19 (1855) (1893) Ф 19 (wash drawings) Ф N 19 (1982) Ф //

Transcription

19 (1855) (1893) Ф 19 (wash drawings) Ф N 19 (1982) Ф //
ࠡ࠶࠴࡯࡮ࠟࡒ࡯ߩጯㄝ
֣֣࠻࡯ࡑࠬ࡮ࡕ࡯࡜ࡦߣ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩޢ‬㘑᥊֣֣
Ỉ ౉ ⷐ ੳ
ߪ ߓ ߼ ߦ
߆ߟߡ⺰ߓߚࠃ߁ߦ‫ޔ‬19਎♿ࠕࡔ࡝ࠞߩ࿖᳃⊛⹞ੱࡋࡦ࡝࡯࡮ࡢ࠭ࡢ࡯ࠬ࡮ࡠࡦࠣࡈࠚࡠ࡯ߩ‛⺆⹞
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫(ޢ‬1855)ߪ‫ޔ‬వ૑ࠕࡔ࡝ࠞ࡮ࠗࡦ࠺ࠖࠕࡦߩવ⺑ߣ⊕ੱࠕࡔ࡝ࠞߩᱧผߣࠍߟߥ߉޽
ࠊߖߚ‛⺆ߦߥߞߡ޿ߚ‫ޕ‬ᱧผ߿વ⛔ߦਲߒ޿ࠕࡔ࡝ࠞߦ↢߹ࠇߚ૞ኅ߇‫޿ߒࠊߐ߰ߦࠞ࡝ࡔࠕޔ‬ค੐
⹞ࠍ૞ࠈ߁ߣᎿᄦߒߚ૞ຠߛߞߚ‫ޕ‬ೀⴕ⋥ᓟ߆ࠄࡌࠬ࠻࠮࡜࡯ߦߥࠅ‫ޔ‬
‫࡯ࠖࡈޟ߿ޠࡦ࡚ࠪ࡯࠮ࡦ࠮ޟ‬
ࠢࡠࡕ࡝࠰ࠣ࡜ࡈ
ࡧࠔ࡯‫ࠍޠ‬ᒁ߈߅ߎߒߚߛߌߢߥߊ‫ߩ࠭ࡧࠗࠕ࡮࠼ࡦࠕ࡮࡯ࠕ࡝ࠞޔ‬ᄙ⦡⍹ ↹߿࠴ࠚࠦߩ૞ᦛኅ࠼ࡧ
ࠜ࡞ࠩ࡯ࠢߩ⸰☨ਛߩ૞ຠ‫ޡ‬ᣂ਎⇇ࠃࠅ‫(ޢ‬1893)ߥߤ‫ࠄ߆ⴚ⟤ޔ‬㖸ᭉ߹ߢ‫ޔ‬ᄢⴐᢥൻ߆ࠄᧄᩰ⊛⧓ⴚ߹
1
ߢ‫ޔ‬ᄙߊߩᢥൻߦᓇ㗀ࠍਈ߃ߡ޿ߚ㨫
ᧄⓂߢߪ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫߇ޢ‬ਈ߃ߚᓇ㗀ߩ߁ߜ‫ޔ‬19਎♿ᓟඨߩࠕࡔ࡝ࠞ↹სࠍઍ⴫ߔࠆ㘑᥊↹ኅ
2
࠻࡯ࡑࠬ࡮ࡕ࡯࡜ࡦߩ৻ㅪߩනᓀ↹(wash drawings)ࠍ⚫੺ߒߡ⺰ߓߚ޿㨫 ߘߩᦨᄢߩℂ↱ߪ‫ߩࠄࠇߎޔ‬
නᓀ↹ߩሽ࿷ߪ⍮ࠄࠇߡ޿ߚ߽ߩߩ‫ޕࠆ޽ߢࠄ߆ߚߞ߆ߥ߇ߣߎߚࠇࠄߓ⺰ߊߒ⹦ߢ߹ࠇߎޔ‬
వⴕ⎇ⓥࠍ⚫੺ߒߡ߅ߎ߁‫ޔߕ߹ޕ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫⊛ⴚ⟤ߩޢ‬ᓇ㗀ࠍ⺰ߓߚੑ✬ߩ⎇ⓥ߇ሽ࿷ߔࠆ‫ޕ‬
߭ߣߟߪ‫࡮࠽࡯࡝ޔ‬N࡮ࠦ࡯ࠛࡦߩ‫ߡߒߘޔࠨࡢࠕࠗࡂޔ࡯ࡠࠚࡈࠣࡦࡠޟ‬19਎♿ࠕࡔ࡝ࠞߩ↹ኅߚߜ‫ޠ‬
3
(1982)ߢ޽ࠆ㨫 ߎࠇߪ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ࠆࠃߦޢ‬ᓇ㗀ߛߌߢߥߊ‫߇࡯ࡠࠚࡈࠣࡦࡠޔ‬ၫ╩ᤨߦෳᾖߒߚ
࡚ࠫ࡯ࠫ࡮ࠠࡖ࠻࡝ࡦߥߤߩ⟤ⴚ૞ຠ߆ࠄ⺑߈ߪߓ߼‫࡮ࠢ࠶࡝࠺࡟ࡈޔࡦ࡜࡯ࡕޔ࠻࠶࠮ࡦࠤ࡮ࡦ࡚ࠫޔ‬
1
Ỉ౉ⷐੳ‫ޟ‬ㆊ෰ߣ⃻࿷ߩ޽޿ߛ֣‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫⃻ࠆߌ߅ߦޢ‬ታߣⓨᗐ֣‫ޠ‬
‫ޡ‬࿖㓙ᢥൻ⎇ⓥ⑼⺰㓸‫ޢ‬16 (2008): 43–58.
wash drawing ߣߪන⦡᷆ᓀߩ᳓ᓀ↹ߩߎߣߢ޽ࠆ‫߫ߒ߫ߒޕ‬ა(india ink)߇૶ࠊࠇࠆߩߢ‫ޟ‬ა⛗‫߽ߣߎࠆࠇߐ⸶ߣޠ‬
ᄙ޿߇‫ᧄޔ‬Ⓜߢߪ‫ޟ‬නᓀ↹‫ࠅ߹޽ޔ߁޿ߣޠ‬ᐢߊ૶ࠊࠇߡ޿ߥ޿↪⺆ࠍ૶޿ߚ޿‫ޕ‬ა⛗ߣ޿߁⸒⪲ߪ᧲ࠕࠫࠕߩ᳓ა
↹ࠍㅪᗐߐߖߡߒ߹޿߇ߜߛ߆ࠄߢ޽ࠆ‫(࡙ࠗࠩ࡝ࠣޔ߅ߥޕ‬grisaille)ߣ޿߁㘃ૃߒߚ↹ᴺ߇޽ࠆ‫ޕ‬หߓߊࡕࡁࠢࡠ࡯
ࡓߩ⛗↹ߢ޽ࠆ߇‫ߩ࡯࡟ࠣߡߗ߹ࠍౕ⛗⊕ޔ‬Ớ᷆ࠍ૞ࠅߛߔὐ߇නᓀ↹ߣ⇣ߥࠆ‫ޕ‬
3
Rena N. Coen, “Longfellow, Hiawatha and Some 19th Century American Painters,” in Papers Presented at the Longfellow
Commemorative Conference, coordinated by the National Park Service (Washington: The National Park Service, 1982), pp.
69–91. ߥ߅‫ߩࠄࠇߎޔߪࡦࠛ࡯ࠦޔ‬නᓀ↹߇‫ޟ‬㍑ᓂ ‫(ޠ‬steel engraving) ೙૞ߩߚ߼ߛߞߚߣߒߡ޿ࠆ߇‫ޔ‬ᱜߒߊߪ
ࠛ࠶࠴ࡦࠣ೙૞ߩߚ߼ߢ޽ࠆ‫ޕ‬
2
࡟ࡒࡦ࠻ࡦ‫ߩࠨࡢࠕࠗࡂޡ߇ࠄ࠭ࡦࠠ࡯ࠗ࡮ࠬࡑ࡯࠻ߡߒߘޔ‬᱌‫ࠍޢ‬ਥ㗴ߦߒߡឬ޿ߚ૞ຠࠍ⺰ߓߚ⎇
ⓥߢ޽ࠆ‫ߩࠨࡢࠕࠗࡂޡߪࡦ࡜࡯ࡕߢ߆ߥߩߘޕ‬᱌‫߽ߣߞ߽ࠍޢ‬೑↪ߒߚ↹ኅߣߒߡᦨᄢߩ⚕᏷߇ߐ߆
ࠬࡇ࡝࠶࠻
ࠇ‫ޔ‬ᴤ⛗‫ ߩࡦࠕࠖ࠺ࡦࠗޡ‬ᖡ 㔤 ‫(ޢ‬1869)ߣห‫޿⿒ߊߒޘ⨹ޡ‬ᄥ㓁߇ᴉࠎߢ‫(ޢ‬1875)߇⹦ߒߊ⺰ߓࠄࠇߡ
޿ࠆ߇‫ޔ‬නᓀ↹ߩࠪ࡝࡯࠭ߦ㑐ߒߡߪ‫৻ޟ‬ㅪߩࡂࠗࠕࡢࠨߩࠗ࡜ࠬ࠻࡟࡯࡚ࠪࡦ‫ࠍޠ‬ડ࿑ߒߚߣ⸒෸ߔ
ࠆߩߺߢ‫ౕߩߘޔ‬૕⊛ߥ⺰⠨߇߹ߞߚߊߥ߆ߞߚ‫ޕ‬
߽߁৻✬ߪ‫࡮ࠕࠪࡦࠪޔ‬D࡮࠾࠶ࠞ࡯࠰ࡦߦࠃࠆ‫ࠗࡂޡߩ࡯ࡠࠚࡈࠣࡦࡠ࡮ࠬ࡯ࡢ࠭ࡢ࡮࡯࡝ࡦࡋޟ‬
4
ࠕࡢࠨߩ᱌‫ޔ㉼⸃⊛ⴚ⟤ߩޢ‬1855–1900‫⎇߁޿ߣޠ‬ⓥ(1984)ߢ޽ࠆ㨫 ߎࠇߪ‫ࠗࠕ࡮࠼ࡦࠕ࡮࡯ࠕ࡝ࠞޔ‬
ࠢࡠࡕ࡝࠰ࠣ࡜ࡈ
ࡧ࠭ߩᄙ⦡⍹ ↹߆ࠄ⺑߈ߪߓ߼‫ޔࡦ࡜࡯ࡕޔ࠻࠶࠲ࠬࠕࡆ࡮࠻࡯ࡃ࡞ࠕޔ‬ᓂೞኅࠛ࠼ࡕ࠾ࠕ࡮࡞ࠗࠬ‫ޔ‬
ࠗ࡜ࠬ࠻࡟࡯࠲࡯ߩF࡮O࡮C࡮࠳࡯࡝࡯‫ߩࠨࡢࠕࠗࡂޡ߇ߤߥࡦ࠻ࡦࡒ࡟࡮ࠢ࠶࡝࠺࡟ࡈޔ‬᱌‫ࠍޢ‬ਥ㗴
ߦߒߡ೙૞ߒߚ૞ຠࠍ⺰ߓߡ޿ࠆ‫ߩࠄࠇߎޕ‬ฬ೨߆ࠄಽ߆ࠆࠃ߁ߦ‫ޔߊߥߢߌߛ↹⛗ߪࡦ࠰࡯ࠞ࠶࠾ޔ‬
ᄢⴐ⟤ⴚ߿ᓂೞ߽኿⒟ߦ౉ࠇߡ޿ࠆ‫߽ߣߞ߽ޟߩࠨࡢࠕࠗࡂޔߪࡦ࡜࡯ࡕߜ߁ߩߘޕ‬ᄙ૞‫↹ߥޠ‬ኅߣߒ
ߡ5ࡍ࡯ࠫߦࠊߚߞߡ⺰ߓࠄࠇ‫ޔ‬਄ㅀߩࠦ࡯ࠛࡦ߇⚫੺ߒߚ‫ߩࡦࠕࠖ࠺ࡦࠗޡ‬ᖡ㔤‫޿⿒ߊߒޘ⨹ޡ߿ޢ‬
ᄥ㓁߇ᴉࠎߢ‫ޔߊߥߢߌߛޢ‬ᴤ⛗‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬࠠ࠽ࡆ࡯ࠢ‫(ޢ‬1868)߽ട߃ߡ⠨ኤߐࠇߡ޿ࠆ‫ߐޕ‬
ࠄߦ‫ᧄޔ‬Ⓜߢ⺰ߓࠆනᓀ↹ߩㅪ૞ߦ⸒෸ߒߚ߁߃‫ߩࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟߦߊߣޔ‬ᱫ‫ࠍޠ‬࿑ ߣߒ
ߡ޽ߍߡ⚫੺ߒߡ޿ߚ‫ߩߎޔߪࠇߎޕ‬නᓀ↹ࠪ࡝࡯࠭ߩ৻ㇱ߇⺰ᢥߩߥ߆ߢⶄ⵾ߐࠇߚᦨೋߩ଀ߢ޽ࠈ
߁‫ޔߒߛߚޕ‬ᱷࠅߩනᓀ↹ߦߟ޿ߡߪ⺰ߓࠄࠇߡ޿ߥ߆ߞߚ‫ޕ‬
5
J࡮ࠣ࡟ࠗ࡮ࠬ࠙ࠖ࡯࠾࡯✬‫↹ߩࡦࠟࠪࡒޡ‬ኅߚߜ‫ߩࡦ࡜࡯ࡕ߽ޢ‬නᓀ↹ࠪ࡝࡯࠭ߦ⸒෸ߒߡ޿ࠆ㨫 ߎ
ࠇߪ1987ᐕߦ㐿߆ࠇߚዷⷩળߩࠞ࠲ࡠࠣߢ޽ࠆ߇‫࡞ࠝ࡝ࡍࠬߢ߆ߥߩߎޔ‬ḓࠍឬ޿ߚࡕ࡯࡜ࡦߩ૞ຠ‫ޔ‬
ߚߣ߃߫਄ㅀߩ‫ߩࡦࠕࠖ࠺ࡦࠗޡ‬ᖡ㔤‫޿⿒ߊߒޘ⨹ޡ߿ޢ‬ᄥ㓁߇ᴉࠎߢ‫ޢ‬
‫ޔ‬
‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬࠠ࠽ࡆ࡯
ࠢ‫߇ޢ‬ขࠅ਄ߍࠄࠇߡ޿ߚ‫ޔߦࠄߐޕ‬නᓀ↹ߩߥ߆߆ࠄ‫޿⊕ޟ‬㗻ߩ೔᧪‫߇ޠ‬࿑ ߣߣ߽ߦ⚫੺ߐࠇߡ޿
ࠆ‫⺰ޕ‬⠨ߘߩ߽ߩߪ⍴޿߽ߩߩ‫ޔ‬࿑ ߇߆߆ߍࠄࠇߡ޿ߡ⾆㊀ߛ‫ޕ‬
ߥ߅‫⎇ࡦ࡜࡯ࡕޔ‬ⓥߩߥ߆ߢߪ‫ࠆࠃߦ࠭ࡦࠠ࡞ࠖ࠙࡮ࡦࡑ࡯ࠨޔ‬ᮡḰ⊛વ⸥‫ޢࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޡ‬
6
(ೋ 1966;Ⴧ⵬ᡷ⸓ 1998)߇‫ߩߎޔ‬නᓀ↹ࠪ࡝࡯࠭೙૞ߩ⚻✲ࠍ◲ẖߦ⚫੺ߒߡ޿ࠆ㨫 ห᭽ߦ‫࠾࡚ࠫޔ‬
࡯࡮L࡮ࠠࡦࠫ࡯ߩᣂߒ޿ࡕ࡯࡜ࡦવ‫⷏ߩࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޡ‬ㇱ‫(ޢ‬2006)߽‫ߡߒߣ࡯࠲࡯࡟࠻ࠬ࡜ࠗޔ‬
7
ߩᵴേࠍ␜ߔߎߩࠪ࡝࡯࠭ߦ⸒෸ߒ‫ޟࠄ߆߆ߥߩߘޔ‬ᥧ㤥ḓ‫ࠍޠ‬࿑ ߦឝߍߡ޿ࠆ㨫 ▤⷗ߦ౉ߞߚ߆߉
4
Cynthia D. Nickerson, “Artistic Interpretations of Henry Wadsworth Longfellow’s The Song of Hiawatha, 1855–1900,” The
American Art Journal 16 (Summer, 1984): 49–77. ߥ߅‫ޔߪࡦ࠰࡯ࠞ࠶࠾ޔ‬
‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬࠠ࠽ࡆ࡯ࠢ‫ߩޢ‬೙૞ᐕࠍ
1867 ᐕߣߒߡ޿ࠆ߇‫ޔ‬ᓟㅀߔࠆࠃ߁ߦ‫ޔ‬ᱜߒߊߪ 1868 ᐕߢ޽ࠆ‫ޔߪࡦ࠰࡯ࠞ࠶࠾ߚ߹ޕ‬2 ᐕ೨ߦ⊒⴫ߐࠇߡ޿ߚࠦ
࡯ࠛࡦߩ⎇ⓥࠍෳᾖߢ߈ߥ߆ߞߚࠃ߁ߛ‫⸒ޕ‬෸߇ߥ޿‫ޕ‬
5
J. Gray Sweeney, ed., Artists of Michigan from the Nineteenth Century (Muskegon, Michigan: Muskegon Museum of Art,
1987).
6
Thurman Wilkins, Thomas Moran, revised enlarged ed., (Norman: University of Oklahoma Press, 1988), p. 72.
7
Joni L. Kinsey, Thomas Moran’s West (Lawrence: University Press of Kansas, 1996), p. 53.
ࠅߢߪ‫ޔ‬නᓀ↹ࠪ࡝࡯࠭ߩਛ߆ࠄ࿑ ࠍឝタߒߚߩߪ‫ޔ‬਄⸥ߩࠬ࠙ࠖ࡯࠾࡯ߣ࠾࠶ࠞ࡯࠰ࡦ‫ߎߡߒߘޔ‬
ߩࠠࡦࠫ࡯ߛߌߢ޽ࠆ‫߽ߤࠇߌޕ‬㛳ߊߴ߈ߎߣߦ‫ߩߎߪ࡯ࠫࡦࠠޔ‬නᓀ↹‫ޟ‬ᥧ㤥ḓ‫ޔࠍޠ‬೎ߩ૞ຠߢ޽
ࠆ‫ߩߘޔ߽߆ߒޕߚ޿ߡߒ੺⚫ߢ࡞࠻ࠗ࠲߁޿ߣޠࠬࡒࠦࡁࠆߜ⪭ࠄ߆᦬ޟ‬ᄢ߈ߥ㍲⺋߇⺕ߦ߽ᜰ៰ߐ
ࠇߡ޿ߥ޿‫⎇ࡦ࡜࡯ࡕޔߪࠇߎޕ‬ⓥ⠪ߚߜ߇‫ߩࡦ࡜࡯ࡕޔ‬૞ຠߣߘࠇ߇ਥ㗴ߣߔࠆᢥቇ૞ຠߣࠍᾖࠄߒ
วࠊߖߡ޿ߥ޿߆ࠄߢ޽ࠈ߁‫ࠍ࡯ࡠࠚࡈࠣࡦࡠޕ‬ᗲ⺒ߒߚ19਎♿ߩ⺒⠪ߢ޽ࠇ߫‫ޔ‬
‫ޟ‬ᥧ㤥ḓ‫ࠬ࡜ࠗߩޠ‬
࠻࡟࡯࡚ࠪࡦߣ‫ࠍߣࠇߘߩޠࠬࡒࠦࡁࠆߜ⪭ࠄ߆᦬ޟ‬ᷙหߔࠆߎߣߪߥ߆ߞߚߪߕߢ޽ࠆ‫ޕ‬
ߘߎߢᧄⓂߢߪ‫ߩࠨࡢࠕࠗࡂޡߩࡦ࡜࡯ࡕޔ‬᱌‫ޢ‬නᓀ↹ㅪ૞ߩ߁ߜ‫ޔ‬ሽ࿷߇⏕⹺ߢ߈ߚ17ᨎࠍߣࠅ޽
ߍ‫ࠍࠄࠇߘޔ‬ේ⹞ߣᾖࠄߒ޽ࠊߖߥ߇ࠄ‫․ߩߘޔ‬ᓽߣᗧ⟵ࠍ⺰ߓߚ޿‫ߩࠄࠇߎ߇ࡦ࡜࡯ࡕޔ޿ߐߩߘޕ‬
8
නᓀ↹೙૞ߩ೨ߦ⸥ߒߚߣᕁࠊࠇࠆ⥄╩ࡔࡕߥߤ߽೑↪ߔࠆ㨫 એਅߦ⺰ߓࠆࠃ߁ߦ‫ࠗࡂޡߪࡦ࡜࡯ࡕޔ‬
ࠕࡢࠨߩ᱌‫ޔߩޢ‬⍮ᕺߣ౨㒾ߣᄸ〔ߦḩߜߚค੐⹞ߣߒߡߩ‛⺆ࠃࠅ߽‫⥰ࠆߎ⿠߇⺆‛ߩࠄࠇߘޔ‬บߣ
ߥߞߚ⥄ὼ⇇ߩ᥊⦡ߦ⥝๧ࠍ߭߆ࠇߡ޿ߚ‫ߩࡦࠕࠖ࠺ࡦࠗޕ‬ㆊ෰߿ߘߩᢥൻߦࠕࡔ࡝ࠞߩ⿠Ḯࠍ⷗޿ߛ
ߒߚߩߢߪߥߊ‫↢߇ࡦࠕࠖ࠺ࡦࠗޔ‬ᵴߒߚ⥄ὼߩ᥊ⷰߦࠕࡔ࡝ࠞߩ⿠Ḯߣ․ᓽࠍ⷗޿ߛߒߚߩߢ޽ࠆ‫ޕ‬
࠻࡯ࡑࠬ࡮ࡕ࡯࡜ࡦߣߘߩࡂࠗࠕࡢࠨㅪ૞
9
ࡕ࡯࡜ࡦߩવ⸥ࠍ⚫੺ߒߡ߅ߎ߁㨫 ࠻࡯ࡑࠬ࡮ࡕ࡯࡜ࡦߪ1837ᐕ‫ߢ‛❱✎ޔ‬⍮ࠄࠇࠆࠗࠡ࡝ࠬߩ࡜ࡦ
ࠞࠪࡖ࡯ߦ↢߹ࠇࠆ‫ޕ‬ῳߪᚻ❱ᯏߩ⡯ੱߛߞߚ‫ޕ‬ኅᣖߦߪ‫ߦߜߩޔ‬ᶏ߿⦁ࠍឬ޿ߚ↹ኅߣߒߡ⍮ࠄࠇࠆ
ࠃ߁ߦߥࠆఱࠛ࠼ࡢ࡯࠼ߣ‫ޔ‬หߓߊኅ⇓ࠍ㗴᧚ߦߒߚ ↹ߢᚑഞߔࠆᒉࡇ࡯࠲࡯߇޿ߚ‫↥ޕ‬ᬺ㕟๮ߩ޽
߅ࠅࠍฃߌߡᄬᬺߒߚῳߪ‫ޔ‬ኅᣖࠍᒁ߈ߟࠇࠕࡔ࡝ࠞ߳ᷰࠅ‫ߩࠕࠖࡈ࡞࠺࡜ࠖࡈޔ‬㇠ᄖࠤࡦࠫࡦ࠻ࡦߦ
ߎߋߜ
ዬࠍ᭴߃ࠆ‫߇ࡦ࡜࡯ࡕޕ‬7ᱦߩߎߣߢ޽ߞߚ‫ߪࡦ࡜࡯ࡕޕ‬ਛቇᩞࠍ⚳߃ࠆߣ‫ᧁޔ‬ญᧁ ⴚࠍቇ߮ߪߓ߼
࠙࠶࠼࡮ࠛࡦࠣ࡟ࠗࡧࠖࡦࠣ
ࠆ‫ޔߦ߁ࠃߚߓ⺰ߡߟ߆ޕ‬19਎♿ਛᦼߩࠕࡔ࡝ࠞߪ ᧁ ญ ᧁ ↹ ߇㓉⋓ᦼࠍㄫ߃‫࡯࠲࡯࡟࠻ࠬ࡜ࠗޔ‬
10
ߩᵴべ߇㗼⪺ߦߥࠆߣߎࠈߛߞߚ㨫
11
ߌࠇߤ߽ࡕ࡯࡜ࡦߪᧁ ↹ߦ޽߈ߚࠄߥ޿㨫
߹߽ߥߊఱߣหߓࠃ
ࠗࡦࠬ࠹ࠖ࠹ࡘ࡯࠻
8
ߎࠇࠄߩ৻ᰴ⾗ᢱߩ㑛ⷩߪ‫ࡦࠕ࠾࠰ࡒࠬࠆ޽ߦࡦ࠻ࡦࠪࡢޔ‬ቇ ⴚ ද ળ ࠕࡔ࡝ࠞ⟤ⴚࠕ࡯ࠞࠗࡧߦᚲ⬿ߐࠇߡ޿ࠆ
⾗ᢱߩ߁ߜ‫ࡑࡎ࡜ࠢࠝޔ‬Ꮊ࠲࡞ࠨߩࠡ࡞ࠢ࡝࡯ࠬඳ‛㙚ߩࠕ࡯ࠞࠗࡧ⾗ᢱࠍ᠟ᓇߒߚࡑࠗࠢࡠࡈࠖ࡞ࡓ‫ࡘ࠾߮ࠃ߅ޔ‬
࡯࡛࡯ࠢᎺࠗ࡯ࠬ࠻࡮ࡂࡦࡊ࠻ࡦߩࠗ࡯ࠬ࠻࡮ࡂࡦࡊ࠻ࡦ࿑ᦠ㙚ߩࠕ࡯ࠞࠗࡧ⾗ᢱࠍ᠟ᓇߒߚࡑࠗࠢࡠࡈࠖ࡞ࡓࠍ೑
↪ߒߚ‫ޕ‬Thomas Moran Papers 1870–1947, Reel 2772, Smithsonian Archives of American Art; and Thomas Moran Papers
1870–1940, Reel N-TM1, Smithsonian Archives of American Art. ᧄⓂߢߪએᓟ‫ޔ‬೨⠪ࠍᒁ↪ߔࠆ႐ว‫ࠬ࡯࡝ࠢ࡞ࠡޔ‬ඳ‛
㙚ߩࠞ࠲ࡠࠣ⇟ภࠍ᣿␜ߔࠆ‫⾗ߩߘޔ߅ߥޕ‬ᢱߦߟ޿ߡਇ᣿ߥὐߪ‫ࠬ࡯࡝ࠢ࡞ࠡޔ‬ඳ‛㙚ߩቇ⧓ຬࠠࡖࡠ࡞࡮ࠢ࡜ࠗ
ࡦ߆ࠄᢎ␜ࠍ߃ߚ‫ޕ‬
9
ࡕ࡯࡜ࡦߩવ⸥ߦ㑐ߒߡߪ‫ޔ‬೨ឝ࠙ࠖ࡞ࠠࡦ࠭ߩ‫ࠍߤߥޢࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޡ‬ෳᾖߒߚ‫ޕ‬
10
Ỉ౉ⷐੳ‫ޟ‬ᝌ⛗ߩߥ߆ߩࠛࡧࠔࡦࠫࠚ࡝ࡦߚߜ‫ޠ‬
‫ޡ‬࿖㓙ᢥൻ⎇ⓥ⑼⺰㓸‫ޢ‬15 (2007): 1–18.
11
ߚߛߒᓟㅀߔࠆࠃ߁ߦ‫ޔ߇ࡦ࡜࡯ࡕޔ‬ᒰᤨߩᄙߊߩ↹ኅߚߜߣห᭽‫᥅ޔ‬ᐕ߹ߢࠗ࡜ࠬ࠻࡟࡯࠲࡯ߩ઀੐߽⛯ߌߡ޿
ߚߎߣߦߪᵈᗧߔࠆᔅⷐ߇޽ࠆ‫ޕ‬
ࠗ࡜ࠬ࠻࡟࡯࠲࡯ߣߒߡߩࡕ࡯࡜ࡦߦ㑐ߒߡߪ‫ޔ‬
ߚߣ߃߫‫ޔ‬
T. Victoria Hansen, “Thomas
߁ߦᧄᩰ⊛↹ᬺࠍᔒߒ‫ߩࠕ࠾ࠔࡧ࡞ࠪࡦࡍޔ‬᫪ࠍࠬࠤ࠶࠴ߒߡᱠ޿ߚ‫ޕ‬
1860ᐕ‫ޔ‬22ᱦߩࡕ࡯࡜ࡦߪ‫ޔ‬੖ᄢḓߩ߭ߣߟࠬࡍ࡝ࠝ࡞ḓߩධጯࠍᣏߔࠆ‫߆ߕࠊޔߪߎߘޕ‬5ᐕ೨‫ޔ‬
ࠣ࡟ࠗ࠻࡮ࠪ࡯࡮࠙ࠜ࡯࠲࡯
ࡠࡦࠣࡈࠚࡠ࡯߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ ޔ࡯ࡒࠟ࡮࡯࠴࠶ࠡޟߢ߆ߥߩޢ‬ᄢ
ᵗ
ḓ ‫ߣޠ‬๭ࠎߛḓߛߞ
ߚ‫࠴࠶ࠤࠬߩߎޔߦ߆ߒߚޕ‬ᣏⴕ߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫⋥ߔ␜ࠍߣߎߚߞ޽ߢߩ߽ߚࠇߐ⊒⺃ߦޢ‬ធߩ⸽
⸒ߪᱷߐࠇߡ޿ߥ޿‫⃻ޕ‬࿾߆ࠄᓟߩᆄࡔࠕ࡝࡯࡮࠾ࡕ߳ㅍࠄࠇߚᦠ◲ࠍߺߡ߽‫ߦࠨࡢࠕࠗࡂߪߦߎߘޔ‬
12
ኻߔࠆ⸒෸ߪߺࠄࠇߥ߆ߞߚ㨫
ߌࠇߤ߽‫ߩߎޔ‬ᣏⴕ߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ࠍޢ‬ᗧ⼂ߒߚ߽ߩߢ޽ߞߚߎ
ߣߪ᣿ࠄ߆ߢ޽ࠆ‫ߪࡦ࡜࡯ࡕޔࠄߥߗߥޕ‬ᣏⴕ߆ࠄᏫࠆߣ‫ߩߘޔ‬㘑᥊ࠍ૶ߞߡࡂࠗࠕࡢࠨߩࠗ࡜ࠬ࠻࡟
13
࡯࡚ࠪࡦࠍ࠺࠶ࠨࡦߒߡ޿ࠆ߆ࠄߢ޽ࠆ㨫
ࡕ࡯࡜ࡦߪࠬࡍ࡝ࠝ࡞ḓධጯ߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩޢ‬ਥⷐ
ߥ⥰บߩ߭ߣߟߢ޽ࠆߎߣࠍࠃߊ⍮ߞߡ޿ߚߩߢ޽ࠆ‫ޕ‬
ࡕ࡯࡜ࡦߪ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫߽ࡦ࠰࡯࠳ࡦࠕޔߊߥߢߌߛޢ‬ᜰ៰ߔࠆࠃ߁ߦ‫ߩ⹞ߩߎޔ‬ᓟᵈߦ⚫੺ߐ
ࠇߡ޿ߚ࡚ࠫࡦ࡮࠙ࠚ࡞࠭࡮ࡈࠜࠬ࠲࡯ࠄߦࠃࠆ‫࡞ࠝ࡝ࡍࠬޡ‬ḓ࿾ၞߩ࿾⾰ႎ๔ᦠ‫(ޢ‬1851–52)ࠍ⺒ࠎߢ
޿ߚߩߛࠈ߁‫ߩߘޕ‬ႎ๔ᦠߦߪ‫↹ޔ‬ኅߚߜߩ㝬ࠍ㥏⥰ߔࠆ‫ޔ‬ᰴߩࠃ߁ߥ⸒ㄉ߇޽ߞߚ‫ޕ‬
‫߇ߜߚ⑳ޟ‬⍮ࠆ
߆߉ࠅ‫ޔ‬ᚒ߇࿖ߩ↹ኅߚߜߪ‫ߩߎࠅߣ߭ࠇߛޔ‬࿾ࠍ⸰ࠇߡ޿ߥ޿‫ߩߤޕ‬࿯࿾ߦ߽ߺࠄࠇߧ㝯ജ⊛ߥߎߩ
㘑᥊ࠍឬ޿ߡ਎⇇ߦ␜ߒߚ⠪߇޿ߥ޿ߩߢ޽ࠆ‫↹ޕ‬ኅߩ㋦╩ߦ߰ߐࠊߒ޿߽ߩߣߒߡ‫ࠇߎޔ‬એ਄ߩ߽ߩ
14
ࠍᗐ⿠ߔࠆߎߣߪ߶ߣࠎߤߢ߈ߥ޿㨫㨭
ߎߩႎ๔ᦠࠍ⺒ࠎߢ޿ߚߣߔࠇ߫‫ߩߎ߇ࡦ࡜࡯ࡕޔ‬࿾ߩ᥊⦡ߦ
ᄢ߈ߥ࠴ࡖࡦࠬࠍ⷗಴ߒߚߎߣߪᗐ௝ߦ㔍ߊߥ޿‫ߊߘߞߐߪࡦ࡜࡯ࡕߟߓߓޕ‬⠉ᐕ‫࠶ࠤࠬߩ߈ߣߩߎޔ‬
15
࠴ߦ߽ߣߠߊੑὐߩᴤ⛗ࠍࡍࡦࠪ࡞ࡧࠔ࠾ࠕ⟤ⴚࠕࠞ࠺ࡒ࡯ߩዷⷩળߦ಴ዷߒߚ㨫
‫ߩߤޟ‬࿯࿾ߦ߽ߺ
ࠄࠇߧ㝯ജ⊛ߥߎߩ㘑᥊ࠍឬ޿ߡ‫ޠ‬਎ߦ໧߅߁ߣߔࠆ⧯߈↹ኅߩᗧ᰼ࠍᗵߓߣࠆߴ߈ߢ޽ࠈ߁‫ޕ‬
1862ᐕ‫ߪࡦ࡜࡯ࡕޔ‬ఱߣߣ߽ߦࠗࠡ࡝ࠬ߳ᷰࠅ‫⑳ޔ‬ᶻߔࠆࠗࠡ࡝ࠬߩ㘑᥊↹ኅJ࡮M࡮W࡮࠲࡯࠽࡯ߩ
ታ૞ຠߦ⸅ࠇ‫ࠍࠄࠇߘޔ‬ᮨ౮ߒߥ߇ࠄ⎇㐭ࠍⓍ߻‫ޕ‬1866ᐕߦߪ߰ߚߚ࡛߮࡯ࡠ࠶ࡄ߳⿞߈‫߿ࠕ࡝࠲ࠗޔ‬
ࡈ࡜ࡦࠬࠍ߼ߋߞߚ‫߫ߒ߫ߒߦ߈ߣߩߎޕ‬ឬ޿ߚ᳓ㄝߩ㘑᥊ߪᓐߩᓧᗧߥਥ㗴ߩ߭ߣߟߦߥࠆ‫⃻ޕ‬࿷ߢ
ߪ‫⷏ࠞ࡝ࡔࠕޔߤߥࡦ࡯࠻ࠬ࡯ࡠࠛࠗࠄ߬ߞ߽ޔ‬ㇱߩ࿾⾰⊛᥊ⷰࠍឬ޿ߚ↹ኅߣߒߡ⍮ࠄࠇࠆࡕ࡯࡜ࡦ
ߛ߇‫࡞ࠝ࡝ࡍࠬޔ‬ḓ߿ࡧࠚ࠾ࠬߥߤ‫ޔ‬᳓ㄝߩ㘑᥊߽ᅢࠎߢឬ޿ߡ޿ߚߎߣߪ߽ߞߣ⸥ᙘߐࠇߡ޿޿‫ࠕޕ‬
ࡔ࡝ࠞߦᏫ࿖ᓟ‫ߪࡦ࡜࡯ࡕޔ‬ᓟㅀߔࠆ‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬ‫(ޢ‬1868)ߦขࠅߊ߻‫ߦࠄߐޕ‬⠉1869ᐕߦߪ‫ࠗޡ‬
Moran and Nineteenth-Century Printmaking,” in The Prints of Thomas Moran, ed. Anne Morand and Nancy Friese (Tulsa,
Oklahoma: Thomas Gilcrease Museum Association, 1986), pp. 13–20; and Joni L. Kinsey, “Moran and the Art of Publishing,” in
Thomas Moran, ed. Nancy K. Anderson (Washington: National Gallery of Art, 1997), pp. 300–21 ࠍෳᾖ‫ޕ‬
12
Thomas Moran to Mary Nimmo, 9 August 1860, in Home Thoughts from Afar: Letters of Thomas Moran to Mary Nimmo
Moran, ed. Amy O. Bassford and Fritiof Fryxell (East Hampton, New York: East Hampton Free Library, 1967), pp. 23–24.
13
╙ 9 ᱌‫৻ߩޠ࡯ࠩࠚࡈ࡮࡞࡯ࡄߣࠨࡢࠕࠗࡂޟ‬႐㕙ࠍឬ޿ߚߎߩ࠺࠶ࠨࡦߪ‫ޔ‬਄⸥ߩᦠ◲㓸‫ޡ‬㆙ߊߦ޽ࠅߡᛴߊㇹ
ᗜ‫ߦ߆ߥߩޢ‬࿑ ߣߒߡឝタߐࠇߡ޿ࠆ‫ޕ‬Bassford and Fryxell, p. 21.
14
Quoted in Nancy K. Anderson, ed., Thomas Moran (Washington: National Gallery of Art, 1997), p. 27.
15
Wilkins, p. 33. ߎߩੑὐߪ⃻࿷‫ޔ‬ᚲ࿷ਇ᣿ߢ޽ࠆ‫ޕ‬
ࡦ࠺ࠖࠕࡦߩᖡ㔤‫ࠍޢ‬೙૞ߒߡ޿ࠆ‫ޕ‬
ࡕ࡯࡜ࡦ߇࿾⾰⺞ᩏ㓌ߦടࠊߞߡࠗࠛࡠ࡯ࠬ࠻࡯ࡦࠍߪߓ߼ߡ⋡ߦߒߚߩߪ1871ᐕߛߞߚ‫ޕ‬᳓ᓀ⛗ౕ
ࠍ૶ߞߡᄙᢙߩࠬࠤ࠶࠴ࠍឬ߈‫᧲ޔ‬ㇱߦᚯࠆ߿ߘࠇࠄࠍቢᚑߐߖߚ‫߇ߟߣ߭ߩߘޕ‬ᴤ⛗‫࠻ࠬ࡯ࡠࠛࠗޡ‬
ࠠࡖ࠭ࡓ
࡯ࡦᄢጽ⼱‫(ޢ‬1872)ߛߞߚ‫ޕ‬ੑᐕᓟߦߪࠣ࡜ࡦ࠼࡮ࠠࡖ࠾ࠝࡦࠍᣏߒ‫ޔ‬ᴤ⛗‫࠼࡜ࡠࠦޡ‬Ꮉߩ࿾Ḵ ‫(ޢ‬1873–74)
ࠍ೙૞ߔࠆ‫ߩߎޕ‬ੑ૞ߪߘࠇߙࠇ৻ਁ࠼࡞ߢㅪ㇌᡽ᐭߦ⾈޿޽ߍࠄࠇࠆߣ޿߁ᩕ⹷ߦᶎߒߚ‫ޔߦࠄߐޕ‬
1874ᐕߦߪ‫ޔ‬
㔐߇ᄢ߈ߥචሼ᨞ߩᒻߦߥߞߡጊ㗂ઃㄭߦᱷߞߚࠦࡠ࡜࠼ߩጊࠍ⥄ಽߩ⋡ߢ⏕⹺ߒ‫ޔ‬
⠉1875
ᐕ‫ޔ‬ᴤ⛗‫ޡ‬චሼ᨞ߩጊ‫ࠍޢ‬ቢᚑߐߖࠆ‫┙⁛ࠞ࡝ࡔࠕޔߪࠇߎޕ‬100ᐕࠍ⸥ᔨߔࠆࡈࠖ࡜࠺࡞ࡈࠖࠕਁ࿖
16
ඳⷩળ(1876)ߦ಴ຠߐࠇ‫ޔ‬ᅢ⹏ࠍඳߒߚ㨫
ߎࠇࠄߩਃ૞߇ࡕ࡯࡜ࡦߩઍ⴫૞ߣ޿ߞߡ޿޿ߛࠈ߁‫ޕ‬
ߎߩࠃ߁ߦ‫޿ߥߩ߁ࠃ߃߆߈⟎ߦઁޔ߁޿ߣࡦࠝ࠾ࡖࠠ࡮࠼ࡦ࡜ࠣ߿ࡦ࡯࠻ࠬ࡯ࡠࠛࠗޔ‬ਥ㗴ࠍᓧߡ
޿ߚߦ߽߆߆ࠊࠄߕ‫ޔ‬1875ᐕ‫ߩࠨࡢࠕࠗࡂޡ߮ߚߚ߰ߪࡦ࡜࡯ࡕޔ‬᱌‫ߦޢ‬Ꮻߞߡ߈ߚ‫ޔߜࠊߥߔޕ‬
‫ࡂޡ‬
ࡐ࡯࠻ࡈࠜ࡝ࠝ
ࠗࠕࡢࠨߩ᱌‫↹ߩޢ‬㓸಴ ࠍ⸘↹ߔࠆߩߢ޽ࠆ‫ޔߪࠇߎޕ‬25ᨎߩࠛ࠶࠴ࡦࠣ߆ࠄߥࠆ ↹ 㓸 ࠍડ࿑ߒ
17
ߚ߽ߩߛߞߚ㨫
ࡕ࡯࡜ࡦ߇ਅ⛗ࠍឬ߈‫ࠣࡦ࠴࠶ࠛޔ‬೙૞ߪᒉࡇ࡯࠲࡯ߦଐ㗬‫ޔ߽߆ߒޕ‬ೀⴕࠍ಴ ␠
ߦᆔߨࠆߩߢߪߥߊ‫ ࠄ߆ߕߺޔ‬రߣߒߡ಴ ߒࠃ߁ߣߒߚ‫ߦ߼ߚߩߘޕ‬ᔅⷐߥ⾗ᧄߪ⾼౉੍⚂⠪߆ࠄ
㓸߼ߚ‫ߪࠇߎޕ‬19਎♿ߦߪߒ߫ߒ߫ⴕࠊࠇߡ޿ߚᚻᴺߛߞߚ‫ޕ‬
࡛࡯ࡠ࠶ࡄߦ┵ࠍ⊒ߒߚࠛ࠶࠴ࡦࠣ࡮࡝ࡧࠔࠗࡧࠔ࡞ߣ๭߫ࠇࠆࠛ࠶࠴ࡦࠣߩౣᵹⴕ߇‫ࠕߤ߁ࠂߜޔ‬
18
ࡔ࡝ࠞߢ߽ᆎ߹ࠈ߁ߣߒߡ޿ߚ㨫
߅ߘࠄߊ‫ᤨߥ߁ࠃߩߘޔߪࡦ࡜࡯ࡕޔ‬ઍߩầᵹߛߌߢߥߊ‫࠴࠶ࠛޔ‬
ࠢࡠࡕ࡝࠰ࠣ࡜ࡈ
ࡦࠣ߇ᄙ⦡⍹ ↹ߥߤࠃࠅ߽㜞ଔߦขᒁߐࠇߡ޿ߚߎߣ߽⠨ᘦߒߚߩߛࠈ߁‫ࠛߩࡦ࡜࡯ࡕޔ߫߃ߣߚޕ‬
࠶࠴ࡦࠣ‫ߩࠬ࠾ࠚࡧޡ‬᳓㐷‫(ޢ‬1888)ߪ‫ޔ‬๺⚕ߦ᠁ࠄࠇߚ߽ߩ߇৻ᨎ45࠼࡞‫৻ߪߩ߽ߚࠇࠄ᠁ߦ⚕⊹⟠ޔ‬
ᨎ75࠼࡞ߢᄁࠆߎߣ߇ߢ߈ߚ‫ߦࠇߘޕ‬ኻߒߡ‫ޔ‬ᄙ⦡⍹ ↹ߪ޽ߩ‫(ޢࡦ࡯࠻ࠬ࡯ࡠࠛࠗޡ‬1876)ߦ㓸߼ࠄ
19
ࠇߚ૞ຠߢ߽‫৻ޔ‬ᨎ޽ߚࠅࠊߕ߆1.5࠼࡞ߛߞߚ㨫
ࡕ࡯࡜ࡦߪࠛ࠶࠴ࡦࠣߩਅ⛗ߦߥࠆනᓀ↹ߩ೙૞ߦബࠎߛ‫ߪࠄࠇߘޕ‬නߥࠆਅ⛗ߦߣߤ߹ࠄߕ‫ޔ‬એਅ
ߦ⺰ߕࠆࠃ߁ߦ‫ޔ‬න⁛ߩ૞ຠߣߺߥߒ߁ࠆജ૞ߛߞߚ‫ޕ‬⠉1876ᐕ12᦬ߩᣂ⡞⸥੐ߦߪ‫ޔ‬
‫࡯࡟࠻ࠬ࡜ࠗޟ‬
16
ߥ߅ࡠࡦࠣࡈࠚࡠ࡯ߪ‫ޔ‬ᆄࡈࠔ࠾࡯ߩᱫ(1861)ࠍᔓࠇࠄࠇߥ޿ᕁ޿ࠍ߁ߚߞߚ⹞‫ޟ‬㔐ߩචሼ᨞‫ޠ‬
㧔ၫ╩ 1879㧕ߩߥ
߆ߢ‫ޔ‬
‫ޟ‬ᢳ㕙ߦ㔐ߩචሼ᨞‫ޟߚ޿ߛߚ޿ࠍޠ‬㆙޿⷏ㇱߩጊ‫⸒ߦޠ‬෸ߒߡ޿ࠆ‫޿ߐߞߓࠍ⛗ߩࡦ࡜࡯ࡕ߇ੱ⹞ߪࠇߎޕ‬
ߦਁ࿖ඳⷩળߢ⷗ߡ޿ߚ߆ࠄ߆߽ߒࠇߥ޿‫ߩߎ߇࡯ࡠࠚࡈࠣࡦࡠޕ‬ᴤ⛗ࠍ⷗ߡ޿ߚߣ޿߁⸥㍳ߪߥ޿߇‫ޔ‬ዋߥߊߣ߽
หඳⷩળࠍ⷗ቇߒߡ޿ߚߎߣߪߘߩᣣ⹹ߦ⸥タ߇޽ࠆ‫ޕ‬Quoted in Samuel Longfellow, ed., Life of Henry Wadsworth
Longfellow (1887; Boston: Houghton, Mifflin and Company, 1891), 3: 261.
17
Thomas Moran, “Old Book of Lists,” n. d., Collection, Gilcrease Museum, Tulsa, Okalahoma (4026.4048).ߎߩᢥᦠߪ‫࡯ࡕޔ‬
࡜ࡦ⥄り߇ 1863 ᐕ 8 ᦬߆ࠄ 1868 ᐕ 11 ᦬߹ߢߩೋᦼ૞ຠ 42 ὐߦ⇟ภࠍઃߌ‫ߩઁߩߘޔ‬૞ຠࠍട߃ߥ߇ࠄ‫ߩࠄࠇߘޔ‬
ࠝ࡯ࡄࠬ
᭎ⷐࠍ⸥㍳ߒߚ‫ޟࠆࠁࠊ޿ޔ‬૞ຠ࡝ࠬ࠻‫⃻ޕࠆ޽ߢߣߎߩޠ‬࿷‫ޟߩߎޔ‬૞ຠ࡝ࠬ࠻‫ޔߪޠ‬Nancy Anderson, ed. Thomas
Moran (Washington: National Gallery of Art, 1997), pp. 352–56 ߦ⠡ೞߐࠇߡ޿ࠆ߇‫ޔ‬ਇᕁ⼏ߥߎߣߦ‫ߩߎޔ‬ㇱಽߪ⠡ೞߐ
ࠇߡ޿ߥ޿‫ޕ‬
18
ࠕࡔ࡝ࠞߩࠛ࠶࠴ࡦࠣ࡮࡝ࡧࠔࠗࡧࠔ࡞ߦߟ޿ߡߪ‫ޔ߫߃ߣߚޔ‬Francine Tyler, ed., American Etchings of the Nineteenth
Century (New York: Dover Publications, 1984) ߥߤࠍෳᾖ
19
Hansen, p. 20; and Anderson, p. 324
20
࡚ࠪࡦߩࠪ࡝࡯࠭ࠍ߶ߣࠎߤቢᚑߒߚ‫⸥߁޿ߣޠ‬੐߇޽ࠆ㨫
ߒ߆ߒ‫ࠍࠬࡀࠫࡆߪࠇߘޔ‬ᗧ⼂ߒߚ⴫ะ
߈ߩ⺑᣿ߛߞߚࠃ߁ߛ‫ߪ࠻ࠢࠚࠫࡠࡊߪߦ޿ߐߞߓޕ‬㔍ᷦߒߡ޿ߚ‫ޕ‬หᐕ5᦬ߩ⑳ାߦߪ‫ޔ‬
‫ࡢࠕࠗࡂޡޟ‬
21
ࠨ‫઀ߩࠣࡦ࠴࠶ࠛߩޢ‬੐ߪ஗ṛߒߡ޿ࠆ‫ࠆ޿ߡߒ⸥ߣޠ‬㨫
ߘߒߡᦨ⚳⊛ߦߎߩ⸘↹ߪ㗐ᝂߒߡߒ߹ߞ
ߚ‫ߩߘޕ‬ℂ↱ߪਇ᣿ߛ߇‫ࠬ࡯࡝ࠢ࡞ࠡޔ‬ඳ‛㙚ߦ෼⬿ߐࠇߡ޿ࠆ⾗ᢱࠍ⺞ߴߡߺࠆߣ‫ޔ‬1878ᐕ߹ߢ3ᐕ
22
㑆߽නᓀ↹ߩ೙૞߇⛯ߌࠄࠇߡ޿ߚߎߣ߇ಽ߆ࠆ߽ߩߩ㨮
23
ߒߥ޿㨫
ߘࠇࠄߦ߽ߣߠߊࠛ࠶࠴ࡦࠣߪ৻ᨎ߽ሽ࿷
24
㗐ᝂߩᄢ߈ߥේ࿃ߪ‫ࠍࠣࡦ࠴࠶ࠛޔ‬ᜂᒰߒߚᒉࡇ࡯࠲࡯ߩ஥ߦ޽ߞߚߩ߆߽ߒࠇߥ޿㨫
1884ᐕ‫࠼ࡦ࡜ࠗࠕ࡮࠼࡯ࡠߪࡦ࡜࡯ࡕޔ‬Ꮊߦ⒖ࠅ‫ޔ‬ᶏጯ߿ㄘ᧛‫ߪ޿ࠆ޽ޔ‬ᣂߒ޿ㇺᏒߩ㘑᥊߽ឬߊࠃ
߁ߦߥߞߚ‫ⷰ߇ࡦ࡯࠻ࠬ࡯ࡠࠛࠗޕ‬శ࿾ߣߒߡੱ᳇ࠍ㓸߼ࠆࠃ߁ߦߥࠆߣ‫ⷰߩߘޔ‬శቴ⺃⥌ߩᐢ๔ߦ߽
৻ᓎ⾈ߞߡ޿ߚ‫ޕ‬㜞㦂ߦߥߞߡ߽ஜᐽߢ‫ޔ‬70ઍߦ࡛࡯ࡠ࠶ࡄࠍᣏⴕߔࠆ߶ߤߛߞߚ‫ߩ↹⛗ޕ‬೙૞߽‫ޔ‬89
ᱦߢᕷࠍᒁ߈ߣࠆ⋥೨߹ߢ⛯ߌࠄࠇߡ޿ߚ‫ޕ‬
ᐕߦ೙૞ߐࠇߚනᓀ↹
ࠡ࡞ࠢ࡝࡯ࠬඳ‛㙚ߦ෼⬿ߐࠇߡ޿ࠆනᓀ↹ࠍ‫ޔ‬ଢቱ⊛ߦߘߩࠞ
࠲ࡠࠣ⇟ภߩ㗅ߦ⚫੺ߒࠃ߁‫ޔߕ߹ޕ‬
‫ޟ‬๮ߩਥ‫ߣޠࠨࡢࠕࠗࡂޔ‬㗴ߐ
ࠇߚ1875ᐕߩ૞ຠߢ޽ࠆ(࿑1)㨫
25
ጤጊߣߘߩ⛘ო߇ㄭ᥊߆ࠄᓟ᥊߳
ߣ⛯޿ߡ޿ࠆ‫ޕ‬㔵ߩߚ߼ߛࠈ߁‫ޔ‬㆙ߊߩጤጊߪ߆ߔࠎߢ޿ࠆ‫ࠇߘޕ‬
ߣኻᾖ⊛ߦ೨᥊Ꮐߩጤ⡼ߪ‫ޔ‬㤥‫ߣޘ‬ឬ߆ࠇ‫ޔ‬ਇ᳇๧ߢߔࠄ޽ࠆ‫ߘޕ‬
ࠇࠄߩ㑆ߩỚ᷆ߩᏅ߇ශ⽎⊛ߛ‫ޕ‬ਛ㑆ㇱߩጤጊߪ‫ߩߘޔ‬Ớ߽᷆ਛ㑆
⊛ߢ޽ࠆ߇‫ߩߘޔ߼ߚߩߘޔ‬࿾⡼ߪ✺ኒߦឬ߆ࠇ‫ޔ‬㛳ߊߴ߈⾰ᗵࠍ
࿑ ๮ߩਥ‫ࠨࡢࠕࠗࡂޔ‬
ౣ⃻ߒߡ޿ࠆ‫ޕ‬㆙᥊ߩ㔵ߦ߅߅ࠊࠇߚጤጊߩ਄ߦߪ‫‛ੱߩࠅߣ߭ޔ‬
20
“Fine Arts,” The Independent, 21 December 1876, p. 5.
Quoted in Kinsey, Thomas Moran’s West, p. 52.
22
ߒߚ߇ߞߡ‫ޔ‬
‫ޟ‬1876 ᐕએ㒠ߪ‫ࠨࡢࠕࠗࡂޔ‬ਥ㗴ߦኻߔࠆ⥝๧߇ߒ߷ࠎߛ‫ߪ⃻⴫ߩ࡯ࠫࡦࠠ߁޿ߣޠ‬ਇᱜ⏕ߢ޽ࠆ‫ޕ‬
Kinsey, “Moran and the Art of Publishing,” p. 305.
23
ࠗ࡯ࠬ࠻࡮ࡂࡦࡊ࠻ࡦ࿑ᦠ㙚ߩࠕ࡯ࠞࠗࡧ⾗ᢱߩਛߦ⷗಴ߔߎߣ߇ߢ߈ߚ‫ࠣࡦ࠴࠶ࠛߩࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޟ‬૞ຠ
ࠞ࠲ࡠࠣ‫⾗ߩ╩⥄ࡦ࡜࡯ࡕޔ߁޿ߣޠ‬ᢱߪ‫ޔ‬1858 ᐕ߆ࠄ 88 ᐕ߹ߢߩࠛ࠶࠴ࡦࠣ૞ຠࠍ࡝ࠬ࠻ࠕ࠶ࡊߒߚ⋡㍳ߛ߇‫ޔ‬
ߘߩߥ߆ߦ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ޢ‬૞ຠߪߥ޿‫ޕ‬Thomas Moran, “Catalogue of Etched Work of Thomas Moran,” n. d., Thomas
Moran Papers 1870–1940, Reel N-TM1, Smithsonian Archives of American Art.
24
ߚߛߒ‫ࡦ࠻ࡊࡦࡂ࡮࠻ࠬ࡯ࠗޔ‬࿑ᦠ㙚ߩࠕ࡯ࠞࠗࡧ⾗ᢱߦ෼߼ࠄࠇߚ‫ࠣࡦ࠴࠶ࠛߩࡦ࡜࡯ࡕ࡮࡯࠲࡯ࡇޡ‬૞ຠࠞ࠲
ࡠࠣ‫ޔߣࠆߺࠍޢ‬
‫ߩࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޔࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩࠨࡢࠕࠗࡂޟ‬ਅ⛗ߦࠃࠆ‫߁޿ߣޠ‬૞ຠ߇৻ᨎߛߌ⸥
㍳ߐࠇߡ޿ࠆ‫ޕ‬
ߎߩ૞ຠߩ⹦⚦ߪਇ᣿‫ޕ‬Frederick Keppel, Catalogue of the Etched Work of Peter Moran (New York: Frederick
Keppel and Company, 1888), p. 12.
25
Thomas Moran, “The Master of Life, Hiawatha,” 1875, wash drawing on paper, 43.5 x 32.1 cm, Collection, Gilcrease
Museum, Tulsa, Oklahoma (00226.902).
21
ߩࠪ࡞ࠛ࠶࠻߇߅߷ࠈߍߦߺ߃ࠆ‫ ޕ‬ᚻࠍ᜼ߍߡ޿ࠆࠃ߁ߛ‫ޔ߇ߧ߃⷗ߪߣࠅ߈ߞߪޕ‬㗡ߦߪ㘼ࠅ߇ߟ
޿ߡ޿ࠆࠃ߁ߦ߽ᕁࠊࠇࠆ‫ޕ‬㆙᥊ߩጤጊߣᲧߴࠆߣ‫ߩ‛ੱߩߎޔ‬ᆫߪ߆ߥࠅᄢ߈޿‫ޕ‬
࠲ࠗ࠻࡞ߣᾖࠄߒ޽ࠊߖߡ⠨߃ࠇ߫‫ޔߪࠇߎޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫৻╙ޢ‬᱌‫ޟ‬ᐔ๺ߩࡄࠗࡊ‫ߩޠ‬౨㗡ߢ‫ޔ‬
‫ޟ‬உᄢߥࠆ⠪‫߇ޠ࡯࠻࠾ࡑ࡮࠴࠶ࠡޔ‬ⓨ߆ࠄ⿒޿ጤጊ߳㒠ࠅ‫⻉ޔ‬ㇱᣖߩ㚂㐳ࠍ㓸߼‫ޔ‬ᐔ๺ࠍ⺑ߊㇱಽߢ
ࠬࡇ࡝࠶࠻
޽ࠈ߁‫ޟߪ࡯࠻࠾ࡑ࡮࠴࠶ࠡߩߎޕ‬๮ߩਥ‫ ޟࠅ޽ߢޠ‬⡛ 㔤 ‫⿷ߩߘޕߚߞ޽߽ߢޠ‬ਅ߆ࠄ᳓ࠍḷࠇߛߐ
ߖࠆ߿‫ޔ‬ᜰߢ⨲ේࠍߥߙߞߡ‫ޔ‬ᴡᎹࠍ૞ߞߚ‫ޕ‬ഃ਎⸥ߩ␹ߦ߽ૃߡ޿ࠆ߇‫ޔ‬ᄤ࿾ഃㅧߣߪ㆑޿‫ߦߢߔޔ‬
⻉ㇱᣖ߇޿ߡ‫ޔ‬᛫੎ࠍ⛯ߌߡ޿ࠆ‫ޟߪ࡯࠻࠾ࡑ࡮࠴࠶ࠡޕ‬ฝᚻࠍિ߫ߒߡ‫ޠ‬
‫ޔ‬
‫ޟ‬ఱᒉߩᅤߊߣ߽ߦ↢߈‫ޠ‬
26
ࠃߣ⺑ߊ㨫
ࡕ࡯࡜ࡦ߇ឬ޿ߚߩߪ‫ߤ߁ࠂߜ߇࡯࠻࠾ࡑ࡮࠴࠶ࠡߩߎޔ‬ᄤ߆ࠄ㒠ࠅ┙ߞߚㇱಽߛ‫߹ޔߡߞ߇ߚߒޕ‬
ߛᎹ߽⷗߃ߕ‫ޔ‬㚂㐳ߚߜߩᆫ߽⷗߃ߥ޿‫޿ߥ߃⛘ߩ޿⺩ޔ߽ߤࠇߌޕ‬࿯࿾ࠄߒߊ‫⨹ޔ‬ᶭߣߒߚశ᥊ߦߥ
ߞߡ޿ࠆ‫߇࡯࠻࠾ࡑ࡮࠴࠶ࠡޕ‬ᄢ߈ߊឬ߆ࠇߡ޿ࠆߎߣߦ߽⚊ᓧ߇ࠁߊ‫ੱߪࠇߎޕ‬㑆ߩᆫߢߪߥ޿߆ࠄ
ߛ‫ߚ߹ޕ‬ጤጊࠍਅ߆ࠄ⷗޽ߍࠆߩߢߪߥߊ‫ޔ‬ᮮ߆ࠄୄ⍑ߒߡ޿ࠆߣߎࠈ߽⥝๧߱߆޿‫ޕ‬ਅ߆ࠄ⷗޽ߍࠇ
߫‫ੱޔ‬㑆ߣหߓⷞ✢ߦߥࠆ߇‫ޔ‬ᮮ߆ࠄ᳓ᐔߦ⷗ࠆߎߣߦࠃߞߡ‫ߦ✢ⷞߩ࡯࠻࠾ࡑ࡮࠴࠶ࠡޔ‬ㄭ޿ⷞ✢ߦ
ߥࠆ‫ࠆ⷗ࠍ⛗ߩߎޕ‬⠪ߪ‫ޕࠆ޽ߢߩࠆߔ⌮⌫ࠍࠅߚ޽ޔߡߞߥߣ⋡ߩ࡯࠻࠾ࡑ࡮࠴࠶ࠡ߫ࠊ޿ޔ‬
ࡕ࡯࡜ࡦ⥄りߩࡔࡕ‫ߩ߼ߚߩࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩࠨࡢࠕࠗࡂޟ‬ᒁ↪‫ᦨߩߘޔߣࠆߺࠍޠ‬ೋߩ㗄⋡ߣ
ߒߡ‫ߩ࠻ࠬ࡜ࠗߩߎޔ‬ଐ᜚ߔࠆㇱಽ߇ᒁ߆ࠇߡ޿ߚ‫ޔߜࠊߥߔޕ‬
‫ޟ‬ᓐ‫ޔ‬๮ߩਥ‫ޔ‬⍹ಾ႐ߩ㧛⿒߈⛘ოߩ
਄߳㒠ࠅ‫ޔ‬㧛߹ߞߔߋ┙ߜ‫⻉ޔ‬ㇱᣖߦ๭߮߆ߌߚ‫߁޿ߣޠ‬ᒁ↪ߢ޽ࠆ‫৻╙ߩࡕࡔߩߎޕ‬㗄⋡߇‫╙ߩߎޔ‬
27
৻ߩࠗ࡜ࠬ࠻ߦߥߞߚߩߢ޽ࠆ㨫
߭ߣߟਇน⸃ߥߎߣߪ‫ޟ߇࡞࠻ࠗ࠲ߩ࠻ࠬ࡜ࠗޔ‬๮ߩਥ‫ޕߛߣߎࠆ޿ߡߞߥߣޠࠨࡢࠕࠗࡂޔ‬ේ⹞ࠍ
⺒߼߫᣿ࠄ߆ߥࠃ߁ߦ‫ޔ‬
‫ޟ‬๮ߩਥ‫ޔߪࠨࡢࠕࠗࡂޕ޿ߥߪߢࠨࡢࠕࠗࡂޔߡߞ޽ߢ࡯࠻࠾ࡑ࡮࠴࠶ࠡߪޠ‬
ࡊࡠࡈࠚ࠶࠻
࠺࡝ࡧࠔ࡜࡯
ߎߩࠡ࠶࠴࡮ࡑ࠾࠻࡯߇ߟ߆ࠊߔ‫ޟ‬㗍 ⸒⠪ ‫ޠ‬
‫ޔ‬
‫ޟ‬ᢇ ᷣ⠪ ‫߇ࡦ࡜࡯ࡕߪࠇߎޕࠆ޿ߡߞߥߦߣߎ߁޿ߣޠ‬
⺋⸃ߒߡ޿ࠆߣ޿߁ߎߣߥߩߛࠈ߁߆‫ޕ‬਄ㅀߩ⥄╩ࡔࡕࠍ⺒߼߫᣿ࠄ߆ߥࠃ߁ߦ‫ࠕࠗࡂޡߪࡦ࡜࡯ࡕޔ‬
ࡢࠨߩ᱌‫ోޢ‬૕ࠍᾫ⍮ߒߡ޿ߚ‫ࠍߣࠨࡢࠕࠗࡂߣ࡯࠻࠾ࡑ࡮࠴࠶ࠡ߇ࡦ࡜࡯ࡕޔߡߞ߇ߚߒޕ‬ᷙหߒߚ
ߣߪ⠨߃ߦߊ޿‫ޔߣࠆߔ߆ߒ߽ޕ‬㐳⹞ߩഎ㗡ࠍ߆ߑࠆࠗ࡜ࠬ࠻ߣߒߡ‫ߡ߃޽ޔ‬ഃㅧ␹ߣห৻ⷞߔࠆߎߣ
ߦࠃߞߡ⧷㓶ࡂࠗࠕࡢࠨࠍ᜛ᄢ⸃㉼ߒࠃ߁ߣߒߚߩ߆߽ߒࠇߥ޿‫ޕ‬
28
ᰴߩࠗ࡜ࠬ࠻࡟࡯࡚ࠪࡦߪ‫ߣޠࠬࡒࠦࡁࠆߜ⪭ࠄ߆᦬ޟ‬㗴ߐࠇߚ૞ຠߢ޽ࠆ(࿑2)㨫
ߎࠇߪ߈ࠊ߼ߡ
26
Henry Wadsworth Longfellow, “The Song of Hiawatha,” The Poetical Works of Longellow, ed. Horace E. Scudder (1893;
Boston: Houghton Mifflin Company, 1975), pp, 115, 116. ߥ߅‫ᧄޔ‬Ⓜߢߪએਅ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫⸒ߦ࠻ࠬࠢ࠹ߩޢ‬෸ߔࠆ
႐ว‫ޕ߁૶ࠍ ࠫ࠶࡝ࡉࡦࠤࠆࠁࠊ޿ߩߎޔ‬
27
Thomas Moran, “Quotations for Illustrations of Hiawatha,” n. d., Thomas Moran Biographical Art Collection, East Hampton
Library. ߎߩ⾗ᢱ߽ߎࠇ߹ߢ૶ࠊࠇߚߎߣߪߥ޿‫ޕ‬
28
Thomas Moran, “Nokomis Falling from the Moon,” 1875, wash drawing on paper, 43.1 x 31.4 cm, Collection, Gilcrease
ᐛᗐ⊛ߥ⛗ߛ‫ޕ‬ㄭ᥊ߦߪᄢ⨲ේߩ⨲⧎߇ឬ߆ࠇߡ޿ߡ‫✛ߩࠄࠇߘޔ‬
ߩࡧࠔ࡝ࠛ࡯࡚ࠪࡦ߇Ớ᷆ࠁߚ߆ߦౣ⃻ߐࠇߡ޿ࠆ‫⧎⨲ޔ߽߆ߒޕ‬
ߪ߆ߥࠅㄭ᥊ߦ޽ࠆߚ߼‫ޔ‬Ყセ⊛ᄢ߈޿‫ޕ‬㘑᥊↹ኅࡕ࡯࡜ࡦߣߒߡ
ߪ⃟ߒ޿⨲⧎ߩ࠭࡯ࡓࠕ࠶ࡊߛ‫↹ޔߚ߹ޕ‬㕙ߩਅ┵߆ࠄਃಽߩ৻޽
ߚࠅߦ࿾ᐔ✢߇⏕⹺ߢ߈ࠆ߇‫ߩߘޔ‬࿾ᐔ✢ߩ਄ߦߪ‫ޔ‬Ớ޿㔕߇߁ߨ
ߞߡ޿ߡ‫ޔ‬਄߳ㅴ߻ߦߒߚ߇ߞߡⓨ߇᣿ࠆ޿‫ᦺޕ‬὾ߌ߆ᄕ὾ߌߢ޽
ࠈ߁‫ߩߘޕ‬ⓨߩਛᄩ߆ࠄ‫ޔ‬ᅚᕈ߇ਅ㒠ߒߡ޿ࠆ‫ޕ‬⣉ࠍ㐽ߓ‫ޔ‬ਔᚻࠍ
᜼ߍ‫ޔ‬ਅࠍߺߥ߇ࠄ‫ޔ‬㐳޿㜬ࠍߚߥ߮߆ߖߡ޿ࠆ‫ߩߘޕ‬ᆫߦߪ‫ޔ‬ᅚ
ᕈߩᨵ๺ߥേ߈߇⴫ࠇߡ޿ࠆ‫߹ߟޔ߽߆ߒޕ‬వࠍ㗂ὐߣߒߚㅒਃⷺ
࿑ ᦬߆ࠄ⪭ߜࠆࡁࠦࡒࠬ
ᒻߩࠪ࡞ࠛ࠶࠻ߦߥߞߡ޿ߡ‫ߦߐ߹ޔ‬ⓨࠍ⓭߈߿߱ߞߡ޿ࠆ߆ߩࠃ
߁ߛ‫޿ߔ߁ޕ‬ඨㅘ᣿ߦឬ߆ࠇߡ޿ࠆߣߎࠈ߽ᐛᗐᗵࠍ⺃߁‫ޕ‬ඨ⵻ߩ
ࠃ߁ߦ⷗߃‫ޔ‬ᄤᅚ‫ߩ⹤␹ࡖࠪ࡝ࠡߪ޿ࠆ޽ޔ‬ᅚ␹ߥߤࠍᕁࠊߖࠆ‫ޕ‬
࠲ࠗ࠻࡞ࠍ⠨߃ࠇ߫‫ߩߎޔ‬ᅚᕈ߇ࡁࠦࡒࠬߛ‫╙ޔߪߣࠬࡒࠦࡁޕ‬ਃ᱌‫ߩࠨࡢࠕࠗࡂޟ‬ዋᐕᤨઍ‫ࠃߦޠ‬
ࠆߣ‫ࠆ޽ޔ‬㆙޿ᤄߩ‫ޠᤨࠇ߇ߘߚޟ‬
‫ޔ‬ḩ᦬߆ࠄ‫⧎ޟ‬ḩ㐿ߩᄢ⨲ේߩ਄߳‫޿ߒ⟤ߚ߈ߡߜ⪭ޠ‬ᅚᕈߛߞߚ‫ޕ‬
ߩߜߦᆷ࠙ࠖࡁ࠽ࠍ↥ߺ‫ߩࠨࡢࠕࠗࡂ߇࠽ࡁࠖ࠙ߩߎޔ‬Უߦߥࠆ‫␲ߩࠨࡢࠕࠗࡂߪࠬࡒࠦࡁߜࠊߥߔޕ‬
29
Უߢ޽ߞߡ‫ᧄޔ‬૞ຠߪ‫╙ޔ‬ਃ᱌ߩ౨㗡ࠍឬ޿ߚࠗ࡜ࠬ࠻࡟࡯࡚ࠪࡦߣ޿߁ߎߣߦߥࠆ㨫
ߥ߅‫ࡔ╩⥄ޔ‬
ࡕߦߪ‫╙ޔ‬ਃ᱌ߩߎߩ౨㗡ㇱಽߩᒁ↪ߪ⷗ᒰߚࠄߥ޿‫޿ᦠࠍࡕࡔޕ‬
ߚᤨὐߢߪ‫ߩߎޔ‬ㇱಽࠍឬߊ੍ቯߪߥ߆ߞߚ߇‫ߡߞߥߦߜߩޔ‬᭴ᗐ
ߦട߃ࠄࠇߚ૞ຠߩࠃ߁ߛ‫ޕ‬
ਃᨎ⋡ߩනᓀ↹ߪ‫ޔ‬਄ㅀߒߚ࠾࠶ࠞ࡯࠰ࡦ߇߆ߟߡឝタߒߚ‫ࡐޟ‬
30
࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬߩᱫ‫(ޠ‬1875)ߢ޽ࠆ(࿑3)㨫
ߎࠇߪ߈ࠊ߼ߡ഍
⊛ߥ⛗ߛ‫↹ޕ‬㕙߶߷ਛᄩߢߪ‫߹ߐ߆ߐߞ߹߇ࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޔ‬
ߊ߁
ߦ⪭ਅਛߢ޽ࠆ‫ޕ‬ᓐࠍㅊ߁߆ߩࠃ߁ߦੑߟߩᏂ⍹߽ⓨ ࠍ⥰ߞߡ޿ࠆ‫ޕ‬
ߘߩਅߦߪḓ᳓߇⊕ᵄࠍ┙ߡߡ⨹ࠇ⁅ߞߡ޿ࠆ‫ޕ‬
ߐࠄߦ৻ᧄߩⒷᆄ߇‫ޔ‬
↹㕙Ꮐ┵߆ࠄฝ਄45ᐲߩⷺᐲߢ߭ࠄ߼ߊ‫⥰ޕ‬บߪḓጯߛ߇‫ߪߎߘޔ‬ಾ
ࠅߚߞߚጤጊߢ޽ߞߡ‫ߩߘޔ‬ጤጊߦߪᄢ߈ߥⓣ߇⽾ㅢߒߡ޿ࠆ‫ߩߘޕ‬
࿑ ࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬߩᱫ
ⓣߩะߎ߁ߦߪ㤥㔕߇ုࠇߎ߼ߚⓨߣ㆙ߊߩጤጊ߇⷗߃ࠆ‫৻ޕ‬⍍ࠍಾ
Museum, Tulsa, Oklahoma (0226.903).
29
Longfellow, “The Song of Hiawatha,” p. 119.
30
Thomas Moran, “Death of the Pau-Puk-Keewis,” 1875, wash drawing on paper, 43.2 x 32.7 cm, Collection, Gilcrease
Museum, Tulsa, Oklahoma (0226.904).
ࠅߣߞߚࠗ࡜ࠬ࠻ߢ޽ࠆߦ߽߆߆ࠊࠄߕ‫ޔ‬྾⢇ࠍߨߓߞߡ᥸ࠇ߽߇ߊࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬߩᆫ߿‫߭ޔ‬
ࠄ߼ߊⒷᆄ‫ޔ‬ḝ߈߅ߎࠆ⊕ᵄ߇ߪߍߒ޿േ߈ࠍᗵߓߐߖࠆ‫ޔߊߥߪߢߌߛࠇߘޕ‬਄ඨಽࠍභ߼ࠆጤጊߩ⛘
ოߩ㤥ߣ⊕ᵄߩ⊕ߣߩኻᲧ߽ශ⽎⊛ߛ‫ޔࠎࠈߜ߽ޕ‬ᄢ߈ߥⓣߩ޽޿ߚጤጊߩᄸ߽ⷰ࿶ୟ⊛ߢ޽ࠆ‫ޕ‬
ߎߩࠗ࡜ࠬ࠻࡟࡯࡚ࠪࡦߦឬ߆ࠇߡ޿ࠆࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬߣߪ‫ޔ‬ේ⹞ߩ╙16᱌‫࡮࠶ࡄ࡮࡯ࡐޟ‬
ࠠ࡯࠙ࠖࠬ‫╙ߣޠ‬17᱌‫ޔߚࠇࠊߚ߁ߦޠࠅ⁚ࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟ‬ඳᛂߣᖡᚨ߇ᅢ߈ߥ㝷ᴺ૶޿ߢ
޽ࠆ‫ޕ‬ᓐߪ‫⇐ߩࠨࡢࠕࠗࡂޔ‬቞ਛ‫ߩߘޔ‬ዊደ߳ᔋ߮ߎࠎߢ᥸ࠇ࿁ࠅ‫ߊߤ߭ޟ‬Ṍ⨥⧰⨥ߦ‫ޕߚߒޠ‬ᔶࠅᔃ
㗡ߦ⊒ߒߚࡂࠗࠕࡢࠨ߇ㅊ޿߆ߌࠆߣ‫߿࡯ࡃ࡯ࡆߪࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޔ‬㤥㓵ߦᆫࠍᄌ߃ߥ߇ࠄㅏ
ߍ߹ࠊࠆ‫࡯ࡒࠟ࡮࡯࠴࠶ࠡޟߡߒߘޕ‬㧔㧩ࠬࡍ࡝ࠝ࡞ḓ㧕ߩጯߦᴪߞߡ㧛ᄢᵗ᳓㧔㧩หߓߊࠬࡍ࡝ࠝ࡞
ࡇࠢ࠴ࡖ࡯࠼࡮ࡠ࠶ࠢࠬ
ḓ㧕ࠍ⷏߳⿛ࠅ㧛ጤጊߩጧߩ਄߳಴ߡ㧛ḓߣ޽ߚࠅࠍ⷗߅ࠈߔ㧛⍾ጤߩ ᓀ
⦡
ጤ ߳⌕޿ߚ‫ޠ‬
‫ޕ‬ጊߩ
␹ߪࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬࠍߘߩᥧ޿ᵢ─߳᜗߈౉ࠇࠆ‫ߜ┙ߪࠨࡢࠕࠗࡂޕ‬ᓔ↢ߔࠆ߇‫ޔ‬Ⓑᆄߩ␹ߣ
㔗㡆ߩ␹ߩജࠍ୫ࠅߡጤጊࠍᛂߜ⎈ߊ‫⛘ߣࠆߔޕ‬ო߇፣ࠇ⪭ߜ‫ߩߘߪࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޔ‬ጤߦၒ
31
߽ࠇߡᕷ⛘߃ࠆ㨫
ߔߥࠊߜ‫╙ߪࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩߎޔ‬17᱌ߩࠢ࡜ࠗࡑ࠶ࠢࠬࠍឬ޿ߚ૞ຠߣ޿߁ߎߣ߇ࠊ߆ࠆ‫ߚޕ‬
ߒ߆ߦ‫ޔ‬ේ⹞ߢߪࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬߪ⪭ਅߖߕ‫ޔ‬ጤߩਅߦၒ߽ࠇߡᱫߧ‫ޔߪࡦ࡜࡯ࡕߊࠄߘ߅ޕ‬
Ꮒᄢߥ㤥㓵ߦൻߌߚࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬ߇‫ޔ‬࿾㕙߳⪭ਅߒߚㇱಽߣ㊀ߨ޽ࠊߖߡ޿ࠆߩߛࠈ߁‫ߘޕ‬
ߩߣ߈ߪ৻๮ࠍߣࠅߣ߼ߚߩߛ߇‫ߦ߆ߒߚߪߦࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޔ‬჈⪭ߣ޿߁ㅪᗐ߇ߟ߈߹ߣ߁‫ޕ‬
ࡕ࡯࡜ࡦߪߘߩㅪᗐࠍ೑↪ߒߚߦߜ߇޿ߥ޿‫ޔ޿ߐߞߓޕ‬ጤߦၒ߽ࠇࠆࠃࠅ‫⪭ޔ‬ਅߩᣇ߇ߪࠆ߆ߦᄤ⟏
32
ࠍฃߌߚߣᕁࠊߖࠆᱫߦᣇߛ‫ޔ߽ߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕ߅ߥޕ‬ේ⹞ߩߎߩㇱಽ߇ᒁ߆ࠇߡ޿ࠆ㨫
ߎߎߢ‫ޔ‬ᓀ⦡ጤߦߟ޿ߡ⺰ߓߡ߅ߎ߁‫߇ࡦ࡜࡯ࡕߪࠇߘޔࠄߥߗߥޕ‬㐳޿޽޿ߛ⥝๧ࠍᛴ޿ߡ߈ߚ㘑
ࡇࠢ࠴ࡖ࡯࠼࡮ࡠ࠶ࠢࠬ
᥊ߛ߆ࠄߢ޽ࠆ‫ ޕ‬ᓀ
⦡
ጤ ߣߪ‫࡞ࠝ࡝ࡍࠬޔ‬ḓߩධጯߦ10ࠠࡠએ਄ߦᷰߞߡߟߠߊ⍾ጤਐ㒺ߩߎߣ
࠽࡚ࠪ࠽࡞࡮࡟࡚ࠗࠢࠪࠕ
ߢ‫⃻ޔ‬࿷ߢߪߘߩ৻Ꮺ߇࿖ ┙଻㙃 ḓጯ ߩ߭ߣߟߦᜰቯߐࠇߡ޿ࠆ‫ߩߎޕ‬ฬ⒓ߪ‫⍾ޔ‬ጤ߇㋕ಽࠍ฽ࠎߢ
޿ࠆߩߢ‫⴫ߩߘޔ‬㕙߇ߐ߹ߑ߹ߥỚ᷆ߩ⿒ߦႣࠄࠇߡ޿ࠆࠃ߁ߥ⦡ࠍߒߡ޿ࠆߚ߼ߦฬߠߌࠄࠇߚ‫ޕ‬ḓ
᳓߆ࠄု⋥ߦ⡫߃ߚߟ㜞ߐ60ࡔ࡯࠻࡞ߦ߽߅ࠃ߱ᢿፗ⛘ოߛߌߢߥߊ‫ޔ‬ᵄߦࠃߞߡᶐ㘩ᒻᚑߐࠇߚᵢ─
33
߿ࠕ࡯࠴߽᦭ฬߛߞߚ㨫
ߔߢߦㅀߴߚߏߣߊ‫ߩࠨࡢࠕࠗࡂޡߪ࡯ࡠࠚࡈࠣࡦࡠޔ‬᱌‫ߦޢ‬ᵈࠍઃߒ‫ޔ‬
‫࡞ࠝ࡝ࡍࠬޡ‬ḓ࿾ၞߩ࿾⾰
ႎ๔ᦠ‫ࠄ߆ޢ‬ᒁ↪ߔࠆߎߣߦࠃߞߡ‫ߩߎޔ‬ᓀ⦡ጤࠍ⚫੺ߒߡ޿ߚ‫ޕ‬
‫ߦ࡯࠿ࠞ޿ߥࠅࠃߚޟ‬ਸ਼ߞߡጤጊߩ
ਅࠍߔߔ߻ᣏੱߦߣߞߡ‫ߩߎޔ‬ጤጊߪߟߨߦᕟᔺߩኻ⽎ߢ޽ߞߚ‫ޕ‬〡ߨ߆߃ࠆᄢᵄ߿ጤߛࠄߌߩጯߪ‫ޔ‬
31
Longfellow, “The Song of Hiawatha,” pp. 151, 154.
Moran, “Quotations for Illustrations of Hiawatha.”
33
ᓀ⦡ጤߦߟ޿ߡߪ‫ޔ‬ᓟㅀߔࠆ‫⸥ߩ⹹ޢࡦࠗ࠳࡞ࠝޡ‬੐㧔ၫ╩⠪ਇ᣿㧕ࠍෳᾖߒߚ‫“ޕ‬The Pictured Rocks of Lake Superior,”
The Aldine 6 (1873): 10, 14–15.
32
૗ࡑࠗ࡞ߦ߽ᷰߞߡ቟ోߥ⎶ᴱ႐ᚲࠍਈ߃ࠃ߁ߣߒߥ߆ߞߚ‫ޔߦࠄߐޕ‬ૐߊߚࠇㄟ߼ࠆⓨ߿ḝ߈߅ߎࠆ
㘑‫ߡߴߔ߇ࠄࠇߎޕ‬ᣏੱߩਇ቟ࠍ޽߅ࠅ‫ߩߎޔ‬ᕟࠈߒ޿ጤጊࠍㅢㆊߔࠆ߹ߢ‫ ޔ‬๮ߦᰊࠍߎ߇ߖࠆߩߛ
34
ߞߚ㨫㨭
⃻࿷ߢߎߘⷰశߩ๭߮‛ߦߥߞߡ޿ࠆߎߩ᥊ⷰߪ‫ࠆ⷗ߪߡߟ߆ޔ‬⠪ࠍᘋὼߣߐߖߚ㘑᥊ߛߞߚ
ߩߢ޽ࠆ‫ߩߘ߇ࠨࡢࠕࠗࡂޕ‬శ᥊ߦߚߓࠈߋߎߣߥߊࡐ࡯࡮ࡄ࠶࡮ࠠ࡯࠙ࠖࠬࠍ⸛બߒߚߎߣߪ‫ޔ‬ᓐߩ
ാᢓߐࠍ‛⺆ߞߡ޿ࠆߩߢ޽ࠆ‫ޕ‬
ࡕ࡯࡜ࡦߪ⟤ⴚ⹹‫ߦޢࡦࠗ࠳࡞ࠝޡ‬૗ᐲ߆ᧁ ↹ࠍነߖߡ޿ߚ߇‫ߩߎޔ‬නᓀ↹೙૞ߩ2ᐕ೨ߩ1873ᐕ1
᦬ภߦ‫ޔ‬ᓀ⦡ጤࠍឬ޿ߚਃᨎߩ ↹ࠍነߖߡ޿ࠆ‫⺑⸃ߩ↹ ߩߘޕ‬ᢥ㧔ၫ╩⠪ਇ᣿㧕ߦߪ‫ޔ‬ᓀ⦡ጤߪ‫ޟ‬ข
ࠅᙀ߆ࠇߚ࿯࿾‫ޔࠆ޽ߢޠ‬
‫ޔߪߩ߁޿ߣޟ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫⥰ߩޢ‬บ߇߅߆ࠇߚߩ߇ߘߎߛߞߚ߆ࠄ‫ߢޠ‬
35
޽ࠆߣߐࠇ‫ߩߘޔ‬ઍ⴫ߣߒߡ╙17᱌‫ߚ޿ߡࠇࠄߍ޽߇ޠࠅ⁚ࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟ‬㨫
ߔߢߦᓀ⦡
ጤߩ᥊ⷰ߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ޢ‬
‫ࠍޠࠅ⁚ࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟߩߘߦߊߣޔ‬ᕁ޿⿠ߎߐߖࠆ߽ߩߢ
޽ߞߚߎߣ߇ࠃߊࠊ߆ࠆ‫ߪࡦ࡜࡯ࡕޔ߅ߥޕ‬ห⹹ߩ1872ᐕ6᦬ภߦ‫ޟ‬ᒝ߈↵ࠢࡢࠪࡦ࠼‫ࠬ࡜ࠗ߁޿ߣޠ‬
36
࠻߽ነߖߡ޿ࠆ㨫
ߎߩࠢࡢࠪࡦ࠼߽‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩޢ‬㊀ⷐߥ⊓႐ੱ‛ߢ޽ߞߚ‫ߎޔߪࡦ࡜࡯ࡕޕ‬
ߩ‫઀ߩޢࡦࠗ࠳࡞ࠝޡ‬੐ࠍㅢߒߡ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫↹ޢ‬㓸ߩ೙૞ࠍᕁ޿ߚߞߚߩ߆߽ߒࠇߥ޿‫ޕ‬
37
྾ᨎ⋡ߩ⛗ߪ‫ߩࠬࡏࠕࡆ࠴ޟ‬ᱫ‫(ޠ‬1875)ߢ޽ࠆ(࿑4)㨫
߭ߣࠅߩࠗࡦ࠺ࠖࠕࡦ߇ࠞ࠿࡯ߦਸ਼ߞߡḓጯ
߆ࠄᴒ߳ะ߆ߞߡ޿ࠆ‫ߪ✢ⷞߩߘޕ‬ᢳ߼ᓟࠈߦะߌࠄ
ࠇߡ޿ࠆ߇‫߫߆ߥޔ‬ᄤࠍઔ޿ߢ޿ࠆࠃ߁ߦ߽⷗߃ࠆ‫ޕ‬
㆙ߊߩጤጊߪ㤥‫ߣޘ‬ឬ߆ࠇ‫ޔ‬㤥ߊုࠇߎ߼ߚ㔕ߣߣ߽
ߦ߈ࠊ߼ߡਇศߥ㆙᥊ߛ‫ޕ‬᫪ߦߪ᧎ߜߚ߅ࠇߚฎᧁ߇
ᮮߚࠊࠆ‫↹ޕ‬㕙ߩᏀඨಽࠍභ߼ࠆ೨᥊ߣ‫ޔ‬ฝ஥ߦ㆙ߊ⛯
ߊᓟ᥊߇ⓨ㑆ߩ᜛߇ࠅࠍᗵߓߐߖߡ޿ࠆ‫ޕ‬
࠲ࠗ࠻࡞ߦ޽ࠆ࠴ࡆࠕࡏࠬߣߪࡂࠗࠕࡢࠨߩ෹ੱߩ
࿑ ࠴ࡆࠕࡏࠬߩᱫ
ᭉᏧߢ‫ߩߘޔ‬ᱫߪ╙15᱌‫ߩࠨࡢࠕࠗࡂޟ‬ຟ᱌‫ߦޠ‬ឬ߆
ࠇߡ޿ߚ‫ߪࠬࡏࠕࡆ࠴ޔ߫ࠇࠃߦࠇߘޕ‬ḓ㕙ߩ᳖ߩ਄ߢ㣮⁚ࠅࠍߒߡ޿ࠆߣ‫ޔ‬ᖡ㔤ߩᚻߦ߆߆ߞߡߒ߹
޿‫ޔ‬ᷓ޿ḓᐩ߳ᒁ߈޿ࠇࠄࠇṃᱫߔࠆ‫ߪࠨࡢࠕࠗࡂޕ‬ᖤགྷߦߊࠇߚ߇‫ߊ߿߁ࠃޔ‬ജࠍขࠅᚯߔߣ‫ޔ‬ḓᐩ
߆ࠄ࠴ࡆࠕࡏࠬߩ㔤ࠍ๭߮ነߖࠆ‫ޔߪࠬࡏࠕࡆ࠴ߚ߈ߡߞ߿ޕ‬ᱫ⠪ߚߜߩᣏ〝ࠍᾖࠄߔἫࠍਈ߃ࠄࠇ‫ޔ‬
߰ߚߚ߮㕒߆ߦᏫߞߡࠁߊ‫ޕ‬
‫ޟ‬ᓐ߇ㅢߞߡ߽ᨑߪំࠇߥ߆ߞߚ㧛ᓐ߇〯ࠎߢ߽⨲ߪ᛬ࠇߥ߆ߞߚ‫ޠ‬
‫ߒߘޕ‬
34
Quoted in Longfellow, “The Song of Hiawatha,” p. 667.
“The Pictured Rocks of Lake Superior,” p. 14.
36
Thomas Moran, “Kwasind—the Strong Man,” The Aldine 5 (1872): 109.
37
Thomas Moran, “The Death of Chibiabos,” 1875, wash drawing on paper, 34.9 x 43.8 cm, Collection, Gilcrease Museum,
Tulsa, Oklahoma (0226.905).
35
38
ߡ‫ޟ‬⍹ߩࠞ࠿࡯‫ޟߡߞߩߦޠ‬⡛⠪ߩፉ‫߳ޠ‬ะ߆߁㨫
࠹ࠢࠬ࠻ࠍᾖࠄߒวࠊߖߡߺࠆߥࠄ‫߇ࠬࡏࠕࡆ࠴ߩߎޔߪ࠻ࠬ࡜ࠗߩࡦ࡜࡯ࡕޔ‬ᱫ⠪ߩ࿖߳Ꮻߞߡࠁ
ߊ႐㕙‫╙ߜࠊߥߔޔ‬15᱌‫ߩࠨࡢࠕࠗࡂޟ‬ຟ᱌‫ᦨߩޠ‬ᓟࠍឬ޿ߚࠗ࡜ࠬ࠻࡟࡯࡚ࠪࡦߢ޽ߞߚ‫ࡏࠕࡆ࠴ޕ‬
ࠬ߇ࠞ࠿࡯߆ࠄ⷗ߡ޿ࠆߩߪ㤛ᴰߩ࿖ߩᣇะߛߞߚߩߢ޽ࠆ‫߫߃޿߁ߘޕ‬ḓጯߪ⨲߿ૐᧁ߇❥ࠅ‫ࡆ࠴ޔ‬
ࠕࡏࠬ߇ߚߤߞߡ߈ߚߪߕߩዊ㆏߇ߺ߃ߥ޿‫ޕ߁ࠈߛߣߎߩߡ߃߹〯ࠍ࠻ࠬࠢ࠹߽ࠇߎޕ‬
ߣߎࠈߢ‫ߪߦࡕࡔߩࡦ࡜࡯ࡕޔ‬8⇟⋡ߣߒߡ‫ޔ‬
‫ޟ‬ᓐࠍᓙߞߡ‫ߦࠈߎߣ޿ߥ߃⷗ޔ‬㓝ࠇ㧛ᓐߩ⿷ਅߩਇ቟
39
ቯߥ᳖ࠍഀߞߚ‫ࠆ޽ߣޠ‬㨫
ߎࠇߪ‫ޔ‬หߓ╙15᱌ߩ৻▵ߢ޽ࠆ߇‫ߩߘޔ‬౨㗡ߩ৻▵‫ޔߜࠊߥߔޔ‬ᖡ㔤ߚ
ߜ߇࠴ࡆࠕࡏࠬࠍṃࠇߐߖࠆ႐㕙ߢ޽ࠆ‫ߪࡦ࡜࡯ࡕޕ‬ᒰೋ‫ߥ߁ࠃߩߎޔ‬ỗߒ޿႐㕙ࠍ╙15᱌ߩࠗ࡜ࠬ࠻
ߦߒࠃ߁ߣߒߡ޿ߚߩߛߞߚ‫ޕ‬
‫ߩࠬࡏࠕࡆ࠴ޟ‬ᱫ‫ߩߘ߽࡞࠻ࠗ࠲߁޿ߣޠ‬੐ᖱࠍ‛⺆ߞߡ޿ࠆ‫ޕ‬
ᰴߩ૞ຠߪ‫ޔ‬਄ㅀߩࠠࡦࠫ࡯߇㑆㆑ߞߚ࠲ࠗ࠻࡞ߢឝタߒߡ޿ߚ‫ޟ‬ᥧ㤥ḓ‫( ޠ‬1875)ߣ޿߁૞ຠߢ޽ࠆ
40
(࿑5)㨫
ߓߟߦ⨹ᶭߣߒߚḓጯߩ㘑᥊ߛ‫ޕ‬ጯㄝߩᧁ‫ߒߣ⪭ࠍ⪲ߤࠎߣ߶ߪޘ‬ᨗࠇ߆ߌߡ޿ࠆ‫ޔ‬ᨑ߽ਲߒ
ߊ‫ޔ‬ᐙߒ߆ᱷߒߡ޿ߥ޿‫ޕ‬ḓ㕙ߦߪ৻⦎ߩࠞ࠿࡯ߦࠗ
ࡦ࠺ࠖࠕࡦ߇ੳ₺┙ߜߒߡ޿ࠆ‫ޕ‬
ߘߩᚻߦߪᑿࠍ៤߃‫ޔ‬
₪‛ࠍតߒߡ޿ࠆ߆ߩࠃ߁ߛ‫ޕ‬㆙᥊ߪ㕄ߩࠃ߁ߦ߆ߔ
ࠎߢࠃߊ⷗߃ߥ޿߇‫ޔ‬૗߿ࠄᅯ᳇߇ṫߞߡ޿ࠆ‫ޕ‬㕒߆
ߥḓ㕙߽ਇ᳇๧ߦశߞߡ޿ࠆ‫ޕ‬
࠲ࠗ࠻࡞ߩᥧ㤥ḓ㧔Black Pitch Lake㧕ߣ޿߁⸒⪲ߪේ
⹞ߦߪߺ߃ߥ޿‫╙ޔߊࠄߘ߅ޕ‬9᱌‫࡯ࡄߣࠨࡢࠕࠗࡂޟ‬
࿑ ᥧ㤥ḓ
࡞࡮ࡈࠚࠩ࡯‫ࠆࠇ⃻ߦޠ‬Black Pitch Waterࠍᜰߔߩߛࠈ
߁‫ޕ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩޢ‬ਛߢߪ‫࡞ࠝ࡝ࡍࠬޔ‬ḓ㧔ࠡ࠶࠴࡯࡮ࠟࡒ࡯㧕߇Big Sea Waterߣ๭߫ࠇߡ޿ߚࠃ
߁ߦ‫ޔ‬lakeߣwaterߪߒ߫ߒ߫ห⟵⺆ߢ޽ߞߚ‫ޕ‬
␲Უࡁࠦࡒࠬߪ㝷ⴚᏧࡔࠫ࠰ࠣࡢࡦ㧔ࡄ࡯࡞࡮ࡈࠚࠩ࡯㧕ࠍ⸛બߔࠆࠃ߁ࡂࠗࠕࡢࠨߦ๔ߍࠆ‫ࠗࡂޕ‬
ࠕࡢࠨߪᗲ↪ߩࠞ࠿࡯ࠍ㚟ߞߡ⷏߳ㅴ߻‫ߣࠆߔޕ‬ἻߩᄢⰬࠠ࠽ࡆ࡯ࠢ߇ߣߋࠈࠍᏎ߈‫ޔ‬Ἳߩ㔵ߣᾍࠍฯ
޿ߡ޿ࠆ‫ߪࠨࡢࠕࠗࡂޕ‬⍫ࠍ᡼ߜ‫ߩࠄࠇߘޔ‬ᄢⰬࠍ઀⇐߼ࠆ‫ߚߒߣࠈߤࠈߤޔߪࠨࡢࠕࠗࡂߡߌ⛯ޕ‬ᥧ
㤥ḓ߳ߣㅴࠎߢࠁߊ‫ߪߎߘޕ‬⣣ߞߚࠗࠣࠨ߇ࠃߤࠎߛ‫ޔ‬㒶᳇ߢਇ᳇๧ߥߣߎࠈߢ޽ࠆ‫ޟߪࠨࡢࠕࠗࡂޕ‬ᱫ
⠪ߚߜߩ㔤߇ߣ߽ߔ᣿߆ࠅ‫ߦࠅࠃߚࠍޠ‬ㅴߺ‫ޔߣߊ⌕ࠅߤߚߦߣ߽ߩࡦࡢࠣ࠰ࠫࡔޔ‬
‫ޟ‬ᣣߩ಴߆ࠄᣣߩ
౉ࠅ߹ߢ‫ߊ⛯ޠ‬ᱫ㑵ࠍ➅ࠅ߭ࠈߍࠆ‫ߩࠨࡢࠕࠗࡂޕ‬⍫ߪᱷࠅਃᧄߦߥߞߡߒ߹ߞߚ߇‫ߩࡦࡢࠣ࠰ࠫࡔޔ‬
38
Longfellow, “The Song of Hiawatha,” p. 149.
Moran, “Quotations for Illustrations of Hiawatha.”
40
Thomas Moran, “The Black Pitch Lake,” 1875, wash drawing on paper, 35.6 x 44.5 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma (0226.906).
39
41
ᚱᲫߩᩮరߦ⍫ࠍ኿ࠆߎߣߦࠃߞߡ‫ޔ‬ᛂߜୟߔߎߣߦᚑഞߔࠆ㨫
ߔߥࠊߜߎߩ૞ຠߪ‫ޔ‬㝷ⴚᏧࡔࠫ࠰ࠣࡢࡦߩ߽ߣ߳ะ߆߁ߚ߼‫ޔ‬ᄢⰬࠠ࠽ࡆ࡯ࠢࠍୟߒߚߩߜ‫ޔ‬ᥧ㤥
ḓࠍᛮߌߡ޿ࠆߣ߈ߩ႐㕙ߢ޽ࠈ߁‫ޔߪࠇߘޕ‬ᄢⰬߣߩᚢ޿߿㝷ⴚᏧߣߩᱫ㑵ߣߪߜ߇ߞߡ‫ޔ‬േ߈ߦߪ
ਲߒ޿‫ߛࠎߤࠃߣࠅࠈߤߩߎޔ߽ߤࠇߌޕ‬㤥޿᳓ߣߘࠇࠍขࠅᏎߊ㊀‫޿ߒޘ‬ⓨ᳇߇‫ޔ‬ᄢⰬߣߩᚢ޿ߣ޿
߁ᦨೋߩ㔍㑐ࠍ⿧߃ߚ޽ߣߩਇ᳇๧ߥ㕒ߌߐߣ‫ࠄ߆ࠇߎޔ‬㝷ⴚᏧߣߩᚢ޿ߦะ߆߁ߣ޿߁಄ߚ޿✕ᒛᗵ
ߣࠍ⽎ᓽߒߡ޿ࠆ‫ޕ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߦߟߓޔ߽ߢ߆ߥߩޢ‬ශ⽎⊛ߥࠪ࡯ࡦߛ‫ޕ‬
42
ߥ߅‫ޔߢ߆ߥߩࡕࡔ╩⥄ߪࡦ࡜࡯ࡕޔ‬
‫ޟ‬ᥧ㤥ḓߣᱫ⠪ߚߜߩἫ‫߁޿ߣޠ‬㗄⋡߇⷗߃ࠆ㨫
ߘߎߦߪේ⹞
߆ࠄߩᒁ↪߇␜ߐࠇߡ޿ߥ޿ߩߛ߇‫ߩߎޔ‬㗄⋡߇ߎߩࠗ࡜ࠬ࠻ߦߥߞߚߣ⠨߃ߡ޿޿ߛࠈ߁‫ޕ‬
6ᨎ⋡ߪ‫޿ߒࠊߐ߰ߦࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߦߐ߹ޔ‬૞ຠߛ‫ޕ‬
‫ߣޠࠨࡢࠕࠗࡂࠆߔࠍ⁚ޟ‬㗴ߐࠇߚ1875ᐕ
43
ߩනᓀ↹ߢ޽ࠆ(࿑6)㨫
శߩᒰߚߞߚ᣿ࠆ޿ጤ⡼ߩ਄ߢ৻㗡ߩ㣮߇޽ߚࠅߩ᳇㈩ࠍតߞߡ޿ࠆ‫↹ޕ‬㕙ᚻ
೨ߩ᫪ߢߪ‫ޔ߇ࡦࠕࠖ࠺ࡦࠗߩࠅߣ߭ޔ‬Ꮒᄢߥฎᩣߩ߁ߒࠈߢᑿ⍫
ࠍ߆߹߃ߡ⁓޿ࠍቯ߼ߡ޿ࠆ‫ޕ‬
๟ࠅߦߪᄥ޿ᐙߩ᮸ᧁ߇┙ߜߥࠄ߱‫ޕ‬
᧎ߜߡୟࠇߚᐙ߽޽ࠆ‫ޕ‬ᨑߦᐢ߇ࠆ⚦߆ߥ⪲ߩឬ౮߽✺ኒߛ‫ࠄߐޕ‬
ߦ᮸⊹ߩ⾰ᗵ߿‫ߣࠇߘޔ‬ኻᾖ⊛ߥጤߩ⾰ᗵ‫ߡߒߘޔ‬ᣣߩᒰߚߞߚ᣿
ࠆ޿ㇱಽߣᧁߦ߅߅ࠊࠇߚᥧ޿ㇱಽ‫ߩࠄࠇߘޔ‬ኻᾖ߇ߓߟߦ㞲ὓߥ
ශ⽎ࠍਈ߃ࠆ‫ޕ‬
ߎߩ႐㕙ߪ‫ޔ‬
ᐜ޿ࡂࠗࠕࡢࠨ߇ߪߓ߼ߡ㣮ࠍ኿ߞߚ႐㕙ߢ޽ࠈ߁‫ޕ‬
ߘࠇߪ╙3᱌‫ߩࠨࡢࠕࠗࡂޟ‬ዋᐕᤨઍ‫ߦޠ‬ឬ߆ࠇߡ޿ࠆ‫ޕ‬ᚑ㐳ߒߚࡂ
ࠗࠕࡢࠨߪᑿ⍫ࠍਈ߃ࠄࠇ‫‖ޔ‬㣮ࠍ⸛ߟߚ߼᫪߳ะ߆߁‫ޕ‬㠽߿࡝ࠬ
࿑ ⁚ࠍߔࠆࡂࠗࠕࡢࠨ
ߚߜ߇‫ࠗࡂޕࠆ޿ߡߞߚ߁ߣޠࠨࡢࠕࠗࡂޔߢ޿ߥߚ⸛ࠍߜߚ⑳ޟ‬
ࠕࡢࠨߪẑᧁߦ㓝ࠇߡ㣮ࠍ߹ߟ‫ޟߣࠆߔޕ‬ੑᧄߩⷺ‫߇ޠ‬ᜬߜ޽ߍࠄ
ࠇࠆߩ߇⷗߃ࠆ‫ޕ‬
‫ޠ⌒ߩߟߚ߰ޟ‬
‫ޔ‬
‫ߩߟߚ߰ޟ‬㥦ሹ‫߇ޠ‬േߊߩ߇⷗߃ࠆ‫޿⁓ߡ޿ߟࠍ⤒ ߪࠨࡢࠕࠗࡂޕ‬
ࠍቯ߼ࠆ‫ޕ‬⍫ߪ๮ਛߒ‫ޔ‬㚂የࠃߊ㣮ࠍᢣߔ‫✕ߩߎޔߪ࠻ࠬ࡜ࠗᧄޕ‬ᒛߔࠆೋ߼ߡߩ⁚ࠅߩ߁ߜ‫ߣߞ߽ޔ‬
44
߽✕ᒛߔࠆ⊒኿ߩ⋥೨ࠍឬ޿ߡ޿ࠆߩߢ޽ࠆ㨫
߽ߜࠈࠎࡕ࡯࡜ࡦߩ⥄╩ࡔࡕߦ߽‫ߩߎޔ‬ㇱಽߩ⹞ฏ߇ᒁ↪ߐࠇߡ޿ࠆ‫ޕ‬
‫ߪࠨࡢࠕࠗࡂޟ‬⍫ࠍ᭴߃ߚ㧛
45
޽ࠒ‫ޔ‬㡆ࠅ߭߮ߊ᳿ቯ⊛ߥ৻⍫㧛ࠬ࠭ࡔࡃ࠴ߩߏߣߊࡉ࡯ࡦߣ߁ߥߞߡ㣮ߦೝߐߞߚ‫ޠ‬㨫
ߎߩࠃ߁ߦ
41
Longfellow, “The Song of Hiawatha,” p. 133.
Moran, “Quotations for Illustrations of Hiawatha.”
Thomas Moran, “Hiawatha Hunting,” 1875, wash drawing on paper, 43.8 x 31.8 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma (0226.907).
44
Longfellow, “The Song of Hiawatha,” p. 121.
45
Moran, “Quotations for Illustrations of Hiawatha.”
42
43
ࡕ࡯࡜ࡦ߇ᒁ↪ߒߡ޿ߚㇱಽߢߪ‫ޔ‬ᑿ⍫ࠍ᭴߃ߚᤨ㑆ߣ޿߁ࠃࠅ߽߻ߒࠈ‫ޔ‬⍫߇㖸ࠍ┙ߡߡ㘧߮‫⷗ޔ‬੐
ߦ๮ਛߒߚߎߣ߇߁ߚࠊࠇߡ޿ࠆ‫ߪࡦ࡜࡯ࡕߪߦ޿ߐߞߓޔ߽ߤࠇߌޕ‬⍫߇⊒኿ߐࠇࠆ⋥೨ߩ‫ޔ‬ᚻߦ᳨
ߦ߉ࠆᤨ㑆ࠍㆬࠎߛ‫ߩߎޔ߅ߥޕ‬૞ຠߩ㋦╩࠺࠶ࠨࡦࠍࠡ࡞ࠢ࡝࡯ࠬඳ‛㙚ߩ⾗ᢱߩਛߦ⊒⷗ߔࠆߎߣ
46
߇ߢ߈ߚ‫߇ᤨޔ߇ࠆ޽ߢ࠴࠶ࠤࠬߥࡈ࡜ߡ߼ࠊ߈ߪࠇߘޕ‬ᱛ߹ߞߚࠃ߁ߥ✕ᒛᗵߪߔߢߦ⴫ࠇߡ޿ࠆ㨫
47
7⇟⋡ߩනᓀ↹ߪ‫ߣࠨࡢࠕࠗࡂޟ‬ᄢⰬ‫ߣޠ‬㗴ߔࠆ૞ຠ(1875)ߢ޽ࠆ(࿑7)㨫
᣿ߌᣇ߆ᄕ᥵ࠇᤨߢ޽ࠆ‫ޕ‬
ⓨߩ৻ㇱ߇᣿ࠆ޿‫↹ޕ‬㕙೨᥊ࠍභ߼ࠆḓ㕙ߩ৻ㇱ߇ߘ
ߩశࠍ෻኿ߒߡ޿ࠆ‫ޕ‬਄ㇱߩ㆙᥊ߦߪ⋥┙ߒߚ⛘ოߩ
ጤጊ߇⡫߃┙ߟ‫ޔ߼ߚࠆ߃⷗ߢࠎߔ߆ޕ‬ਇ᳇๧ߢߔࠄ
޽ࠆ‫⭯ޕ‬ᥧ޿ⓨ߽ᅯ᳇ࠍߪࠄࠎߢ‫ߩߘޔ‬᣿ᥧ߇߁ߏ߼
޿ߡ޿ࠆࠃ߁ߛ‫ޕ‬Ꮐ஥ߩ৻⦎ߩࠞ࠿࡯ߩ਄ߢࡂࠗࠕࡢ
ࠨ߇ਔ⣨ߦᑿ⍫ࠍ᭴߃‫ޔ‬ฝᚻߩᄢⰬߦ⁓޿ࠍቯ߼ߡ޿
ࠆ‫ߦߐ߹ޕ‬⍫ࠍ᡼ߣ߁ߣߒߡ޿ࠆ⍍㑆ߛ‫ޕ‬ᄢⰬߪ᳓ߒ
࿑ ࡂࠗࠕࡢࠨߣᄢⰬ
߱߈ࠍ਄ߍ‫ޔ‬᳓㕙ߦߘߩᆫߩ৻ㇱࠍ⷗ߖߡ޿ࠆ‫߆ߒޕ‬
߽‫ߩߘޔ‬⢵૕ߩ߁ߜੑ▎ᚲ߇᳓㕙ߦ⃻ࠇߡ޿ࠆߩߢ‫ޔ‬
ᄢⰬߩ㐳޿૕㐳߇વࠊߞߡߊࠆ‫ޕ‬ฝߩጯࠍ⷗ࠆߣ‫ߦࠄߐޔ‬ᢙ඘ߩⰬ߇ࡂࠗࠕࡢࠨߩᣇࠍ⷗ߡ޿ࠆ‫ޕ‬ᚢ޿
ߦടࠊࠈ߁ߣߒߡ޿ࠆ߆ߩࠃ߁ߛ‫ޕ‬
߽ߪ߿ߎߩ૞ຠ߇ឬ޿ߚ႐㕙ߪ᣿ࠄ߆ߢ޽ࠆ‫╙ޔߪࠇߘޕ‬5ߩනᓀ↹‫ޟ‬ᥧ㤥ḓ‫⋥ߩޠ‬೨ߩ႐㕙ߢ޽ߞ
ߡ‫߇ࠨࡢࠕࠗࡂޔ‬ᄢⰬࠠ࠽ࡆ࡯ࠢߣᚢ߁ߣߎࠈߛ‫╙ޔߪࡦ࡜࡯ࡕޕ‬5ߩනᓀ↹ߦ⛯޿ߡ╙9᱌‫ࡢࠕࠗࡂޟ‬
ࠨߣࡄ࡯࡞࡮ࡈࠚࠩ࡯‫৻ߩޠ‬ㇱࠍឬ޿ߚߩߢ޽ࠆ‫ޔߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ߅ߥޕ‬7⇟⋡ߦ‫ޔ‬
‫࡯࠿ࠞޟ‬
48
ߩㅴ〝ߢߣߋࠈࠍᏎ޿ߡ޿ߚ/⏉₹ߩ⍫ዥߩ⍫ࠍߟ߆ߺ/ᄢⰬߤ߽ߦߔ߫߿ߊ᡼ߞߚ‫ࠆ޽ߣޠ‬㨫
ߓߟߪ‫ࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩߎޔ‬೙૞ߩ7ᐕ೨‫ߣࠨࡢࠕࠗࡂޡߪࡦ࡜࡯ࡕޔ‬ᄢⰬ‫(ޢ‬1868)ߣ޿߁ᴤ⛗ࠍ
ឬ޿ߡ޿ߚ‫ߩߘޔߦࠄߐޕ‬೨ᐕߦ೙૞ߒߚ‫(ޢࠨࡢࠕࠗࡂޡ‬1867)ߣ޿߁ᴤ⛗ߪ‫⃻ޔ‬࿷‫ޔ‬ᚲ࿷ਇ᣿ߢ޽ࠆ
49
߇‫⥄ࡦ࡜࡯ࡕޔ‬りߩࡔࡕߦࠃࠆߣ‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬ‫ߚߞߥߣߣ߽ߩޢ‬૞ຠߢ޽ߞߚ㨫
޿ߕࠇ߽‫╙ޔ‬9
᱌‫ޔߜ߁ߩޠ࡯ࠩࠚࡈ࡮࡞࡯ࡄߣࠨࡢࠕࠗࡂޟ‬ᄢⰬߣᚢ߁ㇱಽࠍឬ޿ߡ޿ߚ૞ຠߢ޽ࠆ‫ޕ‬਄⸥ߩනᓀ↹
46
Thomas Moran, “The Forest,” n. d., pencil on paper, 25.1 x 17.8 cm, Collection, Gilcrease Museum, Tulsa, Oklahoma
(1316.556).
47
Thomas Moran, “Hiawatha and the Serpent,” 1875, wash drawing on paper, 33.7 x 46.4 cm, Collection, Gilcrease Museum,
Tulsa, Oklahoma (0226.908).
48
Longfellow, “The Song of Hiawatha,” pp. 132–33.
49
ࡔࡕߣ޿߁ߩߪ‫ޔ‬೨ឝߩ޿ࠊࠁࠆ‫ޟ‬૞ຠ࡝ࠬ࠻‫ޕࠆ޽ߢߣߎߩޠ‬Thomas Moran, “Old Book of Lists.” ߥ߅‫ޔ‬
‫ࠕࠗࡂޡ‬
ࡢࠨߣᄢⰬ‫⃻ߪޢ‬࿷‫ⴚ⟤ࠕࡕࠖ࠹࡞ࡏޔ‬㙚ߦᚲ⬿ߐࠇߡ޿ࠆ߇‫ޔ‬
‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬࠠ࠽ࡆ࡯ࠢ‫ߣޢ‬๭߫ࠇߡ޿ࠆ‫ޕ‬
ᄸᅱߥߎߣߦ‫ ߫ߒ߫ߒޔ‬1867 ᐕ೙૞ߣߐࠇࠆ߇‫ޟߩࡦ࡜࡯ࡕޔ‬૞ຠ࡝ࠬ࠻‫ࠍޠ‬㐓ߺࠇ߫‫ ߪࠇߘޔ‬1868 ᐕ೙૞ߣߔߴ
߈ߢ޽ࠆ‫ޕ‬1867 ᐕߩ૞ຠ‫ߦߢߔޔߪޢࠨࡢࠕࠗࡂޡ‬ㅀߴߚࠃ߁ߦᚲ࿷ਇ᣿‫ޕ‬
ࠍวࠊߖࠇ߫‫ޔ‬หߓ႐㕙ࠍឬ޿ߚ૞ຠ߇ዋߥߊߣ߽ਃ⒳㘃೙૞ߐࠇߚߎߣߦߥࠆ‫ޕ‬ᄢⰬߣߩᚢ޿ߪ‫ࡂޡ‬
ࠗࠕࡢࠨߩ᱌‫ࠍޢ‬ઍ⴫ߔࠆᵴ഍ߢ޽ࠆ߆ࠄ‫߫ߒ߫ߒ߇ࡦ࡜࡯ࡕޔ‬ឬ޿ߚߩ߽ᒰὼߥߩ߆߽ߒࠇߥ޿‫ߌޕ‬
ࠇߤ߽ᥧ㤥ḓߩ႐㕙ߣߪ㆑ߞߡ‫ޔ‬ේ⹞ߩਛߢߪߎߩᱫ㑵႐㕙ߩ⥄ὼ㘑᥊ߪౕ૕⊛ߦ߁ߚࠊࠇߡ޿ߥ߆ߞ
ߚ‫ߩࡦ࡜࡯ࡕޔ߫߃ߣߚޕ‬නᓀ↹ߢߪᦺ὾ߌ߆ᄕ὾ߌࠍ⢛᥊ߦߒߡ޿ࠆࠃ߁ߦߺ߃ࠆ߇‫ޔ‬ේ⹞ߩਛߢߪ
ᤨೞࠍ․ቯߢ߈ࠆࠃ߁ߥ⸥ㅀߪߥ޿‫ࠈߒ߻ߪࡦ࡜࡯ࡕޕ‬ᥧ㤥ḓߩ㘑᥊ࠍߘߩ߹߹ᒁ߈⛮޿ߢ‫ޔ‬ᄢⰬߣߩ
ᚢ޿ߩ႐㕙ߦ೑↪ߒߡ޿ࠆࠃ߁ߛ‫ᧄޕ‬૞ຠߪ‫ޔ‬ᥧ㤥ḓߩ㘑᥊ߩ㝯ജߣᚢ㑵ߩᵴ഍ߩ㝯ജߣ߇ੑ㊀ߦឬ߆
ࠇߚ૞ຠߣ޿߃ࠆߛࠈ߁‫ޕ‬
ࡊ࡝ࡦ࠻
ߣߎࠈߢ‫ߩߎޔ‬නᓀ↹ߦၮߠߊ ↹ ࠍ৻ὐ‫ޔߪࠇߘޕߚ߈ߢ߇ߣߎࠆߔ⷗⊒ޔ‬૞ኅ࡮↹ኅ࡮ᄖ੤ቭߩ
S࡮G࡮W࡮ࡌࡦࠫࡖࡒࡦ߇‫ⴚ⟤ޡ‬㔀⹹‫ߦޢ‬ነߖߚ⸥੐‫ߩ࠻࠶࡟ࡄޟ‬㐿ᜏ⠪‫(ޠࡦ࡜࡯ࡕ࡮ࠬࡑ࡯࠻ޔ‬1882)
50
ߩߥ߆ߦឝタߐࠇߡ޿ߚ࿑ ‫ࠆ޽ߢޠࠄߋߨߩࠢ࡯ࡆ࠽ࠠޟ‬㨫
ߌࠇߤ߽ߎߩ ↹߇‫ߩࡦ࡜࡯ࡕޔ‬ડ࿑
ߒߚࡂࠗࠕࡢࠨ↹㓸ߦ෼߼ࠄࠇࠆ੍ቯߩ৻ᨎߢ޽ߞߚߣߪߣ߁ߡ޿ᕁࠊࠇߥ޿‫ߎޔߕ߹ޔ߫ࠄߥߗߥޕ‬
ߩ࿑ ߇ዊߐ޿߆ࠄߢ޽ࠆ‫ߩߤ߇ࡦ࡜࡯ࡕޕ‬⒟ᐲߩᄢ߈ߐߩ↹㓸ࠍᗧ࿑ߒߡ޿ߚ߆ਇ᣿ߛ߇‫ᧄޔ‬㔀⹹ߩ
࿑ ߪࠊߕ߆┱12♡‫ޔ‬ᮮ17♡߶ߤߢ޽ࠅ‫↹߇ ߥ߁ࠃߩߎޔ‬㓸ߦ૶ࠊࠇࠆߣߪ⠨߃ߦߊ޿‫╙ޕ‬ੑߦ‫ߎޔ‬
ߩ ߪ߅ߘࠄߊశቇ⊛ߦਅ⛗ࠍ❗ዊォ౮ߒߡᓂࠄࠇߚᧁ ↹ߢ޽ߞߡ‫߇ࡦ࡜࡯ࡕޔ‬ડ࿑ߒߚࠛ࠶࠴ࡦࠣ
51
ߢߪߥ޿߆ࠄߢ޽ࠆ㨫
ߎߩ࿑ ‫ᧄޔߪޠࠢ࡯ࡆ࠽ࠠޟ‬㔀⹹ߩߚ߼ߦᓂࠅ߅ߎߐࠇߚ࿑ ߢ޽ࠈ߁‫ޕ‬
8ᨎ⋡ߩනᓀ↹ߪ৻ォߒߡߩߤ߆ߥ㘑᥊ߛ‫ޕ‬
‫ߩࠡࠨࠝࠕޟ‬㡆߈ჿ‫ߣޠ‬㗴ߐࠇߚ᳓ㄝߩ㘑᥊(1875)ߢ޽ࠆ
52
(࿑8)‫ᤨ ޕ‬ೞߪᦺ὾ߌ߆ᄕ὾ߌߩߎࠈߢ޽ࠈ߁‫ޕ‬᳓ᐔ✢ઃㄭ߇᣿ࠆ޿‫ޕ‬᳓㕙߽ߘߩశߦࠃߞߡ᣿ࠆߊノ
޿ߡ޿ࠆ‫ޕ‬ⓨߦ⭯ߊߚߥ߮޿ߚ㔕߽‫ߥ߆߿ߛ߅ޔ‬㔓࿐᳇
ࠍ૞ࠅ಴ߒߡ޿ࠆ‫ޕ‬᳓ᐔ✢ߩฝ஥ߦߪ‫߱ࠄߥߩޘᧁޔ‬㒽
࿾߇ߺ߃ࠆ‫ޕ‬Ꮐ஥ߩ೨᥊ߦߪ‫ޔ‬᳓⨲ߩߪ߃ߚጯㄝ߇ᐢ߇
ࠅ‫ޔ‬ੑ⠀ߩࠨࠡ߇޿ࠆ‫ޕ‬Ꮐฝ㕖ኻ⒓ߩ᭴࿑߇ᄢ⢙ߛ‫ࠨޕ‬
ࠡߩ৻⠀ߪ㘧߮┙ߞߚߣߎࠈߢ޽ࠆ߇‫৻߁߽ޔ‬⠀ߪᢳ߼
਄ࠍ⷗޽ߍߡ޿ߡ‫‛ޔ‬ᖤߒߐࠍߚߚ߃ߡ޿ࠆ‫ޕ‬
ߎߩනᓀ↹߇ේ⹞ߩߤߩㇱಽࠍ޽ࠄࠊߒߚ߽ߩ߆‫⷗ޔ‬
࿑ ࠕࠝࠨࠡߩ㡆߈ჿ
ᭂ߼ࠆߎߣߪ㔍ߒ޿‫ࠝࠕ߁޿ߣ࡯ࠟ࡮࡯ࡘࠪ࡮࡯ࡘࠪޕ‬
50
“The Haunt of the Kenabeek,” illustration to S. G. W. Benjamin, “A Pioneer of the Palette: Thomas Moran,” Magazine of Art
5 (February 1882): 93. ߎߩ⸥੐ߪࠗ࡯ࠬ࠻࡮ࡂࡦࡊ࠻ࡦ࿑ᦠ㙚ߩࠕ࡯ࠞࠗࡧ⾗ᢱߩߥ߆ߦ⷗޿ߛߔߎߣ߇ߢ߈ߚ‫ޕ‬
Thomas
Moran Papers 1870–1940, Reel N-TM3, Smithsonian Archives of American Art.
51
ߎߩᧁ ↹ߪ߿ߪࠅᧁญᧁ ߣ⠨߃ࠄࠇࠆ‫ᤨޕ‬ઍ⊛ߦߪߜࠂ߁ߤᧁญᧁ ߆ࠄ࡜ࠗࡦ࡮ࡉࡠ࠶ࠢߩᤨઍߦ⒖ࠆߣߎ
ࠈߛ߇‫ߦ߼ߚࠆߔ⵾ⶄࠍ↹ࡦࡍߪࠢ࠶ࡠࡉ࡮ࡦࠗ࡜ޔ‬ଢ೑ߥᛛᴺߢ޽ߞߡ‫ޔ‬නᓀ↹ߩਅ⛗ࠍⶄ⵾ߔࠆߚ߼ߦߪᓥ᧪ߩ
ᧁญᧁ ࠍ೑↪ߒߚߣ⠨߃ࠄࠇࠆ‫ޕ‬
52
Thomas Moran, “Sound of the Heron,” 1875, wash drawing on paper, 32.1 x 45.1 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma (0226.909).
ࠗࡦ࠻ࡠ࠳࡚ࠢࠪࡦ
ࠨࠡߪ‫ޔ‬౨㗡ߩ ᐨ
⹞ ࠍߪߓ߼‫ޔ‬૗ᐲ߽⊓႐ߔࠆ߆ࠄߢ޽ࠆ‫ߩߘޔ߽ߤࠇߌޕ‬㡆߈ჿ߇߽ߞߣ߽ශ
⽎⊛ߥߩߪ‫╙ޔ‬5᱌‫ߩࠨࡢࠕࠗࡂޟ‬ᢿ㘩‫ߩੱ᧛ߪࠨࡢࠕࠗࡂޕ߁ࠈ޽ߢޠ‬㘩♳ࠍᘷᘦߒߡᢿ㘩ࠍߪߓ߼
ࠆ‫ޕ‬ᢿ㘩ࠍߒߥ߇ࠄ‫ޔ‬૗߇޿޿㘩♳ߦߥࠆߩ߆ᕁ᩺ߔࠆ‫ޕ‬྾ᣣ⋡‫⃻߇ࡦࡒ࠳ࡦࡕޔ♖ߩࠪࠦࡠࡕ࠙࠻ޔ‬
ࠇ‫ߊ⛯ޔ‬྾ᣣ㑆‫ޔ‬Ფᣣᄕ᥵ࠇ߹ߢߎߩࡕࡦ࠳ࡒࡦߣᩰ㑵ߔࠆ‫ᦨߡߒߘޕ‬ᓟߩᣣ‫ࠍࡦࡒ࠳ࡦࡕߊ߿߁ࠃޔ‬
ߚ߅
ᢣ ߒ‫ޔ‬ၒ⫋ߔࠆ‫ߩߘޔߣࠆߔޕ‬႐ᚲ߆ࠄ࠻࠙ࡕࡠࠦࠪ߇⢒ߟ‫ޔ߁޿ߣࠪࠦࡠࡕ࠙࠻ޔߪߜߚࠨࡢࠕࠗࡂޕ‬
ᢥሼߤ߅ࠅ޽ࠅ߇ߚ޿㘩♳ࠍᓧߚߩߢ޽ࠆ‫ޕ‬
ߎߩ╙5᱌ߢ‫ߣࡦࡒ࠳ࡦࡕޔ‬ᚢ߁྾ᣣߩ㑆‫ߩߘޔ‬ᣣߩᚢ޿ߩ⚳ࠊࠅࠍ๔ߍࠆߩ߇‫ߩࠡࠨࠝࠕޔ‬㡆߈ჿ
ߛߞߚ‫ߩߎޕ‬නᓀ↹ߪ‫ࠍࠡࠨࠝࠕߩߘޔ‬ឬ޿ߚ߽ߩߢ޽ࠈ߁‫ߩࠡࠨࠝࠕޕ‬ჿߪ‫ޔ‬ⓨ⣻ߦ⧰ߒߺߥ߇ࠄᚢ
߁ࡂࠗࠕࡢࠨߩ⧰ᖨߩჿߢ޽ࠅ‫ޔ‬หᤨߦ‫ޔ‬ભᕷߩᤨࠍ๔ߍࠆ቟႑ߩჿߢ߽޽ߞߚ‫ࠬ࡯࡝ࡈ࡮࠼ޔ߅ߥޕ‬
ߩ‫ࠫ࡯ࡔࠗ࡮࡞ࡏࡦࠪޡ‬੐ౖ‫߁ߩߘޔ߇ࠆ޿ߡߞߣ߹߈ߟ߇ࠫ࡯ࡔࠗߥ߹ߑ߹ߐߪߦࠡࠨޔ߫ࠇࠃߦޢ‬
53
ߜ‫↢ޔ‬๮ߩ⺀↢࡮ౣ↢߿‫ޔ‬ෂ㒾ߩస᦯ߥߤ߇‫ޔ‬ේ⹞ߩࠨࠡߩࠗࡔ࡯ࠫߣ㊀ߥࠆߣᕁࠊࠇࠆ㨫
ࡕ࡯࡜ࡦߩ⥄╩ࡔࡕߢߪ‫╙ߩߘޔ‬4㗄ߦ‫ޔ‬
‫࡯ࠟ࡮࡯ࡘࠪ࡮࡯ࡘࠪߩࠡࠨࠝࠕߡߒߘޟ‬㧛㒶㝠ߥᴧ࿾߆ࠄ
㧛⧰∩ߣ⧰ᖨߩ㡆߈ჿࠍ಴ߒߚ‫ߣޠ‬ᒁ↪ߐࠇߡ޿ࠆ‫ࠍࡦࡒ࠳ࡦࡕ߇ࠨࡢࠕࠗࡂޔߪࠇߎޕ‬ᢣߒߡၒ⫋ߒ
ߚߣ߈ߩ႐㕙ߛ‫ߩࡦࡒ࠳ࡦࡕߣࠨࡢࠕࠗࡂޔߪࡦ࡜࡯ࡕޕ‬ᚢ޿ࠍ⋥ធឬ಴ߔࠆߩߢߪߥߊ‫ߩࠡࠨޔ‬㡆ߊ
ᆫߣߘࠇࠍߣࠅ߹ߊ᳓ㄝߩ㕒߆ߥᄕ᥊ࠍឬߊߎߣߦࠃߞߡ‫⧰ߩࠨࡢࠕࠗࡂޔ‬ഭߣࡕࡦ࠳ࡒࡦߩ⽸₂ࠍឬ
޿ߚߩߢ޽ࠆ‫ޕ‬
ᐕ‫ޔ‬ᐕ‫߮ࠃ߅ޔ‬೙૞ᐕਇ᣿ߩනᓀ↹
54
9ᨎ⋡ߩනᓀ↹ߪ‫ߩ࠼ࡦࠪࡢࠢޟ‬ᱫ‫(ޠ‬1876)ߣ㗴ߐࠇߚਇᕁ⼏ߥ⛗ߢ޽ࠆ(࿑9)㨫
᫪ߩਛࠍᵹࠇࠆᎹߩ
᳓㕙ߦ‫ޔ‬௑޿ߚࠞ࠿࡯߇৻⦎‫ޔ‬ᶋ߆ࠎߢ޿ࠆ‫ࠅߪ߿ޔࠅߣ߭߇ࡦࠕࠖ࠺ࡦࠗߪߦࠇߘޕ‬௑޿ߡᐳߞߡ޿
ࠆ‫߽ߦ੹ޕ‬᳓ਛߦ⪭ߜߘ߁ߛ‫ޕ‬Ꮉߩਔጯߪᄢ߈ߥጤ߆ࠄߥࠅ‫ߩޘᧁޔ‬ᨑ⪲߇ߩߙ޿ߡ޿ࠆ‫ޕ‬Ꮉߩᅏߦߪ‫ޔ‬
ߐࠄߦᷓ޿᫪߇߆ߔߺߥ߇ࠄ⛯޿ߡ޿ࠆ‫ޕ‬᳓㕙߽㕒߆ߢ޽ߞߡ‫ߥ߆߿ߛ߅ߣࠆߔ⷗৻ޔ‬႐㕙ߢ޽ࠆ߇‫ޔ‬
↹㕙਄ㇱࠍᮮಾࠆᄥᨑߩ਄ߦ‫ޔ‬ዊߐߥੱᓇ߇ᢙฬߺ߃ࠆ‫ߩߘޕ‬ᄙߊ߇ ᚻࠍᝄࠅ޽ߍ‫ޔ‬૗߆ߒࠃ߁ߣߒ
ߡ޿ࠆࠃ߁ߛ‫ޕ‬
53
Ad de Vries, Dictionary of Symbols and Imagery, revised ed. (Amsterdam: North-Holland Publishing Company, 1976), p.
251.
54
Thomas Moran, “Death of Kwasind,” 1876, wash drawing on paper, 32.4 x 44.1 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma 0226.910).
ߎߩනᓀ↹ߪ‫ࠄ߆࡞࠻ࠗ࠲ޔ‬⠨߃ࠆߣ‫╙ޔ‬18᱌‫ࠢޟ‬
ࡢࠪࡦ࠼ߩᱫ‫ࠍޠ‬ឬ޿ߚ߽ߩߛࠈ߁‫ޔߪߣ࠼ࡦࠪࡢࠢޕ‬
ᭉᏧ࠴ࡆࠕࡏࠬߣߣ߽ߦࡂࠗࠕࡢࠨߩⷫ෹ߢ‫ߋߩ߽ޔ‬
ߏ߁ࠅ߈
ߐߛ߇ᒝജ ߩ↵ߢ޽ࠆ‫ޕ‬
᧛ੱߩߚ߼ߦߘߩജࠍ૶߁߇‫ޔ‬
ሃᅺ߱߆޿ዊੱߩᅯ♖ࡄࠢ࡮ࡢࠫ࡯࠭ߚߜߪ‫⥄ޔ‬ಽߚ
ߜ߇⬦ࠈߦߐࠇࠆߎߣࠍᗋࠇ‫࠼ࡦࠪࡢࠢޔ‬Ვኂࠍߚߊ
ࠄ߻‫ߩ࠼ࡦࠪࡢࠢޕ‬ᕆᚲߪߘߩ㗡㗂ㇱߢ‫═᧻ࠍߎߘޔ‬
࿑ ࠢࡢࠪࡦ࠼ߩᱫ
߆ᮖ═ߢ᡹᠄ߔࠆߎߣ߇ᓐࠍᢣߔ໑৻ߩᣇᴺߛߞߚ‫ޕ‬
ዊੱߚߜߪ᧻═ߣᮖ═ࠍ㓸߼‫ޔ‬Ꮉࠍਅࠆࠢࡢࠪࡦ࠼ࠍᧁߩ਄ߢᓙߜ߱ߖࠆ‫ߩ࡯࠿ࠞޕ‬਄ߢ⌁ߞߡ޿ࠆࠢ
ࡢࠪࡦ࠼߇ࡄࠢ࡮ࡢࠫ࡯࠭ߩᓙߜฃߌࠆᧁߩਅࠍㅢࠆ߿‫ޔ‬ዊੱߚߜߪ᧻═᡹᠄ࠍⴕ޿‫ޟߪ࠼ࡦࠪࡢࠢޔ‬ᮮ
55
ะ߈ߦᎹߩਛ߳⪭ߜߚ‫ޠ‬
‫ߪ࡯࠿ࠞޕ‬ήੱߩ߹߹Ꮉࠍਅࠆ㨫
ᧄනᓀ↹ߪߎߩࠃ߁ߥ╙18᱌ߣᾖࠄߒ޽ࠊߖࠇ߫‫ޔ‬
ߓߟߦ⥝๧߱߆޿૞ຠߢ޽ࠆߣ޿߃ࠆ‫ޕ‬
ߚߣ߃߫‫ޔ‬
ᧁߩ਄ߩੱ‫߇ޘ‬ዊߐߊឬ߆ࠇߡ޿ࠆℂ↱߇ࠊ߆ࠆ‫ߩߘߦ߆ߒߚޔߣࠆ⷗ߊࠃ߽߆ߒޕ‬ฝᚻߦ౞㍙⁁ߩ߽
ߩࠍᜬߞߡ޿ࠆ‫߇ࠄࠇߘޔߦࠄߐޕ‬ᛩߓࠄࠇߡⓨਛࠍ⥰ߞߡ޿ࠆ‫ߩ࠼ࡦࠪࡢࠢޕ‬⣖ᄤߦߪ‫ߣࠅߊߞ߬ޔ‬
ⵚߌ⋡߇ߺ߃ࠆ‫ߪ࠼ࡦࠪࡢࠢߣ࡯࠿ࠞޔࠎࠈߜ߽ޕ‬௑޿ߡ޿ࠆ‫․ࠍ⺆‛ߦ߁ࠃߩߎޕ‬ᓽߠߌߡ޿ࠆ⚦ㇱ
߇‫ߩߎޔ‬නᓀ↹ߦឬ߆ࠇߡ޿ߚ‫ߦߟߓޕ‬㓶ᑯߥ⛗ߢ޽ࠆߣ޿߃ࠆߛࠈ߁‫ޕ‬
ߥ߅‫╙ޔߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ‬9ߣߒߡ‫ޟ‬ᒝ߈↵ࠢࡢࠪࡦ࠼ߩ
ᱫ‫ࠇߘޕࠆ߃⷗߇⪲⸒߁޿ߣޠ‬એ਄ߩ⹞ฏߪᒁ↪ߐࠇߡ޿ߥ޿߇‫ޔ‬
ߎߩ႐㕙߇ᒰೋ߆ࠄ੍ቯߐࠇߡ޿ߚߎߣ߇ࠊ߆ࠆ‫ޔߚ߹ޕ‬਄ߢㅀߴ
ߚࠃ߁ߦ‫ߦߢߔߪࡦ࡜࡯ࡕޔ‬4ᐕ೨‫ޔ‬㔀⹹‫ᧁߦޢࡦࠗ࠳࡞ࠝޡ‬ญᧁ ↹‫ޟ‬ᒝ߈↵ࠢࡢࠪࡦ࠼‫ࠍޠ‬ነߖߡ޿ߚ‫╙ޔߪࠇߘޕ‬6᱌‫ࠨࡢࠕࠗࡂޟ‬
ߩ෹ߛߜ‫ޔ߇࠼ࡦࠪࡢࠢߢ߆ߥߩޠ‬ጊ㆏ࠍ߰ߐ޿ߢ޿ࠆୟࠇߚᏂᧁ
56
ࠍᛩߍ㘧߫ߘ߁ߣߔࠆ႐㕙ߛߞߚ㨫
57
ᰴߪ1876ᐕߦ೙૞ߐࠇߚ‫ޟ‬ኄߩ᣿ᤊߩᕷሶ‫(ࠆ޽ߢޠ‬࿑10)㨫
ߎࠇ
߽߹ߚᄸᅱߥశ᥊ߛ‫ޕ‬ỗߒߊᵄ߇⨹ࠇࠆ᳓㕙ߦ㒾ߒ޿ጤጊ߇ጎ┙ߒ
ߡ޿ࠆ‫ߩߘޕ‬ጤጊߩ਄ߢ‫ޔ‬ᢙੱ߇૕ࠍߊߨࠄߖߡ〭ࠅ⁅ߞߡ޿ࠆ‫ޕ‬
࿑ ኄߩ᣿ᤊߩᕷሶ
ߥ߆ߦߪቮ㄰ࠅࠍߒߡ޿ࠆ⠪߽޿ࠆ‫ޕ‬೨᥊߆ࠄᓟ᥊ߦ⛯ߊᄢ߈ߥጤ
55
Longfellow, “The Song of Hiawatha,” p. 156.
Thomas Moran, “Kwasind—the Strong Man,” p. 109; Longfellow, “The Song of Hiawatha,” p. 128.
57
Thomas Moran, “Son of the Evening Star,” 1876, wash drawing on paper, 43.8 x 31.8 cm, Collection, Gilcrease Museum,
Tulsa, Oklahoma (0226.911).
56
߿ߘࠇߦធߔࠆ⊕ᵄࠍ┙ߡߚ᳓㕙߇߽ߚࠄߔෂ㒾ߥ᳇㈩ߣߪኻᾖ⊛ߦ‫ޔ‬ጤጊߩ਄ߢ㓁᳇ߥ⥰߇〭ࠄࠇߡ
޿ࠆߩߢ޽ࠆ‫ޕ‬
࠲ࠗ࠻࡞ࠍࡅࡦ࠻ߦߔࠇ߫‫╙ߪࠇߎޔ‬12᱌‫ޟ‬ኄߩ᣿ᤊߩᕷሶ‫ࠍޠ‬ឬ޿ߚ߽ߩߢ޽ࠆ‫╙ߩߎޕ‬12᱌ߪ‫ޔ‬
ኄߩ᣿ᤊߩᕷሶࠝ࠶࠮ࠝߩ‛⺆ߛ‫ޕ‬ᐕ⠧޿ߡ㉛޿ࠝ࠶࠮ࠝ߇⧯ߊߡ⟤ߒ޿ᆷࠝ࠙ࠖ࡯࠾࡯ߣ⚿ᇕߔࠆ‫ޕ‬
ᓐᅚߩ਻ੱߩᆌᆂߚߜߪ‫޿⧯ߥߺޔ‬ᚢ჻ߦᇾ޿ߢ޿ߚ‫ࠆ޽ޕ‬ኄߩߎߣ‫ߪࠝ࠮࠶ࠝޔ‬ᆌᆂᄦᇚߚߜߦམ╉
ߐࠇࠆ߇‫ޔ‬ⓨᵢߩᧁߩߥ߆߳ㅏߍߎ߻ߣ‫ߦ↵޿ߒ߹ߊߚߡߊ⧯ޔ‬ᄌりߔࠆ‫߽ߤࠇߌޕ‬หᤨߦ‫ޔ‬ᆄࠝ࠙ࠖ
࡯࠾࡯ߪ⠧ᅚߦᄌりߒߡߒ߹߁‫ࠝ࠮࠶ࠝޕ‬ᄦᆄߪ߰ߚߚ߮མ╉ߐࠇࠆ߇‫৻ߜ߹ߜߚޔ‬ᣖోຬ߇ਇᕁ⼏ߥ
ജߦࠃߞߡኄߩ᣿ᤊ߳ߣㅪࠇߡ޿߆ࠇߡߒ߹߁‫ߡߒߘޕ‬ᆄࠝ࠙ࠖ࡯࠾࡯ߪ⧯ߊ⟤ߒ޿ᅚᕈߦᚯࠅ‫ޔ‬ᆌᆂ
ᄦᇚߚߜߪ㠽ߩᆫߦߐࠇࠆ‫ࠝ࠮࠶ࠝޔߜߚ߇ᤨޕ‬ᄦᇚߩᕷሶ߇ߘߩ㠽ߩ৻⠀ߦ⍫ࠍ᡼ߟߣ‫ࠃߦⴊߩߘޔ‬
ߞߡ㝷ᴺ߇⸃ߌ‫ߥߺޔ‬࿾਄߳ᚯࠆߎߣ߇ߢ߈ࠆ‫ޕ‬㠽ߚߜ߽ੱ㑆ߦᚯࠆ߇‫ੱߪࠇߘޔ‬㑆ߣ޿ߞߡ߽ዊੱߛ
58
ߞߚ‫ޕ‬ᓐࠄߪ‫ޔ‬ኄߩ᣿ᤊ߇ノߊߎࠈ‫ޔ‬ጤ႐ߩጧߢ‫ޟ‬ᚻߦᚻࠍߣߞߡ޿ߞߒࠂߦ〭ߞߡ޿ࠆ㨭㨫
ߔߥࠊߜ‫ߩߎޔ‬නᓀ↹ߪ‫ੱޔ‬㑆ߦᚯࠆߎߣߪߢ߈ߚ߽ߩߩ‫ޔ‬ዊੱߩᆫߦߐࠇߡߒ߹ߞߚᆌᆂᄦᇚ߇ᄕ
ᣇ‫ޔ‬ጤߩ਄ߢ〭ߞߡ޿ࠆ႐㕙ߥߩߢ޽ࠆ‫ޕ‬ᓐᅚߚߜߪᗱ߆ߥߚ߼‫ߦࠄ߆ߕߺޔ‬ਅߐࠇߚᄤ⟏ࠍℂ⸃ߒߡ
޿ߥ޿‫޿ߚߢ߼߅ߩߘޕ‬㊰ߐ߇‫ޔ‬ዊੱߚߜࠍߣࠅ߹ߊᐢṼߚࠆ㘑᥊ߦࠃߞߡ⽎ᓽ⊛ߦឬ߆ࠇߡ޿ࠆ‫ᧄޕ‬
૞ຠ߇ዊੱߚߜߘߩ߽ߩࠍ⋥ធឬߎ߁ߣߒߚ૞ຠߢߪߥ޿ߎߣ߇ࠊ߆ࠆߛࠈ߁‫╩⥄ߩࡦ࡜࡯ࡕޔ߅ߥޕ‬
59
ࡔࡕߦ߽‫╙ޔ‬12᱌ߩߎߩㇱಽߩ⹞ฏ߇ᒁ↪ߐࠇߡ޿ࠆ㨫
60
11ᨎ⋡ߩනᓀ↹ߪ‫ޟ‬シ߿߆ߦᐔේࠍᱠ޿ߡ‫(ޠ‬1876)ߢ޽ࠆ(࿑11)㨫
߭ߣࠅߩᅚᕈ߇ ⢀ߦ޽ߏࠍਸ਼ߖߡ᳓ㄝߦߔࠊߞߡ޿ࠆ‫ޕ‬ᗵ்⊛ߥ
ᕁ޿ߦ߰ߌߞߡ޿ࠆࠃ߁ߛ‫ޕ‬ᅚᕈߩ⋡߿⋲‫ޔ‬㥦‫ޔ‬ໃ߽ߡ޿ߨ޿ߦឬ
߆ࠇߡ޿ࠆ‫ޕ‬㐳޿㜬ߩᲫ߆ⵍࠅ‛߇‫ޔ‬㗡߆ࠄ⢛ਛ‫ޔ‬⣶߹ߢုࠇߡ޿
ࠆ‫ߩ⁁࠻࡯ࠞࠬޕ‬㐳޿⓫߈߽ߩߩ߭ߛ߽⚦ኒߛ‫ߪߎߎޕ‬᫪ߩਛࠍᵹ
ࠇࠆዊᎹߩ߶ߣࠅߢ޽ࠈ߁߆‫ޕ‬ᅚᕈߩ⢛ᓟߦߪᧁ‫ޕࠆ޿ߡ޿⛯߇ޘ‬
ߘࠇࠄߩᧁ‫ߩޘ‬᣿ᥧ߇↹㕙ߩᅏⴕ߈ࠍ૞ࠅߛߔߎߣߦᚑഞߒߡ޿ࠆ‫ޕ‬
ࠃߊߺࠆߣ‫ޔ‬ᅚᕈߩฝᢳ߼਄ᣇߦ߁ߞߔࠄߣੱᓇࠄߒ߈߽ߩ߇⷗߃
ࠆ‫ޕ‬ᚻࠍᄢ߈ߊᝄࠅ਄ߍ‫ࠍ⿷ ޔ‬ᓟࠈߦ〡ߨ਄ߍߡ޿ࠆᆫߛ‫ޕ‬
࠲ࠗ࠻࡞ߩ‫ޟ‬シ߿߆ߦᐔේࠍᱠ޿ߡ‫߁޿ߣޠ‬ฏߪ‫╙ޔ‬3᱌‫ࠗࡂޟ‬
࿑ シ߿߆ߦᐔේࠍᱠ޿ߡ
ࠕࡢࠨߩዋᐕᤨઍ‫ࠆࠇ⃻ߦޠ‬ฏߛ‫߇ࠬࡒࠦࡁߚ߈ߡߜ⪭ࠄ߆᦬ޕ‬ᆷ
58
Longfellow, “The Song of Hiawatha,” p. 142.
Ibid.
60
Thomas Moran, “Walking Lightly Over the Prairie,” 1876, wash drawing on paper, 43.8 x 31.8 cm Collection, Gilcrease
Museum, Tulsa, Oklahoma (0226.912).
59
࠙ࠖࡁ࠽ࠍ↥߻‫ߪ࠽ࡁࠖ࠙ޕ‬ᚑ㐳ߒߡ‫⨲ޟ‬ේߩ࡙࡝‫ޕࠆߥߊߒ⟤ߦ߁ࠃߩޠ‬Უߪ‫⷏ޔ‬㘑ࡑࠫࡘࠠ࡯࠙ࠖ
ࠬߦᵈᗧߔࠆࠃ߁‫⼊߫ߒ߫ߒޔ‬๔ߒߚ‫ߒ߆ߒޕ‬ᆷߪ⡞߈޿ࠇߥ޿‫ࠆ޽ޕ‬ᄕᣇ‫ߞ߿߇ࠬࠖ࠙࡯ࠠࡘࠫࡑޔ‬
ߡߊࠆ‫⨲ޔ‬ේߩ਄ࠍシ߿߆ߦᱠ޿ߡ‫ߢߛ޿޽ߩ࡝࡙ߡߒߘޕ‬ᮮߦߥߞߡ޿ࠆ࠙ࠖࡁ࠽ࠍ⷗޿ߛߔ‫ߪ↵ޕ‬
61
↞޿⸒⪲ߢ߆ߤࠊߒ‫޿ߒߐ߿ޔ‬ᗲ᠜ߢߘߘߩ߆ߔ‫ࠆ޽ߢߩࠆߖࠄ߽ߏߺࠍࠨࡢࠕࠗࡂߡߒߘޕ‬㨫
ߔߥࠊߜ‫ޔ‬
ߎߩනᓀ↹ߪ‫ޔ‬
࠙ࠖࡁ࠽ߩߣߎࠈ߳ࡑࠫࡘࠠ࡯࠙ࠖࠬ߇⢛ᓟ߆ࠄㄭነߞߡ޿ࠆ႐㕙ߢ޽ࠆ‫ޕ‬
⢛ᓟߦߺ߃ࠆੱᓇߪࡑࠫࡘࠠ࡯࠙ࠖࠬߢ޽ߞߡ‫ޔ‬
‫ޟ‬シ߿߆ߦ‫ޠ‬ᱠߺࠃࠆߩߢ‫ޔ‬⣨߿⿷߇޽߇ߞߡ޿ࠆߩ
ߛ‫ޕ޿ߥߪߢߛ޿޽ߩ࡝࡙ޔߪߩࠆ޿߇࠽ࡁࠖ࠙ޔߦ߆ߒߚޕ‬
㧔ߚߛߒ‫ޔ‬ᚻ೨ߩጯㄝߦ࡙࡝ࠄߒ߈⧎߇
ߺ߃ࠆ‫ޕ‬
㧕ߘߎߦኢߘߴߞߡ޿ࠆࠊߌߢ߽ߥ޿‫ޔ߽ߤࠇߌޕ‬᫪ߩਛߢዊᎹߩߖߖࠄ߉ࠍ⷗ߥ߇ࠄ‫ޔ‬ਸᅚ
ࠄߒ޿‛ᕁ޿ߦ߰ߌߞߡ޿ࠆᆫߪ‫ޔ‬චಽ㝯ജ⊛ߛ‫ޕ‬
ᄙߊߩࡕ࡯࡜ࡦߩ૞ຠߣ㆑ߞߡ‫ߩߎޔ‬නᓀ↹ߪᅚᕈ߇ਛᔃ⊛ਥ㗴ߦߥߞߡ޿ࠆߩߢ‫ߡ߼ࠊ߈ޔ‬ᄢⴐ⊛
ߦߺ߃ࠆ߆߽ߒࠇߥ޿‫߫߃ߣߚޔ߽ߤࠇߌޕ‬⢛ᓟߩ᫪ߪ‫ߩߘޔ‬ᅏⴕ߈߇ߚߊߺߦឬ߆ࠇߡ޿ࠆ‫⚿ߩߘޕ‬
ᨐ‫߳ߎߘޔ‬ㅢߓࠆዊ㆏߇‫ޔ‬⠨߃ߏߣࠍߒߥ߇ࠄ࠙ࠖࡁ࠽߇ᱠ޿ߡ߈ߚ〒㔌ߣ‫ࠄ߆ࠇߎޔߡߒߘޔ‬ᆎ߹ࠆ
ᣂߒ޿↢ᵴߩ㆏ߩࠅߣࠍ⽎ᓽߒߡ޿ࠆ߆ߩࠃ߁ߛ‫〯߇࠻ࠬ࡜ࠗߩߎޔߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ߅ߥޕ‬
߹߃ߡ޿ࠆᒁ↪ฏ߇⸥ߐࠇߡ޿ߥ޿‫ࡕࡔޕ‬ၫ╩ᤨὐߢߪ೙૞߇੍ቯߐࠇߡ޿ߥ߆ߞߚࠃ߁ߛ‫ޕ‬
12ᨎ⋡ߩනᓀ↹ߪ1878ᐕߦ೙૞ߐࠇߚ૞ຠߢ‫⊕ޟޔ‬
62
޿㗻ߩ೔᧪‫ߣޠ‬㗴ߐࠇߡ޿ࠆ(࿑12)㨫
਄ㅀߒߚࠬ࠙ࠖ
࡯࠾࡯߇߆ߟߡ⚫੺ߒߚ૞ຠߛ‫ߥ߆ࠄߛߥޕ‬ᒐࠍឬ޿
ߚḓߩጯㄝߢ޽ࠆ‫ޕ‬㆙ߊߦߪߌࠊߒ޿ጤጊ߇᳓ა↹ߩ
ࠃ߁ߦ߆ߔࠎߢ⷗߃ࠆ‫ޕ‬ᵢ─߇޽ࠆጤ߽޽ࠆߩߢ‫ߎޔ‬
ߎߪᓀ⦡ጤߢ޽ߞߡ‫ޔ‬ᵢ─ߪ޿ࠊࠁࠆࠣ࡟ࠗ࠻࡮ࠤࠗ
ࡧߢ޽ࠈ߁‫ޕ‬ጯߢߪᄙߊߩੱ‫߇ޘ‬ḓ㕙ࠍ⷗቞ࠅ‫ߩߘޔ‬
࿑ ⊕޿㗻ߩ೔᧪
᳓㓙ߢߪ‫߇ࡦࠕࠖ࠺ࡦࠗߩࠅߚ߰ޔ‬ᚻࠍ਄ߍߡ޿ࠆ‫ޕ‬
ߘࠇࠄߩⷞ✢ߩవߦߪ‫ޔ‬ዊ⦁ߦਸ਼ߞߚ3ੱߩੱᓇ߇⷗߃
ࠆ‫ᤨޕ‬ೞߪᄕᣇ߆ᣧᦺߢ޽ࠈ߁߆‫ޕ‬ૐ޿ⓨ߇᣿ࠆ޿‫↹ޔ߅ߥޕ‬㕙ᚻ೨ߦߪጤߦ߽ߚࠇߡ┙ߞߡ޿ࠆ৻ੱ
ߩ↵߇หߓߊḓ㕙ࠍ⷗ߟ߼ߡ޿ࠆ‫ޕ‬
߽ߜࠈࠎߎߩ૞ຠߪ╙22᱌‫ߩࠨࡢࠕࠗࡂޟ‬ᣏ┙ߜ‫╙ޕࠆ޿ߡ޿ߠߣ߽ߦޠ‬21᱌‫߆ߥߩޠ〔⿷ߩੱ⊕ޟ‬
ߢࡂࠗࠕࡢࠨߪ⊕޿㗻ࠍߒߚੱ‫ޟ߇ޘ‬⠢ߩߟ޿ߚᄢ߈ߥࠞ࠿࡯‫ߦޠ‬ਸ਼ߞߡ߿ߞߡߊࠆߩࠍᐛߩਛߢߺߚ
61
Longfellow, “The Song of Hiawatha,” p. 119.
Thomas Moran, “The Coming of Paleface,” 1878, wash drawing on paper, 43.2 x 56.2 cm, Collection, Gilcrease Museum,
Tulsa, Oklahoma (0226.913).
62
ߎߣ߇޽ࠅ‫ޔ‬
‫߫ࠄ߆ߒޟ‬᱑ㄫߒࠃ߁‫ߘࠃޔ‬⠪ࠍ㧛෹߿ఱᒉߣ๭߷߁‫ߘࠃޔ‬⠪ࠍ‫ߊߠߟޕߚ޿ߡ޿⺑ߣޠ‬
╙22᱌ߦߥࠆߣ‫ޔ‬ᄐߩᦺ‫߇ߜߚࠨࡢࠕࠗࡂߢࠅߣ߶ߩ࡯ࡒࠟ࡮࡯࠴࠶ࠡޔ‬ᓐࠄࠍᓙߞߡ޿ࠆ‫ࡢࠕࠗࡂޕ‬
ࠨߪ‫ޟ‬᱑ㄫߩߚ߼ߦ㧔ਔᚻࠍ㧕㜞ߊᜬߜ਄ߍ‫ߦ࡯࠿ࠞߡߒߘޕࠆޠ‬ਸ਼ߞߚ‫޿⊕ޟ‬㗻ࠍߒߚ‫ޔ‬㤥᦯ߩ㚂㐳‫ޠ‬
ࡇ
࡯
ࠬ
63
ߦ޿߁‫ޔ‬
‫ࠍߜߚߚߥ޽ߪ᧛ߩߜߚ⑳ޟ‬ᔃ቟ࠄ߆ߦ߅ㄫ߃ߔࠆ㨭㨫
ߎߩනᓀ↹ߪ‫ޔ‬਄㒽ߔࠆ⊕ੱ⡛⡯⠪ࠍㄫ߃ࠆ႐㕙ߛ‫ޕ‬᳓㓙ߦ┙ߞߡ޿ࠆੑੱߩ߁ߜ߭ߣࠅ߇ࡂࠗࠕࡢ
ࠨߢ޽ࠈ߁‫ߦ߆ߒߚޕ‬ᚻࠍ޽ߍߡ޿ࠆ‫ޕ‬᳓㕙߽㏜ߩࠃ߁ߦ㕒߆ߛ‫ޕ‬ਇศߦ߁ߏ߼ߊ㔕߽ߺ߃ߥ޿‫ޕ‬ේ⹞
ߣหߓࠃ߁ߦ‫ޔ‬ァੱ߿㐿ᜏ⠪ߢߪߥߊ‫ޔ‬⡛⡯⠪߇ዊߐߥ⦁ߢ⸰ࠇࠆߣߎࠈ߽ߚߒ߆ߦᐔ๺⊛ߛ‫ޕ‬
⥝๧߱߆޿ߩߪ‫ޔ‬೨᥊ߦ߭ߣࠅߚߚߕ߻ࠗࡦ࠺ࠖࠕࡦߢ޽ࠆ‫ߩੱ⊕ޕ‬೔᧪ࠍߎߎࠈࠃߊᕁࠊߥ޿᧛ੱ
ߥߩߛࠈ߁߆‫⷗ޔߪ޿ࠆ޽ޕ‬ᒛࠅᓎߩᱠະߢ޽ࠈ߁߆‫ޕ‬᭶ࠍᜬߞߡ޿ࠆ߽ߩߩ‫ޔ‬ാ߹ߒ޿ᚢ㑵⊛ߥ᳇㈩
ߪߥ޿‫ߩߜߚੱ⊕ޔߪ✢ⷞߩߘޕ‬ዊ⦁ࠃࠅ߽ߐࠄߦᴒ߳ะߌࠄࠇߡ޿ࠆࠃ߁ߦ߽⷗߃ࠆ‫࡝ࠠޔߪࠇߎޕ‬
ࠬ࠻ᢎߩ᥉෸߿ࡂࠗࠕࡢࠨߩ಴┙ߣ޿߁‫ޔ‬ᣂߒ޿ᤨઍߩ೔᧪ࠍ⋥ᗵߒߚੱ‛ߥߩߢߪ޽ࠆ߹޿߆‫ޕ‬
⡛⡯⠪ߩⷞὐߦ┙ߞߡߺࠇ߫‫ޔ‬
ᓀ⦡ጤࠍߪߓ߼ߣߒߚߎߩ࿾ၞߩ㘑᥊ࠍߪߓ߼ߡ⋡᠄ߒߚߎߣߦߥࠆ‫ޕ‬
ࡂࠗࠕࡢࠨߚߜ߇‫ߚ߈ߢࠎߒⷫޔ‬㘑᥊߇޿߹⊕ੱߦ౒᦭ߐࠇࠃ߁ߣߒߡ޿ࠆߩߢ޽ࠆ‫߇ࡦ࡜࡯ࡕޕ‬㆙᥊
ߦᓀ⦡ጤࠍ㈩ߒߚߩߪ‫ߥ߁ࠃߩߘޔ‬᥊߽ⷰ⊕ੱߦᒁ߈⛮߇ࠇࠆߎߣࠍ␜ໂߒߡ޿ࠆࠃ߁ߛ‫ޕ‬
64
ߥ߅‫ߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ‬10⇟⋡ߩ㗄⋡ߣߒߡ‫޿⊕ޟ‬㗻ߩ೔᧪‫߁޿ߣޠ‬ฏ߇ߺ߃ࠆ㨫
߹ߚ‫ޔ‬5ᐕ
೨ߩ1873ᐕߦ‫߳⹹ޢࡦࠗ࠳࡞ࠝޡ‬ነߖߡ޿ߚᧁ ↹‫(ޠࡧࠗࠤ࡮࠻ࠗ࡟ࠣޟ‬1873)ߪ‫ޔ‬࿾ℂߩ⚫੺ߩߚ߼
ߩ࿑ ߢ޽ߞߡ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ࠍ࡯࠿ࠞޔߩߩ߽޿ߥߪߢ࠻ࠬ࡜ࠗߩޢ‬ㄫ߃޿ࠇࠆጯㄝߩੱ‫ߺ߇ޘ‬
߃ࠆߩߢ‫ߩߎޔ‬නᓀ↹ߣหߓ႐㕙ࠍឬ޿ߡ޿ࠆߣ⠨߃ࠄࠇࠆ‫ߩੱ⊕ߚ߹߽ߢߎߎࠅ߹ߟޕ‬೔᧪ߣࠣ࡟ࠗ
࠻࡮ࠤࠗࡧߣࠍ⚿߮ઃߌࠄࠇߡ޿ߚߩߢ޽ࠆ‫ޕ‬ේ⹞ߦ
⸥ㅀߪߥ޿߇‫޿⊕ޟߪࡦ࡜࡯ࡕޔ‬㗻‫ࠤ࡮࠻ࠗ࡟ࠣ߇ޠ‬
65
ࠗࡧㄭㄝߦ਄㒽ߒߚߣ⠨߃ߡ޿ߚࠃ߁ߛ㨫
13ᨎ⋡ߩනᓀ↹ߪ‫ޔ‬
‫ޟ‬ᄤ߆ࠄ㆏ࠍὶ߇ߒߡ‫ߣޠ‬㗴ߐࠇ
66
ߡ޿ࠆ1878ᐕߩ૞ຠߢ޽ࠆ(࿑13)㨫
㕖Ᏹߦಽ߆ࠅߦߊ
޿⛗ߛ‫ޕ‬ḓ㕙߇߆ߔࠎߢ޿ࠆ‫ޕ‬᳓ᐔ✢߽߷߿ߌߡ޿ߡ
⏕⹺ߢ߈ߥ޿‫↹ޕ‬㕙ਛᄩߦ⚦㐳޿ᒻ⁁ߩ߽ߩ߇޽ࠅ‫ޔ‬
࿑ ᄤ߆ࠄ㆏ࠍὶ߇ߒߡ
ࠞ࠿࡯ߩࠃ߁ߦ߽ߺ߃ࠆ߇‫ߣࠆ⷗ߦ⚦੿ޔ‬ጯߩ৻ㇱߩ
63
Longfellow, “The Song of Hiawatha,” pp. 161, 162, 163.
Moran, “Quotations for Illustrations of Hiawatha.”
65
Thomas Moran, “The Great Cave,” The Aldine 6 (1873): 15.
66
Thomas Moran, “Burned His Way along the Heavens,” 1878, wash drawing on paper, 33.7 x 45.7 cm, Collection, Gilcrease
Museum, Tulsa, Oklahoma (0226.914).
64
ߡ
ࠃ߁ߛ‫↹ޕ‬㕙ฝ਄ߩⓨߪ‫ޔ‬㔕߇㊀ߥߞߡỚ᷆ࠍ⷗ߖߡ޿ࠆ‫ޕ‬ฝਅߦߪ৻⠀ߩ᳓㠽߇㘧ࠎߢ޿ࠆ‫ޕ‬
࠲ࠗ࠻࡞ࠍߚࠃࠅߦේ⹞ߣᾖࠄߒวࠊߖߡߺࠆߣ‫ޔ‬
‫ޟ‬ᄤߩ㆏ࠍὶ߇ߒߡ‫߁޿ߣޠ‬ฏߪ‫╙ޔ‬9᱌‫ࠕࠗࡂޟ‬
ࡢࠨߣࡄ࡯࡞࡮ࡈࠚࠩ࡯‫ߩޠ‬౨㗡ߦ૶ࠊࠇߡ޿ࠆ‫␲ޕ‬Უࡁࠦࡒࠬ߇‫⷏ޔ‬ᣇߦ૑߻㝷ⴚᏧࡔࠫ࠰ࠣࡢࡦ㧔ࡄ
࡯࡞࡮ࡈࠚࠩ࡯㧕ࠍ⸛બߔࠆࠃ߁‫ࠍ⷏ޔ‬ᜰߐߒߡࡂࠗࠕࡢࠨ߳๔ߍࠆ႐㕙ߛ‫ߩ࡯ࡒࠟ࡮࡯࠴࠶ࠡ߹޿ޕ‬
⷏ⓨߪᄕ὾ߌߢΆ߃ߡ޿ࠆ‫ޕ‬
‫޿⿒ߊߒޘ⨹ޟ‬ᄥ㓁߇ᴉࠎߢ޿ߚ㧛ᄤߩ㆏ࠍὶ߇ߒߡ㧛⢛ᓟߩⓨߦἫࠍ᡼
‫ޕ‬㝷ⴚᏧࡔࠫ࠰ࠣࡢࡦߪ‫⷏ߥ߁ࠃߩߘޔ‬ᣇߢ‫ޔ‬ἫࠍฯߊᄢⰬߣᥧ㤥ߩḓߦ቞ࠄࠇߡ૑ࠎߢ޿
ߞߡ޿ߚ‫ޠ‬
ߚ‫ߪࠨࡢࠕࠗࡂޕ‬ᑿ⍫ࠍߣࠅ‫ࠍ࡯࠿ࠞޔ‬㚟ࠆ‫ߩߎޔࠅ߹ߟޕ‬ᄕ὾ߌߪ‫ޔ‬ᖡߩᮭൻߘߩ߽ߩߩ⽎ᓽߣߒߡ
67
ߩᄕ὾ߌߛߞߚ㨫
ߌࠇߤ߽‫ߩߎޔ‬නᓀ↹ߢߪ‫ޕ޿ߥ߈ߢ⹺⏕߇࡯࠿ࠞߩߘ߿ࠨࡢࠕࠗࡂߕ߹ޔ‬ⓨ߇᣿
ࠆߊΆ߃ߡ޿ࠆߎߣߪ᣿ࠄ߆ߛ߇‫ޔ‬
‫ޟ‬ᄤߩ㆏‫ޕ޿ߥ޿ߡࠇߐ␜߽ޠ‬ᵄ߽㕒߆ߢ‫ޔ‬₨⁴ߥ᳇㈩ߪߥ޿‫ޕ‬න
ᓀ↹ߢߪ⪭ᣣߩ⿒శࠍឬߊߎߣߪ㔍ߒ޿ߩߛࠈ߁߆‫ޕ‬
ߓߟߪࡕ࡯࡜ࡦߪ‫ޔ‬หߓ႐㕙ࠍᴤ⛗ߦឬ޿ߡ޿ߚ‫ߩߎޔߪࠇߘޕ‬3ᐕ೨ߦ೙૞ߐࠇߚ‫޿⿒ߊߒޘ⨹ޡ‬
68
(1875)ߢ޽ࠆ㨫
ᄥ㓁߇ᴉࠎߢ‫ޢ‬
ߔߥࠊߜ‫ޔ‬
ߜࠂ߁ߤߎߩනᓀ↹ࠪ࡝࡯࠭ࠍᦠ߈ᆎ߼ߚߎࠈߩᴤ⛗ߢ޽ࠆ‫ޕ‬
࿶ୟ⊛ߥㄼജ߇޽ࠅ‫ߩࡦ࡜࡯ࡕޔ‬ઍ⴫૞ߩ߭ߣߟߦᢙ߃ߡ߽޿޿‫↹ޕ‬㕙ߩߕ޿߱ࠎᏀ஥‫߷߶ޔ‬Ꮐ౐ಽߩ
৻ߩ૏⟎ߦᄥ㓁߇ᴉ߽߁ߣߒߡ޿ࠆ‫ߩߘޕ‬᭴࿑߇߅߽ߒࠈ޿‫⪭ޕ‬ᣣ߇ឬߊ㆏߽ශ⽎⊛ߛ‫ߪࠇߘޕ‬ᄥ㓁߆
ࠄ߹ߞߔߋ਄ⓨ߳િ߮ߚశߩᏪߢ޽ࠆ߇‫ޕ޿ߥߪߢߌߛࠇߘޔ‬శߩᏪߪ‫ޔ‬ᄥ㓁߆ࠄḓ㕙ߦ෻኿ߒߡ‫߹ޔ‬
ߞߔߋਅ߽߳㒠ࠅߡ޿ࠆ‫↹ߜࠊߥߔޕ‬㕙Ꮐ౐ಽߩ৻ߩ૏⟎ࠍశߩᏪ߇❑ᢿߒߡ޿ࠆߩߢ޽ࠆ‫ޔ߽߆ߒޕ‬
ᄥ㓁ߦೝ᚝ߐࠇߚ߆ߩࠃ߁ߦᵄ߇߁ߨߞߡ޿ࠆ‫ޔ߃߁ߩߘޕ‬㓉⿠ߒߚᵄߩ஥㕙ߦశ߇ᒰߚߞߡノ޿ߡ޿
ࠆ‫ޕ‬਄ⓨߢ⿒ߊᨴ߹ߞߚ㔕ߣ‫ޔ‬㤥޿㔕߇ߟߊࠆ߹ߛࠄᮨ᭽߽ㄼജ߇޽ࠆ‫ޕ‬㆙ߊߩጤጊ߽ਇ᳇๧ߛ‫ޕ‬
หਥ㗴ࠍߔߢߦᴤ⛗ߢឬ޿ߡ޿ߚߩߛ߆ࠄ‫ߩߎޔ‬ਥ㗴ߪᚻߥࠇߚ߽ߩߩߪߕߛ‫ޕ‬ᴤ⛗ߩ᭴࿑ߥߤࠍߘߩ
߹߹නᓀ↹ߦ೑↪ߔࠆߎߣ߽น⢻ߛߞߚߦߜ߇޿ߥ޿‫ߪࡦ࡜࡯ࡕޕ‬නᓀ↹ࠍឬ߈ߥ߇ࠄ‫ߊࠄߘ߅ޔ‬ᴤ⛗ߦ
඘ᢜߔࠆ൓޿ࠍ⴫⃻ߢ߈ߥ޿ߣ∩ᗵߒߚߩߢߪߥ޿ߛࠈ߁߆‫ߩߎޔ߼ߚߩߘޕ‬නᓀ↹ߪࠊ߆ࠅߦߊ޿⁁ᘒ
ߩ߹߹᡼᫈ߐࠇߚࠃ߁ߦߥߞߡ޿ࠆߩߢߪߥ޿ߛࠈ߁߆‫߁ߘޕ‬⠨߃ࠇ߫‫ޔ‬ਥ㗴ߣ߰ߟࠅ޽޿ߥ߶ߤਇಽ᣿
ߥߎߩ૞ຠ߇ℂ⸃ߢ߈ࠆߣᕁࠊࠇࠆ‫ߩߎߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ߅ߥޕ‬૞ຠߣᕁࠊࠇࠆ⸒෸ߪߥ޿‫ޕ‬
14ᨎ⋡ߣ15ᨎ⋡ߩනᓀ↹߽ᧂቢᚑߩ૞ຠߦᕁࠊࠇࠆ‫ߦ߽ߣޕ‬೙૞ᐕઍ߇ਇ᣿ߢ޽ࠅ‫⟑ߩࡦ࡜࡯ࡕޔ‬ฬ
69
߽⷗߃ߥ޿‫ޕ‬೨⠪ߪ‫ޟ‬ᣏ┙ߜ‫ޠ‬
‫ޔ‬ᓟ⠪ߪ‫ߩࠄ߆⁚ޟ‬Ꮻㆶ‫ߣޠ‬㗴ߐࠇߡ޿ࠆ(࿑14‫ޔ‬࿑15)㨫
67
Longfellow, “The Song of Hiawatha,” p. 132.
ߎߩᴤ⛗ߪ⃻࿷‫ⴚ⟤࠽ࠗ࡜ࡠࡖࠠ࡮ࠬ࡯ࡁޔ‬㙚ߦ෼⬿ߐࠇߡ޿ࠆ߇‫ޔ߫߃ߣߚޔ‬Nancy K. Anderson, ed., Thomas Moran
(Washington: National Gallery of Art, 1997), p. 103 ߥߤߦⶄ⵾ߐࠇߡ޿ࠆ‫ޕ‬ᄢ߈ߐߪ┱ 84.8 ♡‫ޔ‬ᮮ 127.2 ♡ߢ޽ࠆ‫ޕ‬නᓀ
↹ࠃࠅ߽⚂ 7 ୚ᄢ߈޿‫ޕ‬
69
Thomas Moran, “The Departure,” n. d., wash drawing on paper, 47.6 x 34.9 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma (0226.915); and Thomas Moran, “The Return from the Hunt,” n. d., wash drawing on paper, 49.5 x 34.3 cm,
Collection, Gilcrease Museum, Tulsa, Oklahoma (0226.916).
68
࿑ ᣏ┙ߜ
࿑ ⁚߆ࠄߩᏫㆶ
೨⠪ߦߪᅏⴕ߈ߩ޽ࠆᧁ┙߇ឬ߆ࠇߡ޿ࠆ‫ޕ‬Ꮐ਄ߩᧁ‫ߪޘ‬Ớ᷆ࠁߚ߆ߦᓀ⦡ߐࠇߡ޿ࠆ߇‫↹ޔ‬㕙ߩਅ
ඨಽߪ߶ߣࠎߤ⊕ߊᱷߐࠇߡ޿ࠆ‫޿⊕ߩߘޔ߽ߤࠇߌޕ‬ㇱಽࠍࠃߊߺࠆߣ‫ޔࠄ߇ߥ߆ߔ߆ޔ‬ዊߐߊ⭯ߊ
ឬ߆ࠇߚੱ‫ߩޘ‬ᆫࠍ⏕⹺ߢ߈ࠆ‫ߣޘੱߩߘޔߡߒߘޕ‬ะ߈วߞߡ޿ࠆߩ߇‫ޔ‬ᣏ┙ߣ߁ߣߒߡ޿ࠆੱ‛ߢ
޽ࠈ߁‫ޕ‬಴⊒ߩ޽޿ߐߟࠍߒߡ޿ࠆࠃ߁ߛ‫ޕ‬
ේ⹞ߩਛߦ߁ߚࠊࠇߚ‫ޟ‬ᣏ┙ߜ‫ᦨߩ⺆‛ޔ߫߃޿ߣޠ‬ᓟߢࡂࠗࠕࡢࠨ߇᧛ੱࠍᱷߒߡ⷏߳ߣᶖ߃ࠆ
႐㕙߇߽ߞߣ߽ශ⽎⊛ߛ‫ߦ࡯࠿ࠞߪࠇߘޕ‬ਸ਼ߞߡࠡ࠶࠴࡯࡮ࠟࡒ࡯ߩ᳓ㄝࠍ಴⊒ߔࠆ႐㕙ߛߞߚ‫ߘޕ‬
ߎߢߎߩࠗ࡜ࠬ࠻ࠍࠃߊߺࠆߣ‫ޔ‬ᣏ┙ߟ↵ߩறࠄߦ߆ߔ߆ߥ߇ࠄࠞ࠿࡯ߩਅᦠ߈߇ߺ߃ࠆ‫ޔࠅߪ߿ޕ‬
ߎࠇߪ╙ 22 ᱌‫ߩࠨࡢࠕࠗࡂޟ‬ᣏ┙ߜ‫ߩޠ‬႐㕙ࠍឬ޿ߚ૞ຠߛߞߚߩߢ޽ࠆ‫ޕ‬
ࡂࠗࠕࡢࠨߩᣏ┙ߜࠍឬ޿ߚ⛗↹ߣߒߡߪ‫ߩ࠻࠶࠲ࠬࠕࡆ࡮࠻࡯ࡃ࡞ࠕޔ‬ᴤ⛗(1868)߇᦭ฬߛ‫ࠇߎޕ‬
ߪ‫⥄࡯ࡠࠚࡈࠣࡦࡠޔ‬りߦ₂๒ߔࠆߚ߼ߦ೙૞ߐࠇߚ૞ຠߢ‫ޔ‬ᄕ὾ߌࠍᤋߒߚᐢ޿ḓ㕙ߦ‫ࠨࡢࠕࠗࡂޔ‬
߇ਸ਼ߞߚࠞ࠿࡯߇ዊߐߊឬ߆ࠇߡ޿ࠆ‫ޕ‬ᚻ೨ߩጯㄝߦߪᄙߊߩੱ‫߇ޘ‬㓸߹ࠅ‫ޔ‬㆙ߊߩࠞ࠿࡯ߦะ߆ߞߡ
ᚻࠍᝄߞߡ޿ࠆ‫࠻࠶࠲ࠬࠕࡆߩߎޕ‬૞ຠߣᲧߴࠆߣ‫ߩࡦ࡜࡯ࡕޔ‬නᓀ↹ߪ‫ޔ‬ḓ㕙߽ߖ߹ߊ‫ޔ‬㓸߹ߞߡ޿
ࠆੱ‫߽ޘ‬ዋߥ޿‫ߩߘޔ߽ߤࠇߌޕ‬ಽ‫ⷫߩߣࠨࡢࠕࠗࡂޔ‬ㄭᗵ߿ߘߩㄭߒ޿ࡂࠗࠕࡢࠨߩ಴⊒ࠍᗂߒ߻ᖱ
ᗵ߇⴫ࠇߡ޿ࠆߣ޿߃ࠆߛࠈ߁‫ߦࠄߐޕ‬ጯㄝߩߔߋߦ⢛ᓟߦ⛯ߊᷓ޿᫪߇‫ੱ᧛߿ࠨࡢࠕࠗࡂߢ߹ࠇߎޔ‬
ߚߜࠍ⢒ࠎߢ߈ߚ਎⇇ࠍ⽎ᓽߒߡ޿ࠆࠃ߁ߛ‫ޕ‬
15ᨎ⋡ߩ‫ߩࠄ߆⁚ޟ‬Ꮻㆶ‫↹ޔ߽ޠ‬㕙ฝඨಽߦ߁ߞߔࠄߣᧁ┙߇ឬ߆ࠇߡ޿ࠆߩߺߢ‫ᧂޔ‬ቢᚑߩ૞ຠߢ
޽ࠈ߁‫⟑ޕ‬ฬ߽ߺ߃ߥ޿‫ࠄ߆࡞࠻ࠗ࠲ޕ‬ផℂߔࠆߣ‫╙ޔ‬19᱌‫ޟ‬੢㔤‫ߩޠ‬౨㗡ߩ㘑᥊ߛ‫ޕ‬㔐ߦⷒࠊࠇߚ౻‫ޔ‬
␲ᲣࡁࠦࡒࠬߣᆄࡒࡀࡂࡂߪࡂࠗࠕࡢࠨߩᏫࠅࠍᓙߞߡ޿ࠆ‫ߦߎߘޕ‬ੑੱߩᅚᕈ߇⃻ࠇᐳࠅߎ߻‫ࠗࡂޕ‬
ࠕࡢࠨ߇⁚߆ࠄᏫߞߡߊࠆߣ‫ޔ‬ቴߚߜߪᗵ⻢߽ߖߕߦ₪‛ߩ⡺ࠍ㘩ࠄ߁‫ߪߜߚࠨࡢࠕࠗࡂޕ‬ኡᄢߦ⷗߹
߽ࠆ‫ߥ߁ࠃߩߘޕ‬ᣣ߇⛯ߊߣ‫ࠆ޽ޔ‬ᄛ‫ޔ‬ቴߚߜߪ‫⥄ޔ‬ಽߚߜ߇ᱫ⠪ߩ਎⇇߆ࠄ߈ߚ੢㔤ߢ޽ߞߡ‫ࠗࡂޔ‬
ࠕࡢࠨࠍ⹜ߒߦ߈ߚߣ๔ߍࠆ‫ߩࠨࡢࠕࠗࡂߡߒߘޕ‬ᔋ⠴ࠍ⒓߃ߡ෰ߞߡࠁߊ‫ߢߎߘޕ‬ౣ߮නᓀ↹ࠍߺࠆ
ߣ‫ߩޘᧁࠄ߇ߥ߆ߔ߆ޔ‬ਅߦ౞㍙⁁ߩዊደ߇⷗߃ࠆ‫ߦࠄߐޕ‬ᄢ߈ߥ₪‛ࠍ⢛⽶޿ߥ߇ࠄᏫߞߡߊࠆࡂࠗ
ࠕࡢࠨߩᆫ߽߁ߞߔࠄឬ߆ࠇߡ޿ࠆ‫ߩߤࠎߣ߶ޔ߽ߤࠇߌޕ‬ㇱಽ߇޽߹ࠅߦ᷆޿ᓀ⦡ߢ޽ࠅ‫ޔ‬ቢᚑߦߪ
߶ߤ㆙޿૞ຠߣ޿߁ߴ߈ߢ޽ࠈ߁‫ߪߦࡕࡔ╩⥄ޔ߅ߥޕ‬14ᨎ⋡ߣ15ᨎ⋡ߣᕁࠊࠇࠆᒁ↪ߪ⸥ߐࠇߡ޿ߥ
޿‫ࡕࡔޔ߽ࠇߎޕ‬ၫ╩ᓟߦ⊒᩺ߒߚ߽ߩߩࠃ߁ߛ‫ޕ‬
70
16ᨎ⋡ߩ૞ຠߪ‫ޔ‬೙૞ᐕઍਇ᣿ߩ‫ߩࡂࡂࡀࡒޟ‬ᱫ‫߁޿ߣޠ‬නᓀ↹ߢ޽ࠆ(࿑16)㨫
↹㕙೨᥊߇ᧂቢᚑߢ
޽ࠆ߇‫ޔ‬ਥ㗴ߪ᣿ࠄ߆ߛ‫↹ޕ‬㕙ਛᄩߢᕷߚ߃ߡ޿ࠆߩ߇ᆄࡒࡀࡂࡂ‫ߩߘޕ‬Ꮐߦߪ‫ޔ‬ᖤགྷߦߊࠇࠆࡂࠗࠕ
ࡢࠨ߇ ⢀ߦ޽ߏࠍタߖߡ޿ࠆ‫ޕ‬ฝᚻ೨ߦߪ‫␲ޔ‬Უࡁ
ࠦࡒࠬ߇߁ߟ߻޿ߡ⧰ᖨߒߡ޿ࠆ‫࡞࠻ࠗ࠲ޔߪࠇߎޕ‬
ࠍᓙߟ߹ߢ߽ߥߊ‫╙ޔ‬20᱌‫ޟ‬㘫㙰‫ࡂࡂࡀࡒߢ߆ߥߩޠ‬
߇ᕷࠍᒁ߈ขࠆ႐㕙ߛ‫଀ޕ‬ᐕߦߥ޿߈߮ߒ޿౻‫ޔ‬₪‛
߇⷗޽ߚࠄߕ‫ߪߜߚࠨࡢࠕࠗࡂޕ޿ߥ߈ߢ߽⁚ޔ‬㘫㙈
ߩᖡ㝷ߦߐ޿ߥ߹ࠇࠆ‫ޕ‬ᆄࡒࡀࡂࡂߪߐࠄߦᾲ∛ߩᖡ
㝷ߦ߽ⷅࠊࠇࠆ‫ޕ‬᫪ߩਛߢࡒࡀࡂࡂߩ߁߼߈ჿࠍ⡞޿
࿑ ࡒࡀࡂࡂߩᱫ
ߚࡂࠗࠕࡢࠨߪᕆ޿ߢᚯࠆ߇‫ߦߢߔޔ‬ᆄߪᕷࠍᒁ߈ߣ
ߞߡ޿ߚ‫ޕ‬ᖤߒߺߦᴉࠎߛᄦߪ‫ޟ‬ਔᚻߢ㗻ࠍ߅߅޿‫ޔޠ‬
71
৾ᣣ㑆‫ޔ‬ᆄߩ⿷రߦߒ߾߇ߺߎ߻㨫
ࡂࠗࠕࡢࠨߩ⴫ᖱ߇⚦ኒߦឬ߆ࠇߡ޿ࠆ‫⨚ࠍࡂࡂࡀࡒߦߊߣޕ‬ὼߣ⷗ߟ߼ࠆ߁ߟࠈߥ⋡߇ශ⽎⊛ߛ‫ޕ‬
ࡒࡀࡂࡂߩ㜬ߩᲫ߽৻ᧄ৻ᧄ‫ߊ߆⚦ޔ‬ឬ߆ࠇߡ޿ߡ㛳߆ߐࠇࠆ‫ޕ‬ኢบߩ⣁ߦߪ⮌߇ߊߴࠄࠇߡ޿ߡ‫ߘޔ‬
ߎ߆ࠄ┙ߜ਄ࠆᾍߪᅯ᳇ߣߥߞߡㇱደ৻૕ߦߚߛࠃߞߡ޿ࠆ‫ߩࡂࡂࡀࡒޕ‬૕߇ቮߦᶋ޿ߡ޿ࠆࠃ߁ߦ⷗
߃ࠆߎߣ߽⥝๧߱߆޿‫ߩߎޕ‬නᓀ↹߇ᧂቢᚑߢ޽ࠆߎߣ߇ᗂߒ߹ࠇࠆ‫ޔߪߦࡕࡔ╩⥄ߩࡦ࡜࡯ࡕޔ߅ߥޕ‬
ߎߩㇱಽߩᒁ↪ߪߥ޿‫ޕ‬
ߎߎߢࡈ࡜ࡦࠬߩ↹ኅࠫࡠ࠺=࠻࡝ࠝ࠱ࡦߩᴤ⛗ ‫ߩ࡜࠲ࠕޡ‬ၒ⫋‫(ޢ‬1808)ߣߩ㘃ૃᕈࠍᜰ៰ߒߡ߅ߎ
߁‫ࡦࡑࡠߩࠬࡦ࡜ࡈޔߪࠇߎޕ‬ਥ⟵૞ኅࠪࡖ࠻࡯ࡉ࡝ࠕࡦߦࠃࠆࠗࡦ࠺ࠖࠕࡦᅚᕈߩᖤᕜߩ‛⺆‫࠲ࠕޡ‬
࡜‫(ޢ‬1801)ߦၮߠߊᴤ⛗ߢ‫ޔ‬Ქࠍ޽߅ߞߡ๮ࠍ⪭ߣߒߚࠕ࠲࡜ࠍၒ⫋ߒࠃ߁ߣߒߡ޿ࠆ႐㕙ࠍឬ޿ߡ޿
70
Thomas Moran, “Death of Minnehaha,” n. d., wash drawing on paper, 39.1 x 50.8 cm, Collection, Gilcrease Museum, Tulsa,
Oklahoma (0226.917).
71
Longfellow, “The Song of Hiawatha,” p. 159.
72
ࠆ㨫
ߎߩᴤ⛗ߣනᓀ↹‫ߩࡂࡂࡀࡒޟ‬ᱫ‫౒ߪߦޠ‬ㅢὐ
߇ᄙ޿‫⛘ޔ߫߃ߣߚޕ‬๮ߒߡᮮߚࠊࠆࠕ࠲࡜ߪනᓀ↹
ߩࡒࡀࡂࡂ‫ࠆ߇ߔߦ⿷ߩ࡜࠲ࠕޔ‬ᕜੱࠪࡖࠢ࠲ࠬߪࡒ
ࡀࡂࡂߩ⿷రߢᛂߜᴉ߻ࡂࠗࠕࡢࠨ‫ࠍ࡜࠲ࠕߡߒߘޔ‬
ㆇ߷߁ߣߔࠆ␹ῳࠝࡉ࡝࡯ߪࡒࡀࡂࡂߩᨉరߢᖤགྷߦ
ߊࠇࠆ␲Უࡁࠦࡒࠬ‫ࠇߙࠇߘߦޔ‬ኻᔕߒߡ޿ࠆ‫ߒߘޕ‬
ߡ‫౒߁޿ߣ⺆‛ߩࡦࠕࠖ࠺ࡦ߽ࠗࠇߕ޿ࠎࠈߜ߽ޔ‬ㅢ
࿑ ࡂࠗࠕࡢࠨߣߘߩኅ〝
ᕈ߇޽ࠆ‫ޕ‬
㧔ߚߛߒ‫ߪ࡜࠲ࠕޔ‬ᷙⴊߢࠢ࡝ࠬ࠴ࡖࡦ‫ޕ‬
㧕
ߌࠇߤ߽‫ߩ࠺ࡠࠫ߇ࡦ࡜࡯ࡕޔ‬ᓇ㗀ࠍฃߌߚ߆ߤ߁߆ߪᄢ߈ߥ໧㗴ߢߪߥ޿‫ޕ‬໧㗴ߪ߻ߒࠈਔ⠪ߦߤ
ߩࠃ߁ߥ⋧㆑߇޽ࠆ߆ߢ޽ࠈ߁‫ޕ‬
ࠫࡠ࠺ߩᴤ⛗ߪ‫ޔ‬
ᣂߒ޿ࡠࡑࡦਥ⟵⊛ߥᖤຟߩ⊒㔺߇ߺࠄࠇࠆ߽ߩߩ‫ޔ‬
หᤨߦ‫ޔ‬೨਎♿ߩᣂฎౖਥ⟵ࠍᕁࠊߖࠆ┵ᱜߢ♖ᖉߥੱ‛௝ߦߥߞߡ޿ߚ‫ޕ‬೨᥊ߩࠪࡖࡌ࡞߿ቶᄖߦ⷗
߃ࠆჄ࿾߽ߔߴߡ੍ቯ⺞๺⊛ߢ޽ࠆ‫ߩࡦ࡜࡯ࡕޔߦࠆ߆ߒޕ‬නᓀ↹ߢߪ‫ޔ‬ᖤߒߺࠍ⽎ᓽߔࠆᅯ᳇߇ዊደ
ߩౝㇱߦṫ޿‫߿ߪ߽ޔ‬ዊደߩਛߢߪߥߊ‫߽ࡂࡂࡀࡒޕߛ߁ࠃߩ߆ࠆ޿ߦ⇇⇣ޔ‬ᱫߩᐥ߆ࠄࠊߕ߆ߦᶋ߆
߮਄߇ߞߡ޿ߡ‫ޔ‬
ਇนᕁ⼏ߥജߦࠃߞߡߤߎ߆ߦㅪࠇ෰ࠄࠇࠃ߁ߣߒߡ޿ࠆ߆ߦߺ߃ࠆ‫ޕ‬
ߘߩᗧ๧ߢߪ‫ޔ‬
‫ߩࡂࡂࡀࡒޟ‬ᱫ‫ߩޠ‬ᣇ߇‫ޔ‬ᗵᖱ߇⥄↱ߥᒻߢ޽߰ࠇ಴ߡ޿ߡ޿ࠆߣߎࠈߦ․ᓽ߇޽ࠆߣ޿߃ࠆߛࠈ߁‫ޕ‬
73
ᦨᓟߩනᓀ↹ߪ‫ޔ‬
‫ߩߘߣࠨࡢࠕࠗࡂޟ‬ኅ〝‫ߣޠ‬㗴ߐࠇߚ1878ᐕߩ૞ຠߢ޽ࠆ(࿑17)㨫
ߎߩ૞ຠ߇ߤߩ
ࠃ߁ߥ႐㕙ࠍឬ޿ߚ߽ߩߢ޽ࠆ߆ߪ᣿ࠄ߆ߛ‫╙ޔߪࠇߎޕ‬10᱌‫ߩࠨࡢࠕࠗࡂޟ‬᳞ᇕ‫࠲ࠦ࠳ޔߢ߆ߥߩޠ‬ᣖ
ߩᆷࡒࡀࡂࡂߦ᳞ᇕߒߚࡂࠗࠕࡢࠨ߇‫⥄ޔ‬ಽߩ૑߻ࠝࠫࡉ࠙ࠚࠗᣖߩ᧛߹ߢᓐᅚࠍㅪࠇᏫࠆߣߎࠈߢ޽
74
ࠆ‫ޕ‬
‫ޟ‬ᚻߦᚻࠍߣߞߡੑੱߪㅴࠎߛ㧛᫪ߩਛࠍ⨲࿾ߩਛࠍ㧛……㧛ᭉߒ߆ࠅߒ߿ኅ〝ߩᣏߪ㨭㨫
ࠢࡠࡕ࡝࠰ࠣ࡜ࡈ
ߎࠇߪ
75
ߔߢߦࠞ࡝ࠕ࡯࡮ࠕࡦ࠼࡮ࠕࠗࡧ࠭ߩᄙ⦡⍹ ↹ߦ߽ߥߞߡ޿ߡ‫ߚ޿ߡࠇ߹ߒⷫߦޘੱޔ‬႐㕙ߛߞߚ㨫
߰߆޿ᅏⴕ߈ߣᒝ޿ࠦࡦ࠻࡜ࠬ࠻߇޽ߑ߿߆ߥ┙૕ᗵࠍ↢ࠎߢ޿ࠆ૞ຠߛ‫ޕ‬ㄭ᥊ߩጤߩߏߟߏߟߣߒ
ߚᒻߣߘߩ⴫㕙ߩ಄ߚ޿⾰ᗵ߿‫↹ޔ‬㕙Ꮐᚻߩᧁ‫ߩޘ‬᮸⊹ߣߘߩ⚦߆ߥᨑ⪲߇‫ߩࠇߙࠇߘޔ‬ሽ࿷ᗵࠍ⊒ើ
ߒߡ޿ࠆ‫߇ࠄࠇߘޔߦࠄߐޕ‬ᥧ޿᫪ߩ৻ㇱߣߒߡឬ߆ࠇߡ޿ࠆߩߦኻߒ‫↵ޔ‬ᅚ߇ᱠ޿ߡ޿ࠆዊ㆏ߩⓨ㑆
ߪᣣశ߇኿ߒ‫ޔ‬ᾖࠅノ޿ߡ޿ࠆ‫ߢࠆ߹ޕ‬ᄥ㓁߇ੑੱߩ⚿ᇕࠍ␸⑔ߒߡ޿ࠆ߆ߩࠃ߁ߛ‫⚿ߩߘޕ‬ᨐ‫ޔ‬ᚻ⸅
72
‫ߩ࡜࠲ࠕޡ‬ၒ⫋‫ߦޢ‬㑐ߒߡߪ‫ ߫߃ߣߚޔ‬David M. Lubin, Picturing a Nation (New Haven: Yale University Press, 1994), pp.
31–32 ߥߤࠍෳᾖ‫ޕ‬
73
Thomas Moran, “Hiawatha and the Journey Homeward,” 1878, wash drawing on paper, 40.6 x 49.5 cm, Collection,
Gilcrease Museum, Tulsa, Oklahoma (0226.932).ߎߩ૞ຠߩࠞ࠲ࡠࠣ⇟ภߪ‫ߩߢ߹ࠇߎޔ‬૞ຠߣㅪ⇟ߦߥߞߡ޿ߥ޿‫߆ޕ‬
ߟߡࠡ࡞ࠢ࡝࡯ࠬඳ‛㙚߇ࡕ࡯࡜ࡦ૞ຠࠍᢛℂߒߚߣ߈‫ᧄޔ‬૞ຠ߇‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ࠆߋ߼ࠍޢ‬ㅪ૞ߩ৻ᨎߢ޽ࠆߣ
᳇ߠ߆ߥ߆ߞߚࠃ߁ߛ‫ޕ‬
74
Longfellow, “The Song of Hiawatha,” p. 136.
75
Currier & Ives, “Hiawatha’s Wedding,” 1858, in The Great Book of Currier & Ives’ America, ed. Walton Rawls (New York:
Abbeville Press, 1979), p. 210.
ࠅ߇વࠊࠆࠃ߁ߥሽ࿷ᗵߩ޽߰ࠇߚㄭ᥊ߣߪኻᾖ⊛ߦ‫ޔ‬ੑੱߩⓨ㑆ߪ߅ߣ߉⹤ߩ਎⇇ߩࠃ߁ߦឬ߆ࠇߡ
޿ࠆ‫ޔࠎࠈߜ߽ޕ‬㗻ࠍነߖวߞߡᱠߊᆫ߽‫ߩ⹤߉ߣ߅޿↞ޔ‬਎⇇ࠍᗐ⿠ߐߖࠆ‫ߥ߁ࠃߩߘޕ‬ੑߟߩኻᾖ
⊛ߥ਎⇇߇หᤨߦឬ߆ࠇߡ޿ߡ‫ޔ‬㘑᥊↹ኅߣߒߡߩജ߇⊒ើߐࠇߡ޿ࠆߛߌߢߥߊ‫ޔ‬หᤨߦ‫ޔ‬ේ⹞ߩ‛
⺆਎⇇ࠍౣ⃻ߔࠆߎߣߦ߽ᚑഞߒߡ޿ࠆ‫ߩߎߪߦࡕࡔ╩⥄ޔ߅ߥޕ‬૞ຠߩᒁ↪ߪ⷗ࠄࠇߥ޿‫ޕ‬
߅ ࠊ ࠅ ߦ
ߎߎߢ17ᨎߩනᓀ↹ࠍ‫ߩ࠻ࠬࠢ࠹ࠆ߃߹߰߇ࠇߘޔ‬㗅ߦਗߴ߆߃ߡᢛℂߒߡ߅ߎ߁‫ޕ‬
࠹ ࠢ ࠬ ࠻
೙૞ᐕ ࠞ࠲ࡠࠣ⇟ภ
න ᓀ ↹
⥄╩
ࡔࡕ
㑐 ㅪ ૞ ຠ
࿑1‫ޟ‬๮ߩਥ‫ޠࠨࡢࠕࠗࡂޔ‬
1875
0226.902
࿑2‫ޠࠬࡒࠦࡁࠆߜ⪭ࠄ߆᦬ޟ‬
1875
0226.903
╙3᱌‫ߩࠨࡢࠕࠗࡂޟ‬ዋᐕᤨઍ‫ ޠ‬࿑11
‫ޟ‬シ߿߆ߦᐔේࠍᱠ޿ߡ‫ޠ‬
1876
0226.912
࿑㧢‫ޠࠨࡢࠕࠗࡂࠆߔࠍ⁚ޟ‬
1875
0226.907
2
࿑8‫ߩࠡࠨࠝࠕޟ‬㡆߈ჿ‫ޠ‬
1875
0226.909
4
࿑13‫ޟ‬ᄤ߆ࠄ㆏ࠍὶ߇ߒߡ‫ޠ‬
1878
0226.914
࿑7‫ߣࠨࡢࠕࠗࡂޟ‬ᄢⰬ‫ޠ‬
1875
0226.908
7
࿑5‫ޟ‬ᥧ㤥ḓ‫ޠ‬
1875
0226.906
11
╙10᱌‫ߩࠨࡢࠕࠗࡂޟ‬᳞ᇕ‫ޠ‬
࿑17
‫ߩߘߣࠨࡢࠕࠗࡂޟ‬ኅ〝‫ޠ‬
1878
0226.932
5
╙12᱌‫ޟ‬ኄߩ᣿ᤊߩᕷሶ‫ޠ‬
࿑10‫ޟ‬ኄߩ᣿ᤊߩᕷሶ‫ޠ‬
1876
0226.911
3
╙15᱌‫ߩࠨࡢࠕࠗࡂޟ‬ຟ᱌‫ޠ‬
࿑4‫ߩࠬࡏࠕࡆ࠴ޟ‬ᱫ‫ޠ‬
1875
0226.905
8
╙17᱌‫ࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟ‬
ࠬ⁚ࠅ‫ޠ‬
࿑3‫ߩࠬࠖ࠙࡯ࠠ࡮࠶ࡄ࡮࡯ࡐޟ‬ᱫ‫ޠ‬
1875
0226.904
6
‫ޢࡦࠗ࠳࡞ࠝޡ‬
(1873)
╙18᱌‫ߩ࠼ࡦࠪࡢࠢޟ‬ᱫ‫ޠ‬
࿑9‫ߩ࠼ࡦࠪࡢࠢޟ‬ᱫ‫ޠ‬
1876
0226.910
9
‫ޢࡦࠗ࠳࡞ࠝޡ‬
(1872)
╙19᱌‫ޟ‬੢㔤‫ޠ‬
࿑15‫ߩࠄ߆⁚ޟ‬Ꮻㆶ‫ޠ‬
n. d.
0226.916
╙20᱌‫ޟ‬㘫㙰‫ޠ‬
࿑16‫ߩࡂࡂࡀࡒޟ‬ᱫ‫ޠ‬
n. d.
0226.917
࿑12‫޿⊕ޟ‬㗻ߩ೔᧪‫ޠ‬
1878
0226.913
10
‫ޢࡦࠗ࠳࡞ࠝޡ‬
(1873)
࿑14‫ޟ‬ᣏ┙ߜ‫ޠ‬
n. d.
0226.915
╙1᱌‫ޟ‬ᐔ๺ߩࡄࠗࡊ‫ޠ‬
╙5᱌‫ߩࠨࡢࠕࠗࡂޟ‬ᢿ㘩‫ޠ‬
╙9᱌‫࡮࡞࡯ࡄߣࠨࡢࠕࠗࡂޟ‬
ࡈࠚࠩ࡯‫ޠ‬
╙22᱌‫ߩࠨࡢࠕࠗࡂޟ‬ᣏ┙ߜ‫ޠ‬
1
࠺࠶ࠨࡦ (n.d.)
ᴤ⛗ (1875)
࠺࠶ࠨࡦ (n.d.)
ᴤ⛗(1867; 1868)‫ޔ‬
‫ⴚ⟤ޡ‬㔀⹹‫(ޢ‬1882)
ᴤ⛗ (1869)
ߎࠇࠄߩࡕ࡯࡜ࡦߩㅪ૞ࠍߤߩࠃ߁ߦ⹏ଔߔߴ߈ߛࠈ߁߆‫ࠎࠈߜ߽ޔߪࠄࠇߘޕ‬ዊߐ޿૞ຠߛ‫ޕ‬਄ߢ
⚫੺ߒߚ‫ޔ‬ㅪ㇌᡽ᐭߦ⾈޿਄ߍࠄࠇߚੑ૞ຠߪ‫┱ߦ߽ߣޔ‬213.4♡‫ޔ‬ᮮ365.8♡ߣ޿߁‫ࡑ࡜ࡁࡄߦߐ߹ޔ‬
⊛ᄢ↹㕙ߦߥߞߡ޿ߚ‫ߦࠄࠇߘޕ‬Ყߴࠇ߫‫ޔߪࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩࠄࠇߎޔ‬ᢙචಽߩ৻⒟ᐲߩዊຠߢ
޽ߞߡ‫ߩࠎ߶ޔ‬ᚻߔߐ߮ߩ઀੐ߦߺ߃ࠆ‫ޕ‬ᒰὼߥ߇ࠄ‫ޔ‬㊀ෘߢᄙᓀߥᴤ⛗ౕ߽૶ࠊࠇߡ޿ߥ޿‫ޔ߽߆ߒޕ‬
ߘࠇࠄߪ ↹ߩਅ⛗ࠍᗧ࿑ߒߚ߽ߩߢ޽ߞߡ‫ޔ‬
ߘࠇ⥄૕⁛┙ߒߚ૞ຠߣߪߺߥߖߥ޿Ბ㓏߆߽ߒࠇߥ޿‫ޕ‬
⎇ⓥ⠪ߚߜ߇ߎࠇ߹ߢ⹦ߒߊ⺰ߓࠆߎߣ߇ߥ߆ߞߚߩ߽‫ߥ߁ࠃߩߘޔ‬ℂ↱߆ࠄߛࠈ߁‫ޕ‬
ߌࠇߤ߽‫ޔ‬ᗧ⟵߱߆޿ὐࠍ޿ߊߟ߆ᜰ៰ߔࠆߎߣ߇ߢ߈ࠆ‫ޔߕ߹ޕ‬૞ຠߘߩ߽ߩߩ㝯ജߛ‫ߦ߆ߒߚޕ‬
ࡕࡁࠢࡠ࡯ࡓߩ⛗↹ߣ޿߁ߩߪ‫ޔ‬නᓀ↹ߦߒߡ߽‫┙ޔ߽ߡߒߦ࡙ࠗࠩ࡝ࠣޔ‬૕ᗵࠍ಴ߒ߿ߔ޿↹ᴺߢ޽
ࠆ‫ࡦ࡜࡯ࡕߩࠄࠇߎ߽ߢࠇߘߒ߆ߒޕ‬૞ຠߩ┙૕ᗵ‫ޔ‬ᅏⴕᗵ߇߈ࠊߛߞߡ޿ࠆߣ޿ࠊߑࠆࠍ߃ߥ޿‫⃻ޕ‬
࿷ߩ8ภ (P8) ⒟ᐲߩᐔ㕙ߦ‫ޔ‬ㄭ᥊߆ࠄ㆙᥊߹ߢ⓭߈ߧߌࠆࠃ߁ߥ㆙ㄭᗵ߇ౣ⃻ߐࠇߡ޿ࠆ‫┙ߩߘޕ‬૕ᗵ
߇޽ࠆ߆ࠄߎߘ‫ޔ‬ᐢᄢߥⓨ㑆߇ዊߐߥ⚕㕙ߦ࿶❗ߐࠇߡ߽೨ᓟᏀฝߩᐢ߇ࠅࠍᗵߓߐߖࠆߩߛࠈ߁‫ޕ‬
߹ߚ‫ߩࠄࠇߎޔ‬නᓀ↹ߪࡕ࡯࡜ࡦ߇㐳޿޽޿ߛ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߣޢ‬㑐ࠊߞߡ߈ߚߎߣࠍ␜ߒߡ޿ࠆ‫ޕ‬
ߔߢߦㅀߴߚࠃ߁ߦ‫ޔ‬1860ᐕߦࠬࡍ࡝ࠝ࡞ḓධጯࠍᣏߒߚߣ߈߆ࠄ‫ޔ‬ᴤ⛗ߩ‫ߣࠨࡢࠕࠗࡂޡ‬ᄢⰬ‫(ޢ‬1868)
ࠬࡇ࡝࠶࠻
߿‫ ߩࡦࠕࠖ࠺ࡦࠗޡ‬ᖡ 㝩 ‫(ޢ‬1869)ࠍ߳ߡ‫ޔ‬1872ᐕ߆ࠄ⠉ᐕߦ߆ߌߡߩ⟤ⴚ⹹‫ࠬ࡜ࠗߩ߳ޢࡦࠗ࠳࡞ࠝޡ‬
࠻ߩነⓂ‫ᧄߦࠄߐޔ‬Ⓜߢ⺰ߓߚනᓀ↹ࠪ࡝࡯࠭(1875–78)‫ᧄߡߒߘޔ‬Ⓜߢߪ⚫੺ߢ߈ߥ߆ߞߚ‫࠻ࠬ࡜ࠗޡ‬
ࡋࡦ࡝࡯࡮ࡢ࠭ࡢ࡯ࠬ࡮ࡠࡦࠣࡈࠚࡠ࡯⹞㓸‫ߩޢ‬ᝌ⛗(1879)ߦ޿ߚࠆ߹ߢ‫ޔ‬ዋߥߊߣ߽29ᐕ㑆‫ޔ‬㑐ࠊ
ߞߡ߈ߚߎߣߦߥࠆ‫ߩߘޔ߽߆ߒޕ‬㑆‫ޔ߁޿ߣࡦࠝ࠾ࡖࠠ࡮࠼ࡦ࡜ࠣ߿ࡦ࡯࠻ࠬ࡯ࡠࠛࠗߪࡦ࡜࡯ࡕޔ‬
⥄ઁߣ߽ߦࡕ࡯࡜ࡦߩઍ⴫ߣ⹺߼ࠄࠇࠆᄢ߈ߥਥ㗴ࠍ⊒⷗ߒߡ޿ߚߩߢ޽ࠆ‫ࡕޔߕࠄࠊ߆߆߽ߦࠇߘޕ‬
࡯࡜ࡦߪࡂࠗࠕࡢࠨߦ૗ᐲ߽Ꮻߞߡ߈ߚ‫߇ࠨࡢࠕࠗࡂߡߞߣߦࡦ࡜࡯ࡕޕ‬ᄢ߈ߥਥ㗴ߛߞߚߎߣߪ⇼޿
ߩ૛࿾߇ߥ޿‫ޕ‬
ߐࠄߦ‫ޔ‬ฬታߣ߽ߦᧄᩰ⊛↹ኅߣߒߡᚑഞߒߡ޿ߚࡕ࡯࡜ࡦ߇‫⥸৻ޔ߁޿ߣࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗޔ‬ะ
76
ߌߣ޿ߞߡ޿޿઀੐ߦ♖ࠍ಴ߒߚߎߣ߽⥝๧߱߆޿㨫
߆ߟߡࡠ࡯࡟ࡦࠬ࡮࡟ࡧࠖࡦߪ‫ޔ‬19਎♿ਛᦼ߹
ߢࠕࡔ࡝ࠞߦߪ⧓ⴚߣᄢⴐᢥൻߣߩᏅ⇣߇ߥ޿ߦ╬ߒ߆ߞߚߣ⺰ߓߚ߇‫࡝ࡔࠕߥ߁ࠃߩߘߪࡦ࡜࡯ࡕޔ‬
77
ࠞߩᦨᓟߩ਎ઍߦᒰߚࠆߩߢߪߥ޿ߛࠈ߁߆㨫
޿߿‫⥄࡯ࡠࠚࡈࠣࡦࡠ߽ߘ߽ߘޔ‬り߇‫ᤨߥ߁ࠃߩߘޔ‬
ઍࠍ૕⃻ߒߡ޿ߚ⹞ੱߛߞߚ‫߽ࠅࠃੱ⹞ߪࡦ࡜࡯ࡕޕ‬30ᱦࠊ߆޿‫ߤ߁ࠂߜޕ‬਎ઍ߇߭ߣߟ⇣ߥࠆ‫ࠇߌޕ‬
ߤ߽‫ޔ‬ੑੱߦߪߘߩࠃ߁ߥ౒ㅢὐ߇޽ߞߚߩߢ޽ࠆ‫ޕ‬
౒ㅢὐߣ޿߃߫‫⥸৻ߥ߁ࠃߩߎ߇ࡦ࡜࡯ࡕޔ‬ะߌ಴ ߣ޿߁੐ᬺࠍડߡߚࡆࠫࡀࠬࡑࡦ⊛ᗵ߽ⷡ‫ࡠޔ‬
ࡦࠣࡈࠚࡠ࡯ߦ౒ㅢߔࠆᗵⷡߣ޿߃ࠆߛࠈ߁‫ޕ‬
৻ὐߒ߆ሽ࿷ߒߥ޿⛗↹ࠍ᡽ᐭ߿ን⽕ߦᄁࠆߩߢߪߥߊ‫ޔ‬
76
ߥ߅‫⥄ޡߩ࡯ࡠࠚࡈࠣࡦࡠޔઁߩߘޔߪߦࡦ࡜࡯ࡕޔ‬࿷㋭ࠍߟࠆߔ‫(ޢ‬1874)߿਄⸥‫ࡢ࠭ࡢ࡮࡯࡝ࡦࡋ ࠻ࠬ࡜ࠗޡ‬
࡯ࠬ࡮ࡠࡦࠣࡈࠚࡠ࡯⹞㓸‫ߦߤߥޢ‬ነߖߚ‫ᧁޔ‬ญᧁ ߩࠗ࡜ࠬ࠻߇޽ࠆ‫ޔߪߡ޿ߟߦࠄࠇߘޕ‬೎ߩᯏળߦ⺰ߓߚ޿‫ޕ‬
77
Lawrence W. Levine, Highbrow/Lowbrow (1988; Cambridge: Harvard University Press, 1990).
↹㓸ߣ޿߁ᒻߢ߶߷หߓ߽ߩࠍᄙᢙᄁࠅߐ߫ߎ߁ߣߒߚߩߢ޽ࠆ‫࡯ࡠࠚࡈࠣࡦࡠޔߤ߁ࠂߜߪࠇߘޕ‬
߇㜞ଔߢ⽕⪇ߥࠗ࡜ࠬ࠻ ⹞㓸߆ࠄ‫ޔ‬቟ଔߢዊߐߥࠦ࡟࡚ࠢࠪࡦ߹ߢ‫ޔ‬ᄙ᭽ߥᒻߢ಴ ߒߚߎߣߣ⋧ㅢ
ߓࠆߣߎࠈ߇޽ࠆ‫╙߇ࡦ࡜࡯ࡕޕ‬ਃ⠪ߩ಴ ␠ߦᆔߨߕ‫ࠄ߆ߕߺޔ‬ೀⴕߒࠃ߁ߣߒߚߎߣ߽‫ࡈࠣࡦࡠޔ‬
ࠚࡠ࡯߇ᔅߕᵴ ࠍ⾈޿ߣࠅ‫ޔ‬಴ ␠ߦߘࠇࠍ⾉ߔᒻߦߒߡ޿ߚߎߣߣૃߡ޿ࠆߣ޿߃ࠆߛࠈ߁‫ޕ‬
ߘࠇߢߪࡕ࡯࡜ࡦߪ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩޢ‬૗ߦ߽ߞߣ߽ᗖ߆ࠇߚߩߛࠈ߁߆‫ߪࠇߘޕ‬ዋߥߊߣ߽ࠗࡦ
࠺ࠖࠕࡦߩ↢ᵴ߿ᢥൻߢߪߥ߆ߞߚ‫ߣࡦ࡚ࠪ࡯࡟࠻ࠬ࡜ࠗߩࡦ࠻ࡦࡒ࡟࡮ࠢ࠶࡝࠺࡟ࡈޕ‬ኻᲧߐߖࠇ߫
᣿ࠄ߆ߢ޽ࠆ‫⷏ࠞ࡝ࡔࠕߤߥࠗ࡯ࡏ࠙ࠞޕ‬ㇱߩ↢ᵴ߿㘑‛ࠍឬ޿ߚߎߣߢ⍮ࠄࠇࠆ↹ኅ࡮ᓂೞኅߩ࡟ࡒ
ࡦ࠻ࡦߪ‫ޔ‬1890 ᐕ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ ⸘ߦޢ‬387 ὐߩࠗ࡜ࠬ࠻ࠍᷝ߃ߚ߇‫ߩࡦࠕࠖ࠺ࡦࠗߪࠄࠇߘޔ‬㗡
ࠕ࡯࠹ࠖࡈࠔࠢ࠻
㘼ࠅ߿ࡄࠗࡊߥߤ‫ੱߢࠆ߹ޔ‬㘃ቇߩ࿑㐓ࠍᕁࠊߖࠆࠃ߁ߥ ᢥ
‛ ߢ޽ߞߚ‫ޕ‬ਥⷐߥ႐㕙ࠍឬ޿ߚࠣ࡜
ࡧࠖࠕශ೚ߩ࿑ ߦ߽‫ޔ‬
ߚߊ߹ߒ޿㊁↢⊛ߥࠗࡦ࠺ࠖࠕࡦߩᆫ߇ᄢ߈ߊឬ߆ࠇߡ޿ߚ㨫78 ࡟ࡒࡦ࠻ࡦߪ‫ޔ‬
‫ޟ‬ᶖ߃ࠁߊ⒳ᣖ‫↢ߩߘߣࡦࠕࠖ࠺ࡦࠗߩߡߒߣޠ‬ᵴ߿ᢥൻߦ⥝๧ࠍᛴ޿ߚߩߢ޽ࠆ‫ޕ‬
ߒ߆ࠆߦࡕ࡯࡜ࡦߪߜ߇߁‫↢߇ߜߚࠨࡢࠕࠗࡂߪࡦ࡜࡯ࡕޕ‬ᵴߔࠆࠡ࠶࠴࡯࡮ࠟࡒ࡯㧔ࠬࡍ࡝ࠝ࡞ḓ㧕
ߩጯㄝߩ㘑᥊߿ߘࠇࠍขࠅ߹ߊᷓ޿᫪ߣ޿߁‫ޔ‬૞ຠߩ⥰บߦ⥝๧߇޽ߞߚ‫↢ߩࡦࠕࠖ࠺ࡦࠗޕ‬ᵴᢥൻߥ
ߤ‫⌒ߊߚߞ߹ޔ‬ਛߦߥ߆ߞߚ‫ޕ‬ᖡ㔤ߥߤߩ⿥⥄ὼ⊛ߥ‛⺆ߦ߽ᗖ߆ࠇߡ޿ߚ߇‫ࠇߘޔ‬એ਄ߦ‫ߩࠄࠇߘޔ‬
⿥⥄ὼ⊛ሽ࿷߇↢ᕷߔࠆ⥄ὼߩ᥊ⷰߦ㑐ᔃ߇޽ߞߚߩߢ޽ࠆ‫⥄⿥ߩࠄࠇߘޕ‬ὼ⊛ሽ࿷߇⥄ὼߩ᥊ⷰߣ޿
ࠊ߫৻૕ߦߥߞߡ޿ࠆࠃ߁ߦ⠨߃ߡ޿ߚߩߢ޽ࠆ‫ߩࠞ࡝ࡔࠕߦߎߘޔߡߒߘޕ‬㘑᥊ߩ․ᓽߩ߭ߣߟࠍ⷗
޿ߛߒߡ޿ߚߩߢ޽ࠆ‫ޕ‬
߆ߟߡ⺰ߓߚࠃ߁ߦ‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ߩࡦࠕࠖ࠺ࡦࠗߪޢ‬વ⺑ߣࠕࡔ࡝ࠞ⊕ੱߩᱧผࠍㅪ⚿ߔࠆߎ
ߣߦࠃߞߡ‫ࠞ࡝ࡔࠕޔ‬࿖᳃ߩค੐⹞ߣߒߡᯏ⢻ߔࠆࠃ߁ߦߥߞߡ޿ߚ‫ᦨߦߎߘޕ‬ᄢߩ․ᓽ߇޽ߞߚ‫ߒޕ‬
߆ߒ‫ߩࡦ࡜࡯ࡕޔ‬႐ว‫ޔ‬
‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫ࠞ࡝ࡔࠕߪޢ‬࿖᳃ߩค੐⹞ߣ޿߁ࠃࠅ‫ߩࠞ࡝ࡔࠕޔ‬㘑᥊ߩค
੐⹞ߢ޽ߞߚࠃ߁ߛ‫ࠞ࡝ࡔࠕޕ‬࿖᳃ߩ⿠Ḯߢߪߥߊ‫߁޿ߣࠞ࡝ࡔࠕޔ‬࿖࿯‫⥄ߩࠞ࡝ࡔࠕޔ‬ὼߩ⿠Ḯߩ‛
⺆ߢ޽ߞߚࠃ߁ߛ‫ߪࠇߘߦ߆ߒߚޕ‬㘑᥊↹ኅࡕ࡯࡜ࡦߛ߆ࠄߎߘน⢻ߛߞߚ⸃㉼ߥߩ߆߽ߒࠇߥ޿‫ߒޕ‬
߆ߒࠕࡔ࡝ࠞᢥൻผߩߥ߆ߢ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫߇ޢ‬ᨐߚߒߚᓎഀࠍ⠨߃ࠆߣ߈‫ޔ‬ዋߥߊߣ߽ࡕ࡯࡜ࡦߦ
ߣߞߡ‫ߩࠨࡢࠕࠗࡂޡ‬᱌‫߇ޢ‬㘑᥊ߩค੐⹞ߦߥߞߡ޿ߚߣ޿߁੐ታߪ‫ޔ‬㊀ⷐߥ␜ໂߦߥࠆߛࠈ߁‫ޕ‬
78
Henry Wadsworth Longfellow, The Song of Hiawatha, illustrated by Frederick Remington (1890; New York: Bounty Books,
1968).
(ઃ⸥)ᧄ⎇ⓥߪᐔᚑ 21 ᐕᐲ⑼ቇ⎇ⓥ⾌⵬ഥ㊄ߩេഥߦࠃߞߡታ⃻ߒߚ‫ࡦ࡜࡯ࡕߚ߹ޕ‬૞ຠߪ☨࿖ࠝࠢ࡜ࡎࡑᎺ࠲࡞ࠨ
ߩࠡ࡞ࠢ࡝࡯ࠬඳ‛㙚߆ࠄⶄ⵾ߩ⸵นࠍᓧࠆߎߣ߇ߢ߈ߚ‫ߡߒ⸥ߦߎߎޕ‬ᗵ⻢ߔࠆ‫ޕ‬