Monthly Newsletter of the Ottawa Lapsmith and Mineral
Transcription
Monthly Newsletter of the Ottawa Lapsmith and Mineral
The Cutting Edge Monthly Newsletter of the Ottawa Lapsmith and Mineral Club In this month’s newsletter: Happy New Year!! President’s message & Lapidary tips & tricks p.1 Our next meeting & Tips on drilling p.2 Copper patinas p.3 Workshop calendar and info p.5 Membership form p.6 Workshop Address: 1000 Brookfield Road, Ottawa, ON K1V 6J1 Mailing Address: P.O Box 39054 R.P.O Billings, Ottawa ON K1H 1A1 Phone: 613-700-GEMS (4367) Website: http://www.olmc.ca Facebook: https://www.facebook.com/ OttawaLapsmithMineralClub The club received a rock donation on December 27 from the estate of a rockhound who was active in the 1970s and 1980s. There is lots of cutting rough, fossils, grit and a few mineral specimens. The January meeting will be our winter auction. Some of the donated material has already been put aside for the auction. Kerry Day Lapidary Tips & Tricks Do not use the microwave oven for dopping, curing cemented stones, or heat treating stone. All stones contain moisture and heating them in a microwave can explode both the stone and the microwave. (Northwest Newsletter, July 1992 via Rockhound Rumblings) Have a small spice rack behind your faceting machine to keep small vials of polishing compound and other faceting supplies, it makes a convenient storage and keeps everything handy. (Via Chips & Tips) OLMC’s monthly newsletter – Jan 2015 Trouble polishing peridot? A drop or two of lemon juice or vinegar will speed up things considerably. Remember to rinse laps and splash pans with water when done. (Via Laphound News) Page 1 OLMC’s Rock Auction Another 6 months have gone by and it’s time for rock auction again. As Kerry mentioned in his message on page 1, the club received a generous donation from a former rockhound, and some of the goods will be up for bid. Come and find out what kind of treasure you may get. Date: Thurs, Jan 8, 2015 Time: 7:30pm-9:30pm Location: OLMC Workshop 1000 Brookfield Road, Ottawa ON The door will open at 7pm if you want to see the items and who you are up against. The auction will start at 7:30pm. The usual rules: must be a member to bid, all bidders must register before bidding, all items are due for payment immediately after the auction ends, winners must pay before picking up the winning items. Next month’s meeting: Speaker and presentation In Feb, our Program Chair, Russ, may have a goldsmith lined up to give us a presentation on his design process; Details will be provided in our newsletter. See you there. Tips on drilling a hole in stone with a copper tube drill bit By Judy Courteau The biggest problem seems to be the shaft of the bit being flattened in the chuck of the drill press. Firstly the chuck need only be tight enough to prevent spinning of the bit, so try it snug but not tight, and if the bit spins, tighten it slightly. It is helpful as well as a preventative measure to insert into the drill bit before using it, a wire the inside diameter of the copper tube. There should be friction in installing the wire. It should not go as deep as the diamond tip and should not block the holes in the tip itself. These holes, and indeed the tube itself help relieve pressure on the stone. The second problem I've encountered in drilling with any type of bit, is that pressure can be applied unintentionally in a direction away from the person drilling if they are holding the stone, in a slightly pushing action, rather than applying pressure directly downwards. A change in seating of the lapidary may correct this. Sometimes a taller chair helps. A third major problem is blowing out on the bottom of your stone. Use the slowest speed possible and light pressure. Try to minimize any vibration. Drill only half way through, flip the stone then drill from the other side. A great idea for finding the location for starting the hole on the other side was something I read from the article online "To do this, take two pieces of cotton. Wrap the cotton around the stone so that they cross. Where the crosses meet on the top and underside of your stone, mark with your pen." (http://www.eternaltools.com/blog/how-to-drill-pebbles) I've made my own bits from stainless steel needles from a coop or the vet by grinding off the tip and cutting off the plastic end. Then loose carbide grit (200 or 400) in a well of water with a plasticine wall does the cutting, while I lift and drop the bit mounted in a drill press lightly onto the rock. Happy drilling, Judy OLMC’s monthly newsletter – Jan 2015 Page 2 Liver of Sulphur By Vicki Jasperse I have experimented with Liver of Sulphur gel added to water and patina effects range from light to dark, depending on the temperature of the water, amount of gel used (I usually use three drops) and duration the metal sits in the liquid. The hotter the water, the more quickly the piece darkens. I generally dunk for about ten seconds, pull out, inspect and decide if it needs more time. Once I’m happy with the colour, the piece goes immediately into cold water with a teaspoon or so of baking soda to neutralize. I use steel wool to lighten the patina on the raised design while leaving the background dark. I usually tumble my pieces before adding the patina but you can also put them in the tumbler after you’ve applied it. • Coffee method: I have been really pleased with the effects I’ve been getting by mixing a few drops of Liver of Sulphur in a cup of good strong brewed coffee (I use Starbucks Pike’s Place beans because we drink it at home – pretty sure you can use anything you like!). Hot coffee produces an interesting pearlescent effect – cold coffee brings out some beautiful reds and oranges. Ammonia I’ve gotten some really interesting blue/green patinas using the following techniques with ammonia: • Simple fuming: place about a quarter of a cup of ammonia in the bottom of a plastic bucket. Take an old saucer or plate (it will discolour, so chose something you can live without) and place it upside down in the bottom of the bucket. Dip your piece in white vinegar and place on the plate. Cover the bucket with a plastic bag and leave overnight or until you are happy with the colour. The blue patina tends to a very dark turquoise. You can also sprinkle sea salt on the metal after it’s been dipped in the vinegar – the blue patina that results is much brighter, but a little crusty. Rinse well and let dry - I generally sand with fine sandpaper and then coat both sides with a very light spray of polyurethane to seal. This also brings up the colour nicely. . • Hanging Method: place about a quarter of a cup of ammonia in the • bottom of a deep container (I use a plastic bucket but you can use a coffee can or anything else with a cover). Dip your piece in white vinegar and then, if desired, sprinkle a healthy amount of sea salt on both sides of it. Suspend your piece on some wire stretched across the top of your container and cover. You can leave it for a few hours or a few days – it all depends on what pleases you. The patina may be a little delicate – some will wash or flake off when you clean it, but enough remains to give a pleasing effect. When it’s completely dry, sand and finish as desired – wax or spray. Bury Method: (my favourite): crumple a few paper towels and lay in the bottom of a plastic container and wet them with a few splashes of ammonia. Sprinkle sea salt on the towels. Dip the copper piece in vinegar and then lay it on top of the towels – cover with more ammonia dampened and salted towels. Seal the container and leave for at least a day, although you’ll see that the colour will begin to develop quickly. The longer you leave it the brighter the blue – you will also see green tones developing the longer the piece stays in the container Alcohol Ink Method Adirondack Alcohol Inks produce some really nice, subtle effects on copper. I found them at Omer Deserres – they come in a range of colours that can be blended with very nice results. Nail Polish Remover I use nail polish remover to wipe off the red Sharpie residue on my etched pieces before I hammer the bracelet and have been getting some really interesting colour effects on the copper – completely erratic but ranging from a soft raspberry to very interesting oranges and rusts. If you don’t like what you get, a bath in pickle restores the piece to its original shiny copper finish. *Items in photos made by OLMC’s members. OLMC’s monthly newsletter – Jan 2015 Page 3 SAVINGS ON WIRE PURCHASES Sterling Silver, Gold Filled Wire, Sterling Filled • Sterling Silver is $70 /oz and 22g and Copper 22 SQ 18 HR • Gold Filled is $90. /oz. (for old stock) Jenny McBride, has most wire shapes and sizes, • Gold Filled is $110. /oz (for new stock) 22 g SQ HH please call to verify availability and HR HH Visa, Master Card, cash and check (with proper • Sterling Silver Filled is $ 30/oz ID) are accepted. • Copper is $3.20 / oz 22 SQ g DS AND 18 g HR DS You can reach Jenny or Ken at 613-794-5709 or by email at thewirelady@gmail.com • We also sell tools and some findings NOTE: All prices are subject to change due to Market fluctuations. OLMC’s monthly newsletter – Jan 2015 Page 4 January 2015 Contact: Sunday Monday Tuesday Wednesday 4 5 Stone Carving 6:30-9pm Secretary John Skelton sec@olmc.ca 11 12 Faceting 6:30-9pm Treasurer Rita Hudec treasurer@olmc.ca 18 19 Stone Carving 6:30-9pm Workshop Chair Jean-Guy Bradette workshop@olmc.ca 25 26 Faceting 6:30-9pm Membership Chair Nathalie Bourget memberchair@olmc.ca Program Chair Russell Black programchair@olmc.ca Newsletter Editor Vema Ho news@olmc.ca 6 General Lapidary 10:30am-4pm Silversmithing 6:30-9pm 13 General Lapidary 10:30am-4pm Silversmithing 6:30-9pm 20 General Lapidary 10:30am-4pm Silversmithing 6:30-9pm 27 General Lapidary 10:30am-4pm Silversmithing 6:30-9pm Friday Saturday 2 General Lapidary 6pm-9pm 3 General Lapidary 10am-4pm 7 General Lapidary 6:30pm -9pm 8 Rock Auction 7:30p-9:30p 9 General Lapidary 6pm-9pm 10 General Lapidary 10am-4pm 14 General Lapidary 2pm -9pm 15 16 General Lapidary 6pm-9pm 17 General Lapidary 10am-4pm 21 General Lapidary 6:30pm -9pm 22 23 General Lapidary 6pm-9pm 24 General Lapidary 10am-4pm 28 General Lapidary 2pm -9pm 29 30 General Lapidary 6pm-9pm 31 General Lapidary 10am-4pm President Kerry Day pres@olmc.ca Vice-President Arnold Roos vicepres@olmc.ca Thursday 1 Want to join our workshops but not yet a member? It’s perfect time to get your membership. We accept new members all year round! Please see the last page for membership application form. Would you like to be a supervisor? supervisor? We are on facebook, join us! https://www.facebook.com/OttawaLapsmithMineralClub OLMC’s monthly newsletter – Jan 2015 We are looking for volunteers to supervise our workshop. If you would like to become one of our workshop supervisors, you can contact Jean-Guy Bradette for details at workshop@olmc.ca Page 5 Membership Application for the Year: 2015 New Membership Membership renewal Family (2 or more persons under the same residence) $30 Single (for individual) $20 Annual workshop access fee $60 (optional) Name(s): Address: City: Province: Postal code: Telephone: Please specify how you would like to receive OLMC’s newsletter: By email: By mail Do you require a receipt? Yes No Payments are payable to Ottawa Lapsmith and Mineral Club. Please mail your membership form and fees to: Ottawa Lapsmith and Mineral Club P. O. Box 39054, RPO Billings, Ottawa, ON, K1H 1A1 Please note that all membership information is used only for administrative purpose. Administration use only: Card provided: Yes No Supervisor signed: Yes No Other services: • Newsletter advertisement: $25 per year for members – ten quarter pages per year over ten newsletters, which can be combined for fewer, larger ads. (Businesses wishing to advertise in the newsletter pay $45, which is the advertising fee plus a family membership.) • Locker Fee: $25 per year – depends on locker availability • Cabochon Course: $55 - required for all new members (more information can be found at http://www.olmc.ca/cabbing-course.html) Questions? Please contact us by phone or email workshop@olmc.ca for details. OLMC’s monthly newsletter – Jan 2015 Page 6