the royal air force planes
Transcription
the royal air force planes
AEROPAINTING Aeropittura “Aeropainting” was a variation of Italian “Futurism”, an artistic movement which developed from 1929 to 1940 and involved many forms of art including painting. Aeropainting shows the enthusiasm of the flight, the dynamism and the speed of planes. It was launched in a manifesto of 1929: “Perspectives of flight”. The best Italian artists were: -Giacomo Balla -Fortunato Depero -Enrico Prampolini -Gerardo Dottori -Tullio Crali Giacomo Balla Giacomo Balla (18711958) was an Italian painter, sculptor and set designer. He was among the first painters of aeropainting and he composed many works in his early teen years. Futur (1923) Flight of the swallows (1913) Fortunato Depero Fortunato Depero (1982-1960) was an Italian painter, sculptor and graphic designer. Depero painted sketches made from poor materials (wires, glass, cardboard, tissue, paper), which were able to incorporate all the artistic languages , from painting to sculpture, to music and architecture. Grattacieli e tunnel (1930) (Skyscrapers and tunnel) Il ciclista attraversa la città (1945) The biker crossing the town Enrico Prampolini Enrico Prampolini (1894–1956) was an Italian futurist painter, sculptor and scenographer. Prampolini was active in aeropainting and he pursued a programme of abstract and almostabstract painting, combined with a career in stage design. Il pilota dell’infinito (1932) The pilot of the infinity Costruzione spazialepaesaggio (1919) Spacious constructionlandscape Gerardo Dottori Gerardo Dottori (1884-1977) was an Italian futurist painter. He signed the Futurist manifesto of aeropittura in 1929. Dottori's main output was the representation of landscapes and visions of Umbria (a central Italian region), mostly overviewed from above. Lago umbro (1942) Lake in Umbria Umbria vergine (1949) Virgin Umbria Tullio Crali Tullio Crali (1910– 2000) was an Italian artist associated with Futurism. He is known for realistic paintings that combine "speed, aerial mechanization and the mechanics of aerial warfare”. His enthusiasm for flying and his experience as a pilot influenced his art: his earliest works represent military planes, aerial squadron and aerial duel. In the 1930s, his paintings became realistic since they intended to communicate to the viewer the experience of flight. Il pilota (1910) – The pilot ACROBAZIE IN CIELO (1930) – Acrobatics in the sky THE ROYAL AIR FORCE HISTORY The RAF was founded in 1918, toward the end of World War I by merging the Royal Flying Corps and the Royal Naval Air Service. After the war, the RAF was greatly reduced in size and during the inter-war years it was used to "police" the British Empire. The RAF underwent rapid expansion prior to and during the Second World War. During the war it was responsible for the aerial defence of Great Britain, the strategic bombing campaign against Germany and tactical support to the British Army around the world. THE ROYAL AIR FORCE PLANES Supermarine Spitfires It became the symbol of the Battle of Britain, it is a British single-seat fighter aircraft that was used by the Royal Air Force and many other Allied countries in the Second World War Handley page Halifax The Handley Page Halifax was one of the fourengined heavy bombers of the Royal Air Force during the Second World War. A contemporary of the famous Avro Lancaster, the Halifax remained in service until the end of the war, performing a variety of duties in addition to bombing. Avro Lancaster The Avro Lancaster is a British fourengined Second World War heavy bomber designed and built by Avro for the Royal Air Force (RAF). It first saw active service with RAF Bomber Command in 1942 and, as the strategic bombing offensive over Europe gathered momentum, it became the main heavy bomber used by the RAF THE BATTLE OF BRITAIN This is the name given to the Second World War air campaign waged by the German Air Force (Luftwaffe) against the United Kingdom during summer and autumn of 1940. The Battle of Britain was the first major campaign to be fought entirely by air forces, and was also the largest and most sustained aerial bombing campaign to that date. The objective of the campaign was to gain air superiority over the Royal Air Force (RAF), especially Fighter Command. At the start of the war, Germany had 4,000 aircraft compared to Britain's front-line strength of 1,660 Although on paper the Luftwaffe appeared to have the advantage in numbers of planes, pilots and experience. Britain had RADAR which gave them early warning of the approach of the German planes. Moreover British fighter planes could spend more time in the air over Kent and Sussex as they could easily land for fuel whereas the German fighters could not. The battle began in midJuly and, initially, the Luftwaffe concentrated on attacking shipping in the English Channel and attacking coastal towns and defenses. From 12 August, Goering shifted his focus to the destruction of the RAF, attacking airfields and radar bases. However, Goering grew frustrated by the large number of British planes that were still fighting off his attacks. On September 4th, the Luftwaffe switched tactics again and, on Hitler's orders, set about destroying London and other major cities. Eleven days later, on what became known as 'Battle of Britain Day', the RAF savaged the huge incoming Luftwaffe formations in the skies above London and the south coast. It was now clear to Hitler that his air force had failed to gain air superiority so, on 17 September, he postponed his plans to invade Britain. His attention was now focused on the invasion of the Soviet Union, although the Luftwaffe continued to bomb Britain until the end of the war. It's difficult to establish an exact figure of how many aircraft were shot down in the Battle of Britain, partly because both sides tended to exaggerate their successes and downplay their losses. However, it's estimated that between 10th July and the end of October 1940, the RAF lost around 1,023 aircraft whilst the Luftwaffe lost 1,887.