March 2007 - Center for the Humanities
Transcription
March 2007 - Center for the Humanities
March 2007 | Vol. V. No. 7 I Dr. Jian Leng kept putting off writing these notes by telling myself that I am too busy. After all, our Center for the Humanities at Washington University will host in 2008 the annual conference of the Consortium of Humanities Centers and Institutes, and we are bringing people together for the planning stages of that event. We also have another NEH Summer Jazz Institute this year that demands my time. All this is true, but in fact I procrastinated. There is no torment like the one that comes from procrastinating. I know these notes must be written, that putting them off just makes it harder, and that the worry is worse than the work. And yet I could not . . . quite . . . get . . . started. Procrastination takes many forms, some of them almost constructive. My husband tends to clean the house when he should be working toward a deadline. I, on the other hand, just sit and think or read. One of the things I have been thinking about arose from the morning when two eighty-fouryear-olds made the front page of the Post Dispatch (1/30/2007). One story concerned an eighty-fouryear-old woman who drove into a school building (causing the tragic death of a student). The other story was about an eighty-four-year-old man who won the $254 million Power Ball prize. When I’m Eighty-Four What a coincidence, I thought. This trend is expected to reverse Eighty-four is an ominous age in beginning in 2011 as baby boomChinese culture. This stems from ers (born from 1946 through 1964) a traditional belief that people are reach 65. Thus, by around 2019, more likely to die at ages 73 and a large percentage of our popula84. The tradition rests on anecdotal tion will have lived longer than the evidence regarding two sages who sages. If current trends continue, died at these ages: Confucius at this long-lived group will be over73 and Mencius at 84. If the sages whelmingly female. In 2000, the cannot live longer than these ages, male–female ratio was 83 men to how could normal people expect 100 women among the 65- to 74to? Hence, when approaching these year-old group, and 67 men to 100 two birthdays people used to celewomen in the 75- to 84-year-old brate as if they were sneaking up on group. Once one passes the ages of these years rather than rejoicing in the sages, the ratio is only 46 men lon g e vto 100 ity. Afwomen. Old age is what happens while ter these T h e we are busy living, and we only ages, the question rest of notice it in fits and starts of what to one’s life do with could be seen as a reprieve: either the remaining years of this reprieve a bonus or a curse depending on reminded me of an article I read the health, wealth, and genetic endowday before those headlines caught ment of the ancestors. my attention. Joseph Epstein, a These days quite a few of us are living longer than the sages. During the 1990s, the most rapid growth of the U.S. older population was in the oldest age groups. According to the 2000 Census, the population aged 85 years and over increased by 38 percent, from 3.1 million to 4.2 million. Due to the relatively low number of births in the late 1920s and early 1930s, fewer people reached 65 from 1990 to 2000, and the population aged 65 to 74 years old increased by less than 2 percent, from 18.1 million to 18.4 million. past guest speaker at the Center, discusses turning seventy in the Weekly Standard (1/29/2007). He says that when people reach seventy, they ought to recognize that “they are no longer living (if they ever were) on an unlimited temporal budget.” The next question is just how much time is left? Epstein likes the response of the French editor’s notes philosopher Alain in regard to this question, namely that no matter what one’s age is, “one should look forward to living for another decade, but no more.” I agree. But how are we to make sense of the clock ticking away in the background of that hoped-for decade? Epstein’s discussion evokes questions posed long ago by another essayist. In 44 B.C., when he was sixty-two, the Roman statesman Cicero wrote “De Senectute,” an essay on principles we might use to support us as we reach old age. Writing in the voice of Cato the Elder when he was, coincidentally, eighty-four years old, Cicero identifies four reasons we fear old age: it forces us to withdraw from public pursuits, it makes our bodies weaker, it deprives us of physical pleasure, and it is not far removed from death. Yet, Cicero reminds us, “the great affairs of life are not performed by physical strength, or activity, or nimbleness of body, but by deliberation, character, and expression of opinion.” Older people often have more rather than fewer of these attributes, “if only they keep their minds active and fully employed.” Regarding the decline in physical strength, Cicero notes that one “should use what you have, and whatever you may chance to be doing, do it with all your might.” Cicero presages what our doctors now tell us: we “must look after our health, use moderate exercise, take just enough food and drink to recruit, but not to overload, our strength.” Cicero’s answer to the third charge, that old age lacks sensual pleasure, is to welcome the loss because “when appetite is our master, there is no place for self-control; nor where pleasure reigns supreme can virtue hold its ground.” Age, he claims, frees us from this danger and allows us still to enjoy the reasonable and modest pleasures of a life guided by more important aims. As to the last reason old age causes fear, its nearness to death, Cicero reminds us that only a few will reach old age, so earlier periods in our lives are just as near to death (a point given even more credence because only a year after writing this essay Cicero was executed for being on the losing side of a po- continued litical dispute). In fact, death can come at any time, and while a young person can only hope to live long, an old person already has. Death is inevitable, but Cicero asks why “should I be afraid if I am destined either not to be miserable after death or even to be happy?” Epstein reminds me just how all this sneaks up on us by describing it as an odd thing happening to the five-year-old boy he remembers being. Old age is what happens while we are busy living, and we only notice it in fits and starts: a wrinkle here, an odd ache there. Still, as both Epstein and Cicero remind us, one of the positive things about growing older is the wisdom and peace it can bring to our lives. With this comes the power to make choices that are in our best interests. When we are young, we are reckless about our health and our lives. By the time we reach our thirties and forties and beyond, we realize that time is both precious and finite. When we reach the age of the sages, we face hard facts about the circumference of our lives and enjoy life despite that knowledge. We stay busy meeting weekly to quilt with friends, and optimistic enough to buy lottery tickets, subconsciously hoping that these things will help us procrastinate because we are not . . . quite . . . finished. Jian Leng Associate Director The Center for the Humanities Make a Gift to The Center For The Humanities J oin with other donors and supporters to ensure that the Center for the Humanities can continue to fulfill its mission. Help us continue to make the humanities a part of public life and yours. Send your check, payable to Washington University, to: The Center for the Humanities c/o Shannon MacAvoy Grass Washington University in St. Louis Campus Box 1210 One Brookings Drive St. Louis, MO 63130-4899 book of the m Horace Greeley: Champion of American Freedom By Robert C. Williams New York University Press, 2006 411 pages including notes, index, photos, and illustrations I. The Agony of Being Horace Greeley [Horace] Greeley is not fit for a leader. He is capricious, crotchety, full of whims, and as wrong-headed as a pig. —William Herndon, Abraham Lincoln’s law partner, 1858 I am too sick to be out of bed, too crazy to sleep, and am surrounded by horrors. —Horace Greeley to his editor, Charles Dana, 1856 On Wednesday, October 30, 1872, at 4 o’clock in the morning, Horace Greeley’s long-suffering wife of thirty-six years, Molly (born Mary Youngs Cheney), died. It was no easy marriage: she was an invalid for most of the years they were together, suffered from depression (largely misunderstood at the time) and hypochondria, was addicted to several different drugs, and had a difficult, ill-tempered, easily offended personality in any case. (Writer and Transcendentalist heroine Margaret Fuller lived with the Greeleys, in what she called “Castle Doleful,” for a time in the mid-1840s and found Molly increasingly impossible to live with, in “a sad state of mind and body.”1) Greeley was addicted to his work as a newspaper editor, working sixteen-to eighteen-hour days, was, as a result, rarely home, wanted to have sex more than she wanted to have it (a not uncommon dilemma of nineteenth-century married life), and probably never understood her any more than she understood him. Neither of them quite understood why they married the other. They spent nearly as much time apart as they did together. They lost five of their seven children during childhood or infancy (another not uncommon dilemma of nineteenth-century married life), which particularly unhinged them both in different ways, especially the loss of Pickie in July 1849, a favorite son of both. Greeley, an Arminian of the Universalist persuasion, became more deeply religious and Molly became so interested in month by Gerald Early spiritualism that she believed that she was actually in communication with Pickie’s spirit. Less than a week after his wife’s death, on Tuesday, November 5, Greeley lost the presidential election to U. S. Grant. “Lost” does not quite do justice in describing the magnitude of what happened. Grant, the Republican incumbent, won over 55 percent of the popular vote. Greeley, the nominee of the Democratic and Liberal Republican Parties, won only 44 percent. (The size of Grant’s victory merely emboldened the thieves around him to steal all the more from the public trough.) Greeley hardly came within sniffing distance of the presidency but he must be admired for being the nominee of two different and, to some considerable degree, oppositional parties. He was, alas, a newspaper editor who always lusted for public office but could never win an election. Newspaper editors are not commonly, nay, less than rarely, chosen to be the standard bearer for any major party in a presidential race. Greeley was also an unusual man, a man with pronounced, sometimes eccentric and contradictory opinions that he expressed forcefully and frequently in his paper. He lived a spartan life, swore by the Graham vegetarian diet, and always wore a white linen coat, its pockets bulging with papers. He was a reformer who was disliked and distrusted by most of the major reformists of the day; the abolitionists largely despised him despite the fact that he was antislavery even when the position was greatly unpopular; the women’s rights crowd of Stanton and Anthony found him unbearable even though he hired many women writers and was a supporter of the Seneca Falls convention (though he opposed women having the right to vote.) He was a literary broker and promoter and he vigorously pushed the New England Transcendentalist group of Emerson, Thoreau, and Fuller. But he rarely had time to read books. He was considered unstable or flighty by most of his political friends and foes, and he was not afraid to take unpopular stances. He made a great deal of money in his life and owned a number of properties. (He was a strong believer in the sanctity of property ownership as the fifty years earlier.2 Few can claim to have influenced antebellum America as much as the meagerly educated Yankee editor who helped to found a new political party, advised a sometimes-wary Abraham Lincoln, funded utopian communities, bailed Confederate president Jefferson Davis out of jail while urging amnesty for Confederate leaders, opposed slavery and supported voting rights for blacks while thinking Africans a clearly inferior people, and edited a newspaper that became the most read and talked-about paper in the country, the New York Tribune. cornerstone of democratic society and economic advancement.) But he died virtually penniless, as he lent money to anyone who would ask and he invested in lots of wild-eyed schemes. He was an easy mark for con men and dreamers. On Friday, November 29, three weeks after the election, he died. Some say that the campaigning killed him. He did travel a great deal, delivering stump speeches at a time when campaigning of this sort was unusual, and he was, at 61, not in the best of health to begin with. (As soundly as he was beaten, it is likely he would have gotten the same percentage of the vote had he done no campaigning at all.) Perhaps he was heartbroken that he did not win. Some say he died because he lost the will to live after Molly died. He said as much in his last letters. His death marked the end of an era in American journalism—a new period was soon to dawn, the rise of Progressivism, which would give us figures like Richard Harding Davis, H. L. Mencken, and new activists like Upton Sinclair and the muckrakers. To some extent, his death was also the end of an era in American politics—the passing from the scene of the major reformists who had dominated American highbrow and middlebrow cultures during the antebellum years. It is surprising that there have not been more books written about such a singular man, an instantly recognizable figure in his day. The last major book before Robert C. Williams’s Horace Greeley: Champion of American Freedom was written more than Part II: Liberty versus Freedom If any young man is about to commence the world, we say to him, publicly and privately, Go to the West; there your capacities are sure to be appreciated, and your energy and industry rewarded. —Horace Greeley, 1838 Greeley is remembered for saying something like “Go West, young man and grow up with the country!” (No one has ever been able to find this exact quote from Greeley’s voluminous writings, but the sentiment of it he expressed often enough during his life in words close to those usually attributed to him.) The West represented opportunity, freedom, virtue, although Greeley knew how difficult it was to settle there, especially after he visited Greeley, Colorado, in October 1870. He helped found the community in the hopes of creating a bourgeois utopia of associated and cooperative families, another scheme where Greeley lost money. He himself was never tempted to move there. New York City was too much in his blood and he did not have the right type of wife, sick and unhappy as she was, to endure such a lonely and harsh life as that on the American Plains. The idea that there could be some sort of middleclass community of free whites—removed from the horrors of industrial capitalism but practicing a kind of planned capitalism of private property but close association—was always his dream. This new biography of Greeley by Robert C. Williams tells the story of a young printer taken by the ideas of Henry Clay announcemen and the Whigs, or at least Greeley’s interpretation or reinvention of those ideas, as he became an influence in the party—the centrist liberalism of the nineteenth century that included skepticism about slavery, high protective tariffs, strongly antiMasonic feelings (although Clay was a Mason), uplift of the masses, a stable currency, and internal improvements. Greeley moved from being a paid mouthpiece for a political party to becoming a remarkably successful editor of an important newspaper where he actually shaped the Whig Party platform. He also moved from being a Whig to becoming a Republican, a centrist reform party built to stop the spread of slavery. But for Williams, the story of Greeley is the story of the transformation of the United States from a land of liberty to a culture of freedom. Williams wound up writing a book on Greeley; it was not his original intention. He wanted to write a book about the “shifting meanings of the words liberty and freedom in trans-Atlantic political discourse in the nineteenth century.” His research led him to a number of people but “I soon began to realize that all roads led through them to Greeley. He and his newspaper . . . were a kind of international switchboard for a trans-Atlantic conversation about liberty and freedom at a time when the main issue of the day was no longer British tyranny but American slavery.” Of course, Lincoln’s Gettysburg Address, which borrows some language from Greeley and the antislavery Unitarian minister Theodore Parker and uses it much more concisely and incisively, is the key document that illustrates the idea that the United States had moved from liberty to freedom. (Aspects of this idea of political/rhetorical transformation in American culture is explored in WU Professor of English Wayne Fields’s first-rate study Union of Words: A History of Presidential Eloquence.) Clearly, the address is the intellectual culmination of Williams’s book, because what the address is doing is so clear in defining the Civil War as continuing the American Revolution for white male liberty as a revolution for human freedom. On the whole, Williams’s consideration of the change from liberty to freedom is competent and insightful but it also, at times, feels awkward and a little strained. It is certainly repeated often enough in the book to make a reader think that the writer is convinced that if you repeat a claim persistently it becomes more persuasive. The discussion of the 1848 European Revolutions and their influence on Greeley and his circle, particularly, is good. (It is intriguing and suggestive to know that Marx and Engels wrote for the Tribune for several years.) But the path of the transformation never seems as clear as the author intends. For one thing, Greeley and others in the nineteenth century still tended to use the words freedom and liberty, at times, interchangeably. Also, other words like emancipation, manumission, popular sovereignty, independence, and liberation—all commonly used during the slavery crisis—tend to cloud the rhetorical picture. And what is freedom, anyway? The slaveholders thought their freedom was being impaired by being denied the right to spread slavery, a sophistry, to be sure, but powerful enough to drive the country to civil war. Finally, Greeley’s centrism, with its embrace of conservative and radical ideas, each as a kind of brace for the other, was too knotted to be clearly anything but a kind of conditional, contingent liberalism based on the Protestant Christian ideological defaults of a loving God and a virtuous bourgeois character. But Williams’s book is worth reading, although I feel that Glyndon G. Van Deusen’s 1953 biography is better, and it is hoped that Williams’s biography will spur more books in the near future on Greeley and his world. A humorous story that Williams relates in his Greeley biography, as does Glyndon G. Van Deusen in his Horace Greeley: Nineteenth-Century Crusader (1953), is one day on a New York City street Fuller, wearing kid gloves, chanced to run into Molly, who despised the wearing of animal skin. After they shook hands, Molly yelled, “Skin of a beast!” as she pointed to the gloves. “Why, what do you wear?” asked Fuller. “Silk,” Molly responded. “Entrails of a worm!” Fuller shrank back in horror. 1 In addition to Van Deusen’s biography, there was Harlan Hoyt Horner’s Lincoln and Greeley published by the University of Illinois Press in 1953 and James H. Trietsch’s The Printer and the Prince: A Study of the Influence of Horace Greeley upon Abraham Lincoln published in 1955 by Exposition Press. 2 The Center for the Hu The events are free and open to the public. Please call the Center at 314-935-5576 for a free parking sticker and to reserve a seat so that we can have an accurate count. Refreshments will be provided. Professor Akiko Tsuchiya Tuesday, March 6, Faculty Fellows Lecute 4 pm, Umrath Lounge Akiko Tsuchiya, 2007 Center for the Humanities Faculty Fellow, Associate Professor of Spanish, Department of Romance Languages & Literatures will give a lecture, “Consuming Subjects: Female Reading and Deviant Sexuality in Late Nineteenth-Century Spain.” Professor Tsuchiya’s presentation will focus on the representations of the female reader in Restoration Spain (18751898)—a historical moment characterized by a significant rise in female readership—and, more specifically, on the identification between female reading and sexual desire. The condemnation of female reading in medical literature, as well as in conduct manuals written for women, finds reflection in literary and visual representations of women whose uncontrolled reading awakens erotic desire, leading ultimately to sexual deviance, most typically, adultery or prostitution. nts umanities Faculty Fellows’ Lecture and Workshop Series exemplify the Center’s mission of forging intellectual bonds among disciplines in the humanities. — Patrick Burke Professor Guthrie P. Ramsey, Jr. Tuesday, March 20, Guest Faculty Lecture 4 pm, Umrath Lounge “Gendering Black Musical Genius” Guthrie P. Ramsey, Jr., is Associate Professor of Music History in the Music Department at the University of Pennsylvania. Invited by 2007 faculty fellow Patrick Burke, Assistant Professor of Music. Professor Ramsey’s innovative work spans the disciplinary boundaries of musicology, cultural studies, film studies, cultural and social history, and African American and American studies to give us new insight into the power, complexity, and significance of African American music. The breadth and rigor of his scholarship Professor Ramsey will offer a thorough analysis of tragic jazz pianist Bud Powell’s label of “genius” by the circle of jazz critics, musicians, scholars, and aficionados in order to show that “genius” in this instance is more than a description of an extraordinary endowment, it is also the product of a complex social process. “Genius,” in short, is a social and political construction. The process animating Powell’s genius--sexuality, physical malady, drug addiction, Western musical aesthetics, African musical priorities, the debates circulating around athletic prowess, bebop as a paradigm for a generation of musicians, iconography and visual culture--work together to make the process a dynamic one. Gender and race, too, form important, though under-analyzed, elements in the genius process. Wednesday, March 21, Guest Faculty Workshop 2-3 pm, Music Building, Room 102 “The Blues Muse” Guthrie P. Ramsey, Jr., is Associate Professor of Music History in the Music Department at the University of Pennsylvania. Friday, March 23, Faculty Fellows Lecute 12-1pm, McDonnell Hall, Room 162 Gerry Izenberg, 2007 Center for the Humanities Faculty Fellow, Professor of the History Department will give a lecture, “The Varieties of ‘We’: Collective Identities and their Conflicts.” Professor Gerry Izenberg Humans have always collected themselves into groups identified as “we” and “they” but it is only recently that this has been recognized as a universal aspect of identity rather than a matter of absolutes, of “superior” and “inferior.” Since the 1960’s the idea of collective identity has permeated every aspect The Center for the Humanities’ Library Toys Added to the Toy Collection This Month 1.Superman Returns: Kryptonite Crisis Board Game for ages 6 and older, for two or four players, Mattel 2.Superman Returns: Rocket Launch Superman Figure, no age specification but not for young children, Mattel 3.Sing and Spin Pablo, a motorized doll that sings and dances, Nick Jr. The Backyardians, for children 18 months and older, Fisher-Price New Books Added This Month The Life of David by Robert Pinskey Twenty-Eight Artists and Two Saints: Essays by Joan Acocella Telling True Stories: A Nonfiction Writers’ Guide edited by Mark Kramer and Wendy Call Thomas Hardy: The Guarded Life by Ralph Pite The Things That Matter: What Seven Classic Novels Have To Say About the Stages of Life by Edward Mendelson Horace Greeley: Champion of American Freedom by Robert C. Williams of our lives from sex to politics, most recently and notoriously in the idea that international relations are ultimately about a “clash of civilizations” or religious identities. Collective identity raises other problems. We may feel that we are more than one thing—woman, American, Catholic—but are conflicted about which takes priority or how they harmonize within the self. We may want to be defined by membership in a group but don’t want our identity to be exhausted by it. And in a collective, who gets to define its identity? st. louis literary calendar Events in February Join members of the St. Louis Publisher’s Association for a lecture on how to publish your book. 7pm, Borders, 10990 Sunset Hills Plaza, 909-0300. Sunday, March 4 All events are free unless otherwise indicated. Author events are followed by signings. All phone numbers take 314 prefix unless indicated. Thursday, March 1 WU Assembly Series presents Michael Wolff, Chief Justice of the Missouri Supreme Court, with the lecture “Race, Law, and the Struggle for Equality: Missouri Law, Politics, and the Dred Scott Case.” 4pm, Graham Chapel, WU Danforth Campus, 935-4620. The Big Read presents a Fahrenheit 451 book discussion, led by a Washington University facilitator. 7pm, Schnucks Classroom, Missouri History Museum, Lindell & DeBaliviere in Forest Park, 935-4407. Dresden Files author Jim Butcher signs his new book, titled White Night, while his wife, Shannon Butcher, signs her debut novel, No Regrets. 7pm, Borders 11745 Olive Blvd., 432-3575. Saturday, March 3 The Big Read and SLPL present a Fahrenheit 451 book discussion led by St. Louis Public Library’s rare books librarian, Tom Pearson. 10am, meeting room on 3rd floor, SLPL-Main Branch, 1301 Olive Street, 935-4407. St. Louis Writers Guild will host Margo Dill of the Missouri Writers Guild, who will present a workshop titled “Creating Success—Steps Designed to Take Your Work More Seriously.” 10am, Barnes & Noble Crestwood, 9618 Watson Road, 821-3823. Author and historian Bruce Raisch will sign his new book, Ghost Towns and Other Historical Sites of the Black Hills. 2pm, Borders, 10990 Sunset Hills Plaza, 909-0300. Author Kathleen Goodman will discuss and sign her new book, Paris by the Numbers. 2pm, Borders, 11745 Olive Blvd., 432-3575. Local author Jerry Clinton will sign his new autobiography, Accept the Challenge: The Memoirs of Jerry Clinton. 2pm, Borders, 1519 S. Brentwood Blvd., 918-8189. Susan McBride will sign her fourth novel, Night of the Living Deb. 2pm, Borders, 2040 Chesterfield, 636-536-1779. Tiffani Nate Taylor will sign copies of her poetry book, Poems in a Glass House. 3pm, Main Street Books, 307 S. Main Street, St. Charles. 636-949-0105 to reserve copies. Historian Bruce Raisch will sign his new book, Ghost Towns and Other Historical Sites of the Black Hills. 2pm, Borders, 1519 S. Brentwood Blvd., 918-8189. Monday, March 5 LBB presents Terry McAuliffe, the former chairman of the Democratic National Committee. He will sign and discuss his book, What a Party: My Life among Democrats—Presidents, Candidates, Donors, Activists, Alligators & Other Wild Animals. 7pm, Ethical Society of St. Louis, 9001 Clayton Rd., 367-6731. River Styx celebrates its first annual Schlafly Beer MicroFiction contest. The festivities will feature readings by local fiction writers such as Adam Cleary and Pushcart Prize winner David Schuman. This one-of-a-kind event takes place at the Schlafly Tap Room. 7pm, at 2100 Locust Street, 241-2337, and admission is $5. Tuesday, March 6 The Center for the Humanities Faculty Fellows Lecture & Workshop Series presents Akiko Tsuchiya, with the lecture “Consuming Subjects: Female Reading and Deviant Sexuality in Late Nineteenth-Century Spain.” 4pm, Umrath Lounge, WU Danforth Campus, 935-5576. Webster Groves Public Library book discussion group will meet to discuss Water for Elephants by Sara Gruen. 6pm, WGPL, 301 E. Lockwood, 9613784. LBB presents the author of Dreaming the Mississippi, Katherine Fischer, who will discuss and sign her book. 7pm, Left Bank Books, 399 N. Euclid, 367-6731. Wednesday, March 7 WU Assembly Series presents Lauren Greenfield, to speak about American popular culture with a lecture titled “Thin.” 11am, Graham Chapel, WU Danforth Campus, 935-4620. Borders Book Club will be meeting to discuss All the Numbers with the author, Judy Merrill Larsen. 7pm, Borders, 10990 Sunset Hills Plaza, 909-0300. LBB and SLCL present Jerry Clinton, a local businessman and author. He will discuss and sign his book, Accept the Challenge: The Memoirs of Jerry Clinton. 7pm, SLCL-Headquarters Branch, 1640 S. Lindbergh Blvd., 367-6731. Thursday, March 8 LBB and SLPL present author Zelda Lockhart, who will discuss and sign copies of Fifth Born and her new release, Cold Running Creek. 7pm, SLPL-Schlafly Branch, 225 N. Euclid, 367-4120. Observable Readings presents John Woodward, John Gallaher, and Wayne Miller, who will read from their work. 8pm, Schlafly Bottleworks, 7260 Southwest, 241-2337. LBB and SLCL present Richard Burgin, a local fiction writer and author. He will discuss and sign his book Conference on Beautiful Moments. 7pm, SLCL-Headquarters Branch, 1640 S. Lindbergh Blvd., 994-3300. SLPL and LBB present Susan McBride, who will discuss and sign her book, Night of the Living Deb: A Debutante Drop-out Mystery. 7pm, SLPLBuder Branch, 4401 Hampton Ave., 367-6731. Saturday, March 10 St. Louis author Dr. Joseph R. Rosenbloom will sign his new book, The Secret Bible: A Secular Approach to the Bible. 2pm, Borders, 10990 Sunset Hills Plaza, 909-0300. Author Kathleen Goodman will discuss and sign her new book, Paris by the Numbers. 2pm, Borders, 1519 S. Brentwood, 918-8189. Mark Usler will sign his new book, Hometown Revelation. 2pm, Borders, 6601 N. Illinois, 618397-6097. Join members of the St. Louis Publisher’s Association for a lecture on how to publish your book. 7pm, Borders, 11745 Olive Blvd., 4323575. Sunday, March 11 Join the St. Louis Art Museum for an enchanting reading series, “Dramatic Dreams: Inspiring Literature of the Pre-Raphaelite Period.” 2pm, One Fine Arts Drive, Forest Park, 721-0072. Borders presents author Scott Gamboe, as he signs his new book, The Killing Frost. 2pm, 6601 N. Illinois, 618-397-6097. The BookClub will have their 374th discussion on the book Snow by Orhan Pamuk. For time and venue, visit http://www.klinedinst.com/. Tuesday, March 13 Join members of the St. Louis Writers Guild for Open Mic Night. Come to listen or read. 7pm, Wired Coffee, 3860 S. Lindbergh, Sunset Hills, 821-3823. LBB presents Krista Tippett, creator and host of National Public Radio’s “Speaking of Faith.” She will discuss and sign her book, Speaking of Faith: Listening for God. 7pm, Ethical Society of St. Louis, 9001 Clayton Rd., 367-6731. Thursday, March 15 LBB presents Washington University’s professor of Persian and comparative literature, Fatemeh Keshavarz. She will discuss and sign her book, Jasmine and Stars: Reading More than Lolita in Tehran. 7pm, Left Bank Books, 399 N. Euclid, 367-6731. Friday, March 16 LBB presents Jonathan Lethem, who will discuss his newest novel, You Don’t Love Me Yet. 7pm, Left Bank Books, 399 N. Euclid, 367-6731. Sunday, March 18 Join the St. Louis Art Museum for an enchanting reading series, “Dramatic Dreams: Inspiring Literature of the Pre-Raphaelite Period.” 2pm, One Fine Arts Drive, Forest Park, 721-0072. Award-winning author and poet Carol Rose will sign and read from her work, including Behind the Blue Gate. 2pm, Borders, 11745 Olive Blvd., 432-3575. Monday, March 19 The Big Read and SLCL present a Fahrenheit 451 book discussion, led by a Washington University facilitator. 2pm, SLCL-Thornhill Branch, 12863 Willowyck Dr., 878-7730. River Styx presents poets Josh Kryah and Donna Biffar. 7:30pm, Duff’s Restaurant, 392 North Euclid, 361-0522. $5 at the door; $4 members, students, and seniors. LBB and SLPL present Nikki Giovanni, who will discuss and sign her book, Acolytes. 7pm, SLPLCentral Branch, 1301 Olive St., 367-6731. Tuesday, March 20 The Center for the Humanities Faculty Fellows Lecture & Workshop Series presents Guthrie Ramsey, with the lecture “Gendering Black Musical Genius.” 4pm, Umrath Lounge, WU Danforth Campus, 935-5576. The Tuesday Night Writer’s Critique Group will meet; open to writers of fiction and nonfiction, published or not. 7pm, meeting room at B&N, 9618 Watson Road, 843-9480. Wednesday, March 21 WU Assembly Series presents Gerald Izenberg, with his lecture titled, “Is Identity Necessary? Is Identity Possible?” 11am, Graham Chapel, WU Danforth Campus, 935-4620. The Center for the Humanities Faculty Fellows Lecture & Workshop Series presents Guthrie Ramsey, with the workshop on “Gendering Black Musical Genius.” 2pm, Room 102, Music Classroom Building, WU Danforth Campus, 935-5576. The Kingshighway Library Book Discussion Group will meet to discuss A Complicated Kindness by Miriam Toews. 6:45pm, SLPL-Kingshighway Branch, 2260 South Vandeventer Ave., 771-5450. Poetry reading at UMSL: Joshua Kryah, author of Glean, will read and discuss his work. 7pm, Gallery 210, 44E. Drive, One University Blvd., 516-6845. Thursday, March 22 WU Assembly Series presents prominent archaeologist Lord Colin Renfrew, author of Archaeology and Language: The Puzzle of Indo-European Origins, with his lecture titled “Becoming Human: The Cognitive Archaeology of Humankind.” 4pm, Graham Chapel, WU Danforth Campus, 935-4620. Join the Shlafly branch of SLPL for their Book Discussion Group, where they will talk about Middlesex by Jeffrey Eugenides. 7pm, SLPLSchlafly Branch, 225 N. Euclid, 367-4120. WU Writing Program presents poet and visiting Hurst Professor David Baker, who will read from his poetry. 8pm, Hurst Lounge, WU Danforth Campus, 935-5190. St. Louis Writers Guild monthly lecture series presents Dan Dillon, author of So, Where’d You Go to High School? Baby Boomer Edition. He will talk on “Picking Up the Pieces: How I Turned a Failed Project into a Successful Book.” 7pm, B&N, 8871 Ladue Rd., 821-3823. LBB presents the author of Neck Deep and Other Predicaments, Ander Monson, who will discuss and sign his book. 7pm, Left Bank Books, 399 N. Euclid, 367-6731. Friday, March 23 The Center for the Humanities Faculty Fellows Lecture & Workshop Series presents Gerald Izenberg, with the lecture, “The Varieties of ‘We’: Collective Identities and Their Conflicts”. Room 162, McDonnell Hall, WU Danforth Campus, 935-5576. Saturday, March 24 Susan McBride, author of the Debutante Dropout series, will sign copies of her latest mystery, Night of the Living Deb. 1pm, Main Street Books, 307 S. Main Street, St. Charles. 636-949-0105 to reserve copies. Borders presents author Mark Usler, who will sign his new book, Hometown Revelations. 2pm, 1519 S. Brentwood Blvd., 918-8189. Sunday, March 25 The Bookmark Society’s Contemporary Fiction and Nonfiction Reading Group will meet to discuss Dark Voyage, a novel by Alan Furst. WU West Campus Library, 7425 Forsyth, 481-0730. The Center for the Humanities Faculty Fellows Lecture & Workshop Series presents Gerald Izenberg, with the lecture “The Varieties of ‘We’: Collective Identities and Their Conflicts.” 12pm, Room 162, McDonnell Hall, WU Danforth Campus, 935-5576. Tuesday, March 27 The Big Read and SLCL present a Fahrenheit 451 book discussion, led by a Washington University facilitator. 3:30pm, SLCL-Indian Trails Branch, 8400 Delport, 428-5424. Wednesday, March 28 LBB and SLPL present Laurie Halse Anderson, award-winning young adult fiction writer. She will discuss and sign her book Twisted. 7pm, SLPLBuder Branch, 4401 Hampton Ave., 367-6731. Thursday, March 29 LBB presents local poet Jane O. Wayne, who will discuss and sign her book From the Night Album. 7pm, Left Bank Books, 399 N. Euclid, 367-6731. Saturday, March 31 Saturday Writers presents author and teacher William J. Donnelly, who will discuss “What to Do When the Engine Stalls: Pressing Past Writer’s Block.” 11am, St. Peters Community and Arts Center, 1035 St. Peters-Howell Road, 636-3976903. Borders presents author Abdul Sinno, who will sign his new book, Treasures of the Mississippi. 2pm, 1519 S. Brentwood Blvd., 918-8189. Illinois native Erin Zweigart will sign her new book, Identity Crisis. 2pm, Borders, 660 N. Illinois, 618-397-6097. Author Abdul Sinno will sign his new book, Treasures of the Mississippi. 7pm, Borders, 10990 Sunset Hills Plaza, 909-0300. Notices COCA, in conjunction with the St. Louis Community Big Read Program, presents work from COCA’s Urban Arts Storytelling Workshop, 5pm. Members of the COCA Theater Company will present dramatic readings, 6pm. They will repeat these readings at 1pm on Saturday and again on Sunday. Running March 23, 24, and 25. COCA, 524 Trinity Ave., 725-6555. For more information, visit http://bigread.wustl.edu/resources.php. Want a vacation this spring? The Society of Children’s Book Writers and Illustrators is hosting the Missouri Spring Retreat! Running March 9–11, this small-scale event provides an intimate opportunity to work on your craft as well as to get to know Randi Rivers, an associate editor of children’s books at Charlesbridge. More The Center for the Humanities Advisory Board 2006–2007 info and registration at http://www.geocities.com/scbwimo. The Missouri Writers Guild Conference will be held at the St. Charles Convention Center April 20–22. Speakers include Philip Gulley, Debra Peppers, Harry Jackson, Jr., Pat Smith, poet Harvey Stanbrough, and movie and TV producer David K. Zuckerman. Also in attendance: literary agents Ashley and Carolyn Grayson and Cherry Weiner, and publishers and editors from Unbridled Books, Knopf Books, Tigress Press, and Ozarks Magazine. Conference is open to all. Contact Margo Dill-Balinski at conferenceinfo@missouriwritersguild.org for registration information. E-mail Donna Volkenannt at donna@saturdaywriters. org for conference brochure. SLWP Guild Writers, Performers, and Publishers’ Conference will be held June 1–2. Call 868-8824 or e-mail StLouisWPGuild@aol.com for more information, $25 registration fee. The NSN National Storytelling Conference will be held July 11–15 in St. Louis. Call 997-3474 for additional information. Hold the Date The Center for the Humanities 3rd Annual Children’s Film Symposium Friday, April 27 and Saturday, April 28 Room 100, Brown Hall, WU Danforth Campus Abbreviations B&N: Barnes & Noble; LBB: Left Bank Books; SLCL: St. Louis County Library; SLPL: St. Louis Public Library; SCCCL: St. Charles City County Library; UCPL: University City Public Library, WU: Washington University, WGPL: Webster Groves Public Library. Check the online calendar at cenhum.artsci.wustl.edu for more events and additional details. To advertise, send event details to litcal@artsci.wustl.edu, or call 935-5576. The Center for the Humanities Campus Box 1071 Old McMillan Hall, Rm S101 One Brookings Drive St. Louis, MO 63130-4899 Phone: (314) 935-5576 email: cenhum@artsci.wustl.edu http://cenhum.artsci.wustl.edu Nancy Berg Associate Professor of Asian & Near Eastern Languages & Literatures Angela Miller Associate Professor of Art History and Archaeology Ken Botnick Associate Professor of Art Dolores Pesce Professor and Chair of Department of Music Gene Dobbs Bradford Executive Director of Jazz at the Bistro Lingchei (Letty) Chen Assistant Professor of Modern Chinese Language and Literature Joe Pollack Film and Theater Critic for KWMU, Writer Sarah Rivett Assistant Professor of English Elizabeth Childs Associate Professor of Art History Bart Schneider Editor of Speakeasy Mary-Jean Cowell Associate Professor of Performing Arts Robert Vinson Assistant Professor of History and African and African American Studies Michael Kahn Attorney at Law Blackwell Sanders Peper Martin LLP Chris King Editorial Director The St. Louis American Newspaper Olivia Lahs-Gonzales Director Sheldon Art Galleries Paula Lupkin Assistant Professor of Architecture Sam Fox School of Design & Visual Arts Larry May Professor of Philosophy Steven Meyer Associate Professor of English James Wertsch Marshall S. Snow Professor of Arts and Sciences Director of International and Area Studies Ex Officio Edward S. Macias Executive Vice Chancellor and Dean of Arts & Sciences, Barbara and David Thomas Distinguished Professor in Arts & Sciences Zurab Karumidze Tbilisi, Republic of Georgia International Fellow Financial assistance for this project has been provided by the Missouri Arts Council, a state agency, and the Regional Arts Commission. Non-Profit Org. U.S. Postage PAID St. Louis, MO Permit No. 2535