oompa booklet 1.1
Transcription
oompa booklet 1.1
OOMPA LOOPMA RIOT TRADEMARK terse tapes R ART SHEET AA1 C. Reider ‘Dickie’s Qualified’ Donkey Papist ‘the major hurdle in understanding the human mind is the obsession for rationality of the minds of those that study it’ Howitzer Industries ‘Forge’ Pacmen ‘one42’ Remote Control Rectum ‘Work With Evil Ducks’ The Revenant Sea ‘Arche (For Krzysztof)’ Front of Central Meat ‘Purification Ceremony Under Motorway Bridge’ Inch Urch ‘Tum Tum’ Madgif ‘Grillz’ Chlamydia Headlock ‘Robespierre’ Carya Amara ‘Concealed Sky’ DJ Do ‘Lab Test’ Time Being ‘Cosmic Ballet’ Quimper ‘Daddy Fell Into The Pond’ Kubler-Ross ‘Bridges’ Last Dominion Lost ‘Boned’ !!* ‘Eat your own Dogfoooood’ D.N.P. ‘Dead City’ DSJ ‘Cb-1’ Space Food Chicks ‘The Wonderful Feeling’ IsmISM ‘Taxi to Babylon’ Lagowski ‘Ferrograph’ Midwich Youth Club ‘Pissed in the Park’ HorseMacgyver ‘Angel Fire Xtacy’ Brainbeau ‘So Much Preets’ infintezer0 ‘Ghost’ Tauchsieder ‘Thump’ House of Joy ‘Techno Sux’ On The Area Steps ‘Sonofabitch’ X in O ‘INaction’ Auto_Horatio ‘her hair hurts (his nose is healing)’ Norah Lorway ‘Zvonci’ Ellard ‘MH370’ Spring Rolls ‘Your Livers’ Frozen Anna Dentist Time Terse Tapes. 1979-1983 2015. Why now then? Because there’s a fable that creativity which happened ‘then’ is somehow more valid than if performed ‘now’. ‘Then’ & ‘now’ are just for the art industry to assign work into silos. It discourages new action and is useless. The fable is best refuted if the action continues on both sides of the false barrier. I’m in a position to demonstrate the error & I must do so. This compilation is made in much the same way as we did in 1979-1983. It’s done by asking a few if they want to make something, and they tell a few others and so on. There is little or no ‘curation’. We could have used tape, but the media’s not really the issue. It’s about continuation. I’ve asked everyone to approximate their pictures to 80’s style. This proclaims the continuity, but it’s also a bit of fun. TE Just because you can, does not mean you should. Except when you're bursting. Remote-Control Rectum can often be found attached to Ethernet cables, and should be scraped away with blunt instruments. This residue, planted in suitable hosts - potatoes being a good example will ferment and form a suitable carrier for musical viruses. ‘work with evil ducks’ is a pareidoliac sneeze-opera, and should not be administered aurally. No machines, animals or children were harmed in its production, but some gates may have been sprained. In this example, Remote-Control Rectum has ineptly mangled audio from a well-known newspaper advertisement, turning it into a visual parody of the migratory habits of the North-American shoe salesman. Remote-Control Rectum is a set of non-deterministic leafy green English vegetables exiled in Switzerland. They grow wild upon computing machinery, and are difficult to remove once allowed to root. The mysterious underground music maker,unheard since 1980’s Saving Souls resurfaces after 35 years. A beginning ... or the end? Topsy Keevil reports. Here’s Lucy Scene one: The Office Lucy eating chocolate eclairs at the office. Enter Harry outraged. Makes fun of Lucy’s weight, sagging tits, fat arse. Exit Harry. Lucy contemplates suicide, but instead, when Harry is out, she cracks the safe and steals lots of cash. She books in for Liposuction and The Works. Scene Two: The Clinic. A nurse in SS uniform is giving Lucy an injection from a massive syringe. Lucy is whacked. Fish eye point of view shot of Doctors leaning over her. She now realizes they are in fact aliens. Scene Three: Operating theatre. Liposuction on Lucy has begun... We follow the tube bearing the fat down, down into the bowels of the hospital , deeper into the centre of the planet where in fact it is being pumped, by the aliens , directly into the fuel tank of their enormous craft. The craft resembles a giant black bat with fangs and glowing red swastikas for eyes. Scene Four: The Office Harry at desk counting coins in orgasmic glee. Enter Lucy. The coins topple, he is furious. Lucy looks like something like Joan Rivers crossed with Frankenstein. She has bolts in her neck and massive stitch marks everywhere. She puts one hand on hip, raises the other and goes “Tad-ah!!!” She is fired. Scene Five: Lucy at home. The place is a wreck. A junkie pad. She tying off preparing to inject herself with another huge syringe. She goes on the internet and skypes Osama Bin Laden. They make plans. Scene Six: The Office. Harry is sitting at the computer watching porn and jerking off. We see the porn he is watching and it is an unspeakable blur of everything imaginable. Suddenly he looks alarmed and gets up running to the toilet with his hands on his bottom. He sits down and does a huge dump looking very relieved. We follow the pipe down into the bowels of the office building where Lucy is waiting. Harry’s dump plops into a metal drum she has waiting. She seals the lid. In the background are hundreds of metal drums. Scene Seven: At the Post Office. Lucy is waiting in line carrying a huge rusty metal drum with a biohazard symbol on it. Scene Eight: Suburban house in the middle east. Shot of doorbell with “bin laden” written on it. Bin laden in drag with curlers in his beard, nightie and fluffy slippers, fag hanging from gob sitting at kitchen table making bomb. The doorbell rings. It is a woman in burqa with clip board, “sign here” she delivers the drum. Bin Laden rolls it inside into a room where he already has hundreds. He sits down in living room puts his feet up, lights another fag and picks up the remote to turn telly on. Suddenly the ground begins to shake. An earthquake ensues. Scene Nine: Shot of Earth from space. The planet explodes to reveal the alien craft SS Fledermaus . It flaps toward the camera its fangs and swastika eyes fill the screen. THE END Sendspace File Delivery Notification: You’ve got a file named boned.wav, (109 MB) waiting to be delivered at sendspace.com Description: last dominion lost (john murphy, jon evans, julian percy... outtake 2010... SPACE FOOD CHICKS The Wonderful Feeling Yamaha YC-45D organ, Baldwin Electrapiano, Hohner Symphonia 30N, Fernandes ‘Stone Logo’ fretless Precision bass, Yamaha PB1 bass preamp, Squier J Mascis Jazzmaster, Squier Bass VI, Yamaha THR10C amplifier, homemade ‘yoy-yoy’ wah, Coron DS8 drum clone, Korg Wavedrum, DBX 120X Subharmonic Synthesizer, Furman RV-1 spring reverb, Yamaha E1010 delay, MOTU UltraLitemk3 audio interface, Yamaha MG16/6FX mixer. All instruments played by Chris Gregory. Barking contributed by Toki (pictured, left). Field recordings made at the Coburg Trash and Treasure over a roughly four-week period from mid-February to mid-March 2015. Spoken samples from ‘Blindman’, starring Tony Anthony (the greatest of all Tonys). chris@chrisgregory.com Sign in frozen anna dentist time Web Images Videos Shopping News More Search tools SafeSearch This is version 1.1. of the compilation, build date 11th April 2015. Please correct errors by commenting at: http://sevcom.com/wp/2015/04/01/oompa-loopma-riot/ C. Reider Donkey Papist Howitzer Industries Pacmen Remote Control Rectum The Revenant Sea Front of Central Meat Inch Urch Madgif Chlamydia Headlock Carya Amara DJ Do Time Being Quimper Kubler-Ross Last Dominion Lost !!* D.N.P. DSJ Space Food Chicks IsmISM Lagowski Midwich Youth Club HorseMacgyver Brainbeau infintezer0 Tauchsieder House of Joy On The Area Steps X in O Auto_Horatio Norah Lorway Ellard Spring Rolls Frozen Anna Dentist Time vuzhmusic.com www.davephillips.ch ric8ard@gmail.com management c/o tte@sevcom.com bradbury.bandcamp.com caryaamara.com aliasfrequencies.org quimper.bandcamp.com bangbangsplat.blurk.net management c/o tte@sevcom.com lagowski.com midwichyouthclub.bandcamp.com horse-macgyver.bandcamp.com www.facebook.com/brainbeau www.facebook.com/tauchsieder ontheareasteps.bandcamp.com soundcloud/auto_horatio tte@sevcom.com A Severed Communications Company 2015