fine art auction - Masterpiece Auction House

Transcription

Jakarta, 26 January 2014
FINE ART AUCTION
TREASURES FINE ART AUCTION
1
Fine Art Auction
Auction
Sunday, 26 January 2014
Luncheon : 11.30 am
Auction : 1.00 pm
Viewing
Friday, 24 January 2014
Saturday, 25 January 2014
11.00 am - 08.00 pm
Venue
Masterpiece Building
Tanah Abang IV No. 23-25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
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CONDITION OF BUSINESS
The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at
the auction. We encourage you to read them wisely and thoroughly.
THE BUYER
Estimated Price
Estimated price is the price range, which reflects the opinion of our
specialist for the price expected to offer at the auction. This should not
be relied on as a statement that this price is either at which the lot
will sell or its value for any other purpose. Estimated prices are based
upon prices recently paid at auction, and the condition of the artworks
including the quality, rarity and history of ownership (provenance).
Reserve Price
The reserve is the confidential minimum price the seller is willing to
accept and below which a lot not be sold.
Buyer’s Premium
Buyers are reminded that the price to be paid will be the sum of the final
bid price plus the buyer’s premium. The rate of buyer’s premium for each
lot is 20 % (twenty percent) of the hammer price.
BEFORE THE AUCTION
Viewing
Pre-sale viewings are strongly recommended for prospective buyers in
order to examine the artworks thoroughly. Pre-sale viewing is open for
the public at no charge and usually displayed for 2 (two) days prior to
the sale.
Condition Reports
Condition reports are available upon request. They are statements of
opinion and should not be relied on as statements of definitive fact.
Descriptions of property are not warranties and that lot is sold “as is”. All
goods are sold with all faults and imperfections and errors of description.
Illustrations in catalogues are for identification only. It is strongly
recommended that prospective buyers inspect and seek any independent
expert advice to satisfy you as to authorship, attribution, authenticity,
genuineness, origin, date, age, provenance or condition of lot.
Registration
If you are planning to participate in the auction, you will need to register
with us at the registration desk, to complete a bidder registration form
and to receive a bidding number to identify you if you are a successful
bidder. Registration can be made during the viewing period or 30 minutes
prior to the sell.
THE AUCTION
Bidding
All artworks are auctioned in consecutive numerical order. Bidding is done
in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer
will accept bids from those present in the saleroom or absentee bidders
participating by telephone or by written bid left with TREASURES in
advance. The lot being offered is usually illustrated on a screen.
Bidding Increments
Bidding generally opens below the low estimate and advances in the
following increments:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000 Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- above by the auctioneer’s direction.
Absentee/ Written Bids
If you cannot attend the auction in person, you may bid in other ways.
The most common is written bids. Written bids are written instruction
given to TREASURES to bid for you on one or more lots up to a maximum
amount you specify for each lot. There is no charge for this service. If two
or more parties leave identical bids, the first bid received by TREASURES
will take preference. Written bid forms are available 7 days before the
sale and returned to TREASURES within 24 hours before the sale or by fax
to (021) 351 0707.
Telephone Bids
If you cannot attend the auction, TREASURES will execute on behalf of
your bid by telephone. Please make arrangements for this service at least
1 (one) day before the sale. It is advisable for you to leave your maximum
bid, in case you are unable to reach us by phone.
Successful Bids
Successful bidder will be indicated by the fall of the auctioneer’s hammer
after reaching or exceeding the reserve price. TREASURES will record the
bidder number of the buyer. Under the auctioneer’s discretion bidding
may be reopened.
Unsold lots
When a lot fails to sell, the auctioneer will not announce a bidder’s
number. Lots unsold will be returned to the consignor usually after a week
in case there are any post sale offers.
AFTER THE AUCTION
Payment
Payment of purchases should be made within 7 (seven) calendar days.
Please include your paddle number, name, lot number, and total payment
in your bank instruction. If buyers do not make any payment or notice
to TREASURES during the scheduled time, they will be considered as
withdrawing.
Collection of Goods
Goods can be collected only when payment has cleared and been received
by TREASURES. Due to space constraints, TREASURES requires that
purchases and unsold property be collected within 7 (seven) days. If the
goods remain after 7 (seven) days TREASURES reserves the right to cause
the artworks to be stored at the expense of the purchaser.
Storage and Insurance
TREASURES provides insurance cover for sold items for a maximum of
7 (seven) days after the date of the sale. If the goods have not been
removed by the deadline, the goods will be deposited at warehouse and
all storage transportation and other associated costs as well as risk shall
be at the purchaser’s responsibility.
THE SELLER
Auction estimates
If you are considering selling your property at the auction, TREASURES will
provide a free initial estimate of its auction value. You can send a clear
photograph of each item with complete data includes the dimension,
artist’s signature, medium, physical condition and any other relevant
information.
After Sale Notification
You will receive an after sale advice listing the final bid price, or in the
event that the property failed to sell, notification that it was bought-in to
be returned to you. Payment for your sold property takes approximately 4
(four) weeks, provided payment has been received by us from the buyer.
CONDITIONS OF SALE
These conditions of sale together with any terms and conditions set out
a consignment form constitute the entire agreement with the Buyer on
respect to any lots listed in the catalogue. Amendment to the catalogue
descriptions may be made verbally during the course of auction or by
appropriate posted notices. By bidding at the auction, you shall be bound
by the conditions set out below.
Terms used in these conditions
*
“The Buyer” means the person with the highest bid accepted by the auctioneer.
*
“The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue.
*
“The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot.
*
“The Reserve” means the amount below which we agree with the seller that the lot cannot be sold.
*
“The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale.
*
“Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue.
Withdrawal of Property
TREASURES reserve the right to withdraw from the sale the property or
to have the property listed at any auction without any prior notice to the
vendor.
Control of Auction
TREASURES will have absolute discretion to determine the successful
bidder should a dispute arise between the bidders and this includes the
authority to reject any bid, to cancel the sale or to re-offer the property
in dispute.
Ownership of Property
The fall of the auctioneer’s hammer indicates the property sold to the
buyer who is responsible for the property and shall be liable to pay the
full purchase price within 7 (seven) days. If extended payment terms have
not been granted, penalty interest will be charged on the unpaid balance
until paid.
Forgery
In the event of proven forgery, TREASURES will refund to the buyer the
purchase price of the lot. This refund will only occur on the following
terms:
(i)
(ii)
The buyer must provide evidence from an independent expert who proves that the lot is a forgery. TREASURES reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert.
The buyer must provide written notification to TREASURES within 1 (one) year of the auction date of the forgery allegations.
No refund will occur if there is any conflict of opinion among accepted
experts in the field or if it can be demonstrated that the lot is a forgery
only by means of scientific process that could damage or otherwise
jeopardize the condition of the lot and which scientific techniques were
not commonly employed until after the publication of the catalogue.
This guarantee is for the benefit of the buyer only and cannot be assigned.
Such buyer must have remained the owner of the property without
disposing of any interest in it to any third party up until the time the
alleged forgery was discovered.
Handling and Packaging
Handling and packing of all purchase lots shall be at the risk of the buyer
who shall pay an administration charge if TREASURES is responsible for
such services. TREASURES shall use our best efforts to take care when
handling the packing but remind the buyer that from 7 (seven) days time
after the sale, the goods are entirely at the buyer’s risk. You can instruct
your own shipper for the shipping. However, we can also arrange for such
service but are not responsible for any costs incurred during the shipping.
Notice
TREASURES remind prospective buyers that none of the property in
this catalogue is subject to any guarantee of authenticity and all of
the artworks sold “as is” with all imperfections, incompleteness, faults
and errors of description. All property is sold without any warranty or
representation. TREASURES is not responsible for any errors or omission
in the catalogue. Buyers are strongly recommended to take independent
professional advice on selection of purchase.
Remedies of TREASURES
If the buyer is in breach of any of the conditions of sale then TREASURES
may choose to take the following action:
(1)
(2)
(3)
6
In the event a defaulting buyer has made a part payment, TREASURES
reserves the right to apply such payment to any such lots at its sole
discretion.
Cancel the sale, retaining as liquidated damages any payment made by the buyer.
Re-sell the property without any minimum price at the next auction of TREASURES or privately on 5(five) days notice to the buyer.
Take any other action TREASURES may consider necessary.
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INFORMASI DAN KETENTUAN LELANG
Informasi di bawah ini merupakan panduan dan penjelasan mengenai ketentuan lelang yang diselenggarakan oleh TREASURES Auction House. Kami
sarankan para calon pembeli dan penjual dapat mempelajari dan membaca ketentuan lelang dengan seksama.
PEMBELI
Harga Perkiraan
Harga perkiraan adalah kisaran harga yang akan ditawarkan pada saat
lelang berdasarkan perhitungan dan penilaian tim ahli kami atas kualitas,
sejarah/ asal mula dan kelangkaan serta keunikan suatu karya. Harga
tersebut merupakan harga yang terjadi berdasarkan harga yang terbentuk
di pasaran lelang dan bukan merupakan pernyataan resmi atas nilai suatu
lot pada karya tersebut.
Harga Reserve
Harga reserve adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
Harga Yang Harus Di Bayar
Harga yang harus di bayarkan oleh pembeli adalah terdiri dari harga jadi
(hammer Price) ditambahkan jasa pasca lelang (premium price) untuk
setiap biaya-biaya, bunga dan pajak atas suatu karya sebesar 20% (Dua
puluh persen).
SEBELUM LELANG
Pameran
Calon pembeli disarankan untuk mengamati secara langsung karya-karya
yang akan ditawarkan pada lelang. Pameran dibuka untuk umum dan
berlangsung selama 2 (dua) hari sebelum lelang.
Keterangan Kondisi Karya
Keterangan mengenai kondisi karya tersedia sesuai permintaan. Keterangan
tersebut adalah pendapat dari ahli kami berdasarkan pengamatan dan
penilaian yang teliti. Seluruh karya yang ditawarkan adalah dalam
kondisi seperti apa adanya lengkap dengan segala kekurangan dan
ketidaksempurnaan karya tersebut. Uraian dalam keterangan katalog
hanya dipergunakan untuk keperluan identifikasi semata. Calon pembeli
disarankan untuk memeriksa, mencari keterangan dan pendapat dari ahli
independen atas keaslian, sejarah/ asal usul, keterangan serta kondisi
dari karya yang ditawarkan.
Pendaftaran
Calon peserta lelang wajib mendaftarkan diri dengan cara mengisi formulir
pendaftaran pada saat lelang untuk mendapatkan nomor peserta lelang
(paddle number) yang nantinya dipergunakan sebagai identitas pada saat
lelang. Pendaftaran dapat dilakukan pada saat pameran atau 30 menit
sebelum lelang dimulai.
SAAT LELANG
Penawaran
Seluruh karya akan dilelang berdasarkan nomor urutan lot. Harga
penawaran dilakukan dalam Mata uang Indonesia (IDR) berdasarkan
kenaikan harga yang sudah ditetapkan. Juru lelang menerima penawaran
dari peserta yang hadir si ruangan maupun peserta yang tidak dapat
hadir melalui penawaran telephone (telephone bid) ataupun penawaran
tertulis (written bid) yang sebelumnya telah diinformasikan kepada pihak
TREASURES. Lot karya yang akan ditawarkan biasanya ditampilkan pada
layar projector.
Kenaikan Harga
Penawaran biasanya dibuka di bawah harga estimasi terendah sampai
harga tertinggi dengan kenaikan harga sebagai berikut:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000
Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- keatas berdasarkan panduan juru lelang
PESERTA YANG TIDAK DAPAT HADIR
Bagi calon peserta yang tidak dapat hadir pada saat lelang dapat mengisi
formulir Absentee Bid atau Telephone bid yang sudah tersedia 7 (tujuh)
hari sebelum lelang dan terlampir pada bagian belakang katalog ini.
Formulir yang telah diisi dengan data lengkap dapat dikirim melalui
fax (021) 351 0707 paling lambat 24 jam sebelum lelang dimulai.
Penawaran Tertulis
Penawaran tertulis adalah cara yang paling umum digunakan pada
saat lelang. Penawaran tertulis adalah instruksi yang diberikan kepada
TREASURES untuk mewakilkan diri pada saat lelang atas karya yang
diminati dengan menentukan harga maksimum yang diinginkan untuk tiap
lot. TREASURES tidak memungut biaya atas jasa ini. Jika terdapat dua
pihak atau lebih melakukan harga penawaran yang sama pada lot yang
sama, maka penawaran yang berlaku adalah kepada yang terlebih dahulu
diterima oleh TREASURES.
Penawaran Melalui Telephone
Selain melakukan penawaran tertulis peserta dapat juga melakukan
penawaran melalui telephone. TREASURES akan menjadi penghubung
pada saat lelang berlangsung. Pengaturan jasa ini paling lambat 1 (satu)
hari sebelum lelang dimulai. Peserta disarankan untuk memberitahukan
harga penawaran maksimal seandainya tidak dapat dihubungi melalui
telephone.
PEMENANG LELANG
Pemenang lelang adalah mereka yang berhasil melakukan penawaran
tertinggi atas suatu lot dan akan diumumkan oleh juru lelang yang
disahkan oleh pengetukan palu oleh juru lelang. Ketukan palu juru
lelang menandakan bahwa pembeli telah menerima harga jadi dan
TREASURES akan melakukan pencatatan atas nomor paddle pembeli. Juru
lelang berwenang sepenuhnya untuk melanjutkan penawaran pada lot
selanjutnya.
LOT YANG TIDAK TERJUAL
Lot yang tidak terjual ditandai oleh juru lelang dengan tidak menyebutkan
nomor paddle peserta. Lot yang tidak terjual akan dikembalikan kepada
pemiliknya biasanya dalam waktu satu minggu setelah lelang, seandainya
dalam waktu tersebut ada peminat atas karya tersebut diluar lelang.
SETELAH LELANG
Pembayaran
Pembayaran atas pembelian karya dilakukan dalam waktu 7(tujuh)
hari. Mohon cantumkan nama anda, nomor paddle dan nomor lot pada
kolom berita slip bank. Jika pembeli tidak melakukan pembayaran atau
pemberitahuan kepada TREASURES dalam jangka waktu yang telah
ditetapkan, maka akan dianggap batal atau mengundurkan diri.
PENGAMBILAN BARANG
Barang dapat diambil hanya apabila pembayaran telah dilakukan dan
diterima oleh TREASURES. Oleh karena keterbatasan tempat, baik barang
yang terjual maupun yang tidak terjual harus diambil dalam waktu 7
(tujuh) hari. Jika barang tersebut tidak diambil dalam waktu 7 (tujuh)
hari, TREASURES berhak untuk memindahkan dan menyimpan barang
tersebut ke gudang atas biaya pemiliknya.
PENYIMPANAN DAN ASURANSI
Asuransi atas karya yang telah terjual hanya berlaku selama 7 (tujuh) hari
setelah tanggal lelang. Jika barang tersebut belum diambil sampai batas
waktu yang telah ditetapkan maka barang akan dipindahkan dan disimpan
ke gudang.
Seluruh biaya transportasi dan sewa gudang serta biaya lainnya akan
ditanggung oleh pembeli. Segala resiko atas barang juga menjadi tanggung
jawab pembeli.
PENJUAL
Harga Perkiraan
Jika anda berminat untuk menjual barang anda melalui lelang, TREASURES
akan menyediakan perkiraan harga awal atas nilai lelang barang tersebut.
Anda dapat kirimkan foto tiap karya dilengkapi dengan keterangan atas
pelukis, judul, ukuran, media, tanda-tangan, sertifikat, kondisi dan
informasi pendukung lainnya.
Pemberitahuan Atas Penjualan
Daftar rincian perhitungan atas barang-barang yang terjual maupun tidak
terjual akan diberikan setelah lelang. Pembayaran atas barang-barang
yang terjual akan dilakukan dalam 4 (empat) minggu setelah TREASURES
menerima pembayaran dari pembeli.
KETENTUAN LELANG
Ketentuan lelang termasuk istilah-istilah dan persyaratan didalamnya
merupakan bentuk kesepakatan yang mendasari seluruh perjanjian
dengan pembeli atas lot-lot yang tercantum dalam katalog. Penambahan
pada keterangan katalog dapat dibuat secara lisan dalam kurun waktu
lelang atau dengan pemberitahuan secara tertulis. Dengan ikut serta
menjadi peserta lelang, anda akan terikat dengan kondisi-kondisi sebagai
berikut:
PENYELESAIAN DARI TREASURES
Jika pembeli melakukan pelanggaran atas kondisi penjualan, maka
TREASURES akan mengambil langkah-langkah sebagai berikut:
1.
Membatalkan penjualan, pembayaran yang dilakukan oleh pembeli dianggap sebagai pembayaran dengan kecacatan dan dianggap tidak dapat dicairkan.
2.
Menawarkan kembali barang tersebut tanpa menetapkan harga minimum dalam lelang TREASURES selanjutnya atau menjual secara pribadi dengan memberitahukan kepada pemiliknya selama 5 (lima) hari.
3.
Mengambil tindakan lain yang dianggap perlu apabila pembeli telah melakukan sejumlah pembayaran sehingga TREASURES berhak untuk menggunakan pembayaran tersebut atas lot lain atas wewenangnya sendiri.
PEMALSUAN
Jika terjadi suatu lot yang terbukti palsu, TREASURES akan mengembalikan
seluruh biaya yang telah dibayarkan kepada pembeli sesuai harga lot
tersebut. Pengembalian dana ini hanya dapat dilakukan apabila:
1.
Pembeli telah memperlihatkan bukti-bukti yang berasal zzdari tenaga ahli independent yang menyatakan bahwa karya tersebut palsu. TREASURES berhak untuk meminta bukti lebih lanjut dari tenga ahli lainnya atas wewenangnya, apabila hasil temuan dari tenaga ahli kedau pihak masih dianggap kurang memuaskan.
2.
Pembeli harus memberikan pemberitahuan secara tertulis kepada TREASURES dalam waktu 1 (satu) tahun dari tanggal lelang atas pengajuan adanya pemalsuan karya.
Pengembalian dana tidak dapat dilakukan jika terjadi konflik pendapat
dari para tenaga ahli dilapangan atau pemalsuan hanya dapat dilakukan
oleh proses ilmiah yang dapat merusak atau membahayakan kondisi karya
tersebut.
Jaminan ini ditujukan hanya untuk kepentingan pembeli dan tidak bisa
dialihkan. Pembeli harus menjaga atas kepemilikan barang dengan
tidak pengalihkan pada pihak-pihak lain sampai saat pengajuan adanya
pemalsuan telah ditemukan.
Pengepakan dan pengiriman barang adalah sepenuhnya atas resiko
pembeli. Jika pembeli menginginkan TREASURES untuk melakukan
pengepakan dan pengiriman, maka pembeli harus membayar biaya atas
jasa tersebut. TREASURES akan berusaha untuk memberikan pelayanan
yang terbaik untuk menjaga barang yang telah dibeli, namun diingatkan
bahwa setelah waktu 7 (tujuh) hari setelah lelang, resiko barang ada pada
tanggungan pembeli. Pembeli bisa memerintahkan jasa pengirimannya
sendiri untuk melakukan pengiriman. TREASURES juga dapat membantu
untuk mengatur pengiriman barang tetapi tidak bertanggung jawab atas
biaya yang nanti terjadi.
PEMBATALAN/ PENARIKAN KARYA
PEMBERITAHUAN
TREASURES berhak untuk menarik karya dari lelang atau menentukan
karya yang akan masuk lelang.
TREASURES mempunyai hak mutlak untuk menentukan penawar/
pemenang lelang jika terdapat
perselisihan yang muncul antara
penawar, hal tersebut juga meliputi otoritas untuk menolak penawaran
apapun, membatalkan penjualan atau ke menawarkan ulang barang yang
diperebutkan.
Ketukan palu juru lelang menandakan barang terjual kepada pembeli
yang bertanggung jawab atas kepemilikan barang tersebut dan
berkewajiban untuk membayar seluruh pembelian dalam waktu 7 (tujuh)
hari. Jika permintaan untuk memperpanjang batas waktu pembayaran
tidak disetujui, maka akan dikenakan biaya bunga atas saldo yang belum
dibayar sampai dibayar.
Istilah-istilah
“Pembeli” adalah orang perorangan atau badan hukum yang mengajukan
penawaran tertinggi dan diterima oleh juru lelang.
“Lot” adalah barang yang telah dititipkan kepada TREASURES untuk dijual
dalam lelang dan telah diberikan uraian dan keterangan dalam katalog.
“Harga Hammer/ Ketuk Palu” adalah harga jadi yang merupakan harga
tertinggi yang telah ditetapkan oleh juru lelang atas lot yang ditawarkan.
“Harga Reserve” adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
“Harga Premi” adalah jasa pasca lelang yang dikenakan kepada pembeli
atas setiap biaya-biaya, bunga dan pajak atas suatu karya dengan kisaran
yang telah ditentukan.
“Pemalsuan” berarti suatu lot yang berasal dari tiruan atas suatu karya
yang ditujukan untuk menipu atas keaslian, sejarah, umur, jaman, budaya
dimana sumber keterangan yang benar atas hal tersebut tidak dijelaskan
dalam keterangan katalog.
PENGAWASAN LELANG
8
KEPEMILIKAN BARANG
PENGEPAKAN DAN PENGIRIMAN BARANG
TREASURES tidak pernah memberikan jaminan atas keaslian karya yang
terdapat dalam katalog ini. Seluruh karya yang ditawarkan adalah sesuai
apa adanya dengan segala ketidaksempurnaan, kecacatan, kekurangan
maupun kesalahan dari penjelasannya. Penyajian seluruh karya dalam
katalog ini bukan merupakan jaminan atas keabsahan atau keaslian karya
tersebut. TREASURES tidaklah bertanggung jawab atas kesalahan atau
penghilangan keterangan apapun dalam katalog. Para Pembeli sangat
direkomendasikan untuk mengambil nasihat profesional dari tenaga ahli
yang mandiri pada karya yang akan dibeli atau dipilih.
9
005
SUDJONO ABDULLAH
(Yogyakarta, 1911 – 1993)
Bunga Bungur, 1989
Oil on canvas: 200 x 140 cm
Signed, lower left:
S. Abdullah 27.6.1989
RP 38.000.000 – 50.000.000
001
YAP HIAN TJAY
(Surakarta, Central Java, 1927)
Flowers, 1994
Oil on canvas : 65 x 75 cm
Signed and dated, lower right : JHT’94
RP 15.000.000 – 20.000.000
002
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Bunga, ca. 1970
Signed and dated, lower left:
Koentjoro
RP 15.000.000 – 20.000.000
10
003
ROEDYAT MARTADIREDJA
(Bandung, 1932 – 2002)
Village, 1990
004
MEN SAGAN
(Yogyakarta, 1948)
Flowers
006
ERNEST DEZENTJE
(Jatinegara, 1885 – 1972)
Landscape
Oil on canvas: @ 30 x 25 cm
Signed and dated, lower left: Roedyat 90
Signed, lower left: Men Sagan
Signed, lower left: Ern. Dezentje
RP 15.000.000 – 20.000.000
RP 20.000.000 – 30.000.000
RP 25.000.000 – 35.000.000
11
008
MARYATI AFFANDI
(Bogor, 1916 - 1991)
Dokar di Atas Jembatan
Signed, lower left: AM.
RP 20.000.000 – 25.000.000
009
RADEN SOEKARDJI
(1880 – 1950)
Landscape
Signed, lower left : Soekardji
RP 9.000.000 – 12.000.000
010
CHENG SHUI
(Bogor, West Java, 1981)
Panen Kentang
Oil on board: 81 x 122 cm
Signed, upper right: Ong Cheng Shui
RP 18.000.000 – 25.000.000
007
S. TOYO
(Blitar, 1935 – Malang, 2000)
Penjual Buah, 1994
12
011
Jan Frank Niemantsverdriet
(Kalimaro, Java, 1885)
Boat At ChinaTown
Signed and dated, lower right:
S. Toyo, 1994
Signed, lower right: J Frank
RP 30.000.000 – 50.000.000
RP 15.000.000 – 25.000.000
13
012
FAIZIN
(Banyuwangi, 1973)
Telak, 2012
Signed and dated, lower right: Faizin, 2012
RP 14.000.000 – 20.000.000
013
ANANG ASMARA
(Yogyakarta, 1974)
Ketawang Kinanti Pawukir, 2011
Acrylic on canvas: 120 x 200 cm
Anang Asmara, 2011
RP 24.000.000 – 35.000.000
014
BUNGA JERUK PERMATA PEKERTI
(Solo, 1972)
The Girl With The Bear, 2012
Signed and dated, lower left: Bunga, 2012
RP 45.000.000 – 60.000.000
14
15
015
CAREL LODEWIJK DAKE, Jr
(Schaerbeek, 1886 – Jakarta, 1946)
Landscape
Signed, lower right: CL. Dake
RP 9.000.000 – 15.000.000
016
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Home Sweet Home
Everlasting Prosperity, 2011
017
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Memandikan Kerbau
018
LEO ELAND
(Java, 1884 – 1952)
In The Ricefield
Signed, lower right: Koempoel
Signed, lower right: L. Eland
RP 7.000.000 – 9.000.000
RP 8.000.000 – 12.000.000
Signed and dated lower left: Erica, 2011
Signed, titled and dated on the reverse
This lot is accompanied with certificate
of authenticity from the artist
019
SUDJONO ABDULLAH
Kampung Nelayan
RP 20.000.000 – 30.000.000
Signed, lower left: S. Abdullah
RP 12.000.000 – 18.000.000
020
ERNEST DEZENTJE
Landscape
Signed, lower left: Ern. Dezentje
RP 8.000.000 – 12.000.000
16
17
021
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Untitled, 2011
2011, Agus Riyadi
RP 5.000.000 – 8.000.000
022
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Welkomin Gelukkig Jaar, 2012
RP 11.000.000 – 20.000.000
023
IRSAM
(Klaten, 1942)
Senja di Taman, 1971
Signed and dated, lower left: Irsam, 1971
Literature:
Mikke Susanto, IRSAM Jejak - jejak Dekoratif
Published by PT Dwi Samapersada, pg.50
RP 25.000.000 – 40.000.000
18
19
024
IPE MA’AROEF
(Padang, West Sumatra, 1938)
Landscape
Watercolor on paper: @ 12 x 12 cm (2 panel)
Signed, lower left: Ipe Maroef
RP 5.000.000 – 7.000.000
025
SEN PAO
(Surabaya, 1949)
At Kusamba Beach, Bali, 1994
Signed and dated, lower right: Sen Pao 94
RP 15.000.000 – 20.000.000
028
R. HADI
Memcuci di Sungai
026
LAM DUCH MANH
(Vietnam, 1972)
Stretscene in Hanoi
Signed, lower right: R. Hadi
RP 15.000.000 – 25.000.000
Signed, lower left: m. lam
RP 11.000.000 – 15.000.000
029
RUDOLF BONNET
(Amsterdam, 1895 - 1978)
027
RADEN SOEKARDJI
(1880 – 1950)
River View
Signed, lower left : Soekardji
RP 14.000.000 – 20.000.000
a. Bernardo
Pastel on paper: 34 x 34 cm
Signed, upper right: R. Bonnet
Titled, middle left: Bernardo
b. Study of a Balinese Peasant
c. Lake by the River, 1963
R. Bonnet.Groenendaal'63
RP 55.000.000 - 70.000.000
20
21
034
SOEDIBIO
(Madiun, 1912 - 1981)
Nenekku, 1975
Soedibio, 75
RP 20.000.000 – 30.000.000
030
SUMARDI
(Solo, Central Java, 1917 - 1983)
Javanese Women
Signed and dated lower right: Sumardi
RP 8.000.000 – 12.000.000
031
BAGONG KUSSUDIARDJA
Javanese Lady, 1998
Bagong K’98
RP 6.000.000 – 10.000.000
035
HASIM
(Jakarta, 1921-1982)
Prosperous Harvest, 1977
Oil on canvas : 120 x 75 cm
Signed and dated, lower left: Hasim’ 77
RP 9.000.000 – 15.000.000
032
COLLECTION OF CERAMICS
AND BOOKS
RP 3.000.000 – 5.000.000
033
SUDARSO
(Purwokerto, 1914 - 2006)
Lady In Red, 1994
Signed and dated, lower right: Sudarso, 94
RP 18.000.000 – 25.000.000
22
23
Rustamadji
Born in Surabaya, East Java, April 16, 1932. In 1946
he started painting under the painter S. Sudjojono in
Sanggar Indonesia Muda (Young Indonesian Artists
Association), Madiun. Rustamadji was a painter in
the realistic – naturalistic style from the 1940’s to
the 1960’s, he focused on themes of daily life and
experiences which were familiar to the people.
This subject, that reflected feelings of nationalism,
became popular after the more romantic –
naturalistic – Mooi Indie style of the 1930’s.
Rustamadji was greatly influenced by the spirit of
the time when he began painting. His works were
egalitarian with their messages of social, economic
and political equality for everyone. Rustamadji was
deeply inspired by the people’s daily life. His often
used objects of paintings describing the themes of
figures, landscapes, and markets and dancers. He
closely observed the realities of life among ordinary
people. He shows his expertise in presenting
detailed forms, treatment of light and shadow, and
creating a certain kind of mood. His mastery of the
realistic technique captured in object of the woman
seller in most earthy and subdued color.
036
RUSTAMADJI
(Surabaya, 1932 – 1990)
Traditional Market Scene, 1986
Rustamadji, 1986
RP 120.000.000 – 150.000.000
24
25
041
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Santa Diving X Mas, 2012
RP 11.000.000 – 18.000.000
037
TIO TJAY
(b. 1946)
Arwana, 2009
Signed and dated, lower left: Tio Tjay, 2009
038
Xin Jin
Ayam, 1995
042
KRIJONO
(Jakarta, 1951 - 2011)
Kuda Emas, 2010
Signed and dated, lower right: Jin,95.8
RP 3.000.000 – 5.000.000
RP 28.000.000 – 40.000.000
Signed, titled and dated, lower right:
Kuda Mas Bali, 2010, Krijono
RP 40.000.000 – 60.000.000
040
RONALD FRIJLLING
(Banyuwangi, East Java, 1917 – ca. 1941)
Cock Fight
039
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Sepasang Merpati, 1962
Oil on canvas laid on board: 26,5 x 36,5 cm
Signed, lower right: Ronald Frijlling
RP 6.000.000 – 8.000.000
Signed and stamped in
chinese character, Upper right
RP 35.000.000 – 50.000.000
26
27
043
TATANG GANAR
(Bandung, 1936 – 2004)
Ivon, 200
044
AMRUS NATALSYA
(Medan, 1933)
Bunga, 1990
Signed and dated, lower left: T. Ganar, 2000
Signed and dated lower right:
Amrus N. Jak 1990
RP 22.000.000 – 30.000.000
RP 20.000.000 – 30.000.000
045
BAGONG KUSSUDIARDJA
Wayang Krisna, 1995
Bagong K’95
RP 15.000.000 – 20.000.000
046
LIM KWI BING
Indonesia Beauty, 2002
Lim Kwi Bing, 2002
RP 7.000.000 – 12.000.000
28
047
FX HARSONO
(Blitar, 1949)
Memory of Paint 14
Digital print: 80 x 225 cm
RP 20.000.000 – 30.000.000
29
048
SUKAMTO DWI SUSANTO
(Yogyakarta, 1952)
a. Kesetiaan, 2003
b. Sang Raja, 2003
Sukamto 03
RP 4.000.000 – 6.000.000
049
TRI WAHYUDI
(Surakarta, 1986)
I am a Little Girl Like Dolls
and Teddy Bears, 2010
T.W. Yudhi. 2010
RP 14.000.000 – 20.000.000
050
S.YADI K
(Banyuwangi, 1958)
Kop Legong
051
SIAUW TIK KWIE
(Solo, 1913 – Jakarta, 1988)
The Farmer, 1968
Mixed media on canvas : 30 x 25 cm
Signed, lower left: S. Yadi K. Bali
Siauw Tik Kwie, 1968
RP 2.000.000 – 3.000.000
RP 8.000.000 – 15.000.000
30
052
A. HADI MAS’UD
(Surabaya, 1966)
Truth,Version # 23 – Mempercayakan Kebenaran , 2011
Signed and dated, middle area: Hadi Mas’ud, 2011
RP 20.000.000 – 30.000.000
31
054
IDA BAGUS INDRA “IBI”
(Bali, 1974)
A Declaration of Love - 2 , 2013
Signed, titled and dated, lower left:
A Declaration of Love , IBI. 2003
RP 40.000.000 – 50.000.000
055
FEBRI ANTONI
(Bukit Tinggi, Padang, 1975 – 2003)
Dingin , 2003
Mixed media on canvas: 120 x
100 cm
Febri Antoni, Yogya, 2003
RP 25.000.000 – 40.000.000
053
ABDUL DJALIL “A.D.” PIROUS
(Meulaboh, Aceh, 1932)
Abstrak, 1969
Signed and dated, lower right: AD. Pirous’69
RP 50.000.000 – 70.000.000
32
33
056
SYAHDAN LUBIS
(Medan, 1972)
Borobudur Di Waktu Senja, 2006
057
OTTO DJAYA
(Rangkas Bitung, West java, 1916 - 2002)
Sonata Bulan Purnama, 1992
Signed and dated, lower right
Signed and dated, lower right: Otto Djaya, 1992
RP 5.000.000 - 10.000.000
RP 10.000.000 - 15.000.000
058
TATANG GANAR
(Bandung, 1936 – Bandung, 2004)
Menanti VI, 1991
059
ALIMIN TAMIN
(Solok, 1932)
Balinese Girl
Signed and dated, lower left: T. ganar’91
This lot is accompanied with certificate of
authenticity from the Artist
Signed, lower left: Alimin, Bali
060
I WAYAN CAHYA
(Solo, C. Java, 1965)
Metamorphosis, 2006
Signed and dated, lower right: I Wayan Cahya, 2006
RP 18.000.000 - 25.000.000
RP 8.000.000 - 12.000.000
RP 5.000.000 - 10.000.000
32
33
061
FADJAR SIDIK
(Surabaya, 1930 - 2004)
Mandala Biru, 1999
Signed and dated, lower right: F. Sidik’99
Literature:
Dr. M. Dwi Marianto and Drs. M. Agus Burhan M.Hum, Dinamika
Bentuk dan Ruang: FADJAR SIDIK, 2002, Rupa-rupa Seni,
page.235
RP 28.000.000 - 35.000.000
062
I MADE WIANTA
(Bali, 1949)
Black Abstract, 2012
Mixed media on canvas: 90 x 120 cm
Signed and dated, lower left: Wianta, 2012
RP 10.000.000 - 15.000.000
063
AHMAD SADALI
(Garut, West Java, 1924 - Bandung, 1987)
Abstrak, 1985
Mixed media on paper: 44 x 39 cm
Signed and dated, lower right: Sadali, 1985
RP 40.000.000 - 50.000.000
34
35
064
PIETER ADRIAAN JACOBUS MOOJEN
(26 June 1879-1 April 1955)
Kampoeng, 1922
065
MAHYUDDIN S
(Bukittinggi, Sumatra 1924 - 1993)
Waterfall
Signed and dated, lower left: P.A.J Moojen.22
Signed, lower left: Mahyuddin S.
RP 7.000.000 - 12.000.000
RP 10.000.000 - 15.000.000
068
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands, 1968)
Flamboyant
066
TATANG KOENTJORO
(b.Semarang, - died 1993)
Sepasang Merpati, 1975
067
I KETUT SADIA
(Batuan, Bali, 1966)
Tari Kecak, 2012
Signed and dated, lower right: Koentjoro
Signed, lower left: Kt. Sadia, Batuan Bali
Signed and dated on the reverse
RP 15.000.000 - 20.000.000
36
Signed, lower left: Ger. P. Adolfs
RP 30.000.000 - 40.000.000
RP 22.000.000 - 30.000.000
37
069
HASIM
(Jakarta, 1921-1982)
Crossing the Bridge, 1954
Signed and dated, lower right: Hasim.18-11-54
RP 20.000.000 - 30.000.000
071
HENING PURNAMAWATI
(Cimahi, 1960)
Butterfly, 2004
072
OTTO DJAYA
Penari Kipas, 1991
Signed and dated, lower right: Hening P. 2004
RP 12.000.000 - 18.000.000
RP 8.000.000 - 12.000.000
070
AGUS DJAYA
(Pandeglang, West Java, 1913 - 1993)
Minum Tuak, 1958
Signed and dated, lower left: Agus Djaya’58
RP 18.000.000 - 25.000.000
073
LIEM TJOE ING
(Surakarta, 1922-1996)
Pasar Di Bali, 1990
Signed and dated, lower right: Liem Tjoe Ing, 1990
RP 20.000.000 - 30.000.000
074
SUMARDI
(Solo, 1917- 1983)
Gadis Membawa Kendil, 1979
Signed and dated, lower left: Sumardi, 1979
RP 15.000.000 - 20.000.000
38
39
075
R.E HARTANTO
(Bandung, 1973)
Soap Opera
RP 75.000.000 - 100.000.000
Born in Bandung, 1973. R.E. Hartanto is an Indonesian artist, currently living and working
in Bandung, Indonesia. He is known for his provocative portraitures that narrate stories of
contemporary social political issues that are prevalent in our society. His academic background
was painting major in Bandung Institute of Technology (ITB). He participated in many Artistin-Residence & Workshop programs. His latests solo exhibitions were “7 Bandung Artists
Drawing Exhibition” Common Room, Bandung (2004) and “Unseen Wounds” Koong Gallery,
Jakarta (2000). He also has participated in several group exhibitions such as in Bandung,
Jakarta, Magelang and Singapore.
Educations:
2001-2002 Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands
1992-1998 Fine Art Departement, Faculty of Fine Art & Design, Bandung Institute of
Technology, Indonesia (major: painting)
Grants & Awards:
2004
Asian-Europe Foundation, Helsinki, Finland (Bandung-Helsinki: City Surgery)
2002 RAIN Artists' Initiatives Network supported by Dutch Ministry of Foreign Affairs/ DCO/IC (Bessengue City Project)
2001-2002 Ministry of Science, Culture and Education & Trustfond Rijksakademie,
Amsterdam, Netherlands (Rijksakademie v.B.K.)
2001 ANAT & Daniel Langlois Foundation (Alchemy Masterclass)
1999 Juror's Choice, Phillip Morris ASEAN Art Awards, Kuala Lumpur, Malaysia
40
41
076
JULIUS PHILIPPUS STAUPE
(Wlingi, Java, 1919)
Danau Klakah Lumajang, 1981
077
TATANG KOENTJORO
Sepasang Ayam 1962
Staupe.24.12.81
RP 4.000.000 - 8.000.000
Chinese character and stamped, upper right
RP 35.000.000 - 50.000.000
078
OMAR BASALMAH
(b. Bandung)
Ricefield, 1996
Signed and dated, lower left: O. Basalmah’96, Lembang
079
AMRUS NATALSYA
(Medan, 1933)
Ke Pasar, 1995
RP 5.000.000 - 8v.000.000
Oil on wood: 79 x 86 cm
Signed and dated, lower left: Amrus N.95
080
ARIE SMIT
(Zaandam, 1916)
Candi Bentar, 2007
Signed and dated, lower left: Arie Smit’07
RP 30.000.000 - 40.000.000
RP 8.000.000 - 12.000.000
42
43
081
ARIE SMIT
(Zaandam, 1916)
Resting Boy, 1983
Acrylic on paper: 25 x 40 cm
Signed and dated, lower right: Arie Smit, Bali’83
RP 25.000.000 - 35.000.000
082
OTTO DJAYA
Figur Wanita, 1990
RP 10.000.000 - 15.000.000
44
083
KUSTIMAN MANJAYA
(Bandung, West Java, 1952)
Gadis Bali, 2007
084
NANA TEDJA
(Yogyakarta, 1971)
Simbiosis Mutualisme, 2013
Signed and dated, lower right: K. Manjaya. 2007
Signed and dated, lower left: Nana Tedja, 2013
RP 5.000.000 - 7.000.000
RP 8.000.000 - 12.000.000
085
IRSAM
(Klaten, 1942)
Dewi, 1989
Signed and dated, lower right: Irsam, 1989
Literature:
Mikke Susanto, Jejak-jejak Dekoratif Irsam, Published by
PT. Dwi Samapersada, Jakarta, 2013, Pg. 121
RP 12.000.000 - 20.000.000
45
090
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 - 1995)
Perahu
Signed, lower left: Hasan Djaafar
086
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Panen
Signed, lower left: Kompol
RP 10.000.000 - 15.000.000
RP 12.000.000 - 18.000.000
087
ABDULLAH SURIOSUBROTO
(Semarang, 1878 – Yogyakarta, 1941)
Landscape
Watercolor on paper: 53 x 72 cm
Signed, lower left: Abdullah
RP 10.000.000 - 15.000.000
091
WILHEMUS JEAN FREDERIC IMANDT
(St. Jansteen, The Netherlands, 1882 – 1967)
Sea Panorama
Signed, lower left: Imandt
088
S. TOYO
Waterfall
RP 25.000.000 - 35.000.000
Signed, lower right: S. Toyo
RP 25.000.000 - 40.000.000
089
FREDERICK ANTON KIEVITS
(Bogor, West Java, 1887 – The Hague, 1951)
Danau
Signed, lower right: FA. Kievits
RP 10.000.000 - 15.000.000
46
47
092
I MADE WIANTA
(Bali, 1949)
Rainbow Mandalan, 1996
Oil and acrylic on canvas: 90 x 90 cm
Signed and dated, lower left: Wianta, 1996
RP 8.000.000 - 12.000.000
093
ABAS ALIBASYAH
(Purwakarta, 1928)
Prima Donna, 1981
Signed and dated, lower right: Abas, 1981
Titled on the reverse
Accompanied by Photo of Artist with the painting
RP 12.000.000 - 18.000.000
094
SALIM / SARAOCHMIN SALIM
(Medan, 1908 – Paris, 2008)
Italia, 1998
Signed and dated, lower right: Salim,’98
Literature:
Ajip Rosidi, Salim, Pelukis Indonesia Di Paris, Publised by Pustaka Jaya &
Cemara 6 Gallery, Jakarta 2003, Page.70
RP 50.000.000 - 75.000.000
48
49
095
I KETUT SUGANTIKA
(Singapadu, Bali 1975)
Jago II, 2009
096
RIKI ANTONI
(Indonesia, 1977)
Hug Me, 2007
Signed and dated, lower left: Ketut Sugantika, 2009
Signed and dated, lower right: ‘07
RP 8.000.000 - 10.000.000
RP 9.000.000 - 15.000.000
099
ERNEST DEZENTJE
Landscape with Buffaloes
Oil on canvas laid on board: 75 x 140 cm
Signed, lower right: Ern. Dezentje
RP 18.000.000 - 25.000.000
100
ADAM LAY
(Wonosobo, Central Java, 1949)
Indian
Signed, lower right: Adam L.
RP 35.000.000 - 50.000.000
097
HENING PURNAMAWATI
(Cimahi, 1960)
Tegar, 1994
Signed and dated, lower right: Hening P. ‘94
RP 8.000.000 - 12.000.000
50
098
KLOWOR WALDIYONO
(Yogyakarta, 1968)
Untitled, 2011
Oil on canvas: 150 X 150 cm
Signed and dated, lower Left: Klowor, 2011
RP 25.000.000 - 30.000.000
51
101
RAHMAT SUBANI IRFANI
(Solo, 1949 – Jakarta, 2003)
Karya Pertama, 1998
102
RAHMAT SUBANI IRFANI
(Solo, 1949 – Jakarta, 2003)
Jatuhnya Cahaya Tak Pernah Salah, 2002
Signed and dated, Middle right: R. 1998, Karya Pertama
Signed and dated, lower right: R. 2002
RP 18.000.000 - 25.000.000
52
RP 15.000.000 - 20.000.000
53
103
I GUSTI NGURAH UDIANTARA
(Tampaksiring, 1976)
Katakan Dengan Bunga, 2000
Signed and dated, upper left: Tantin,2000
RP 25.000.000 - 40.000.000
105
I WAYAN SADIA
(Panetasan, Ubud, Bali, 1939)
Sepulang Dari Laut
Signed, lower right: I. W Sadia,
Penestanan,Kelod Ubud Bali
RP 45.000.000 - 60.000.000
104
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Sweet Prosperity Family, 2011
Signed and dated, lower middle: Erica, 2011
RP 18.000.000 - 25.000.000
106
NYOMAN GUNARSA
(Klungkung, 1944)
Penari Kipas Merah, 2011
Signed and dated, lower right: 2011
RP 50.000.000 - 70.000.000
54
55
107
H. RIETBERG
(b. Dutch)
Panen
Signed, lower left: H. Rietberg
RP 4.000.000 - 6.000.000
108
ADAM LAY
(Wonosobo, Central Java, 1949)
Taman Firdaus, 1975
Signed and dated, lower right: Adam L.75
RP 8.000.000 - 12.000.000
109
MORI KINSEN
(Yokohama, Japan 1888 - Magelang, 1959)
Boats
Watercolor on paper: 25 x 40 cm
Signed, lower right: M. Kinsen
RP 3.000.000 - 5.000.000
111
S. TOYO
Horses
110
S. DJUPRIJANY
Landscape
Signed, lower right: S. Toyo
RP 30.000.000 - 40.000.000
Oil on canvas laid on board: 42 x 59 cm
Signed, lower left: S. Djuprijany
RP 4.000.000 - 6.000.000
56
57
a.
b.
112
RUSTAMADJI
(Surabaya, 1932 – 1990)
114
YUNZ
Untitled, 2006
115
M. ANDI DWI
Kerasnya Metropolitan, 2002
Signed and dated, lower right: Yunz’06
RP 10.000.000 - 15.000.000
RP 5.000.000 - 7.000.000
a. Boy, 1985
Pencil on paper: 26.5 x 26.5 cm
Signed and dated, lower middle: Rustamadji’85
b. Study Figure, 1965
Signed and dated, lower right: Rustamadji’65
RP 4.000.000 - 8.000.000
116
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Moonlight on Prigi Beach in East Java
Signed, lower left: Koempoel
Literature:
Agus Dermawan T, Dr. Jean Couteau, Henri Nurcahyo,
Koempoel Sujatno : THE MAESTRO, Published by The G & G
art Foundation, Surabaya, 2003. Page. 190
RP 12.000.000 - 15.000.000
117
FREDERIK KASENDA
(1920-1950)
Landscape River, 1938
113
AGUS DJAYA
(Pandeglang, West Java, 1913 - 1993)
Sayang Binatang, 1977
Signed and dated, lower right: Agus Djaya’1977
Signed and dated, lower right: Frederik
Kasenda, Minahasa, 1938
RP 8.000.000 - 12.000.000
RP 30.000.000 - 40.000.000
58
59
118
DEDE ERI SUPRIA
(Jakarta, 1956)
Girl From Uluwatu, 2013
Signed and dated, lower right: Dede Eri Supria, 2013
This lot is accompanied with certificate of authenticity from the Artist
RP 60.000.000 - 90.000.000
Being fascinated by photographic realism, Dede Eri Supria has developed his paintings through
collection of photographs. He found his idioms through observing photos. However he never
copies the photographs either. His paintings show that he tends to go beyond photography,
in the sense that the sceneries he creates in his canvases are impossible for photography
to emulate. In playing with this imagination of the unreal-reality or engineered visual reality,
he employs painstakingly realistic technique in the details of his works. His style and theme
becomes a pioneer of Gerakan Seni Rupa Indonesia in the late 70’s. He had received several
awards, such as: General Award for The Arts from The Society for American Indonesia
Friendship Inc. (1978), The International Visitor’s Program from USIS, USA (1981), Anugerah
Adam Malik (1986), and Affandi Award (1993).
Since the last two decades, Dede Eri Supria has developed fascinating paintings that amaze
the Indonesian art aficionados. His works are rich in colors, forms, and lines which formed in
careful fashion producing a pleasant and enjoyable picture. The picture sometimes drives the
viewers to personally feel the situation as illustrated in canvas. Balinese dancer is one of Dede’s
favorite objects that often times reveal in most of his painting with different style and nuances.
Awards:
1976
1978 1981
1986
1993
1997
60
The Partita Adhi Karya SSRI
The General Award for the Arts, The Society for American-Indonesia Friendship
The best work of the Jakarta Art Council Board Biennale
Awards from Adam Malik (Indonesian 2nd Vice president)
the Affandi Art Award
First winner of the Phillip Morris Indonesia Arts Award
61
119
BUNGA JERUK PERMATA PEKERTI
(Solo, 1972)
Moon Girl, 2010
120
INDRA WIDIYANTO
(Slawi, Central Java, 1975)
Untitled
Signed and dated, lower right: Bunga,2010
RP 50.000.000 - 70.000.000
62
RP 20.000.000 - 30.000.000
63
121
H. RIETBERG
(b. Dutch)
Going to the Temple
Signed, lower left: H. Rietberg
122
FREDERIK KASENDA
(1920-1950)
Landscape , 1993
Oil on canvas 68 x 100 cm
Signed and dated, lower right: Frederik Kasenda, 1993
RP 15.000.000 - 20.000.000
RP 5.000.000 - 8.000.000
125
MAHYUDDIN S
(Bukittinggi, Sumatra 1924 - 1993)
Ngarai
Signed, lower left: Mahyuddin S.
RP 60.000.000 - 80.000.000
64
123
CHENG SHUI
(Bogor, West Java, 1981)
Break Time
124
ERNEST DEZENTJE
Flowers
Signed, lower right: Ong Cheng Shui
Signed, lower right: Ern. Dezentje
RP 18.000.000 - 25.000.000
RP 8.000.000 - 12.000.000
65
126
TRUBUS SUDARSONO
Dancer
Signed, lower right: Trubus S.
RP 70.000.000 - 100.000.000
Born in 23 April 1926 in Wates, Yogyakarta. He only had a short formal
education until elementary school. His amazing talent and skill was
sharpened through learning time with Affandi and Sudjojono. During
revolutionary time in Yogya, he joined Seniman Indonesia Muda and then
Pelukis Rakyat lead by Hendra Gunawan. In 1948, he was arrested and
jailed in Netherlands colonial government because he was considered
involving with guerrilla activity. After released from prisoner, he taught
at Akademi Seni Rupa Indonesia, Yogyakarta during 1950-1960. He was
known as one of the strongest realism painter in Indonesia. He indeed
closed with opposition and had been selected as Indonesia delegate in
a goodwill journey to Chekoslovakia in 1954. Trubus was also a victim
of opposition elimination in 1966. Trubus had mastery in capturing the
dancing figure through expressive brush stroke that become his distinctive
characteristic in painting. He tended to use secondary and tertiary colors
that reflected his restless spirit.
66
67
127
TATANG KOENTJORO
11 Ikan Mas, ca.1960
Oil on board: 80.5 x 170 cm
Chinese character and stamped, middle left
RP 600.000.000 - 90.000.000
128
PRANAGUNG
(Solo, 1954)
Pasar Bunga 19, 2012
Signed and dated, lower right: Prana, 2012
RP 25.000.000 - 35.000.000
129
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Figure, 1962
Signed and dated, upper left: . Bonnet, 1962
RP 20.000.000 - 30.000.000
68
69
130
ARIE SMIT
(Zaandam, 1916)
Market in Bali, 1976
Gouache on paper laid on board: 56 x 43 cm
Signed and dated, lower right: Arie Smit’, Bali’76
This lot is accompanied with certificate of authenticity from
the Neka Art Museum
RP 120.000.000 - 180.000.000
Arie Smit is an artist who loves natural beauty and Balinese culture in the form of
imaginative painting, painting that express the pure soul of an adventurer, a natural
devotee of tropical sunlight. Arie Smit’s painting show breath-taking landscapes, relaxing
youths, colorful tropical gardens, glittering seascapes, and quiet temples that evoke a
sense of wander. Facades of temple are often shown with human figures in front of
them. Arie Smit uses a simple single vanishing point perspective to depict the temple
surrounding. His special characteristics were seen by the use of his tropical rich color on
the object. Arie’s landscapes often go beyond the scenes of nature. Landscape, Hills and
Trees is not a mere rendition of the rolling green terrain of the valley. Quite simplified
and abstracted, it nevertheless shows a cloudy sky, tall palm trees, wet rice-fields, the
sea and a cloodbank in the distance, some shrubs in the foreground. Any details would
hidden the impact of this clear-lighted painting.
70
71
131
I GUSTI AGUNG KEPAKISAN
(b. 1972)
Activities in the Ricefield, 2006
Signed and dated, lower right: Kepakisan, 2006
RP 13.000.000 - 20.000.000
132
SUDJONO ABDULLAH
Market Scene
Signed, lower left: S. Abdullah
RP 15.000.000 - 20.000.000
133
BASOEKI ABDULLAH
(Solo, 1915 – Jakarta, 1993)
A View of Telaga Warna
Oil on canvas laid on board: 61 x 40.5 cm
Signed, lower right: B. Abdullah
RP 50.000.000 - 80.000.000
72
73
134
ROEDYAT MARTADIREDJA
(Bandung, 1932 – 2002)
Togog, 1968
Signed and dated, lower right: Roedyat, 1968
Signed, titled and dated onn the reverse
RP 25.000.000 - 40.000.000
135
RUSLI
(Medan, 1912 – Jakarta 2005)
Market Scene, 1981
Signed and dated, lower right: Rusli, 4 Nov’81
RP 40.000.000 - 50.000.000
74
75
Index of Artists
A. Hadi Mas’ud
Abas Alibasjah
Abdullah Suriosubroto
AD. Pirous
Adam Lay
Agus Djaya
Agus Riyadi
Ahmad Sadali
Alimin Tamin
Amrus Natalsya
Anang Asmara
Arie Smit
Bagong Kussudiarjo
Basoeki Abdullah
Bunga Jeruk Permata Pekerti
Cheng Shui
CL. Dake
Dede Eri Supria
Erica Hestu Wahyuni
Ernest Dezentje
Fadjar Sidik
Faizin
Febri Antoni
Frank Niemantsverdriet Jan
Frederick Anton Kievits
Frederik Kasenda
FX. Harsono
Gerard Pieter Adolfs
H. Rietberg
Hasan Djaafar
Hasim
Hening Purnamawati
I Gusti Agung Kepakisan
I Gusti Ngurah Udiantara
I Ketut Sugantika
I Made Wianta
I Wayan Cahya
I Wayan Sadia
Ida Bagus Indra (IBI)
Indra Widiantoro
Ipe Ma’roef
Irsam
Julius Philippus (Julius) Staupe
Klowor Waldiyono
Koempoel Sujatno
Krijono
Kustiman Manjaya
Lam Duc Manh
76
52
93
87
53
100, 108
70, 113
21
63
59
44, 79
13
80, 81, 130
31, 45
133
14, 119
10, 123
15
118
16, 22, 41, 104
6, 20, 99, 124
61
12
55
11
89
117, 122
47
68
107, 121
90
35, 69
71, 97
131
103
95
62, 92
60
67, 105
54
120
24
23, 85
76
98
17, 86, 116
42
83
26
Leo Eland
Liem Tjoe Ing
Lim Kwi Bing
M. Andi Dwi
Mahyuddin
Maryati Affandi
Men Sagan
Moojen Pieter Adriaan Jacobus (Piet)
Mori Kinsen
Nana Tedja
Nyoman Gunarsa
Omar Basalmah
Otto Djaya
Pranagung
R. Hadi
R. Soekardji
Rahmat Subani Irfani
RE. Hartanto
Riki Antoni
Roedyat Martadiredja
Ronald Frijling
Rudolf Bonnet
Rusli
Rustamadji
S. Djupriany
S. Toyo
S. Yadi K
Salim
Sen Pao
Set Ceramic & Buku
Siauw Tik Kwie
Soedibio
Soekardji
Sudarso
Sudjono Abdullah
Sukamto Dwi Susanto
Sumardi
Syahdan Lubis
Tatang Ganar
Tatang Koentjoro
Tio Tjay
Tri Wahyudi
Trubus Sudarsono
Willem Imandt
Xin Jin
Yap Hian Tjay
Yunz
18
73
46
115
65, 125
8
4
64
109
84
106
78
57, 72, 82
128
28
27
101, 102
75
96
3, 134
40
29, 129
135
36, 112
110
7, 88, 111
50
94
25
32
51
34
9
33
5, 19, 132
48
30, 74
56
43, 58
2, 39, 66, 77, 127
37
49
126
91
38
1
114
Biography of Artists
77
A. HADI MAS’UD (Surabaya, 1966)
He was born in Surabaya, 1966. He graduated from the Indonesian Arts
Institute (ISI), Yogyakarta in 1992. He has worked as a Graphic Designer /
Packaging Plant Teflon, Maspion Sidoarjo (1992), Supervision Kebudayan
YPIA Surabaya (1993-2004), Come into teaching (creative development) at
the primary level school founded with friends in the village Kedungmaling,
Sooko Mojokerto (2002-2007). He is also actively participating in several
joint like Exhibition Exhibition Installation “Sullearisme”, Surabaya
(2000), Exhibition Installation Art Without Frame, along with artist Rudi
Isbandi, Syahrizal Pahlevi, S. Teddy D, Febrianto, Watoni, P Day, 6 artists
Petro Kimia Gresik & street artists (anonymous), Surabaya (1999), with
Ugo Untoro Exhibition & Day Prajitno, Purna Budaya Yogyakarta (1998),
Painting Exhibition Surabaya Art Festival (1997) , Installation Exhibition
at Balai Pemuda Surabaya & Launching the project “Art Book 1” (1994),
Single Painting Exhibition at Auditorium PPIA Surabaya (1993).
ABAS ALIBASYAH (Purwakarta, 1928)
Born in Purwakarta, March 1, 1928. studied at the Akademi Seni Rupa
Indonesia (ASRI, Indonesian Academy of Fine Arts) in Yogyakarta, Central
Java, from 1950-1956. He also taught at many schools and universities
in Yogyakarta, including ASRI and Universitas Gajah Mada. His works are
balanced compositions of color and form. Award: Piagam Anugerah Seni
(Indonesia, 1975). Exhibitions: Festival of Indonesia (U.S.A., 1990-1992),
center for Strategic and International Studies (Jakarta, Indonesia, 1996).
Abas became the lecturer of ASRI and later became the principal of the
institution ever since. He started painting landscapes and was later
attracted to ethnic objects. His works have been granted many awards
from the Indonesian government as well as foreign countries such as
Cultural Award Scheme from the Australian government (1970), the best
work in painting of Biennale Indonesia (1974), the Lempad award from
Sanggar Dewata Indonesia (1984) etc. His works was in the collection of
former Indonesian President Soekarno as well as many art collectors.
ABDULLAH SOERIOSOEBROTO (Semarang, 1878 – Yogyakarta, 1941)
Born in Semarang, Central Java, on October 17, 1878. He was one of
Indonesia’s first modern painters of the 20th century. He was sent to
Holland to study medicine, but he chose to study painting instead.
After returned from Holland, he was sent to Yogyakarta palace. Then
he moved to West Java and worked in a soap factory. Then, he became
fully involved in the field of art. He returned to Holland to study art for
three years in Leiden, entered the painting academy in Amsterdam. After
returned to Indonesia, he became known as a painter of landscape and
villages around Bandung.
ABDUL DJALIL “A.D.” PIROUS (Meulaboh, Aceh, 1932)
He was born in Meulaboh, Aceh, on 11 March 1933. He finished his arts
education at the Bandung Institute of Technology (ITB) and continued
his study at Rochester Institute of Technology, Rochester, United States
majoring art and graphic design (1964 – 1970). He was well known as the
pioneer of modern calligraphic art in Indonesia. He won several national
and international competitions among other are as the Best Painting
Prize in Biennale Art Award from the Jakarta Arts Council (1974, 1976),
the silver medal at the International Arts Exhibition I in Seoul, Korea,
and the Indonesian Arts Award (1985). He has participated in numerous
exhibitions throughout the world, including the Asia-Pacific Triennale,
Brisbane, and the 9th International Asia Exhibition, Taipei (1994). After he
retired from the Academic world, AD Pirous is still working as a painter
and thinker in the field of art and culture.
ADAM LAY (Wonosobo, Central Java, 1949)
Born in Wonosobo, Central Java on September 25, 1949. He started
painting since he was in elementary school. He was known as an autodidact
painter. His first solo exhibition held in 1979 at Hotel Indonesia, Jakarta.
As a professional painter he joined several exhibitions in Jakarta and
Australia.
AGUS DJAYA (Pandeglang, West Java, 1913 - 1993)
Born in Pandeglang, West Java, April 1, 1913. He studied art at Rijks
Academie Beeldende Kunsten, Amsterdam (1947 – 1949) and Universiteit
Amsterdam, Facultieit van Journalistiek (1947 – 1949). He was taught
under the guidance of painter Willem van der Berg and Van Thienen.
During in Europe, he met with great painters like Pablo Picasso, France,
Salvador Dali, Spain and Sculpture expert, Ossip Zadkine, Poland. He has
been participated in numerous exhibitions in Indonesia and overseas. He
received an honor to held exhibition in Stedelijk Museum, Amsterdam
which introduce not only his name but also Indonesian Painters to the
world. In 1947, he participated in the International Exhibition, Monaco
and received an award “Le Grand Prix de la Peinture de Monaco. In
1965, he received an award “L’oscar de Peinture” in the International
exhibition in Zagreb, Yugoslavia. In 1993, the Indonesian government
awarded him the Art Award and also awarded many military medal
of his participation in the Indonesian struggle for independence. His
contribution in Indonesian art development also seen by founding art
studio and galley in Bali (1953) and also Agus Djaya Foundation of Fine
Art and Social education in Jakarta.
AGUS RIYADI (Sleman, Yogyakarta, 1979)
Born in Sleman Yogyakarta on 21 August 1979. He has actively participated
in several group exhibitons such as the KIAF(Korea International Art
Fair), Art Seasons Gallery, COEX, WTC Seoul Korea (2008), Dies Natalis
ISI Yogyakarta (2005-2007), Group exhibitions with Kelompok Kereta
Yogyakarta (2002), and the Anniversary of SMSR Yogyakarta (1998).
78
AHMAD SADALI (Garut, West Java, 1924 - Bandung, 1987)
He graduated from the Department of Art, Bandung Institute of
Technology (ITB) in 1953, where he later taught, becoming a Professor
in the Art Department in 1972. He received a grant from the Rockefeller
Foundation to study at Iowa State University and the New York Art
Student’s League in USA 1956-1957. He also studied in The Netherlands
and Australia in 1977, a Pakistan in 1980. He held his solo exhibition in
Jakarta, Surabaya, Bandung and Yogyakarta. He also has participated in
several group exhibitions such as in Indonesia, China, Japan, Thailand,
Philippines, Singapore, India, Vietnam, USA, Switzerland, UK, France,
Brazil and Saudi Arabia. He received some Awards including the Anugerah
Seni Art Award from the Indonesian Government in 1972 and awards from
the Jakarta Arts Council at the Indonesian Painting Biennials in 1974 and
1978.
ALIMIN TAMIN (Solok, 1932)
Born in Solok, West Sumatra 1932. He learnt painting under S. Sudjojono
and Harijadi. In 1952, he joined the Indonesian Young Artists Gallery.
He founded Matahari painters association together with Nashar, Wakijan,
Mardian, and others (1954). He also established the Kedatom Gallery,
Danpasar, Bali (1960).
AMRUS NATALSYA (Medan, 1933)
Born in Medan, October 21, 1933. He studied at SSRI & ASRI Yogyakarta
majoring art sculpture. Many of his works have been collected by art
collectors in Indonesia and overseas. In 1983 he did 5 wooden calligraphic
monuments in Jeddah. He got the best award from the Trienale Jakarta
II in 1998 held by the Jakarta Arts Council.
ANANG ASMARA (C. Java, 1974)
Born in Central Java, 1974. He is a painter from Sleman regency near
Yogyakarta. His work has significant style and astounding ability to
reproduce detail and texture that contains strong symbolism. Most of
his paintings capture Anang’s admiration and respect for traditional
culture (especially the Javanese traditions into which he was born),
and also influenced by his admiration and respect for women, whom
he feels often get a very raw deal in contemporary Indonesia. He has
participated in several painting exhibitions and many of his works have
been in the collection of collectors in Indonesia.
ARIE SMIT (Zaandam, the Netherlands, 1916)
Born in Zaandam, the Netherlands, 1916. He was a student of the
Academy of Arts in Rotterdam before working as lithographer for the
Dutch Colonial Army in the Dutch Indies prior to the Second World War.
He moved to Bali in 1956 to engage in full time painting and became an
Indonesian Citizen, produced as well as taught painting at the Bandung
Institute of Technology (ITB). Many of his paintings depict the nature of
his surrounding environment. He had several solo exhibitions in Bandung
Institute of Technology, The Honolulu East West Center, and the Center of
Strategic and International Studies in Jakarta. He received the “Dharma
Kusuma” art awards from the local government of Bali.
BAGONG KUSSUDIARDJA (Yogyakarta, 1928 – 2004)
Born in Yogyakarta, 1928. He studied art at the Indonesian Fine Arts
Academy (ASRI) Yogyakarta under famous artists like Sudiarjo, Hendra
Gunawan and Kusnadi. He was also well known as a dancer and
choreographer. He founded an Arts Training Center in Yogyakarta. He
received many art awards among others are Gold Medal from Pope Paul VI
(1973), the Gold Medal from Bangladesh Government (1981) and Cultural
Art Award from the Indonesian Government.
BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993)
Born in Solo, January 27, 1915, he is the second son of Abdullah
Soerjosoebroto, a prominent landscape painter. He studied at the
Academia van Beeldende Kunsten in The Hague, the Netherlands. His
work includes painting of the Queen of Netherlands, King of Thailand,
President of Philippines, Sultan of Brunei and many other important
figures. He is best known as a portrait painter as well as landscapes,
fauna, flora and other themes. His works have been exhibited in various
European countries, South East Asia and Indonesia.
BUNGA JERUK PERMATA PEKERTI (Solo, 1972)
Born in Solo, Central Java, 1972. She studied at the Indonesian Institute
of Arts (ISI), yogyakarta. She held her solo exhibition at Centre Culturel
Francaise (CCF), Yogyakarta, Sculpture Square, Singapore (2000),
Edwins Gallery (2002), Museum der Moderne Salzburg, ustria (2003). She
participated in several group exhibitions at the 10th Biennale, Taman
Ismail Marzuki Art Center, Jakarta (1996), Cemara 6 Cafe Gallery, Jakarta
(1997), Yogyakarta 6th Biennale, purna Budaya, Yogyakarta, National
Gallery, Jakarta, Cemeti Art House, Yogyakarta (1999), Museum of Art,
Moscow, Rusia, Edwin’s Gallery (2000), Widayat Museum, Magelang
(2001), Keuppersmuehle Sammlung Grothe Museum, Duisburg, Germany
(2002).
CHENG SHUI (Bogor, West Java, 1981)
Ong Cheng Shui was born in Bogor, West Java in 1981. He is autodidact
painter who found his great interest in painting since he was young. He
has been actively involved in arts since 2000. As a professional painter,
he has participated in several group exhibitions since 2000 until now.
Among others group exhibition at Bogor (2000), at Crown Plaza Hotel
(January, 2010), at Pacific Place (March, 2010), at pondok Indah Mall
(April, 2010), and at Grand Indonesia, (July, 2010). His artworks have
been in the collections of both local and foreign collectors. As a painter,
he was inspired by Lee Man Fong paintings. His subject of paintings closely
connected with the animal world, village scene and people’s daily lives
which have become the sought after themes of painting by collectors.
CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946)
Born in Schaerbeek, Belgium, 1886. He traveled to different places and
intensely painted about Cambodja and Thailand but mostly attracted to
Indonesian landscape. He went to all over Java, Sumatra and Bali as his
painting objects. He died in Jakarta (1946).
DEDE ERI SUPRIA (Jakarta, 1956)
Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art
Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged
in the Indonesian Art Scene when he exhibited his works at the first
Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He
has received several awards for his works, Jakarta Biennale 1981, won a
Philip Morris Indonesian Art Awards in 1997 and was participated into the
ASEAN Art Awards in Manila. He has participated in many group shows as
well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock
Exchange (1997) and at the Art Folio Space in Singapore (2002). Today,
he is considered an influential propagator of super-realist painting in
Indonesia.
ERICA HESTU WAHYUNI (Yogyakarta, 1971)
Born in Yogyakarta, 1971. She began to study painting when she was
young and join Sanggar Katamsi under painters Suharto P.R. and Herry
Wibowo. In 1996, she graduated from the Indonesian Institute of Arts (ISI),
Yogyakarta. She performed her solo exhibition in Yogyakarta and Jakarta.
She intensely participated in many group exhibitions in Indonesia and
overseas, Singapore, Philippines, Japan and Russia. She received award
for the Best Work at ISI Yogyakarta in 1993.
ERNEST DEZENTJE (Jatinegara, 1885 – 1972)
Born in Jatinegara, Java, 1885. He was a self-taught artist who came
from French. He was a member of the Bataviasche Kunstkring. He used
impressionist and sometimes divisionistic style. He has participated in
several exhibitions to represent his works. He received prize from former
President Soekarno. He died in 1972.
FADJAR SIDIK (Surabaya, 1930 - 2004)
Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954
and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar
Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award
as Contemporary Painter from the Indonesian Government in 1971 and
from the Government of Yogyakarta.
FAIZIN (Banyuwangi, 1973)
Born in Banyuwangi, East Java, 1973. He actively participated in several
exhibitions in Indonesia. He became the finalist at the Phillip Morris
Indonesian Art Awards in 1999.
FEBRI ANTONI (Bukit Tinggi, Padang, 1975 – 2003)
Born in Bukit Tinggi, West Sumatra, February 5, 1975. He studied at the
Indonesian Institute of Arts (ISI), Yogyakarta. His first exhibition started
at Bengkulu (1994) and continued at Yogyakarta, Jakarta, and Bali. He
also active participated in several exhibitions inside and outside Java and
Singapore. He became the finalist at the Phillip Morris Art Awards 1997,
1998 and Indofood Art Awards 2002 and 2003.
FRANK NIEMANTSVERDRIET,Jan (Kalimaro, Java, 1885)
Born in Kalimaro,Java, 12 November1885. He was a pupil of the
academy of arts in The Hague. The artist returned to Indonesia in 1922.
Painter, draughtsman, graphic artist and teacher in many young artists
(Indonesian and European). He painted in a figurative style, in which
subtle composition and subdues coloring were his main interest. The
artist was a member of the “Bataviasche Kunstkring” and participated
ini several of their expositions from 1923 until 1938. He is considered by
Mrs. De Loos-Haaxman as one of the most important artist of the 1920s
and 1930s in Indonesia. Died in Jakarta, 29 August 1945. Exhibitions:
Hotel des Indes, Jakarta (1936), Kunstzaal Kolff & Co, Jakarta (1933),
Bataviasche Kunstkring, Jakarta (1938).
FREDERICK ANTON KIEVITS (Bogor, West Java, 1887 – The Hague, 1951)
FA Keivits was born in Bogor, West Java 10 September 1887. Painter and
draughtsman, who lived and worked in Indonesia in the 1920’s and 1930’s.
In April – May 1938 he participated in the “Bondscollectie” exhibition
in Jakarta, “Kuntszaal Kolff and Co, November 1930 (one man show) in
Jakarta, The Hague, Panorama Mesdag in 1949 (one man show). During
Wordl War II he was interested by the Japanese and put in a camp. The
Artist painted and drew landscapes depicting Indonesia, his memories
from the Japanese camps and other subjects of his native country. He
was passed away in The Hague 1951.
FREDERICK KASENDA (1920-1950)
Born 1920 – 1950. He was considered as one of the Mooi Indie painter who
did his painting career in early 20th Century in Indonesia. His subject of
paintings mostly depicts Indonesia scenery of mountain landscape, rice
field, and also sea panorama. Several works by the artist have been sold
at auction in Indonesian as well as abroad.
FX HARSONO (Blitar, 1949)
Born in Blitar, 1949. He studied at Indonesia Intitute of Art (ISI),
Yogyakarta in 1974 and continued to Jakarta Intitute of Art (IKJ), Jakarta
in 1991. He has participated in several group exhibitions such as Meet 3
: 3 in Yogyakarta, Purna Budaya, Yogyakarta (1998), Solo Show “Victim”,
Cemeti Gallery, Yogyakarta (1998), Volume & Form, Singapore (1999),
Art Document 1999, in Kanazu Forest Museum, Japan (1999), Kwangju
Biennial, Korea (2000), Solo Show ”Displacet”, National Gallery, Jakarta
(2003), Langgeng Contemporary Art Festival 2006, Langgeng Gallery
(2006), and “Titik Nyeri”, Langgeng Icon Gallery, Jakarta (2006).
GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968)
Born in Semarang, 1899. He once lived in Surabaya and made many
paintings about the city. He traveled to many countries in Asia, Europe,
and Africa, like Japan, Rome and Arab. He decided to spend the rest of
his time in Holland until he died in Den Bosch, the Netherlands, in 1968.
H. RIETBERG (b. Dutch)
At Glerum Auctioneers in The Hague there was an undated oil-painting
bearing the signature, depicting presumably Indonesian women in a
Village street. Reference: Glerum 92.
HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995)
Born in Koto Gadang, West Sumatra, 1919. He once taught by the
famous landscape painter, Wakidi. He visited Europe in 1948 which after
influenced his works to be impressionist and expressionist. In 1956, he
held his first exhibition in Indonesia then continued to participate in tour
exhibitions, among others are Singapore, Australia, Brazil, Japan, and
several European countries. He died in 1995.
HASIM (Jakarta, 1921-1982)
Born in Jakarta, 1921. He lived and worked in Jakarta.
HENING PURNAMAWATI (Cimahi, 1960)
Born in Cimahi, September 3, 1960. He graduated from ISI Yogyakarta in
1987. She received awards from the Indonesian Fine Art Academy (ASRI)
Yogyakarta for the Best Sketches (1981) and the Best Work (1987), Perupa
Muda Surabaya (Surabaya Young Painters) for the Best Painting, the Ten
Best Paintings Award (1994) and the Best Winner of Best Work, Indonesian
Art Award (1996) from the Indonesian Fine Art Foundation, as Talented
Popular Figure of East Java from Surabaya Post (1996) and the Award from
the Department of Tourism and Culture, minister Marzuki Usman (1998).
She was received award from Indonesia Institute of the Arts in Yogyakarta
in 1987, Philip Morris Indonesian Fine Arts Foundation Art Awards in 1994
and 1996, Minister for Tourism Art and Culture (1998).
I GUSTI AGUNG KEPAKISAN (b. 1972)
same with his brother, Wiranata, he is known as a regeneration of Walter
Spies styli with his own theme. He grew up in an artist family. His late
father’s work was inspired by Spies’s style. Kepakisan art work is details,
capturing light and shadow that creat a beautiful panoramic view.
I GUSTI NGURAH UDIANTARA (Tampaksiring, 1976)
Born in Tampaksiring, May 31, 1976. He studied at the Indonesian Institute
of Arts, (ISI), Yogyakarta. He exhibited his one man shows at Nadi Gallery,
Jakarta (2002). He participated in group exhibitions at Sanggar Dewata,
Bali, Bentara Budaya, Yogyakarta (2000, 2001), Bentara Budaya, Jakarta
(2001) and at Sembilan Gallery, Yogyakarta (2002). He received awards
for the Best Watercolor Painter from ISI Yogyakarta (1997), the Best Artist
from Lustrum ISI, Yogyakarta (1999) and the Best Artist at Dies Natalis,
ISI, Yogyakarta (2000).
I MADE WIANTA (Apuan, Bali, 1949)
I Made Wianta was born 1949 in the village of Apuan, Bali, Indonesia. He
graduated from the prestigious ASTI art academy in Yogyakarta. Wianta
thrived in ASTI during the heady years of the early 70s. Along with his
experiences, Wianta had grown into a vigorous multidimensional artist
from a versatile painter. He is regarded as one of the most influential
living Indonesian artists today. Wianta has frequently travelled and
exhibited in Indonesia as well as abroad. He has held many exhibitions
abroad and received the Art Academia Intern “Greci Marino” award from
Italy.
I WAYAN SADIA (Panetasan, Ubud, Bali, 1939)
Wayan Sadia was born in Panetasan, Ubud, Bali, 1939 1950. At the
age of the age of 20, he meet Rudolf Bonnet who encouraged him to
join “Golongan Pelukis Ubud”. Ever since then Sadia’s work had been
influenced by Bonnet especially the illustration of human anatomy. But
Bonnet influence obviously had been shown in vision leading him to paint
more secular themes, such as the peasant life, figures of animal and
vegetation (rice ang grass). Aside from Indonesia, Sadia’s work had been
exhibited in Netherlands, German, Swiss, Mexico and United States.
IDA BAGUS INDRA “IBI” (Bali, 1974)
Born in 1974, Ida Bagus Indra held his first exhibition in 1996, quickly
established as an artistic force to be reckoned with. Winning recognition
at the 2003 Indonesian Art Awards, Indra has held solo exhibitions at
the Lynne Wilton Gallery in Melbourne; the Ganesha Gallery at the Four
Seasons Resort at Jimbaran Bay; and the Four Seasons in Jakarta. He has
also joined group exhibition in Germany, Melbourne, Singapore, Kuala
Lumpur, Surabaya, Yogyakarta and Malang. Currently his artworks are
widely collected by private and corporate individuals internationally.
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INDRA WIDIYANTO (Slawi, Central Java, 1975)
Born in Slawi, Central Java, 3 September 1975. He graduated from his
formal education at Faculty of Fine Arts and Design, Bandung Institute of
Technology (ITB), Bandung, Indonesia. He held his first solo exhibition at
the 2005 “Metafora Metamorfosa” Edwin’s Gallery, Jakarta, Indonesia.
He also joined in several group exhibitions such as 21st and Beyond –
Personality and Variance -, Edwin’s Gallery, Jakarta (2005), Fragments
– KII 13, Edwin’s Gallery, Jakarta (2005), Indonesia Contemporary,
1918 ArtSpace, Shanghai, China (2007), New Age-New Blending: New
Generation Chinese & Indonesian Artists Exchange, New Age Gallery,
Beijing, China (2007). He was received Selected Awards as Award in 1999
as Finalist of 7th Phillip Morris Indonesian Art Award and Top 3 of AsiaEurope Young Artist Painting Competition; Finalist of Second Nokia Art
Award in 2000.
IPE MA’AROEF (Padang, West Sumatra, 1938)
Born in Padang, West Sumatra, 1938. He learned painting from Affandi,
Surono and S. Sudjojono. He has participated in group exhibition and solo
exhibition since 1950 in TMII, Balai Budaya, Galeri Millenium , Surabaya
and many others. He was well known as a great illustrator and sketcher.
IRSAM (Klaten, 1942 – Bogor, 2006)
Born in Klaten, Central Java on 24 June 1942. He graduated from the
Indonesian Fine Art Academy (ASRI) Yogyakarta (1959 – 1965) and became
the lecturer of the institute from 19965 – 1967. He had held his first
exhibition in 1967 in Jakarta. He received an award from the Philippines,
Singapore, and Thailand. In 1980 he also joined in the Contemporary
Asian Art Exhibition in Fukuoka Art Museum Japan. His works have specific
style. His great fondness in Wayang has given a large contribution in his
artworks. He was famous of artist with decorative style with rich colors,
patterns of dots and lines and textures. He died in Bogor 25 November
2006.
Julius Philippus (Julius) Staupe (Wlingi, Java, 1919)
Born in Wlingi, Java, 21 October 1919. The artist who lived and worked
in Indonesia,settled in Helmond (the Netherlands). Painter, industrial,
artist, photographer and draughtsman of mainly Indonesian subjects.
Exhibition: Jakarta, Hotel des Indes (1947), The Hague, Galerie
Loutjetzky (1958).
KETUT SUGANTIKA (Singapadu, Bali 1975)
Born in Singapadu, Bali on 17 August 1975. He studied at STSI Denpasar
from 1996 until 2002. He has actively participated in several group
exhibitions among other “Colour of Millenium” in Tamukami Hotel
Sanur (1999), “Discovery and Concern” in Art Centre Denpasar (2002),
“Tai Black” in Gedung STSI Denpasar (2003), and “Big” in Griya Santrian
Gallery Sanur Bali (2003).
KLOWOR WALDIYONO (Yogyakarta, 1968)
Born in Yogyakarta, January 31, 1968. For him painting is the expression
of his inner abstract quality which is formed when interacting with
the environment around him. His first formal painting education is in
SMSR (Art Senior High School) and later in 1989 until 1995 he continued
studying in FSRD ISI (Design and Art Faculty Indonesian Art Institute)
in Yogyakarta. He has participated in several group exhibitions in
Yogyakarta, Bandung, Surabaya and Jakarta. He also has received many
awards among others PRATITA ADHI KARYA for oil painting award, SMSR
Yogyakarta and Best Sketch Award for Pure Art Department (Seni Murni),
FSRD ISI, Yogyakarta in 1989, Second Best Skecth Award for oil panting of
Pure Art Department, FSRD ISI Yogyakarta in 1990, Best oil painting award
for Pure Art Department FSRD ISI Yogyakarta in 1991.
KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987)
He was born in Ngawi, East Java, 1912, with the name of Koempoel
Sujatno. He studied painting from the Dutch painter Gerard Pieter Adolfs
and Willem Van Der Does. He was one of the most productive artists, but
since many of his paintings have been damaged, lost and spread out in
countries abroad, his works are estimated only around 2500. Koempoel
was an artist who preferred outdoor objects, anything under the sun, so
that almost his works presented bright colors in harmony that revealed
a graceful enchantment. He died on August 18, 1987 in Batu, East Java
because of his severe throat cancer.
KRIJONO (Jakarta, 1951 - 2011)
Krijono was born in Jakarta on 11 July 1951. His father was a collector, so
Krijono was surrounded by works of art. He began studied painting under
the guidance of the art critic Kusnadi. In 1971, Krijono enrolled in the
painting program at the Indonesian Fine Art Academy (ASRI) Yogyakarta.
He has held solo exhibitions in Indonesia and aboard. His works are
documented in the books Great Charcoals by Indonesia Artist Krijono
(1997) and Krijono: The Flying Elephant (2000). He was lives and works
in Jakarta. He died in Jakarta on 30 November 2011.
KUSTIMAN MANJAYA (Bandung, West Java, 1952)
Born in Bandung, West Java in 1952. He learned painting from Barli
Sasmita and continued to study at IKIP Bandung for 3 years. In 1976
studied at Beldende Kansten Academie-Den-Hag and have a short course
of restoration in L.O.I LEIDEN. In the period of 1985-1985 he often
participated in exhibition and workshop in France and Jerman. He also
performed several times of exhibition. European style is become his
trademark, using rich colors he chose daily life and beauty of Javanese
landscape as his favorite theme.
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LAM DUCH MANH (Vietnam, 1972)
Born in Vietnam, 1972. He graduated from Hanoi Fine Arts University in
1999. He held his first solo exhibitions in Hanoi (2001). He has participated
in several group exhibitions from 2000 until now.
LEO ELAND (Java, 1884 – 1952)
Born in Java, 1884. He was a self-taught artist, lived and worked in
Indonesia. He intensely involved in the Union of Dutch Indies Art Circles
from the beginning of 20th century. He painted a great deal of Indonesian
nature with tremendous command of light and shade. In 1920 he left to
settle in The Hague but still continue to paint Indonesian subject. His
work was included in the International Colonial exhibition in Paris (1931)
but unfortunately damaged by fire. Today, his works are in the collection
of several Dutch museums.
LIEM TJOE ING (Surakarta, 1922-1996)
He was born in Surakarta (Solo), Central Java on 22 June 1922. He
was a pupil of the artist Siau Tik Kwie in his town during the Japanese
occupation of the archipelago during World War II from 1942-1945. He also
was a member of both Pelangi Artist Association and Himpunan Budaya
Surakarta (HBS). He was well-known as a sculptor, art designer, and
realist painter. His works reflect a more popular atmosphere, although he
also painted natural panorama, flowers and dances. His works can still be
seen on the ceiling of Mangkunegaran Palace, Surakarta. He abandoned
fine art for a decade as he was busy in politics as a member of Surakarta
legislative assembly (1966 through 1971), representing the Indonesian
Christian Party. In 1978, then vice president Adam Malik asked him to
compile a book, later titled Paintings in Adam Malik’s Collection.
MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993)
Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi,
Sumatra. Since childhood, he was already very fond of painting and
developed his skill and techniques under guidance of noted painters in
his born city. In 1948, he held his joint exhibition in Bukittinggi with
painters from all over Sumatra. In 1950, he moved to Jakarta for work
and continued his study at the Perguruan Tinggi Djurnalistik Institute of
Journalism until 1955. In 1956, he held a joint exhibition in at Bapenas
Building, Jakarta. He worked in Unilever Jakarta from 1957 until 1961 in
which he decided to devote his full attention in painting. He continued
to hold several painting exhibitions, among the successful one was in
1968 at Hotel Indonesia. In 1969 – 1971, he held exhibition in Singapore,
Kuala Lumpur and Bangkok. In 1972, he held his exhibition in Bremen,
West Germany, Amsterdam Holland, and Vienna, Austria. In 1973, he
travelled again to Europe and performed the exhibitions in West Berlin
and Frankfurt. In 1974, he held his last exhibition in Singapore again.
Mahyuddin is a naturalist painter who conveys quietness, peacefulness
and grandeur in his paintings. His works have been in the collection of
many important art collections in Indonesia and abroad.
MEN SAGAN (Yogyakarta, 1948)
In 1960 he started to paint by self. In 1967 he established “Group Seni
Rupa & Tari” and in 1970s he was well known as an artist who had
expertise in painting Affandi’s style. He had joined in several group
exhibitions with the other painters.
MORI KINSEN (Yokohama, Japan 1888 - Magelang, 1959)
Born in Yokohama, Japan, 1888. In 1914 he came to Indonesia and
interned together with Walter Spies and A.J. Konig. He was a painter
and watercolorist of landscapes and seascapes. His paintings were also
included in the Soekarno collections.
Moojen Pieter Adriaan Jacobus (Piet)(The Netherlands, 1879)
Born in Kloetinge (the Netherlands), 26 June 1879. He was a pupil of
the academy of arts in Antwerp (Belgium). Architect, author, art critic,
draughtsman and painter, who lived and worked in Indonesia from
1904 until ca 1929. He was a member of Bataviasche Kunstkring and
participated in several of their exhibitions. Active as an architect in
Jakarta, he later became more fascinated with Indonesian culture and
ancient monuments. His most important book is Kunst of Bali (the Hague,
1926) which deal with the classic architecture on that island. He died in
the Netherlands, 1 April 1955.
NANA TEDJA (Yogyakarta, 1971)
Born in Yogyakarta, 28 September 1971. She graduated from the
Indonesian Art Institute (ISI) Yogyakarta. She has participated in several
group such as ‘the Windsor & Newton World Wide Millenium Painting
Competition’ at Gallery Hidayat Bandung (1999), “Refleksi Seni I” Bali
(1999-2000), “Tanda Mata I & II” at Bentara Budaya Yogyakarta (20012002), “Homage to Homesite” Yogyakarta (2007), “Ilusi Nasionalisme
Raden Saleh” at Jogya Gallery (2007), “Luar Biasa” at Biasa Gallery
(2007), and “Untukmu Perempuan Indonesia” Jakarta (2008). She was
awarded as the Finalist of Art Work Competition that held by Windsor &
Newton (1999).
OMAR BASALAMAH (b. Bandung)
He was born in Bandung. He is one of a realist impressionist landscape
painters and water colorist.
OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002)
Born in Rangkas Bitung, Banten, West Java on October 6, 1916. During
the Japanese colonialism in Indonesia, he received his army training for
officer in the “Pembela Tanah Air” (Defenders of the country) in Bogor.
During the Physical revolution, as a Major in the Indonesian Army, he
took part in the Armed Struggle for the Independence of the Republic of
Indonesia. After the proclamation, Otto had an opportunity to study at
the “Rijksacademie van Beeldende Kunsten” in Amsterdam and at the
Faculty of Letters and Philosophy, University of Amsterdam. He also had
an opportunity of joining the study-tour of the Netherlands, Belgium,
France, Italy and Swiss. Otto was a Vice Chairman of the Art Section of
the Cultural Centre in Jakarta. He joined in the “Exposition le Grand Prix
de Peinture en Monaco” in Monte Carlo and in Biennial Exhibition in Sao
Paolo, Brazil. Besides his one-man exhibitions in Jakarta, Otto often took
part in the joint exhibitions in Jakarta and Melbourne, Australia.
PRANAGUNG (Solo, 1954)
Born in Solo, 1954. He studied at the School of Fine Art (ASRI) Yogyakarta.
At the moment he started actively participated in many art exhibitions.
He also held his exhibition for his works in Bali and Jakarta.
NYOMAN GUNARSA (Klungkung, 1944)
Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian
Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer
in art. He began his career as painter of models and portraits. Since
1967, active performing solo exhibitions, like in British Embassy, Jakarta
(1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San
Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore
(1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank,
Hamburg (1998). He also participates in joint-exhibitions in Indonesia
and overseas. He received awards from the Pratisara Affandi Adikarya
(1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the
Lempad Prize (1980). His works are in collection by local and abroad
collectors.
R. HADI
He came from Semarang. His life is not familiar in public. He is a realist
painter. A lot of his works were kept by collectors in Indonesia.
RADEN SOEKARDJI (1880 – 1950)
He beginning painted of 20th century. Many Dutch expatriate interest with
his painting, he was well known as landscape painter, and a stile painting
“Mooi India”. His friend like a R Abdullah Suriosubroto (1878–1914), Wakidi
(1889-1979), angd Mas Pringadi(1875-1936). They are “Mooi Indie”. He
painted a great deal of Indonesian nature with tremendous command of
light and shade, image river, jungle and many activity people who lived
in village.
RAHMAT SUBANI IRFANI (Solo, 1949 – Jakarta, 2003)
Born in Solo, Central Java, 1949. He finished his study at the Indonesian
Institute of Art (ISI), Yogyakarta in 1971 and took advertising course
IPWI – PPPI in Jakarta and Ad-non Ad course in Jakarta. He has joined
in numerous painting exhibitions since 1995 until 2003 in Jakarta, Bali,
Yogyakarta, Bogor and Japan. Many of his works shown Javanese women
as a means of fantasizing about their ideal and Mystis figure.
R.E HARTANTO (Bandung, 1973)
Born in Bandung, 1973. His academic background was painting major in
Bandung Intitute of Technology (ITB). He participated in many Artist-inResidence & Workshop programs. His latests solo exhibitions were “7
Bandung Artists Drawing Exhibition” Common Room, Bandung (2004) and
“Unseen Wounds” Koong Gallery, Jakarta (2000). He also has participated
in several group exhibitions such as in Bandung, Jakarta, Magelang and
Singapore.
RIKI ANTONI (Indonesia, 1977)
Riki Antoni graduated from the Indonesian Institute of Arts (Institut Seni
Indonesi/ISI), Yogyakarta in 2006. Like a classic Grimm Brothers’ story,
Riki’s paintings tell of stories and tales wrapped up in rich, vibrant colours
and exciting visual imagery while reflecting the realities of political and
social issues.
ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002)
Born in Bandung, 1932. He first painting in 1948 and studied at the
Bandung Institute of Technology. He performed his solo exhibition in
Jakarta (1978) and was included in the East-West Center’s Art of Bali
exhibition in Honolulu, Hawaii (1988). His works are unique, rich and
colorful that creates a strong rhythm. His works are in private collections
of European and the United States.
RONALD FRIJLLING (Banyuwangi, East Java, 1917 – ca. 1941)
He was born in Banyuwangi, East Java in 1917. His Full name is Ronald
Henry Arthur Frijling. He is painter, draughtsman and Illustrator, who
lived and worked in various place in Netherlands. There is no proof that
the artist revisited his native country, however there was an Indonesian
painting bu his hand at Glerum Auctioneers in The Hague. He illustrated
several children’s books about Indonesia, published between 1941 and
1949, such as G. de Vries’ Pang Paneu (Deventer, 1941).
RUDOLF BONNET (Amsterdam, 1895 – 1978)
Born in Amsterdam, 1895. He studied art at the Hendrick de Keijserschool, the Rijksschool voor Kunstnijverheid and the Rijksacademie in
Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931
– 1941. He helped establish the Museum Puri Lukisan and together with
Walter Spies founded the Pita Maha Artist’s Association (1936). His works
are amongst the collections of former President Soekarno, the Neka
Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller
Otterlo and the Sinerg Museum in Laren.
RUSLI (Medan, 1912 – Jakarta 2005)
Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala
Bhawana Santiniketan University of Rabindranath Tagore, India from 1932
to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI)
in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young
Artists) and helped established the Seni Rupa Masyarakat (Art for People
Association). In 1955 he performed his solo exhibition at Stedelijk Museum
Amsterdam. His works were exhibited at the Biennale exhibition II in
Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio,
Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.
RUSTAMADJI (Surabaya, 1932 – 1990)
Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting
under the painter S. Sudjojono in Sanggar Indonesia Muda (Young
Indonesian Artists Association), Madiun. In 1950s he used naturalistic style
which afterwards changed to impressionistic. He actively participated in
several exhibitions in Indonesia and abroad. He lived in Surabaya and
died in the year of 1990.
S. DJUPRIANY (b. 1929)
He was the adopted son of Ernest Dezentje who was trained as a painter.
He was granted the first price of painting competition of Indonesian
painting panorama 1950s. He also won the flower painting competition
in 1956. His painting has been in the collection of former Indonesian
president Soeharto, former vice president Adam Malik and a number of
National figures. World’s top leaders are also collecting his works, among
others: the former President USA Roosevelt, even the lady of President
Roosevelt sent a letter that she admired his paintings. His works were
also in the collection of famous Dutch museum “Hoes Gen Heilbronn OUD
Valken Burg (Limburg) Netherlands.
SUKAMTO DWI SUSANTO (Yogyakarta, 1952)
Born in Godean, Yogyakarta, 1952. He graduated from the Indonesian
Fine Arts Academy (ASRI) Yogyakartai in 1973. While studying, he was
active as an artist at the Pasar Seni Jaya Ancol Art Market in Jakarta,
during which time he discovered and developed the unique characters
in his works. He has often participated in group and solo exhibitions in
Yogyakarta and Jakarta. Sukamto still lives and works in Yogyakarta.
His works, he shows character from traditional puppetry with Javanese
symbols in a decorative way.
S. TOYO (Blitar, 1935 – Malang, 2000)
Born in Blitar, East Java, 1935. He was well known as a through
autodidact painter. Since childhood he like to draw as a hobby with paint
a shadow play with leather puppets. He begin learning the people sketch
hero faces, namely: Pangeran Diponegoro, Raden Sentot, Kyai Modjo,
Soekarno (First Presiden RI), Hatta (Vice President), Jendral Sudirman,
etc. He also has created his works on various themes.
S. YADI K (Banyuwangi, 1958)
Born in Banyuwangi, August 6, 1958. He learnt painting since 1997 and
became the 100 top finalist of Philip Morris Art Award. He had joined many
exhibitions in several big cities like Jakarta, Bali, Yogyakarta, Surabaya,
Malang and Banyuwangi. Together with Agus Darmawan T. he had held
cultural visiting to some museums and galleries in Spain, Athena, Turks
and Egypt.
SALIM M. (Kroya, Banyumas, Centra Java, 1941)
Born in Kroya, Banyumas, Central Java, 1941. He never had any formal
education in art. He joined with painters in Pasar Seni Jaya Ancol (Ancol
Arts Market), Jakarta. His works are mostly about innocent and joyful
children. He received awards from Japan government twice.
SEN PAO (Surabaya, 1949)
Born in Surabaya on May 8, 1949. Since childhood he was fond of making
sketches and got guidance in drawing form the Chanha Institute in the
year 1967. Then, he learned from Mr. T.Wing in Bali for three years.
His first solo exhibition was held at a museum in Bali, then Bali Beach
and Sanur. He participated in several exhibitions in Jakarta, Surabaya,
and Bali. Senpao has been participating in solo and joint exhibition
in Indonesia and aboard since 1972. Senpao developed his naturalism
out of general artistic perception. His creation, if viewed from formal
perception, gives kaleidoscopic impression. Iconic elements such as parts
of human body as well as religious objects are divided in small units of
colors either in harmony or in contrast with each others. The parts were
then integrated in a whole structure that has its own tones are sometimes
realistic/descriptive, and yet sometimes what is dominant in Senpao’s
work is its sense of supernatural in a tone that is dynamic resulted from
the encounter of empty space and crowd, silence and content as well as
reality and dream.
SIAUW TIK KWIE (Solo, 1913 – Jakarta, 1988)
He was born in in Surakarta, on June 21 1913. He learnt painting from
Himpunan Budaya Surakarta (Surakarta Cultural Society) under Dr.
Moerdowo in 1954. He took formal education in art at the Indonesian
Fine Arts Academy (ASRI), Yogyakarta with his friend Lee Man Fong.
Siauw Tik Kwie, also known as Otto Swastika, joined the Bataviasche
Kunstring (Batavian Art Circle) when he moved to Jakarta at the end
of the 1930s. There, he learned to paint from Dutch artists such as Jan
Frank, Niemansverdriet and Henry van Velthuysen, and befriended artists
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such as Lee Man Fong. He held his solo exhibition in 1963 and joined
several group exhibitions in many cities. Upon his return to Surakarta,
Otto taught at Sanggar Pelangi. In 1950, he returned to Jakarta and
published a series of comics titled Sie Jin Kui on the request of PK Ojong,
one of the founders of the Kompas daily newspaper. The comics were
based on Chinese martial art tales and published in the magazine Star
Weekly from 1954 to 1961. In 1955, he and his artists friends established
the Chinese Artists. Association called the Yin Hua and held numerous
exhibitions locally and regionally. Siauw Tik Kwie continued to live in
Jakarta until his death of aplastic anemia in 1988.
SOEDIBIO (Madiun, 1912 - 1981)
Soedibio was born in Madiun, June 17, 1912. During 1940 he joined
the PERSAGI and founded The Young Indonesia Artist (Seniman Muda
Indonesia) together with S. Sudjojono, Trisno Soemardjo, D. Suradji and
Sunindyo. In 1967 he joined Sanggar Puri Surabaya and become a member
of The Surakarta Culture Association (Himpunan Budaya Surakarta) in
1970. During his carier as an artist, Soedibio was very productive and
participated in many exhibitions, especially from the 1950s to the 1970s.
With support from Dewan Kesenia Jakarta (DKJ, Jakarta Arts Council),
his works were shown at Taman Ismail Marzuki art centre in Jakarta in
1976. Soedibio passed away in Surakarta (Solo) on 16 December 1981.
He actively performed exhibitions ever since in several city in Indonesia.
SUDARSO (Purwokerto, 1914 - 2006)
Born in Purwokerto, Central Java, 1914. Affandi was his customer when
he was an egg and milk seller. From that time he was interested in
painting and learnt under Affandi as well as young painters such as Barli,
Wahdi, and Hendra. He became a teacher at the Indonesian Fine Arts
Academy (ASRI), Yogyakarta. He had participated in numerous exhibitions
and active in many painters organizations. Now he lives in Sidoarjo,
Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in group
exhibition “19 Indonesian Painter” in Singapore and Malaysia, 1967. And
Reunion exhibition painter “Angakatan 45 Bandung” in Bandung,1975.
Exhibition of Fine Art “Membaca Dunia Widayat” at Museum H.Widayat,
Mungkid, Magelang, 2004.
SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993)
Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son
of Abdullah Suriosubroto, a famous landscape painter and was also the
brother of Basoeki Abdullah. He used to help his father cleaned the pallet
from which he found his contenment to be a painter. He finished his
school from HIS – Indonesian Dutch School and worked as a poster artist
for the Rex Theater in Yogyakarta. During the Japanese colonization
in Indonesia, Sudjono went to Parangtritis, Parangkusumo where he
continued painting. During the 1970s, Soedjono moved to Kertosono in
East Java, where he lived up to his death in the village of Pisang at Patian
Rowo on 2 May 1993.
at youth. In 1967 he immigrated to the beautiful South American country
with his family. He held many exhibitions, from São Paulo, Rio de Janeiro,
Brasilia and even Paraguay. In 1971 till 1975 he resided in Manaus, where
he befriends with many natives.
TRUBUS SUDARSONO (Yogyakarta, 1926 – 1966)
Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young
Indonesian Artists) and Pelukis Rakyat (People’s Painters), Yogyakarta,
he was a self-taught practitioner who honed his skills in the amateur art
associations that flourished during and after the Japanese occupation.
Trubus was taught by both Affandi and Hendra Gunawan and he also
studied the paintings of the old and modern masters through prints
and lithographs, as well as the works of artists in Indonesia such as
Antonio Blanco, Romualdo Locatelli and Basoeki Abdullah. His works are
represented in the Jakarta Art Gallery and other museums in Indonesia.
WAYAN CAHYA (Solo, C. Java, 1965)
He studied painting in Indonesian Art Institute (Institut Seni Indonesia/
ISI) / Indonesian Institute of Arts, Yogyakarta from 1985-1992. He also
studied photography in order to be able to paint realistically. He has
participated in group exhibitions in Jakarta, Yogyakarta, Solo and
Surabaya since 1987.
WILHEMUS JEAN FREDERIC IMANDT
(St. Jansteen, The Netherlands, 1882 – 1967)
Born in St. Jansteen, The Netherlands, 1882. In 1908, he visited Indonesia,
where he lived and worked as a painter and drawing teacher at secondary
school. From 1920 - 1925, he participated in several exhibitions organized
by the Bataviasche Kunstkring in Jakarta. He returned to The Netherlands
and stayed there since 1928 - 1935, and then came to Indonesia again
afterward. He finally settled in his home town around 1946 until he died
in 1967.
YAP HIAN TJAY (Surakarta, Central Java, 1927)
Born in Surakarta, Central Java, 1927. He studied art in Academy
Voobeeldende Kusten in Rotterdam & Rijksacademie in Amsterdam, The
Netherlands on 1950-1957. He was known as the pupil of Siauw Tik Kwie
who still consistent painting and maintaining his excellent quality. His
works were collected by collectors in Indonesia, Vietnam, Polandia and
abroad.
SUMARDI (Solo, Central Java, 1917 - 1983)
Born in Solo, Central Java, 1917. Sumardi worked as a professional
painter, particularly portraits drawing, after he finished the Dutch
school in 1937.When an American artist painter W. Stoyed visited the
Sunan’s palace in Surakarta in 1938, to make the potrait drawings for the
Sunan’s family members, Sumardi worked for him as his assistant. From
this foreign artist , Sumardi learned a lot about the Eroupean realism
particularly the technique of drawing human anatomy. Sumardi was
then known as a realistic artist with an exclusive romantic touch. Some
of his works have decorated the walls of the state palaces in Jakarta
and Bogor. One of his works was included in the book of the President
Soekarno Paintings Collections Book IV 1957 (Compiled by Lee Man Fong).
He had participated in several group exhibitions in Solo, Semarang,
Surabaya, and Jakarta, mainly under the arrangement of the Surakarta
Cultural Center (Himpunan Budaya Surakarta)
SYAHDAN LUBIS (Medan, 1972)
Born in Medan, April 3, 1972. He began to study painting when he was
young under the guidance of his father Parlindungan Lubis and learnt a lot
with the senior painter Anwar Isa and Ipe Ma’aroef. His works also have
collected in Indonesia and abroad such as Australia and England. Since
2001, he had actively participated in several group exhibitions among
others Jambore Artwork Exhibition and exhibition in Sahid Jaya Hotel.
TATANG GANAR (Bandung, 1936 – Bandung, 2004)
Born in Bandung, August 19, 1936. He graduated from ASRI Yogyakarta
(1961) and lived in Bandung until now. Since 1965 he was active to
participate in solo and joint exhibitions in Jakarta, Bandung, and Bali.
Every year he had exhibition with Papilio Group in Jakarta, Bandung and
Surabaya. In 1994 he had his solo exhibition in Folklore I, TIM, Jakarta
and Folklore II, Topaz Hotel, Bandung.
TATANG KOENTJORO (b.Semarang. Central Java - 1993)
Born in Semarang, Central Java (?). He studied painting under painter Hadi
in Semarang. He received the First Prize for the Book Cover Competition
held by the French Embassy in 1955. He held his solo exhibition in 1952
and participated actively in several group exhibitions in various cities in
Indonesia.
TIO TJAY (b. 1946)
Tio Tjay was an Indonesian painter who for a long time has resided in
Brazil. At a very young age, young Tio Tjay enjoyed in studying Chinese
painting and calligraphy. His talent for art was already sensed by people
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Fine Art Auction
MASTERPIECE Building
Tanah Abang IV No. 23 - 25 Jakarta Pusat - Indonesia
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86

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