ART - World Evangelical Alliance

SEPTEMBER 2010
VOLUME 9 NUMBER 2 & 3
TABLE OF CONTENTS
table of contents
Connections: The Journal of the WEA
Mission Commission
Double Issue: Vol. 9. No.2-3 2010
“Arts in Mission”
Setting the Stage
2 Table of Contents the feast before us
3 William Taylor, Editor
“Setting the stage”
4 Bertil Ekström editorial “From my corner”
5 John Franklin
report on the AiM Task Force Launch
Biblical/Theological Foundations
6 John Franklin Practicing Hospitality:
Arts and the Missional Task
7 Ed Lapiz Where Every Nation Has a
Contribution
9 Colin Harbinson
Art as Authentic Witness
11 Roberta King Christ Plays in Ten
Thousand Places: Challenges and
Possibilities for Music and the Arts
in Mission
Mission, Arts & Culture
15 Brian Schrag
Why Local Arts are Central to Mission
15 Neil Coulter book review of Andrew
Midian’s The Value of Indigenous
Music in the Life and Ministry of
the Church
17 Gordon T. Smith
Arts and the ministry of Evangelism
Music and Missions
20 Frank Fortunato From Streams to
Gushing Rivers - 50 years of
Music Missions
22 Robin Harris Contextualization:
The Intersection of Form
and Meaning
Drama and Mission
24 Julisa Rowe Ethnodramatology:
Using indigenous drama forms
26 John Alderson Ethnodramatology:
Celebrating Cultural Uniqueness
Visual Art and Mission
28 Jen G. Visual arts as resource
for missional work
30 Dianne Collard A Plea for Forgiveness
and Reconciliation
Film
31 John Gilman ‘They’re killing an innocent
man!’ Film as evangelism in India
32 Clyde Taber Contextualizing the
Gospel in a Visual World
Challenges & Possibilities 1:
34 Bill Harris The Church Planter and the
Artist: Becoming Partners in Ministry
The Church, Mission, and Arts:
35 David Taylor The church’s role in
shepherding the artist
37 Rob Hewell Foolishness: How Art that
“Makes Sense” May Miss the Point
39 Jaewoo Kim The Whole World Has
Gone Glocal, How About Your
Worship?
40 Steve Sang-Cheol Moon Nam Seoul
Grace Church in Korea – “Role of art
in Nam Seoul Church”
42 Steve Hoke & Sandra Van Opstal
Multi-ethnic worship worldwide
44 Jo White Stations of the Cross
Global Voices
Engaging the arts in mission
46 Miriam Adeney Songs like tropical
fish: Splashes of God’s creativity
48 Adella Thompson
Artist’s Statement and Photos
Challenges and possibilities 2:
49 Byron Spradlin Worship & Arts in
Missions: How God is Shaping
Ministry
Challenges & Possibilities 3:
50 James Krabill These People Aren’t Really
Christian, Are They?
51 Jean Ngoya Kidula Fanueli Sedekia
and Worship leading in East Africa
52 Ian Collinge The Growth of Arts
among Tibetan Ethnic Christians in
Nepal
53 Glenn Stallsmith & Bagly Arsenio
Preserving Cultural Traditions for
Outreach
54 Joyce Scott Local arts bring peace
to hurting people ArtsLink - A Woman
of Noble Character
Challenges & Possibilities 4:
56 Brian Schrag The ABCs of World
Arts Advocacy
59 Joyce and Neil Coulter Lidia: Freedom
Through Authentic Alamblak Worship
60 Greg Kernaghan Transmitting truth
with what’s in hand
61 Eric Jones Giving Back a Treasure:
How honoring local arts can establish
relationship with a community
62 Frank Fortunato Two stories from
the HSI archives:
• Dinka Worship: Keeping Strong in
the Midst of Persecution
• Breathtaking Moment in Mongolia
64 Stefan Eicher
The Art of Discipling a Nation
65 Trevor Sampson Restoring the Sound
in Cape Town
66 Bob Ulfers One for each chapter
67 Dancelink Rescuing girls in India
68 Bernard Racicot Art (French & English)
70 Heber Negrao (Portuguese) De noite
está comigo a sua canção
70 Paul Nethercott Film as Mission:
“Bringing Light to Dark Places”
71 J. Nathan Corbitt Artists responding
to crisis and serving for development
Challenges & Possibilities 5:
74 Roch Ntankeh La nécessité de
développer les rythmes traditionnels
75 Laurie Williams Haiti’s Unfading Song
Beginning an Arts Ministry
75 Bill Drake OM Arts International:
A Divine Tapestry of Convergence
76 Art Santos Initiating an EthnoArts
Network
78 JaeWoo Kim & Paul Neeley Korean
Ethnodoxology Initiative - Assisting
Korean Missionaries with Culturally
Appropriate Worship-Arts
79 Robin Harris From isolation to
‘Community of Practice’: The
formation of the ICE network
80 Josh Davis PROSKUNEO: Bringing
nations together in worship
Training Centres & Guidelines
for Programs
81 SIL Arts Training Partners
83 Fuller Theological Seminary
84 Liberty University (Virginia)
84 All Nations (UK)
85 Houghton College (New York state)
86 YWAM’s School of Gospel
Contextualization (Panama)
87 Moody Bible Institute (Chicago, IL)
88 Belhaven University (Jackson, Miss)
88 Eastern University “Arts in
Transformation” MA concentration
Resources
89 Julie Taylor Taking It to the
Streets: Using the Arts to Transform
Your Community
90 Vernon Charter All the World is Singing
92 Steve Scott and John Franklin
Annotated Bibliography
92 Scott Moreau Web Resources
93 Colin Harbinson’s “Stone by Stone”
Networks:
95 Asian Christian Art Association
96 Overseas Ministries Study Center
97 International Orality Network
97 International Council of
Ethnodoxologists 98 StoneWorks
98 Visual Story Network
98 Imago Canada
2
VOLUME 9
8 NUMBER 2
3&3
SETTING THE STAGE
William Taylor is Ambassador at large of the WEA.
He also is a staff member of the Mission Commision.
William Taylor, Editor
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3
CONNECTIONS
SETTING THE STAGE
Bertil Ekström serves the WEA Mission Commission
as Executive Director.
He is a staff member of Interact as well.
Bertil Ekström, Executive Director
FROM MY CORNER
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VOLUME 9
8 NUMBER 2
3&3
SETTING THE STAGE
John Franklin is Executive Director of Imago, a national initiative in support of Christians
in the arts in Canada. He is based in Toronto and, before joining Imago in 1998, he taught
philosophy at Tyndale College. Currently, he is an adjunct professor in theology at Tyndale
Seminary and Toronto School of Theology at the University of Toronto.
His special interest is in theology and the arts. He also serves as Chair of Lausanne Canada
and Co-ordinator of the WEA-MC Task Force on Art in Mission.
John Franklin
ARTS IN MISSION TASKFORCE
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5
CONNECTIONS
BIBLICAL / THEALOGICAL FOUNDATIONS
John Franklin is Executive Director of Imago, a national initiative
in support of Christians in the arts in Canada. He is based in
Toronto and, before joining Imago in 1998, he taught philosophy
at Tyndale College. Currently, he is an adjunct professor in theology at Tyndale Seminary and Toronto School of Theology at the
University of Toronto. His special interest is in theology and the arts. He also serves as Chair
of Lausanne Canada and Co-ordinator of the WEA-MC Task Force on Art in Mission.
John Franklin - Co-ordinator Arts and Mission Task Force artsinmission@gmail.com
BIBLICAL&
THEOLOGICAL
FOUNDATIONS
Arts and the Missional Task
John Franklin
PRACTISING HOSPITALITY
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VOLUME 9 NUMBER 2 & 3
BIBLICAL / THEALOGICAL FOUNDATIONS
1 Ralph Wood, “Hospitality as the Gift Greater than Tolerance: G. K. Chesterton’s The Ball and the Cross,” from The Dialogue of Cultures: A
Conference Sponsored by the University of Notre Dame, December 1, 2007. 2 Calvin Seerveld, Bearing Fresh Olive Leaves, Carlisle, UK: Piquant
Books, 2000. 3 Said tells this story under the title Bonding Across Cultural Boundaries
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Pastor Ed Lapiz founded Kaloob Philippine Music and Dance Ministry to
research, teach, and promote the use of indigenous arts in Christian worship.
WHERE EVERY NATION
HAS A CONTRIBUTION
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7
CONNECTIONS
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Dr. Colin Harbinson has been involved in the arts, education, and missions for forty years. He pioneered
arts in mission at YWAM and has partnered with several other global agencies to develop the arts within
a mission context. Colin was the artistic director of historic cultural exchanges with Russia, Bulgaria,
and China; he chaired the Redeeming the Arts Issue Group for the Lausanne movement; and is currently
the International Director of StoneWorks—a Belhaven University global arts initiative.
Colin Harbinson
ART AS AUTHENTIC WITNESS
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9
CONNECTIONS
BIBLICAL / THEALOGICAL FOUNDATIONS
1 Neil Postman, The End of Education (New York 1995), p. 84. 2 Frank Whiting, An Introduction to the Theatre (New York 1978), p. 105.
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Roberta R. King, Ph.D., is associate professor of communication and ethnomusicology in
Fuller Seminary’s School of Intercultural Studies where she oversees and teaches in the
Global Christian Worship/Ethnomusicology program. Dr. King’s mission experience includes
twenty-two years in Africa, based in Nairobi, Kenya at Daystar University and serving with
WorldVenture across the continent. She specializes in cross-cultural Christian music communication and is currently doing research in the Middle East and Southeast Asia
Challenges and Possibilities for Music and the Arts in Mission
CHRIST PLAYS IN
Roberta R. King
TEN THOUSAND PLACES
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“Afrizo, from Daystar University in Nairobi, Kenya leads worship and interconnects with Fuller Theological Seminary in Pasadena, California.”
11
CONNECTIONS
BIBLICAL / THEALOGICAL FOUNDATIONS
“Crowds gather to witness the 100th
anniversary of the first Adventist
missionaries’ arrival in PNG. What are
the heart musics of PNG?”
“Nyarafolo-Senufo believers in Côte
d’Ivoire, West Africa in the process of
studying the Scriptures and composing an oral translation for their
people.”
“A Classical Arab Music Ensemble with
Muslim Sheik and Orthodox Priest in
Beirut, Lebanon, draws together both
Muslims and Christians in celebration
of the “Annunciation.”
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Challenge 2: Pursue Authenticity and
Meaningful Communication
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12
Challenge 3: Develop Comprehensive
Artistic Translations of the Gospel
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Challenge 4: Expand the Role of
Music and the Arts in Mission and
VOLUME 9 NUMBER 2 & 3
“Doctor of Missiology students in
Ethnomusicology at Fuller Seminary
of varying heritages learn about the
Hawaiian Ukulele, and its role in building community within society.”
Ministry
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Challenge 5: Explore Larger Global
Issues: Peace, Justice, and Interfaith
Relations
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BIBLICAL / THEALOGICAL FOUNDATIONS
For further reading:
Hiebert, Paul G. Anthropological Insights for Missionaries.
Grand Rapids, MI: Baker Book House, 1985.
King, Roberta R. A Time to Sing: A Manual for the African Church.
Nairobi: Evangel Publishing House, 1999.
King, Roberta R., Jean Ngoya Kidula, James Krabill, and Thomas Oduro.
Music in the Life of the African Church. Waco, TX: Baylor University Press, 2008.
Lederach, John Paul. The Moral Imagination: The Art and Soul of Building Peace.
Oxford: Oxford University Press, 2005.
Peterson, Eugene H. Christ Plays in Ten Thousand Places: A Conversation in Spiritual
Theology. Grand Rapids, MI: William B. Eerdmans, 2005.
Wade, Bonnie C. Thinking Musically: Experiencing Music, Expressing Culture.
New York: Oxford University Press, 2004.
Walls, Andrew F. The Missionary Movement in Christian History:
Studies in the Transmission of Faith. Maryknoll, NY: Orbis Books, 1996.
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13
CALVIN INSTITUTE OF CHRISTIAN WORSHIP
publications
for the study and renewal of worship
14
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VOLUME 9 NUMBER 2 & 3
MISSION ARTS & CULTURE
Brian Schrag holds an MA in Intercultural StudiesEthnomusicology and a PhD. in Ethnomusicology. He is head
of SIL International’s Ethnomusicology and Arts Group and
coordinates and teaches in the World Arts program at the
Graduate Institute of Applied Linguistics (www.gial.edu). He worked as an arts consultant in Central Africa for seven years and currently serves as Vice President of
Education and Training for the International Council of Ethodoxologists (ICE).
MISSION
ARTS&
CULTURE
WHY LOCAL ARTS ARE
CENTRAL TO MISSION
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Neil R. Coulter has lived in Papua New Guinea since 2002.
He is an ethnomusicology consultant with SIL International.
His primary research interest is music shift: the changing balance of available
music styles in small language communities.
BOOK REVIEW
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15
CONNECTIONS
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VOLUME 9 NUMBER 2 & 3
MISSION ARTS & CULTURE
Dr. Gordon T. Smith,
President reSource Leadership International
Canada
Gordon T. Smith
THE ARTS AND THE MINISTRY
OF EVANGELISM
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18
VOLUME 9 NUMBER 2 & 3
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19
CONNECTIONS
MUSIC&
MISSION
MUSIC & MISSION
Frank Fortunato has an MA in ethnomusicology and is OM’s
International Music Director, coordinating Heart Sounds
International, a ministry promoting indigenous worship through
seminars, songwriting events, and recordings, mostly in the restricted parts of the world. He is involved in teaching on global
worship music as well as leading worship at a local church. In 2006,
he co-edited All the World is Singing: Glorifying God Through
the Worship Music of the Nations. He is the Vice President of the
International Council of Ethnodoxologists (ICE).
Fifty Years of Music Missions
Frank Fortunato
FROM STREAMS TO GUSHING RIVERS
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21
CONNECTIONS
MUSIC & MISSIONS
Robin Harris has MAs in Intercultural Studies and Ethnomusicology and is completing
PhD studies in Music (Ethnomusicology) at University of Georgia Athens. She served as
a missionary for a decade in northern Russia as well as a number of years in Alaska
and Canada. She is currently an ethnomusicology consultant focusing on Siberian
musics for Heart Sounds International (a ministry of Operation Mobilization) and
serves as Executive Director for International Council of Ethnodoxologists (ICE).
Exploring the intersections of form and meaning
CONTEXTUALIZATION Robin P. Harris
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VOLUME 9 NUMBER 2 & 3
MUSIC & MISSION
1 Used here to mean an inappropriate mixing of Christianity with paganism or another religion. 2 Defined here as the wise use of culture and
local context to express some aspect of biblical Christianity. 3 Although the term “form” has a broader meaning, I use it here to mean a cultural
expression such as a type of song, ritual, poem, dance, visual art, or other artistic expression.
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References
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BD
23
DRAMA & MISSION
DRAMA&
MISSION
Julisa Rowe is with Artists in Christian Testimony and is based
in Kenya. There she trains leaders in using drama as a
powerful tool for communicating God’s truth and touching
hearts for transformation. She has a BA in Theatre, an MA in
Intercultural Ministries and a D.Missiology in ethnodramatology.
Using Indigenous Drama Forms
to Communicate Christ Dr. Julisa Rowe
ETHNODRAMATOLOGY
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Kenyan Drama
Kenyans Acting
Playback for bitok
The questions below give a starting
point for analysis:
25
CONNECTIONS
DRAMA & MISSION
John Alderson has served as the director of Creative Arts, Resources, and Evangelism
with YWAM – Los Angeles, as the director of the arts, as well as a consultant for the
local church, with over twenty-five years of experience engaging the arts to reveal
the truth; he is currently a postgraduate student at the Cook School of Intercultural
Studies, Biola University. Contact: john.alderson@biola.edu.
Celebrating Cultural Uniqueness
John Alderson
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CONNECTIONS
VISUAL ART & MISSION
VISUAL ART
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HOW THE ARTS ARE A
VALUABLE RESOURCE
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Jen G
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VOLUME 9 NUMBER 2 & 3
VISUAL ART & MISSION
A group of Middle Eastern child care
workers
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Art work done by a child in trauma
,whose mother set herself on fire
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CONNECTIONS
VISUAL ART & MISSION
Dr. Dianne B. Collard is an internationally known speaker, writer and missionary. She
serves as an Arts Advocate with Artists in Christian Testimony International. Her doctoral research was on the role of visual art within the evangelical churches of Europe.
Dianne and her husband live in North Carolina.
Dr. Dianne B. Collard
A PLEA FOR FORGIVENESS
AND RECONCILIATION
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VOLUME 9 NUMBER 2 & 3
FILM
FILM
Rev. Dr. John Gilman is President and Founder of Dayspring
International. For the past thirty-one years Dayspring
International has been the distributor of Daya Sagar in India.
As importantly, Dayspring through film team evangelism has
shared the Gospel in thousands of Indian villages. For the
past ten years Dayspring has been in strategic alliance with
Operation Mobilisation of India working among the Dalits.
www.dayspringinternational.org
Film as Evangelism in the Indian Context
Dr. John Gilman
THEY’RE KILLING
AN INNOCENT MAN!
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Clyde Taber leads the Visual Story Network, a coalition launched to expand a global movement
of visual story for the kingdom of God. From 2000 – 2006 he led the development of innovative media initiatives for the JESUS Film Project including “Magdalena: Released from Shame,”
the Damah Film Festival, “JESUS: Fact or Fiction?” “the_Oracle,” and the Creativity Summit.
Prior to this he directed campus ministry in Paris, France and coordinated the campus work
of Campus Crusade for Christ throughout North Africa, the Middle East and Central Asia.
the Gospel in a Visual World
Clyde Taber
CONTEXTUALIZATION
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3. The gap between creative and
33
CONNECTIONS
CHALLENGES AND POSSIBILITIES 1
Bill Harris has served as a missionary church planter, videographer, administrator
and educator for over twenty-five years.
CHALLENGES&
POSSIBILITIES
Becoming Partners in Ministry
THE CHURCH PLANTER
AND ARTIST
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34
Bill Harris
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VOLUME 9 NUMBER 2 & 3
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David Taylor was the Arts Minister at Hope Chapel in Austin, Texas, for 12
years. Born and raised in Guatemala City, he studied at the University of Texas,
Georgetown University, the University of Würzburg and Regent College in Canada,
where he received degrees in theology (M.A.) and biblical studies (Th.M.). He edited the book For the Beauty of the Church: Casting a Vision for the Arts (Baker
Books, 2010). He has written for Books & Culture, CIVA Seen, Christianity Today,
Q, The Living Church and The Christian Vision Project. His artistic interests include playwriting, modern dance and film. He and his wife Phaedra currently live in
North Carolina, where he is pursuing doctoral studies at Duke University.
David Taylor
PASTOR & ARTIST
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35
CONNECTIONS
A Vision
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Casting A Vision FOR THE Arts
9780801071911 • 208 pp.
Contributors Include:
“David Taylor deserves kudos for an engaging and mature book on art’s place in
the church. His contributors show a sane appreciation for creativity in the church.
It’s hard to read their words without wondering how one’s own congregation
might benefit from a more robust commitment to beauty.”—Christianity Today
• Eugene Peterson
• Lauren Winner
• Andy Crouch
• Barbara Nicolosi
Available at local bookstores, www.bakerbooks.com, or by calling 1-800-877-2665.
Subscribe to Baker Publishing Group’s Tools for Christian Leaders e-newsletter at www.bakerbooks.com.
36
U
VOLUME 9 NUMBER 2 & 3
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[OLHY[PZ[PJYLUL^HSVM[OL^VYSK •
Rob L. Hewell is Associate Professor at Ouachita Baptist University,
Arkadelphia, Arkansas, where he also serves as chair of the Department of
Church Music. He holds degrees from Midwestern State University, Southwestern
Baptist Theological Seminary, and San Francisco Theological Seminary.
How Art that “Makes Sense” May Miss the Point
Rob L. Hewell
FOOLISHNESS
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37
CONNECTIONS
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ETHNOMUSICOLOGY
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THRL[OLWVPU[VM[OLNVZWLSJSLHY•
M.A. IN ETHNOMUSICOLOGY
42 credit hours
M.A. IN WORSHIP STUDIES,
with a specialization in ethnomusicology
45 credit hours
(15 are towards specialization)
Combine your passions for music and
people! Enroll in one of Liberty University’s
ethnomusicology programs.
WWW.LIBERTY.EDU/ETHNOMUSICOLOGY
BURG, VIRGINIA |
COURSES AVAILABLE ONLINE AND RESIDENTIALLY. | LIBERTY UNIVERSITY | LYNCH
38B(WKQRPXVLFRORJ\$GLQGG
30
VOLUME 9 NUMBER 2 & 3
CHURCH, MISSION & ARTS
Jaewoo Kim is a worship pastor at Journey of Faith Church in Dallas, TX. He is also
a director of King’s Region Worship Ministry, which assists Korean missionaries and
church leaders in implementing worship-arts in missions
How about your worship?
Jaewoo Kim
THE WORLD HAS GONE LOCAL
1 Bob Roberts Jr., Glocalization, How followers of Jesus Engage a Flat World, Grand Rapid, MI: Zondervan,
2007. 2 Bob Sjogren, Unveiled at Last, Seattle, WA: YWAM, 1998. 3 “Throughout history, God has always
been a sender. After all, He sent us His Son, who in turn sends us.” From Sent: Living the Missional Nature
of the Church, by Ed Stetzer, Nashville, TN: LifeWay Church Resources, 2009. 4 International Council of
Ethnodoxologists provide various resources through www.worldofworship.org 5 Visit www.opendoorsusa.org
6 www.candler.emory.edu/about/faculty/DANIEL/globaltexts/Archive/Whiteman%20on%20Contextualization.
htm 7 See www.youtube.com/user/HSIOM for 50 video examples of global Christian worship.
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39
CONNECTIONS
CHURCH, MISSION & ARTS
Steve S. C. Moon, Ph.D. is executive director of Korea Research Institute for
Mission and Pastor of Mission Education at NamSeoul Grace Church.
NAMSEOUL GRACE CHURCH
SEOUL KOREA
Steve Sang-Cheol Moon
NamSeoul means South Seoul in Korean. Miral means grain of wheat in Korean.
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VOLUME 9 NUMBER 2 & 3
CHURCH, MISSION & ARTS
:HUQH`2)\^HS3L[»ZZ[HY[[VYLHSPaL
41
CONNECTIONS
Sandra Van Opstal served as worship director of Urbana’09 and is a second-generation Latina who is
passionate about people of different cultures coming together to experience God’s presence. She
spent nine years as an Intervarsity campus staff at Northwestern University. She continues to live in
Chicago with her husband as she directs InterVarsity’s Chicago Urban Program.
Sandrita.vanopstal@gmail.com
Steve Hoke serves with Church Resource Ministries (CRM), a mission agency focused on leader development and servant-stewardship in twenty-five nations. As a life-long worshipper, he continues to trace
the joyful integration of individual and corporate worship with Abba’s heart for the nations. He lives
with his wife in Fort Collins, CO.
steve.hoke@crmleaders.org
Steve Hoke and Sandra Van Opstal
WORSHIPPING JESUS
THE LORD OF THE UNIVERS
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Sandra, share with us a little of your
background and personal journey
into worship.
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What is the connection between
42
diversity and worship within the
multicultural Body of Christ; between
missionaries being comfortable with
and advocates of diversity as servantmessengers in varied cultures around
the world?
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What’s the connection between
worship and missions?
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VOLUME 9 NUMBER 2 & 3
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How might preparation and training
experiences for prospective crosscultural servants be enhanced with a
broader or deeper paradigm or vision
of worship in the Spirit?
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Any other closing thoughts?
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Can you tell us about some of
the richness and diversity you’ve
experienced in your visits to churches
in other countries from which we
could all learn?
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43
CONNECTIONS
CHURCH, MISSION & ARTS
Jo White is a Christian spiritual director who currently lives in Hamilton, New Zealand
with her husband Derek. She is an artist-pastor in the community-at-large. She longs
to return to Japan in order to establish a place of rest, refuge and encouragement
for Japanese Christians endeavoring to live out a baptized-aesthetic. She has a lively
interest in contemplative prayer gardens and art installations.
Contemporary New Zealand Art Installations for Easter
STATIONS OF THE CROSS
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44
Jo WHite
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45
CONNECTIONS
GLOBAL VOICES
ENGAGING
THE ARTS IN
MISSION
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Miriam Adeney, Ph.D., is an anthropologist, Associate Professor of
Global Ministries at Seattle Pacific University, and Teaching Fellow
at Regent College. She is the author of seven books, including
God’s Foreign Policy: Practical Ways to Help the World’s Poor and
Kingdom without Borders: The Untold Story of Global Christianity
and Daughters of Islam: Building Bridges with Muslim Women.
Miriam teaches modules on five continents, including workshops on
“Writing for Publication.”
Splashes of God’s Creativity
Miriam Adeney
SONGS LIKE TROPICAL FISH
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46
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Local Songs
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Sighs of the Slaves:
Worldviews in Song
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VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
1. A.A.Stockdale, “God Left the Challenge in the Earth,” His, December 1964, p.20. 2. Barnabas Mam as told to Bruce Hutchinson, “Communicating
the Gospel through Story and Song in Cambodia,” in Communicating Christ through Story and Song: Orality in Buddhist Contexts, ed. Paul De Neui
(Pasadena, CA.: William Carey, 2008), pp.203-36. 3. Paul Jewett, “America’s First Black Christians and Their Songs,” Bulletin of Systematic Theology
III (Pasadena, CA.: Fuller Theological Seminary, 1983), p. 14. 4. Clifford Geertz, “Religion as a Cultural System,” The Interpretation of Culture (New
York: Basic Books, 1973), p.100. 5. Jewett, “America’s First Black Christians,” p.12.
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Stephan Prakrash Eicher
Somehow the pigeons find a foothold in
the city, on precarious ledges, hidden
in nooks and crannies. Like-wise the
poor. And in the process they cling to
their dignity in the most depraving of
conditions. We welcome the pigeons,
in fact feed them. Yet the poor we
forcibly drive out from our cities. Our
attempts to ‘modernize,’ ‘beautify,’
and build a ‘world-class city’ results in
the poor being displaced to the city’s
edges and their street-level livelihoods
declared illegal. If we recognize their
inherent dignity and sanctity would we
not build a city friendly to both pigeon
and poor?
47
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
“When we dare to speak from the depths of our heart to the friends God gives
us, we will gradually find new freedom and courage to live our own sorrows and
joys to the full.” (Henri Nouwen)
Adella Thompson
ARTIST STATEMENT
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Genocide Site, Ntarama, Rwanda.
The genocide sites throughout Rwanda are all
kept intact, with skeletal remains unburied. In this Catholic Church site where over
5,000 were killed, someone - I presumed a
loved one - took the time to wrap his or
her beloved’s head with a head scarf. When
asked how he was able to cope with the death
of more than 20 family members, one person
told me: “We learn to forgive, because we
must. But we never forget, for if we forget,
then this will happen again. We forgive, but
we never forget.”
Jinja Uganda
I turned around and saw this young
girl, dressed in a confection of ruffles, braced behind a cross-shaped
barricade. I held my breath, took
the shot, and prayed the Lord would
protect this roll of film. Notice the
nails...
Outside Jinja, Uganda
“Thumbs Up” seems to be a common
sign, even in Uganda, for “everything’s good.” The tour director kept
yelling for me to get in the van, but
I had to get a few more shots. This
might be one of my favorites. I’m
glad I ignored him.
48
VOLUME 9 NUMBER 2 & 3
CHALLENGES&
POSSIBILITIES
CHALLENGES AND POSSIBILITIES 2
The Reverend Byron Spradlin is President of Artists in Christian Testimony Intl (A.C.T. Intl),
a mission and ministry-sending agency empowering music and arts ministry specialists for
culturally sensitive worship, evangelism, and church planting ministries worldwide
Byron Spradlin
WORSHIP AND THE ARTS IN
MINISTRY AND MISSIONS
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49
CONNECTIONS
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Conclusion
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CHALLENGES AND POSSIBILITIES 3
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TPSSLUUP\T•
James R. Krabill is Senior Executive for Global Ministries at Mennonite Mission
Network. For fourteen years he served in West Africa, primarily the Ivory Coast.
Dr. Krabill has lectured or taught courses in over a dozen countries and is the author of several books, including as a contributing author in Music in the Life of the
African Church with Roberta King (lead author), Jean Kidula and Thomas Oduro
Council of
CHALLENGES& (2008). He serves on the board of the International
Ethnodoxologists (ICE).
POSSIBILITIES
A Mission Administrator’s Plea for Ministry
James R. Krabill
Training in Ethno-Arts
THESE PEOPLE AREN’T REALLY
CHRISTIAN, ARE THEY?
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50
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VOLUME 9 NUMBER 2 & 3
ADVERTISEMENT
S
ince the Reformation, Protestantism has shied away from the arts, often out of a fear
of idolatry. But many Christians are now rediscovering their creativity, realizing we are
designed to create, to mirror the One who is the greatest Creator. Others lament Christianity’s
feeble influence on the broader culture. Where once all the great Western artists, writers and
musicians were Christian, what passes for Christian art, literature and music now is often soft
and sentimental. Being made in the image of God includes a call to create. Being called into
the world includes a necessity to thoughtfully engage the culture.
Regent College recognizes the importance of the arts as an expression of human creativity.
The Christianity and the Arts concentration offers students the opportunity to integrate
various forms of art with the Christian faith. Building on a foundational course in aesthetics
(The Christian Imagination), students may choose from a diverse selection of courses in
literature, poetry, music, visual arts and dance. The course mixture is further enriched by Regent’s
own Lookout Gallery, performance space both in Regent’s main auditorium and atrium and by
the presence in Vancouver of many Christian artists who are associated with Regent College.
SO, LET US PUT YOU IN THE PICTURE.
Contact us for a brochure
www.regent-college.edu/wea
Toll free –1.800.663.866
Vancouver, Canada
AN INTERNATIONAL
GRADUATE SCHOOL
OF CHRISTIAN STUDIES
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“No Christian family, local church library, Christian leader should be without this vision
building, prayer enhancing, information packed tool”.
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God called YOU to lead believers to pray for the nations.. .
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FOR ALL THE DETAILS
TUESDAY, NOV. 9, 2010
12 NOON AND AGAIN AT
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WITH SPECIAL GUESTS:
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K.P. Yohannan, Gospel for Asia
Anne Graham Lotz, Author, Speaker
George Verwer, World Missions Advocate
Louis Sutton, International Dir. WEC International
Max Lucado, Author, Speaker
Tom White, Voice of the Martyrs
And more with reports from around the world
TM
CONNECTIONS
ADVERTISEMENT
VOLUME 9 NUMBER 2 & 3
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•
Jean has a Ph.D. in Ethnomusicology and is an accomplished musician in a wide variety of styles. She is a professor of ethnomusicology at the University of Georgia
in Athens, GA. She is the author of numerous scholarly articles on topics in Kenyan
music and history, as well as a co-author of the recently-published volume Music in
the Life of the African Church. She has served as music director at churches in both
Nairobi and the United States and is on the Board of the International Council of
Ethnodoxologists (ICE).
Worship Leader in East Africa
Jean Ngoya Kidula
FANUELI SEDEKIA
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51
CONNECTIONS
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:LKLRPH»ZJHSSPUN•
Ian Collinge Ethnomusicologist Ian Collinge did fieldwork in the Himalayas and coordinated a multi-arts DVD project. Ian and his wife Helen have launched Resonance, an
arts ministry of WEC International, training others to help believers around the world
develop music and arts that resonate in their own cultures: http://www.wec-int.org.uk/
resonance.
James Lhomi Songwriter and church elder James Lhomi, of the Lhomi Tibetan ethnic
group in Nepal, plays Tibetan instruments and writes songs, articles and poetry. His
music and arts ministry, Lareso, has impact across the Himalayas. He has produced
three Tibetan worship albums, Repentance, Serenity and Eternity. http://www.lareso.
nepalchurch.com.
Ian Collinge and James Lhomi
THE AUDIENCE FEELS
IT IS THEIR OWN
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52
Ian:
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James:
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Ian:
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VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
HUKZ[`SLZMVY`V\Y[OYLL;PIL[HU*OYPZ
[PHUHSI\TZ&
;OLUOLZ[HY[LK^YP[PUNZVUNZOPTZLSM
Ian:
Ian:
James:
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James:
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WLVWSL»ZV^UOLHY[SHUN\HNLHUKT\ZPJ
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[OLTLZZHNLVM1LZ\Z*OYPZ[
Conclusion
1HTLZ»]PZPVU[VZLY]L[OL3OVTP
[OYV\NO[OLHY[ZPZPUZWPYPUN([[OLZHTL
[PTLOLPZPUÅ\LUJPUNILSPL]LYZPUJ\S[\
YLZHJYVZZ[OL/PTHSH`HZ:\JOHY[PZ[Z
OLSW[YHUZMVYTSP]LZHUKJVTT\UP[PLZ
UV^HUKMVYL[LYUP[` •
Bagly Arsenio: citizen of the Republic of the Philippines, graduate of Alliance
Graduate School in Community Development, email: bagly.arsenio@gmail.com;
and Glenn Stallsmith: USA citizen residing in the Philippines, Ethnomusicologist
with SIL International, email: glenn_stallsmith@sil.org
Bagly Arsenio and Glenn Stallsmith
PRESERVING CULTURAL
TRADITIONS FOR OUTREACH
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53
CONNECTIONS
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Joyce Scott worked as a missionary in Kenya for twenty-eight years; her last twelve
were with twelve language groups, encouraging the composition of indigenous songs
for worship, evangelization and Scripture teaching.
Scott, a founding member of the International Council of Ethnodoxologists, has consulted on indigenous music in eight African countries and lectured in Inter-Cultural Music
for Ministry at several universities and Bible colleges. Her latest book, Moving Into
African Music (PreText Publishers, 2009) helps missionaries use music in their ministry.
How the Knowledge of Indigenous “Heart Songs” of African
People Can Bring Peace in Disturbing Situations
Joyce H. Scott
LOCAL ARTS BRING
PEACE TO HURTING PEOPLE
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VOLUME 9 NUMBER 2 & 3
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55
CONNECTIONS
CHALLENGES AND POSSIBILITIES 4
Brian Schrag holds an MA in Intercultural Studies-Ethnomusicology and a PhD. in
Ethnomusicology. He is head of SIL International’s Ethnomusicology and Arts Group
and coordinates and teaches in the World Arts program at the Graduate Institute of
Applied Linguistics (www.gial.edu). He worked as an arts consultant in Central Africa
for seven years and currently serves as Vice President of Education and Training for
the International Council of Ethodoxologists (ICE).
CHALLENGES&
POSSIBILITIES
Brian Schrag
THE ABC
OF WORLD ARTS ADVOCACY
The Extinction Crisis
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57
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30
VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Joyce and Neil Coulter lived in the Alamblak community in Papua New Guinea
from 2003 through 2006. They worked with music and literacy projects, including teaching, recording, and vernacular language publications.
Freedom Through Authentic Alamblak Worship
Joyce and Neil Coulter
LIDIA
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59
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Greg Kernaghan has served with Operation Mobilization (OM) since 1978 in various
capacities. Eleven years with OM ships Logos and Doulos and nine years based in
Finland taught him to look beyond labels and methodologies to discover moments
wherein God connects with people. Since 1995, Greg has been part of an international communications team for OM whose purpose is to help truly great stories to tell
themselves. His favorite airport is Toronto because that means he’s home again.
Two stories
Greg Kernaghan
TRANSMITTING TRUTH
WITH WHAT’S IN HAND
Estonia, 1990
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VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Eric Jones has served with SIL International since 1994. He received an MA in
Linguistics from the University of Texas Arlington and later pursued courses in
ethnomusicology. Currently, he is engaged in various adventures of appreciation and friendship, collecting and publishing folklore with minority communities to celebrate their rich artistic expressions.
Eric Jones
GIVING BACK A TREASURE
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61
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Frank Fortunato has an MA in ethnomusicology and is OM’s International Music
Director, coordinating Heart Sounds International, a ministry promoting indigenous
worship through seminars, songwriting events, and recordings, mostly in the restricted parts of the world. He is involved in teaching on global worship music as well
as leading worship at a local church. In 2006, he co-edited All the World is Singing:
Glorifying God Through the Worship Music of the Nations. He is the Vice President of
the International Council of Ethnodoxologists (ICE).
STORIES FROM THE HSI ARCHIVES
Frank Fortunato
DINKA WORSHIP:
KEEPING STRONG IN
THE MIDST OF PERSECUTION
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BREATHTAKING MOMENT
Frank Fortunato
IN MONGOLIA
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South Asian Institute of Advanced Christian Studies
web: www.saiacs.org | email: registrar@saiacs.org
SAIACS, PO Box 7747,Kothanur, Bangalore, India - 560 077
South Asia
Institute of Advanced
Christian Studies
63
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Stefan Eicher is the director of Reflection Art Gallery and Studios, and an Indian by
birth and citizenship. He shares a concern for social justice with his wife Neeru, a
lawyer working with human rights. Together they have two children Ashish and Anjali.
More artwork and activities can be seen at www.reflectionart.com.
THE ART OF
DISCIPLING A NATION
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65
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
1 Ko-zong means Zong mountain. Many years ago Kuo speakers from Chad who name their villages after mountains migrated there. Today after many
generations, they speak mainly the related language Karang. 2 During our sabbatical year I had left copies of the Gospel of Luke in nineteen different locations.
The Karang revisers, of whom one is Saw-in, were to review the first edition and have revisions ready for us when we came back. In general they did a great job.
As a side issue I asked them to write Scripture songs too - this is where Saw-in put most of his efforts. 3 These monster crickets are annoying creatures that
dig tunnels in the ground and only come to the entrance at night to start their ear piercing mating call. If you try to locate them they quickly zip back into
their burrows. If one is next to your house, you can’t sleep. Banana, our cat, would eat them for us. With a flashlight and shovel we would go out at 7PM and dig
out the foot-deep-tunnels and Banana waited until the antenna were in sight then pounce. It was a regular ritual to guarantee a good night sleep.
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67
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
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Bernard was born in Montreal. He has been painting since 1978. After finishing his
studies at Cégep Saint-Larent (in Fine Arts), he worked for a time designing commercial signposts. From 1998 to 2002, he was in charge of hiring all the protestant pastoral animators for the 3300 schools of the province of Quebec. Today, besides being
a graphic artist for Christian Direction, he works in the art studio at the St. James
Drop-in Centre, and enjoys his time connecting with Montreal’s less fortunate. Bernard
is married to Nathalie, and they have four children.
ART
English
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68
Bernard Racicot
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VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Bernard est né à Montréal. Fait de la peinture depuis qu’il a 14 ans. Après ses études
en art au Cégep Saint-Laurent, il travaille dans l’industrie des enseignes commerciales
jusqu’en 1992. En 1993, il débute à Direction Chrétienne où il fonde le Centre Accroche
pour aider les jeunes à l’école. De 1998 à 2002, il est responsable de l’animation religieuse dans les 3300 écoles de la province en partenariat avec le gouvernement du
Québec. Aujourd’hui, en plus d’être graphiste à Direction Chrétienne, il travaille à
l’atelier d’art du centre de jour St-James à Montréal où il œuvre auprès des sans-abri.
Bernard est marié à Nathalie est père de quatre enfants.
ART
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Vivian
69
CONNECTIONS
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
Héber Negrão tem mestrado em Etnomusicologia pela Universidade Federal de Minas
Gerais e é membro do Conselho Internacional de Etnodoxologia. Atualmente está concluindo o curso de Missiologia no Instituto Missionário Palavra da Vida no norte do Brasil.
Héber Negrão has a Masters degree in Ethnomusicology from the Federal University of
Minas Gerais and is a member of the International Council of Ethnodoxologists. He is
finishing his studies in Missiology at the Word of Life Missionary Institute in the North
of Brazil.
Héber Negrão
DE NOITE ESTÁ COMIGO
A SUA CANÇÃO
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Paul Nethercott, EAM missionary to Japan
A Vision to Impact Japan Through Redemptive Films
FILM AS A MISSION: “BRINGING
LIGHT TO DARK PLACES”
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ARTISTS RESPONDING TO CRISIS
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GLOBAL VOICES ENGAGING THE ARTS IN MISSION
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VOLUME 9 NUMBER 2 & 3
GLOBAL VOICES ENGAGING THE ARTS IN MISSION
These are of a mural project in Mathare Valley in Nairobi. In our 2008 Diaspora of Hope project with the Inspiration Centre, the children were asked to do a series of murals on hope. The one image is “the world as it is”. It shows the violence and flood that occurred
months before our arrival and subsequent work with local artists and the Centre staff. The second image, “the would as it could
be” asked the children to imagine a Nairobi as they would like to see it. So I have two images without children, and two images with
children. The one has a child pretending to jump in the city pool.
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73
CONNECTIONS
CHALLENGES AND POSSIBILITIES 5
Titulaire d’un diplôme d’étude musical et d’une licence en Théologie, Roch Ntankeh
est Secrétaire Général des Chantres unis du Cameroun, et actif dans la musique
chrétienne depuis plus de dix ans. Il est Pasteur, Conducteur de louange, Enseignant/
Formateur musical, Président Fondateur d’un ministère visant la restauration et le
développement de la musique traditionnelle dans l’église
CHALLENGES&
selon le concept de l’ethnodoxologie.
POSSIBILITIES
Français
Roch Ntankeh
LA NECESSITE DE DEVELOPPER
LES RYTHMES TRADITIONNELS
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VOLUME 9 NUMBER 2 & 3
BEGINNING AN ARTS MINISTRY
Laurie Williams is a writer in the Washington D.C. area. She served as research assistant
for the Taking It to the Streets book project, and earned her Masters degree in Urban
Economic Development from Eastern University. A second-generation Haitian, she currently directs an organization focused on education in Jacmel, Haiti.
Laurie Williams
HAITI’S UNFADING SONG
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BEGINNING
AN ARTS
MINISTRY
A Divine Tapestry of Convergence
Bill Drake
OM ARTS INTERNATIONAL
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75
CONNECTIONS
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Art Santos serves the Lord with Wycliffe International. He describes his role as that of
a catalyst who facilitates the flow of resources by developing cooperative partnerships. He first got involved in orality in 2004. Two years later, he became part of the
Executive Committee of the International Orality Network.
INITIATING AN
ETHNOARTS NETWORK
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76
Art Santos
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The Need for a Champion.
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VOLUME 9 NUMBER 2 & 3
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77
CONNECTIONS
BEGINNING AN ARTS MINISTRY
Paul Neeley is a missionary ethnomusicologist who has worked for twenty years to
promote indigenous Christian music and arts in various countries. He is President of
the International Council of Ethnodoxologists (www.worldofworship.org).
Jaewoo Kim is a worship pastor at Journey of Faith Church in Dallas, Texas. He is also
a director of King’s Region Worship Ministry, which assists Korean missionaries and
church leaders in worship-arts and global outreach.
Equipping Ethnocentric Korean Missionaries with
Culturally Appropriate Worship-Arts Skills
Jaewoo Kim and Paul Neeley
KOREAN
ETHNODOXOLOGY INITIATIVE
1 Korea World Missions Association website: www.kwma.org
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IYPUNNSVY`[V`V\YUHTL7ZHST! •
VOLUME 9 NUMBER 2 & 3
BEGINNING AN ARTS MINISTRY
Robin Harris has MAs in Intercultural Studies and Ethnomusicology and is completing
PhD studies in Music (Ethnomusicology) at University of Georgia Athens. She served as
a missionary for a decade in northern Russia as well as a number of years in Alaska
and Canada. She is currently an ethnomusicology consultant focusing on Siberian
musics for Heart Sounds International (a ministry of Operation Mobilization) and
serves as Executive Director for International Council of Ethnodoxologists (ICE).
Lessons Learned in the Founding of ICE
Robin P. Harris
FROM ISOLATION
TO COMMUNITY
1 The business world would call us a community of practice —“a group of people informally
bound together by shared expertise and passion for a joint enterprise… Communities of
practice can drive strategy… solve problems, promote the spread of best practices, develop
people’s professional skills, and help [organizations] recruit and retain talent” (E. Wenger
and W. Snyder, “Communities of Practice: The Organizational Frontier,” Harvard Business
Review, 2/22/2000).
The Need for Connections
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79
CONNECTIONS
BEGINNING AN ARTS MINISTRY
Josh Davis Proskuneo Ministries | Founder, President
Bringing Nations Together in Worship Josh Davis
PROSKUNEO
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“Growth Through Unity”- Kate Thomas
Hands of “Venga Tu Reino” worshipers
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80
TRAINING
CENTRES&
GUIDELINES
FOR
PROGRAMS
TRAINING CENTRES & GUIDELINES FOR PROGRAMS
Brian Schrag holds an MA in Intercultural StudiesEthnomusicology and a PhD. in Ethnomusicology. He is head
of SIL International’s Ethnomusicology and Arts Group and
coordinates and teaches in the World Arts program at the
Graduate Institute of Applied Linguistics (www.gial.edu). He worked as an arts consultant in Central Africa for seven years and currently serves as Vice President of
Education and Training for the International Council of Ethodoxologists (ICE).
Brian Schrag
Research and Co-creation
SIL ARTS TRAINING PARTNERS
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Available courses:
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Characteristic time commitments:
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The ethnomusicology/arts modules
that may be offered in any year are:
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Other available courses:
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81
CONNECTIONS
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Training requirements and time
commitments:
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82
TRAINING CENTRES & GUIDELINES FOR PROGRAMS
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Accreditation:
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Available courses:
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Characteristic time commitments:
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KLIIPFOVZRLU'NTHPSJVT •
VOLUME 9 NUMBER 2 & 3
TRAINING CENTRES & GUIDELINES FOR PROGRAMS
Roberta R. King, Ph.D., is associate professor of communication and ethnomusicology in
Fuller Seminary’s School of Intercultural Studies where she oversees and teaches in the
Global Christian Worship/Ethnomusicology program. Dr. King’s mission experience includes
twenty-two years in Africa, based in Nairobi, Kenya at Daystar University and serving with
WorldVenture across the continent. She specializes in cross-cultural Christian music communication and is currently doing research in the Middle East and Southeast Asia
Roberta R. King, Ph.D
THE GLOBAL CHRISTIAN
WORSHIP/ETHNOMUSICOLOGY
PROGRAM
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Fuller Seminary Global Christian Worship students presenting the Exodus
Story
Contextualized for an Unreached
People Group in India
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83
CONNECTIONS
John Benham, Ed.D. Coordinator of Ethnomusicology, Liberty University
President, Music In World Cultures, Inc.
ETHNOMUSICOLOGY
AT LIBERTY UNIVERSITY
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Jill Ford, Arts Tutor at All Nations, UK
ALL NATIONS
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Reference:
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(WYPS!
John Franklin is Executive Director of Imago, a national initiative in support of Christians
in the arts in Canada. He is based in Toronto and, before joining Imago in 1998, he taught
philosophy at Tyndale College. Currently, he is an adjunct professor in theology at Tyndale
Seminary and Toronto School of Theology at the University of Toronto. His special interest is
in theology and the arts. He also serves as Chair of Lausanne Canada and Co-ordinator of the
WEA-MC Task Force on Art in Mission.
Review by John Franklin
STONE BY STONE
WITH COLIN HARBINSON
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OLSWM\SYLZV\YJLZ •
ARTS IN MISSION 2011
Training for Cross-Cultural Ministry
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VOLUME 9 NUMBER 2 & 3
NETWORKS
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95
CONNECTIONS
NETWORKS
and the Artist in Residence Program
ART AT THE OMSC
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At allnations we have an exciting and innovative arts programme. We
recognise that the arts are a unique and essential part of the curriculum
to teach skills that are relevant for mission. We currently offer an Open
University validated Arts Pathway on our undergraduate programme.
This provides you with the opportunity to study a series of arts focused
modules alongside your biblical and intercultural studies.
Year 1
• An Introduction to the
Performing Arts
• Music and Worship
• Creative Evangelism
Year 2
• Exploring Social Issues
in Performing Arts
• World Worship Music
• Visual Culture
• Arts Research Paper
In year 1 the modules are fully integrated in to the mainstream
programme. In years 2 and 3 you can choose from the options listed.
You are currently able to exit with a Diploma or BA Hons Degree with
an Arts Pathway.
For further details contact us
Tel : +44 (0)1920 443500 or
Email : admissions@allnations.ac.uk or
Website : www.allnations.ac.uk
All Nations Christian College Ltd. A Company limited by Guarantee. Registered in England No. 990054. Registered Charity No. 311028 Registered Office: Easneye, Ware, Herts, SG12 8LX.
96
Year 3
• Performing Arts in
Practice
• Ethnomusicology
• Art, Culture &
Identity
• Extended Arts
Project
VOLUME 9 NUMBER 2 & 3
NETWORKS
Samuel E. Chiang
FROM SINGING TO RINGTONES
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INT. COUNCIL OF
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97
CONNECTIONS
NETWORKS
Colin Harbinson
STONEWORKS
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VISUAL STORY NETWORK
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IMAGO CANADA
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VOLUME 9 NUMBER 2 & 3
COLOPHON
Vol. 9. No.2 & 3
WEA Mission Commission
Vosmanskamp 22
7433 EZ Schalkhaar
Dr. Bertil Ekström
Executive Director
Dr. William D. Taylor
Editor
Mr. Kees van der Wilden
Managing Editor
Mr. K. Rajendran,
Chair Mission Commission
Consulting Editor
Mr. Anton E. Smeele
Publisher
Prina Blankenberg Edenburg
Graphic Designer
35$&7,&$/0,1,675<'(*5((6
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Cover Art by Sandra Bowden
visual artist
“It is finished” from Crucifixion Series
www.sandrabowden.com
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99
100