i_docworkshop - Berlinale Talents

Transcription

i_docworkshop - Berlinale Talents
BERLINALE
TALENTS
2015: A Space Discovery
HAU HEBBEL AM UFER
7–12 FEB 2015
Public events
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More inform
Welcome
For Berlin’s cinema-going public, Berlinale Talents has lots
to offer. In various summit events, the public can enrich
the festival experience by following panel discussions and
presentations by the Berlinale’s most exciting names.
In this latest edition, Berlinale Talents stays true to
its core mission to bring 300 of the best emerging
film professionals from across the globe to Berlin
to network, attend summit events and develop
their pro­­jects with access to a line-up of worldclass experts.
Berlinale Talents aims to raise questions that ad­
dress the developments of an industry that is in
constant flux. Every year cultural and technologi­cal
developments change the stakes of film production, exhibition and viewership. The programme is
a direct response to this dynamism, insofar that it
Berlinale Talents 2015
equips filmmakers with the tools to identify and
cope with today’s most pressing questions.
We want to extend a sincere and heartfelt thank
you to all those who support Berlinale Talents, and
in particular to our principle and co-partners: Creative Europe MEDIA, a programme of the European
Union, the Robert Bosch Stiftung, the Medienboard
Berlin-Brandenburg, Canon, Federal Foreign Office
and the German Film Fund.
We are thrilled to celebrate this 2015 edition with you,
our 300 Talents and Berlin’s cin­e­ma-loving public!
03
PROGRAMME HIGHLIGHTS
Berlinale Talents
Sunday, February 8
Cracking open and reconfiguring notions of spa­t­
iality will be high on everybody’s agenda this year.
Members of the Berlinale International Jury take
the stage at the first public master class on Sunday,
February 8 at HAU1, only a stone’s toss away from
Potsdamer Platz, to kick off a series of events in
which this theme will frequently recur. In this opening session Golden Bear winner Claudia Llosa (The
Milk of Sorrow) will describe how her films echo
from very specific local and indigenous cultural
spaces, and star director Darren Aronofsky (Black
Swan) will comment on how his protagonists activate the dramatic spaces in his films, for instance
through dance.
Monday, February 9
The Place for Space: HAU Hebbel am Ufer (HAU1)
2015: A Space Discovery
Film gives motion to space and can also put spaces into motion.
At Berlinale Talents, over 140 experts on space and cinema including
Andreas Dresen, Ursula Meier, Joshua Oppenheimer, Joanna Hogg,
The Yes Men, Wim Wenders and Bong Joon-Ho embark on an
expanding six-day voyage of discovery.
Most of today‘s movie screens are still flat surfaces, but within them
open a cinematic universe of infinite dimensions and depths. This
year’s edition of Berlinale Talents focuses on the theme “2015: A Space
Discovery.” Technically and aesthetically, cinematic space is continually being reinvented, just as daily living spaces are tangibly being
transformed by political and economic upheavals. With their roots
firmly planted in their own local contexts, filmmakers are not lost in
space and navigate across borders and in multiple dimensions.
04
Berlinale Talents 2015
Drama series writer, director and producer Matthew
Weiner (Mad Men) leads a master class on how to
create stories as catchy as good ad campaigns and
characters as deep as the bottom of Don Dra­p­er’s
glass of whisky. Later that day lauded director Ursula Meier, known for her films Home and Sister, joins
Talents to grant further insights into working with
professional and nonprofessional actors of all ages.
Acclaimed DoP Peter Zeitlinger (Queen of the Desert) sheds light on his multiple collaborations with
directors including Werner Herzog and Ulrich Seidl.
Discussions on hybrid narrative spaces are honed
in two cross media panels welcoming back, among
others, Finnish director Timo Vuorensola who talks
about Iron Sky Universe, the latest sequel of the
sci-fi cult hit from Berlinale 2012.
Tuesday, February 10
Oscar, Golden Globe and Grammy-winning com­
poser Howard Shore (Maps to the Stars, Lord of the
Rings and Hobbit trilogies) will elaborate on how
sound and score shape the visual worlds in which
Berlinale Talents 2015
unforgettable stories unfold. The power of documentary to look back into history’s darkest episodes and create cinematic spaces of personal
remembrance will be discussed by two celebrated
documentary filmmakers, Joshua Oppenheimer
(The Look of Silence) and Marcel Ophüls (The Mem­
ory of Justice).
Movie screens open a universe of in­finite
dimensions and depths. Filmmakers are
the creators of such spaces.
Wednesday, February 11
Legendary German auteur Wim Wenders (Every
Thing Will Be Fine) takes the stage in a joint event
with the Deutsche Kinemathek to recount his ill­u­
strious career. How guerrilla filmmaking, armed
with the weapons of humor, can document the
hacking of both public and private spaces with
politi­cal aims will be discussed by director Laura
Nix (The Yes Men Are Revolting) and the activist duo
The Yes Men. Film choreographer Francesca Jaynes
and puppeteer Mikey Brett, both having worked
with Sandra Bullock and George Clooney in Alfonso Cuarón’s Gravity, will tackle how actors create
mov­e­ment in spaces beyond all limits.
Thursday, February 12
On the final day of Berlinale Talents, in a discussion
about films crossing borders, esteemed South Korean director Bong Joon-Ho (Snowpiercer) follows
films from their local birthplaces to internatio­nal
audiences. As We Were Dreaming director Andreas
Dresen, screenwriter Wolfgang Kohlhaase as well
as best­­­­selling author Clemens Meyer explore the
short period when space seemed unlimited, 25
years ago in eastern Germany and in their latest
film to be discovered in the festival.
05
Returners
Returners
Alumni at the Berlinale 2015
1
2
Øistein Refseth
Producer | Out of Nature
Elisabeth Moss
Actor | Queen of Earth
Berlinale Shorts
Jowe Harfouche | Editor
Twenty-Eight Nights a. A Poem
Wettbewerb
Jonathan Alberts
Editor | 45 Years
Léonie-Claire Breinersdorfer
Writer | 13 Minutes
Panorama
Simon Gervais
Sound design | Chorus
3
1 | Perspektive Deutsches Kino 2 | Berlinale Shorts The Humanitarians | Editor: Katharina Fiedler
Symbolic Threats | Director: Micha Leinkauf
3 | Panorama
4 | Forum
Necktie Youth | Producer: John Trengove
Zurich | Director: Sacha Polak
4
Julieta Dolinsky
Prod. design | The Fire
Dragan Denda
Prod. design | Tough Love
How To Win At Checkers
(Every Time)
Edward Gunawan,
Anocha Suwichakornpong
Producer
Lee Chatametikool
Post-producer
Maenum Chagasik
Co-producer
Kamontorn Eakwattanakij
Editor
Wichanon Somumjarn
Location manager
Rasiguet Sookkarn
Production design
John Trengove
Producer | Necktie Youth
A Minor Leap Down
Sadaf Ahmadi | Actor
Hamed Rajabi | Director
Just can't get enough
Berlinale Talents is for many filmmakers the lusty first date that
blooms into a long-term and deepening relationship with the Berli­na­
le. Hailing this year from 75 countries, Talents continually bring their
fresh homegrown visions and singular stories back to Berlin’s aud­i­
ences. Many discover their future filmmaking partners at Berlinale
Talents and return to the festival in tag-team fashion, with multiple
alumni attached to a single film. In this 65th edition of the festival,
86 Berlinale Talents alumni with 62 films return in major creative roles
on films that are screening in the official programme of the various
festival sections. Go team Talents!
06
Berlinale Talents 2015
Micah Magee
Director | Petting Zoo
Marleen Slot | Producer
The Summer of Sangailė
Meike Martens
Co-producer | A German Youth
David Kittredge
Editor | 54: The Director’s Cut
Why Me?
Andreea Vasile
Actor
Tudor Giurgiu
Producer
Berlinale Talents 2015
Daniel Schmidt | Director
The Island is Enchanted With...
Benjamin Hörbe | Sound Des.
3 Year 3 Month Retreat
Sebastian Brameshuber
Director | Of Stains, Scrap...
Micha Leinkauf
Director | Symbolic Threats
Jenny Lou Ziegel | DoP
Take What You Can Carry
Violence
Felipe Aguilar
Producer
Carlos Garcia
Sound Design
Katrin Pors | Producer
Zurich
Sacha Polak
Director
Rudger Reinders
Music
Berlinale Special
Hossam Elouan
Producer | La Dolce Siria
Jack Pettibone Riccobono
Director | The Seventh Fire
Mahdi Fleifel | Director
20 Handshakes for Peace
Forum
Mohammad Shawky Hassan
Dir. | And on a Different Note
The Boda Boda Thieves
Donald Mugisha
Director
Maximilian Leo
James Tayler
Producer
Out on the Street
Louly Seif
Editor
Mostafa Youssef
Producer
Cynthia Zaven
Music | The Valley
Khalid Shamis
Editor | Black President
Tiago Bello
Prod. Design | Seashore
Generation
Ella Manzheeva
Director | The Gulls
Roman Lechapelier
DoP | The Monex Complex
Thomas Knapp
Sound | After Work
Atsushi Funahashi
Director | Nuclear Nation II
Mar
Dominga Sotomayor
Director
Lisandro Rodriguez
Producer
Manuela Martelli
Writer
Catalina Marín Duarte
Editor
Picnic
Barbara Vekarić
Assistant Director
Jure Pavlovic
Director
Dragan von Petrovic
Editor
Wasunan Hutawet
Editor | So Be It
Sanna Lenken
Director | My Skinny Sister
You’re Ugly Too
Mark Noonan | Director
John Keville | Producer
Diderik Evers | DoP
Giovanni and the Water Ballet
Michael Latham | Prod.
The Face of Ukraine...
Perspektive
Deutsches Kino
Nikias Chryssos
Director | The Bunker
Daniela Muck
Co-Producer | Homesick
Mara Eibl-Eibesfeldt
Director | The Spiderwebhouse
Ana Bojórquez | Director
The Greatest House in the World
Like a Cast Shadow
Michael Krummenacher
Director
Stine Sonne Munch
Editor
Teboho Edkins
Director | Coming of Age
Carolina Hellsgård
Director | Wanja
Sjoerd Oostrik
Ass. Director | Prince
Katharina Fiedler
Editor | The Humanitarians
Duccio Chiarini
Director | Short Skin
kulinarisches kino
Coach
Zoé Wittock
Assistant Director
Angelos Angelidis
Editor
Soña’s dream
Alvaro Sarmiento | Producer
Diego Sarmiento | Director
Gareth Evans
Sound | Driftwood Dustmites
Omar Guzmán
Editor | Echo of the Mountain
Meryem Yavuz | Ex. Producer
Mother Virgin No More
Marcelo Martinessi
Director | Man of the North
native
07
Programme
programme
Medienboard Berlin-Bran­denburg, Robert Bosch
Stiftung, German Federal Film Board (FFA) and German Films will present their respective initiatives
and ob­jectives in supporting and promoting German cinema. This meeting is relevant for all Talents
interested in working with or in Germany. Find out
what would qualify your project for funding through
these organisations.
Imaginary Worlds: Exploring the Unknown
Still from Mar by Domingo Sotomayor.
Jury President Darren Aronofsky launches
the “Space Discovery” at the first master class.
SAT, FEB 7 | Day 1
sun, FEB 8 | Day 2
Film Screening
2015: A Space Discovery
20:00–22:00 | HAU1
11:00–12:30 | HAU 1
Karai Norte (Man of the North)
Darren Aronofsky, Claudia Llosa.
No matter how many experiences you have in the
film business or how many movies you have seen
in your life, there is definitely space for more. Berli­nale jury president Darren Aronofsky (Pi, Black Swan,
Noah) and jury member and winner of a Golden
Bear Claudia Llosa (Madeinusa, La teta asustada,
Aloft) will take the stage to kick off the multi-dimensional discovery trip coming up this week at Berlinale Talents, as well as discuss how they have sculpted space in their own highly acclaimed films.
Marcelo Martinessi, Paraguay 2009
followed by:
Mar | Dominga Sotomayor,
Chile | Argentina 2014.
In cooperation with Berlinale NATIVe
and Berlinale Forum.
One of several films screening in Berlinale Forum
and made by Talent alumni, Mar is directed, pro­
duc­ed and written by Dominga Sotomayor (Berlinale Talents 2009), in col­la­boration with writer/ pro­
ducer/actor Lisandro Rodríguez (2014), writer Manu­
ela Martelli (2005) and editor Catalina Marín Duarte
(2013). On Sunday, Sotomayor and former Editing
Studio par­ti­cipant Duarte will also join the Studio
to conduct a case study of the film’s editing and
drama­turgical structure. Marcelo Martinessi (2013 /
2014) returns to Berlinale NATIVe this year with his
short film Man of the North.
08
Close-up Germany
11:00–12:00 | HAU3, top floor
Frank W. Albers, Christine Berg, Veronika Grob,
Mariette Rissenbeek.
In cooperation with Medienboard Berlin-Brandenburg,
Robert Bosch Stiftung, FFA and German Films.
German film organisations, re­pre­­sentatives from
Berlinale Talents 2015
13:00–14:30 | HAU2
Alex McDowell, Bruno Setola, Jeff Watson.
In cooperation with the USC / 5D Institute, L. A.
These are the world’s promising untold stories waiting to be narrated. ”World Building“ de­signates an
iterative and collaborative narr­ative practice in
which the design of a world precedes the telling
of a story. The experts will discuss ways to build ex­
­periences and worlds in which stories unfold in
mind-blowing ways, redefining the limits of design
and narrative, moving into a landscape where art,
science, design and engineering are inseparable.
its young protagonists and their odyssey through
noc­turnal Berlin, master­fully choreographed in one
more than two-hour long continuous shot.
Crossroads to Culture: Cinema(s)
in the Arab World.
14:00–15:30 | HAU3, top floor
Hania Mroué, Irit Neidhardt, Youssef El Shazli.
In cooperation with Talents Beirut
and Robert Bosch Stiftung.
The past decade has witnessed a boom in film­
making in the Arab world, which has in turn seen a
marked return to the local art house cinema as a
space of viewership, meet­ing and cultural exchange
for local audiences. Noted distributors and exhi­bi­­t­ors from Beirut, Cairo and Berlin will explore not
only how local cinemas are reemerging as bustling
hubs of alternative culture, but it also will examine
difficul­t­ies faced by distributors and filmmak­ers as
they try to transfer Arab culture to spaces outside
of the Arab world.
Kill Your Darlings
Road, Movie: Films in Motion
15:00–18:30 | HAU2
14:00–15:30 | HAU1
Susan Korda.
“Good editing is like good sex,” exclaims noted editor and director Susan Korda (One of Us), and in this
master class she proves just how. Through selec­ted
clips from Bonnie & Clyde, Jaws, Se7en, Alien 3 and
For All Mankind, Korda demonstrates the multi­
faceted tech­niques used to merge sound, image
and tim­ing to bring about the intended cinematic
experience. She‘ll lay bare the secrets of the editing
room and the editor’s tricks to make a film work. To
“kill your darlings,” or the critical ability to surrender
preconceived notions and petty preferences and
select the material that best allows your story to
un­fold, is a primary focus of the session.
Walter Salles, Sebastian Schipper.
In cooperation with Berlinale Panorama.
”You simply cannot anticipate what you will find
on the road,“ says Walter Salles in his ’Notes for a
Theory of the Road Movie.‘ This panel brings together two filmmakers whose literally ”moving“ films
can exemplify the best of what cinema can offer.
Salles (On the Road), widely known for sending his
characters off to discover their inner selves on long
and winding trips, meets up with German director
Sebastian Schipper. Schipper’s film Victoria is an
exceptional entry in the official Berlinale Com­pe­
tition, as the movie sticks hard on the heels of
Berlinale Talents 2015
09
Programme
Happy winners at last year's award ceremony.
programme
Still from How to Win at Checkers (Every Time) by Josh Kim.
Andersson, meet to talk about Stefan‘s latest project, The Dark Side of the Moon. They will discuss the
var­i­ety of technical pitfalls and disasters that can
happen on such a big budget production. In this
intimate session, Ciupek will focus on the changing
role of digital image technicians as digital workflows
evolve to create new responsibilities both in preproduction and on set. Other topics will include the
technical challenges of camera and lens choice, quality control and look creation, the grading of rushes
and the calibration of displays.
Legendary drama series writer, director and pro­
ducer Matthew Weiner (Mad Men) has brought us
stories that are catchy as good ad campaigns and
characters as deep as the bottom of Don Draper’s
glass of whisky. This year a member of the Internat­
ional Jury, Weiner will share his rich experiences
with shaping stories in the long run of a series and
as a feature film director (Are You Here).
Cross Media I:
Creating Identity for Your Project
14:00–15:30 | HAU3, top floor
Hybrid News: Documenting True Events
Sun, FEB 8 | Day 2
Continuation
Mon, FEB 9 | Day 3
Film Prize of the Robert Bosch Stiftung:
Award Ceremony
Film Screening: How to Win at Checkers
17:00–18:00 | HAU1
Josh Kim, Indonesia | USA | Thailand 2015.
In cooperation with Berlinale Panorama.
The Director Josh Kim rallies the efforts of mul­­­ti­ple
former Talents including producers Edward Gunawan (2013), Maenum Chagasik (2013) and Anocha
Suwichakornpong (2006), as well as editor Kamantorn Eakwattanakij (2011), post producer Lee Cha­­ta­metikool (2006), location manager Wichanon So­­m­u­­­m­­jarn (2010) and production designer Rasiguet
Sookkarn (2014).
Hosted by Robert Bosch Stiftung.
Filmmaking in the Arab World is alive and kicking,
stoked by these times of political and social up­
heaval. The Film Prize of the Robert Bosch Stiftung
aims to support German-Arab film collaborations
that have been developed in the past months. The
15 nominated projects from Arab countries will be
introduced, and excerpts from the projects will be
screened, followed by the announcement of the
winners of the 2015 Film Prize of the Robert Bosch
Stiftung. Three prizes of up to EUR 70,000 Euro are
awarded in each of the following categories: documentary, short film fiction and animation.
10
1 1:00–13:00 | HAU1
The Survival Guide to Digital Workflows
11:00–13:00 | HAU3, top floor
Stefan Ciupek, Dirk Meier. In cooperation with
Canon, tectum–film equipment rental and DFFB.
Stefan Ciupek, DoP and previously digital camera
supervisor on projects like Slumdog Millionaire and
Antichrist, and colourist Dirk Meier, who has work­ed on the recent films by Anton Corbijn and Roy
Berlinale Talents 2015
14:00–15:30 | HAU2
Atsushi Funahashi, Shaibu Husseini,
Marcelo Martinessi. In cooperation with Berlinale
Forum and Berlinale NATIVe.
Documentaries are becoming increasingly popular
and are reaching wider audiences via new online
platforms and in the cinema. Along with the new
diversity of platforms, we are witnessing the emergence of hybrid formats that not only borrow from
fiction but also from journalism. This panel brings
together three Berlinale Talents alumni, noted Ni­­­g­­erian film critic and journalist Shaibu Husseini,
Japanese filmmaker Atsushi Funahashi (Nuclear
Nation II) and Marcelo Martinessi from Paraguay
(Man of the North) to consider their approaches to
create stories both for the news and documentary
work. Questions of access to knowledge, freedom
of speech and press and the tricky issue of truth will
be tackled from their dif­f­erent perspectives.
Sean Coleman, Liz Rosenthal.
In cooperation with Medienboard BerlinBrandenburg.
Interactive storytelling experiences and games are
often considered as secondary in the development
of traditional media pro­ducts, as part of marketing
not part of the core story. Liz Rosenthal, CEO and
founder of Power to the Pixel, and writer and producer Sean Coleman (Netwars) will explore how
cross media approaches and new forms of interactive media can be used more efficiently to incubate
new stories and projects for today’s connected
audiences. Whether for a feature film, a TV series or
a new media project, a strategic cross-platform approach to story development and rapid prototyp­­ing of your idea will help develop your project and
audience simultaneously.
Followed by:
Network Breakout
15:30–16:30 | HAU3, top floor bar
Drama Series:
Land of Endless Opportunities
14:30–15:45 | HAU1
Matthew Weiner.
Within the framework of the Drama Series Days.
Berlinale Talents 2015
Hosted by Indiegogo.
During this relaxed get-together hosted by Indiegogo, the world’s largest crowdfunding platform,
you can speak directly to Indiegogo representatives
about crowdfunding your project.
11
Programme
Mon, FEB 9 | Day 3
Continuation
Cross Media II:
How to Engage Your Audience
17:00–18:30 | HAU3, top floor
Raphaëlle Huysmans, Timo Vuorensola.
In cooperation with Medienboard
Berlin-Brandenburg.
The internet as well as interactivity have trans­­
form­ed audience culture, behaviour and story­­tell­
ing. As audiences demand story ex­periences that
are increasingly more social and interactive, this
fundamental change in expectation creates new
challenges for filmmakers and storytellers. Rapha­
ëlle Huysmans will showcase the docu-game Fort
McMoney, and Timo Vuorensola comes back to Berlin to share the latest ideas on his cross media cult
hit Iron Sky Universe.
programme
Basic Trust:
Growing Relationships with Actors
The Memory of Violence
17:00–18:30 | HAU2
Marcel Ophüls, Joshua Oppenheimer.
In cooperation with the Federal Foreign Office.
How is it possible to look back into history, expose
inconvenient truth and revive the personal memories of those who have been part of it? Lauded di­­r­ec­tor Joshua Oppenheimer (The Look of Silence)
joins documentary film virtuoso Marcel Ophüls (The
Memory of Justice) for an in-depth discussion on
the expressions of remembrance, performance and
memory in their films. The two acclaimed docu­mentarians will address the search for truth in the
aftermath of history’s darkest episodes, as well as
how they create and preserve cinematic spaces in
their films that ensure dignity and respect for the
protagonists and their often traumatic experiences.
Ursula Meier. In cooperation with
Berlinale Generation.
Children don’t play by the logics and rules of the
adult world, and provoking performances from
young protagonists in film requires directorial skill.
Through her highly acclaimed films, director Ursula
Meier is known for her ability to create story worlds
truly eye-to-eye with protagonists of all ages. Presenting clips from Kacey Mottet Klein, Birth of an
Actor as well as excerpts from Home and Sister,
Meier grants insight into her intimate work on set
and the strong relation she has built up with young
actor Kacey Mottet Klein and other professional and
non-professional actors.
17:00–18:30 | HAU1
12
The Gulls by Talents alumna Ella Manzheeva.
tue, FEB 10 | Day 4
Film Screening: Chaiki (The Gulls)
Measuring Space:
The Cinematography of Peter Zeitlinger
Peter Zeitlinger. In cooperation with Canon.
Acclaimed DoP Peter Zeitlinger is a longtime collaborator of Werner Herzog and Ulrich Seidl, contributing his visual genius to the style of their singular
films. Zeitlinger stands for a cinematography with­
out compromises, and his sharp and at the same
time poetic approach to visual storytelling has yield­
­ed the dazzling and diverse looks e.g. for the 3D film
Cave of Forgotten Dreams and most recently Queen
of the Desert, screening in Competition this year for
the Golden Bear. A central focus of this in-depth
master class will be how Zeitilinger illuminates
cinematic spaces through cinematography, from
the most diverse of natural landscapes to the dark­
est spaces of mankind.
14:00–15:30 | HAU 1
11:00–13:00 | HAU1
Short Cuts
Ella Manzheeva, Russia 2015. In cooperation with
Berlinale Forum.
Berlinale Talents alumna Ella Manzheeva (2013) returns to the festival with her film The Gulls, which
celebrates its world premiere in Berlinale Forum.
14:00–15:30 | HAU2
Smoking Hot:
The Wide World of Web Series
11:00–12:30 | HAU3, top floor
Still from Werner Herzog’s Queen of the Desert,
lensed by Peter Zeitlinger.
Berlinale Talents 2015
Ben Sinclair, Katja Blichfeld. In cooperation with
Medienboard Berlin-Brandenburg.
Not cre­ated for the big screen, and tailored to different kinds of viewership, web series defy the limitations of more traditional formats. Co-creators,
writers and directors Katja Blichfeld and Ben Sinc­lair will lead a case study on their cult web series
High Maintenance. Showing episodes from the
ser­ies Blichfeld and Sinclair will discuss how the
web series format is conducive for testing new ideas
as well as production and distribution models.
Berlinale Talents 2015
Sabine Brantus, Jukka-Pekka Laakso,
Laurent Crouzeix, Jan Naszewski.
In cooperation with European Film Academy
and Berlinale Shorts.
Help, I‘ve done a great short film! Producer Sabine
Brantus (ARTE), festival programmers Laurent Crouzeix (Clermond-Ferrand International Short Film
Fest­ival) and Jukka-Pekka Laakso (Tampere Film
Festival) and distributor Jan Naszewski (New Europe
Film Sales), all passionately dedicated to the short
form, talk about the different ways to present your
short film. This panel will consider the rea­s­ons for
and advantages of making a short, how to find the
right presentation context and how to make the
most out of your film through distribution, sales,
festivals, etc.
Continuation >
13
programme
High Season:
Serial Storytelling and Producing
14:30–17:00 | HAU3, top floor
@Berlinale Talents 2015
Indiegogo is delighted to join forces with Berlinale Talents 2015.
The Indiegogo Team will offer individual support and mentoring
to film and creative projects selected through Berlinale Talents
and crowdfunding on Indiegogo this year.
Come to Indiegogo’s NETWORK BREAKOUT at Berlinale
Talents 2015. It will be the perfect place to meet and talk with us
about crowdfunding.
Monday, Feb 9th from 3:30 - 5pm
at HAU3, Top floor, Tempelhofer Ufer 10, Berlin
Contact: Miranda Fleming miranda.fleming@indiegogo.com
indiegogo.com
@IndiegogoFilm
@Indiegogo
Roberto Amoroso, Edward Berger, Antony Root,
Anna Winger, Jörg Winger. Within in the
framework of the Drama Series Days.
Accomplished television and film producer Paul
Trijbits (Fish Tank, The Casual Vacancy) will dive into
familiar depths and unveil the methods and workflows of serial storytelling and producing. He will
welcome the masterminds behind the brand new
German series Deutschland 83. Creators Anna Winger and Jörg Winger join to deliver a keynote presentation followed by a discussion with series lead
director Edward Berger (Jack) about the principles
and methods of their work. After a short inter­mis­
sion, Trijbits welcomes Antony Root (HBO Europe)
to deliver a keynote talk about his years of exper­
ience spearhead­ing drama series productions tailormade for the rising local markets in eastern Europe
(Umbre). Roberto Amoroso, Sky Italia executive and
teacher at ”Serial Eyes,“ a Berlin-based post-grad
course on TV writing and producing, will shed further insight on high-profile drama series production
(1992).
Scoring Goals
elaborate on how sound and score shape the visual
onscreen cinematic world and the spaces in which
stories unfold. His experience scoring multiple films
with aut­­­eur directors sheds light on the working
re­la­tionship between director and composer, as well
as how sound and music can create a ”meta space“
between the works of a trilogy or a director’s oeuvre.
Room for Emotions:
Embodying Architecture in Film
17:00–18:30 | HAU2
Joanna Hogg, Matthias Sauerbruch.
In the films of Joanna Hogg, relationships and
fam­ily structures play out in and are heavily influenced by architectural spaces and landscapes.
Berlin-based architect Matthias Sauerbruch (Sauerbruch & Hutton) work­ed on the iconic house in
which Hogg’s latest drama, Exhibition, unravels.
Showing excerpts from the film, Hogg and Sauerbruch explore the dialogue bet­ween film and
architect­ure and how living spaces can influence
human behavior or even become a character in a
film. Other topics to be tackled include stylistic de­
vices when shooting and editing interiors, bringing
space into the foreground of narration and how
spatial understandings of architecture can be translated into spatial representation in film.
17:00–18:30 | HAU1
Howard Shore.
In cooperation with Dolby®Laboratories.
Star composer Howard Shore has achieved worldwide renown for his work on such films as Hugo and
The Aviator (Martin Scorsese), The Lord of the Rings
and The Hobbit trilogies (Peter Jackson), Se7en (David Fincher) and The Silence of the Lambs (Jonathan
Demme), amongst others. He has scored 15 films by
David Cronenberg, including his latest Maps to the
Stars. Recipient of three Academy Awards and multiple Golden Globes and Grammy Awards, Shore will
Berlinale Talents 2015
Visionary director Johanna Hogg
brings architecture to life.
15
Programme
One of the Yes Men: Andy Bichlbaum.
programme
Highly acclaimed director Wim Wenders.
director and producer Laura Nix to discuss how they
made their new film, The Yes Men Are Revolting. They
explain how to hack into both public and private
spaces and get footage working with mini­mal tech
and crew. Further they highlight the kinds of preparation and legal clearances that are required when
shooting under the radar with unsuspecting subjects and in uncontrolled settings. This time taking
on climate change and the policies and cor­po­ra­tions that exacerbate the crisis, the film­makers discuss the responsibilities and aims of political and
activist filmmaking.
Story Worlds
14:00–15:30 | HAU2
WED, FEB 11 | Day 5
Film Screening:
La casa más grande del mundo
(The Greatest House in the World)
11:00–13:00 | HAU1
Ana V. Bojórquez, Lucía Carreras
Guatemala | Mexico 2015.
In cooperation with Berlinale Generation.
Ana V. Bojórquez, a Berlinale Talents alumna from
2012, returns to the Berlinale with the world pre­m­
iere of her most recent co-direction.
and media law. This session will address the rights
clearances that are necessary at different steps of
the creative process. Also to be dis­cussed is how to
keep in mind international perspectives and the
changes in laws across borders and media formats.
This is a great opportunity to ask all your pressing
questions about this often elusive yet important
aspect of the filmmaking process.
Space Invaders
Jean-Pierre Bekolo, Sebastián Lingiardi,
Madhushree Dutta.
In cooperation with the Federal Foreign Office,
Berlinale NATIVe and Berlinale Forum Expanded.
How can handed-down knowledge about storytelling be adopted to develop excepti­on­al narrative
film worlds? This truly inter­conti­nen­tal panel will
im­merse into cultural spaces in Africa, Latin Ameri­ca and India to discover the stories and narrative
tra­ditions that are rooted there. Filmmakers and
screenwriters will dis­cuss how their cinematic work
has been in­spired by the narrative structures from
their own or other people’s cultural backgrounds.
14:00–15:30 | HAU1
Everything Is Alright
11:00–12:30 | HAU3, top floor
Katharina Domnick, Dr. Leo Schapiro.
In cooperation with Erich Pommer Institut.
Everyone involved in the filmmaking process, from
directors, producers, distributors and sales agents
should know the laws behind the ownership of
the films they work on. Get clear explanations and
advice from industry law experts Dr. Leo Schapiro
and Katharina Domnick who specialize in copyright
16
Andy Bichlbaum, Mike Bonanno, Laura Nix.
In cooperation with Berlinale Panorama.
Having already tried to save the world, The Yes Men
are back, and this time, they are revolting! Armed
with anger, humor, a camera and per­formance, The
Yes Men have lifted guerilla filmmaking to new
heights with their activistic and often slapstick interventions that expose the hypocrisies and crimes
of big business and government. Yes Men Mike
Bonanno and Andy Bichlbaum unite onstage with
Berlinale Talents 2015
Producers Sharing Their Secrets
14:00–17:00 | HAU3, top floor
Paulo de Carvalho, Juliette Lepoutre,
Raymond Phathanavirangoon.
In cooperation with Creative Europe MEDIA.
In this in-depth session, executive director of the
Israel Film Fund and longtime film producer Katriel
Schory moderates internat­ional producers on the
current challenges in film producing, highlighting
new business models and practices that are making
Berlinale Talents 2015
waves today. Short keynote presentations on spe­­ci­
fic topics by the experts will be punctuat­ed by interactive discussions with the audience and other
experts. Along the long road ”from idea to the
poster,“ where can producers diverge and impact
their projects for the better? And how do they
choose the project they want to develop and why?
With regard to an ever-changing industry landscape, how do the responsibilities of producer and
distributor increasingly overlap, and are ”impact
pro­­ducer“ or ”producer of marketing“ the job descriptions of tomorrow? Schory and the experts will
also elaborate on how you can identify the ideal
co-production partners and build an inter­national
identity for your project while main­taining your
personal voice.
Wings of Time:
A Conversation with Wim Wenders
17:00–18:30 | HAU1
Wim Wenders.
In cooperation with Deutsche Kinemathek –
Museum für Film und Fernsehen.
Subject of Berlinale Homage and recipient of an
honorary Golden Bear for lifetime achievement, leg­
endary German auteur Wim Wenders takes the
stage to discuss his current work and the restauration
of his films. A lauded figure in the New German Cin­
ema generation of the 1970s, Wenders went on to
rack up top prizes for seminal films like Paris, Texas,
Wings of Desire and The State of Things. His recent
works Pina, The Salt of the Earth and this year‘s
festival entry Every Thing Will Be Fine cement his
repu­ta­tion as one of the most influential auteur
film­makers working today. Wen­ders will ela­borate
on his career, his ex­per­iences working across various genres and international settings and what it
means to stay on the vanguard of filmmaking.
Continuation >
17
Programme
programme
Screening Shorts:
A Compilation of Short Films
WED, FEB 11 | Day 5
Continuation
11:00–13:00 | HAU1 In cooperation with
Berlinale Shorts and Berlinale Generation.
Endless Space:
Body Movement Beyond Limits
#YA | 15’ Ygor Gama, Florencia Rovlich
Blood Below the Skin | 32’ Jennifer Reeder
Piknik | 13’ Jure Pavlovic
Un creux dans mon coeur | 10’ Mees Peijnenburg
Superior | 16’ Erin Vassilopoulos
17:00–18:30 | HAU2
Mikey Brett, Francesca Jaynes,
Jean-Louis Rodrigue.
Physical space is dramatically activated and takes
on scale and dimension by the move­ment of actors‘
bodies within it, and Sandra Bullock’s graceful floating and swimming through space in Alfonso Cua­
rón’s Gravity re­mains one of the most memo­rable
images from last year’s cinema experience. Acting
coach Jean-Louis Rodrigue will share his wide knowledge on body movement in cinematic space. Movement coach Francesca Jaynes and puppeteer
Mikey Brett, both of whom worked with Bullock to
simulate her character’s unfolding ordeal in zero
gravity, refer to choreography and the mechanics
of marionette puppetry to explain how they en­
abled a freedom of movement that would otherwise
not have been possible.
One of last year's sessions at HAU3.
thu, FEB 12 | Day 6
Big things come in small packages! This programme
features a selection of short films that are screening
in the Berlinale official programme. In­cluded are
Berlinale Talents alumnus Jure Pav­lo­vic’s (2014) Piknik in Generation 14plus, as well as 2015 Talent Jennifer Reeder’s Blood Below the Skin which celebrates
its world premiere in Berlinale Shorts.
The Dolby Atmos® Master Class
Disclosing the World Cinema Fund
Bridging the Gap:
Films in Between Spaces
10:00–11:15 | cinestar 7
11:00–11:45 | HAU3, top floor
14:00–15:30 | HAU1
Christian Conrad, Matt Desborough,
Martin Frühmorgen, Lars Ginzel,
Holger Lehmann, Christian Lerch, Martin Steyer.
In cooperation with Dolby®Laboratories,
Film Uni­versity Babelsberg KONRAD WOLF
and The Post Republic.
This public master class will offer many theo­re­t­i­­c­­al and tech­nical insights into practical ap­p ­li­ca­­t­i­­­ons of Dolby Atmos® technology. The Dolby
Atmos® Policy-Trailer, composed as part of the
Sound Studio 2014, will be presented for the first
time. Also the three selected soundscapes from
this year’s Sound Studio will be presented and the
winner announ­ced. A case study made by Rotor
Film Babelsberg on the Berlinale trailer in 7.1/Dolby Atmos® and ex­tracts from Dolby Atmos® films
are some of the highlights of the programme.
Isona Admetlla, Vincenzo Bugno.
In cooperation with World Cinema Fund.
Innovative forms, fresh perspectives and local stories from across the globe are supported by the
World Cinema Fund. Independent productions
from regions with little access to funding, such as
Latin America, Africa, the Middle East, Central and
Southeast Asia and the Caucasus, are its focus.
Apichatpong Weerasethakul‘s Palme d’Or winning
Uncle Boonmee Who Can Recall His Past Lives is
one of many successful films supported by the
World Cinema Fund. Isona Admetlla and Vincenzo
Bugno discuss the aims of the initiative, the breadth
of works and regions considered and how film­mak­ers can apply with their projects.
Bong Joon-Ho, Lorna Tee.
Film is truly a universal language and me­d­­i­um,
but that is not to say that there are not daun­t­ing
obstacles to overcome when bring­ing films from
their local birthplaces to in­ternational audiences.
The films of a specific region often convey elements
of the local or regional context: its cultural heritage,
its social and political preoccupations, its genres
and traditions and its ways of communicating and
telling stories. Bong Joon-Ho, South Korean direc­tor of The Host and celebrated lately for his first
English language film Snowpiercer, and renowned
Asian producer Lorna Tee (Postcards from the Zoo)
bring their rich experiences in making films that are
successful for both local and international markets
to this discussion. When developing stories intended to cross the cultural divide, what must be considered at the script level, when choosing production partners, cast and crew and when designing a
distribution and marketing strategy?
Entering the Co-Production Market
12:00–12:45 | HAU3, top floor
Kathi Bildhauer, Martina Bleis. In cooperation
with Berlinale Co-Production Market.
Sandra Bullock suspended like a marionette puppet
on the set of Gravity.
18
As anybody who has ever attended one of the
legendary “Berlinale Co-Pro” parties would attest
to: “Co-Pro rocks!” The Berlinale Co-Production
Mark­et is one of the major inter­national networking
and financing platforms for film projects with an
international scope. It brings together around 500
reputable inter­national producers, film financiers,
sales agents and distributors, as well as broadcast­ing and funding representatives to initiate the
co-productions of tomorrow. In addition, ten Berli­­
­na­­-le Talents participants get a chance to present
their projects at the Talent Project Market. Find out
how Berlinale Talents alumni can parti­ci­pate by
applying for the Co-Production Market including
the Talent Project Market in the coming years.
Berlinale Talents 2015
Berlinale Talents 2015
19
i_doc
workshop
programme
A Project Development Programme
for Expanded Documentaries
THU, FEB 12 | Day 6
19–23 April 2015
Nyon, Switzerland
Of Walls and Wonders
Continuation
17:00–18:30 | HAU1
w!
y no
Appl line
Dead h 2015
arc
10 M
The third edition of the five-day
residential workshop will introduce
participants to nonfiction digital
storytelling and accompany them
in the development of a first interactive documentary working concept.
www.idoc.supsi.ch
Andreas Dresen, Wolfgang Kohlhaase,
Clemens Meyer.
In cooperation with Medienboard
Berlin-Brandenburg.
The collapse of the Berlin Wall and the GDR was followed by a brief moment in time in eastern Germany
where space seemed un­li­mited and freedom was
an ideal to be tested and lived to the fullest. These
feelings form the background for As We Were Dream­
ing, the Berlinale Competition entry directed by
Andreas Dresen and adapted for the screen by Wolf­
gang Kohlhaase from the bestselling novel by Clemens Meyer. Repre­senting three generations that
personally experienced this electric time in the East,
Dresen, Kohlhaase and Meyer will describe their
process of adapting from memory to novel to screen
a very loaded historical mo­m­ent that lingers in the
space of imagination of many Germans.
Joint Forces: Laura Poitras on Her Films
Noted director Andreas Dresen
warming up at HAU1.
17:00–18:00 | HAU3, top floor
Summit events are downsized and available for viewing
on the Berlinale Talents website.
Laura Poitras (online session).
With her recently released portrait of pola­rizing
figure Edward Snowden, Laura Poitras has roun­ded up her trilogy of documentaries depicting the
plight of people who have been impacted by the
policies of the US gov­ern­ment’s War on Terror. Laura
Poitras (Citizenfour) joins Talents from New York for
a short interactive webcam session to discuss her
changing role as a documentarian over the years
and her relationships to her films and protagonists
as they ignite wildfire buzz amongst audiences
worldwide.
Made by Laura Poitras:
Citizenfour with Edward Snowden.
Berlinale Talents 2015
21
Timetable
Sat 7
20:00 – 22:00
HAU1 – Hebbel am Ufer 1
15:30 – 18:30
hau1
Film Screening:
Karai Norte (Man of the North)
Marcelo Martinessi, Paraguay 2009.
Mar Dominga Sotomayor,
Chile | Argentina 2014. (p.32)
070931
HAU2 – Hebbel am Ufer 2
hau2
Kill Your Darlings
Susan Korda.
(p.34) 080942
17:00 – 18:00
14:30 – 15:45
hau1
Drama Series:
Land of Endless Opportunities
Matthew Weiner. (p.35) 090931
hau1
Film Prize
of the Robert Bosch Stiftung:
Award Ceremony
(p.34) 080933
17:00 – 18:30
11:00 – 12:30
2015: A Space Discovery
Darren Aronofsky, Claudia Llosa.
(p.33) 080931
11:00 – 12:00
hau3 tf
Close-up Germany
Frank W. Albers, Christine Berg,
Veronika Grob, Mariette Rissenbeek.
(p.33) 080951
13:00 – 14:30
hau2
Imaginary Worlds:
Exploring the Unknown
Alex McDowell, Bruno Setola,
Jeff Watson. (p.33) 080941
14:00 – 15:30
Road, Movie: Films in Motion
Walter Salles, Sebastian Schipper.
(p.33) 080932
hau1
Crossroads to Culture:
Cinema(s) in the Arab World
Hania Mroué, Irit Neidhardt,
Youssef El Shazli. (p.34) 080952
hau3 TF
11:00 – 13:00
Film Screening:
How to Win at Checkers
(Every Time)
Josh Kim, Indonesia | USA | Thailand
2015. (p.35) 120931
11:00 – 13:00
Cross Media II:
How to Engage Your Audience
Raphaëlle Huysmans,
Timo Vuorensola. (p.37) 090954
hau3 tf
14:00 – 15:30
Hybrid News:
Documenting True Events
Atsushi Funahashi, Shaibu Husseini,
Marcelo Martinessi.
(p.35) 090941
hau2
Cross Media I: Creating Identity
for Your Project
Liz Rosenthal, Sean Coleman.
(p.37) 090952
hau3 tf
followed by:
15:30–16:30 | Network Breakout
hau2
14:30 – 17:00
hau3 tf
High Season:
Serial Storytelling and Producing
Roberto Amoroso, Edward Berger,
Antony Root, Anna Winger, Jörg
Winger. (p.41) 100952
Room for Emotions:
Embodying Architecture in Film
Joanna Hogg, Matthias Sauerbruch.
(p.42) 100942
TUE 10
11:00 – 13:00
hau1
Film Screening: Chaiki
(The Gulls)
Ella Manzheeva, Russian Federation
2015. (p.39) 100933
11:00 – 12:30
Space Invaders
Andy Bichlbaum, Mike Bonanno,
Laura Nix. (p.43) 110932
hau1
hau3 tf
Smoking Hot:
The Wide World of Web Series
Ben Sinclair, Katja Blichfeld.
(p.39) 100951
14:00 – 15:30
The Memory of Violence
Marcel Ophüls, Joshua Oppenheimer.
(p.39) 100931
hau1
Berlinale Talents 2015
Story Worlds
Jean-Pierre Bekolo, Sebastián Lin­g­i­ar­di
Madhushree Dutta.
(p.43) 110941
hau2
11:00 – 13:00
14:00 – 17:00
hau3 tf
Producers Sharing Their Secrets
Paulo de Carvalho, Juliette Lepoutre,
Raymond Phathanavirangoon.
(p.44) 110952
17:00 – 18:30
Wings of Time: A Conversation
with Wim Wenders
Wim Wenders. (p.45) 110933
hau1
Endless Space:
Body Movement Beyond Limits
Mikey Brett, Jean-Louis Rodrigue,
Francesca Jaynes. (p.45) 110942
hau2
WED 11
11:00 – 13:00
hau1
Film Screening:
La casa más grande del mundo
Ana V. Bojórquez, Lucía Carreras,
Guatemala | Mexico 2015.
(p.39) 110934
10:00 – 11:15
hau3 tf
Everything Is Alright
Katharina Domnick, Dr. Leo Schapiro.
(p.43) 110951
Berlinale Talents 2015
hau1
Screening Shorts:
A Compilation of Short Films
(p.46) 120931
11:00 – 1 1:45
hau3 tf
Disclosing the World Cinema
Fund
Isona Admetlla, Vincenzo Bugno.
(p.46) 120951
12:00 – 12:45
hau3 tf
Entering the Co-Production
Market
Kathi Bildhauer, Martina Bleis.
(p.46) 120952
14:00 – 15:30
hau1
Bridging the Gap:
Films in Between Spaces
Bong Joon-Ho, Lorna Tee.
(p.47) 120932
17:00 – 18:30
hau1
Of Walls and Wonders
Andreas Dresen, Michael Kohlhaase,
Clemens Meyer.
(p.47) 120933
17:00 – 18:00
11:00 – 12:30
other
The Dolby Atmos® Master Class
Christian Conrad, Matt Desborough,
Martin Frühmorgen, Lars Ginzel,
Holger Lehmann, Christian Lerch,
Martin Steyer.
(p.45) 120276
hau2
17:00 – 18:30
Scoring Goals
Howard Shore. (p.42) 100932
hau1
hau3 tf
The Survival Guide to Digital
Workflows
Stefan Ciupek, Dirk Meier.
(p.35) 090951
hau3 TF
22
hau1
Followed by:
Meet the Expert: Short Cuts
Timetable
Thu 12
14:00 – 15:30
Short Cuts
Sabine Brantus, Laurent Crouzeix,
Jukka-Pekka Laakso, Jan Naszewski.
(p.41) 100941
hau1
hau2
hau1
14:00 – 15:30
OTHER – Please check programme
hau2
Measuring Space: The Cinema­
tography of Peter Zeitlinger
(p.38) 090932
Basic Trust: Growing Relation­
ships with Actors
Ursula Meier. (p.38) 090942
Mon 9
Sun 8
HAU3 TF – Hebbel am Ufer 3, Top Floor
hau3 tf
Joint Forces:
Laura Poitras on Her Films
Laura Poitras.
(p.47) 120953
23
venues
Tickets | Service
Venue
HAU Hebbel am Ufer
Tickets for accredited
festival guests
HAU1 Stresemannstraße 29
from FEB 4–12
HAU2 Hallesches Ufer 32
at ticket counters.
HAu3 Tempelhofer Ufer 10
Sun 8 –Thu 12 | 14:00–18:00
Accredited students may also
be admitted according to
avail­able seats. Please be there
ten minutes before the event
takes place.
at the HAU Hebbel am Ufer
(HAU2).
More information
Tickets for Berlinale
Talents events
and current programme
available at:
www.berlinale-talents.de
HAU
The Berlinale Talents Lounge
is open to the public from
BUS
e
traß
elms
Wilh
BUS
€ 10,00 | reduced € 5,00
Double features:
€ 15,00 | reduced € 7,50.
BUS
BERLINALE TALENTS
AT HAU HEBBEL AM UFER
HAU1
Stresemannstraße 29
HAU2
Hallesches Ufer 32
HAU3
Tempelhofer Ufer 10
OTHER PLACES
OF INTEREST
European Film Market
Martin-Gropius-Bau
Berlinale Talents
Market Hub (1st floor)
Potsdamer Platz Arkaden
Public Box Office
Potsdamer Platz Arkaden
Internet Counter
(Ticket pick up point)
Berlinale Service Center debis Atrium
Ticket Counter (Accredited Berlinale guests)
Grand Hyatt Berlin
Press Center
U-Bahn
Tickets are available
(U1) Hallesches Tor,
Möckern­­brücke
FROM FEB 2
Bus
at any Berlinale ticket counter
or online at www.berlinale.de
M41, M29, 123, 265
FROM FEB 8–12 | 10am– 6pm
at the box offices in the HAU
Hebbel am Ufer theatres
HAU1 and HAU2 on the day
of the event.
BUS
Public Transport
Berlinale Talents is an initiative of the
Berlin Inter­­national Film Festi­val, a
business division of the Kultur­­­ver­­an­­­­stal­
tungen des Bundes in Berlin GmbH,
funded by the Federal Govern­ment
Commissioner for Culture and the Media,
in cooperation with Creative Europe
MEDIA, a programme of the European
Union, Robert Bosch Stiftung,
Medien­board Berlin-Brandenburg
and Canon.
HAU1
HAU2
HAU3
24
Berlinale Talents 2015
Berlinale Talents 2015
25
Experts
A
Ken Adam
Frank W. Albers
Roberto Amoroso
Darren Aronofsky
Toby Ashraf
B
Sandra Beerends
Jean-Pierre Bekolo
Christine Berg
Edward Berger
Andy Bichlbaum
Katharina Bildhauer
Martina Bleis
Katja Blichfeld
Ana V. Bojórquez
Mike Bonanno
Sabine Brantus
Mikey Brett
Kathrin Brinkmann
Gabriele
Brunnen­meyer
Vincenzo Bugno
c
Lucía Carreras
Paulo de Carvalho
Irene Christ
Iwana Chronis
Stefan Ciupek
Sean Coleman
Christian Conrad
Peter Cowie
Laurent Crouzeix
D
Sebastian Denz
Katharina Domnick
Andreas Dresen
Catalina Marín Duarte
Madhusree Dutta
e
Don Edkins
Rabih El-Khoury
Youssef El Shazli
Ralph Eue
26
f–G
Atsushi Funahashi
Gyula Gazdag
Ygor Gama
Michael Geidel
Ben Gibson
Lars Ginzel
Alexandra Gramatke
Veronika Grob
Christoph Gröner
H
Kanako Hayashi
Renate Heilmeier
Maike Mia Höhne
Jakob Kirstein Høgel
Joanna Hogg
Shaibu Husseini
Raphaëlle Huysmans
J
Francesca Jaynes
Pavel Jech
Bong Joon-Ho
k
Henning Kamm
Josh Kim
Wolfgang Kohlhaase
Kristof Konrad
Susan Korda
Merle Kröger
Beatrice Kruger
L
Jukka-Pekka Laakso
Juliette Lepoutre
Sydney Levine
Sebastián Lingiardi
Dana Linssen
Claudia Llosa
Franz Lustig
M
Miguel Machalski
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Berlinale Talents
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berlinale-talents.de
Berlinale Talents 2015
Experiencing the writers‘ room Europe’s first postgraduate TV serial writing and
production programme
SERIAL EYES programme offers young EU scriptwriters and producers a fast
track into the dynamic world of TV serial drama. The full-time eight-month
course starting in September 2015 provides intensive training in both writing
and production with a specific focus on European markets.
Classes will be taught in English and mainly take place in Berlin at DFFB with
short workshops in London, Copenhagen and MIPTV Cannes.
SERIAL EYES is organized by the Deutsche Film- und Fernsehakademie Berlin
(DFFB) in cooperation with the London Film School (LFS) and the National Film
School of Denmark with the support of Creative Europe – MEDIA Programme of
the European Union.
Application deadlines:
Regular admission: 16th March 2015
(some scholarships will be available for applications received by this date)
Late admission: 31st March 2015
For more information please visit
www.serial-eyes.com
Thank you !
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koNRAd woLF
Berlinale Talents is an initiative of the Berlin International Film Festival, a business division of the Kultur­ver­an­stal­tun­gen
des Bundes in Berlin GmbH, funded by the Federal Government Commissioner for Culture and the Media.