Spring 2013 - Haystack Mountain School of Crafts

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SPRING 2013
H AY S TA C K G AT E WAY
FROM THE DIRECTOR
O
nce upon a time there were pay
phones. You could drop a dime
in the slot to make a local call
and talk as long as your wanted, or with a
pocket full of change you could talk long
distance, with the operator coming on
from time to time to tell you how much
the next few minutes would cost. You
could make collect calls, which wouldn’t
cost you anything. If you were a savvy
phone user, you could call home collect,
the operator would announce your name
and your parents could refuse the charges,
and know for free that you had arrived
safely at a distant location.
In those golden days of the landline, the
pay phone was everywhere—gas stations,
restaurants, movies, hospitals, and on
street corners. Some had glass bi-fold
doors—I think there is still one at Moody’s
diner in Waldoboro—where you could be
in an intimate space of quiet conversation
while the world bustled outside.
Pay phones witnessed heartbreaks and
celebration, arrivals and departures. They
were an essential way to communicate.
Haystack used to have two pay phones—
one in the dining room and one in a
handmade booth on the main deck, built
of spruce siding with a cedar shingled
roof. The word “Confessional” is carved
on the door. The Confessional is right
next to the office and without intending
to, you might sometimes hear the caller’s
description of the dinner menu, studio
work, or life with roommates.
Other than writing letters or cards,
those two phones were the only way to
communicate with friends and family. We
would even ask people to limit their calls
so everyone could have a turn, and you
could often hear the phones ring—real
Signs of Autumn Across NC (2010–2012), acrylic and oil on canvas, 42" x 54", by Robert
Johnson, who will be teaching a drawing/painting workshop during Session 3, July 14–26,
2013.
bells not a ringtone—at meals.
Times change. In Maine, New England
Telephone became NYNEX, which
became Verizon. The mobile phone
arrived. Verizon sold its Northern New
England landline business to a company
called Fairpoint. A few years ago,
Fairpoint informed us that since we
weren’t generating enough income for
them from the phone in the dining room,
we would have to pay a very large monthly fee. So the phone was removed. You can
still see its ghostly imprint on the wall.
Last fall Fairpoint jettisoned its no
longer paying for itself pay phone business,
selling it to another company, which
informed us that they wanted us to pay
another exorbitant fee for the remaining
phone—the Confessional. We refused, and
sometime this spring the phone will be
removed. The building will remain—
I think of it as our own shrine to communication. Perhaps people with the urge to
talk on the cell phones can sit in there and
talk, or just quietly confess to no one.
Now we can communicate in so many
ways—talk, text, email, facebook, and
tweet. Even with our slow internet on an
island in Maine, information moves pretty
quickly and constantly too. Of course
quick isn’t always what we’re after, especially when it’s coupled with constantly. At
Haystack we have the rare opportunity to
disconnect. We can disconnect from the
part of our lives that is sometimes
swirling around us with more information than we can process, and re-connect
with another part of ourselves. It’s the
part that’s not skimming the surface, but
diving deeper, it’s the part with the questions and other answers. It’s the part that
has been waiting for us to call.
Stuart Kestenbaum
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Center for Community Programs
Haystack’s Mentor
Program
Fab Lab Training
I
February, Elliot Clapp and James Rutter
held the first of the 2013 sessions with a
two-day workshop for local teens, faculty,
and administrators.
Fab lab training sessions with participating schools has been supported, to
date, by an anonymous foundation, the
Maine Arts Commission's Innovative
Production program, a donor advised
fund of the Maine Community
Foundation, the Stephen & Tabitha King
Foundation, Surdna Foundation, and
Haystack’s Program Endowment Fund.
n 2012, Haystack launched an initiative
to work with Deer Isle-Stonington
schools, for expanded training and use of
the school’s fab lab year-round. From
May-October equipment is housed in the
fab lab studio on Haystack’s campus for
use by workshop participants and
Haystack staff. When the campus is closed
from November-April, digital fabrication
equipment and tools are moved to the
school’s Center for Community Programs in
Deer Isle village, providing a convenient
and accessible space for teachers and stuSara Tallant and Alice Dillon from George
dents from the local schools to attend
Stevens Academy, Blue Hill, and Ha Ngyen
from Deer Isle-Stonington High School model
training sessions and use the equipment—
scarves that they designed and wove themincluding a laser cutter, milling machine,
selves in textile artist Chris Leith’s studio. They
were among the thirty-nine students, from three
3D printer, vinyl cutter, computers, and
area high schools, that participated in ten
electronics. The new facility also provides
workshops with professional artists from the
area. The 2013 mentors included: Mark Bell
opportunities for Haystack to work more
(porcelain clay/wheel-throwing), Anne-Claude
closely with technology programs in the
Cotty (pinhole photography), Sarah Doremus
(metals), Sihaya Hopkins (glass beadmaking),
local schools, developing programs that
Mary Howe (box making), Chris Joyce (woodencourage hands-on design and participaturning), Chris Leith (weaving), Amelia Poole
(shibori), Farrell Ruppert (blacksmithing), and
tion by the students.
Birch bark canoe by Steve Cayard, whose work
Ellen Wieske (metals). Haystack’s Mentor
Throughout 2012, thanks to pilot fund- will be in Artists of the Forest.
Program is coordinated by Hannah Barrows.
ing from the Surdna Foundation, Elliot
Clapp and James Rutter, staff from
Summer Exhibitions
aystack’s Mentor Program, which
AS220—a Providence, Rhode Island-based
his summer Haystack will mount two
connects local teens with artist men- arts organization that has a fab lab in
exhibitions at the school’s Center for
tors from the area, is celebrating its 15th
place—led four, two- and three-day, trainCommunity Programs. From June 2–July
year in 2013. From January-April, students ing sessions for local students and teach7, 2013 Artists of the Forest, an exhibition
worked in blacksmithing, clay, metal,
ers. Haystack staff continued to train on
based on the words, works, and images of
mixed media, textiles, and wood. The pro- the equipment as well.
traditional artists who live and work in
gram culminates with an exhibition of
The success of the initial sessions has
the Northern Forest of the northeastern
student and mentor work at Haystack’s
allowed Haystack to seek more funding for
United States, will be on view. Cultural
Center for Community Programs. The exhi- continued training with area schools. In
Resources—a non-profit organization in
bition will be on view from April 12
Maine that helps communities and
through April 26.
groups identify, celebrate, and preserve
Support for the Mentor Program comes
the cultural traditions that make them
from these funds of these funds of
unique—coordinated the traveling show,
Haystack’s Program Endowment: the Ann
which exhibited at the Vermont Folklife
and Chuck Holland Fund, the Belvedere
Center in 2012 and at Traditional Arts in
Fund, and the Betsy Rowland Fund.
upstate New York this February.
Artists of the Forest features thirteen
traditional
artists from the North
Matt Jurick, technology coordinator, and student
Ben Politte, both from the Blue Hill Consolidated Country, which includes Maine, New
H
T
School, participated in our February fab lab
training.
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Hampshire, Vermont, and upstate New
York. Artists include Abenaki basketmaker
Jeanne Brink; Acadian woodcarver Tom
Cote; rustic furniture makers Annette and
Sherman Craig; birch bark canoe maker
Steve Cayard; rustic furniture maker Ron
Fenlong; rustic furniture maker Barry
Gregson; Abenaki basketmaker Jesse
Larocque; dog sled maker Karen Jones;
snow shoe maker and pack basket maker
Bill Mackowski; rustic furniture maker
Fred Peryer; wood carver Melvin Roy; and
the late Newt Washburn, Abenaki basketmaker. As part of the exhibition, three of
the Maine artists participating in the show
(Steve Cayard, Tom Cote, and Bill
Mackowski) will give gallery talks.
The show focuses on the people, places,
and work that define our region, encouraging an understanding and appreciation of
life in Maine, and the North Country of
New England, for local residents and visitors to the Island—from the US and
around the world—alike. In addition,
focusing on these artists, as well as tradition and craft, allows audiences to learn
about the creative processes of these artists
a wide range of media.
During their time working
at Haystack they handled a
variety of tasks and responsibilities in the day-to-day
running of the school.
During the course of the
summer programs they
also met many students
and teachers and experienced a wide range of creative processes. The work
Iron (2010), 15" x 3" x 4", by Marc Maiorana, whose work will
in the exhibition will be
be included in They Used to Work Here: Art by
accompanied by text in the
Haystack’s Summer Assistants.
artists’ voices explaining
and how skills are shared, through mentor- the impact Haystack has had on their work
ing new generations of artists, which helps and creativity.
these customs and traditions thrive.
David East, who is Chair of Ceramics at
From July 14–September 1, the exhibithe Maryland Institute College of Art, and
tion They Used to Work Here: Art by
former Haystack Summer Assistant, said,
Haystack’s Summer Assistants will feature
“My time at Haystack framed a significant
the work of Haystack Summer Assistants— shift in my work as an artist. Deepening my
spanning a twenty-four year period—
relationship to the power of the history of
whose creative processes have been influthe field while also opening for me the
enced by their time at Haystack.
innovation and diversity that existed, my
Haystack’s Summer Assistants represent time at Haystack continues to be incredibly
a remarkable group of makers who work in influential in my life and career as an artist.”
Recent Grant Awards—grants received since Fall 2012 Gateway
■ AIDA (Association of Israel’s Decorative Arts)—$15,645
to support seven fellowships for Israeli art and design students to attend workshops and to support travel for
Deganit Stern Shocken, who is teaching a metals workshop
during fifth session
■ American Scandinavian Foundation—$14,000 to support
full fellowships for two students each from Norway and
Iceland to take workshops this summer
■ Anonymous—$25,000 for general operating support
■ Benwood Foundation—$5,000 for program support
S AV E T H E D AT E
Our annual Gala Dinner and Private Auction will be held on July 12th. The event, held on Haystack’s
main deck and dining hall, will be catered by Blue Hill Catering. Selected art works by Haystack faculty
and others and unique goods and services will be auctioned off throughout the evening by the school’s
Director, Stuart Kestenbaum. The cost to attend is $175 per person, $350 per couple, or $500 patron
and $1,000 sponsor level donations. Limited seating is available. If you would like more information,
please contact Development Director Ginger Aldrich at (207) 348-2306 or email development@haystackmtn.org. The Gala Dinner and Private Auction supports Haystack’s scholarship fund and community programs and is sponsored this year by Bar Harbor Bank & Trust, with additional support from Tradewinds
Marketplace.
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Auctions Raise Funds for Scholarships and
Programs
H
aystack recently held its fourth winter Online Auction, which included seventeen items and raised $4,500 in support of
continuing improvements to our award-winning campus and our scholarship program—each year we give more than 100 full
scholarships to students attending workshops at Haystack.
Haystack Benefit Auction @ NCECA 2013 was hosted by Artstream Nomadic Gallery and featured work by eight former and
current Haystack Trustees. A special thanks to Haystack trustee Alleghany Meadows for organizing the event, which raised $7,500 for
Haystack’s educational programs.
We are grateful to the generous donors and artists represented in these auctions, and to all who participated. Congratulations to
the winning bidders!
SILENT AUCTION
ARTISTS
Anne Currier
Bill Daley
Eddie Dominguez
Julia Galloway
Wayne Higby
Alleghany Meadows
Linda Sikora
Chris Staley
ONLINE AUCTION
ARTISTS AND
DONORS
Sonja Blomdahl
Terry Bovee
Jill Bromberg
Eliza Brown
Andy Buck
John Cardin
Susan Crum Cox
Diane Franklin
Jeannette DiNicolisMeyer
Fritz Dreisbach
Harriet Hemenway
Stuart Kestenbaum
Patti King
Roger & Belle Kuhn
Dianne Longley
Colleen MacDonald
Estate of Ingrid
Menken
Barbara Minor
Michael G. Moore
Jan Myers-Newbury
Lory Newmyer
Hanne Overland
Barbara Putnam
Claire Sanford
Kay Sekimachi
Mark Shapiro
44 North Coffee
Janet Bass
Edie Beatty
Bunzy Sherman
Nadya Volicer
Susan Webster
Ellen Wieske
J. Fred Woell
Stephen Yusko
2013 Visiting Artists
H
aystack’s Visiting Artists complement
workshop sessions with informal
activities and are an integral part of the
Haystack experience, providing opportunities to explore the crafts in a wider context.
The exchange of ideas between diverse
backgrounds encourages awareness, imagination, and ingenuity.
This summer writer Bill Roorbach, pioneering contemporary musician Pauline
Oliveros, and jazz musician Yosvany Terry
will each spend a session at Haystack, working on their own projects and sharing their
work, while engaging students and faculty.
PAULINE OLIVEROS, a senior figure in
contemporary American music—with fifty
years of boundary dissolving music making—and founder and current executive
director of Deep Listening Institute, pioneering the concept of Deep Listening, will
be in residence during the second session,
June 23–July 5. Awards for Oliveros include
the John Cage Award for 2012 from the
Foundation of Contemporary Arts, and she
4 H AY S TA C K
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is Distinguished Research Professor of
Music at Rensselaer Polytechnic Institute,
Troy, New York, and Darius Milhaud Artistin-Residence at Mills College.
paulineoliveros.us
Award-winning Maine writer, BILL
ROORBACH, will be in residence during
the third session, July 14–26. His newest
novel is Life Among Giants (Algonquin,
2012), and other books include Temple
Stream (RandomHouse, 2006); Flannery
O’Connor Prize winner Big Bend (Georgia,
2000); The Smallest Color, a novel
(Counterpoint, 2001); Into Woods (Notre
Dame, 2002), and Summers with Juliet
(Houghton Mifflin, 1992). His craft book,
Writing Life Stories (Story Press, 2008), is
used in writing programs worldwide. As
part of his work here, Bill Roorbach will be
writing a monograph reflecting on craft
and creative process.
This year’s visiting musician is jazz artist
and saxophonist YOSVANY TERRY, who is
a significant part of the jazz and contempo-
rary music scene in New York. He “helped
to redefine Latin jazz as a complex new
idiom” (The New York Times). Yosvaney
Terry teaches at Princeton University, and
the New School and Harlem School of the
Arts, New York. Born in Cuba, the musician/composer/educator incorporates
American jazz traditions with his AfroCuban roots. He performs worldwide with
the Yosvany Terry Quartet, Yosvany Terry
and the Afro Caribbean Quintet, and
Gonzalo Rubalcaba Quintet, and has
worked with Branford Marsalis, Cassandra
Wilson, Dafnis Prieto, Taj Mahal, and Paul
Simon. His most recent recording is Today’s
Opinion (Criss Cross, 2012).
yosvanyterry.com
Yosvany Terry’s residency at Haystack,
during session four, July 28–August 9, is in
conjunction with the 13th Annual Deer Isle
Jazz Festival at the Stonington Opera
House, produced by Opera House Arts,
August 2–3, 2013. operahousearts.org
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Haystack Publishes TwentySeventh Monograph
H
iophony: The Sound of Humans
Making Things was written by Maine
writer Elisabeth Tova Bailey as part of her
2012 residency as a visiting writer during
last summer’s second session, June 12–24.
Elisabeth Tova Bailey’s natural history/memoir, The Sound of a Wild Snail
Eating (Algonquin Books, 2010), recounts
her year-long observations of an individual
woodland snail. The book received a 2010
National Outdoor Book Award in Natural
History Literature, a 2011 John Burroughs
Medal Award for Distinguished Natural
History, was selected as one of the Best
Books of 2010 by the Huffington Post, and
as a top ten Science & Technology title for
2010 by the American Library Association.
Editions have been published in the UK,
Australia, and New Zealand, and translations are forthcoming in China, Korea,
Japan, and Germany.
Elisabeth Tova Bailey’s essay is the
twenty-seventh publication in Haystack’s
monograph series. Hiophony: The Sound of
Humans Making Things is a reflection on
Elisabeth’s journey as a maker and writer
and her interactions in the Haystack
community.
The monograph will be distributed to
art schools and libraries throughout the
US. Individual monographs and The
Haystack Reader, an anthology of monographs #1–23 published by Haystack and
the University of Maine Press in 2010, are
available from the school’s administrative
office or during the summer at the school
store. Monographs are $4.00 each, including postage and handling within the US
(additional postage outside the US) and
The Haystack Reader is $24.95 plus postage
and handling. For a complete list of
monographs, contact the school or visit
our website at www.haystackmtn.org/monographs.php.
Excerpt from the monograph:
At Haystack, it is a few days before I
enter the craft studios. At first, I try to
appear as if I am not really there. I walk
in one door, pass through, and exit the
opposite door, as if I am taking a convenient shortcut. But each time I enter,
I stay longer. Soon, I can’t wait to go
into the studios. It is then that I begin
to realize that this return to Haystack is
a homecoming: all of the studios are
bringing me home to who I used to be.
I have snuck back into my own past. It
is a rare moment when the past and the
present intersect and change one’s
future.
Shyly, my previous life as a maker
and my current life as a writer begin to
intersect. I had thought that the two
would never meet, that they were from
different worlds with nothing in common. Yet here where Haystack students
from around the world meet as
strangers and become instant friends,
so, too, the two parts of my life begin to
converge.
Haystack
People, News
& Notes
HAYSTACK STAFF
The work of Haystack Administrative
Assistant, CAROLE ANN FER, was
included in the 2013 NCECA exhibition, Dwellings on the Gulf: Ceramic
Artists respond to the Architecture of
Galveston at the Galveston Historical
Society, March 9-28, and she will be
participating in the Collaborative Pots
residency at Watershed Center for the
Ceramic Arts in Newcastle, Maine,
August 18-30.
Haystack director STUART
KESTENBAUM’s poems will appear
in Take Heart, Poems from Maine, a
new anthology from Downeast
Books, edited by Wesley McNair.
Haystack’s Facilities Manager,
EUGENE KOCH, attended a twoweek residency at the Vermont Studio
Center in February. Work made during the residency will be on view at
Haystack’s Center for Community
Programs in May.
ELLEN WIESKE, Haystack’s Assistant
Director, is teaching a workshop at
Peters Valley in July and is the Maine
Arts Commission’s 2013 Inaugural
Functional Craft Fellow.
VOLUNTEERS NEEDED FOR
PRE-SESSION, CENTER FOR
COMMUNITY PROGRAMS, AND
DEVELOPMENT OFFICE
Bracelet (2012), ABS plastic (3D print),
by Arthur Hash, who will be a teaching a
metals workshop during Session 1, June
9–21, 2013.
HOUSEKEEPING AND KITCHEN
WORKERS
Needed for September–October 2013.
Housing available on campus. Write
or call Haystack for job descriptions
and application information.
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Endowed Funds—
Two New Scholarship Funds Established
H
aystack is pleased to announce that scholarships in memory of two former Haystack students have been established by their
families. Thanks to their generosity, each year a student will be able to attend Haystack, either as a technical assistant or a workstudy student.
Stuart Kestenbaum, Haystack’s director said, “Andrew and Griff were both enthusiastic advocates for the Haystack community and
wonderful students in any workshop that they took. We miss their presence among us.”
Andrew Bergman
Scholarship Fund
Andrew Bergman (1950–2007) of
Mountain Lakes, New Jersey, was a noted
designer in the toy industry, who had
attended Haystack workshops many summers, with his wife Martha DwyerBergman, pursuing his passion for design
and art. Andrew attended Carnegie Mellon
University and received a degree from
Southern Illinois University, where he
taught with the prolific innovator,
Buckminster Fuller. He spent eleven years
working at Fisher-Price Toys, where he was
a head designer. Andrew also formed the
Bergman Design Consortium, was a
founder and former president of the
Craftsman Farms Foundation, and was a
passionate collector of Arts and Crafts furniture. After being notified that the scholarship was fully funded recently, Martha
Dwyer-Bergman wrote, “I can’t begin to tell
you how happy I have been these weeks
knowing that Andrew’s wishes were finally
fulfilled. What I really want [people] to
know is how it changed Andrew’s entire life
from the moment he went to Haystack, and
he was enchanted.”
The Andrew Bergman Scholarship Fund
covers room, board and tuition for a student
to take a workshop at Haystack annually.
Donors to the fund:
Irwin & Anita Carp
Martha Dwyer-Bergman
Bergman Design Consortium, Inc.
Children's Financial Network, Inc.
William Garbus & Margaret Ann Martin
David Moomaw
Lila Ottenstein
Maurice & Arlene Post
William & Deborah Stern
Roberta Stim
Marjin Wall
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Griff’s Iron Art
Scholarship Fund—in
memory of Gary
Griffith
Gary “Griff ” Griffith (1950–2006) of
Guilford and Parkman, Maine was an
accomplished artist and blacksmith who
had participated in many of Haystack’s fall
programs. In June 2006, Griff died in a
motorcycle accident. “Griff passionately
pursued the advancement of artistic blacksmithing while living a rich, full life of
adventure and a wholesome lifestyle, raising his family in rural settings in Alaska
and Maine,” said his family, who had asked
that donations be made toward the creation
of the “Griff ’s Iron Art Scholarship Fund”
at Haystack.
The Griff ’s Iron Art Scholarship Fund
covers room, board and tuition for a student to take a workshop in blacksmithing
at Haystack each year.
Donors to the fund:
Christopher Anderson
Byron & Jackie Aubrey
Eda Benttinen
Dave Bouchard & Mel Owen
Dan Brown
Thomas & Sandra Caton
Saul Cohen
Colby Craft Fair
C. G. & S. H. P. Corbin
Susan Davidson
Erwin & Jean Dellaire & Opel Rollins
Hillary Dorsk
Cynthia Drane
Tish Dutson & Jerry Packard
Carlton Edgecomb
F. A. Peabody Co.
Marolyn Fine
Linwood Flanders
Susan Garrettson & Stephen Madera
Gay Gasser
John & Carlotta Girouard
Dale Griffith
Matthew & Susan Griffith
Robert & Carole Hayman
Richard & Janet Hersey
Shirley A. Hersey
Don & Louise Heyneman
Insurance Association of Greater Houlton
Kimball Insurance
Mark Kuzio
Jane & Kelly Littlefield
Michael & Sharon Littlefield
Patricia Loughery
Max, Jane & Ben Lynd
Maine Military Supply
Maine State Credit Union
Marilyn Montano
Barbara O'Brien
Mary Grace Perkins
Penny & Richard Pike
Nancy Richard & Rick Brown
R. C. & T. W. Roberts
George & Joanne Rollins
Paul & Catherine Ruksznis
Carol & Herbert Semple
David Sherwood
Jon & Gisela Sjulander
Roy Slamm
Gordon Smith
Smith & Wesson, Inc.
Susan C. Snyder & Burton M. Packard
Rita Spencer
The Hartford Steam Boiler Inspection co.
Richard & Roberta Thomas
Charlotte & Bernard Thompson
United Bikers of Maine
United Maine Craftsmen, Inc.
Joan Van Epps & Family
Jonathan T. Walker, MD
Carolyn R. Wiley
Haystack’s scholarship endowment currently has 74 named funds. The school awards over 100
scholarships and fellowships annually for students to attend workshops. A named scholarship
can be created with a gift of $25,000, and a fellowship can be created with a gift of $35,000.
Haystack’s endowment funds, now totaling $5 million, support scholarships, faculty and
visiting artists, innovative programs, and facilities. If you are interested in learning more about
the endowment funds contact Haystack’s Development Director, Ginger Aldrich at
development@haystack-mtn.org.
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Providing for Haystack
P
lanned giving helps ensure
Haystack’s financial stability—
enabling the school to plan for the
long-term and continue its leadership role
in the international craft world. There are
many types of planned gifts, all of which
have tax benefits, which means planning
should also occur with professional advice.
Donors to Haystack’s programs may specify
how a gift is used, whether scholarships or
facilities.
Charitable Gift Annuity
Program
In 2005 Haystack established a charitable
gift annuity program, which allows a donor
to make a gift to the school and receive a
fixed income for life. Haystack will accept
gifts of cash or marketable securities, and in
exchange promises to pay an agreed fixed
dollar amount on a quarterly basis for the
life of the donor.
Donor profile: Laurie Adams
While Laurie was working at the Browne
and Nichols School in Cambridge, Massachusetts in 1962, an alumni gave the school
a potters wheel. This, along with Bernard
Leach’s A Potter’s Book, Laurie taught herself enough rudiments of throwing so that
she could begin teaching pottery. She
bought herself a small electric potter’s
wheel, which she stored under the kitchen
table, and would practice after dinner.
Laurie was also spending two days a
week working at a shop called the Upper
Story. William Wyman, artist, poet, and
teacher, came in with bowls to sell and she
asked him how she could learn more about
pottery. He directed her to the Worcester
Craft Center, where he was teaching, and
after Laurie participated in a two-week program, he suggested that she apply to
Haystack.
Accepted to Haystack in 1963, Laurie
spent three weeks working with M.C.
Richards. “This was an eye opener,” she
said. The next summer
she spent fourteen weeks
at Haystack, as pot shop
monitor and weekend
cook.
In 1964 Laurie received
a small inheritance from
her grandfather. She used
this to purchase a piece of
land on Deer Isle, in conjunction with an older
Laurie Adams in her studio, c.1970s
couple, Martin and
Thelma Klaver. Martin
was a printmaker and
Haystack Trustee and Thelma was a weaver. the kiln and they did not want Joan to go
into the kiln shed, but she did anyway.”
In 1971 Laurie and her husband Bob, an
In 2006 Laurie returned to Haystack to
architect, moved to the Island year-round.
take a book arts workshop taught by Paulus
Bob set up an architect’s office and she
Berensohn, with whom she had attended
began doing pottery full time.
Bennington College. The workshop started
Laurie said that, “Haystack became my
place of inspiration—evening programs, time her off in a new direction—she now sells
handmade books through a gift shop in
to observe, and time to talk with faculty.”
Camden and directly from the studio.
She helped organize the Maine Crafts
During a recent conversation, Haystack’s
Association and its annual retreat at
Development Director, Ginger Aldrich,
Haystack, and she was hired by the Maine
Arts Commission in 1972 to develop the Arts asked Laurie about Haystack’s impact on
her and her motivation for setting up a
Department for the new Deer IsleCharitable Gift Annuity with the school.
Stonington High School. During this time,
Laurie said that Haystack was the catalyst
Haystack’s founding director Fran Merritt
for much of her work and a major inspiraalso encouraged Laurie to sell her work at
tion for my life as a potter. She also said
the American Craft Council wholesale
that sometimes things happen when the
shows. This was a turning point for her and
timing is amazing and this was the case
her work—she attracted enough wholesale
accounts to support herself and her children. with the Charitable Gift Annuity. “I had
been looking for ways to support Haystack
Laurie moved to up the Maine coast to
Camden and joined Perspectives and Praxis and I read about the program being established in one of the school’s announce(a craft cooperative in Freeport), and then
ments. I realized that I could give back to
the Potter’s Market (Portland). Laurie says
the school and receive an income stream
that there were many special highlights
myself—it was a win-win situation. What I
throughout her career as a potter. One was
find most joyful about Haystack is that you
when Joan Mondale, a potter and wife of
can actually concentrate on your craft and
then-vice president Walter Mondale, was
not worry about a grocery list. That focus
visiting Deer Isle and visited Laurie at her
time is so important. Creating a Charitable
studio, wanting to watch Laurie fire the
Gift Annuity with the school offered a way
kiln. Laurie recalls that, “the secret service
for me to do something for a place I love
agents were wildly frantic because there
and it has worked out very well.”
were flames spouting out of the cracks in
H AY S TA C K
G AT E WAY
SPRING
2013 7
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2013 Annual Fund Donors
H
aystack’s 2013 annual appeal has raised over $244,000 from 739 (95 from first time donors to the annual fund) as of March
6, 2013. The lists below include donations received since the Fall 2012 issue of Gateway. Please contact us if you find a correction is in order. To make a gift now please contact us at (207) 248-2306, haystack@haystack-mtn.org, or donate securely
online at www.haystack-mtn.org. Thank you for investing in creativity.
ANNUAL APPEAL
11/1/2012–3/6/2013
$25,000+
Ann & Chuck Holland
$10,000
Joan & Pablo Sorensen
Eleanor Rosenfeld
$5,000
Kate Cheney Chappell &
Tom Chappell
Helena Hernmarck &
Niels Diffrient
Marlin & Ginger Miller
Elizabeth Bishop
Wentworth
$2,500+
Kenneth & Cherie Mason
Steven & Susan Haas
Bralove
$2,500
Elizabeth Adams
Brigid Sullivan and John
Gifford
Emily J. & Robert S.
Harrison
Elizabeth Rowland
Marcia & Seymour M.
Sabesin MD
Claire Sanford &
Charles Crowley
Kiki Smith
Elizabeth Whelan
ANNUAL APPEAL
FROM TRUSTEES
Stephen S. &
Stephanie Alpert
Susan Haas Bralove &
Steven Bralove
Carolee Campbell &
Hector Elizondo
Katherine Cheney
Chappell &
Tom Chappell
Arline Fisch
Miguel Gomez-Ibanez &
Fay Larkin
Ann E. Grasso
Katherine Gray
Wayne Higby
Matthew Hinçman &
Elena Belle White
Chuck & Ann Holland
Richard & Mary Howe
Lissa Hunter & Kirby
Pilcher
Matt & Erin Hutton
Macy & Robert Lasky
Jack Lenor Larsen
Alleghany Meadows
Marlin & Ginger Miller
Eleanor Rosenfeld
Claire Sanford &
Charles Crowley
Cynthia Schira
Kristin Mitsu Shiga
Linda Sikora &
Matthew Metz
Rosanne Somerson
Joan & Pablo Sorensen
Chris & Kate Staley
Brigid Sullivan &
Jock Gifford
Stewart Thomson
Jack Wax & Miyuki
Nishiuchi
Elizabeth Whelan
Stephen Yusko &
Ruth Coffey
ANNUAL APPEAL
Jan Abrams
Elizabeth Adams &
Alex Sierck
Tom & Mimi Adams
Lynn & Bill Agnew
Finn Alban
Heather Albert-Knopp
Robin Alden & Ted Ames
Nathaniel &
Virginia Aldrich
Toby Allan
Simpatico Vases, hand-blown glass and 24k gold, Short: 9" x 9" x 10" / Medium: 8" x
8" x 16" / Tall: 5" x 5" x 19", by Michael Schunke & Josie Gluck, who will be teaching
a glass workshop during Session 2, June 23–July 5, 2013.
8 H AY S TA C K
G AT E WAY
SPRING
2013
Polly Allen
Sam Allen
Renee Altman
Daniel & Caroline
Bottom Anderson
Dr. Michael D. Andrew
Anonymous (32)
Deb Appleby
Bryn Arbuckle
Glenda Arentzen
Debra Arter
Artists & Craftsmen
Supply
Carrie AustinD’Arbustino
John Babcock
Nan Bacon
Posey Bacoupoulos
Bailey Pottery Equipment
Corp.
David & Sandy Baird
Jozef Bajus
Boris Bally and Lynn
Taylor
Don Bardole
John & Bridget Barnes
Mary Barnes & Peter Neill
Debra Barnet
Ann & Nat Barrows
Charlotte Barus
Janet Bass
Sue S. Baum
Edith Beatty
Terry Beaty &
Anne Mehringer
Chris Becksvoort
Jeffery Becton
Beth & Larry Beede
Jessica Beels
Mark and Martha Bell
Robin & David Bellantone
Chris Beneman
J. D. Benjamin
John Bennard
Christa Bennett
W. Dennis Bennett
Nancy & Warren
Berkowitz
Christina Bertoni
Linda Bills &
Stephen Dallmus
Carol Birtwistle
Russ & Mary Bishop
Sandra Blain
A. Alice Blohm
Rebecca Blunk
Melody &
Garrett Bonnema
Marianne Boruch
Agnes Bourne
Stephen Bowers
Alan & Susan Bradstreet
Susie Brandt
Betsy Braunhut
M. Christine Breedlove
Sebert & Barrett Brewer
Shari Broder
Dale Broholm
Jon Brooks & Jami Boyle
Blake & Allison Cooke
Brown
Krystle C. Brown
Caroline & David Browne
Kathleen Browne &
Stephen Litchfield
Brynmorgen Press
Andy Buck &
Sandy Knight
E. John Bullard
Kathie Burnett
I. Wimberley Burton
Rose Mary Burwell
Elizabeth Busch
Steven Byrne
Alan & Diane Campbell
Susan Lovell Campbell
M. Cantor
John Cardin
Bill Carpenter &
Donna Gold
Rick Caruso &
Joyce Tavon
Barbara K. Casper
Aurore Chabot
Mary Allen Chaisson
Shirley Noland Chambliss
Tony & Karen Chapman
Cathy Chen
Joe Chernosky, Jr.
Kyoung Ae Cho
Julie Choi
Chubb & Son
Jerry Churchill
James Chute
Len Clarke
Edward & Susan Clayton
Henrietta T. Clews
Stanley Clifford
Fran & Bob Clukey
Robert Cmarik
Janice Cogger
John Cogswell &
Barbara E. Chapman
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Cathy Cohen
Cathy & Joseph Cohen
Michael Cohen
Chuck Collison
Ivonne Colom
Bea & Woolsey Conover
Bob & Kellie Coombs
Stephen Corner
Cappy Counard
Posie & Doug Cowan
Jean Boyer Cowling
Solveig Cox
Chris Craig
Ken & Nancy Crasco
Kerith Ann Creo
Doris Criswell
Tom & Nancy Crowe
Ken & Marnie Reed
Crowell
Robert & Deborah
Cummins
Scott & Kim Cunningham
Anne Currier &
George Hrycun
Liz Cutler
Laura Sanford Daley
Jacqueline &
Darwin Davidson
Elizabeth Davies
Jill Henrietta Davis
Louise F. Davis
Whitney Davis
Jolanda de Levie
Maggi DeBaecke
Amanda Degener
John DeHoog
Lyman Delano
Jeffrey DeNinno &
Christine Grzyb
Josh DeWeese &
Rosalie Wynkoop
Nancy H. Dewey &
Michael B. Wood
Ray and Ellen Dinsmore
Ellen Dissanayake
Catherine Dittemore
Kay Dolezal
Patricia Donahue
David & Barbara Dornfeld
G. T. Dorsey
Hillary Dorsk
Donna Doughten &
Joel Eckhaus
Susan Douglass
Dow Studio/
Carole Ann Fer
& Ellen Wieske
David & Thelma Driskell
Catherine Gleason &
David East
Robert Ebendorf
Molly Eberle
Juli Edberg
Tony Egan
Helene Eiber
Vicky & Larry Elbroch
Page 9
Pamela Elias
Theresa Ellerbrock
David Ellsworth
Hilary Ervin
Sally Eshleman
David & Karen Estey
Avery & Pat Falkner
Lisa Farago &
Drew Dumsch
Celine Farrell
Paul & June Farrow
Bonnie Faulkner
Kristin T. Fellows
Molly Felton
Barb & Bruce Fernald
Heidi Fieldston
Sallie Findlay &
Gene Nelson
Sally Fischel
George & Gale Flax
FM Global
Heather Forrest
Roberta Foss
Betsey Foster
Betty Flanders Foster
Vicki Fox
Diane Franklin
Franklin Philanthropic
Foundation
Shirley French
Emil & Bea Friedman
Rachel Fuld
Jeff Fullam
Richard A. Fuller
Falding Bishop Gadola
Karen Gallup
Elizabeth M. Gardiner
James P. Garland &
Carol J. Andreae
John Garrett
GE Foundation Matching
Gifts Program
Martin Gellert
Beth Ann Gerstein
Ovidio Giberga
Jock & Brigid Gifford
Brenda Gilchrist
Roger Gilmore
Robert & Rae Gilson
Amy Gimbel
Filson & Shirley Glanz
Aaron Glazer &
Ann Humphrey
Katherine A. Glover
Marian Godfrey
Isabel Goff
Meta Goldin
Susan &
Michael Goldman
Marc Goldring
Google, Inc
Sue Gosin
Gretchen Goss &
Mark Hartung
Douglas Govan
Lloyd Greenberg
Joli Greene
Zee Jay Greenspan
Gary S. & Patricia J.
Griffin
John P. & Janna Grigger
Kenneth R. Gross
Francoise Grossen
Louis & Sandra Grotta
Thomas Guglielmo
Susan & Charles Guilford
Jennifer Gundersen
Karen & Werner
Gundersheimer
Merna Guttentag
Joan Hall
Douglas J. Hallberg
Nancy Halpern
Judy & Charles Ham
Cathy Hammond
Susan Hanna
Gillian Greenhill Hannum
Bobbie & Woody Hanstein
Katherine &
Ralph Harding
Patricia Harrington &
Michael Bell
Bill & Carole Harris
Karolina Harris
Robert Harris
Emily J. &
Robert S. Harrison
Douglas Hart &
Marion Hart
Lisa Hart & Danny Muller
Andrea Hartman
Bente Hartmann
Sarah S. Harvey
Candy & Richard Haskell
Jinx Hastings
Pommy Hatfield
Elise Hauenstein &
Norm Abram
Lauren Head &
Robert Baribeau
Paul Heckler
Karen Hein & Ralph Dell
Steven Heinemann
Erling Heistad
Michael Heller/Heller
Gallery
Beth Henderson
Sophie Henderson
Jean & Dud Hendrick
Carol Hendrickson
Gwen Hendrix
Keith Herklotz
Karen & Jack Herman
Helena Hernmarck &
Niels Diffrient
Cathy Hetznecker
Pat Hickman
Stephen L. Hill
Tina Hittenberger
Peggy Whitney Hobbs
Charles Hobson
Michael Sean Holihan
The Walls (2010), crochet, applique, stitching in silk and
linen, 11" x 9", by Michael Olszewski, who will be
teaching a fiber workshop during Session 4, July
28–August 9, 2013.
Lee & Donald Holmes
Elizabeth Ross Holmstrom
Bryant Holsenbeck
Phil Homes
Brece Honeycutt &
Martin Mitsoff
Roger & Ann Hooke
Ayumi Horie
Nancy S. Horie
Sharla Jean Hoskin
Paul Howard & Carol
Koffel
Marie Hruby-Frake &
Jack Frake
Joyce Hudson
Ralph & Lynne Humphrey
Sherrill Hunnibell
Jean Husby
Kyoko Ibe
Elaine Ingulli
B. A. Ives
Pat Jeffers
Judith Jerome
Randy Johnston
& Jan McKeachieJohnston
Jennifer Judd-McGee
E. Michael &
Eleanor Kahn
Gloria & Sonny Kamm
William & Judy Kao
Janet & Charles Kawada
Ann Keech
Jane Keener
Mo Kelman
Natasha Kempers-Cullen
Ellen Mears Kennedy
Stuart Kestenbaum &
Susan Webster
H AY S TA C K
Toni & Herbert
Kestenbaum
Sarah Khan &
Henry Drewal
Shahid Khan
Ron King
Gege Kingston
James R. Klein &
Elizabeth Lardner
Julia & Caitlin Klein
Lynn and Ed Kneedler
Gerhardt Knodel
Nancy Koenigsberg
Robert & Arlene Kogod
Kay Kojima
Vaino & Marcia Kola
Anna Maier Koloseike
Janet Koplos
Karen Krieger
Walter Kumiega
Hedi Kyle
Chris La Bonte
Jane Lackey
Lacoste Gallery
Thien-Kieu N. Lam
Kay & Bob Lane
Gusty Lange &
Steve Ettlinger
Judy & Brian Langille
Sally Larrick
Judith Larzelere
Sabrina M. Lavieri
Eric Lawrence
Marianne Lazarus
Charlene Leary
Bill & Christine Leith
Rose Lempp
Melody Levy
Lucy Leyland
G AT E WAY
SPRING
2013
9
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West (2011), pulp painting stretched over wood frames,
24" x 28", by Beck Whitehead, who will be teaching a
book arts workshop with Audrey Niffenegger during
Session 5, August 11–23, 2013.
Liberty Graphics, Inc
Lesley Lichko
Glenn W. Limbruner
Bruce Lindsey
Micki Lippe
Ann G. Loeb
Tom Loeser & Bird Ross
Kristina Logan &
Jean-Christophe Barre
Carol Logie
Monie Lonergan
Betty Helen Longhi
Ted Lott
Fiona Lovell
Charles Lucas &
Deb DeWitt
Ellen Lupton
Eleanor Lux
Heather Lyon
Mitch Lyons
Dolly Maass
Colleen MacDonald
Kate Macko
Bruce O. MacNaught
Mandana MacPherson
Jan & Jerry Maddox
Judy Madson
Maine Art Education
Association
Berry Manter
Bob Marsh
Wendy Maruyama &
William Schairer
Judith B. Maslin
Kenneth & Cherie Mason
Martha G. Mason
Mary Ellen Matthews
Ruth McBride
Auden McClure &
Paul Hanissian
Tekla McInerney
Alban Thompson McIsaac
Pamela McKee
Jim & Helen McKendry
10 H A Y S T A C K
G AT E WAY
Kevin McMunigal
Monica Medollo
Richard Mellman &
Marianne Alweis
Gloria & Joseph Melnick
Renee Menard
Dick & Toni Merrick
Laura Merrick
Otty Merrill
Alice C. Merritt
Jeannette DeNicolis Meyer
& William Meyer
Melanie Meyers
Ron & Hester Meyers
John Paul Miller
Kay & Dick Miller
Linda Miller
Jo-Anna & Michael Moore
Tom & Leslie Moore
Clayton Moravec
Sana Morrow
Eleanor Moty
Judith Motzkin
Tom & Sherona Muir
Steve & Chia Murdock
Sam Newbury &
Jan Myers-Newbury
Lisa Neidrauer
Susan Newbold &
Ernst Benzien
Joyce & Arthur Newkirk
James M. & Virginia W.
Newmyer
Family Fund
Leanne Nickon
Bruce Norelius Studio
Richard Notkin &
Phoebe Toland
Ann Patrick O’Brien
O’Donnell Iselin
Foundation, Inc.
Marguerite Ogden
Helen M. Oja
John Ollman
SPRING
2013
Victoria Rabinowe
Whitney Wing
Oppersdorff
Deborah Orrill
Karen & Paul Orsillo
Charles & Kathleen
Osborn
Philip & Lydia Osgood
Susan Ostertag
E. C. Owen
Jan Owen
Sherry Owens
Colin Page
Katherine Page &
Alan Hein
Larry Page
Perimeter Gallery
Judy Paolini
Arthur & Martha Pappas
Elmerina & Paul Parkman
Pamela Parvin
Andrew Pate
John J. Pauplis
Adria Pearlman
Penny Peet
Cristina Pellechio &
Job Heintz
William & Mary Penny
Penobscot East Resource
Center
Carole M. Pesner
Laura L. Pike
Deb & John Piot
Michelle Plucinsky &
Chris Nordin
PNC Foundation
Matching Gift Program
Charlotte Podolsky
Cathie Polak
Jocelyn Pollard
Misty Potter
Ann Powers
Dot Prater
Jane Quimby
Rosanne & Edward Raab
Duncan Ralph &
Edward Whitehead
Cathy Ramsdell
Jay Rancourt
George Mueller
Alone Moose
Ann Coddington Rast
Regina Reid
Don & Ginger Reiman
Joan Resnikoff
Marsha Rheubottom &
Seth Parker
C. William Rich &
Sharon Hevener
Deborah Richardson
Emily Richardson
Todd Richardson &
Associates
Mary Richter
Meg Richter &
Ian Pappajohn
Sue Ricklefs
Chris Rifkin
Fox Reutlinger Ritchay
Malcolm & Susan Rogers
Susan & Peter Rogol
Charlene Amelia Romanos
Allan Rosenbaum
Robert J. T. Rosenfeld
Judy Rosenstein
Pat Roth
Robert A. Roth
Betsy Rowland
ROY
Jan Royall
Virginia Royster
Beth Rubenstein
Eleanor Rubin
Diane Rueffert
Linda Ruggiero
Lois Russell
Michael Ryan &
Mary McGregor
Mitch Ryerson
Marcia & Seymour M.
Sabesin MD
Ken Sadler
Susan Joy Sager
Joel Saleeby
Mary C. Sanford
Phyllis Savage
Sally Savage
Jean Savalchak
Dorothy R. Saxe
Eugene &
Mary Jane Saylor
Barbara Schatz
The Schiller Family
Lynne Schulte
Karen Schwartz &
Christopher Coffey
Joyce Scott
Elsie Sealander
Warren Seelig &
Sherrie Gibson
Daniel Seigel
Hisako Sekijima
Nancy & Steve Selvin
Chris & Rebecca
Sentementes
Sarah Sharpe
Carol Shaw-Sutton
Piper Shepard
John Sheridan &
Andrea DuFlon
Bunzy Sherman
Carin Shiga
Carol Shinn
Helen Shirk & Carl Chase
Adam Shirley
Linda W. Shroyer
Judy Sidran
Carol Sime
Ned Simmons &
Doreen Nardone
Jennifer Simon
Ellen & Mickey Simon
Marjorie Simon
Cindy Simonds
Alice Simpson
Shira Singer &
David Manski
Betsy Menson Sio
Marjorie Sisitsky
Gwendolyn Slamovich
Adrienne Sloane
Ann C. Slocum
Debra & Douglas Smith
Duncan & Joan Fowler
Smith
Gay Smith
Jennifer S. Smith
Paul Smith
Kelly Solari
Rebecca Sparks
John & Vivian Spencer
Patricia E. Spock
A. Sprecher
Marc & Nicole St. Pierre
Teresa Stack
Dr. David G. Stahl
Bonnie Stahlecker &
David Morrison
Ron Stegall
Carol Stein
Untitled (round locket) (2009), fine silver, sterling, paper,
and polymer clay, 2 1/4" diameter, by Celie Fago, who
will be teaching a metals/PMC workshop during Session
6, August 25–31, 2013.
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Suzanne &
John Stephenson
Brett Stern
Rebecca A.T. & Gary G.
Stevens
Frances Storey
Jeff Toman & Candice
Stover
Sherry Streeter & Jon
Wilson
Susan Strickler
B. J. Strodel
Mimsey Stromeyer
Barbara Sullivan
Jan Greer Sullivan
John Sutphen
Laurie Sverdlove
Sarah Tabor
Judith Tannenbaum
Bill Temple
Diane Teubner
The Minneapolis
Foundation
Del Thomas
Susan Dungan Thomas
Frances Merritt
Thompson
& Eric Benke
Louise M. Todd
Jacquelyn Tofte
Tip Toland
Sharon Townshend
Tradewinds Marketplace
Rick Traub &
Mary Whiting
Marc Treib
Jack Troy
Richardson Turner
Tyler Glass Guild
Mary Ann Tynan
Juris Ubans
Lanci Valentine
Ruth Van Doren
Suzi Van Wye &
Richard Barnes
Merike Van Zanten
Rosalind Virshup
Diana & Albert Voorthuis
Sally M. Wagley
Carol Wainright
Barbara Waldman
Holly Walker
Marjin Wall
Julian & Elsa Waller
Georgianne Grande
Wanous
Geoffrey Warner
Dick & Pat Warner
Carley Warren
Barbara Weber
Robert & Faith Webster
Hong-Ling Wee
Joan Weinstein
Arthur & Lillian Weiss
Mary Weiss
Winifred Weiss
Page 11
Elizabeth Bishop
Wentworth
Mrs. Nancy H. Wessells
Westcliff Foundation
Carlee Weston, Jr.
Meg Weston
Sue Anne Westphal
Wet Dog Glass, LLC
Jane Whedbee
Hub White & Pat White
Beck Whitehead
Mary Whiteley
Bill & Barbara Whitman
Steve Whittlesey
Marcia Widenor
Rosemary Wiesner
Tatiana Wilcke
K. Lynn Wildnauer
Nate Willever & Family
Andrea Willey
Sandra Williams
Barbara Willis
Anne Wilson
Susan J. Wing
Robert & Paula Winokur
Betsy Wish
Paul Wisotzky
Yoka & David Witham
Robert William Wolff
Betsey Wolfson
Anne C. Wollman
Joe Wood & Becky
Brannon
Jean Woodard
Margot Woolley & Gerard
Vasisko
Valerie Wyckoff
Valerie Wyckoff
Debrah Little Wyman
Tetsuya Yamada
Thomas Yoder
IN KIND
Elisabeth Tova Bailey
Eddie & Diane
Dominguez
Dow Studio/
Carole Ann Fer
& Ellen Wieske
Abbie Fassnacht
Joe & Isabel Ferguson
Tim McCreight
Portland Pottery
Joanne & Jim Rapp
Warren Seelig & Sherrie
Gibson
Martha Sielman
COMMEMORATIVE
GIFTS
IN HONOR OF . . .
Diane Dirocco
GIFTS TO THE
ENDOWMENT FUND
Edward Larrabee
Barnes
Scholarship Fund
Thomas Guglielmo
John & Bridget Barnes
Jeffrey Gutcheon
Andrew Bergman
Scholarship Fund
Susan Dungan Thomas
John Coffey
Bergman Design
Consortium, Inc.
Marjin Wall
IN MEMORY OF . . .
Malcolm Davis
Priscilla Henderson
Scholarship Fund
Ann Roth
Sue S. Baum
Ruth McBride
Jennie Fer
jackandharriet
Program Fund
Hillary Dorsk
Charles Gailis
Jan & Jerry Maddox
Ann Powers
Carol Hemphill
Gersen
Bernice W. Hemphill
Linda & Philip Hicks
Dorothy B. Katz
Betsey Wolfson
Susan Kriegman
Mark & Martha Bell
John Metcalf
Doris Criswell
Diana Dunnan
Shirley French
Douglas Hart & Marion
Hart
Alban Thompson McIsaac
Eugene &
Mary Jane Saylor
B. J. Strodel
Paul Gross & Peggy Sadler
Jack Hemenway
Howard Kestenbaum
and
Vijay Paramsothy
Scholarship Fund
Richard A. Merritt
Scholarship Fund
Ichiro Kurihara
Ingrid Menken
Scholarship Fund
Sarah Allen & William
Pohle
Hilary Dorsk
Richard Heleen
Lesley Lichko
Lynn & Ed Kneedler
Van & Theodora Ooms
Pat Roth
Michael Stasiuk
Frances Valesco & Bob
Reney
Susan Wilson
Mary Nyburg
Scholarship Fund
Finn Alban
Melody Levy
Susan W. Smith
Susan Wilson
Jennifer Kimball
Betty Oliver
Scholarship Fund
Jody Klein
Lynn Duryea
J. Richard Klein
& Marcia Marcus Klein
P. G. Pancoe
Francis S. Merritt
Program Fund
Irving S. & Alwyn N.
Johnson
Family Foundation
Jennifer Kimball
Richard Siegel
Joanne & James
Rapp
Fellowship
Joanne & James Rapp
Mathew Spiegel
Scholarship Fund
Anne Currier &
George Hrycun
Priscilla Merritt
Scholarship Fund
Janet Gray Crosson
Jennifer Kimball
Suzanne Nash
William Brack & Jessica
Ladd
Rosie Rindfleisch
Jeannette DeNicolis Meyer
& William Meyer
Elizabeth T. Scott
Joyce Scott
Julia Terr
CURRENT YEAR
SCHOLARSHIPS
Robert William Wolff
Joyce Scott
Marcia & Seymour M.
Sabesin MD
Kiki Smith
Elizabeth Whelan
Janet Torrey
Liz Cutler
Barbara Markey
Wallace
Gwendolyn Wallace
Fox plate (2012), porcelain with gold luster decals, 1" x
8" x 8", by Ayumi Horie, who will be teaching a clay
workshop during Session 5, August 11–23, 2013.
H AY S TA C K
G AT E WAY
SPRING
2013
11
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NON-PROFIT
H AY S TA C K
ORGANIZATION
U.S. POSTAGE
PA I D
LEWISTON, MAINE
HAYSTACK MOUNTAIN
SCHOOL OF CRAFTS
PERMIT NO. 82
P.O. BOX 518
DEER ISLE, ME 04627
www.haystack-mtn.org
Return Service Requested
Don’t Make Waves (2010), cherry, ash, acrylics, 21" x 3.5" x 3”, by Jacques Vesery, who will be teaching a wood workshop during Session
6, August 25–31, 2013.
✁
NAME (Please print your name(s) as you wish it to appear on contributors’ lists.)
E-MAIL
ADDRESS
CITY
STATE
HOME PHONE
ALTERNATE PHONE
❑
WORK
❑
ZIP
CELL
I want to make a contribution to the 2013 Haystack Annual Appeal in the amount of:
❑ $5,000 ❑ $2,500 ❑ $1,000 ❑ $500 ❑ $250 ❑ $100 ❑ $50 ❑ $35 ❑ Other $ ____
Please charge my ❑ MasterCard
❑ Visa ❑ Discover or ❑ Enclosed is a check in the amount of $ _____________________
/
NAME ON CARD
Please use my gift for:
❑ Haystack general operating fund
❑ Studio/facility improvements
❑ Current year scholarships
/
CARD NUMBER
SIGNATURE
EXPIRATION DATE
❑ I have included Haystack in my will.
❑ Please contact me about a transfer of securities.
❑ Please contact me about including Haystack in my will, or about other planned
gifts including gifts of life insurance, gift annuities, or trusts.
❑ I wish to remain anonymous in Haystack publications.
Haystack Mountain School of Crafts, P.O. Box 518, Deer Isle, ME 04627, (207) 348-2306, development@haystack-mtn.org, www.haystack-mtn.org
Donations may also be made securely on our website.