MINOTTI DESIGN IDENTITY 2011

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MINOTTI DESIGN IDENTITY 2011
Coordinated by Rodolfo Dordoni
One look at the new collection and you immediately understand why. Why such a weighty, and true word was
chosen: identity. The reason lies in the lines drawn by Rodolfo Dordoni, in the consistency and strength of his
designs. In recognizing the needs expressed by humankind, in his research. The reason lies in the stability of
a firm that, over time, has figured out how to mature into its own unique individuality, trace a pathway, define
a clearer awareness. Identity translates into a clear statement: this is who we are, this is what we want. Above
all, projects that meet the needs of the present: functional, flexible, authoritative. Without sacrificing a warm
welcome, a softness declared by lines and proportions, right from the start. Of course, there are echoes of
essential design, leaning more toward understatement rather than opulence; to the highlights more than to the
rhetoric of signs. But, where everything is governed by intelligent thought that knows how to weave together
innovation and history, technology and beauty. Minotti is a classic, thanks to its tradition, balance, and
quality. Minotti is contemporary, thanks to its research, mission, and future directions. Two perspectives, the
same identity.
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ALLEN
Design Rodolfo Dordoni
The Allen sofa is a perfect example of what Minotti means by “sofa”: an object defined by its smooth lines and
proportions, its added height from the floor, and the functionality of its dimensions, without sacrificing soft lines
and rounded shapes, especially where the arms are concerned. Even though it’s a product of design, Allen is
certainly not lacking in comfort, thanks to the high back that offers total support for the back and the head.
Internal padding of the arms and back is molded, while the reversible seat cushion is covered in goose down.
The feet, made of molded, die cast aluminium, describe a sinuous line, proof that the classical concept is
inherent to Minotti’s DNA.
Spotlight on feet: made of die cast aluminium, in Pewter colour (a shade created by Minotti Studio) they have
sinuous lines and classic structure, in both proportions and materials. Molded, they are the result of
technological research and reinforce the association between Minotti and uniqueness. In terms of foot
placement, they’re seen in profile when the sofa is viewed from the front, while the flat surface is visible when
the sofa is viewed from the back or side.
A totally new design concept: unlike traditional chaise longues that form the end unit of a seating
composition, this element already possesses a “hint” of the sofa in its shape. Thanks to its “L-shaped” design,
it foreshadows the sofa and carries it forward. Minotti also solves the problem of overlapping feet in the
corner, and preserves the purity of design. A sense of clarity enhances the value of this piece in a key area of
home living - the place for socializing with friends and enjoying family companionship.
Frame: one-piece solid wood frame with metal reinforcements set crosswise.
Frame preparation: let into high-density polyurethane foam in different densities. Arm and backrest padding
with soft fireproof foam insert for enhanced softness and comfort. Additional thick fiber lining thermally bound
to a white canvas.
Cushions: channeled goose down filling for the seat cushions with very resilient polyurethane foam
central insert. Channeled goose down for the backrest cushions.
Feet: molded aluminium die-cast feet (exclusive design by Minotti Studio), Pewter coloured paint with
extra-glossy anti-touch finish. Protective Hytrel® (soft scratchproof rubber) glide.
Cover: fully removable fabric covers. Non-removable leather for the frame, removable leather backrest and
seat cushion covers.
Single sofa and compositions available in different sizes from cm. 186x103xH90
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DONOVAN
Design Rodolfo Dordoni
At first glance, the austere grouping of the Donovan sofa elements calls to mind the essential nature of cubism.
But once seated, the sensations change. Donovan’s softness is surprising, swathed as it is in goose down,
arms and back included. While eight different thicknesses of expanded polyurethane lend the seat cushion
comfort that cries out quality. One of the latest Donovan innovations is the one-piece seat that creates a
uniform seating surface without the classic “cracks” between one seat and another, and makes it possible to
group elements together, even using sections with different dimensions, to create original and pleasantly
asymmetrical compositions. If it’s true that its personality tends toward understatement and aims to appeal
primarily to younger tastes, that doesn’t close the door on versatility - at ease in a modern, minimalist setting,
simply upholster it in a jacquard fabric and it’s a perfect fit for a more classic decor. As to details, the eyes are
drawn to the alluring Black-Nickel metal designer feet; they stand out against the floor just enough to express
themselves. In a whisper, but with attitude.
The mix of elements that makes up the Donovan sofa were carefully designed, square pieces that are also soft.
The proportions of the armrest prevail over those of the back; both are fastened to the seat - three pieces held
close together that come alive, creating an angular effect on the outside, very functional and linear, and soft
on the inside, forming a fluffy niche.
The Donovan corner element has two attractive functions: the first is to achieve “design-ability” among all the
elements (end and center elements) creating an infinite variety of sectional combinations; the second is to be
a “one seat end element”, even when combined with a simple end element of any size, to recreate the effect
of a single long sofa, but with an individual “corner niche”. The special detail at a 45 degree angle to the back,
with its soft, cushiony lines, and workmanship that, with a skillful bit of tailoring, echoes the shapes, creating
a feeling of wrap-around continuity and voluptuous lines.
Frame: solid wood. Frame let into elastic straps with a high rubber content.
Frame preparation: seat padding with high-resiliency polyurethane foam in different densities, that has been
aggregated for anatomical, differentiated and long-lasting comfort. All the frame has a channeled goose down
padding to enhance softness and make the seating appear like a big inviting cushion.
Cushions: channeled goose down filling for the backrest cushions.
Feet: metal, Ø 25 mm, glossy Black-Nickel finish. Protective nylon glides.
Cover: fully removable fabric covers for the backrest cushions and frame.
Single sofa and compositions available in different sizes from cm. 180x103xH80
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JENSEN
Design Rodolfo Dordoni
Technology is here, as is the school of Italian master upholsterers. In other words: design and comfort. This is
Jensen, designed to set the standard - one hundred percent armchair. Rigid, the external structure lends
stability to the shape; while the goose down cushioning invites surrender. Around the edges of the structure,
a caneté highlights the design, along with a zipper, visible on the front part of the seat, and serves two
purposes – decorative and practical. But, it’s the base that expresses the impeccable originality and
uniqueness of Jensen. The triangular section of die-cast aluminium offers wave after wave of harmonious
curves, modulating degrees of thickness and roundness. An interplay of the most sophisticated Minotti
technology made possible through research, design and engineering. At the service of evocative beauty.
85 cm
33 1/2
60°
60°
60°
40 cm
15 3/4
53 cm
20 7/8
40 cm
15 3/4
94 cm
37
97 cm
38 1/8
85 cm
33 1/2
60°
97 cm
38 1/8
81 cm
31 7/8
62 cm
24 3/8
66 cm
26
66 cm
26
81 cm
31 7/8
57 cm
22 1/2
40 cm
15 3/4
78 cm
30 3/4
Frame: metal with elastic straps with a high rubber content, let into fireproof polyurethane foam with softer
polyurethane foam insert matched with the backrest. The front section of the frame has channeled goose
down padding to enhance softness giving the armchair backrest a comfortable support.
Cushions: goose down seat cushion with a high-density polyurethane foam insert in different densities.
Base: molded die-cast aluminium (exclusive design by Minotti Studio), Pewter-coloured with extra-glossy,
anti-touch finish. The base of the armchair can be swivel, rotation of 60 degrees each side, or fixed. Stool
base not swivel. Protective Hytrel® (soft scratchproof rubber) glides.
Cover: completely removable fabric or leather covers by loosening the screws under the base.
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SAVILLE
Design Gordon Guillaumier
A chair informed by contemporary design, what inspires it and what it aspires to. Innovation, comfort,
sculptural vigor, retro accents, and the ability to interpret complex processing elements like curved wood. And
quality, of course - in the goose-down cushioning, tailored stitching, high-quality upholstery. Saville’s destiny
is to last over time, a feature inherent to Minotti style.
40 cm
15 3/4
62 cm
24 3/8
59 cm
23 1/4
59 cm
23 1/4
90 cm
35 3/8
90 cm
35 3/8
73 cm
28 3/4
53 cm
20 7/8
40 cm
15 3/4
91 cm
35 7/8
Frame: in solid beechwood, heat-curved, finished by a matt polyuretanic lacquer black colour then brushed.
Nylon glides.
Frame preparation: padded frames with metal insert and elastic straps with a high rubber content and
high-density polyurethane foam in different densities.
Cushions: channeled and quilted goose down.
Cover: completely removable fabric or leather covers with zips.
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CASE ARMCHAIR
Design Rodolfo Dordoni
Descendant of the Case dining table chair is the new Case Armchair, the armchair that looks like a basket, with
an essence of line and refined elegance to match. Wrapped in a mantle of saddle-hide, it envelops a
one-piece seat to be upholstered in a fabric of choice from the collection, offering infinite combinations and
textural interaction. Here, the Minotti Design Identity is expressed not through shapes which, in their
simplicity allow it to blend easily with any sofa in the collection, but rather through the fascination expressed
by the sophisticated juxtaposition of materials, a quality consistently recognized as a way of life for the Minotti
brand. Not to mention the rich craftsmanship and comfort offered by the goose down seat cushion.
73 cm
28 3/4
73 cm
28 3/4
70 cm
27 1/2
40 cm
15 3/4
60 cm
23 5/8
70 cm
27 1/2
Frame: curved multi-ply wood covered in polyurethane foam. Seat frame with elastic straps with a high
rubber content and covered with saddle-hide in Mud, Black, Tobacco or Dark Brown. Frame covered entirely
in saddle-hide with special handmade details.
Cushions: seat cushion padding in resilient high-density polyurethane foam, covered with channeled and
quilted goose down which gives the seat the look and softness of a cushion.
Feet: metal feet, 40x40 mm, Black-Nickel finish and protective Hytrel® (soft scratchproof rubber) glides.
Cover: the seat cushion cover is available in fabric only and is completely removable.
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TATLIN-SOFT | TATLIN | TATLIN-SOMMIER | BEDSPREAD
Design Rodolfo Dordoni
The Tatlin bed is all about the headboard, upholstered in saddle-hide, in the colours Mud, Tobacco, Dark
Brown and Black, with detailed workmanship that calls to mind refined luggage - in the rounded corners, the
stitching, the lush thickness. Tatlin has an unusual split personality - a softer Tatlin, with accessory cushions
upholstered in the same fabric as the bed sides, that attach to the headboard with snap-on saddle-hide straps.
The other is a more minimalist, uncompromising voice, where the saddle-hide headboard is always in full view.
A product with a uniquely formal expression, yet able to convey two distinct emotions.
Frame: multi-ply wood headboard and bed frame.
Frame preparation: padded with resilient polyurethane foam of different densities (CFC-free waterlily). The
bed frame is covered with fiber thermally bound to white canvas, which confers softness to the frame while
separating it from the fabric.
Covers: the headboard has two panels covered with saddle-hide. The saddle-hide is available in the following
colours: Mud, Black, Tobacco and Dark Brown. Tatlin-Soft version: the headboard has two cushions, with
non-allergenic fiber padding, strapped onto the saddle-hide panels with snap buttons. Matching cushion
covers and bed frame cover.
Feet: molded die-cast aluminium feet (exclusive design by Minotti Studio) with Pewter-coloured, extra-glossy
anti-touch finish.
Cover: the bed frame and cushion covers are completely removable.
N.B.: adjustable spring height. The spring support can be fitted into the frame in several positions to
accommodate any kind of spring.
Tatlin Bedspread: handmade bedspread, covered with Art. Artis fabric on one side, 01 Natural-Graphite
colour and on the other side in Art. Artis fabric, 04 Graphite colour. Fabric blend: 21% linen, 26% cotton, 53%
viscose (see Textile collection Art 17). The bedspread is double-faced.
Sizes available:
TATLIN-SOFT
TATLIN
TATLIN-SOMMIER
TATLIN BEDSPREAD
cm 204x226xH97
cm 224x226xH97
cm 244x226xH97
cm 204x220xH97
cm 224x220xH97
cm 244x220xH97
cm 176x216xH49
cm 196x216xH49
cm 216x216xH49
cm 270x270
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CLAYDON
Design Rodolfo Dordoni
A table designed, engineered and created to be adaptable to any setting. To be, and remain “evergreen”, an
example of “good design” - design purity, functionality, class. Starting at the top: choose from the elegance
of oak, the sophistication of marble or the contemporary look of glossy lacquer. While the base narrates a
boldly artistic tale, the subtext is technologically aware. Evolutions in depth and curves, the harmonious flow
of lines dictated by the pencil converge toward a virtuosity of form that only a major investment in casting
moulds can achieve.
73 cm
28 3/4
73 cm
28 3/4
Base: die-cast aluminium, triangular section, Pewter-coloured with extra-glossy, anti-touch finish. Adjustable
feet and protective nylon glides.
Top: wood surface in 40 mm wood or 20 mm marble. Chamfered edge.
Top finishes:
- oak-veneered with open-pore Moka or Black finish;
- MDF glossy lacquered polyester in Granite, Rust or Sand;
- Portoro or Emperador marble available only for the 145x145 cm table.
120 cm
47 1/4
73 cm
28 3/4
73 cm
28 3/4
145 cm
57 1/8
120 cm
47 1/4
220 cm
86 5/8
145 cm
57 1/8
120 cm
47 1/4
73 cm
28 3/4
73 cm
28 3/4
160 cm
63
120 cm
47 1/4
280 cm
110 1/4
160 cm
63
160 cm
63
120 cm
47 1/4
120 cm
47 1/4
320 cm
126
160 cm
63
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MILLS | MILLS LOW
Design Rodolfo Dordoni
The dimensions of the Mills chair are delicate; the profile is dynamic; the structural design is clear. Its
Scandinavian genes are there; clearly stated. The result is contemporary - built for comfort, generous in its use
of materials, and refined workmanship.
This captivating little chair is the offspring of the Mills chair, Mills Low features a lower seat height for
inclusion in a living room setting, in perfect harmony with the sofas in the collection. Its lightness and slim
dimensions are balanced by an abundance of personality and spirit of design. An invitation to comfort,
coupled with modest size.
60 cm
23 5/8
60 cm
23 5/8
MILLS
44 cm
17 3/8
72 cm
28 3/8
60 cm
23 5/8
62cm
24 3/8
60 cm
23 5/8
62cm
24 3/8
48 cm
18 7/8
76 cm
29 7/8
Frame: metal seat with elastic straps with a high rubber content let into high-density polyurethane foam in
different densities. Metal backrest let into fireproof polyurethane foam.
Chair base: metal, cone shaped Ø 25 mm, glossy Pewter-coloured and metal ferrules with a Black-Nickel
finish.
Armchair base: metal, cone shaped, Ø 25 mm, glossy Pewter-coloured and turned metal foot Ø 25 mm with
Black-Nickel finish. Protective PVC glides.
Cover: removable fabric covers only, non-removable leather covers.
MILLS LOW
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FLAVIN
Design Rodolfo Dordoni
Fine tradition is echoed in the smooth design of this chair and armchair – the spirit is “contemporary” and the
vibe is clearly 50’s, updated with the latest technology. The quality of the materials and the sophisticated
finishes are one hundred percent Minotti. In equal measure are the pursuit of ergonomic excellence and
aesthetic values - the qualities that allow them to sit together comfortably at the same table.
61 cm
24
48 cm
18 7/8
64 cm
25 1/4
86 cm
33 7/8
60 cm
23 5/8
61 cm
24
62 cm
24 3/8
62 cm
24 3/8
51 cm
20 1/8
48 cm
18 7/8
85 cm
33 1/2
Frame: metal with elastic straps with a high rubber content, let into fireproof polyurethane foam and lined with
a fiber that is thermally bound to a white canvas.
Base: metal, cone-shaped, Ø 30 mm, glossy Pewter-coloured, with protective Hytrel® (soft scratchproof
rubber) glides.
Cover: completely removable fabric or leather covers by loosening the screws under the seat base.
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RILEY
Design Rodolfo Dordoni
A series of coffee tables in various sizes, where the expression of elegance is defined by the leather
upholstering of the base using a handcrafted process employed for luggage. The table top comes in three
shades of glossy lacquer, or in Portoro marble. Proof that Minotti does not offer just tables, but fine objects
capable of creating an upscale and refined living space.
50 cm
19 5/8
70 cm
27 1/2
70 cm
27 1/2
55 cm
21 5/8
55 cm
21 5/8
120 cm
47 1/4
120 cm
47 1/4
60 cm
23 5/8
45 cm
17 3/4
45 cm
17 3/4
38 cm
15
50 cm
19 5/8
35 cm
13 3/4
35 cm
13 3/4
40 cm
15 3/4
Frame: metal with triangular section legs 45x45x45 mm. Upper edge in 30x10 mm oval tubular metal. The
frame is covered in leather cat. Nature colour 04 Dark Brown. Nylon glides.
Top finishes:
- MDF, 25 mm in thickness, with glossy lacquered finish in Granite, Rust and Sand;
- Portoro marble, 20 mm in thickness.
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PERRY
Design Rodolfo Dordoni
6
Perry coffee tables have pewter-coloured die cast aluminium legs that express an uncommonly ample
physical presence. Paired with a solid wood top, the union is modern and elegant, and the telltale marks of
time will make it more fascinating, warmer and lived-in. Versatile, Perry mixes perfectly with the products from
the entire Minotti collection, and is totally at ease next to the Allen sofa, which heightens the dialog between
the feet of one and the legs of the other. Legs whose location allows for a unique integration and placement
with the Davis pouf – a compact pouf, padded with goose down – essential in spirit and flexible in nature. Such
studied simplicity calls for some sophistication; the lower part of the pouf is upholstered in leather, fitted with
a zipper, and stamped with the Minotti logo; and at the corners, discreetly, the elegant Black-Nickel metal feet
peek out. Whether it’s due to the spirit, or the nature of the design, the personalities of these two seem made
for each other. In three words – this is Minotti living – sophisticated, durable, versatile.
38 cm
15
38 cm
15
Top: shaped, available in open-pore Moka lacquered solid oak or in MDF Granite, Rust or Sand glossy
lacquered. 28 mm in thickness. The coffee tables with size cm 110x90 and cm 150x150 include a Smoked Grey
tempered glass insert, 12 mm in thickness, aligned to the top. The coffee tables have a metal frame inserted
in the top, except for the measure cm 60x60 H38.
Legs: die-cast aluminium (exclusive design by Minotti Studio) Pewter-coloured with extra-glossy anti-touch
finish. Nylon glides.
115 cm
45 1/4
38 cm
15
115 cm
45 1/4
60 cm
23 5/8
60 cm
23 5/8
72 cm
28 3/8
38 cm
15
150 cm
59
72 cm
28 3/8
150 cm
59
38 cm
15
90 cm
35 3/8
38 cm
15
90 cm
35 3/8
110 cm
43 1/4
72 cm
28 3/8
72 cm
28 3/8
150 cm
59
200 cm
78 3/4
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DAVIS
Design Rodolfo Dordoni
Davis pouf – a compact pouf, padded with goose down – essential in spirit and flexible in nature. Such
studied simplicity calls for some sophistication; the lower part of the pouf is upholstered in leather, fitted with
a zipper, and stamped with the Minotti logo; and at the corners, discreetly, the elegant Black-Nickel metal feet
peek out.
33 cm
13
Frame: in multi-ply wood.
Frame preparation: let into high-density polyurethane foam in different densities. Additional lining with channeled goose down padding to enhance softness. Black saddle-hide bottom.
Feet: metal feet, Ø 70 mm with glossy Black-Nickel finish. Protective felt glides.
Cover: fabric or leather removable covers.
63 cm
24 3/4
63 cm
24 3/4
63 cm
24 3/4
Minotti
Minotti
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TURNER
Design Rodolfo Dordoni
Its identity carries the courage of colour - chosen with taste and sophistication, naturally. At 55 cm in
diameter it’s also practical and functional. The base is luxurious saddle-hide, elegantly perforated to reveal the
Minotti logo. In the same style but a different size, is the Lazy Susan Turner, 70 cm in diameter, it turns on its
base, to serve all the diners from the center of the table. Good design; beautiful is useful, too.
3,5 cm
1 1/4
3/8
1,5 cm
5
Frame: MDF tray glossy lacquer in Granite, Rust or Sand. 45° chamfered edge. The lower section is lined in
black saddle-hide. Swivel mechanism for the Ø 70 cm tray.
55 cm
21 5/8
Minotti
70 cm
27 1/2
55 cm
21 5/8
70 cm
27 1/2
Minotti
TURNER “LAZY SUSAN”
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MORRISON
Design Rodolfo Dordoni
Wood is its soul - the Moka oak structure forms the classic shape of the container. Leather is the heart - it
covers the door panels, lending elegance and the element of surprise. Pewter-coloured metal is the brilliant
detail: a handle set into the same perimeter that houses the leather. That’s how wood-leather-metal become
an inseparable trio in the name of simplicity and strict geometry. A unique project - a piece of furniture that
stands apart from the stereotypical definition of a container, proof of quality craftsmanship.
Frame: 20 mm wood, top mounted to the sides at an angle of 45°. Frame in open-pore Moka lacquered oak.
Door: in wood, 30 mm in thickness, covered in leather cat. Glove 04 Dark Brown colour or cat. Nappa 781
Mastice colour. 10 mm smoked grey glass surfaces. Open-pore Moka lacquered oak inside the doors.
Handle: in metal, glossy Pewter colour finish.
Floor base: wood base, height cm 12, glossy Pewter colour lacquered finish and adjustable technical feet.
Floating base: metal frame, rectangular section 30x40 mm, matt Pewter-coloured and metal feet, cone
shaped, Ø 25 mm, height cm 25, glossy Pewter-coloured. Adjustable technical feet.
6
50 cm
19 5/8
180 cm
70 7/8
50 cm
19 5/8
1
73 cm
28 3/4
5
270 cm
106 1/4
50 cm
19 5/8
50 cm
19 5/8
50 cm
19 5/8
50 cm
19 5/8
270 cm
106 1/4
6
60 cm
23 5/8
50 cm
19 5/8
180 cm
70 7/8
VERSIONE BASE RIALZATA
FLOATING BASE VERSION
73 cm
28 3/4
V
60 cm
23 5/8
VERSIONE BASE A TERRA
FLOOR BASE VERSION
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RUGS
A charming “ensemble” of chromatic and physical aspects is made possible thanks to the addition of Rust and
Dark Brown colours to the Dibbets rug; the colour Ash to the Matt Dibbets rug; and the colour Ecru to the
Bluhm rug. Although endowed with different personalities, these rugs coexist admirably in Minotti domestic
settings.
BLUHM
Design Rodolfo Dordoni
300 cm
118 1/8
100 cm
39 3/8
300 cm
118 1/8
250 cm
98 3/8
200 cm
78 3/4
250 cm
98 3/8
400 cm
157 3/8
Hand-tufted 100% pure virgin New Zealand wool rug. The surface, 20 mm in thickness, is made of
structured bouclé curls (the bouclé processing may create some imperfections due to the manual working
method). The upper layer is a polyester fiber, whereas the lower layer has been treated with pre-vulcanized,
non-allergenic and non-slip natural latex. Total weight: 3,5 kg/m2. Because of the manual working method
used, the overall size of the rug may vary by approx. 3 cm. The rug can be made to measure (multiples of
50 cm). Colours: Ecru.
300 cm
118 1/8
300 cm
118 1/8
600 cm
236 1/4
MATT DIBBETS
Design Rodolfo Dordoni
300 cm
118 1/8
200 cm
78 3/4
100 cm
39 3/8
300 cm
118 1/8
250 cm
98 3/8
250 cm
98 3/8
400 cm
157 3/8
Carpet made from 100% Linen – a fibre produced by cellulose – hand-crafted according to the manual
Tufting method. The surface, 16 mm in thickness, is in European linen, with a velour finish and matte
effects. The upper layer is a polyester fiber, whereas the lower layer has been treated with pre-vulcanized,
non-allergenic and non-slip natural latex. Overall weight: 6,5 kg/m2. Because of the manual, craft-based
working technique used, the overall dimensions of the carpet might vary by approximately cm 3. It’s possible
to customize the carpet (multiple sizes of 50 cm). Colours: Ash.
300 cm
118 1/8
300 cm
118 1/8
600 cm
236 1/4
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DIBBETS
Design Rodolfo Dordoni
300 cm
118 1/8
200 cm
78 3/4
100 cm
39 3/8
300 cm
118 1/8
250 cm
98 3/8
250 cm
98 3/8
400 cm
157 3/8
Carpet made from 100% Lyocell® – a fibre produced by cellulose – hand-crafted according to the manual
Tufting method. The surface, mm 16 in thickness, made of shorn viscose (Lyocell®), produces bright,
iridescent reflections. The upper layer is made of polyester; whereas the lower layer is treated with natural,
prevulcanized, antiallergenic latex. Overall weight: 6,5 kg/m2. Because of the manual, craft-based working
technique used, the overall dimensions of the carpet might vary by approximately cm 3. It’s possible to
customize the carpet (multiple sizes of 50 cm). Carpet available in the following colours: Sand, Oil, Stone, Silver, Pewter, Ecru. New colours 2011: Rust and Dark Brown.
300 cm
118 1/8
300 cm
118 1/8
600 cm
236 1/4
Press Office & PR Manager: Clara Buoncristiani press.clarabuoncristiani@minotti.it
Press Office: Cinzia Maulucci press.cmaulucci@minotti.it
S.p.A. 20821 Meda - Italia - Via Indipendenza, 152 T. +39 0362 343499 - F. +39 0362 340319 - www.minotti.com - info@minotti.it