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ARCHI
TEC
TURE
arquitectura
u
architecture: noun ‘ar.ki.tek.cher.’ arkkitehtuuri argitektuur arkitektura ‫ ﺍﻝﻉﻡﺍﺭﺓ‬aрхітэктура архитектура
solid:
id noun ‘sa.lid.’ alight: noun ‘lit.’ arhitektura architecktura arkitektur architectuur architecture arkkitehtuuriin
arquitectura
u
architektur αρχιτεκτονική arquitectura arkkitehtuuri arkitektur architektura ‫ ארכיטקטורה‬architektúrát
arkitektúr
it
space: noun ‘spas.’ arsitektur arhitektūra architektūra архитектура aрхитектура aрхитектура pensaernïaeth
ailtireacht
ir
architecttura kiến trúc архитектура senibina arkitektur architecktura arquitetura arhitecturii arkitektur
arkkitejtuuriin arsitektur kien trúc arkkitehtuuri argitektuur arkitektura arquitectura aрхітэктура архитектура
solid: noun ‘sa.lid.’ art: adjective ‘art.’ arhitektura architecktura arkitektur architectuur architecture arkkitehtuuriin
arquitectura architektur arkkitehtuuri arkitektur architektura arquitectura αρχιτεκτονική ‫ ﻡﻉﻡﺍﺭی‬architektúrát arkitektúr
commodity: noun ‘ke.mod.e.ti.’ arsitektur arhitektūra architektūra архитектура ailtireacht architecttura pensaernïaeth
kiến trúc архитектура seni arkitektur architecktura arquitetura ‫ ﻡﻉﻡﺍﺭی‬arhitecturii aрхитектура kien trúc arkitektur
arsitektur arkkitehtuuri argitektuur arkitektur arkitektura arquitectura aрхітэктура архитектура solid: noun ‘sa.lid.’
firmness: adjective ‘ferm.ness.’ arhitektura architecktura arkitektur architectuur architecture arquitectura architektur
arkkitehtuuriin arc arkkitehtuuri arkitektur architektura arquitectura
q
αρχιτεκτονική
ρχ
ή ‫ארכיטקטורה‬
‫ק‬
architektúrát arkitektúr
delight: noun ‘di.lit.’ arsitektur ‫ ﺍﻝﻉﻡﺍﺭﺓ‬arhitektūra architektūra архитектура arki arquitectura architecture: noun
‘ar.ki.tek.cher.’
k
arkkitehtuuri argitektuur arkitektura ‫ ﺍﻝﻉﻡﺍﺭﺓ‬aрхітэктура архитектура solid: noun ‘sa.lid.’ alight:
noun
un ‘lit.’ arhitektura architecktura arkitektur architectuur architecture arkkitehtuuriin arquitectura architektur
αρχιτεκτονική
χι
arquitectura arkkitehtuuri arkitektur architektura ‫ ארכיטקטורה‬architektúrát arkitektúr space: noun ‘spas.’
arsitektur
it
arhitektūra architektūra архитектура aрхитектура aрхитектура pensaernïaeth ailtireacht architecttura kiến
arquitectura
u
architecture: noun ‘ar.ki.tek.cher.’ arkkitehtuuri argitektuur arkitektura ‫ ﺍﻝﻉﻡﺍﺭﺓ‬aрхітэктура архитектура
solid:
id noun ‘sa.lid.’ alight: noun ‘lit.’ arhitektura architecktura arkitektur architectuur architecture arkkitehtuuriin
PORTFOLIO
2006-2012
stuart eaves
four architecture | two urban design
SIX PROJECTS
contents
01
eco house
02
peninsula gallery
03
form of the theatre
04
container living
05
colchester cultural quarter
06
chelmsford regeneration
07
Curriculum Vitae
Facilita ng social and environmental design, passive technologies
are employed for an enjoyable energy efficient home.
Set at the confluence of two rivers on the rural-urban fringe, the gallery uses
materiality and rhythm to provide a pla orm of convergence and explora on.
The centre piece of a towns cultural explora on, both symbolically and
physically, the theatre offers a place of expression for all to see.
In an urban heart subject of change, the towers create a highly adaptable
structure, focused on change whilst s ll providing a pla orm for community.
Entwining old and new allowing ease of discovery and explora on of both
Vinolys visual arts facility and the town itself, a mixture of sugges on and
simple expression facilitates freedom of movement.
Bringing new life to three sites around the town centre that stand as part
of the towns history, and now its future. Using scale and local influences
to reintegrate the sites, new opportuni es emerge out of interest and
enjoyment.
01
eco house
Set as a compe on by the Concrete Centre, the ‘Eco House’
is to be located in south-east England. The design should look
to use concrete as a primary material, while crea ng the most
sustainable form possible, encouraging both environmental
and social well being. The design should house a family of four.
tle Eco House
loca on South East England
origin BSc (hons) Architecture
year 2007
focus technological explora on
tools used autocad, photoshop
sustainable communities
While the house provides technological aides to sustainability, the environment it sits within provides for a
desirable and sustainable place, both socially and environmentally. Open shared spaces allow freedom of
ac vity whether it is simply children playing from day to day or a communal bbq. The use of space also allows
light and air to flow in freely to the houses, their simple form being easily repeated to build communi es. The
aim is to facilitate and provide the pla orm for a sustainable life, avoiding dicta on and control.
north face
shared open greenspace, allows
natural light to house front
south face
Open communal areas, individual bedrooms with large deep set
windows and the thought out use of space provides a compact home
capable of housing an average family providing space for both privacy
and family life. Using hempcrete as a primary building material
along with a central light cowl the building takes advantage of
passive techniques, minimising human and energy inputs facilita ng
a sustainable home. The simplicity of design allows for quick
construc on and low costs.
recycling
storage
bike
storage
shared hard surface,
pedestrian dominated
11000
Eco House
Vehicular access
9400
5800
kitchen
hall
hempcrete
wall
bedroom
wardrobe
dining
area
storage
lounge
bathroom
bedroom
en suite
9400
bedroom
balcony
concrete
frame
floor plans 1:200 | north
north
Light & Ven la on
cowl; southern
orienta on increases
heat and light intake.
Large rear roof surface
for rain collec on,
with smaller south
roof for solar thermal
collec on.
Wooden insulated
floor panels for
quick and simple
construc on.
Concrete frame:
preformed sec ons
placed together on
site.
Hempcrete wall
panels allow
quick and simple
construc on while
bringing thermal
mass to the centre
of the house with
a carbon nega ve
material.
In order for a home to
be sustainable it must
first be affordable,
and so one way to
facilitate low cost is
by pre-manufactured
components requiring
simple assembly on site.
This means that the
house becomes easily
adaptable during its
life me as components
can be removed and
replaced as desired.
This adaptability
furthers the ambi on
of sustainability by
allowing inhabitants
to customise and care
for their homes over a
longer life cycle.
High level balcony
facilitates indirect
security by over looking
the space in front.
At the height of the tower
a heat exchanger captures
any escaping warmth to be
redistributed into the house.
Rain water is captured and
stored for use in a grey water
system.
Increased floor to ceiling
heights allow light deeper into
the floor plan.
Con nuous central
column housing the
stairwell, allowing
light down into the
house, and heat (and
ven la on) up through
the house passively and
bring thermal mass to
the centre.
A small storage shelter at the rear
door provides a place for recycling
bins and securing bicycles.
With kitchen to the north side and
the bathroom centrally placed
rooms are placed to make the
most of natural light and warmth.
Render finish offering
protec on to both
frame and panel
North facing window:
treble glazing
Predominant winds move over
the cowl crea ng a nega ve
pressure on its northern side
aiding passive stack ven la on.
concrete frame
render
wooden post
hempcrete 300mm
vapour barrier
Brick work where
hard wearing
contact surfaces
occur, reducing the
need for long term
maintenance.
lime plasterboard
Hempcrete wall panel
South facing window:
double glazing
wooden finish
screed
underfloor hea ng
vapour barrier
insula on
concrete slab
The use of a concrete frame and hempcrete walls allows a high thermal mass through
out the building stablising internal temperatures. With hempcrete as a carbon nega ve
material the environmental impact of the whole building construc on is minimised. Under
floor hea ng creates an equal gentle warmth to be absorbed into the building fabric.
02
peninsula gallery
Design a new public gallery offering a range of
exhibi on spaces both internal and external.
Understanding of the local surroundings is essen al,
taking account of the loca on on the rural-urban fringe
and confluence of the rivers Cam and Chelmer.
tle Peninsula Gallery
loca on Chelmsford, Essex
origin
o
rigin BSc (hons) Architecture
yyear
ye
ear 2009
focus contextual explora on
fo
tools used sketchup, photoshop
to
Looking out to the countryside, the rhythm of
the urban environment to the west is reflected in
the wall and glazing, allowing natural light deep
in, and views through out.
Set a few minutes walk from the busy town centre, the gallery looks
out into the countryside at the confluence of the rivers Cam and
Chelmer, as a green corridor creeps into the urban mass.
ch
elm
riv
er
The first floor entry point, along the new bridge, elevated and
surrounded by water alludes to a sense of privacy and intrigue
within the building, further experienced as visitors move into the
galleries and then down to each lower level.
er
Full access to the roof terrace provides not just an exhibi on area,
but a public space, reaching over the water and raised above the day
to day rush. At the front of the gallery two previously separated river
crossings are brought together to create simple clear movement
across the river.
ground lev
el
Each gallery offers a different atmosphere. From the waterside
pla orm, accessible from only the water and within the building,
its seclusion and surroundings as part of the exhibi ons
themselves. In contrast, the third gallery, buried in the
ground, is almost excluded from the very surroundings
the rest of the building works to embrace. The single
entrance point of this gallery, emphases the thought of
seclusion.
fire exit to central stair
atrium
entrance
waterside pla orm
li sha
peninsula site
l
ground leve
gallery 02
gallery 01
gallery 03
standing on the edge
Roof Terrace
Providing views out to the
countryside, the space is en rely
open to the world, both urban and
natural. A single staircase provides
con nuous access for all.
Bringing people both down to the waters surface and up over it, the facilita on
of free movement stands shoulder to shoulder with freedom of expression.
Internally the gallery offers mul ple spaces of exhibi on, some shunning the
outside world, others bright and open, allowing views to pass en rely through.
First Floor
A single unified bridge crosses both
rivers, and meets at the entrance of
the gallery. Day to day movement
here allows a natural discovery of
the building. The elevated entrance
adds to a feeling inside the building
of privacy, separated from the busy
town centre.
Once inside a central atrium connects
the two main floors, and brings light
deep into the floor plate.
Second Floor
er
riv
er
elm
ch
A central staircase brings visitors
down to a choice of spaces. From the
waterside pla orm at the point of
the building, to con nuing down to
the en rely enclosed third gallery.
At the west end of the gallery a
classroom and workshop create a
working environment.
Waterside pla orm.
river cam
Sub Floor
A final single gallery space
accessible from both staircase and
li , its enclosure and controlled
environment contrasts the roof
terrace and waterside pla orm
completely.
floor plans 1:200 | north
Town Centre
Rivers through the town heart
Rural fringe
03
form of the theatre
Create a centre piece to Luton’s cultural Olympiad,
already the UK Centre for Carnival Arts has been
constructed, and more development is due. This new
piece should emphasise cultural expression, and make a
statement about the importance of culture to the town.
tle Form of the Theatre
loca on Luton, Bedfordshire
origin BSc (hons) Architecture
year 2009
focus conceptual explora on
tools used autocad, photoshop, sketchup
2
3
1
4
Upper level
1 Upper restaurant
2 Fly Tower
3 Offices
4 Green Room
2
5
1
Set in the heart of the urban centre on a largley derelict site,
the theatre stands opposite the church and carnival arts
centre, across a busy inner ring road. Its form offering a new
landmark and striking statement of ambi on and expression.
3
4
Ground level
1 Restaurant
2 T2 (Small in mate theatre, also
converts to rehearsal studio)
3 T1 (Central auditorium)
4 Dressing Rooms
5 Staff/Performer Entrance
4
2
Sub-level
Ground level
Upper levels
The entrance brings the
visitor in below the main
theatre and restaurant
round into T3, a relaxed
evening bar and stage
area.
Moving up two primary stairways guests
emerge in the central auditorium, the
heart of both concept and reality. Also
at this level are the main back of house
facili es and the visitor restaurant. Both
primary elements have been peeled away
from the tradi onal theatre arrangement
to open of the auditorium form for all to
see.
Centrally placed, but not the focal
point, the fly tower is encased in a
ver cal stripped wooden cladding,
its mul ple edges and grooves aiding
acous c protec on whilst the material
so ens its visual impact, and acts as
a back drop to the striking central
auditoriums form.
Sub-level
1
1 Entrance
2 Lobby
3 T3 (Evening bar and stage area)
4 Back stage area
3
acous c boards
acous c boards
produc on posi on
T3 & Bar
T1 central
c
auditorium
back stage & storage
The centre piece of the design
de
in both concept
and reality. Entered from
fro below, the visitor
moves up one of two ssymmetrical confined
stairways to each sea ng area.
are From the outside
the form is striking and domina
dom
ng, a statement
of expression. Its angular form contras ng the
more regulated surroundings as well as aiding the
acous c performance of the interior. Encasing
the main ver cal elements of the building is a
stripped wooden cladding furthering this acous c
protec on.
T3 evening stage
Below ground level at the entrance to the building
and under the central auditorium, the stage is
simple and closer to the audience crea ng a more
casual informal rela onship. Along with the bar,
this area looks to relaxed evening performances.
produc on posi on
seat storage
T2 theatre & rehearsal studio
dio
o
Tucked away to the rear of building
ild
ding arrangement,
this small in mate theatre hosts
stss 150 people on open
benches for a relaxed atmosphere.
heere. The stalls can also
be folded down and stored with
th
h a cover placed on
top to create a rehearsal studio.
The Theatre
Set in the heart of the urban mass, fronted by a
busy inner ring road, and a few minutes walk from
the University, shopping Mall and town centre,
the theatre is a bold statement in both form and
life. Using the inherit form derived from func on
through the method of deconstruc ng the tradi onal
enclosed theatre arrangement, the highly angular
and irregular building has been created. The
suppor ng facili es from both front and back of
house are pulled away from the centre piece to
reveal the auditorium as the heart of both a new
cultural district and building.
entrance
04
container tower
Create a high rise residen al building capable of
adapta on for a modern lifestyle in the heart of
a busy town. Maintain a focus on both individual
and community needs to provide a socially
sustainable environment.
tle Container Tower
loca on Luton, Bedfordshire
origin BSc (hons) Architectural Technology
year 2010
focus technological explora on
tools used autocad, photoshop, sketchup
The container tower is a highly
adaptable, standardised design
allowing a high level of flexibility to
meet the needs of its residents. From
the residen al container modules to
the concrete slabs of the community
sec ons, each element can be
removed or placed as necessary to
adapt to changing requirements.
Using unused shipping containers,
of which there are millions out of
circula on across the world, the
aim is to create a building which is
capable of changing with a changing
popula on. Major redevelopment
in the town has signaled the scale
of these changes, with new student
accommoda on being built and
a large scale redevelopment of
the central train and bus sta ons.
Adaptable housing will be essen al.
commercial sec on
Six lower storeys offer a range of
commercial opportuni es, bringing
visitors to the area during the day,
crea ng ac vity and integra ng
into the local area.
communal sec on
Providing open space to all
residents as well as access. Each
communal floor is able to carry
substan al vegeta on, and be
easily adapted.
residen al sec on
A primary structure awai ng the
inser on of residen al units as
and when they are desired. Easily
adaptable the key feature of this
building.
Community Sec ons
Varia on 01
Removing concre
concrete slabs and altering
elements of the floor under-structure provides
visu
light wells to visually
connect the floors.
Varia on 02
The depth and structure of the floor
allows for small trees and vegeta on to be
used providing garden space.
Community Sec on
4
2
3
2
Each tower is divided into three
storey sec ons, connected by a
community floor, this provides
an open space for gathering,
gardens and play in the sky.
With light pouring in from each
end the structure allows for
adaptable layouts, including
sizeable plan ng to create an
environment desired by its
residents.
Occupying each level are
the residen al modules,
formed from recondi oned
shipping containers simply
connected to expand
and contract the home
floor print as desired. The
structure and design mean
that rela vely li le effort
is required to make such
6
changes.
7
Residen al Container module
1
2
3
4
5
1
1 hanging steel walkway
2 central service tower
3 container support structure
4 community sec on stairs
b
c
d
e
a vegeta on
b soil
c water absorber
d dpm
e insula on
Sec on Details of Community Floor 1:40
Sec on through floor at
exterior edge
a
(1) (2) (3) (4)
Sec on Details Shipping Container 1:10
Container Connec on
1 concrete slab
2 grout key infill
3 insula on
4 steel web truss
5 light tube
6 primary steel structure
1 stripped steel shipping container
2 waterproof membrane
3 insula on
4 internal plaster finish
5 floor finish and suspended ceiling
6 recondi oned container ready for transport
7 garden/balcony sec on
1
2
(5)
(6)
3
1 bring precondi oned containers together
2 insert so wood ba en
3 insert primary bolts
4 place and secure internal column finish
4
(4)
(5)
(6)
(9)
Hung walkway
(1)
(2)
(3)
(11)
(10)
(7)
(8)
1 steel walkway bracket
2 wood walkway
3 services tube
4 shipping container
5 insula on
6 underfloor hea ng
7 plasterboard
8 suspended ceiling for services
9 roller
10 steel super structure
11 services inlet
2
1
3
4
5
6
7
8
1 corrugated steel wall
2 corner support
3 dpm
4 insula on
5 void used for services
6 plasterboard
7 so wood ba en
8 primary bolt
05
colchester cultural quarter
The construc on of Rafael Vinolys ‘Visual Arts Facility’ in
the east of the town centre signals the regenera on of the
area as a cultural quarter. Currently it is run down and poorly
connected to the surrounding areas. Integra on of the new
building will be key to the its success and enjoyment.
tle Cultural Quarter
loca on Colchester, Essex
origin MSc Town Planning
year 2011
focus urban explora on
tools used autocad, photoshop, sketchup
1
2
1
3
roman grid & gateways | open space | vaf site
6
Concept The historic core is s ll highly visible both in plan and on foot, from the street pa ern
to the Roman walls. The strength of this historic thread is a key characteris c for crea ng new
environments and integra ng them with the exis ng urban fabric.
8
4
7
1
2
N
poten al movement green link primary vehicle to high to train
route
street sta on
source
5
2
1
5
8
6
Analysis of Area
1 Castle & Park Part of a poten al green link, the park
occupies most of the north east of the historic core.
2 Minories Currently an art gallery and rentable studios,
the ‘firstsite’ project team occupy here and are the
drivers behind the Visual Arts Facility (vaf).
3 Proposed VAF site Centred in the green, the vaf will
challenge the urban form but not impose itself, si ng
back from the busy street front.
4 Temporary Bus Sta on Due to move a few minutes
away as part of major redevelopment
5 St Boltophs Church & Park The parkland backs on to
main sta on car park, and has poten al for improved
cross access with the neighbouring residen al areas.
6 Shopping district A large retail area is criss-crossed by
regular narrow streets and open spaces.
7 Residen al area Divided from other residen al areas
further south by the railway line, these areas are
sensi ve to noise and disrup on.
8 Roman Wall A strong visual reminder of the historic
nature of the area, it is currently neglected and poorly
maintained.
Proposal Using the grid form to realign the urban mass, connec on is made to the historic fabric
with new threads of movement across the site allowing natural discovery and curiosity.
1 Secret Gardens
2 Stepped Gardens
3 Stage
4 Court
5 Queens Square
6 New urban space
7 Removed urban mass
8 Walkway at base of wall
9 Break in wall
10 Pedestrian connec on to
residen al areas
“Art for arts sake is a philosophy of the well-fed mind.”
Frank Lloyd Wright, Architect
Inclusion, curiosity and freedom have become the central
principles of a design which hopes to capture the imagina on
of any who catch a whisper of the area. Inclusion, to allow all to
par cipate, whether it is the crea on of an art piece, the parttaking in an audience or simply to share a moment. Curiosity, to
provoke thought, enable the poten al to spark a thought and
enlighten or ennoble an individual. And freedom, to allow the
discovery of place, space and thought.
N
1
6
9
2
4
5
6
3
8
7
a
b
a
10
b
The large green open space is broken up by oversized
steps, lit from beneath, illustra ng the gradient while
crea ng a series of informal smaller spaces.
Green spaces are linked from St Boltolphs into the new
Queens Square by the removal of the outdated bus sta on.
Light now pours in and pedestrian movement is eased.
06
chelmsford regeneration
The recent Changing Chelmsford Ini a ve has engaged local
communi es, business and industry to create a joint vision for
the town, and lay the founda ons for ac on. As part of this
project three key areas of value have been iden fied which
are either derelict or about to be abandoned.
1. Anne Knight
tle Chelmsford Regenera on
loca on Chelmsford, Essex
origin MSc Town Planning
year 2011
focus urban understanding
tools used autocad, photoshop, sketchup
AK
pu
bli
vehicle movement
link
ink
s
en
d
rouelive
te ry
gre
An
gli
Un a Rus
k
ive
rsit in
y
ke
yl
residen al
AK | Anne Knight
vie
w
2. Marconi Works
2
permeability
ta
nS
on
landmark
i
Tra
Central Bus
Sta on
3
rey
sto rk
l
mu ar pa
c
office
1
commercial
focus
point
3. Shire Hall
Coun
Coun ty
cil
Shire Hall
p ve
disru mass
k
bolic lin
sym
key pedestrian routes & links
Western centre boundary | inner ring road
Eastern centre boundary | river chelmer
N
x
comple
junc on
ct
ran
sp
or
t
Anne Knight
student accommoda on
Marconi Works
Reinvigorated with life and ambi on
through the design of a new campus for
the expanding university. Key buildings
have been retained, such as the 1912 road
front building, the Art Deco office and
accompanying factory buildings and water
tower. These now house lectures rooms
and theatres, adminstra on offices and a
student bar. Across the site a new primary
route connects the train sta on with the
riverside campus and residen al areas
to the north. New commercial and light
industry units stand alongside the mul
storey car park providing for mul ple
ac vity through out the day.
Anne Knight
The former University site has
laid derelict for several years.
The proposal looks to enable
movement and create both cultural
and commercial opportuni es.
A new underpass, wide and
overlooked by residences, provides
direct access from the south along
a key axis to the Anne Knight
building. This now stands as a small
local theatre fron ng on to a new
pedestrianised sta on square. The
rhythm of the viaduct is reflected
in the proposed built form along
with increased permeability of the
viaduct allowing cross movement.
key axis link
light
industry
units
taxi rank
Marconi Works
1
2
3
4
commercial
& residen al
restaurant plaza
new links through
viaduct
5
exis ng buildings
1 Class rooms & lecture theatres
2 Workshops & Studios
3 Research Labs
4 Student Buiding
5 Administra on
sta on square
(pedestrian priority,
public transport route)
1
2
water features
1 ground fountain (play)
2 fountain (formal)
3 pond (relaxa on)
sheltered sea ng
3
gardens
underpass
Shire Hall
Unlike the other two sites here
the buildings are all in use, with
the Shire Hall its self due to be
vacated. This directs the focus
of design to the space between
them. To the west of the area
are the county council buildings,
to the north the Cathedral, and
then the Hall itself, currently
used as a magistrates court.
From this the thought of civic
society and its structure are
taken, and illustrated through
the use of materials, ligh ng and
arrangement.
Shir
Sh
iirrre
e Ha
H
Shire
Hallll
Stone link
Symbolic of civic link between
the magistrates, council,
Cathedral and people
(represented by ground
lights criss-crossing the floor,
sugges ng adjacent routes).
N
residen al | commercial | office | light industry | north
Chelmsford Regenera on Masterplan Proposal
Three central concepts empower and
enliven the sites above, looking to the
historical significance of each, while also
thinking to the future. Together the sites
facilitate the towns iden ty through
ac ve urban environments, allowing
clear and simple freedom of movement,
readability of space and connec vity
with the wider area. The
designs rely on the indirect
rela onships of the urban
culture
environment, providing
curiosity and interest to all.
innova on
civic
07
Curriculum Vitae
stuart eaves
56 Douglas Crescent, Dunstable
Bedfordshire, LU5 5AT
07754281444
stuart.m.eaves@gmail.com
www.studioeaves.com
2010-2011 President & Co-Founder Archifunk
Founded by myself and four friends, we aimed to ‘create a culture of architecture’. Within a month
we became the largest society at university and gained funding. We held several successful events
including a group trip to Bath, a guest speaker and a four day end of year event which included a
chare e, trip to the RIBA annual lecture and an exhibi on with local dignitaries and members of
industry in a endance.
profile
Fascinated by design and people, I am enthusias c and excited to become involved in prac ce.
Through my me at university I have not only learnt and experimented with methods of design
and research, but developed the skills and confidence to deliver them. My interest in the urban
environment keeps me highly mo vated and drives me to working towards full architectural
registra on, and to con nue to explore and create enjoyable and interes ng architecture.
2010-2011 Changing Chelmsford Ini a ve
Organised by the RSA, Essex County Council and Chelmsford Borough Council, the ini a ve is
working to engage communi es, local business, local authori es and industry with each other to
understand a joint ambi on and vision for the town. My involvement came as a representa ve of
archifunk and the university with efforts focused on improving rela ons between the university
and the local community which involved public speaking and a ending a series of visioning events.
education and qualifications
2010-2011 MSc Town Planning (RTPI accredited)
Anglia Ruskin University, Chelmsford
Modules: Planning Implementa on, Planning & Society, Plan Making & Policy, Urban Design
Major Project (Dis nc on): ‘Chelmsford town centre regeneraƟon masterplan’
2007
RIBA East Travel Bursary
Following a successful bid for the RIBA East Travel Bursary, I then wrote an ar cle about my trip to
Berlin and won a compe on to have it published in the regional newsle er.
skills
2009-2010 BSc Architectural Technology (CIAT accredited)
Communica on
Anglia Ruskin University, Chelmsford
Modules: Design Technology 1, Design Technology 2, Project Management, European Studies,
Innova on & Technology
Major Project: ‘Architecture Beyond Building - Utopian thought over the past century’
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2006-2009 BSc Architecture
Organisa on
Anglia Ruskin University, Chelmsford
Modules: History and Theory, Introduc on to Technology and Design, Architecture and Planning,
Transferable Skills, Design Procedures, Architectural Studies 2, Environmental Services, Site Studies,
Planning and Design, Conversion and Adapta on, Architectural Design Studies 3, Project Evalua on
and Development
Major Project: ‘Form of the Theatre’
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•
Lead and organised, as President, the successful student society Archifunk.
Balanced university studies, employment, and work with archifunk and Changing Chelmsford.
Team Work
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2005
Compiled, wri en and produced both hard and digital format reports and presenta ons.
Delivered projects from A4 reports to A1 presenta on boards to digital presenta on and film.
Public speaking to audiences of students, academics and the general public as part of design
project presenta ons, as President of Archifunk, as a representa ve of Changing Chelmsford
and on behalf of the University.
Cer ficate in Humani es
Worked as part of groups (2-6) on various university projects, both research and design
focused to deliver both reports and presenta ons.
As President of archifunk I worked as part of the organising board for each event. The board
consisted of five permanent members represen ng over ninety society members.
Open University, Home Study
Computer Programs
1999-2004 3 A-levels & 8 GCSEs
Competency in Adobe Photoshop, Illustrator and Indesign. AutoCAD. Google Sketchup. Microso
Word, Powerpoint and Publisher.
Northfields Technology College, Dunstable
(A-levels) Geography, Philosophy, Biology
Training
experience
2011
Travel
This past summer I was fortunate to spend just over a month travelling across Europe. A good
friend and myself journeyed from city to city to discover new people, places and the architecture
we have studied. Our only condi on was to book our return flight leaving us to work out our
journey as we travelled.
Also this summer I joined a volunteer charity trip to Croa a to refurbish and decorate three
childrens hospitals. As part of the fund raising effort I learned to kayak and entered a na onal
student compe on.
2011
Full U.K. Driving Licence.
Midas Cer ficate - Competence in Minibus driving.
Awarded Student Union Colours & Society Achievement Award
Student Colours are awarded to two students each year who have demonstrated clear ambi on
and been proac ve in achieving this ambi on through-out the semester.
employment
2006Present
Security Officer, London Luton Airport
Daily tasks: X-ray operaƟon, bag and body searching, single person patrols and observaƟon.
Skills: Direct contact with passengers requiring a clear, polite and tacƞul approach as well as using
iniƟaƟve and understanding.
2002-2006 Checkout assistant & Stock Control, Tesco Stores Ltd
Daily tasks: Checkout operaƟon, stock count.
Skills: Direct contact with customers. Moving into stock control required quick adaptaƟon and use of
iniƟaƟve whilst being polite and asserƟve to learn the stock system.
References available on request
Full Portfolio
contents
architecture
eco house
peninsula gallery
form of theatre
container tower
urban design
colchester
chelmsford
Curriculum Vitae
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space: noun ‘spas.’ arsitektur arhitektūra architektūra архитектура aрхитектура aрхитектура pensaernïaeth ailtireacht
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architecttura kiến trúc архитектура senibina arkitektur architecktura arquitetura arhitecturii arkitektur arkkitejtuuriin
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arsitektur kien trúc arkkitehtuuri argitektuur arkitektura arquitectura aрхітэктура архитектура solid: noun ‘sa.lid.’
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mod.e.ti.’ arsitektur arhitektūra architektūra архитектура ailtireacht architecttura pensaernïaeth kiến trúc архитектура
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αρχιτεκτονική
ρχ
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‫ק‬
architektúrát arkitektúr delight:
g noun ‘di.lit.’ arsitektur
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k
architectuur architecture arkkitehtuuriin arquitectura architektur αρχιτεκτονική arquitectura arkkitehtuuri arkitektur
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architektura ‫ ארכיטקטורה‬architektúrát arkitektúr space: noun ‘spas.’ arsitektur arhitektūra architektūra архитектура
у
aрхитектура aрхитектура pensaernïaeth ailtireacht architecttura kiến trúc архитектура senibina arkitektur architecktura
tu
arquitetura arhitecturii arkitektur arkkitejtuuriin arsitektur kien trúc arkkitehtuuri argitektuur arkitektura arquitectura
tu
arquitectura architecture: noun ‘ar.ki.tek.cher.’ arkkitehtuuri argitektuur arkitektura ‫ ﺍﻝﻉﻡﺍﺭﺓ‬aрхітэктура архитектура solid:
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stuart.m.eaves@gmail.com | www.studioeaves.com