fine art auction - Masterpiece Auction House

Transcription

catalogue not for sale
Jakarta, 23 March 2014
FINE ART AUCTION
TREASURES FINE ART AUCTION
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Fine Art Auction
Auction
Sunday, 23 March 2014
Luncheon : 11.30 am
Auction : 1.00 pm
Viewing
Friday, 21 March 2014
Saturday, 22 March 2014
11.00 am - 08.00 pm
Venue
Masterpiece Building
Tanah Abang IV No. 23-25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
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Published by:
TREASURES
Auction House
PT. Dwi Samapersada
MASTERPIECE Building
Tanah Abang IV. No.23 - 25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
info@masterpiece-auction.com
www.masterpiece-auction.com
Copyright @ 2014, Treasures Auction House
All right reserved. No part of this publication
may be reproduced, stored in a retriavel system, or transmitted in
anyform or by any means, electronic, mechanical, photocopying
or otherwise, without written permission from the publisher.
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CONDITION OF BUSINESS
The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at
the auction. We encourage you to read them wisely and thoroughly.
THE BUYER
Estimated Price
Estimated price is the price range, which reflects the opinion of our
specialist for the price expected to offer at the auction. This should not
be relied on as a statement that this price is either at which the lot
will sell or its value for any other purpose. Estimated prices are based
upon prices recently paid at auction, and the condition of the artworks
including the quality, rarity and history of ownership (provenance).
Reserve Price
The reserve is the confidential minimum price the seller is willing to
accept and below which a lot not be sold.
Buyer’s Premium
Buyers are reminded that the price to be paid will be the sum of the final
bid price plus the buyer’s premium. The rate of buyer’s premium for each
lot is 22 % (twenty two percent) of the hammer price.
BEFORE THE AUCTION
Viewing
Pre-sale viewings are strongly recommended for prospective buyers in
order to examine the artworks thoroughly. Pre-sale viewing is open for
the public at no charge and usually displayed for 2 (two) days prior to
the sale.
Condition Reports
Condition reports are available upon request. They are statements of
opinion and should not be relied on as statements of definitive fact.
Descriptions of property are not warranties and that lot is sold “as is”. All
goods are sold with all faults and imperfections and errors of description.
Illustrations in catalogues are for identification only. It is strongly
recommended that prospective buyers inspect and seek any independent
expert advice to satisfy you as to authorship, attribution, authenticity,
genuineness, origin, date, age, provenance or condition of lot.
Registration
If you are planning to participate in the auction, you will need to register
with us at the registration desk, to complete a bidder registration form
and to receive a bidding number to identify you if you are a successful
bidder. Registration can be made during the viewing period or 30 minutes
prior to the sell.
THE AUCTION
Bidding
All artworks are auctioned in consecutive numerical order. Bidding is done
in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer
will accept bids from those present in the saleroom or absentee bidders
participating by telephone or by written bid left with TREASURES in
advance. The lot being offered is usually illustrated on a screen.
Bidding Increments
Bidding generally opens below the low estimate and advances in the
following increments:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000 Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- above by the auctioneer’s direction.
Absentee/ Written Bids
If you cannot attend the auction in person, you may bid in other ways.
The most common is written bids. Written bids are written instruction
given to TREASURES to bid for you on one or more lots up to a maximum
amount you specify for each lot. There is no charge for this service. If two
or more parties leave identical bids, the first bid received by TREASURES
will take preference. Written bid forms are available 7 days before the
sale and returned to TREASURES within 24 hours before the sale or by fax
to (021) 351 0707.
Telephone Bids
If you cannot attend the auction, TREASURES will execute on behalf of
your bid by telephone. Please make arrangements for this service at least
1 (one) day before the sale. It is advisable for you to leave your maximum
bid, in case you are unable to reach us by phone.
Successful Bids
Successful bidder will be indicated by the fall of the auctioneer’s hammer
after reaching or exceeding the reserve price. TREASURES will record the
bidder number of the buyer. Under the auctioneer’s discretion bidding
may be reopened.
Unsold lots
When a lot fails to sell, the auctioneer will not announce a bidder’s
number. Lots unsold will be returned to the consignor usually after a week
in case there are any post sale offers.
AFTER THE AUCTION
Payment
Payment of purchases should be made within 7 (seven) calendar days.
Please include your paddle number, name, lot number, and total payment
in your bank instruction. If buyers do not make any payment or notice
to TREASURES during the scheduled time, they will be considered as
withdrawing.
Collection of Goods
Goods can be collected only when payment has cleared and been received
by TREASURES. Due to space constraints, TREASURES requires that
purchases and unsold property be collected within 7 (seven) days. If the
goods remain after 7 (seven) days TREASURES reserves the right to cause
the artworks to be stored at the expense of the purchaser.
Storage and Insurance
TREASURES provides insurance cover for sold items for a maximum of
7 (seven) days after the date of the sale. If the goods have not been
removed by the deadline, the goods will be deposited at warehouse and
all storage transportation and other associated costs as well as risk shall
be at the purchaser’s responsibility.
THE SELLER
Auction estimates
If you are considering selling your property at the auction, TREASURES will
provide a free initial estimate of its auction value. You can send a clear
photograph of each item with complete data includes the dimension,
artist’s signature, medium, physical condition and any other relevant
information.
After Sale Notification
You will receive an after sale advice listing the final bid price, or in the
event that the property failed to sell, notification that it was bought-in to
be returned to you. Payment for your sold property takes approximately 4
(four) weeks, provided payment has been received by us from the buyer.
CONDITIONS OF SALE
These conditions of sale together with any terms and conditions set out
a consignment form constitute the entire agreement with the Buyer on
respect to any lots listed in the catalogue. Amendment to the catalogue
descriptions may be made verbally during the course of auction or by
appropriate posted notices. By bidding at the auction, you shall be bound
by the conditions set out below.
Terms used in these conditions
*
“The Buyer” means the person with the highest bid accepted by the auctioneer.
*
“The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue.
*
“The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot.
*
“The Reserve” means the amount below which we agree with the seller that the lot cannot be sold.
*
“The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale.
*
“Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue.
Withdrawal of Property
TREASURES reserve the right to withdraw from the sale the property or
to have the property listed at any auction without any prior notice to the
vendor.
Control of Auction
TREASURES will have absolute discretion to determine the successful
bidder should a dispute arise between the bidders and this includes the
authority to reject any bid, to cancel the sale or to re-offer the property
in dispute.
Ownership of Property
The fall of the auctioneer’s hammer indicates the property sold to the
buyer who is responsible for the property and shall be liable to pay the
full purchase price within 7 (seven) days. If extended payment terms have
not been granted, penalty interest will be charged on the unpaid balance
until paid.
Forgery
In the event of proven forgery, TREASURES will refund to the buyer the
purchase price of the lot. This refund will only occur on the following
terms:
(i)
(ii)
The buyer must provide evidence from an independent expert who proves that the lot is a forgery. TREASURES reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert.
The buyer must provide written notification to TREASURES within 1 (one) year of the auction date of the forgery allegations.
No refund will occur if there is any conflict of opinion among accepted
experts in the field or if it can be demonstrated that the lot is a forgery
only by means of scientific process that could damage or otherwise
jeopardize the condition of the lot and which scientific techniques were
not commonly employed until after the publication of the catalogue.
This guarantee is for the benefit of the buyer only and cannot be assigned.
Such buyer must have remained the owner of the property without
disposing of any interest in it to any third party up until the time the
alleged forgery was discovered.
Handling and Packaging
Handling and packing of all purchase lots shall be at the risk of the buyer
who shall pay an administration charge if TREASURES is responsible for
such services. TREASURES shall use our best efforts to take care when
handling the packing but remind the buyer that from 7 (seven) days time
after the sale, the goods are entirely at the buyer’s risk. You can instruct
your own shipper for the shipping. However, we can also arrange for such
service but are not responsible for any costs incurred during the shipping.
Notice
TREASURES remind prospective buyers that none of the property in
this catalogue is subject to any guarantee of authenticity and all of
the artworks sold “as is” with all imperfections, incompleteness, faults
and errors of description. All property is sold without any warranty or
representation. TREASURES is not responsible for any errors or omission
in the catalogue. Buyers are strongly recommended to take independent
professional advice on selection of purchase.
Remedies of TREASURES
If the buyer is in breach of any of the conditions of sale then TREASURES
may choose to take the following action:
(1)
(2)
(3)
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In the event a defaulting buyer has made a part payment, TREASURES
reserves the right to apply such payment to any such lots at its sole
discretion.
Cancel the sale, retaining as liquidated damages any payment made by the buyer.
Re-sell the property without any minimum price at the next auction of TREASURES or privately on 5(five) days notice to the buyer.
Take any other action TREASURES may consider necessary.
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INFORMASI DAN KETENTUAN LELANG
Informasi di bawah ini merupakan panduan dan penjelasan mengenai ketentuan lelang yang diselenggarakan oleh TREASURES Auction House. Kami
sarankan para calon pembeli dan penjual dapat mempelajari dan membaca ketentuan lelang dengan seksama.
PEMBELI
Harga Perkiraan
Harga perkiraan adalah kisaran harga yang akan ditawarkan pada saat
lelang berdasarkan perhitungan dan penilaian tim ahli kami atas kualitas,
sejarah/ asal mula dan kelangkaan serta keunikan suatu karya. Harga
tersebut merupakan harga yang terjadi berdasarkan harga yang terbentuk
di pasaran lelang dan bukan merupakan pernyataan resmi atas nilai suatu
lot pada karya tersebut.
Harga Reserve
Harga reserve adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
Harga Yang Harus Di Bayar
Harga yang harus di bayarkan oleh pembeli adalah terdiri dari harga jadi
(hammer Price) ditambahkan jasa pasca lelang (premium price) untuk
setiap biaya-biaya, bunga dan pajak atas suatu karya sebesar 22% (Dua
puluh dua persen).
SEBELUM LELANG
Pameran
Calon pembeli disarankan untuk mengamati secara langsung karya-karya
yang akan ditawarkan pada lelang. Pameran dibuka untuk umum dan
berlangsung selama 2 (dua) hari sebelum lelang.
Keterangan Kondisi Karya
Keterangan mengenai kondisi karya tersedia sesuai permintaan. Keterangan
tersebut adalah pendapat dari ahli kami berdasarkan pengamatan dan
penilaian yang teliti. Seluruh karya yang ditawarkan adalah dalam
kondisi seperti apa adanya lengkap dengan segala kekurangan dan
ketidaksempurnaan karya tersebut. Uraian dalam keterangan katalog
hanya dipergunakan untuk keperluan identifikasi semata. Calon pembeli
disarankan untuk memeriksa, mencari keterangan dan pendapat dari ahli
independen atas keaslian, sejarah/ asal usul, keterangan serta kondisi
dari karya yang ditawarkan.
Pendaftaran
Calon peserta lelang wajib mendaftarkan diri dengan cara mengisi formulir
pendaftaran pada saat lelang untuk mendapatkan nomor peserta lelang
(paddle number) yang nantinya dipergunakan sebagai identitas pada saat
lelang. Pendaftaran dapat dilakukan pada saat pameran atau 30 menit
sebelum lelang dimulai.
SAAT LELANG
Penawaran
Seluruh karya akan dilelang berdasarkan nomor urutan lot. Harga
penawaran dilakukan dalam Mata uang Indonesia (IDR) berdasarkan
kenaikan harga yang sudah ditetapkan. Juru lelang menerima penawaran
dari peserta yang hadir si ruangan maupun peserta yang tidak dapat
hadir melalui penawaran telephone (telephone bid) ataupun penawaran
tertulis (written bid) yang sebelumnya telah diinformasikan kepada pihak
TREASURES. Lot karya yang akan ditawarkan biasanya ditampilkan pada
layar projector.
Kenaikan Harga
Penawaran biasanya dibuka di bawah harga estimasi terendah sampai
harga tertinggi dengan kenaikan harga sebagai berikut:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000
Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- keatas berdasarkan panduan juru lelang
PESERTA YANG TIDAK DAPAT HADIR
Bagi calon peserta yang tidak dapat hadir pada saat lelang dapat mengisi
formulir Absentee Bid atau Telephone bid yang sudah tersedia 7 (tujuh)
hari sebelum lelang dan terlampir pada bagian belakang katalog ini.
Formulir yang telah diisi dengan data lengkap dapat dikirim melalui
fax (021) 351 0707 paling lambat 24 jam sebelum lelang dimulai.
Penawaran Tertulis
Penawaran tertulis adalah cara yang paling umum digunakan pada
saat lelang. Penawaran tertulis adalah instruksi yang diberikan kepada
TREASURES untuk mewakilkan diri pada saat lelang atas karya yang
diminati dengan menentukan harga maksimum yang diinginkan untuk tiap
lot. TREASURES tidak memungut biaya atas jasa ini. Jika terdapat dua
pihak atau lebih melakukan harga penawaran yang sama pada lot yang
sama, maka penawaran yang berlaku adalah kepada yang terlebih dahulu
diterima oleh TREASURES.
Penawaran Melalui Telephone
Selain melakukan penawaran tertulis peserta dapat juga melakukan
penawaran melalui telephone. TREASURES akan menjadi penghubung
pada saat lelang berlangsung. Pengaturan jasa ini paling lambat 1 (satu)
hari sebelum lelang dimulai. Peserta disarankan untuk memberitahukan
harga penawaran maksimal seandainya tidak dapat dihubungi melalui
telephone.
PEMENANG LELANG
Pemenang lelang adalah mereka yang berhasil melakukan penawaran
tertinggi atas suatu lot dan akan diumumkan oleh juru lelang yang
disahkan oleh pengetukan palu oleh juru lelang. Ketukan palu juru
lelang menandakan bahwa pembeli telah menerima harga jadi dan
TREASURES akan melakukan pencatatan atas nomor paddle pembeli. Juru
lelang berwenang sepenuhnya untuk melanjutkan penawaran pada lot
selanjutnya.
LOT YANG TIDAK TERJUAL
Lot yang tidak terjual ditandai oleh juru lelang dengan tidak menyebutkan
nomor paddle peserta. Lot yang tidak terjual akan dikembalikan kepada
pemiliknya biasanya dalam waktu satu minggu setelah lelang, seandainya
dalam waktu tersebut ada peminat atas karya tersebut diluar lelang.
SETELAH LELANG
Pembayaran
Pembayaran atas pembelian karya dilakukan dalam waktu 7(tujuh)
hari. Mohon cantumkan nama anda, nomor paddle dan nomor lot pada
kolom berita slip bank. Jika pembeli tidak melakukan pembayaran atau
pemberitahuan kepada TREASURES dalam jangka waktu yang telah
ditetapkan, maka akan dianggap batal atau mengundurkan diri.
PENGAMBILAN BARANG
Barang dapat diambil hanya apabila pembayaran telah dilakukan dan
diterima oleh TREASURES. Oleh karena keterbatasan tempat, baik barang
yang terjual maupun yang tidak terjual harus diambil dalam waktu 7
(tujuh) hari. Jika barang tersebut tidak diambil dalam waktu 7 (tujuh)
hari, TREASURES berhak untuk memindahkan dan menyimpan barang
tersebut ke gudang atas biaya pemiliknya.
PENYIMPANAN DAN ASURANSI
Asuransi atas karya yang telah terjual hanya berlaku selama 7 (tujuh) hari
setelah tanggal lelang. Jika barang tersebut belum diambil sampai batas
waktu yang telah ditetapkan maka barang akan dipindahkan dan disimpan
ke gudang.
Seluruh biaya transportasi dan sewa gudang serta biaya lainnya akan
ditanggung oleh pembeli. Segala resiko atas barang juga menjadi tanggung
jawab pembeli.
PENJUAL
Harga Perkiraan
Jika anda berminat untuk menjual barang anda melalui lelang, TREASURES
akan menyediakan perkiraan harga awal atas nilai lelang barang tersebut.
Anda dapat kirimkan foto tiap karya dilengkapi dengan keterangan atas
pelukis, judul, ukuran, media, tanda-tangan, sertifikat, kondisi dan
informasi pendukung lainnya.
Pemberitahuan Atas Penjualan
Daftar rincian perhitungan atas barang-barang yang terjual maupun tidak
terjual akan diberikan setelah lelang. Pembayaran atas barang-barang
yang terjual akan dilakukan dalam 4 (empat) minggu setelah TREASURES
menerima pembayaran dari pembeli.
KETENTUAN LELANG
Ketentuan lelang termasuk istilah-istilah dan persyaratan didalamnya
merupakan bentuk kesepakatan yang mendasari seluruh perjanjian
dengan pembeli atas lot-lot yang tercantum dalam katalog. Penambahan
pada keterangan katalog dapat dibuat secara lisan dalam kurun waktu
lelang atau dengan pemberitahuan secara tertulis. Dengan ikut serta
menjadi peserta lelang, anda akan terikat dengan kondisi-kondisi sebagai
berikut:
PENYELESAIAN DARI TREASURES
Jika pembeli melakukan pelanggaran atas kondisi penjualan, maka
TREASURES akan mengambil langkah-langkah sebagai berikut:
1.
Membatalkan penjualan, pembayaran yang dilakukan oleh pembeli dianggap sebagai pembayaran dengan kecacatan dan dianggap tidak dapat dicairkan.
2.
Menawarkan kembali barang tersebut tanpa menetapkan harga minimum dalam lelang TREASURES selanjutnya atau menjual secara pribadi dengan memberitahukan kepada pemiliknya selama 5 (lima) hari.
3.
Mengambil tindakan lain yang dianggap perlu apabila pembeli telah melakukan sejumlah pembayaran sehingga TREASURES berhak untuk menggunakan pembayaran tersebut atas lot lain atas wewenangnya sendiri.
PEMALSUAN
Jika terjadi suatu lot yang terbukti palsu, TREASURES akan mengembalikan
seluruh biaya yang telah dibayarkan kepada pembeli sesuai harga lot
tersebut. Pengembalian dana ini hanya dapat dilakukan apabila:
1.
Pembeli telah memperlihatkan bukti-bukti yang berasal zzdari tenaga ahli independent yang menyatakan bahwa karya tersebut palsu. TREASURES berhak untuk meminta bukti lebih lanjut dari tenga ahli lainnya atas wewenangnya, apabila hasil temuan dari tenaga ahli kedau pihak masih dianggap kurang memuaskan.
2.
Pembeli harus memberikan pemberitahuan secara tertulis kepada TREASURES dalam waktu 1 (satu) tahun dari tanggal lelang atas pengajuan adanya pemalsuan karya.
Pengembalian dana tidak dapat dilakukan jika terjadi konflik pendapat
dari para tenaga ahli dilapangan atau pemalsuan hanya dapat dilakukan
oleh proses ilmiah yang dapat merusak atau membahayakan kondisi karya
tersebut.
Jaminan ini ditujukan hanya untuk kepentingan pembeli dan tidak bisa
dialihkan. Pembeli harus menjaga atas kepemilikan barang dengan
tidak pengalihkan pada pihak-pihak lain sampai saat pengajuan adanya
pemalsuan telah ditemukan.
Pengepakan dan pengiriman barang adalah sepenuhnya atas resiko
pembeli. Jika pembeli menginginkan TREASURES untuk melakukan
pengepakan dan pengiriman, maka pembeli harus membayar biaya atas
jasa tersebut. TREASURES akan berusaha untuk memberikan pelayanan
yang terbaik untuk menjaga barang yang telah dibeli, namun diingatkan
bahwa setelah waktu 7 (tujuh) hari setelah lelang, resiko barang ada pada
tanggungan pembeli. Pembeli bisa memerintahkan jasa pengirimannya
sendiri untuk melakukan pengiriman. TREASURES juga dapat membantu
untuk mengatur pengiriman barang tetapi tidak bertanggung jawab atas
biaya yang nanti terjadi.
PEMBATALAN/ PENARIKAN KARYA
PEMBERITAHUAN
TREASURES berhak untuk menarik karya dari lelang atau menentukan
karya yang akan masuk lelang.
TREASURES mempunyai hak mutlak untuk menentukan penawar/
pemenang lelang jika terdapat
perselisihan yang muncul antara
penawar, hal tersebut juga meliputi otoritas untuk menolak penawaran
apapun, membatalkan penjualan atau ke menawarkan ulang barang yang
diperebutkan.
Ketukan palu juru lelang menandakan barang terjual kepada pembeli
yang bertanggung jawab atas kepemilikan barang tersebut dan
berkewajiban untuk membayar seluruh pembelian dalam waktu 7 (tujuh)
hari. Jika permintaan untuk memperpanjang batas waktu pembayaran
tidak disetujui, maka akan dikenakan biaya bunga atas saldo yang belum
dibayar sampai dibayar.
Istilah-istilah
“Pembeli” adalah orang perorangan atau badan hukum yang mengajukan
penawaran tertinggi dan diterima oleh juru lelang.
“Lot” adalah barang yang telah dititipkan kepada TREASURES untuk dijual
dalam lelang dan telah diberikan uraian dan keterangan dalam katalog.
“Harga Hammer/ Ketuk Palu” adalah harga jadi yang merupakan harga
tertinggi yang telah ditetapkan oleh juru lelang atas lot yang ditawarkan.
“Harga Reserve” adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
“Harga Premi” adalah jasa pasca lelang yang dikenakan kepada pembeli
atas setiap biaya-biaya, bunga dan pajak atas suatu karya dengan kisaran
yang telah ditentukan.
“Pemalsuan” berarti suatu lot yang berasal dari tiruan atas suatu karya
yang ditujukan untuk menipu atas keaslian, sejarah, umur, jaman, budaya
dimana sumber keterangan yang benar atas hal tersebut tidak dijelaskan
dalam keterangan katalog.
PENGAWASAN LELANG
8
KEPEMILIKAN BARANG
PENGEPAKAN DAN PENGIRIMAN BARANG
TREASURES tidak pernah memberikan jaminan atas keaslian karya yang
terdapat dalam katalog ini. Seluruh karya yang ditawarkan adalah sesuai
apa adanya dengan segala ketidaksempurnaan, kecacatan, kekurangan
maupun kesalahan dari penjelasannya. Penyajian seluruh karya dalam
katalog ini bukan merupakan jaminan atas keabsahan atau keaslian karya
tersebut. TREASURES tidaklah bertanggung jawab atas kesalahan atau
penghilangan keterangan apapun dalam katalog. Para Pembeli sangat
direkomendasikan untuk mengambil nasihat profesional dari tenaga ahli
yang mandiri pada karya yang akan dibeli atau dipilih.
9
005
ABDULLAH SURIOSUBROTO
(Semarang, Central Java, 1978 - 1941)
Sepasang Rusa
Oil on canvas: 79 x 64 cm
Signed, lower left: Abdullah
001
SUDJONO ABDULLAH
(Yogyakarta, 1911 – 1993)
Pasar
RP 45.000.000 – 60.000.000
Signed, lower left: S. Abdullah
006
OMAR YAHYA
(b. 20th Century)
Pantai, 1969
002
R. HADI
Menuju Pura
RP 12.000.000 – 20.000.000
Signed, lower right: R. Hadi
Oil on board: 28 x 38 cm
Signed and dated, lower left: Omar YH. 1969
This lot is accompanied with certificate
of authenticity from the artist’s family
RP 20.000.000 – 30.000.000
003
CHENG SHUI
(Bogor, West Java, 1981)
Penjual Rujak
Signed, lower right: Ong Cheng Shui
RP 12.000.000 – 20.000.000
RP 10.000.000 – 15.000.000
004
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 - 1995)
Danau
Signed, lower left: Hasan Djaafar
RP 18.000.000 – 25.000.000
10
11
008
DENNY SNOD SUSANTO
(Padang Panjang, West Sumatra, 1969)
Enemy Between Us, 2005
Signed and dated, lower right:
Denny Susanto 2005
RP 5.000.000 – 8.000.000
009
OTTO DJAYA
(Rangkas Bitung, West java, 1916 - 2002)
Gadis Tertidur, 1992
Signed and dated, lower right: Otto Djaya, 1992
RP 8.000.000 – 10.000.000
007
IRSAM
(Klaten, 1942-2006)
Menunggu, 1993
Signed and dated, lower right: Irsam, 1993
RP 30.000.000 – 40.000.000
12
13
010
AGUS DJAYA
(Pandeglang, West Java, 1913 - 1993)
Penabuh Gendang, 1974
Agus Djaya, 1974
011
FAIZIN
(Banyuwangi, 1973)
Orkes Keroncong, 2012
Signed and dated, lower right: Faizin, 2012
RP 13.000.000 – 20.000.000
RP 8.000.000 – 10.000.000
14
012
I MADE SURITA
(Payangan, Gianyar Bali, 1951)
Rejang, 1993
013
LIEM TJOE ING
(Surakarta, 1922-1996)
Gadis Bali, 1991
Acrylic on canvas: 50 x 103 cm
Signed and dated, lower left:
Surita Bali. 12/10. 1993
Signed and dated lower left:
L. Tjoe Ing'91
Signed, lower right: Mersuka Dopazo
RP 8.000.000 – 10.000.000
RP 25.000.000 – 35.000.000
RP 35.000.000 – 50.000.000
014
Mersuka Dopazo
(Las Palmas de Gran Canaria, 1971)
Fiesta de Pinochos
15
015
I NYOMAN TJAKRA
(Penestanan, Ubud, 1945)
Kegiatan di Sawah
Signed, lower left:
I. NY. Tjakra,Penestanan, Ubud Bali
RP 8.000.000 – 12.000.000
016
MARIA TJUI
(Pariaman, Sumatra, 1934)
Pasar Ayam Di Bawah Pohon Beringin, 1989
Signed and dated, lower left: 1989 Maria Tjui
019
KARL VICTOR MAYR
(Vienna, Austria, 1882 - 1974)
Batavia Street Scene, 1931
RP 8.000.000 – 15.000.000
Signed and dated, lower right: KV. Mayr, 1931, Batavia
RP 30.000.000 – 40.000.000
017
GUNG MAN
(Denpasar, 1956)
Gerbang Pura, 2005
16
Pastel on paper: 38 x 53 cm
Signed, lower left: Han Snel, Bali
RP 40.000.000 – 50.000.000
018
I KETUT KEBUT (b. 1940)
Gembala Sapi
Gung Man, Bali05
Signed, lower left: I Kt. Pengosekan
RP 5.000.000 – 10.000.000
RP 12.000.000 – 20.000.000
020
HAN SNEL
(Scheveningen, 1925 – 1998)
Ricefield
17
025
KADAFI G. KUSUMA
(Jember, 1974)
Frida #5, 2009
Signed and dated, lower left: Kadafi G. Kusuma
Signed, titled and dated on the reverse
RP 20.000.000 – 30.000.000
021
OH. SUPONO
(Surabaya, 1937 – Bali, 1991)
Relief, 1984
Signed and dated, lower left: OH. Supono’84
022
UMI DAHLAN
(Cirebon, 1942 – Bandung, 2009)
Abstrak, 1980
Signed and dated, lower right: Umi D’80
Signed and dated again on the reverse
RP 18.000.000 – 25.000.000
RP 10.000.000 – 15.000.000
023
I MADE WIANTA
(Bali, 1949)
Gradation, 1993
Wianta, 1993
RP 18.000.000 – 25.000.000
026
TEGUH OSTENRIK
(Jakarta, 1950)
The Way I Do, 2007
Oil on canvas: 200 x 121cm
Signed and dated, lower right: Goeh Ost. 07
RP 30.000.000 – 40.000.000
024
PANDU PRIBADI
(Boyolali, Central Java, 1965)
Konstruksi Tujuh Belas, 2000
Signed and dated, middle area:
Sleman. 2000 Pandu 72778 Hari
RP 8.000.000 – 12.000.000
18
027
S. TEDDY D.
(Padang, 1970)
Saat Teduh, 2008
Signed and dated, lower right: S. Teddy D, 2008
RP 45.000.000 – 60.000.000
19
028
JOSEPHINE LINGGAR
(Jember, East Java, 1943)
Figur Wanita, 1997
Josephine’97
RP 20.000.000 – 30.000.000
030
TING SHAO KUANG
(Chengdu, Shanxi Province, China, 1939)
Flute Player
031
NANA BANNA
(Bandung, 1942)
Figur Wanita, 2007
Print: 80 x 80 cm
Signed and dated, lower left: Nana Banna.4.2007
RP 4.000.000 – 6.000.000
RP 8.000.000 – 10.000.000
029
SABRI
(Jakarta, 1955)
Charli Caplin, 2008
Signed and dated, lower right: Sabri, 2008
RP 7.000.000 – 10.000.000
032
PARDOLI FADLI
(Cilacap, 1971)
Symphony Prambanan, 2006
033
PAN ZHENG FEI
(B. 1953)
Village Life In Bali, 2002
Signed and dated, lower left: Pardoli’06
Mixed media on canvas: 65 x 80 cm
Signed and dated, lower left: Zheng Pei, 2002
RP 6.000.000 – 8.000.000
20
RP 15.000.000 – 20.000.000
21
035
HASIM
(Jakarta, 1921-1982)
Panen
RP 10.000.000 – 15.000.000
22
034
NURDIN BS.
(Padang, West Sumatra, 1915)
Perahu-perahu, 1980
038
MAHYUDDIN S.
(Bukittinggi, Sumatra 1924 - 1993)
Ngarai Sihanok, 1982
Signed and dated, lower left: Nurdin BS.80
Signed and dated, lower left: Mahyuddin S’82
RP 7.000.000 – 10.000.000
RP 60.000.000 – 80.000.000
036
S. TOYO
(Blitar, 1935 – Malang, 2000)
Lake View, 1973
037
I WAYAN BENDI
(Batuan, Bali 1950)
Market
Signed and dated, lower right: S. toyo, 1973
Acrylic on canvas:100 x 70 cm
Signed, lower left: I Wayan Bendi, batuan Bali
RP 15.000.000 – 20.000.000
RP 40.000.000 – 60.000.000
039
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 – The Hague, 1976)
Indonesian Junk in Seafoams
Signed, lower right: L. Frits Ohl
of authenticity from the artist
RP 50.000.000 – 70.000.000
23
041
OTTO DJAYA
Market Scene, 1998
Signed, lower right: Otto Djaya, 1998
RP 12.000.000 – 20.000.000
042
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Pasar Bunga
Signed, lower left: Koempoel
RP 8.000.000 – 10.000.000
040
DEWA PUTU BEDIL
(Padangtegal, 1921 – 1999)
Taman
Signed, lower right: DW. Putu Bedil, Ubud Bali
RP 45.000.000 – 60.000.000
24
043
LIEM TJOE ING
(Surakarta, 1922-1996)
Pelelangan Ikan, 1989
044
ANDREE SURYAMAN
(Karawang, West Java, 1970)
Dinner, 2000
Signed and dated, lower right: L. Tjoe Ing'89
Andree S. 2000
RP 12.000.000 – 18.000.000
RP 10.000.000 – 15.000.000
25
Dede Eri Supria
Dede Eri Supria is a super-realist southeast Asian artist in Indonesia. He was born in
Jakarta on January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI)
in Yogyakarta, graduating in 1974. In 1976 he first emerged onto the Indonesian Art
Scene when he exhibited his work at the first Seni Rupa Baru Indonesia exhibition
at the Balai Budaya in Jakarta. Being a contemporary artist, most of his subject
matters explores about the increasing trend of consumerism happening in Indonesia,
emphasizing on the social commentary portion on Indonesian society in his art works.
Themes in his artworks include the rich-poor divide in Indonesia, the lives of the urban
dwellers in Indonesian cities, the poor and neglected and the changes in the Indonesian
society in general, particularly in his own hometown, Jakarta. He often pictures how
urban lifestyle has oppressed the misfortunate citizens in big cities, especially Jakarta.
045
DEDE ERI SUPRIA
(Jakarta, 1956)
Pengamen, 1995
Dede Eri Supria, 1995
RP 40.000.000 – 50.000.000
26
27
046
PRATOMO SUGENG
(Ponorogo, East Java, 1946)
Srup Sruup, 2005
Signed and dated, upper right:
Pratomo Sugeng, 2005
RP 15.000.000 – 20.000.000
047
EDHI SUNARSO
(Salatiga, 1932)
Miniature of Pembebasan Irian Barat Statue
Bronze: 22 x 15 x 4 cm
of authenticity from artist
RP 25.000.000 – 35.000.000
050
ARIE SMIT
(Zaandam, the Netherlands, 1916)
Going Home, 2004
048
ROSID
(Ciamis, 1969)
Boy, 1991
049
EUGENIE HANDIONO
(Assen, The Netherlands, 1973)
Hula Dancer, 2010
Signed and dated, lower left: Rosid91
Eugenie 2010
Signed and dated lower left: Arie Smit,04
of authenticity from artist
RP 3.000.000 – 5.000.000
RP 45.000.000 – 70.000.000
RP 9.000.000 – 15.000.000
28
29
055
SALIM / SARAOCHMIN SALIM
(Medan, 1908 – Paris, 2008)
Kembang, 1965
052
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Sepasang Burung Dara, 1960
051
KRIJONO
(Jakarta, 1951 - 2011)
Pesta Makan Dekat Rumah, 1999
Signed, titled and dated, lower left:
1999, “Pesta Makan, Tahun Baru
di Sampahan deket Rumah, Krijono
Oil on board: 120,5 x 54,5 cm
Signed and dated, upper right:
Signed in chinese character
RP 30.000.000 – 40.000.000
Signed and dated, lower right: Salim'65
RP 30.000.000 – 50.000.000
056
OMAR YAHYA
(b. 20th Century)
Bersandar, 1969
Signed and dated, lower rleft: Omar YH. 1969
of authenticity from the artist’s family
RP 20.000.000 – 30.000.000
RP 10.000.000 – 15.000.000
053
YAP HIAN TJAY
(Surakarta, Central Java, 1927)
Bunga, 1992
30
054
RICKY WAHYUDI
Membentuk Keindahan 4, 2008
Signed and dated, lower right: JHT’92
Signed and dated, lower right: Ricky W. 2008
RP 12.000.000 – 18.000.000
RP 10.000.000 – 15.000.000
31
057
SLAMET SONEO SANTOSO
(Yogyakarta, 1977)
Oase, 2007
Signed and dated, lower right: Son07
RP 12.000.000 – 18.000.000
058
FADJAR SIDIK
(Surabaya, 1930 - 2004)
Dinamika Bentuk, 1972
Fadjar Sidik’ 72
RP 12.000.000 – 18.000.000
061
RUSLI
(Medan, 1912 – Jakarta 2005)
Pelabuhan, 1982
Rusli, 15 April 82
RP 40.000.000 – 50.000.000
059
UMI DACHLAN
(Cirebon, 1942 – Bandung, 2009)
Abstrak, 1990
32
RP 40.000.000 – 50.000.000
060
ANDRY MOCHTAR
Uporia Art, 2000
Mixed media on canvas : 80 x 88 cm
Signed and dated, lower middle: Umi D90
Andry Moch 2000
RP 10.000.000 – 15.000.000
RP 5.000.000 – 10.000.000
062
SAFTARI
(Payakumbuh, 1971)
Mesin Ketik, 2006
33
064
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Richard
Pastel on paper : 37,7 x 26,8 cm
Signed, upper right: R.Bonnet
Title, upper left: Richard Taomina
RP 20.000.000 – 30.000.000
065
RUDY PRANADJAYA
(1948 – 2005)
Pelabuhan 1978
Rudy Pranadjaya78
RP 15.000.000 – 20.000.000
063
LOUIS NAGELKERKE
(Eindhoven, 1949)
Geisha, 2013
RP 60.000.000 – 80.000.000
34
35
066
SUDJONO ABDULLAH
Sungai
067
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 - 1995)
Pasar
RP 10.000.000 – 15.000.000
Signed, lower left: Hasan Djaafar
RP 6.000.000 – 8.000.000
068
GUNAWAN HANJAYA
(Solo, Central Java, 1954)
Pucuk Flamboyan
36
069
TING CHO CHEIN
(Serawak, Malaysia, 1970)
Liberated Sky, 2002
070
SOEDIBIO
(Madiun, 1912 - 1981)
Subur Indonesia Ku, 1976
Signed, upper left: Gunawan
Watercolor on paper: 76 x 52 cm
Ting Cho Chien,2002. Sunda Kelapa Jakarta
Soedibio76
RP 3.000.000 – 5.000.000
RP 15.000.000 – 20.000.000
RP 40.000.000 – 60.000.000
37
071
CHENG SHUI
(Bogor, West Java, 1981)
Gembala Kerbau
Signed, lower left: Ong Cheng Shui
RP 12.000.000 - 20.000.000
072
VA. SUDIRO
(Yogyakarta, 1939)
Semar, 2003
Signed and dated, lower right: VA.
Sudiro’03
RP 10.000.000 - 15.000.000
075
KABOEL SUADI
(Cirebon, 1935)
Tiga Dara, 2000
38
073
OTTO DJAYA
Penari Kipas, 1993
074
HATTA HAMBALI
(Sengkawang, South Sulawesi, 1949)
Gadis Bali, 1999
Signed and dated, lower right: Otto Djaya, 1993
Signed and dated, lower right: Hatta Hambali’99
RP 15.000.000 - 20.000.000
RP 3.000.000 - 5.000.000
Signed and dated, lower right: Kaboel S’00
RP 30.000.000 - 40.000.000
39
076
RE. HARTANTO
(Bandung, 1973)
Post Nort Korea Nuclear Test
(Beauty Belongs To The Meaning), 2009
Signed and dated, lower right: RE. Hartanto. 2009
RP 75.000.000 - 90.000.000
His works are an experiment which tries to explore area
between memory, stimuli, perception, projection, response
and experience that involves them all. His portraits capture
vivid facial expressions of his subjects - some are locked in
cryptic suspicion while others are in a state of shock at unknown
sources from beyond the drawing board. Underlying these
unsettled portrayals is the artist’s reflection on disconnection
in contemporary society which triggers and perpetuates these
anxieties.
Hartanto’s painting series of Post Nuclear Test are more
political. It seems to have been visually arranged in such a way
that our subject relation as the viewer and the viewed figures
become blurred, overtuned, and even schizophrenic. Are the
figures truly afraid of the North Korea Nuclear Test, while they
are staring at us? Can the viewer play the roles as the source of
the paranoia – as North Korea that many countries “fear”? As
a form of sarcasm, this series essentially proposed an intriguing
position to the audience who is able to capture the fearful
expression of the figures within the painting.
40
41
077
HERI KRIS
(Yogyakarta, 1967)
Abstraksi Burung
078
GATOT WIDODO
(Bojonegoro, E. Java, 1968)
Ekspresi Wajah, 1998
Signed, lower left: Hery
Signed and dated, lower left: Gatot, 1998
RP 5.000.000 - 7.000.000
RP 2.000.000 - 3.000.000
081
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Story of The Beauty Cinderela, 2014
This lot is accompanied with certificate of
authenticity from the Artist
RP 18.000.000 - 25.000.000
079
EUGENIE HANDIONO
(Assen, The Netherlands, 1973)
Bat Lady, 2012
080
SUWAJI
(Yogyakarta, 1942)
Abstraksi Topeng-topeng, 1989
Signed and dated, upper right: Eugenie, 2012
This lot is accompanied with certificate of authenticity from the Artist
Signed and dated, lower right: Suwaji’89
RP 3.000.000 - 5.000.000
42
082
WIDAYAT
(Kutoarjo, 1919 – Jakarta, 2002)
Abstraksi Dekoramagis, 2002
Signed and dated, lower right: H. Widayat, 2002
Literature:
83rd Aniversary Haji Widayat” The Older He
Gets The Better He Is” Pg. 24
RP 7.000.000 - 10.000.000
RP 30.000.000 - 40.000.000
43
083
ISWANTO
(Kebumen, 1964)
Harvest, 2006
Signed and dated, lower left: Iswanto, 2006
RP 6.000.000 - 8.000.000
084
SUDJONO ABDULLAH
Kawanan Rusa
RP 18.000.000 - 30.000.000
087
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Perahu Madura, 2013
Signed, lower left: JB Iwan Sulistyo
RP 25.000.000 - 35.000.000
088
SUDARSO
(Purwokerto, 1914 - 2006)
Buffaloes in the Fields, Baluran, 1994
085
AMRUS NATALSYA
(Medan, 1933)
Pasar Hewan, 2000
Oil on wood: 75 x 72 cm
Signed and dated, lower left: Amrus N.2000
RP 12.000.000 - 20.000.000
086
SUPRIHADI
Wanita Pembawa Sesajen
Signed on the reverse
RP 7.000.000 - 10.000.000
Signed and dated, lower right: Sudarso, 1994
Literature:
Nasjah Djamin-Sides Sudyarto,
The World of Sudarso, Published
by Hexart Publishing, Jakarta, 2005, pg. 136
RP 20.000.000 - 30.000.000
44
45
089
BAGONG KUSUDIARDJA
Perjuangan, 1980
090
WAYAN KUN ADNYANA
(Bangli, Bali, 1976)
Alter Ego (Aku Kedua), 2007
Signed and dated, lower right: Bagong K. 80
Signed and dated, lower left: Wayan Kun’07, Bali
RP 20.000.000 - 30.000.000
RP 18.000.000 - 25.000.000
093
EDHI SUNARSO
(Salatiga, 1932)
Mandi Gosokan, 1958
091
HASIM
(Jakarta, 1921-1982)
Two Women With Offering
092
ERIZAL AS
(Padangpanjang, West Sumatra, 1979)
Bawa Aku Ke Negeri Awan, 2006
Signed, lower left: Hasim
Signed and dated, lower right: Erizal, Yogya,
2006
RP 10.000.000 - 15.000.000
Bronze: 40 x 51 x 29 cm
Signed and dated, lower area: Edhi S, 1958/1963
RP 200.000.000 - 300.000.000
RP 15.000.000 - 20.000.000
46
47
094
NURDIN BS.
(Padang, West Sumatra, 1915)
Coconut, 1986
095
MEN SAGAN
(Yogyakarta, 1948)
Sun Flower
Signed and dated, lower left: Nurdin BS.86
Signed, lower right: Men Sagan
RP 7.000.000 - 10.000.000
RP 5.000.000 - 8.000.000
098
SOETOPO
(Yogyakarta, 1931)
Mother and Child, 1979
Soetopo, 3 agustus Yogya, 1979
RP 30.000.000 - 40.000.000
48
096
DEDDY PAW
(Magelang, 1963)
Apel, 2006
097
P. LANNY ANDRIANI
(Purwokerto, 1949)
Flower, 2007
Signed and dated, lower right: Paw. 2006
Signed and dated, lower middle: Lanny 2007
RP 8.000.000 - 10.000.000
RP 5.000.000 - 7.000.000
099
TEGUH OSTENRIK
(Jakarta, 1950)
Aku Haus, 2009
Signed and dated, lower right: Goeh Ost. 09
RP 18.000.000 - 25.000.000
49
100
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands,
1968)
Flamboyant
Signed, lower left: Gr. P. Adolfs
RP 75.000.000 - 90.000.000
Gerard Pieter Adolfs was born 2 January 1898 in Semarang, CentralJava. He was a Dutch East Indies painter and architect. He was already
well-known as a talented advertising illustrator, when in 1924 he was
first introduced to the public of Yogyakarta as a painter, water-colourist
and graphic artist. Each year Adolfs travelled for a few months. He had
studios in Florence, Rome, Vienna, Budapest, prag and - together with
his Japanese friend Léonard Tsuguharu Fujita - in Paris and exhibited his
works of art internationally (Netherlands Indies, Japan, Singapore, USA,
England, Holland, Sweden, Norway, France, and Switzerland.
Adolfs has already proved himself to be a prolific painter of the
divergent landscapes of his native country. His output also compromised
numerous impressions of quarreling natives or Arabs, capricious antique
dealers and their ware, pirates and their proa, boats, nudes, beggars,
prostitutes and their clients and even of murder. For Adolfs was a
painter with a deep interest in the Dutch East Indies’ daily life. And in
this respect he differed profoundly from painters like Eland, Wichers
and Dezentje, who limited their repertory mostly to the landscape.
Adolfs was considered among the Indies painters who might with some
justification be described as Flamboyant-art lechers. There are so many
flamboyant themes he produced with shimmering mountains in the
background, a ripening rice field, and the coconut palm. Those are the
trinity in the scenes of Adolfs that represent in the use of light, perfect
color combination with quick strokes of palette knife.
50
51
101
PAN ZHENG FEI
(B. 1953)
Three Balinese Women, 2002
102
IDA BAGUS MADE NADERA
(Tegallingah, 1910 - 1998)
Bali Legend, 1996
Pastel on paper: 55 x 42 cm
Signed and dated, lower left: Zheng Pei, 2002
Watercolour on paper: 38 x 55 cm
Signed and dated, lower right: Ida Bagus Nadera, 1996
RP 8.000.000 - 12.000.000
RP 5.000.000 - 7.000.000
105
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Lucky Cinderela, 2014
Signed and dated lower right: Erica, 2014
RP 18.000.000 - 25.000.000
52
103
PANDU PRIBADI
(Boyolali, Central Java, 1965)
Blue Horse, 2005
104
KUSMANTO
(Demak, 1978)
Tarik Menarik
Signed and dated, middle area: Jakarta, 2005 Pandu, 14657 Hari
Signed, lower left: Kusmanto
RP 5.000.000 - 7.000.000
RP 3.000.000 - 5.000.000
106
BUDI UBRUX
(Yogyakarta, 1968)
Roda Berputar, 1995
Signed and dated lower right: Budi Ubrux’95
RP 10.000.000 - 15.000.000
53
107
ANDREE SURYAMAN
(b. 1970)
Kedatangan Tamu
108
CUNDRAWAN
(Bali, 1972)
Pasar Kintamani, 2004
Signed lower left: Andree S.
Signed and dated lower left: Cund’04
RP 10.000.000 - 15.000.000
RP 8.000.000 - 10.000.000
109
WIMO AMBALA BAYANG
(Magelang, 1976)
Teror Karet (Rubber Terror)
54
110
ANANG TIMUR
Patung Arca, 1994
C-Print: 110 x 110 cm
Signed and dated lower left: Anag T’94
RP 10.000.000 - 15.000.000
RP 8.000.000 - 12.000.000
111
SALIM / SARAOCHIM SALIM
(Medan, 1908 – Paris, 2008)
Mandi Malam Penghuni Puri, 1996
Signed and dated lower right: Salim’96
RP 50.000.000 - 70.000.000
55
112
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Flamboyant
Signed ,lower left: Koempoel Sujatno
RP 10.000.000 - 15.000.000
113
SUDJONO ABDULLAH
Market Under The Flamboyant Tree
RP 20.000.000 - 30.000.000
114
LEO ELAND
(Java, 1884 – 1952)
Phinisi
Signed ,lower left: L. Eland
RP 10.000.000 - 15.000.000
115
AMRI YAHYA
(Palembang, 1939)
Abstrak, 1985
Signed and dated lower left: Amri Y’85
RP 18.000.000 - 25.000.000
116
ARIE SMIT
(Zaandam, 1916)
Pura Di Bali, 2004
Signed and dated lower right: Arie Smit’04
authenticity from the Artist & from the gallery
RP 60.000.000 - 90.000.000
56
57
117
DEDE ERI SUPRIA
(Jakarta, 1956)
Finishing Touch I, 2014
Signed and dated lower right: Dede eri Supria, 2014
Signe and dated on the reverse
RP 50.000.000 - 70.000.000
Being fascinated by photographic realism, Dede Eri Supria has developed his paintings through collection of
photographs. He found his idioms through observing photos. However he never copies the photographs
either. His paintings show that he tends to go beyond photography, in the sense that the sceneries he
creates in his canvases are impossible for photography to emulate. In playing with this imagination of the
unreal-reality or engineered visual reality, he employs painstakingly realistic technique in the details of his
works. His style and theme becomes a pioneer of Gerakan Seni Rupa Indonesia in the late 70’s. He had
received several awards, such as: General Award for The Arts from The Society for American Indonesia
Friendship Inc. (1978), The International Visitor’s Program from USIS, USA (1981), Anugerah Adam Malik
(1986), and Affandi Award (1993).
Since the last two decades, Dede Eri Supria has developed fascinating paintings that amaze the Indonesian
art aficionados. His works are rich in colors, forms, and lines which formed in careful fashion producing a
pleasant and enjoyable picture. The picture sometimes drives the viewers to personally feel the situation
as illustrated in canvas. Balinese dancer is one of Dede’s favorite objects that often times reveal in most
of his painting with different style and nuances.
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122
AMANG RAHMAN JUBAIR
(East Java, 1931 – 2001)
Ya Rachman Ya Rahim, 1993
Oil media on canvas: 100 x 100 cm
Signed and dated, lower left: Amang R’93
Literature:
Henri Nurcahyo, Mamannoor, Ambang
Cakrawala, Seni Lukis Amang Rahman Jubair,
Published by Yayasan Kembang Jati, Jakarta,
2001, Pg. 118
RP 15.000.000 - 20.000.000
118
SUDARSO
(Purwokerto, 1914 - 2006)
Reclining Nude, 2001
119
F. SIGIT SANTOSA
(East Java, 1964)
Homage To Dali, 2004
Signed and dated, lower right: Sudarso, 2001
Signed and dated, lower left: F. Sigit Santosa’04
RP 8.000.000 - 12.000.000
RP 12.000.000 - 20.000.000
123
OH. SUPONO
(Surabaya, 1937 – Bali, 1991)
Jatilan, 1980
Signed, lower right: OH. Supono
RP 40.000.000 - 60.000.000
120
KWEE ING TJIONG
(Temanggung, Central Java, 1938)
Mendengarkan Radio, 1980
121
ERIZAL AS
Seribu Wajah Yang Ingin Tersenyum, 2006
Signed and dated, lower right: Kwee Ing Tjiong, 1980
Signed and dated, lower right: Erizal, AS, 2006
RP 50.000.000 - 80.000.000
60
RP 8.000.000 - 15.000.000
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126
MIERZA SAID
(b. 1963)
Wakil Rakyat, 2008
Signed and dated, lower left: Mierza S. 04. 03. 08
RP 18.000.000 - 25.000.000
127
DENNY SNOD SUSANTO
(Padang Panjang, West Sumatra, 1969)
Bermain Dengan Alam, 2010
Signed and dated, lower right: Denny Susanto, 2010
Signed, dated, titled on the reverse
124
ZIRWEN HAZRY
(Taratak, Padang, 1968)
Ingin Hidup 1000 Th Lagi, 2010
RP 4.000.000 - 6.000.000
Signed and dated, lower right: Zirwen Hazry’10
RP 10.000.000 - 15.000.000
125
BARLI SASMITAWINATA
(Bandung, 1921)
Ke Pasar, 2002
Watercolour on paper: 72 x 52 cm
Signed and dated, lower left: Barli, 2002
RP 6.000.000 - 8.000.000
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128
FAIZIN
(Banyuwangi, 1973)
Berbagi ( Sudut Malam), 2000
129
NYOMAN CHIN
(Blahbatuh, Bali, 1965)
Tari Joged Bumbung
Signed and dated, lower left: Faizin, 2000
authenticity from The Gallery
Signed, lower right: Nyoman Chin
RP 12.000.000 - 20.000.000
RP 4.000.000 - 6.000.000
130
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Untitled 2, 2011
131
BONNY SETIAWAN
( Wonogiri, Central Java, 1968)
Wayangan, 1997
Signed and dated, lower right: 2011, Agus Riyadi
Signed and dated, lower right: Bonny , 1997
RP 5.000.000 - 8.000.000
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132
ARIFIEN NEIF
(Surabaya, 1955)
Tari Muda-Mudi, 1999
Acrylic on canvas laid on board: 61 x 45 cm
Signed and dated, lower right: Neif’99
RP 35.000.000 - 50.000.000
RP 3.000.000 - 4.000.000
65
133
ERIZAL AS
Abstraksi Bunga, 2007
134
SUSILO BUDI PURWANTO
(Magelang, 1966)
Putaran Waktu, 2000
Acrylic and pencil on canvas: 140 x 120 cm
Signed and dated, lower right: Erizal, AS, 07
Signed and dated, lower left: Susilo, 2000
RP 12.000.000 -20.000.000
RP 3.000.000 - 4.000.000
137
SEKAR JATININGRUM
(Yogyakarta, 1969)
Nonton Drama Anak-anak, 1999
Pencil on paper: 23 x 57 cm
Signed and dated, lower right: Sekar’99
RP 6.000.000 - 8.000.000
135
SOEDIBIO
(Madiun, 1912 - 1981)
The Wife of My Friend, 1969
136
S. TOYO
(Blitar, 1935 – Malang, 2000)
Tari Bali, 1987
Signed and dated, lower left: Soedibio’69
authenticity from The Artists Family
Signed and dated, lower left: S. toyo, 1987
RP 6.000.000 - 8.000.000
RP 25.000.000 - 35.000.000
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67
138
ALIT SEMBODO
(Magelang, 1973 – 2003)
Indonesian Spectacular, 1999
Signed and dated, lower right: Alit Sembodo Yogya’99
Literature:
Political Sircus: an Ancient World, Published by Umah
Seni, Jakarta, 2011, Pg. 140-141
RP 180.000.000 - 250.000.000
Alit’s paintings have shown the tendency to become a media for social commentary.
He does not purely make social criticism of the wisdom or practices of the ruling
politics. He only goes as far as demonstrating the problems of society through
the language of his paintings, according to his own perceptive and perception.
Indonesian Spectacular is one such commentary, regarding the people of Indonesia
after the reformation period which was tumultuous and abusive, breaking down
the order of the society, bordering upon anarchism, desperate poverty, worsening
violence, and so on. With his combination of strong drawing techniques and the
simple colors in the background, the paintings of Alit Sembodo project an image
of a dramatic atmosphere of his times.
Awards:
2000 – The finalist of the Phillip Morris Art Awards
2000 – The finalist of the Indonesian Art Awards
1999 – The Pratisara Affandi Adi Karya
1999 – The nominee of 40 Best Winsor & Newton Awards
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Index of Artists
Abdullah Suriosubroto 5
139
I MADE KEDOL
(Teges, Gianyar, Bali, 1950)
Kesibukan Memanen Padi, 2012
Signed and dated, lower right: I Made Kedol, bali, 2012
RP 20.000.000 - 30.000.000
74
Pardoli Fadli
32
Agus Djaya
10
Heri Kris
77
Pratomo Sugeng
46
Agus Riyadi
130
I Ketut Kebut
18
R. Hadi
2
Alit Sembodo
138
I Made Kedol
139
RE Hartanto
76
Amang Rahman
122
I Made Surita
12
Ricky Wahyudi
54
Amri Yahya
115
I Made Wianta
23
Rosid
48
Amrus Natalsya
85
I Nyoman Tjakra
15
Rudolf Bonnet
64
Anang Timur
110
I Wayan Bendi
37
Rudy Pranadjaya
65
Andree Suryaman
44, 107
Ida Bagus Made Nadera 102
Rusli
61
Andry Mochtar
60
Irsam
7
S. Teddy D
27
Arie Smit
50, 116
Iswanto
83
S. Toyo
36, 136
Arifien Neif
132
JB Iwan Sulistyo
87, 140
Sabri
29
Bagong Kussudiarja
89
Josephine Linggar
28
Saftari
62
Barli Sasmitawinata
125
Kaboel Suandi
75
Salim
55, 111
Bonny Setiawan
131
Kadafi G. Kusuma
25
Sekar Djatiningrum
137
Budi Ubrux
106
Koempoel Sujanto
42, 112
Slamet Soneo Santoso
57
Karl Victor Mayr
19
Krijono
51
Soedibio
70, 135
Cheng Shui
3, 71
Kusmanto
104
Soetopo
98
Cundrawan
108
Kwee Ing Tjiong
120
Sudarso
88, 118
Deddy Paw
96
Lanny Andriani
97
Sudjono Abdullah
1, 66, 84, 113
Dede Eri Supria
45, 117
Leo Eland
114
Suprihadi
86
Denny Snod Susanto
8, 127
Liem Tjoe Ing
13, 43
Susilo Budi Purwanto
134
Dewa Putu Bedil
40
Louis Nagelkerke
63
Suwaji
80
Edhi Sunarso
47, 93
Lucien Frits Ohl
39
Tatang Koentjoro
52
Erica Hestu Wahyuni
81, 105
Mahyuddin
38
Teguh Ostenrik
26, 99
Erizal AS
92, 121, 133
Maria Tjui
16
Ting Cho Chien
69
Eugenie Handiono
49, 79
Men Sagan
95
Ting Shao Kuang
30
F. Sigit Santosa
119
Mersuka Dopazo
14
Umi Dahlan
22, 59
Fadjar Sidik
58
Mierza Said
126
VA. Sudiro
72
Faizin
11, 128
Nana Banna
31
Wayan Kun Adnyana
90
Gatot Widodo
78
Nurdin BS
34, 94
Widayat
82
140
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Gerard Pieter adolfs
100
Nyoman Chin
129
Wimo Ambala Bayang
109
Gunawan Hanjaya
68
OH Supono
21, 123
Yap Hian Tjay
53
Sepasang Barong, 2013
Signed, lower left: JB Iwan Sulistyo
Gung Man
17
Omar Yahya
6, 56
Zirwen Hazry
124
Han Snel
20
Otto Djaya
9, 41, 73
Hasan Djaafar
4, 67
Pan Zheng Fei
33, 101
Hasim
35, 91
Pandu Pribadi
24, 103
RP 38.000.000 - 45.000.000
70
Hatta Hambali
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ABDULLAH SURIOSUBROTO (Semarang, Central Java, 1978 - 1941)
Born in Semarang, Central Java, October 17, 1878. First he was sent to the
Netherlands to study medicine, but he learnt painting instead. He was famous for
scenery painting, therefore he was considered the first modern Indonesian painter
in the 20th century. His talent inherited by his children; Trijoto Abdullad - a scluptor;
Sudjono Abdullah and Basuki Abdullah - painters. He died in Yogyakarta, 1941.
AGUS DJAYA (Pandeglang, West Java, 1913 - 1993)
Born in Pandeglang, West Java, April 1, 1913. He studied art at Rijks Academie
Beeldende Kunsten, Amsterdam (1947 – 1949) and Universiteit Amsterdam,
Facultieit van Journalistiek (1947 – 1949). He was taught under the guidance of
painter Willem van der Berg and Van Thienen. During in Europe, he met with great
painters like Pablo Picasso, France, Salvador Dali, Spain and Sculpture expert, Ossip
Zadkine, Poland. He has been participated in numerous exhibitions in Indonesia and
overseas. He received an honor to held exhibition in Stedelijk Museum, Amsterdam
which introduce not only his name but also Indonesian Painters to the world. In
1947, he participated in the International Exhibition, Monaco and received an
award “Le Grand Prix de la Peinture de Monaco. In 1965, he received an award
“L’oscar de Peinture” in the International exhibition in Zagreb, Yugoslavia. In 1993,
the Indonesian government awarded him the Art Award and also awarded many
military medal of his participation in the Indonesian struggle for independence. His
contribution in Indonesian art development also seen by founding art studio and
galley in Bali (1953) and also Agus Djaya Foundation of Fine Art and Social education
in Jakarta.
AGUS RIYADI (Sleman, Yogyakarta, 1979)
Born in Sleman Yogyakarta on 21 August 1979. He has actively participated in
several group exhibitons such as the KIAF(Korea International Art Fair), Art Seasons
Gallery, COEX, WTC Seoul Korea (2008), Dies Natalis ISI Yogyakarta (2005-2007),
Group exhibitions with Kelompok Kereta Yogyakarta (2002), and the Anniversary of
SMSR Yogyakarta (1998).
ALIT SEMBODO (Magelang, 1973 – 2003)
Born in Magelang, 1973. He took his formal study at the Indonesia Institute of
Fine Art (ISI) Yogyakarta. He has actively participated in several solo and group
exhibitions in major cities in Indonesia. His work has been awarded the Pratisara
Affandi Adi Karya Pize in 1999. His painting has particular and distinct characteristic
of all kinds of figures and scenes. He passed away in Magelang 2003. Yet, his short
lifetime has been noted by important works that captured the people’s attention.
AMANG RAHMAN JUBAIR (East Java, 1931 – 2001)
Born in Kampung Ampel Tebasan, Surabaya, November 21, 1931. He was one of the
founders of the Surabaya Fine Arts Academy (Aksera) in 1967 and the Surabaya Arts
Council in 1971. He held his solo exhibitions at Decenta Gallery, Bandung (1983),
Cultural Center of France, Surabaya (1987), Bentara Budaya, Jakarta (1990),
and old Exhibition Building, TIM, Jakarta (1992). His works have been exhibited
in several major cities in Indonesia, the Biennale of Indonesian Painting IX, TIM
Jakarta (1998), the Painting Exhibition and Poetry Readings, Le Meridien Hotel,
Jakarta (2000), the Painting Exhibition at Hyatt Regency Hotel, Surabaya (2000).
He received awards from the Governor of East Java as an outstanding artist (1985)
and from the Committee of the Biennale of Jakarta Board of Arts, Jakarta (1998).
AMRI YAHYA (Palembang, 1939)
Born in Palembang, September 29, 1939. He studied at the Indonesian Fine Art
Academy (ASRI) and IKIP Yogyakarta. He often inspired by his homeland Lebak
Lebung for his contemporary expressionism work. He became a lecturer for State
University of Yogyakarta and UII Yogyakarta, and founded the Indonesian Fine Art
Society (HSRI) in 1979. He got his doctoral degree Dr. (h.c.) from UNY. He received
Sriwijaya Awards from Yayasan Genta Sriwijaya and became one of the nominees at
the Unesco Sharjah Prize for Arab Culture.
AMRUS NATALSYA (Medan, 1933)
Born in Medan, October 21, 1933. He studied at SSRI & ASRI Yogyakarta majoring
art sculpture. Many of his works have been collected by art collectors in Indonesia
and overseas. In 1983 he did 5 wooden calligraphic monuments in Jeddah. He got
the best award from the Trienale Jakarta II in 1998 held by the Jakarta Arts Council.
ANDRE SURYAMAN (b. 1970)
Born in 1970. He took his formal study at the Bandung Institute of Technology
majoring fine arts and the Fine Arts Institute (SMSR) Yogyakarta. He had participated
in several group exhibition in Jakarta and Yogyakarta. His decorative theme of style
has captured many art collectors in Indonesia as well as abroad.
ARIE SMIT (Zaandam, 1916)
Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts
in Rotterdam before working as lithographer for the Dutch Colonial Army in the
Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in
full time painting and became an Indonesian Citizen, produced as well as taught
painting at the Bandung Institute of Technology (ITB). Many of his paintings depict
the nature of his surrounding environment. He had several solo exhibitions in
Bandung Institute of Technology, The Honolulu East West Center, and the Center of
Strategic and International Studies in Jakarta. He received the “Dharma Kusuma”
art awards from the local government of Bali.
ARIFIEN NEIF (Surabaya, 1955)
Born in Surabaya, 1955. He was a self taught artist. He was well known for his
slightly naïve style with stylistic figures. Initially he worked as a mason, but due
to his artistic talents, he help on the interior design of the building for his friend
and not for long he decided to engage in full time painting in 1980. He held
his solo exhibition at Bin House, Jakarta (1989), the Lorin & Kristy Art Gallery,
Singapore (1995). He has participated in various group and solo exhibitions since
1989 including Tresor International Fine Art Exhibition in Singapore (1993 & 1994),
Yayasan Seni Rupa Indonesia/ Bradbury International fine art exhibition in Jakarta
(1994) and Gallery Santi (1995 – 1997).
Biography of Artists
BAGONG KUSUDIARJA (Yogyakarta, 1928 – 2004)
Born in Yogyakarta, 1928. He studied art at the Indonesian Fine Arts Academy (ASRI)
Yogyakarta under famous artists like Sudiarjo, Hendra Gunawan and Kusnadi. He
was also well known as a dancer and choreographer. He founded an Arts Training
Center in Yogyakarta. He received many art awards among others are Gold Medal
from Pope Paul VI (1973), the Gold Medal from Bangladesh Government (1981) and
Cultural Art Award from the Indonesian Government.
BARLI SASMITAWINATA (Bandung, 1921)
Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok
Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He also
studied the model drawing in Academia Grande de la Chaumiere (Paris) and the
Academy of Fine Art Amsterdam in 1957. He received awards from Jaarmarktprijss
Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, Culturele
Stichting Samenwerking Nederland Indonesia (Holland).
BONNY SETIAWAN ( Wonogiri, Central Java, 1968)
Born in Central Java, 1968. He graduated from the Art Academy (ASRI) in Yogyakarta.
Yogya, as the Javanese city is lovingly referred to, is the cultural heart of Java. He
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found his great fond of the city culture that inspires his work creation. Both, his
father and mother were painters. He has participated in several painting exhibitions
in major cities in Indonesia. His works are among the collections of many artlovers.
BUDI UBRUX (Yogyakarta, 1968)
Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta.
He had lived for 2 years in Switzerland to continue his study and working. He
has participated in several exhibitions in Indonesia and overseas. He had his solo
exhibition in Semarang Gallery (2002). He received awards as the first winner of
PMIAA, a finalist for Asean Art Award (2000) in Singapore and Indofood Art Award,
Jakarta (2002). Now he lives in Bantul, Yogyakarta.
CHENG SHUI (Bogor, West Java, 1981)
Ong Cheng Shui was born in Bogor, West Java in 1981. He is autodidact painter
who found his great interest in painting since he was young. He has been actively
involved in arts since 2000. As a professional painter, he has participated in several
group exhibitions since 2000 until now. Among others group exhibition at Bogor
(2000), at Crown Plaza Hotel (January, 2010), at Pacific Place (March, 2010), at
pondok Indah Mall (April, 2010), and at Grand Indonesia, (July, 2010). His artworks
have been in the collections of both local and foreign collectors. As a painter, he
was inspired by Lee Man Fong paintings. His subject of paintings closely connected
with the animal world, village scene and people’s daily lives which have become the
sought after themes of painting by collectors.
CUNDRAWAN (Bali, 1972)
He studied at the School of Fine Art, SMSR Denpasar (1988 – 1992). Then he
continued his study at Udayana University, Denpasar Bali. He studied painting under
the guidance of the painter Chusin Setiadikara. In 1999 he has actively participated
exhibition in Bali among others Bali Bienalle-Astra Otapat Art Award 2005.
DEDDY PAW (Magelang, 1963)
Born in Magelang, Central Java, 1963. He studied at FSR IKJ (1999-2005), School
of Design Interstudi Jakarta (1994-1995) and Pusat Grafika Indonesia (Pusgrafin)
Jakarta (1990-1991). He received several achievements as Best Artistic & Best
Poster in Festival Teater Jakarta in 1998 and the 1st winner News Paper Design
Competition for Nasional Event in 1994, 1996, and 1998. He has participated in
many group exhibitions.
DEDE ERI SUPRIA (Jakarta, 1956)
Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy
(ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art
Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition
at the Balai Budaya, Jakarta. He has received several awards for his works,
Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was
participated into the ASEAN Art Awards in Manila. He has participated in many
group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta
Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is
considered an influential propagator of super-realist painting in Indonesia.
DENNY SNOD SUSANTO (Padang Panjang, West Sumatra, 1969)
Born in Padang Panjang, West Sumatra, 1969, on 11 July 1969. He graduated
from the Indonesian Art Institute, Yogyakarta in 2003. He held his solo exhibitions
“Fantasi Alam” at ISI Yogyakarta in 2003. He also has participated in several group
exhibitions including “Mempertimbangkan Tradisi” at National Gallery Jakarta
(2005), “Re-reading Landscape” at Sanggar Sakato, Nadi Gallery Jakarta (2006),
“The Gate: PreDiscourse-Soft Opening Exhibition” at Semar Art Gallery, Malang
(2007), and “Panoramaa” at Bukit Tinggi, West Sumatra (2008).
DEWA PUTU BEDIL (Padangtegal, 1921 – 1999)
Born in Padangtegal, Ubud, 1921. During his teens, he became influences by the
Dutch painter Dutch painter Rudolf Bonnet (1895-1978). He was a member of Pita
Maha organization. His works was included in the ‘Art of Bali’ exhibition held in
1988 at the East-West Center in Honolulu, Hawaii. His works are in the collections
of Art Center in Denpasar, the Puri Lukisan Museum in Ubud, the Rijksmuseum Voor
Volkenkunde in Leiden, and the Tropen Museum in Amsterdam.
EDHI SUNARSO (Salatiga, 1932)
Born in Salatiga, July 2, 1932. He studied at the Indonesian Fine Art Academy (ASRI)
Yogyakarta and Visva Bharati (Santiniketan Usniversity, India). He received many
award as the Second Winner of the International Sculpture Competition in England
(1953), the Gold Medal Winner from the government of India (1957), the Art Award
from the Indonesian Government (1984) and from the government of Yogyakarta
Special Province. He held his first solo exhibition in Calcuta and Santiniketan India
in 1957 and active to participate in many exhibitions ever since. He also joined in
tour Exhibition to Europe and Japan in 1978.
ERICA HESTU WAHYUNI (Yogyakarta, 1971)
Born in Yogyakarta, 1971. She began to study painting when she was young and
join Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo. In 1996, she
graduated from the Indonesian Institute of Arts (ISI), Yogyakarta. She performed her
solo exhibition in Yogyakarta and Jakarta. She intensely participated in many group
exhibitions in Indonesia and overseas, Singapore, Philippines, Japan and Russia. She
received award for the Best Work at ISI Yogyakarta in 1993.
ERIZAL AS (Padangpanjang, West Sumatra, 1979)
Erizal AS. Was born in Padangpanjang, West Sumatra, 3 February 1979. He graduated
from SMSR Padang, 1977 and continued to ISI Yogyakarta (2006). He is one of the
member of Sakato that has participated in several group exhibitions among others
in Purna Budaya Yogyakarta, Indonesia ASEAN Art Award, Gedung ASEAN Jakarta
and Medan, Indofood Art Awards II in Galeri Nasional and Taksu 10nd Anniversary
in Kuala Lumpur, Malalsya.
EUGENIE HANDIONO (Assen, The Netherlands, 1973)
Born in Assen, The Netherlands, January 27th 1973. Eugenie graduated from Art
Degree majoring in Graphic Design at Trisakti University, Jakarta and post graduate
course subject Time Based Media, Groningen Netherlands. She started paint since
2002 up to now. She has participated in exhibition “Bunga Rampai Kartini” at WTC
Jakarta April 2004. She held his solo exhibition Karya untuk Semua at WTC 2003.
F. SIGIT SANTOSA (East Java, 1964)
Born in Ngawi, East Java, 1964. He studied at Faculty of Fine Arts – Indonesian
Fine Arts Institute and graduated in 1993. He has actively participated in numerous
group exhibitions since 1987. In 2003, he had his solo exhibition in Jakarta. In 1994
he was nominated among the best 10 of the Phillip Morris Group of Companies of
Indonesian Art Awards and received award for Best Work at Biennale IV.
FADJAR SIDIK (Surabaya, 1930 - 2004)
Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954 and
learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat.
He lived in Bali from 1957 – 1961. He received art award as Contemporary Painter
from the Indonesian Government in 1971 and from the Government of Yogyakarta.
FAIZIN (Banyuwangi, 1973)
Born in Banyuwangi, East Java, 1973. He actively participated in several exhibitions
in Indonesia. He became the finalist at the Phillip Morris Indonesian Art Awards in
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1999.
GATOT WIDODO (Bojonegoro, E. Java, 1968)
Born in Bojonegoro, East Java, 1968. He graduated from the Indonesian Art Institute
(ISI) Yogyakarta in 1988. He held his solo exhibition “Not So Big, But There’s Lots to
See” in Bali (1999). He has participated in several group exhibitions in Surabaya,
Yogyakarta, Jakarta and Bandung.
GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968)
Born in Semarang, 1899. He once lived in Surabaya and made many paintings about
the city. He traveled to many countries in Asia, Europe, and Africa, like Japan,
Rome and Arab. He decided to spend the rest of his time in Holland until he died in
Den Bosch, the Netherlands, in 1968.
GUNAWAN HANJAYA (Solo, Central Java, 1954)
Born in Solo, Central Java, 1954. He learned painting in Himpunan Budaya Surakarta
(HBS) under guidance of Dullah and Sumitro. He oftenly has exhibition on Asean
countries. On 1979 he held his solo exhibition at Taman Ismail Marzuki, Jakarta.
One of his works is shown at Gedung Sekretariat Asean, Jakarta, a 13- meter mural
created upon the request by Philip Morris, New York. He was one of the finalists at
Indofood Art Awards 2002 and 2003.
GUNG MAN (Denpasar, 1956)
Born in Sanglah, Denpasar, Bali in 1956. He studied art at the SRRI, Denpasar, Bali.
He continued to study art at the Art and Design Faculty at Udayana University, Bali.
His artworks were much influenced under his guidance at Neka Art Gallery, Mangku
Nyoman Lesug. He ever received some awards at several art competitions. He had
joined in several group exhibitions.
HAN SNEL (Scheveningen, 1925 – 1998)
Born in Scheveningen, Holland, 1925. He came to Indonesia as a Dutch soldier
to fight against the Indonesian people, which after he abandoned his side. He
specialized in graphic painting which is very rich in color as well as geometrical
abstract. He lived in Bali since 1950 and became an Indonesian citizen. He has
participated in several exhibitions include at Itoh Gallery, Tokyo, Japan, 1965.
HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995)
Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous landscape
painter, Wakidi. He visited Europe in 1948 which after influenced his works to be
impressionist and expressionist. In 1956, he held his first exhibition in Indonesia
then continued to participate in tour exhibitions, among others are Singapore,
Australia, Brazil, Japan, and several European countries. He died in 1995.
HASIM (Jakarta, 1921-1982)
Born in Jakarta, 1921. He lived and worked in Jakarta. Daily activities (harvest,
market scene), portrait figure (dancers), as well as landscape has become his series
of paintings. His works is among the collectors in Indonesia as well as abroad.
HATTA HAMBALI (Sengkawang, South Sulawesi, 1949)
Born in Sengkawang, South Sulawesi 1949. He was graduated from ASRI
Yogyakarta. Since 1970 He has participated in several group exhibitions. He was
also awarded as the Best Art Work in the Wendy Sorensen Memorial Award.
HERI KRIS (Yogyakarta, 1967)
Born in Yogyakarta, 28 May 1967. He studied at FSRD ISI Yogyakarta in 1986. He
held his solo exhibitions in Jerman 1994. He also has participated in several group
exhibitions such as “Not Just The Political” in Museum H. Widayat Magelang
(2002), “83th Widayat” in Museum Widayat Magelang (2002), Group exhibitions in
Yogyakarta, Jakarta, Bali, Semarang, Denmark, and Amsterdam.
I KETUT KEBUT (Bali, 1940)
Born in Bali 1940. His objects of paintings include animal life in the rice field and
farm found in his surroundings. He use deformation of forms and colors in minimalist
style. His works have been exhibited in Bali and includes in several auctions in
Indonesia as well as abroad.
I MADE KEDOL (Teges, Gianyar, Bali, 1950)
Made Kedol was born in Teges, Gianyar, Bali, 1950. He has participated in numeral
groups exhibitions in Indonesia and overseas.
I MADE SURITA (Payangan, Gianyar Bali, 1951)
Born in Payangan, Gianyar Bali, 1951. He studied art at SSRI or Indonesian School
of Fine Art in Denpasar, Bali. He is a member of the Sanggar Kamboja (Frangipani
Studio) group of Balinese artists. His naive style is derived from wayang (puppet)
paintings. He is also an arts reporter for the Bali Post daily newspaper. His works
were collected in Singapore Art Museum. He joined in several exhibitions such as in
Singapore Art Museum in 1994, and Museum Nasional (Jakarta, 1995).
I MADE WIANTA (Apuan, Bali, 1949)
I Made Wianta was born 1949 in the village of Apuan, Bali, Indonesia. He graduated
from the prestigious ASTI art academy in Yogyakarta. Wianta thrived in ASTI during
the heady years of the early 70s. Along with his experiences, Wianta had grown into
a vigorous multidimensional artist from a versatile painter. He is regarded as one of
the most influential living Indonesian artists today. Wianta has frequently travelled
and exhibited in Indonesia as well as abroad. He has held many exhibitions abroad
and received the Art Academia Intern “Greci Marino” award from Italy.
I NYOMAN TJAKRA (Penestanan, Ubud, 1945)
Born in Penestanan, Ubud, Bali in 1945. He was the 1st pupil of Arie Smit in 1960,
from where the new genre in Balinese Painting i.e THE YOUNG ARTIST STYLE
emerged. He also one of Balinese Gamelan player. Neka Museum collected his
artwork. He has participated in numerous local and abroad exhibitions.
I WAYAN BENDI (Batuan, Bali 1950)
Wayan Bendi was born in Batuan, Bali, 1950. He inherited his artistic talent from
his own father, Wayan Taweng. He has participated in numerous exhibitions,
several times in Bali and Jakarta since 1982. In 1985, he displayed his work in the
exhibitions of Balinese painter in Fukuoka Art Museum (Japan), In 1990 to 1991,
he has participated in KIAS (Indonesian Culture in United States) exhibition. And
in 1993, he exhibited in Singapore, in 2005 he joined the “Indonesian Art Week”
In Netherlands. Bendi received the best painting award during the national art
competition. His work displayed within important museums, such as Neka Museum
(Ubud). His son, I Ketut Sadia also paints in his father’s style.
IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998)
Ida Bagus Nadera was born in Tegallingah, 1910. He only finished elementary
school. He dedicated all his life in painting. He learnt painting by himself then later
been directed by Rudolf Bonnet and Walter Spies. He used traditional style for his
works and greatly influenced by Walter Spies. Since 1932 – 1940 he was active to
participate in Pitamaha organization and joined the Ubud Artists’ Association after
the World War II. He spent the rest of his life living in Gianyar by reading and as
a Dalang Wayang (wayang player). He received the Wija Kusuma Art Award from
Gianyar and The Dharma Kusuma award from Bali government in 1988. Nadera set
up his own studio in 1959, where he continued to paint until he died in 1998.
IRSAM (Klaten, 1942 – Bogor, 2006)
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Born in Klaten, Central Java on 24 June 1942. He graduated from the Indonesian
Fine Art Academy (ASRI) Yogyakarta (1959 – 1965) and became the lecturer of the
institute from 19965 – 1967. He had held his first exhibition in 1967 in Jakarta.
He received an award from the Philippines, Singapore, and Thailand. In 1980
he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art Museum
Japan. His works have specific style. His great fondness in Wayang has given a large
contribution in his artworks. He was famous of artist with decorative style with rich
colors, patterns of dots and lines and textures. He died in Bogor 25 November 2006.
ISWANTO (Kebumen, 1964)
He was born in Kebumen, Central Java, 25 April 1964. He graduated from the
Indonesia Institute of Arts (ISI) Yogyakarta, majoring in Fine Art and Design (19861994). He held his solo exhibition since 1988 such as in Yogyakarta, Surakarta,
Denmark, Jakarta, and Bandung. He also has joined in many exhibitions such as
Besar Hima ISI in Yogyakarta (1987), Rotary SSAG in Yogyakarta (1989), Binnale
II in Yogyakarta (1990), C.G. Jensen’s Kunstforening Denmark (1991), Exhibitions
in Yogyakarta, Surakarta, Jakarta, Bandung, and Denmark. He was awarded as
the Best Skecth from ISI Yogyakarta, Finalist Philip Morris Art Award and Finalist
Indofood Art Award.
JB. IWAN SULISTYO (Kudus, Central Java, 1954)
Born in Kudus, Central Java, 1954. He was the first winner in the competition
organized by the Gallendra Art Shop at Semarang in 1970. He has done 18 solo
exhibitions in Jakarta, Singapore, and New Zealand. He has performed numerous
the group exhibitions as well. Beside that he also has received many awards.
JOSEPHINE LINGGAR (Jember, East Java, 1943)
Born in Jember, East Java, 1943. She greatly produced painting using woman as
her object. For her, women have uniqueness of beauty, ugliness, sincerity, passion
as well as strong and weak character. Josephine is a serious artist who ought to be
placed amongst the constellations of Indonesian artist. International collectors as
well as the Indonesian Presidential Palace have her works. Primadonna offers women
as the main subject. Women as calm and cool creatures containing their emotions.
Her first dabble into the art world was influenced greatly by William G. Hofker. “His
sepia and brownish colours, the poses of the figures, all very natural and thematic.
Everything was simple but at the same time rich and elegant” Josephine says in
her book” Primadonna”. She held her solo exhibition at Hotel Intercontinental,G
eneva,Switzerland (1994), “ Man and 1000 Butterflies” an Aids Charity Exhibition,
the only (1997), Solo Exhibition ,SG Private Banking, Alliance Francaise, Singapore
(2008), Solo Exhibition, Hotel Marriot, Jakarta (2008), Solo Exhibition ,Gallery
Hadiprana, Kemang, Jakartam (2007), Exhibition at National Gallery, Jakarta
(2006), woman artist along with Srihadi Soedarsono, Jeihan, Sunaryo and Roedyat
at the Regent Hotel (1997), Asian Artists Exhibition in Singapore (1999), “Palace
of the Republic of Indonesia (2000), Solo Exhibition at Marina Mandarin, Singapore
(2001),Exhibition at Gallery Hadiprana, Kemang, Jakarta (2003), Solo Exhibition,
Indonesian Embassy,Washington DC (2004), Participated more than 50 exhibitions
in Jakarta. and more than 400 pieces of her paintings have been collected by art
lovers from within and outside Indonesia. She received awarded as Finalist Phillip
Morris Art Awards, Jakarta in 2001, Finalist for the Indofood Art Awards, National
Museum in 2002. Chosen by the Palace for a special commission to paint the late
Madam Tien Soeharto.
KABOEL SUADI (Cirebon, 1935 - Bandung, 2010)
Kaboel Suadi was born in Cirebon, West Java, on 7 November 1935. He Graduated
in 1964 from the faculty of Fine Art at Institut Teknologi Bandung (ITB, Bandung
Institute of Technology) in Bandung, West Java. Kaboel received a scholarship to
study from 1968-1969 at the Hochschule Fur Bildende Kunst (University For Art
Education)located in Berlin, Wst Germany. The artist also held a sol exhibition while
living there and over the years has participated in many group shows else where.
He now lives and work in Bandung, Where he also is a lecturer in Graphic at ITB.
KADAFI GANDI KUSUMA (Jember, East Java, 1974)
Born in Jember, 12 July 1974. He was graduated from the Indonesian Institute
of Arts (ISI), Yogyakarta (1992). He gained several awards for his works such
as Finalist of Tujuh Bintang Art Award Yogyakarta (2009), Finalist of The Beppu
Contemporary Art Exhibition, Japan, Finalist of Indofood Art Award, Jakarta
(2003), Finalist of PEKSIMINAS, Yogyakarta (2002), Finalist of Philip Morris, Jakarta
(2000). He joined several group exhibitions since 1992 and among his recent
exhibition was “Membaca Frida Kahlo #2”, Nadi Gallery, Jakarta (2010).
KARL VICTOR MAYR (Vienna, Austria, 1882 - 1974)
Born in Vienna, Austria, 1882. He is a painter and draughtsman, active in Java
and Bali in 1931 and 1932. He then returned to Vienna. His Indonesian paintings
depict river landscapes, market scenes and portraits. An oil painting by his hand is
reproduced in “The Netherlands Indies, a jubilee album” (Jakarta, 1933), depicting
a Balinese girl, dated 1932. He died in Vienna (Austria) in 1974.
KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987)
He was born in Ngawi, East Java, 1912, with the name of Koempoel Sujatno. He
studied painting from the Dutch painter Gerard Pieter Adolfs and Willem Van Der
Does. He was one of the most productive artists, but since many of his paintings have
been damaged, lost and spread out in countries abroad, his works are estimated
only around 2500. Koempoel was an artist who preferred outdoor objects, anything
under the sun, so that almost his works presented bright colors in harmony that
revealed a graceful enchantment. He died on August 18, 1987 in Batu, East Java
because of his severe throat cancer.
KRIJONO (Jakarta, 1951 - 2011)
Krijono was born in Jakarta on 11 July 1951. His father was a collector, so Krijono
was surrounded by works of art. He began studied painting under the guidance
of the art critic Kusnadi. In 1971, Krijono enrolled in the painting program at the
Indonesian Fine Art Academy (ASRI) Yogyakarta. He has held solo exhibitions in
Indonesia and aboard. His works are documented in the books Great Charcoals by
Indonesia Artist Krijono (1997) and Krijono: The Flying Elephant (2000). He was
lives and works in Jakarta. He died in Jakarta on 30 November 2011.
KUSMANTO (Demak, 1978)
Born in Demak, March 28, 1978. He graduated from Senior High School of Art in
Yogyakarta. Now he is still studying art in Indonesian Art Institute Yogyakarta.
He has received several awards such as Gold Medal from UNESCO “MAN AND
ENVIRONMENT”, International High School Students Art Exhibition, the best sketch
ISI Yogyakarta and many others. He also had participated in many group exhibitions.
KWEE ING TJIONG (Temanggung, Central Java, 1938)
Born in Temanggung, Central Java 1938. He received his formal education at the
SMA (Senior High School) but did not graduate. He got painting courses from S.
Sudjojono In Jakarta since 1969 and they often practiced outside together. He
had also painted together with Affandi, Sudarso and Widayat. He took his subject
from his environment: his family, the farmers and the landscapes. He had ones an
exhibition together with his teacher Sudjojono at Balai Budaya Jakarta In 1975 and
a solo exhibition in Jakarta In 2006.
P. LANNY ANDRIANI (Purwokerto, 1949)
Born in Purwokerto, Central Java, 1949. She graduated from the Indonesian Fine
Arts Academy (ASRI) Yogyakarta. She also studied painting under the guidance
Widayat. She has actively participated in several group exhibitions such as
International Art 97 in Vancouver-Canada, New York USA (1997), Jepang (1998),
Den Haag (2001&2002) and Brunai Darussalam (2004). Her works are collected by
collectors and Museum.
LEO ELAND (Java, 1884 – 1952)
Born in Java, 1884. He was a self-taught artist, lived and worked in Indonesia.
He intensely involved in the Union of Dutch Indies Art Circles from the beginning
of 20th century. He painted a great deal of Indonesian nature with tremendous
command of light and shade. In 1920 he left to settle in The Hague but still continue
to paint Indonesian subject. His work was included in the International Colonial
exhibition in Paris (1931) but unfortunately damaged by fire. Today, his works are in
the collection of several Dutch museums.
LIEM TJOE ING (Surakarta, 1922-1996)
He was born in Surakarta (Solo), Central Java on 22 June 1922. He was a pupil of the
artist Siau Tik Kwie in his town during the Japanese occupation of the archipelago
during World War II from 1942-1945. He also was a member of both Pelangi Artist
Association and Himpunan Budaya Surakarta (HBS). He was well-known as a sculptor,
art designer, and realist painter. His works reflect a more popular atmosphere,
although he also painted natural panorama, flowers and dances. His works can still
be seen on the ceiling of Mangkunegaran Palace, Surakarta. He abandoned fine
art for a decade as he was busy in politics as a member of Surakarta legislative
assembly (1966 through 1971), representing the Indonesian Christian Party. In 1978,
then vice president Adam Malik asked him to compile a book, later titled Paintings
in Adam Malik’s Collection.
LOUIS NAGELKERKE (Eindhoven, 1949)
Born in Eindhoven, the Netherlands, 1949. Born and educated in the Netherlands,
where he developed his skills in ceramic, drawings and paintings. Nagelkerke’s
works are included in several articles in Indonesia Magazine, The Art of Living,
Archipel Magazine, Vacaza Magazine, Tableau Art Magazine. He had performed
exhibitions, amongst others; Kurhaus Netherlands, West Friesch Museum, Koninklijk
Luchtvaart Museum Soesterberg – Netherlands, Artfair Eindhoven. His works are
in the collections of Neka Museum Bali, Osahenne III King of Takoradiman- Ghana
Afrika, Collection of the foundation Joop & Janine van de Ende Netherlands, Fam.
Philips Netherlands, Fam. De Bruin Art and Antique Esbeek Netherlands, Beekman &
Beekman Veldhoven Netherlands.
LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976)
Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works
were mostly Indonesian landscape. He also produced paintings of Asian panorama.
He was a painter, watercolorist, and draughtsman in the style reminiscent of the
late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague
until he died in 1976.
MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993)
Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi, Sumatra.
Since childhood, he was already very fond of painting and developed his skill and
techniques under guidance of noted painters in his born city. In 1948, he held
his joint exhibition in Bukittinggi with painters from all over Sumatra. In 1950,
he moved to Jakarta for work and continued his study at the Perguruan Tinggi
Djurnalistik Institute of Journalism until 1955. In 1956, he held a joint exhibition
in at Bapenas Building, Jakarta. He worked in Unilever Jakarta from 1957 until
1961 in which he decided to devote his full attention in painting. He continued
to hold several painting exhibitions, among the successful one was in 1968 at
Hotel Indonesia. In 1969 – 1971, he held exhibition in Singapore, Kuala Lumpur and
Bangkok. In 1972, he held his exhibition in Bremen, West Germany, Amsterdam
Holland, and Vienna, Austria. In 1973, he travelled again to Europe and performed
the exhibitions in West Berlin and Frankfurt. In 1974, he held his last exhibition
in Singapore again. Mahyuddin is a naturalist painter who conveys quietness,
peacefulness and grandeur in his paintings. His works have been in the collection of
many important art collections in Indonesia and abroad.
MARIA TJUI (Pariaman, Sumatra, 1934)
She was born at Pariaman, West Sumatra on May 14, 1934. She started painting
when she was a member of S.I.M (Young Indonesian Artists) under the guidance
of S. Soedjojono. In 1961-1963 she studied at the Indonesia Academy of Fine Arts,
Yogyakarta in Sculpturing. In 1967-1970 she made a tour of some Asian countries.
Returning to Indonesia, she exhibited her works in several cities of Indonesia.
MEN SAGAN (Yogyakarta, 1948)
In 1960 he started to paint by self. In 1967 he established “Group Seni Rupa & Tari”
and in 1970s he was well known as an artist who had expertise in painting Affandi’s
style. He had joined in several group exhibitions with the other painters.
MERSUKA DOPAZO (Las Palmas, Canaria, 1971)
Mersuka Dopazo was born in Las Palmas de Gran Canaria in 1971. She studied law
but her natural vocation and aptitude for painting led her to work full time in the
world of art. She began her artistic career in 1993 influenced by her experiences
of travelling to various places. She works in oils, acrylics, pencils and pastels
with theme ranging from portraits (figurative works), landscapes and abstracts.
From 2000 until present, she had been actively participated in numerous painting
exhibitions; solo and group exhibitions in Spain, Holland, Portugal, Italy, France,
and Indonesia (Bali & Jakarta).
MIERZA SAID (b. 1963)
Born on 21 May 1963. He graduated from Trisakti University majoring in Design
Interior. He has participated in several group exhibitions such as Gelar Akbar, at
Gallery National (2007), FSS 2007, Surabaya, and Bienalle East Java (2007).
NANA BANNA (Bandung, 1942)
He was born at Bandung, west Java, 1942. He learned painting under the guidance
of Popo Iskandar. He studied at Teacher’s Training College Bandung majoring in Fine
Art. He has participated in several exhibitions in Jakarta and abroad.
NURDIN B.S (Padang, West Sumatra, 1915)
Born in Padang, West Sumatra on October 10, 1915. He studied at I.N.S Kayutanam.
After the Transference of Sovereignty, in 1950 he began to pain under the guidance
of Wakidi. In 1953 he was on the invitation of Sticusa of Amsterdam to visit the
Netherlands where he had a chance of study painting at the Ezeldijk-Jeroel Voskuil
in Amsterdam until 1955. Returning to Indonesia in 1957, he held his solo exhibition
in Jakarta. He worked as a designer for Ratex in 1960. During this period his joint
exhibitions with Dr. Moerdowo, Wiwiek Hidayat and Huang Fong were held. In 1967
he received an Art Award from the Regional Government of East Java.
NYOMAN CHIN (Blahbatuh, Bali, 1965)
Nyoman Chin was born in Blahbatuh, Bali, 1965. He is one of the traditions in
Blahbatuh painter. Nyoman Chin was a pupil of the painter Nyoman Meja. His works
have been in the collection of many art collectors in Bali as well as other countries
in Indonesia.
O.H. SUPONO (Surabaya, 1937 – Bali, 1991)
Born in Surabaya, 1937. He studied painting at the Fine Arts Academy, Surakarta. In
1981, the Jakarta Academy sponsored his works to be represented in Taman Ismail
Marzuki Art Center. In the past few years, many of his works have been inspired by
the greatness of Borobudur Temple and have gone beyond figurative and abstract
themes. His works are in collection of the Jakarta Arts Council, the Fatahillah Fine
Arts Gallery, the National Fine Arts Gallery, Jakarta and the Fukuoka Art Museum
in Japan.
Omar Yahya (b. 20th Century)
Born in 20th Century. His subjects of painting range from landscape, portrait figures,
animal fighting, daily activities and dancers. He paints in realist style with very
rich detail. Many of his paintings are in the hands of senior collectors in Indonesia
as well as abroad. His paintings were among the collection of former President
Soekarno.
OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002)
Born in Rangkas Bitung, Banten, West Java on October 6, 1916. During the Japanese
colonialism in Indonesia, he received his army training for officer in the “Pembela
Tanah Air” (Defenders of the country) in Bogor. During the Physical revolution,
as a Major in the Indonesian Army, he took part in the Armed Struggle for the
Independence of the Republic of Indonesia. After the proclamation, Otto had an
opportunity to study at the “Rijksacademie van Beeldende Kunsten” in Amsterdam
and at the Faculty of Letters and Philosophy, University of Amsterdam. He also
had an opportunity of joining the study-tour of the Netherlands, Belgium, France,
Italy and Swiss. Otto was a Vice Chairman of the Art Section of the Cultural Centre
in Jakarta. He joined in the “Exposition le Grand Prix de Peinture en Monaco” in
Monte Carlo and in Biennial Exhibition in Sao Paolo, Brazil. Besides his one-man
exhibitions in Jakarta, Otto often took part in the joint exhibitions in Jakarta and
Melbourne, Australia.
PAN ZHENGPEI
In 1953, Pan joined Lido Photo Studio as an apprentice photographer. Lido was not
among the array of photography studious spread over the country, providing general
services. In 1968 Pan has joined the two most established art societies in Singapore
– the Society of Chinese Artists and the Singapore Art Society. ln 1977, Pan visited
Bali for the first time out of curiosity. Like many other painters, he was inspired by
the legendary painting expeditions of the Singapore pioneer artists in the fifties.
However, his highly developed discipline never leaves him. Deliberately the exotic
women series takes a direction sharply different from the Woodlands Series. Instead
of the sombre mood of the Woodlands series with its black grey colour scheme
operating within rigid, upright and horizontal structures, the Exotic women series is
bold in mood, radiant in colour, in step with its spirited surging curves. (W. Y. Choy)
PANDU PRIBADI (Boyolali, Central Java, 1965)
Pandu Pribadi was born in Boyolali, Central Java in 20 June 1965. He studied
painting in FSRD ISI (Design and Art Faculty Indonesian Art Institute) in Yogyakarta in
1987-1990. He was participated in several group exhibition such as at Koong Gallery
Jakarta (2006), group exhibition the 87 ‘’Power and Spirit’’ at Taman Budaya
Yogyakarta (2007), Charity Painting exhibtion Lazis UII 1425 H, at Yogyakarta (2004),
Imagination and Reality, A Painting Exhibition by Heri Pemad, I Nengah Sujena,
Klowor, Pandu Pribadi and Soneo, The Regent Jakarta (2003).he held his first solo
exhibition in Seni Lukis Karya Pandu Pribadi at Tembi Galeri Bantul DIY (2002),
Diversity in Harmony at Taman Budaya Yogyakarta (2002), Pameran Seni Rupa in
moom gallery Jakarta (2002), Kecil itu Indah 5 dengan tema Lukisan Kehidupan
at Edwin Galeri Jakarta (1997), Exhibition Pandu, Duta Fine Arts Foundation
Jakarta(1996), Exhibition Pandu, Darga Fine Arts Gallery, Sanur, Bali (1996),
Exhibition Pandu, Duta Fine Arts Foundation, Jakarta (1996).
PRATOMO SUGENG (Ponorogo, East Java, 1946)
Born in Ponorogo, East Java, 1946. He studied painting under the realist painter,
Dullah. He held exhibitions in Jakarta, Solo, Yogyakarta and Bali. He believed
realistic style as art medium adaptable to the ever changing period. He became the
finalist of Indofood Art Awards in 2002.
R. HADI
He came from Semarang. He is a realist painter and one of painters that study under
guidance of painter Sudjono Abdullah. Many of art collectors have included his
painting as their precious art collections in Indonesia as well as abroad.
R.E HARTANTO (Bandung, 1973)
Born in Bandung, 1973. His academic background was painting major in Bandung
Intitute of Technology (ITB). He participated in many Artist-in-Residence &
Workshop programs. His latests solo exhibitions were “7 Bandung Artists Drawing
Exhibition” Common Room, Bandung (2004) and “Unseen Wounds” Koong Gallery,
Jakarta (2000). He also has participated in several group exhibitions such as in
Bandung, Jakarta, Magelang and Singapore.
ROSID (Ciamis, 1969)
Born in Ciamis, West Java, 1969. He studied art at SOS Bandung (1989 - 1991),
studdied painting at Rudy Pranadjaja, Bandung (1994) and Art Workshop at Bengkel
Seni Sunaryo, Bandung (2001-2002). He joined the R-66 studio, Bandung (1991 1993), Redha Studio and Tatang Ganar Studio, Bandung (1997 - 1999). He exhibited
his works in solo and group exhibitions. He held his one-man shows at Segenggam
Peduli Studio, Bandung (1999), Koong Gallery, Grand Melia Hotel, Jakarta (2000)
and Selasar Seni, Bandung (2002). He joined group exhibitions at Nusantara Gallery,
Jakarta (1999), Soemardja Gallery, Bandung, Edwin’s Gallery, Jakarta, Popo
Iskandar Museum, Bandung, (2001), Daejon Municipal Museum of Art, Korea and
Nadi Gallery, Jakarta (2003).
RUDOLF BONNET (Amsterdam, 1895 – 1978)
Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the
Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited
Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the
Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s
Association (1936). His works are amongst the collections of former President
Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum
Kroller Muller Otterlo and the Sinerg Museum in Laren.
RUDY PRANADJAYA (Cirebon, 1948)
Born in Cirebon, 1948. He studied painting under painter Barli and Srihadi
Soedarsono. He traveled to Europe to study and expand his art skills. He held
numerous painting exhibitions in Indonesia and overseas.
RUSLI (Medan, 1912 – Jakarta 2005)
Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana
Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he
taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined
Seniman Muda Indonesia (Indonesian Young Artists) and helped established the
Seni Rupa Masyarakat (Art for People Association). In 1955 he performed his
solo exhibition at Stedelijk Museum Amsterdam. His works were exhibited at the
Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo
Brancaccio, Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.
S. TEDDY D (Padang, 1970)
Born in Padang, West Sumatra, 1970. He studied at the Indonesian Arts Institute
(ISI), Yogyakarta (1992). He performed his solo exhibitions at Cemeti Contemporary
Art Gallery, Yogyakarta (1996, 1998), Kedai Kebun, Yogyakarta (1999), Essence
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Art Gallery, Jakarta (2000), and Cemeti Art House, Yogyakarta (2002). He joined
in several group exhibitions in Indonesia and abroad, Australia, Japan, the
Netherlands, and Germany.
S. TOYO (Blitar, 1935 – Malang, 2000)
Born in Blitar, East Java, 1935. He was well known as a through autodidact painter.
Since childhood he like to draw as a hobby with paint a shadow play with leather
puppets. He begin learning the people sketch hero faces, namely: Pangeran
Diponegoro, Raden Sentot, Kyai Modjo, Soekarno (First Presiden RI), Hatta (Vice
President), Jendral Sudirman, etc. He also has created his works on various themes.
SABRI (Jakarta, 1955)
Sabri was born in Jakarta on 30 November 1955. He was an autodidact artist that
learned painting since 1970. He has actively joined in several exhibitions such as
group exhibition at Depdikbud Jakarta 1991 and Balai Budaya Jakarta 1993.
SAFTARI (Payakumbuh, 1971)
Born in Payakumbuh, West Sumatra, September 10, 1971. He studied at the
Indonesian Institute of Arts (ISI), Yogyakarta. He actively participated in several
group exhibitions since 1996. He received award for the Best Watercolour painting
from his school (ISI) in 1996 and the finalist at the Indofood Art Awards, 2003.
SALIM (Medan, 1908)
Born in Medan, North Sumatra, 1908. He left for the Netherlands in 1920. He went
to France where he met Fernand Leger whom he studied painting with. He received
many awards from the France government as well as other International awards.
Until now, he still continues painting and lives in Paris.
SEKAR JATININGRUM (Yogyakarta, 1969)
Born in Yogyakarta, 1969. She studied art at the Indonesian Institute of Arts (ISI),
Yogyakarta. She represented her solo exhibitions at Kedai Kebun Gallery, Yogyakarta
(2000), and Edwin’s Gallery, Jakarta (2002). She joined in several group exhibitions,
Sasana Ajiyasa, ISI Yogyakarta (1996), Benteng Vredeburg,Yogyakarta (1997, 1998),
Purna Budaya, Yogyakarta (1999), Embun Gallery, Yogyakarta (2000), Nadi Gallery,
Jakarta (2001, 2002), etc.
SLAMET SONEO SANTOSA (Yogyakarta, 1977)
Slamet Soneo Santosa was born in Yogyakarta 1977. He studied in Senior High
School Yogyakarta and continued at ISI Yogyakarta (1996-2005). He has participated
in several group exhibitions “Transition” Bika Gallery Jakarta (2006), “I Hope” in
Four Season Hotel Jakarta (2005), “Time Reflection” in Yogyakarta and atc. He was
awarded as Finalis Philips Morris Art Award (2001).
SOEDIBIO (Madiun, 1912 - 1981)
Soedibio was born in Madiun, June 17, 1912. During 1940 he joined the PERSAGI
and founded The Young Indonesia Artist (Seniman Muda Indonesia) together
with S. Sudjojono, Trisno Soemardjo, D. Suradji and Sunindyo. In 1967 he joined
Sanggar Puri Surabaya and become a member of The Surakarta Culture Association
(Himpunan Budaya Surakarta) in 1970. During his carier as an artist, Soedibio
was very productive and participated in many exhibitions, especially from the
1950s to the 1970s. With support from Dewan Kesenia Jakarta (DKJ, Jakarta Arts
Council), his works were shown at Taman Ismail Marzuki art centre in Jakarta in
1976. Soedibio passed away in Surakarta (Solo) on 16 December 1981. He actively
performed exhibitions ever since in several city in Indonesia.
SOETOPO (Yogyakarta, 1931)
Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian Academy
of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso
tutelage. Since 1950, he was actively participated in many exhibitions and
handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret
Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala
Museum, Jakarta. following the exhibition welcomes the Asian-African Conference
in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur
International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang,
2002. Exhibition “Footsteps” at the Court of Djoko scream, Yogyakarta, 2003. Art
Exhibition “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang,
2004.
SUDARSO (Purwokerto, 1914 - 2006)
Born in Purwokerto, Central Java, 1914. Affandi was his customer when he was an
egg and milk seller. From that time he was interested in painting and learnt under
Affandi as well as young painters such as Barli, Wahdi, and Hendra. He became a
teacher at the Indonesian Fine Arts Academy (ASRI), Yogyakarta. He had participated
in numerous exhibitions and active in many painters organizations. Now he lives in
Sidoarjo, Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in group
exhibition “19 Indonesian Painter” in Singapore and Malaysia, 1967. And Reunion
exhibition painter “Angakatan 45 Bandung” in Bandung,1975. Exhibition of Fine Art
“Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004.
SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993)
Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son of Abdullah
Suriosubroto, a famous landscape painter and was also the brother of Basoeki
Abdullah. He used to help his father cleaned the pallet from which he found his
contenment to be a painter. He finished his school from HIS – Indonesian Dutch
School and worked as a poster artist for the Rex Theater in Yogyakarta. During the
Japanese colonization in Indonesia, Sudjono went to Parangtritis, Parangkusumo
where he continued painting. During the 1970s, Soedjono moved to Kertosono in
East Java, where he lived up to his death in the village of Pisang at Patian Rowo
on 2 May 1993.
SUPRIHADI (b. 1966)
Born on 2 January 1966. He has been actively participated in several group
exhibitions such as at Taman Budaya Medan (1998-2004), TIGA exhibition at Mita
Gallery Medan (1999), group exhibitions at Taman Budaya Jambi (2003), SIMPASSRI
exhibition Medan (2006-2008), “Retrospektif Seni Rupa” exhibition at Dharma Deli
Medan (2008), TO2 Gallery Medan (2009), Lindi gallery Medan (2010), exhibition at
ASEANA Gallery Singapore (2011).
SUSILO BUDI PURWANTO (Magelang, 1966)
Born in Magelang, 26 July 1966. He graduated from ISI Yogyakarta majoring Fine Art
in 1995. He joined several exhibitions among other “Dies Natalis ISI-3” in Yogyakarta
(1987), “Ragam Bahasa Pelukis Muda” in Edwin’s Gallery Jakarta (1999), “Mosaic of
Contemporary Indonesian Fine Art” in Vanessa Art House Jakarta (2004), “People
Need The Lord” in Jakarta (2006), and “A Beautiful Death” in Bentara Budaya
Yogyakarta, Malang, Surabaya and Bali (2007).
SUWAJI (Yogyakarta, 1942)
Born in Yogyakarta 1942. He studied at Indonesian Fine Art Academy Yogyakarta
in 1958 and after graduated he teaches in that academy till this moment. His solo
exhibition was held at Gothe German Institute. He participated in group exhibitions
in several times besides exhibitions with “19 Pelukis Indonesia” in Singapore and
Malaysia in 1967, he received the Wendy Sorenson Memorial Fund Aeard in 1977,
group exhibitions in ASEAN countries (1985), solo exhibition at Melia purosari
76
Hotel, Yogyakarta (1994), Fine Art Exhibition International Borobudur Festival in H.
Widayat museum (2003).
TATANG KOENTJORO (b.Semarang. Central Java - 1993)
Born in Semarang, Central Java (?). He studied painting under painter Hadi in
Semarang. He received the First Prize for the Book Cover Competition held by
the French Embassy in 1955. He held his solo exhibition in 1952 and participated
actively in several group exhibitions in various cities in Indonesia.
TEGUH OSTENRIK (Jakarta, 1950)
After graduated in 1980 from the Fine Arts Department of Hochschule der Kuenste,
West Berlin or Germany, he stayed in New York/USA, Amsterdam/The Netherlands
and Cologne/Germany. In 1988, Teguh as an established painter and sculptor came
back to Indonesia. He has had more than one hundred solo and group exhibitions in
USA, France, The Netherlands, Germany, Australia, Singapore, Malaysia, Thailand,
The Philippines, Hong Kong, Japan, Indonesia (Jakarta, Bandung, Yogyakarta, Solo,
Surabaya, Bali). His art works are collected by a lot of national and international
institutions and corporations. Awards received include Top Ten Philip Morris Art
Award in 1997. He was one of the Juries in 2005 and 2007 China ASEAN Youth Art
Competition in Nanning/China. In 2006 he was invited as a guest lecturer in Beijing
Central Academy of Art. In 2007 he stayed in Penang or Malaysia as an Artist in
Residence, a Program of ABN-AMRO and Wawasan Open University.
TING CHO CHIEN (Sarawak, Malaysia, 1970)
Born in Sarawak, Malaysia, 1970. He held Fine-art Diploma from the Central
academy of Art. Since 1987, he extensively participated in many group exhibitions
in Malaysia and overseas, among others are group exhibition at Australia High
Commission, at National Art Gallery, Malaysia, group exhibition at Beijing, China,
group exhibitions at Art Deco, etc. He received awards of Cornucopia of Malaysia
Arts, 1996 and awards of “Pertandingan Karya Seni Kreatif Kebangsaan PNB”, 1997.
He used watercolor and oil on his paintings. Subject of paintings are mostly about
Kampung lifestyle and Batik.
UMI DACHLAN (Cirebon, 1942 – Bandung, 2009)
Born in Cirebon1942. She studied painting at the Faculty of Fine Arts and Design
at Bandung Institute of Technology (ITB). After graduating in 1968, she became a
lecturer there in 1969. Umi later went on to study at the Gerrit Rietveld Academy
in Amsterdam, The Netherlands, from 1977 to 1979. The Artist has participated in
many group exhibitions in Indonesia and Japan, Malaysia, Singapore, Hong Kong,
Korea, Jordan, Belgium, the Netherlands, Denmark and Cape Town in South Africa,
including Festival pf Indonesia in America Touring exhibition in 1990 to 1991, and
she has held several solo exhibitions at Taman Ismail Marzuki art Centre Jakarta
in 1977 and 1980, Gallery in Bandung in 1990, and Andy’s Gallery in Jakarta in
2000. She was guided from the painter, Achmad Sadali that greatly influenced her
works. Most of her works were deeply rooted in religion and spiritually. She died in
Bandung 1 Januari 2009.
V.A SUDIRO (Yogyakarta, 1939)
Born in Yogyakarta, 1939. He performed his solo exhibition in Jakarta (1982, 1984).
He actively participated in several group exhibitions, among others at the Biennale
I, II, Yogyakarta (1988), Yogyakarta.
WAYAN KUN ADNYANA (Bangli, Bali, 1976)
Was born in Bangli, Bali 4 April 1976. He graduated school was followed in PPS
ISI Yogyakarta (2006-2008). He has held first solo exhibition such as pameran
‘’Kamasukha’’ di Genta Gallery, Ubud (2003). He was actively in several group
exhibition such as exhibition Tour de Java ‘’Skill for Power’’ at V Gallery Jakarta
(2005), Dalem Hamur Sava Gallery Yogyakarta, Malang, and Surabaya (2005), ’Power
of Mind’’ di Orasis Gallery, Surabaya (2006), Pameran Young Arrows’’ Yogya Gallery,
Yogyakarta (2006), Pameran Ilustrasi Cerpen Kompas di Bentara Budaya Jakarta
(2007), Biennale Yogya ‘’Neo Nation’’ di Sangkring Art Space Yogyakarta, Sanur Art
Festival di Danes Art Veranda, Denpasar; Pameran ‘’A Beautiful Death’’ at Bentara
Budaya, Yogyakarta, Orasis Gallery, Surabaya dan Darga Gallery Sanur, Bali. He
received award the Winner Youngest Artist Parpostel IX Denpasar (1998), Kamasra
Price Best art work (1999), Nominasi Philip Morris Indonesian Art Awards (2002),
Best Predikatcum laude graduated of STSI Denpasar (2007), Awarded Widya Pataka
from Provincial Government Bali field of writing art criticism.
WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002)
Born in Kutoarjo, Central Java, 1919. He studied at the Indonesian Fine Art Academy
(ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received
BKPM award (1953), a cultural award from the Indonesian Government (1972), the
Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam
(1993). His works have been shown throughout Indonesia and abroad. He performed
his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and
participated in joint exhibition in Japan, Netherlands and United States for KIAS
(1990 – 1991).
WIMO AMBALA BAYANG (Magelang, 1976)
Born in Magelang 14 October 1976. He studied in the Interior Design Program at
the Modern School of Design and the Photography Department at the Indonesian
Institute of the Arts in Yogyakarta (1995-1996) and Photography Department,
Indonesian Institute of Art Yogyakarta (1996-2000). He received awards for the
Best Black and White Photo Print, Record Media Faculty, Indonesia Institute of
Art Yogyakarta (1997), and the Best Art Photography, Indonesia Institute of Arts,
Yogyakarta (1998). He performed solo exhibitions/project such as Select All, Ruang
Mes 56, Yogyakarta (2003), Wimo Film and Video Festival, Kedai Kebun Forum,
Yogyakarta (2009), Not So High (Heels), d Gallerie, Jakarta (2010), ISHOT, ART DEPT
@The Goods Dept, Jakarta (2011).
YAP HIAN TJAY (Surakarta, Central Java, 1927)
Born in Surakarta, Central Java, 1927. He studied art in Academy Voobeeldende
Kusten in Rotterdam & Rijksacademie in Amsterdam, The Netherlands on 19501957. He was known as the pupil of Siauw Tik Kwie who still consistent painting
and maintaining his excellent quality. His works were collected by collectors in
Indonesia, Vietnam, Polandia and abroad.
ZIRWEN HAZRY (Taratak, Padang, 1968)
Born in Taratak, Padang, on 21 March 1968. He graduated from IKIP Padang. He
has actively participated in several group exhibitions such as “Peksiminas II” in
Denpasar, Bali (1993), “Peksiminas III” in Jakarta (1995), “Se-Sumatra III” in
Pekanbaru (1995), “Alumni SMSR Padang” at Taman Budaya West Sumatra (1996),
“Membaca Geliat Seni Rupa SUMBAR Kini” at Galeri Serasah Padang (2002),
“Kelompok Pentagon” di hotel Bumi Minang, Padang (2003), “Finalis Kompetisi
Indonesia /ASEAN Art Awars 2003” in Sekretariat ASEAN, Jakarta, Road Show Tiga
Kota “The Realistage”, at Galeri Goong, Bandung - Galeri Semar, Malang - Museum
H. Widayat, and Magelang. He awarded several awards.
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