11thANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION

Transcription

11th
ANNUAL FRIENDS OF FRIENDS
PHOTOGRAPHY AUCTION
Benefiting Angkor Hospital for Children
December 11, 2007
11th ANNUAL FRIENDS OF FRIENDS
PHOTOGRAPHY AUCTION
Benefiting Angkor Hospital for Children
DATE
December 11, 2007 (Tuesday)
6:00 pm-7:00 pm Preview & Cocktail Reception
7:00 pm-8:30 pm Live Auction
LOCATION
Metropolitan Pavilion
123 West 18 St., #5FL The Level, New York, NY 10011
AUCTIONEER
Rick Wester
Rick Wester Fine Art, Inc.
All proceeds benefit Angkor Hospital for Children in Cambodia.
FOR INQUIRIES, CONTACT:
FRIENDS WITHOUT A BORDER
1123 Broadway, #1210, New York, NY 10010
Tel (212) 691-0909 Fax (212)337-8052
e-mail: fwab@fwab.org
All of the artwork can also be viewed online at www.fwab.org which includes links to each artist’s homepage.
DECOR:
Chazz Levy
HORS D’OEUVRES DURING THE COCKTAIL RECEPTION
AND LIVE AUCTION PROVIDED BY:
Restaurant Tokyo
Saffron 59
Catalog Printed by Meridian Printing
Digital Photography courtesy of Don Penny, NYC
Cover: © Tri Luu Mandalay, Myanmar 2001
“The reasonable man adapts himself to the world;
the unreasonable one persists in trying to adapt the world to himself.
Therefore all progress depends on the unreasonable man.”
—GEORGE BERNARD SHAW, “MAN AND SUPERMAN”
Dear Friends:
Kenro Izu, the Japanese photographer who started the Angkor Hospital for Children
(AHC) and the 501(c)(3) organaization Friends Without A Border, is a perfect example
of Shaw’s “Superman.” Eleven years ago, despite a lack of financial, political, or experiential capital to conceptualize, fund, or
operate a world-class pediatric treatment and teaching hospital in the developing world, Kenro persisted – and succeeded
in – adapting the world to his vision.
I remember the first time I met Kenro. My firm was scouring the non-profit world in search of the highest quality hospital to
support in Cambodia. Within minutes, Kenro had moved my colleagues and me to tears. He told us the story of what inspired
him. After watching a 7-year old girl die as her powerless father looked on, Kenro thought to himself: “She is the same age
as my daughter. How would I feel watching her die in front of my eyes when saving her life would cost only a few dollars?”
Afterwards, Kenro decided to build a free hospital for the children of Cambodia, where every child would receive the attention,
care, and love we all demand for our own children. It would be a place where a new generation of compassionate Cambodian
doctors could be trained and a comprehensive, forward-looking approach to development could be implemented.
After that first encounter, we realized we had found not only our hospital, but also someone with the right vision for bringing
health, hope, and healing to a country still reeling from the aftermath of the brutal Pol Pot regime.
As we approach the 11th anniversary of the Annual Friends of Friends Photography Auction, it is clear that Kenro and his
incredible staff have delivered on this vision, and in spades: treating almost half million patients, training over 5,000 medical
professionals, and providing capacity building, home care, clean water, cooking and nutrition classes, art therapy, and most
importantly hope and love to all that pass through its doors. All this on a budget of less than two million dollars per year!
What’s more, Cook + Fox, one of the world’s leading “green” architectural firms, is building a state-of-the-art, “clean tech”
Visitors Center for AHC - laying the groundwork for a expansion program that will bring AHC’s quality care to all of Cambodia’s
children with an eye to the imminent Green Revolution. Imagine AHCs and ideally hospitals across Cambodia - all solar,
wind, and rain collection retrofitted - providing care to Cambodian children. By buying a photograph, you can help make this
dream a reality.
If you were to pass a child lying face down in a shallow pool of water, about to drown, you would walk over and turn the
child over to save his life. All of us would. You might get your shoes a little dirty but it wouldn’t cost much more. Now put that
child across the street. Still, you would cross the street to save a child. Now put that child across an ocean – in Siem Reap,
Cambodia. Is that child any less worth saving? Distance does not diminish responsibility. Thanks to ‘Friends Without A
Border,’ we all have a moral opportunity to be someone who saves a child – to be a Superman.
Thank you for participating in this event to support the AHC. I’d like to extend a special thank you to the galleries, artists,
and staff without whom this auction would not be possible. As the bidding starts, I ask all of you to get your shoes a little dirty
and open your hearts and wallets to save a child’s life. Besides going home with a beautiful piece of art, you’ll also be building
a brighter future for all Cambodians.
Yours truly,
Christopher Stamos
Partner, Sterling Stamos
Vice Chairman, Friends Without A Border
ANGKOR HOSPITAL FOR CHILDREN NEEDS YOUR HELP
2007
© Karl Globl
© Daniel Rothenberg
has been a very difficult year for Angkor Hospital for
Children (AHC). Severely affected by the worst Dengue
Fever epidemic in over two decades, the hospital, staff, and community are exhausted. More than one observer compared the situation to
a war zone. AHC literally burst at the seams, with makeshift beds lining
hallways and spare space. A city of mosquito-nets outside the hospital
doors housed small patients too ill to be sent home but not ill enough to
be admitted. Lacking even the time to keep proper charts, nurses wrote
the vital signs of children directly on their bodies. Thousands of dengue
fever cases were treated at AHC. Throughout Cambodia over 40,000
people were infected and hundreds of children died.
We are not often forced to consider monsoon rains, tropical disease outbreaks or severe
poverty. Cambodia’s misfortunes are quite literally half-a-world away. When Kenro Izu
returned from his first trip to Cambodia nearly fifteen years ago, he brought both breathtaking photographs and a firm resolve to help the poor, ill and malnourished children
he met there. His inspiration and the unrelenting support of thousands of individuals
dissolved the distance between here and there. By linking our efforts in a worldwide
community of friends, our actions can save children and impact a nation. Thanks to
supporters of Friends Without A Border, nearly 100,000 children will receive crucial medical treatment at AHC this year.
Without AHC what would happen to them? As participants in the 11th Annual Friends of Friends Photography Auction,
a direct line now connects you to a Cambodian child in need. You have a remarkable opportunity to heal a child and
heal a nation. Will you make the most of it?
We sincerely thank all of the photographers, galleries and collectors from around the world who have donated their
photographs. We also thank the generous sponsors who provide financial support for this event, the auction committee
members who devote enormous time and energy to make the auction possible, and all of the attendees whose participation
helps heal Cambodian children.
One in seven Cambodian children dies
© Daniel Rothenberg
■
before age five
often from preventable, treatable, and curable conditions.
■
■
AHC provides
free, comprehensive pediatric medical
care. Nearly 500,000 children have received treatment at AHC.
AHC is an officially recognized teaching hospital
training hundreds of Cambodian health workers each year, helping
to rebuild Cambodia’s devastated health system.
■
AHC provides
outreach services, specialized care for
children with HIV/AIDS, and extensive health education to children and families.
■
Capacity Building and Health Education Program (CBHEP) works directly with
communities teaching basic
nutrition, agriculture, and illness prevention. CBHEP also helps provide clean water to rural communities through
the Pure Water and Literacy for Cambodian Villages Project.
■
Dedicated to sustainable and
environmentally-friendly development, AHC pursues green architecture
and clean technologies wherever possible. AHC’s Visitors Center, scheduled to open in 2008, was designed
through the generosity of Cook + Fox, one of the world’s leading green architectural firms.
■
AHC is planning a
Satellite Program to bring the same comprehensive, quality, and loving pediatric care to
government hospitals in rural areas.
01
Masao Yamamoto
Nakazora #955
Gelatin silver print; Printed in 2006
3 3/16 x 4 13/16, Signed in pencil
on the verso
Edition no. 33/40
Guide Value: $1,000
Donated by the artist
02
01
Ron van Dongen
Sprekelia Formosissima 2003
Toned gelatin silver print
19 1/8 x 15 1/8, Signed in pencil in the
margin
Edition no. 4/50
Guide Value: $1,200
Donated by the artist and Chris Pichler
courtesy of Nazraeli Press
02
03
03
Mary Daniel Hobson
#008 from the series Evocations 2007
Pigment print mounted on mat
8 x 8, Signed in pencil on the verso,
certificate on the reverse of the mount
Edition no. 3/10
Guide Value: $600
courtesy of Modernbook Gallery
04
Linda McCartney
Stallion and Standing Stone II 1996
Pigment print; Printed in 1999
11 x 16 1/8, Estate stamp on the verso
Guide Value: $1,000
Donated by Debra Shriver
Printed in Belgium by Salto.
05
Martin Munkacsi
Having Fun at Breakfast c. 1933
Gelatin silver print; Printed later
11 13/16 x 9, Signed in pencil by Joan Munkacsi
on the verso
Artist Proof no. 3
Guide Value: $2,000
Donated by Joan Munkacsi
courtesy of Howard Greenberg Gallery
04
05
06
Burt Glinn
Fidel Castro, Santa Clara, Cuba 1959
12 15/16 x 8 13/16, Signed in pencil on the verso
Guide Value: $2,200
Donated by Burt and Elena Glinn
06
07
Douglas Kirkland
Audrey Hepburn, Paris 1965
Pigment Print; Printed in 2007
16x20, Signed in pencil in margin.
Guide Value: $1,800
Donated by Francoise and Douglas
Kirkland
08
Lois Greenfield
Paul Zivkovich and Craig Bary 2007
Gicleé
15 x 15, Signed in pencil in the margin
Guide Value: $1,000
09
Ed Pfizenmaier
Untitled (1964)
Gelatin silver print
13 11/16 x 10 3/8, Stamped and signed
in pencil on the verso
Guide Value: $2,500
courtesy of Staley-Wise Gallery
07
08
09
10
Virginia Beahan
Baseball Scoreboard, Estadio Mártires del Uvero,
Cuba, 2002
C-print
18 1/2 x 23 9/16, Signed in ink in the margin
Edition no. 2/30
Guide Value: $2,000
Donated by Brenda Edelson
The image appeared on Cuba on the Verge (Bulfinch, 2003)
pg 163. This town was the site of the first major battle
between the 26th of July Movement rebels and the Batista
forces that were garrisoned there.
10
11
Sean Perry
Manhattan Suspension Bridge #3 from the series
Architecture 2007 (Chief Engineer - Othniel Foster
Nichols & Leon Moisseiff, completed in 1909)
Platinum-Palladium print
10 x 10, Signed in pencil in the margin with artist thumbprint
Edition no. 2/17
Framed
Guide Value: $1,250
courtesy of Stephen L. Clark Gallery
11
12
Jerry Spagnoli
Montana from the series Pantheon 2007
Pigment print
18 5/8 x 23 7/16, pencil on the verso
Artist Proof 1/4
Guide Value: $1,800
courtesy of Sarah Morthland, Archive Consulting and
Management Services
12
13
Maureen Lambray
The Wooden Bowl 1993
Edition no. 26/60
Guide Value: $1,800
courtesy of Stephen Cohen Gallery
13
14
Michael Clinton
Burmese Dusk 2002
Iris print
20 x 13 3/16, Signed in pencil in the margin
Edition no. 18/30
Guide Value: $800
15
Auctioned with a signed copy of the artist’s monograph
Global Faces (Glitterati, 2007)
Eduardo del Valle & Mirta Gómez
Two Sections of Time: Mérida, Mexico, 1998 &
Mérida, Mexico 2002
C-print; Printed in 2007
Each image 15 9/16 x 22 15/16,
Signed in ink on the verso of each print
Artist Proof
Guide Value: $4,000
Donated by the artists
courtesy of Nazraeli Press
The images appear on the cover of the artists’ monograph
Witness Four (JGS, 2007).
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16
George S. Zimbel
The Kennedy Parade N.Y.C. 1960 (Still Movies)
Gelatin silver print; Printed in 1999
A set of five 4 x 6” prints on 8 x 10” papers, Signed in pencil on the
verso of each print
Frame courtesy of CLV Art Services
Guide Value: $4,000
John & Jacqueline Kennedy, NYC 1960 (top left image)
appeared in American Politicians (MoMA, 1994) pg 160.
It is in the collection of Museum of Modern Art, Tokyo
Metropolitan Museum of Photography and Musee National
des Beaux – Arts du Quebec among many others.
17
Martine Franck
Grande Arche de la Defense, Paris, France 1989
Guide Value: $2,400
18
Arthur Leipzig
Rain 1945
Guide Value: $1,500
Donated by Jerome Nathan Leipzig
19
Monica Karales
Winter Geese 1994
9 3/8 x 13 1/2, Signed in ink on the verso
Guide Value: $600
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20
Don Penny
Octo V3 2005
Pigment print on archival fine art paper;
Printed in 2006
16 1/2 x 7 1/2, Signed in pencil on the recto and verso
Artist Proof
Framed
Guide Value: $1,500
21
Jenny Lynn
Suspension of Disbelief from the series Soliloquy
1976
7 x 7, Signed inink on the verso and reverse of the frame
Edition no. 6/20
Framed
Guide Value: $800
Auctioned with a signed copy of artist’s
monograph PhotoPlay.
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22
Lynn Saville
Number 39 2006
C-print
22 x 16, signed in ink on the verso
Edition no. 2/15
Guide Value: $1,500
courtesy of Yancey Richardson Gallery
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23
Patrick McMullan
Runway Legs - Fashion Show 2000
8 x 12, Signed in ink on the verso
Artist Proof
Guide Value: $1,500
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24
Charles Traub
Tokyo, Japan 1983
Pigment print; Printed later
Edition no. 3/10
Guide Value: $2,000
courtesy of Gitterman Gallery
Auctioned with the artist’s monograph In the Still Life.
The image appears on the cover.
25
Rachael Dunville
Miss 2005
Digital C-print; Printed in 2007
Edition no. 1/10
Guide Value: $1,500
courtesy of Peer Gallery
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26
Amy Arbus
The Clash 1981
16 x 20, Signed in ink
on the verso
Edition no. 7/25
Guide Value: $2,200
courtesy of Anthropy Arts
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27
Jonathan Ortner
Jaymes and Leroi 2005
Guide Value: $3,000
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29
Simon Chaput
Valeria NY 12L 2002
Gelatin silver print mounted on mat
8 1/4 x 21 3/4, Stamped and signed in ink on the reverse
of the mount
Edition no. 4/15
Guide Value: $2,500
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29
Herb Ritts
Madonna - Circus Mirror II, Miami 1992
Gelatin silver print mounted on mat; Printed in 1996
13 3/16 x 5 3/8, Signed in in pencil on the reverse of the mount
Edition no. 8/25
Frame courtesy of Drummond Framing
Guide Value: $2,500
Copyrighted and donated by Herb Ritts Foundation
courtesy of Staley-Wise Gallery
30
Allen Ginsberg
View of Church through Window, East 12th Street,
September 1985
12 x 8 1/8; 13 x 8 1/8 including texts, Signed, titled, dated,
and captions in ink on the recto
Framed
Guide Value: $7,500
Donated by Howard Greenberg
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Hyoungsun Ha
Route 89, Seneca Falls, New York 2007
C-print
Edition no. 1/15
Guide Value: $2,200
courtesy of Peer Gallery and Paul Kopeikin Gallery
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Will Steacy
Liz, Philadelphia 2007
C-print
20 x 16 1/4, Signed in ink on the verso
Edition no. 2/10
Guide Value: $1,000
33
Peter Riesett
Openings from the series Testament 2004
Edition no. 1/10
Guide Value: $1,000
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34
Sarah Moon
Route de Rodalquilar 1994
Gelatin silver print; Printed
c.2000
13 5/8 x 16 7/8, Signed in
pencil on the verso
Edition no. 3/20
Frame courtesy of CLV Art
Services
Guide Value: $8,200
courtesy of Howard
Greenberg Gallery
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Mitch Epstein
Dad, Hampton Ponds III 2002 from
the series Family Business
C-print, Printed in 2007
Edition no. 3/10
Frame courtesy of Bark Frameworks,
Print & mount
courtesy of Laumont Digital
Guide Value: $11,000
courtesy of Sikkema Jenkins & Co.
“It was a hot Sunday Afternoon – I had been
working hard and needed a break. Susan and
I had decided to take Lucia to Goshen for
a swim. We were on our way out when the
phone rang. My mother and father were going
for a swim and canoe ride at Hampton Ponds.
Would we like to join them?
I was ambivalent. I wanted to steal some time
alone with my wife and daughter. But I knew
this was a rare chance. My father hardly ever
took time off to relax with the family, and he
never went to Hampton Ponds, his childhood
sanctuary, for anything but business.
Dad approaches the water for a swim, he
is shaky. He says the bottoms of his feet
are tender, and it’s hard for him to walk on
the rocky shore. I give him my flip flops
and a hand, and he takes it which is unlike
him. I try to help him into the water, but it’s
not easy. He has trouble maintaining his
balance. I want to be photographing
him as he enters the lake, but that’s not
possible. As we get waist deep, I let go.
I pick up my hand camera and photograph
him as he slips into the inky water.”
—excerpt from Family Business, 2003
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36
James Karales
W. Eugene Smith 1956
Vintage gelatin silver print
8 15/16 x 13 1/2,
Signed in pencil on the verso
Guide Value: $5,000
Donated by the estate of
James Karales
courtesy of Howard
Greenberg Gallery
37
W. Eugene Smith
Nurse Midwife 1951
14 x 11
Framed
Guide Value: $5,000
courtesy of Howard
Greenberg Gallery
A rare vintage print from a photo essay
for the December 1951 issue of LIFE
magazine. The negatives from this
series were lost. Smith portrayed the
story of Maude Callen, who provided
medical care to over 10,000 people in
rural South Carolina, and considered
this series the most rewarding experience photography had allowed him.
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38
Mike Disfarmer
Double Portrait 1939-1946
7 1/2 x 12 1/2, Embossed with Disfarmer Collection stamp in margin;
Julia Scully Collection stamp and edition number in pencil on the verso
Edition no. 1/75
Framed
Guide Value: $800
Donated by Julia Scully
39
Margo Davis
Ladi, Nigeria 1981
Edition no. 25
Guide Value: $750
courtesy of Throckmorton Fine Art
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40
Michael Amoruso
Antiques, Seneca Lake, New York 2007
Edition no. 2/15
Guide Value: $500
40
41
Shei Rock
White Horse No. 1 1999
14 5/16 x 11 7/8, Signed in pencil in the margin
Framed
Guide Value: $1,400
courtesy of Watermark Gallery
42
Hiroshi Sugimoto
U.A. Walker, New York, 1978
Photogravure print with a custom-made brushed alminum
portfolio case
Edition no. 0052/1000
Guide Value: $1,500
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43
Steven Albahari
Frozen River 1985
Photogravure
Artist Proof 10/10
Guide Value: $1,000
Printed by Jon Goodman.
Comes with a cover sheet with the title.
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44
Eikoh Hosoe
Man and Woman #24 1960
Framed
This series was first published in 1961 by Camera Art
Publications, Tokyo. It was the first series that brought
Hosoe recognition; before others such as Barakei,
Kamaitachi and Embrace. The models for this series were
Tatusmi Hijikata, founder of the Butoh Dance Troupe, and
members of his group.
45
John Hill
Manhattan, Looking South 1983
Carbon pigment print; Printed in 2007
29 15/16 x 24, Signed in pencil in the margin
Edition no. 7/28
Framed
Guide Value: $2,500
46
Joseph Szabo
Woman in the Crowd, Jones Beach 1979
Edition no. 1/25
Guide Value: $1,200
courtesy of Gitterman Gallery
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47
Frédéric Brenner
Brenda’s Jewish Cooking Class, Johannesburg,
South Africa 2001
Guide Value: $2,500
47
48
Terry Towery
Gateway to the Uncanny
Valley 2006
Platinum-Palladium print
7 15/16 x 13 1/8
Signed in pencil in the margin
Artist Proof
Guide Value: $1,200
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49
Kenro Izu
Angkor #26, Ta Prohm, Cambodia 1993
Platinum-Palladium print mounted on mat;
Printed in 2005
13 x 19, Signed in pencil in the margin; stamped
and signed in ink on the reverse of the mount
Edition no. 76
Guide Value: $1,500
courtesy of Friends Without A Border
50
Stan Gaz
Garden of Cyrus 2006
Artist Proof no. 1/3
Framed
Guide Value: $4,000
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51
Peter Steinhauer
H’mong Do Minority #101 - Vietnam - 2000
Pigment print on Hahnemuhle Fine Art Pearl; Printed in 2007
37 x 30, Signed in ink in the margin
Artist Proof
Guide Value: $3,000
52
52
Monica Denevan
Four Palms, Burma 2004
Gelatin silver print;
15 x 15, Signed in pencil on the verso
Edition no. 17/25
Guide Value: $900
courtesy of Scott Nichols Gallery
Auctioned with a signed catalog The River Anthology
(Tào Evolution).
53
Gerald Förster
Light Years Project - Smoke, Napal 1994
18 x 22, Signed in pencil on the verso
Edition no. 1/9
Guide Value: $2,800
courtesy of Jenkins Johnson Gallery
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54
Walker Evans
Post Office, Sprott, Alabama, 1936
Carbon pigment print; Printed in 2007
23 3/8 x 29 7/8, Initialed in pencil by Martson and Hill in the margin
Edition no. 7/140
Framed
Guide Value: $3,200
Donated by Sven Martson & John Hill
courtesy of Martson Hill Editions
The image appeared on the cover of Waker
Evans (MoMA, 1971). The print is made
with quadtone carbon black pigments laid
onto all rag acid free paper via microscopic
jets. Critical adjustments to the digital files
allow details in the shadows and in the
brightest areas of a photograph to be held,
which was not possible to attain in the past.
55
Hiroshi Sugimoto
Woodland Cemetery (SUG-973) 2001
from the series Architecture
22 15/16 x 18 1/2, Signed in pencil on
the mount; blindstamp in the margin with
negative and edition numbers
Edition no. 9/25
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Architect: Eric Gunner Asplund (18851940). Located in Stockholm, Sweden.
With this series, Sugimoto portrays iconic
Modernist architecture that provokes ideas
of memory, time and history. This image
appeared in Architecture (D.A.P./Museum of
Contemporary Art, Chicago, 2003) pg 083.
56
William Scharf
Offerings, Kyoto, 2005
Edition no. 1/9
Framed
Guide Value: $900
57
Kenro Izu
Druk #561, Reincarnated Rinpoche, Punakha, Bhutan
2007
Platinum-Palladium print mounted on mat
19 x 13, Signed in pencil in the margin; stamped and
signed in ink on the reverse of the mount
Artist Proof no. 1/4
Guide Value: $3,500
56
58
Michael Kenna
Incense Holders, Doryu Temple, Shikoku, Japan 2002
Sepia-toned gelatin silver print
7 7/16 x 7 15/16, Signed in pencil on the overmat;
stamp and signed on the reverse of the mount
Edition no. 2/45
Guide Value: $1,500
courtesy of Stephen Wirtz Gallery
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59
Saul Leiter
Cracks 1957
Chromogenic print
Printed in 2007
Framed
Guide Value: $3,500
59
60
Tri Luu
Mandalay, Myanmar 2001
C-print
22 x 18, Signed in ink in the margin
Edition no. 14/30
Guide Value: $950
60
61
Mark Fields
Alter 2007
Digital pigment print
11 3/8 x 8 1/2, Signed in in pencil in the margin
Edition no. 6/25
Framed
Guide Value: $600
62
Barbara Bordnick
Male Nude 1987
Guide Value: $1,250
61
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63
Graciela Iturbide
Acadian Village, Lafayette, Louisiana, Flatlands 1997
10 1/8 x 10 1/8
Signed in pencil in the pencil on the verso
Framed
Guide Value: $2,000
Donated by the artist and Rose Gallery
courtesy of Rose Gallery
63
64
Dave Heath
New York c. 1960
10 1/2 x 7, Signed in pencil on the verso
Framed
Guide Value: $7,000
64
65
William Claxton
Judy Garland, Las Vegas, 1961
Artist Proof
Guide Value: $2,200
courtesy of Demont Photo Management, LLC
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66
Alfred Wertheimer
Elvis and Hound Dog 1956
10 x 14 7/8, Signed in ink in the
margin and in pencil on the verso
Guide Value: $1,600
courtesy of Georgina Galanis
Auctioned with a signed copy of
artists‘s monograph Elvis at 21:
New York to Memphis (Insight
Editions, 2006). The image was
taken during rehearsal of the
Steve Allen Television Show
at Hudson Theatre, NYC,
July 1, 1956.
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67
Ellen Garvens
White 2003
Artist Proof; edition of 5
Guide Value: $1,400
This print is from a series taken in prosthetic/ orthotic
clinics. Garvens photographed devices in the process
of being made, teaching examples, and prosthetics and
orthotics that have been discarded or worn out.
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Junsik Shin
Ee Mot Ko? #18 2004
Cibachrome
24 x 18 1/8, Signed in ink in the margin
Edition no. 1/6
Guide Value: $1,800
69
Ralph Müller
Winterlandschaft mit Brücke Crans Montana,
Schweiz, 1996
C-print
Edition no. 1/10
Guide Value: $3,000
Donated by Brenda Edelson
Auctioned with an artist‘s catalog Fotografien.
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Steve McCurry
Procession of Nuns, Rangoon, Myanmar (Burma), 1994
Digital archival print; Printed in 2007
7 15/16 x 12, Signed in ink on the verso
Frame courtesy of CLV Art Services
Guide Value: $2,000
71
Ernst Haas
Audrey Hepburn Wedding 1954
13 7/8 x 10, Signed in in pencil by Alex Haas and
studio stamp on the verso
Guide Value: $1,500
Donated by Victoria and Alex Haas
courtesy of Silverstein Photography
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Bruce Cratsley
Flowering Bush, Windy Willows, Truro, Mass. 1994
9 1/2 x 9 1/2, Signed in pencil on the reverse of the mount
Guide Value: $850
Donated by The Bruce Cratsley Archive
courtesy of Sarah Morthland, Archive Consulting and
Management Services
73
Kenro Izu
A Special Commission
Izu will travel to a location of your choosing in the NY
Tri-State area to photograph a portrait with his signature
14x20“ camera, producing two Platinum-Palladium prints of
a single image. Travel outside of the Tri-State area can be
arranged, with expenses covered by the successful bidder.
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Irving Penn
Deli Package, New York, 1975
Vintage Platinum-Palladium print
8 3/8 x 10 3/4 on a 11 x 15“ paper, Signed in pencil on the verso
Edition no. 3/45
The image appeared in Passage (Alfred A. Knopf, 1991) pg 214.
75
Fawn Potash
Overlapping Pile of Books #2 1995
Gelatin silver print with hand-rubbed wax finish;
Printed in 2005
Edition no. 1/15
Guide Value: $1,200
75
76
76
Michael Mazzeo
Nautilus 2004
Toned gelatin silver print
Edition no. 2/8
Framed
Guide Value: $600
The mid-19th century Wet-Plate Collodion process in
which a positive image is made in-camera, directly onto
hand coated and sensitilized black glass.
77
Marcia Lippman
Settignano, Italy 1987
Ambryotype
10 x 8, Etched in the glass on the verso
Unique Print
Guide Value: $1,500
77
SILENT AUCTION BOOKS
We are pleased to present the following books and magazines as part of our silent auction.
S-201
Amy Arbus, On the Street
1980 - 1990
Text by A.M. Homes.
Welcome Books, New York, 2006.
Signed first edition, 104 pp, 70 b&w
illustrations. 14 x 10 ½”, casebound.
Courtesy of the publisher.
Guide value: $40
S-202
Richard Avedon, Nothing Personal
Text by James Baldwin.
Atheneum Publishers, New York, 1964.
First edition, out-of-print, 92 pp, 52
b&w illustrations. 14 1/8 x 10 ½ ”,
hardbound.
Slipcase is missing. Book itself is in
very good condition with cracks at
the top and bottom of the paperover-board cover along the spine.
The overall binding is tight. Pages are
clean and unmarked. It has an acetate
jacket replacing the original one.
Courtesy of Gregory and Teresa
Wakabayashi.
Guide value: $150
S-203
Richard Avedon, Observations
Text by Truman Capote.
Simon and Schuster Publishers,
New York, 1959.
First edition, out-of-print, 152 pp,
105 b&w illustrations. 14 1/8 x 10 ½”,
slipcased hardbound.
Slipcase is in good condition with
typical wear for a book of its age and
a few small stains. The book itself is in
fine condition except for some wear
to the top and bottom of the spine.
Tight binding. Pages are clean and
unmarked. It has an acetate jacket
replacing the original one.
Wakabayashi.
Guide value: $500
S-204
Richard Avedon,
Woman in the Mirror
Essay by Anne Hollander
Harry N. Abrams, New York, 2005.
First edition, 248pp., 125 tri-tone and
10 full color illustrations, 14 x 11”,
hardbound, in mint condition.
Courtesy of The Richard Avedon
Foundation.
Guide value: $65
S-205
Claire de Virieu and Francis
Dorléans, Fashion Designers’
Gardens
Abbeville/Vendome, New York, 2000.
206 pp., 200 four-color illustrations,
12 ½ x 10”, hardbound, in mint
condition.
Guide value: $60
S-206
William Eggleston, 5x7
Twin Palms, Santa Fe, 2006.
First edition, 96 pp., 29 b/w and
32 four-color illustrations, 14 x 11”,
casebound.
Guide value: $60
S-207
Barbara Ess, I Am Not This Body
Essays by Guy Armstrong, Michael
Cunningham, Barbara Ess and
Thurston Moore.
Aperture, New York, 2001.
First edition, out-of-print, 96 pp., 65
duotone illustrations, 9 ¾ x 12 ¼”,
hardbound, in mint condition.
Guide value: $40
S-208
Jeffrey Fraenkel (Ed.),
Seeing Things
The Fraenkel Gallery, San Francisco,
1995.
Out-of-print, 108 pp., 50 tri-tone
illustrations, 11 x 10”, softbound,
in mint condition.
Guide value: $100
S-209
Lee Friedlander,
Lee Friendlander at Work
Text by Richard Benson.
DAP, New York, 2002.
96 pp., 231 duotone illustrations,
12 ¼ x 11 ¾”, hardbound, in mint
condition.
Guide value: $55
S-210
Graham Howe and Erika Esau
(Ed.), E.O. Hoppé’s Australia
W. W. Norton, New York, 2007.
Signed first edition, 204 pp., 140 b/w
illustrations, 10 x 9”, hardbound.
Courtesy of Curatorial Assistance.
Guide value: $50
S-211
Michael Kenna, Hokkaido
Introduction by Daido Moriyama.
Nazraeli, Portland, 2006.
Signed first edition, 104 pp., 84
duotone illustrations, 13 x 12”,
hardbound.
Guide value: $85
S-212
Michael Light (Ed.), Full Moon
Photographs by the Astronauts of
the Apollo missions. Text by Andrew
Chaikin.
Knopf, New York, 1999.
First edition, 236 pp., 52 duotone and
72 full-color illustrations, 11 ¾ x 11
¾”, hardbound, in mint condition.
Guide value: $75
S-213
Rosie Llewellyn-Jones (Ed.),
Lucknow: City of Illusion
Contributions by Peter Chelkowski,
Neeta Das, Nina David, Sophie
Gordon and Stephanie Roy.
Prestel and The Alkazi Collection of
Photography, New York, 2005.
First edition, 208 pp., 133 illustrations,
11 x 9 ¾”, hardbound.
Courtesy of Sepia International.
Guide value: $79
S-214
Robert Lyons, Egyptian Time
Story by Naguib Mahfouz.
Introduction by Charlie Pye-Smith.
Doubleday, New York, 1992.
Out-of-print, 103 pp., color
illustrations, 11 ½ x 11 ½”, hardbound, in mint condition.
Guide value: $50
S-215
Linda McCartney: Linda McCartney’s Sixties: Portrait of an Era
Foreword by David Bailey. Introduction by Paul McCartney.
Bulfinch Press, Boston, 1992.
175 pp., 221 duotone and 32 color
illustrations, 11 ¼ x 11 ¼”, softbound,
in good condition.
Guide value: $35
S-216
Tony Mendoza, Flowers
four-color illustrations, 13 x 18”,
hardbound.
Guide value: $75
S-217
Duane Michals, The Adventures
of Constantine Cavafy
Poetry by Constantine Cavafy.
Singed first edition, 112 pp., 120 fourcolor illustrations, 13 x 9”, casebound.
Guide value: $60
S-218
André Naggar, Images Mentales
Text by Michael Gibson.
John Stevenson Gallery, New York
and Editions Cercle D’art, Paris, 1999.
251 pp., b/w and color illustrations,
12 ¼ x 11 ¾”, hardbound, in very
good condition.
Guide value: $85
S-219
Ken Ohara, With
Essay by Craig Nova.
Signed first edition, 148 pp., 133 duotone illustrations, 10 x 8”, slipcased
edition of 100, numbered.
Guide value: $100
S-220
Phillip Prodger, E.O. Hoppés’
America: Modernist Photographs
from the 1920’s
W. W. Norton, New York, 2007.
Signed first edition, 176 pp., 120 b/w
illustrations, 10 x 9”, hardbound.
Courtesy of Curatorial Assistance.
Guide value: $50
S-221
Clifford Ross, Wave Music
Blind Spot Book, Aperture
published, New York, 2005.
tri-tone illustrations, 10 x 12”,
hardbound, comes with a signed and
numbered photogravure print housed
in a clamshell case, in mint condition.
Courtesy of Brenda Edelson.
Guide value: $1,000
S-222
Ketaki Sheth, Bombay Mix: Street
Photographs
Introduction by Suetu Mehta.
Dewi Lewis Publishing and Sepia
International, New York, 2007.
First edition, 120 pp., 75 tri-tone
illustrations, 10 x 10”, casebound.
Courtesy of Sepia International.
Guide value: $45
S-223
Bruce Silverstein Photography
(Ed.), Topographics: Photographs
from 1844 to the Present
Bruce Silverstain Photography, New
York, 2004.
140 pp., 50 b/w illustrations, 9 ½ x
11”, softbound, in mint condition.
Guide value: $60
S-224
Jerry Spagnoli, Daguerreotypes
Steidl, Gottingen, 2006.
Signed first edition, 56 pp., 112 color
illustrations, 11 ½ x 11 ½”, softbound,
in mint condition.
Courtesy of Sarah Morthland, ACMS.
Guide value: $40
S-225
Robert Stivers, Sanctum
casebound.
Guide value: $70
S-226
Vivan Sundaram, Re-Take of Amrita
Essays by Wu Hung and Vivan
Sundaram.
Sepia International, New York, 2006.
First edition, 76 pp., 49 tri-tone
illustrations, 10 ¾ x 9 ¼”, softbound.
Guide value: $30
S-227
Chris Verene, Chris Verene
Signed first edition, 112 pp., 65 fourcolor illustrations, 13 x 12”, slipcased
edition of 150, numbered.
Guide value: $200
S-228
Laura Wilson, Avedon at Work:
In the American West
Text by Larry McMurtry.
University of Texas Press, Austin,
2003.
Signed first edition, 132 pp, 91duotone illustrations, 11 x 9”, casebound,
in mint condition.
Wakabayashi.
Guide value: $50
S-229
Masao Yamamoto, é
S-230
Blind Spot Magazines
hardbound with 3 mounted prints in a
clamshell box.
Guide value: $750
A set of available issues (Issues 6,
8-18, 20-28, 30-36).
Guide value: $420
S-231
Daylight Magazine
Two-year subscription to the maga-
zine starting from issue #6, plus a set
of four available issues (Issues 2 - 5).
Guide value: $95
S-232
Witness series:
Stephen Shore, Witness #1
Joy of Giving Something, New York,
2006.
First edition, 72 pp., 77 four-color
illustrations, 12 x 9 ½”, hardbound.
Daido Moriyama, Witness #2
Joy of Giving Something, New
York, 2007.
First edition, 96 pp., 58 duotone
illustrations, 12 x 9 ½”, hardbound.
Courtesy of the publisher and
Nazraeli.
Guide value: $80
THANKS
Friends Without A Border would like to express profound gratitude to everyone who makes the annual Friends of Friends
Photography Auction possible: all participating photographers, contributors, committee members and sponsors.
PARTICIPATING ARTISTS
Steven Albahari (43)
Michael Amoruso (40)
Amy Arbus (26)
Virginia Beahan (10)
Barbara Bordnick (62)
Frédéric Brenner (47)
Simon Chaput (28)
William Claxton (65)
Michael Clinton (14)
Bruce Cratsley (72)
Margo Davis (39)
Eduardo del Valle &
Mirta Gómez 15)
Monica Denevan (52)
Mike Disfarmer (38)
Rachael Dunville (25)
Mitch Epstein (35)
Walker Evans (54)
Mark Fields (61)
Gerald Förster (53)
Martine Franck (17)
Ellen Garvens (67)
Stan Gaz (50)
Allen Ginsberg (30)
Burt Glinn (6)
Lois Greenfield (8)
Hyoungsun Ha (31)
Ernst Haas (71)
Dave Heath (64)
John Hill (45)
Mary Daniel Hobson (3)
Eikoh Hosoe (44)
Graciela Iturbide (63)
Kenro Izu (49, 57, 73)
James Karales (36)
Monica Karales (19)
Michael Kenna (58)
Douglas Kirkland (7)
Maureen Lambray (13)
Arthur Leipzig (18)
Saul Leiter (59)
Marcia Lippman (76)
Tri Luu (60)
Jenny Lynn (21)
Michael Mazzeo (77)
Linda McCartney (4)
Steve McCurry (70)
Patrick McMullan (23)
Sarah Moon (34)
Ralph Müller (69)
Martin Munkacsi (5)
Jonathan Ortner (27)
Irving Penn (74)
Don Penny (20)
Sean Perry (11)
Ed Pfizenmaier (9)
Fawn Potash (75)
Peter Riesett (33)
Herb Ritts (29)
Shiela Rock (41)
Lynn Saville (22)
William Scharf (56)
Junsik Shin (68)
W. Eugene Smith (37)
Jerry Spagnoli (12)
Will Steacy (32)
Peter Steinhauer (51)
Hiroshi Sugimoto (42, 55)
Joseph Szabo (46)
Terry Towery (48)
Charles Traub (24)
Ron van Dongen (2)
Alfred Wertheimer (66)
Masao Yamamoto (1)
George S. Zimbel (16)
CONTRIBUTORS
The Richard Avedon
Foundation
The Bruce Cratsley Archive
Brenda Edelson
Burt and Elena Glinn
Howard Greenberg
Victoria and Alex Haas
Estate of James Karales
Francoise and
Douglas Kirkland
Jerome Nathan Leipzig
Margarett Loke
Sven Martson
Sarah Morthland
Joan Munkacsi
Chris Pichler
Herb Ritts Foundation
Rose Gallery
Julia Scully
Debra Shriver
Gregory and
Teresa Wakabayashi
AUCTION COMMITTEE
MEMBERS
John Bennette
Josh Chuang
Michael Clinton
Jean Conlon
Margit Erb
Howard Greenberg
Kenro Izu
Stephanie Landess
Véronique Maryse Lee
Maria Los
Sarah Morthland
Nicholas L. Seaver
Debra Shriver
Chris Stamos
Michael Stern
Gregory Wakabayashi
Rick Wester
FRIENDS WITHOUT A BORDER
BOARD MEMBERS
Ronald Ablow, M.D.
Nerou Cheng, C.P.A.
Michael Cohn, O.D.
Hideki Fujii
Tadao Fujimatsu
Masayuki Fukuoka
Kenro Izu
Masumi Kamachi, M.D.
Véronique Maryse Lee
Akio Matsushima
Robert Nassau, M.D.
Tina Patterson
David J. Pritchard
David L. Pugatch, M.D.
Homyo Saito
Nicholas L. Seaver
Basil P. Stamos, M.D.
Christopher Stamos
Michael Stern
Eugene Tragus, M.D.
Yasushi Akashi
Kong Seung
Michael Cohn, O.D.
G.A.P. Ganepola,
M.D., F.A.C.S.
Masao Iwasato, M.D.
Masumi Kamachi, M.D.
Nal Oum, M.D.
B. Allen Weiss, M.D., F.A.C.S.
Susanne M. Werner,
R.N., B.S.N.
ADVISORS
DENTAL MEDICAL ADVISORS
Peter Grilli
Michèle R. Haines
Yoshiaki Ishizawa
Sidney Sass
Charles F. Craft, D.D.S.
ART ADVISOR
Masako Somogye
HONORARY ADVISORS
MEDICAL ADVISORS
Ashwin Balagopal, M.D.
Rethy K. Chhem, M.D.,
R.R.C.P.C.
ARCHITECTURAL
ADVISORS
Mamoru Kai
Jeffrey Kapec
Kan Morimoto
Kazuna Tanaka
COUNSEL
Robert D. Bring, ESQ.
NEW YORK OFFICE
Akiko Arai
Michelle Haider
Kenro Izu
JAPAN OFFICE
Akio Matsushima
FRANCE OFFICE
Narathib Nay
ANGKOR FRIENDS FUND
FUKUOKA OFFICE
Hiromi Jo
Mayumi Mizuki
11th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION
Absentee and Phone Bid Form
December 11, 2007
Name:
Bidder Number _________
Friends Without A Border
1123 Broadway, #1210
New York, NY 10010
tel 212-691-0909
fax 212-337-8052
Address:
Tel:
Fax:
Email:
Special Instructions:
Phone or Absentee (Please circle one)
LOT NUMBER
ARTIST NAME
YOUR TOP BID (FOR ABSENTEE
AND EMERGENCY PHONE BIDS)
TITLE OR DESCRIPTION
$
$
$
$
$
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$
$
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Total Bid Amount
$
Shipping and Handling
$ 50
Entry Fee (not applicable if you already have a bidder number)
$ 50
Note:
– Valid credit card information is required in order to place absentee/phone bids.
– You will be notified by Friends if you made a successful bid by phone within five business days after the auction.
Delivery Options:
® By UPS Ground Service with insurance for the final amount in the U.S.: additional $50 charge
(All of the artwork will be delivered before the holiday)
® Pick up at Friends Without A Border’s Office by December 21st (Friday)
Please execute these bids on my behalf
Signature:
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HOW TO PLACE ABSENTEE AND PHONE BIDS
Even if you are not able to physically attend the 11th annual Friends of
Friends Photography Auction on December 11, 2007, you will be able to
bid on any photographs and books by filling out the absentee/phone bid
form and mailing or faxing it to Friends Without A Border by December
11, 3:00pm.
The auctioneer will accept bids from those present at the auction in
addition to absentee and phone bids. Live bids may be executed
lower than the top bid you place. If matching bids are entered by two
or more parties, the first bid received by Friends will take precedence.
Friends Staff, Board Members and Volunteers may bid at the auction for
themselves, or they may execute bids for absentees.
Absentee and phone bids must be submitted with valid credit card
information in advance. In the case that the absentee bid is successful
the credit card will be charged on the night of the auction. Placing an
absentee bid is considered authorization for this transaction.
To place a phone bid, please indicate this on your bid form. You must
provide us with a phone number where you can be reached the night of
the auction, Tuesday December 11, 2007 from 6pm to 8:30pm EST, and
the lots that you are interested in bidding on. In case of any problem with
phone lines, we advise you to provide emergency bids on the form.
You will be contacted one hour before your first lot will be auctioned and
you will be bidding live via telephone with other bidders during the live
auction.
Silent auction books are available only for live and absentee bids, not
phone bids.
IMPORTANT NOTICE
Admission ticket/bidder number for the auction is $50. Payment by
check or cash is preferred.
Payment for all work is due the night of the auction without exception.
All property is “as is.” None of Friends Without A Border nor the artist
makes any express or implied warranty or representation as to the
condition of any lot offered in the auction, and no statement made at
any time, whether oral or written, shall constitute such a warranty or
representation. Descriptions of condition are not warranties. Accordingly,
all lots should be viewed personally by prospective bidders to evaluate
the condition of the property offered in the auction. Please feel free to
contact Friends for a report on the condition of any prints. Be reminded
that each lot is “as is” and all transactions are final. Unless a lot is
identified as part of a limited edition, no edition limit should be assumed.
Unless a lot is identified as having been printed in a certain year, no date
of printing can be guaranteed. The highest bidder acknowledged by
the auctioneer will obtain the item: in the event of any dispute between
bidders, the auctioneer will have final discretion and his record shall be
binding and conclusive. If the auctioneer decides that any opening bid is
below the value of the article offered, he may reject the bid and withdraw
the article from the auction.
SPONSORS
D aylight
magazine
www.daylightmagazine.org
T WIN PALMS PUBLISHERS
John A Bennette,
ACMS
Art Consultant
and The
8 x 10 Group
Appraisers of Documentary
and Fine Art Photographs
For Estates, Trusts, Charitable Donations,
Insurance, Damage and Loss
CAREER TRANSITION FOR DANCERS
Sarah Morthland, Robert Gurbo
"Helping Dancers When They Can
No Longer Dance".
THE CAROLINE & THEODORE NEWHOUSE CENTER FOR DANCERS
165 West 46th St. Ste701, New York, NY 10036-2501
212.764.0172 www.careertransition.org
Archive Consulting and Management Services LLC
511 West 25th Street Suite 609 New York NY 10001
tel (212) 242-7767 fax (212) 242-7797 acms@photoappraisers.com
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Welcome_auction ad.indd 1
9/17/07 3:48:55 PM
1123 Broadway, #1210
New York, NY 10010
Tel (212) 691-0909
Fax (212) 337-8052
www.fwab.org

11thANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION

Transcription

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