on canvas
19.75 x 24 in. (50.2 x 61 cm)
signed & titled
$ 2,000 / 4,000
247
Jules Rene Herve
250
Hovsep Pushman
French [1887-1981]
Armenian/American [1877-1966]
NEIGE, PLACE DU CHATELET
oil on canvas
9 x 10.75 in. (22.9 x 27.3 cm)
STILL LIFE WITH BOWL & FIGURINE
oil on canvas
27 x 22 in. (68.6 x 55.9 cm)
signed recto; signed & titled verso
Provenance: Dominion Gallery, Montreal
signed
$ 1,500 / 2,000
$ 15,000 / 25,000
251
Caroline Helena Armington
254
Robert Emmett Owen
FRENCH COUNTRYSIDE; 1925
oil on panel
8.5 x 10.5 in. (21.6 x 26.7 cm)
NEW ENGLAND LANDSCAPE CONNECTICUT RIVER
oil on canvas
40 x 50 in. (101.6 x 127 cm)
signed & dated; titled indistinctly verso
$ 1,000 / 2,000
255
John Fabian Carlson
signed; titled on gallery labels verso
Grand Central Art Galleries, New York; LagakosTurak Gallery, Haverford, PA
BROOKSIDE QUIET
oil on canvas
24 x 30 in. (61 x 76.2 cm)
signed & titled
$ 5,000 / 7,000
$ 4,000 / 6,000
252
Bernhard Gutmann
GARDENS, SOUTHERN FRANCE
oil on canvas
23 x 25 in. (58.4 x 63.5 cm)
estate stamped, titled on gallery label verso
$ 2,000 / 4,000
256
Clyde Aspevig
253
William Townsend
American [b. 1951]
British [1909-1973]
ROCKY MOUNTAIN STREAM; 1988
oil on canvas
30 x 36 in. (76.2 x 91.4 cm)
CORNFIELDS IN THE WEALD
oil on canvas
20 x 30 in. (50.8 x 76.2 cm)
Provenance: Provenance: Estate of Dr. Howard Freeze, Calgary; Grand Central Art Galleries, New York
$ 800 / 1,200
$ 10,000 / 15,000
257
David A. Leffel
259
Robert Philipp
American [b. 1931]
GREEN KIMONO; 1983
oil on canvas
20 x 17 in. (50.8 x 43.2 cm)
SEATED NUDE; 1926
oil on canvas
40 x 34 in. (101.6 x 86.4 cm)
signed & dated
$ 2,000 / 4,000
$ 1,500 / 2,500
261
Susan Watkins
THE 1830 GIRL (MARGUERITE); 1904
oil on canvas
79 x 36.5 in. (200.7 x 92.7 cm)
Provenance: Estate of Howard Freeze, Calgary;
$ 5,000 / 10,000
258
Karl Anderson
American [1874 - 1956]
THE FIREFLY; 1912
oil on canvas, relined
46 x 40 in. (116.8 x 101.6 cm)
signed & dated; signed & titled on gallery label
verso
Ferargil Gallery, New York
$ 2,000 / 4,000
260
Lydia Field Emmet
262
Robert Philipp
TWO SISTERS (THE CHASE SISTERS)
oil on canvas
67 x 45.5 in. (170.2 x 115.6 cm)
WOMAN IN FUR CAP
oil on canvas
22 x 18 in. (55.9 x 45.7 cm)
$ 4,000 / 6,000
$ 800 / 1,200
263
INDIAN ENCAMPMENT ON THE LAKE;
1892
10.25 x 16.75 in. (26 x 42.5 cm)
signed & dated
$ 1,500 / 2,500
266
John Greville Fennell
269
Joseph Vincent Nicholas Francis (Jose)
Weiss
British [1807-1885]
French/British [1859-1919]
MOORLAND STREAM, CUMBERLAND
oil on canvas
16 x 22 in. (40.6 x 55.9 cm)
ON THE ARUN
oil on panel
6.75 x 10.5 in. (17.1 x 26.7 cm)
titled verso
Provenance: John A. Cooling, Dealer in Works of
Art, London (label verso)
$ 600 / 900
$ 600 / 800
267
Frederic Marlett Bell-Smith
264
Henry Nesbitt McEvoy
270
Walter Charles Horsley
Canadian [1828-1914] MOUNTAIN SCENE WITH
ROCKY WATERFALL; 1885
oil on canvas
12 x 10 in. (30.5 x 25.4 cm)
British [1855-1921]
ST. MARTIN-IN-THE-FIELDS
10.5 x 7 in. (26.7 x 17.8 cm)
AN AWKWARD PREDICAMENT
oil on canvas
31.5 x 45 in. (80 x 114.3 cm)
signed
$ 1,500 / 2,000
signed & dated; titled indistinctly
$ 700 / 1,000
signed & dated
Provenance: Estate of John Lecky, Calgary;
Christies, London, September 14, 1995.
$ 1,500 / 2,500
268
George Pyne
265
William Armstrong
British [1800-1884]
PADDLE WHEELER ON THE NIAGARA
RIVER; 1852
6.25 x 9.25 in. (15.9 x 23.5 cm)
signed & dated
Provenance: Masters Gallery, Calgary (label verso)
$ 700 / 900
TRINITY GATEWAY, CAMBRIDGE
TRINITY COLLEGE, CAMBRIDGE
TRINITY COLLEGE, CAMBRIDGE
watercolour on paper (3)
each approximately 9 x 12.5 in. (22.9 x 31.8
cm)
$ 1,500 / 2,500
Lot of Three
271
Johannes Hermann Barend Koekkoek
Dutch [1840-1912]
A WINTRY MORNING
oil on canvas
24 x 32 in. (61 x 81.3 cm)
signed
$ 3,000 / 5,000
272
Harry Marinsky
WOMAN WITH MASK AND LOOKING
GLASS
bronze on a marble base; ed. #1/10
40.5 x 16 x 18 in. (102.3 x 40.6 x 45.7 cm),
excluding base
signed & editioned
276
Alan Evan Feltus
275
Robert Philipp
American [b. 1943]
PIERO LETTERS; 1991
oil on canvas
39.25 x 47.25 in. (99.7 x 120 cm)
PORTRAIT OF SHIRLEY POST
oil on canvas
16 x 18 in. (40.6 x 45.7 cm)
signed & titled
$ 700 / 1,000
$ 2,000 / 3,000
Forum Gallery, New York (label verso)
$ 1,000 / 2,000
273
Yolande Freeze
SEATED MODEL
oil on canvas
60.25 x 36 in. (121.9 x 101.6 cm)
$ 800 / 1,200
274
Anthony Antonios
277
Robert Brackman
American [20th/21st century]
Russian/American [1898-1980]
THE DANCE; 1989
bronze on a composite base; ed. #2/12
height: 42 in. (106.7 cm)
ON THE SHORE OF THE CONNECTICUT
oil on canvas
80 x 60 in. (203.2 x 152.4 cm)
signed & editioned
Jo-An Fine Art, New York
signed; titled on museum exhibition label verso
Exhibited: Carnegie Institute, Pittsburgh “Painting in the United States” (October 14-December 12, 1943)
$ 4,000 / 6,000
$ 10,000 / 20,000
281
Alan Evan Feltus
278
Robert Philipp
American [b. 1943]
DANCERS; 1990-91
oil on canvas
27.5 x 39.5 in. (69.9 x 100.3 cm)
GIRL IN RED JACKET
oil on canvas
25 x 19 in. (63.5 x 48.3 cm)
$ 800 / 1,200
Forum Gallery, New York
$ 1,000 / 2,000
282
Alan Evan Feltus
American [b. 1943]
DUALITY; 1990-91
oil on canvas
48 x 40 in. (121.9 x 101.6 cm)
signed, titled & dated verso
Provenance: Forum Gallery, New York (label verso)
$ 1,000 / 2,000
279
James Ormsbee Chapin
TWOSOME; 1943
oil on canvas
17 x 20 in. (43.2 x 50.8 cm)
$ 1,000 / 1,500
283
Robert Brackman
280
James Ormsbee Chapin
Russian/American [1898-1980]
LITTLE BOY IN A SNOWSUIT; 1945
oil on canvas
25 x 17 in. (63.5 x 43.2 cm)
$ 1,000 / 1,500
TWO FIGURES
oil on canvas
40 x 36 in. (101.6 x 91.4 cm)
signed; titled on gallery and exhibition labels verso
Exhibited: Artist’s Choice Museum, New York “Realist Antecedents” (February 19-March 31, 1985)
$ 5,000 / 10,000
284
Sybil Andrews
Canadian CPE [1898-1992]
B.C RAIN FOREST
burl print on paper
9.25 x 4 in. (23.5 x 10.2 cm)
$ 500 / 700
286
Cyril Edward Power
British RBA [1872-1951]
THE EIGHT; 1930
colour linocut on paper; ed. #49/50
12.75 x 9.75 in. (32.4 x 24.8 cm)
285
Sybil Andrews
Canadian CPE [1898-1992]
FLOWER GIRLS; 1934
colour linocut on paper; ed. #38/60
9.25 x 8.5 in. (23.5 x 21.6 cm)
Reference: Coppel SA 28
Note: Illustrated p. 40 (Plate 8) “Sybil Andrews”
(Glenbow Museum) and p. 114 “Linocuts of the
Machine Age” (Coppel). Printed from 4 blocks:
chrome yellow, spectrum red, permanent blue &
Chinese blue; exhibited London 1936 (Redfern)
$ 15,000 / 20,000
Reference: Coppel CEP 18; Vann 18
Note: Illustrated Plate 10 “Linocuts of the Machine Age” (Coppel).
The Grosvenor School of Modern Art was founded in London, in 1925, by Claude Flight, with a focus on the
use of the linocut as a medium for modern art, introducing colour to the process for the first time. The vibrant
and dynamic prints produced by this school of talented artists reflected the speed, movement, and hustle &
bustle of life in the modern urban world.
In 1930 Cyril Power was elected member of the Royal Society of British Artists and established a studio with
Sybil Andrews in Hammersmith, close to the River Thames, a location which inspired many prints by both
artists. From Hammersmith Bridge near the studio, Cyril Power would watch the racing skulls skim along the
Thames practicing for the Head of the River race. He produced a dozen sketches and drawings in preparation
for the final print which was created from 4 blocks: chrome orange, permanent blue, pale chrome and
Chinese blue. “The Eight” has since become one of his most critically acclaimed and sought after prints.
$ 40,000 / 60,000
290
Igor Talwinski
287
Amy Dyer
Canadian [21st century]
Polish [1907-1983]
APPASSIONATA; 2012
oil on gallery-wrapped canvas
36 x 30 in. (91.4 x 76.2 cm)
NUDE WITH ROSES
oil on canvas
22 x 18 in. (55.9 x 45.7 cm)
signed
$ 600 / 900
$ 800 / 1,200
291
Joan Beltran Bofill
288
Claudette Castonguay
Spanish [1934-2009]
MANCHAS DE LUZ
oil on canvas
32 x 39.5 in. (81.3 x 100.3 cm)
Canadian [b. 1949]
AU MARCHE DE FLEURS
acrylic on canvas
24 x 30 in. (61 x 76.2 cm)
$ 900 / 1,200
signed & titled
$ 3,000 / ,5000
293
Leo Mol
Canadian MSA, RCA, SSC [1915-2009]
ECHO; 1968
bronze, mounted on a marble pedestal;
ed. #7/10
height: 42 in. (106.7 cm), excluding pedestal
signed, dated & edtioned; stamped with foundry
mark “Guss Strehle”
289
Rajka Kupesic
292
Joan Beltran Bofill
Canadian [b. 1952]
Spanish [1934-2009]
DREAMER
oil pastel on paper
11 x 15 in. (27.9 x 38.1 cm)
MANCHAS
oil on canvas
35.25 x 45.75 in. (89.5 x 116.2 cm)
signed & titled
$ 1,000 / 1,500
$ 10,000 / 15,000
signed; titled verso
Wally Findlay Galleries, New York
$ 3,000 / 5,000
294
Erte (Romain de Tirtoff)
Russian/French [1892-1990]
THE MYTHS SUITE; 1985
“Diana” / “Circe”
embossed colour serigraph with foil stamping;
ed. #63/300 (2)
each 33 x 23 in. (83.8 x 58.4 cm)
298
Otto Duecker
each signed & editioned in pencil and embossed
with the Chromacomp Inc. NY stamp
Lot of Two
$ 1,000 / 1,500
American [b. 1948]
MARC CHAGALL; 2006
oil on board
18.5 x 16.5 in. (47 x 41.9 cm)
296
Rembrandt van Rijn
Dutch [1606-1669]
JOSEPH TELLING HIS DREAMS
etching on paper
4.25 x 3.25 in. (10.8 x 8.3 cm)
$ 2,000 / 3,000
$ 2,000 / 3,000
295
Salvador Dali
Spanish [1904-1989]
DON QUIXOTE; 1980
patinated metal bas relief sculpture
(gold edition); ed. #H.C. 105/125
26.5 x 18.75 in. (67.3 x 47.6 cm)
signed in the master mold & editioned; stamped
“Dalart N. V. Copyright 1980” on felt verso
Publisher/Foundry: Martin Lawrence Editions
(Martin Lawrence Galleries in Van Nuys, CA).
Note: Housed in the publisher’s original maroon
velvet gallery presentation box, lettered in gold on
the front cover. This work was produced in several
finishes. The information from the publisher on the
inside cover lists the various patinas and editions
and states “The master mould used in the execution
of these sculptures has been destroyed.” This work
is listed as beening authenticated by archivist Albert
Field and registered in the Salvador Dali Archives.
$ 1,500 / 2,500
297
Joseph Hirsch
299
Marc Chagall
Russian/French [1887-1985]
MARIONETTES; 1965
oil on canvas
25 x 36 in. (63.5 x 91.4 cm)
BOUQUET OVER THE TOWN; 1983
colour lithograph on Arches paper; ed. #45/50
paper size: 25.75 x 18.75 in. (65.4 x 47.6 cm)
image size: 18.5 x 12.5 in. (47 x 31.8 cm)
Forum Gallery, New York
$ 2,000 / 4,000
signed & editioned in pencil
Reference: Mourlot 1009
$ 3,000 / 5,000
303
William Henry Clapp
300
Wojciech (Voytek) Nowakowski
306
Robert Alexander Hillingford
PATH THROUGH TREES
oil on board
16 x 6.75 in. (40.6 x 17.1 cm)
Polish/Canadian [1959-2011]
HUNTERS AT DAWN
oil on canvas
11.25 x 14 in. (28.6 x 35.6 cm)
British RA [1828-1904]
signed
signed & titled
$ 2,500 / 3,500
$ 500 / 700
AN URGENT CALL
oil on canvas, relined
19 x 26 in. (48.3 x 66 cm)
signed; titled on gilded liner and bears title verso
Provenance: Frederick W. Thom Fine Paintings,
Toronto (label verso)
$ 1,500 / 2,500
301
Charles Jones (C. J.) Way
304
LUGANO (SWITZERLAND); 1889
9 x 13.5 in. (22.9 x 34.3 cm)
ZINAL; 1891
25 x 19 in. (63.5 x 48.3 cm)
Provenance: The Collector’s Gallery of Art, Calgary
307
Edgar Bundy
British RA, RBA, RI, ROI [1862-1922]
OLD SOLDIERS
oil on canvas
20 x 30 in. (50.8 x 76.2 cm)
$ 2,000 / 3,000
$ 1,500 / 2,000
$ 500 / 700
308
William Henry Mander
305
302
William Henry Clapp
British [1850-1922]
IN THE LLEDR VALLEY (ON THE RIVER
LLUGWY WALES, BETWS-Y-COED)
oil on canvas
20 x 30 in. (50.8 x 76.2 cm)
THE MATTERHORN
19 x 25 in. (48.3 x 63.5 cm)
HILLSIDE BRUSH
oil on board
7.25 x 9 in. (18.4 x 22.9 cm)
$ 2,000 / 3,000
signed
$ 1,500 / 2,000
signed; titled on a plaque and verso
Provenance: Frederick W. Thom Fine Paintings,
Toronto (label verso)
$ 1,500 / 2,000
309
Andy Warhol
U.N. STAMP; 1979
offset colour lithograph on Rives paper;
ed. #942/1000
image size: 7 x 8.5 in. (17.8 x 21.6 cm)
paper size: 8.5 x 11 in. (21.6 x 27.9 cm)
signed twice in ink and felt pen; editioned in pencil;
bears the date (March 9th, 1979) on the first day of
issue UN ink stamp; affixed with the UN 15¢
postage stamp.
311
Harry Marinsky
LA MUSICA
bronze on a marble base; ed. #4/10
31 x 39 x 22 in. (78.7 x 99.1 x 55.9 cm),
excluding base
signed & editioned
$ 2,000 / 3,000
Reference: Feldman & Schellman, 11.185
Publisher/Printer: World Federation of United
Nations Associations/United Nations Disaster Relief
Organization (from the edition of 500 with the U.S.
stamp, there was also an edition of 500 with the
Swiss stamp). Produced to raise funds for
educational programs.
$ 1,500 / 2,500
313
Pablo Picasso
Spanish [1881-1973]
PICHET GOTHIQUE AUX POINTS; 1969
hand-painted earthenware turned pitcher;
ed. #149/350
height: 11.5 in. (29.2 cm)
dated; inscribed “Edition Picasso” and “Madoura”;
stamped “Edition Picasso” and “Madoura Plein
Feu”
Reference: Ramie, 610
Note: This lot is accompanied by the book “Ceci est
Notre Temoignage” (Madoura; 1971, with preface by
Georges Ramie), in which this work is illustrated as
the penultimate plate.
$ 5,000 / 7,000
310
Joan Miro
314
Pablo Picasso
Spanish [1893-1983]
FUTBOL CLUB BARCELONA; 1974
colour lithograph on paper; ed. H.C.
paper size: 39 x 27.5 in. (99.1 x 69.9 cm)
signed & editioned in pencil
Note: Miro created this lithograph for the
commemorative poster celebrating the 75th
anniversary of FC Barcelona (Barca). It was the first
and only time he used the technique of collage in the
process, incorporating the Club’s bordered emblem
into the image.
$ 1,000 / 2,000
312
Joan Miro
Spanish [1881-1973]
Spanish [1893-1983]
LE MAJORQUIN TACITURNE; 1969
colour lithograph on Rives BFK paper;
ed. #35/75
sheet: 33.5 x 23.75 in. (85.1 x 60.3 cm)
signed & editioned in pencil; titled in pencil verso
Publisher: Maeght, Paris
$ 3,500 / 4,500
PICHET GOTHIQUE AUX CERCLES; 1969
hand-painted earthenware turned pitcher;
ed. #94/500
height: 11.5 in. (29.2 cm)
dated; inscribed “Edition Picasso” and “Madoura”;
stamped “Edition Picasso” and “Madoura Plein
Feu”
Reference: Ramie, 612
$ 5,000 / 7,000
315
Victor Cicansky
Canadian [b. 1935]
CABBAGE JAR; 1996
YELLOW BEANS; 1999
WHITE BEANS; 2012
TOMATO SAUCE; 2001
glazed ceramic (4)
height: various sizes from 4 to 6.5 in. (10.2 to
16.5 cm)
318
Brent R. Laycock
Canadian ASA, CSPWC, RCA, SCA [b. 1947]
MOUNT CLUSTER - CAMERON LAKE
17.5 x 25.75 in. (44.5 x 65.4 cm)
$ 500 / 700
321
EARLY MORNING, SEEBE, ALTA; 1964
oil on canvas
24 x 30 in. (61 x 76.2 cm)
each signed and dated
$ 2,500 / 3,500
$ 700 / 1,000
Lot of Four
316
Sheila Norgate
Canadian [b. 1950]
HER PALE AND TENTATIVE WINGS
acrylic on panel
30 x 60 in. (76.2 x 152.4 cm)
signed
$ 900 / 1,200
319
322
Norval Morrisseau
BIRDS AND BUTTERFLIES; ca. 1992
acrylic on paper
15 x 22 in. (38.1 x 55.9 cm)
AVALANCHE SLOPE #3; 1979
oil on panel
10 x 12 in. (25.4 x 30.5 cm)
$ 900 / 1,200
signed in syllabics
Aldergrove, BC
$ 1,000 / 1,500
323
Norval Morrisseau
320
Nicholas Johannes Bott
317
Neil Patterson
Canadian [b. 1941]
COLOURS
oil on canvas
30 x 24 in. (76.2 x 61 cm)
EARLY SNOW, WEST COAST
oil on board
18 x 24 in. (45.7 x 61 cm)
signed & titled
Provenance: Diana Paul Galleries, Calgary
signed & titled
$ 2,000 / 2,500
$ 1,000 / 1,500
TWO MOOSE; ca. 1993
ink on paper
15 x 22 in. (38.1 x 55.9 cm)
signed in syllabics
Aldergrove, BC
$ 900 / 1,200
324
Paul Healey
327
Chris MacClure
Canadian [b. 1964]
Canadian [b. 1943]
INTERIOR SCENE, LIVING ROOM
oil on canvas
24 x 20 in. (61 x 50.8 cm)
MOON OVER WATERTON
acrylic on gallery-wrapped canvas
48 x 36 in. (121.9 x 91.4 cm)
signed
signed & titled
$ 750 / 1,000
$ 800 / 1,200
330
Min Ma
Chinese/Canadian [b. 1955]
SUMMER AFTERNOON
acrylic on board
12 x 16 in. (30.5 x 40.6 cm)
signed & titled
$ 600 / 900
325
Michel Pleau
328
Cheryl Chartier
Canadian [b. 1949]
Canadian [b. 1952]
BRISE SUR L’ETANG
oil on canvas
30 x 36 in. (76.2 x 91.4 cm)
LAKE PINE DREAMING OF FORESTS
oil on canvas
48 x 24 in. (121.9 x 61 cm)
signed & titled
signed & titled
$ 800 / 1,200
$ 900 / 1,200
331
Karin Richter
Canadian ASA, CSPWC, PAC, SCA [b. 1950]
NEIGHBOURHOOD ATTRACTION
pastel on paper
16 x 20 in. (40.6 x 50.8 cm)
signed & titled
$ 750 / 1,000
326
Sharon Mark
329
332
Don Pentz
Canadian [b. 1955]
Canadian [b. 1942]
Canadian CSPWC, RCA [b. 1940]
THE COUNTRYSIDE IN SPRING; 1998
acrylic on canvas
24 x 30 in. (61 x 76.2 cm)
SUNFLOWER STILL LIFE - BLUE; 1990
oil on canvas
30 x 24 in. (76.2 x 61 cm)
ANCIENT LANDSCAPE #78; 2006
acrylic on canvas
30 x 40 in. (76.2 x 101.6 cm)
signed & titled
$ 1,000 / 1,400
$ 1,500 / 2,000
END OF SESSION TWO
$ 800 / 1,200
Index of Artists
Amyson, Kathryn
Anderson, Karl Andrews,Sybil Antonios, Anthony Armington, Caroline Helena Armstrong, William Aspevig, Clyde Barber, Sam
Bardone, Guy Beal, Reynolds Beil, Charles A. (Charlie) Bell-Smith, Frederic Marlett Berg, Rick Bird, Cameron Blackwood, David Lloyd Bofill, Joan Beltran Bott, Nicholas Johannes Brackman, Robert Brown, Harley Brown, Norman Brownridge, William Roy (Bill) Bundy, Edgar Burrow, John H. Cadotte, Robert
Cameron. Fred Carlson, John Fabian Castonguay, Claudette Cerny, Charles Chagall, Marc Champagne, Horace Chapin, James Ormsbee Charlesworth, Rod Chartier, Cheryl Chisholm, Dorothy Cicansky, Victor Clapp, William Henry Collier, Alan Caswell Cosgrove, Stanley Morel Cowin, Jack Lee Crockford, Duncan Mackinnon Curtis, Edward Sheriff Dali, Salvador
de Boer, Jeff de Grandmaison, Nicholas Dow Reid, Robert Drohan, Walter Duecker, Otto Duma, William (Bill) Dunfield, Allan Dyer, Amy Eegeechiak, Peter
Emmet, Lydia Field Erte (Romain de Tirtoff) Ewart, Peter 95
259
284, 285
274
251
265
256
Fafard, Joe
Feltus, Alan Evan Fennell, John Greville Flodberg, Gilbert A. Freeman, Richard Audley (Dick) Freeze, Yolande 206
276, 281, 282
266
3
135, 207
273
Gall, Francois
242
216, 248
243, 244
143
168, 267
76
89
21
245, 291, 292
154, 320
277, 283
235
34, 176
49
307
53
41, 42
222, 237
255
288
217
299
40, 90, 97, 102, 104, 150, 151
279, 280
5, 231
96, 328
229
315
65, 302, 303
38, 39, 52, 54, 60, 80, 82, 148, 152
147
117
27, 56, 321
236
295
44
68, 134
167
77
298
2, 12, 13, 202, 227
46, 51, 203
287
120
261
294
137, 205
246
Genis, Rene 215
Genn, Robert 1, 47, 50, 200
Gissing, Roland
14, 35, 57, 58, 59, 71, 85, 87, 129, 130, 156, 204, 211
Gould, John Howard 107
Graham, Colin D. 78
Grandmaison, Orestes Nicholas (Rick)
6, 28, 30, 173, 241, 319
Gransow, Helmut 100
Gutmann, Bernhard 252
Haines, Frederick Stanley
Harrison, Ted Healey, Paul Herve, Jules Rene Hillingford, Robert Alexander Hirsch, Joseph Hoar, Steve Horsley, Walter Charles Horvath, George A. Hurley, Robert Newton 169
45, 122, 125, 214
324
247
306
297
123
270
70
212
Iskowitz, Gershon
Itulu, Kulula 43
161
Jackson, Alexander Young
Johnston, Francis Hans (Franz) Kenderdine, Augustus Frederick Lafosse
Kerr, Illingworth Holey (Buck) Knowles, Dorothy Elsie Koekkoek, Johannes Hermann Barend Kupesic, Rajka Langevin, Claude
Lansing, Karl Laycock, Brent R. Leffel, David A. Legge, Lissi Leighton, Alfred Crocker Lemieux, Jean-Paul Lindner, Ernest Lloy, Arthur George Luthi, Ernest Lyon, Harold Lloyd 83
67
64
31, 75, 81
140
271
289
233
142
318
219, 258
94
138, 158
149
127
4, 10, 201, 225
23, 29, 136, 210, 213
209
Index of Artists Continued
Ma, Min
MacClure, Chris MacDonald, Manley Edward MacKenzie, Malcolm James (Mac) Mander, William Henry Marinsky, Harry Mark, Sharon Masson, Henri Leopold McCarthy, Doris Jean McEvoy, Henry Nesbitt McInnis, Robert F. M. Middleton, Janet B. (Holly) Miro, Joan Mitchell, Janet Mol, Leo Morrisseau, Norval Nichols, Jack
330
327
126
141, 164, 165
308
272, 311
326
98
37, 91
264
24, 69, 74, 103, 329
32
310, 312
105, 109, 111, 174, 226
293
166, 322, 323
Raftery, Ted
Rebry, Gaston Richter, Karin Rungius, Carl Clemens Moritz Sapp. Allen
Schintz, Theodor Marie Shelton, Margaret Dorothy Sheppard, Peter Clapham Sherrin, Daniel Shostak, Peter Skinner, Jody Smith, Keith C. Smutylo, Allen Stevenson, William Lewy Leroy Surber, Paul Nicoll, Marion Florence Norgate, Sheila Nowakowski, Wojciech (Voytek) 106
93
316
300
Talwinski, Igor
Owen, Robert Emmett
254
Van Rijn, Rembrandt
Patterson, Neil
Pentz, Don Perreault, Wilf Philipp, Robert Phillips, Walter Joseph Picasso, Pablo Pleau, Michel Pollard, Glen Potter, Joan Power, Cyril Edward Pugh, David Pushman, Hovsep Pyne, George 15, 139, 317
332
92
257, 260, 275, 278
19, 22, 62, 63, 112
113, 114, 115, 116, 157
313, 314
325
159, 160
218, 249
286
11, 18, 36, 55, 61, 153
220, 250
268
86
99, 232
331
223, 224, 238, 239
119, 124
25
7, 8, 9, 16, 17, 20, 33, 208, 228
128, 230
240
145
118
155
84
48, 72, 131, 170
221
Taylor, Rick Tinyan (Chan) Totan, Mark Townsend, William Verner, Frederick Arthur Vervoort, Frank Vilem Zach Wahl, Irene
290
234
171, 172
121, 162
253
296
66, 132, 133, 263
73, 79, 101, 175
163
Walker, Horatio Warhol, Andy Watkins, Susan Watson, Shirley Way, Charles Jones (C. J.) Weiss, Joseph Vincent Nicholas Francis (Jose) 88
146
309
262
26
301, 304, 305
269
Winter, William Arthur 108, 110, 144
GUIDE TO ABSENTEE BIDDING
Absentee Bids: If you are unable to attend the auction in person, and wish to place bids, you may instruct
Hodgins Art Auctions to bid on your behalf. Our bid administrator will then try to purchase the lot(s) of your
choice for the lowest price possible, and never for more than the top amount you indicate. Hodgins will only
open bidding with an absentee bid when there are multiple bids for the same lot or, if necessary, at the reserve.
Please note: Hodgins offers this complimentary service to clients who are unable to attend the sale and, although
we make every effort at accuracy, Hodgins will not be responsible for omissions in the execution of bids.
Bids accepted until Noon (local time - MT) day of sale. Bids received after this time are not guaranteed to be
implemented.
Placing Absentee Bids: To place bids, please use the “Absentee Bid Form” that follows this guide. Be sure to
accurately record lot numbers, descriptions and your “Top Bid Amount”, the amount to which you would bid
up to if you were attending the auction in person. “Buy” or unlimited bids will not be accepted.
Please place your bids as early as possible. In the event of identical absentee bids, the earliest received will take
precedence.
Please note that there may be circumstances where another bid is accepted by the auctioneer at your “Top Price”
due to the incremental nature of the bidding, or where your “Top Price” does not meet the next bid increment
(i.e. bidding is at $1000, the next bid increment is $1100, your bid of $ 1027 will not be sufficient). In both these
cases you will not be the successful bidder.
Telephone Bids: Telephone bids must be pre-arranged and are limited by physical resources. To register for a
telephone bid please fill out the “Absentee Bid Form” indicating PHONE in the “Top Bid Amount” column. You
may wish to consider leaving a back-up absentee bid amount in the event that there is trouble reaching you by
phone. Please make sure to provide the phone number that you can best be reached at on the evening of the
auction.
Buyer’s Premium: The “Top Bid Amount” you indicate on your “Absentee Bid Form” refers to the hammer
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Selling Prices: Selling prices will be posted to our website the day following the auction. Please consult our
website prior to phoning our offices for results.
5240 1A St. SE Calgary AB T2H 1J1
Tel: 403-252-4362 Fax: 403-259-3682
Email: art@hodginsauction.com Website: www.hodginsauction.com
ABSENTEE BID FORM
IMPORTANT:
AUCTION DATE:
Fax available until Noon M.D.T. day of sale
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exceeding, the “Top Price(s)” indicated below. Each bid is PER LOT, as indicated, and all bids are subject to the “Terms and
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Lot # Description (Artist’s Name/Title)
Top Price (Hammer)
Today’s Date
Name
Daytime Telephone #
Mailing Address
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VISA or Mastercard Account #
Expiry Date
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Fax completed form to Hodgins Art Auctions Ltd. at 403-259-3682.
5240 1A St. SE Calgary AB T2H 1J1
Tel: 403-252-4362 Fax: 403-259-3682
Email: art@hodginsauction.com Website: www.hodginsauction.com
Lot 244 Reynolds Beal
Fall 2015
LIVE AUCTION
Monday, November 23 @ 7 p.m.
Tuesday, November 24 @ 7 p.m.
Lot 286 Cyril Power
Lot 133 Frederick Verner
PREVIEW
Saturday, November 21 Noon - 4 p.m.
Sunday, November 22 Noon - 4 p.m.
Monday, November 23 10 a.m.- 2 p.m.
Lot 152 Alan Collier
Lot 250 Hovsep Pushman
Online Preview & Webcast Bidding Available
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