Serendipity Choir

Transcription

Serendipity Choir
Serendipity
[August-September 2007]
Draft 2 – 6/7/07
Your daughters and your sons.........................................................................................................2
Supergran .........................................................................................................................................4
Hello Muddah, Hello Faddah!..........................................................................................................6
Waly Waly..........................................................................................................................................8
Vitamin Dance ................................................................................................................................10
Yerushalayim Shel Zahav................................................................................................................12
Fields of Athenry ............................................................................................................................14
Another Train .................................................................................................................................16
Hallelujah........................................................................................................................................18
Serendipity .....................................................................................................................................20
Travellin’ Soldier ............................................................................................................................22
Kacheche ........................................................................................................................................24
Gone the rainbow ..........................................................................................................................26
Sua Gan...........................................................................................................................................28
Skin .................................................................................................................................................30
I don’t work for a living..................................................................................................................32
Rip Rip Woodchip ..........................................................................................................................50
Drunken Landlady Tune Set.........................................................................................................49
Dunmore Lassess Tune Set ............................................................................................................50
Twinkletoes ....................................................................................................................................52
Wayne Richmond
38 Alleyne Avenue
North Narrabeen NSW 2101
(02) 9913 7788
(0400) 803 804
wayne@humph.org
Web: humph.org
Your daughters & your sons
Tommy Sands
Adapted from an arrangement for unnaccompanied SATB choir by Tom Bridges (Jan '04)
 

1. They
2. Your
3. They
4. I
5. And
F
4
 
S.
F

would - n't hear
wear - y
smile
taun - ted you
don't know your
now your mus -
6
F

read
strive
War
ev
dreams

 
A.
  
 They
T.
And
In
And
And
 
B.
 
9
 F
S.   
B.

2
could - n't
though your
Vi - et though you
now you've


stop
bod
nam
nev
got
seeds
seeds
sowed
seeds
seeds



sowed
there
sowed
sowed
the
the
you
the
the
seeds
seeds
sowed
seeds
seeds











- ting
and
- al - ise
- to
where
can work
- ted
can
Bb



they
the
they
and
be










Bb





dom
tice
of
ty
dom







of
free
of
jus
the
seeds
of e - quali of free -

dom
tice
of
ty
dom





C7






in
your
in
your
peace in your
in
your
in
your

daugh
daugh
daugh
daugh
daugh

have
have
and
have
be
 
won,
won,
guns,
won,
gun,
For you
For you
It's
You
For you
   
3
 
   
you
you
tanks
you
just
-
-
have
have
and
have
be
3
 
won,
won,
guns,
won,
gun,
For you
For you
It's
You
For you
   


daugh
daugh
daugh
daugh
daugh
you
you
tanks
you
just
3
C



   




vic - t'ry
vic - t'ry
came with
fruits that
fu - ture's


3



F
from the
town.
ev - 'ry - one.
up
in chains.
they
can play.
one
and all.


3
you
of
you
dren
by
vic - t'ry
vic - t'ry
came with
fruits that
fu - ture's
in
your
in
your
peace in your
in
your
in
your

C

your dream - ing and the
y's bent and though the
and Chi - le where they
er
got your share of the
them think - ing and the

They
You
And
For a
And
C



tore your paint - ings down.
chain - marks on
your hands.
tor - tured you
in Spain.
day
I
heard
you pray.
wri - ting's on
the wall.
banned
rights
tied
chil seen

   
3


your dream - ing and the
- y's bent and though the
and Chi - le where they
er
got your share of the
them think - ing and the
of
free
of
jus
the
seeds
of e - quali of free -



-
  



  
the
the
you
the
the
 
 sowed
T.

  
sowed
sowed
there
sowed
sowed

A.

Bb
your
wri
to
re
saw
ghet
'ry - one
you
pain
stop
bod
nam
nev
got

C
your mu - sic
and they
that proud - ly hides the
in
Bel - fast and they
re - li - gion but one
ic's play - ing and
the
  
They could - n't
And though your
In
Vi - et And though you
And
now you've



  
would - n't
brave - ly
in
that
world where
all
the


S.   
  
Bb

ters
ters
ters
ters
ters
and
and
and
and
and


ters
ters
ters
ters
ters
and
and
and
and
and




3

your
your
your
your
your
3

3


3
your
your
your
your
your
 

F

sons.
sons.
sons.
sons.
sons.




sons.
sons.
sons.
sons.
sons.


Chorus

S.   
 
11
Bb
In
C
F
   
    
3
your daugh -ters and
your sons,
in your
T.
In
B.
your daugh -ters and

F
sowed
sowed
there
sowed
sowed
 

  
the
the
you
the
the
seeds
seeds
sowed
seeds
seeds
  
     
 sowed the seeds
sowed
there
sowed
sowed

B.
  
the
you
the
the
seeds
sowed
seeds
seeds
  




your

your
daugh
daugh
daugh
daugh
daugh
-
You
You
It's
You
You
  
and
and
andn
and
and
3

your
your
your
your
your
3

















3







 Verse 4 (Choir)
S.   


A.
Nnnn


Nnnn
T.
B.

 
 Nnnn


Nnnn


ters
ters
ters
ters
ters
and
and
andn
and
and


  

Nnnn

Nnnn

Nnnn

-


  

Nnnn


Nnnn
Nnnn

Nnnn




Nnnn
your
your
your
your
your


Nnnn



sons.
sons.
sons.
sons.
sons.




  
Nnnn

Nnnn


Nnnn
Nnnn
Nnnn


Nnnn




3
C7
sons.
sons.
sons.
sons.
sons.

daugh
daugh
daugh
daugh
daugh
F


of
free - dom
in
your
of
jus - tice
in
your
the seeds
of
peace in your
of e - qual - i - ty in your
of
free - dom
in
your
 


sons.

ters
ters
ters
ters
ters
 


     

You
You
It's
You
You
sons.
     

 


     
C
of
free - dom
in
your
of
jus - tice
in
your
the seeds
of
peace in your
of e - qual - i - ty in your
of
free - dom
in
your
Intro: |F Bb|C FC| (x 2)
V1: Line 1 & 2: Sops
Line 3: Sops + Tenors
Line 4: Sops + Tenors + Altos
Intro (2 bars only)
V2: Line 1 & 2: Men
Line 3 & 4: All
Intro (2 bars only)
V3: Line 1 & 2: Women
Line 3 & 4: All
Intro (2 bars only)
V4: Line 1 & 2: F solo + Nnns
Line 3 & 4: F solo + M solo + Nnns
Intro (2 bars only)
V5: Tutti (Repeat Chorus) (1st line a capella)
(v1.2 10/7/07)
Bb
     
daugh -ters and
   
         
14
T.
in your
3

S.    
A.
   
your sons,
C
daugh -ters and


  
  
     
3

         

3
A.
Bb

Nnnn
Nnnn


Nnnn
  
Nnnn



Nnnn
3
Supergran
Phil Coulter & Billy Connolly
Verse 1 F

       
Stand back Sup - er - man,










   
    
Ice - man, Spi - der - man, Bat- man, & Ro - bin
too!
Don't
C7







     
      

 
5
wan - na cause a ruck - us, could be a
F






bit rau - cous, but I've got a match for you!
F7
Bb
She
Bdim



                        
9
makes them look like a bunch of
fair - ies, she's got more bot - tle than U - ni - ted Dair - ies,
  
  


           
F
13

  
Hang a bout,
 
C7

look out

 
F
for Su per - gran.
 



      
F
       
20
      
say Stal- lo - ney is
29
just a - noth - er pho - ney, He could - n't lace
C7
his shoes.
F7
Af - ter her they're all
big girls blous - es, She's got more front than a row
Bb
   
Bdim

                
               
 

F
C7
 
   
Hang a bout,
They
            
 

4
too.
F
      
33
Sup Sup - Sup er -gran!
      

           
You can take your he - roes, your Ro - bert De Ni - ros, Your Al Pa - ci - no
25

      
 

Sup Sup - Sup er -gran!
Verse 2
 
look out

 
for Su -per - gran!

F
  

of

  
 
Sup -Sup
-
hous - es,


   
  
Sup - er - gran!
 




     
Bridge
Bb7
38

 

  G7
  

Sup -Sup
F

She's a ser - i - ous Gran - ny,
 
 
        
-

    
  
A

Sup - er - gran!



Ooh
 
 

She'll do things that you ne - ver saw your Gran - ny do,





  
    
ser - i - ous Gran - ny.
           
43


Sup -Sup
C7
-
Sup - er - gran!


Is there nothing that she cannae' do?
(spoken)


Ah
Verse 3
F
     






        

     
47
On your bike Won - der Wo - man,let's just say you had it com - in' This one is for
real.
51
                       
Char - lie's An - gels pack it in be - fore it gets em - bar - ras - sing, The la - dy's sol - id steel.






C7
She
 


















         
F
55
F7
Bb
Bdim

               













comes on strong like a Ben - gal Lan - cer, She makes you all look like a bunch of
(1 or 2 voices only)
 

               
 

59
F
64

 
   
Hang a bout,
 
   
F
   
C7
look out

     
for Su -per - gran.
        
C7
        
  

look out
for Su -per - gran.
F
  
  
F
  
        
C7
        
 

look out

    
Sup - Sup
chan - cers.
-
for Su -per - gran.


   
Sup - er Gran!
5
Hello Muddah, Hello Faddah
  
Vln. 

Fl.

A





 
  

E7
 
  
 





E7

 
  
 


Allan Sherman


  
 



A
 

  
 



  

  
    
Vln. 


  
  
 




Fl. 


  
 

5
C#7
 


D
A
9
E7
1. Hel - lo Mud - dah
2. All thecounsel - lors
3. Dear - est Fad - dah
G#7

 
14
C#m

A
hik - ing
don't want
min - ute
 

  
with Joe Spiv - ey
this should scare ya'
it's stopped hail - ing
  
 

Fl.

6
D
mem ber
mem ber
crick - et
Leon ard Skin ner,
Jef - frey Har - dy
Gee that's bet - ter
   
 

Camp Gra - na - da
al - i - ga - tors
lit - tle brud - dah?

 

 
Fine
E7
  
 
He de - vel - oped
But my bunk mate
Guys are swim - ming
  
 

And it's
And the
Let me
E7
       
And they say we'll have some fun
if
it stops rain - ing.
So he reads to us from some - thing called U - lys - ses
I would e - ven let Aunt Berth - a hug and kiss me
E7
 
C#7
 

Here I am at
And the lake has
How's my prec - ious
B7
      

  
22
A
A
             
 
   
Fl.
E7
E7
Hel - lo Fad - dah
hate the wai - ters
Darl - ing Mud - dah
ve - ry
en - ter - tain - ing
Head Coach wants no sis - sies
come home
if you miss me
18
A
   

            

 

Coda



A
   
Poi - son Iv - y
has ma - lar - ia
guys are sail - ing
  
 
I went
Now I
Wait a



You re
You re
Play - ing
  
 

               
A
E7
A
He got pto maine pois' ning last night af - ter din ner.
They're a - bout to or - gan- ise a search ing par - ty. (to Bridge)
Mud-dah Fad - dah kind - ly dis - re-gard this let - ter! (to Coda)
     






     
 
 
(v1.1 6/7/07)
Bridge

 
Am
26
H.

Vln.  

pizz.

 
Am
30

Take

me





Vln.
Fl.






   
 

34

Am




Vln. 




 
38
Am
oth
H.
 



Vln. 
 
 
Fl. 

(v1.1 6/7/07)



 


boys,











F

  
  
Am
 







 




rall.
F

     
Oh please don't make me stay,
E7
a bear

 

  
 
noise,




or mess the house with



 


  
Esus4
 

   


 


I've been here

       
    




  
 










ea - ten by
Dm
make


Esus4




      
















 

be

I prom - ise I will not
I hate Gra - na - da.

     
I might

  
  
 




 


  




    





  
 







C
er


 

home,



  
 
 
me
out in the for - est where
home,

-





me

C
 

Dm

oh Mud - dah Fad - dah Take
Dm

Take

me



 
H.



leave

 
Am

  
  
home,

Don't
H.

Dm







E7

  
one whole day! (to 3rd verse)

arco.


7
O waly, waly
(The water is wide)
3
  
     
Tune
The wa - ter
is

  
   
3
Women
The wa - ter

 
Flute
  
Viola
 
 
Cello
 
 
3
Dm
have
 
W
have



Rec.
Vla.
Vc.
8

 
wide,

I

wide,


get
o'er,
 


I
ca - not
get
o'er,

to -
fly.
  


I wings
I wings
to
fly.

    



C7
  
Give me

  

a


     
  

C

Nei - ther
  


Nei - ther
     
 
 
  
3

 
  

ca - not


Bb
 
 
F



3




Fl.

Bb
     

  
Recorder
T
is
F
Traditional English Folk Song
  
  

Am
Bb


  

 
    

boat
   
that can car - ry
a boat
that can car - ry
  


 

 










 
F
6
T
two,
W


two,
Rec.
Fl.
Vla.
Vc.


 
 
Dm
[To Coda]
C7
3
 
 
and both shall
 

   
 

 

     
 

cross,

F Bb
 
   
my true love &
F Bb
 
       
 






F Bb F
I.
3
both shall cross, my true love &
 
F Bb
I.

      *              
            







3
                






 












  
3


3

Coda
O, down in the meadows the other day,
A-gath'ring flowers both fine and gay,
A -gath'ring flows both red and blue,
I little thought what love can do.
I leaned my back up against some oak,
Thinking that he was a trusty tree,
But first he bended and then he broke,
And so did my false love to me.
A ship there is and she sails the sea,
She's loaded deep as deep can be,
But not so deep as the love I'm in;
I know not if I sink or swim.
10
T
Dm F/C
 
rall.
dew.
Bb
F

Intro (pluckies only from *)
V1: Solo (with pluckies)
V2: Trio (
) (+ flute & viola)
V3: Choir (+ flute & viola)
V4: Choir (as above)
Instrumental (featuring recorder)
V5: Solo (pluckies only) --> Coda
(Instrumental)
O, love is handsome and love is fine,
And love's a jewel while it is new,
But when it is old, it groweth cold,
And fades away like morning dew.
9
The Vitamin Dance
Intro
Verse 1 --> Chorus
Verse 2 --> Chorus
Verse 3 --> Chorus
Instrumental (verse x 2)
Verse 4 --> Final Chorus
Intro --> Instrumental (verse x 2)
Verse 1
 




  

A
3
Some like to hip hop
Leon Rosselson
 


Intro
A

[3 times]
       
       
E7
     
 


    
D
E7


    
Some like to jive
Some like to do
A
   
the
nine to five
    





        
 


A
7
D
A
D
D
G
D
Some like to boo - gie when they get the chance
Chorus
A
D
  


          
    


But
I like to do the
   
   
vi - ta - min dance







    
       

E7
11
The vi - ta -min dance the
E7
G
vi - ta -min dance
Let's all
do
the
vi - ta -min dance
The
 
  
   
         

         

 


A
16
D
E7
vi -ta -min dance is the dance for me,
Verse 2
A
AD
es - pec -ia -lly -the one called Vi -ta -min
D
E7
A D A D A
C.
A

              














21
You can do it at break - fast you can do it at tea, all you need is some - thing with vi - ta - min C.
You
  


                        

26
A
D
A
D
D
G
D
G
E7
find it in sa - lad you find it in greens You find it in fruit,
po - ta - toes and beans
It's
    


     





 



                



30
A
not in
D
A
D
D
choc - late and it's not in
G
D
G
E7
cheese But it's there in to - ma - toes and ap -ples and peas.
[to Chorus]
10
Verse 3




      















A
34
D
E7
A
If you want to do the vi - ta - min, here's what you do, You get your - self
A
D
A
Verse 4
D
D
take off the peel,
G
D
E7
G
Throw it in the bin Then you eat the jui - cy fruit with the vi - ta - min.
[to Chorus --> Instrumental]

       
A
43
or -ange or two, You
   
                 

 
    
 
  
39
an
D
E7
A
               
You get fir - mer mus-cles you get smooth - er skin, When you do the dance of the vi - ta - min.
 
  

48
A
D
A

                 

D
D

G
D
It's
E7
G
good for your blood, bones, teeth & gums. And it keeps a way the snee - zes when the win - ter comes.
Final Chorus







    
       

A
D
  


          
    


E7
52
The vi - ta -min dance the
vi - ta -min dance
Let's all
do
the
vi - ta -min dance
The
D
E7
AD A D 
 A




 
 
         






      
   
  
57
vi -ta -min dance is the dance for me,
 A
    
  
61
es - pec -ia -lly -the one called Vi -ta -min
 D
    
    
vi - ta -min dance the
vi - ta -min dance
 A

         
    
 
D
65
vi - ta - min dance

     
is the dance for me,
69
pec -ia -lly -the one



   
E7
Let's all
do
C.

 
      

the
vi - ta -min dance
E7
 
     
Oh the


The

es - pec -ia - lly - the one
    
pec -ia -lly -the one

   
called vi - ta -min
A

C.
[--> Intro --> Instrumental]
(v1.1 6/7/07)
11
Yerushalayim Shel Zahav
Dm 
Gm
C7
F


               
Intro
8 Verse
 
S.
14
Gm
 
S.
Dm
Gm
A - vir ha - rim za - lul ka - ya - yin
As clear as wine the wind is fly - ing
Dm

bay - im Im kol pa - 'a
dy - ing a lone - ly bell
Dm Gm
19
D
A7
Dm


A.
 
 

T.

B.
 
 
S.  
30
Bb
chol
heart
A.
T.
 
 
 chol
heart
B.

 
12
C7
F
Dm


shee - rei - ich
I
trea - sure


       

       
       

v' -shel n' - cho - shet v' - shel or
Ye - ru -sha - la - yim, bronze & light
a
your
ni
gol

-
a
your
  
ni


      
kee - nor

Dm
Ye -ru -sha
Ye - ru -sha
Ye -ru -sha
ni
gold
gold

      
Shvu
the

mah.
wall.
F7

  
ha - lo l' With -in my

  
  

ha - lo l' With -in my
  

Am Dm


        
       
kee - nor
den sight.
        

      

shee - rei - ich
I
trea - sure
2.
Am Dm

F
v' -shel n' - cho - shet v' - shel or
Ye - ru -sha - la - yim, bronze & light
1.
Gm/D Dm


A7 Dm

       

        


 

 
Gm C7 Gm C7
Ye - ru -sha - la - yim shel za - hav
la - yim all of gold

Gm
Gm

 
       
      
  
Am/C
Ni - sa be - ru -'ah ha - 'ar
As eve - ning light is slow - ly
Ha - ir ash - er ba - dad yo - she - vet U - ve - lib - bah
ho A - round her heart my ci - ty car - ries a lone - ly an - cient
Gm
  
   
Uve - tar - de - mat i - lan va - e - ven
So ma - ny songs so ma - ny sto - ries
Ye - ru -sha - la - yim shel za - hav
la - yim all of gold
E7
Dm
Dm

    
mon - im.
still chimes.
Dm

     
ve - rei - 'ah o - ra - nim
a - mong the drea - my pines.
 
    
 
S. 


  
Chorus
A
   
DmGm D
Dm
yah ba - hal - o - mah
sto - ny hills re - call.
25
  
Gm

             
      
S.
Dm

         
 

   
   
Naomi Shemer
(Adapted from an arrangement by Ron K. Cytron)
-
-

kee - nor.
en sight.
en




sight.
Fine
 
Fl.  
Interlude
 
36


      
   
Vc.

 
Vln.
 A  
Fl.    
    
 


 
           

 
   
  
 


 




    
     






  


  

     
Vln.      




 
  


      





    
 


Vc.




 
40

  

Fl.  
45
Vln.
Vc.

 

      


 
 2.          
 


  
  


  
            

 
 
   

      

1.
 


51
         

Fl.  
           




Vln. 


     




Vc.



   
  

Fl.  



B   
 
  

   

       
          

 

          








 


  
           






Vln. 
   
          
  
                  
   

Vc.



58
(v1.1 6/7/07)
Interlude --> Intro
Verse (Hebrew)
Chorus (Hebrew)
Instrumental (Verse + Chorus)
Verse (English)
Chorus (English) + extra Hebrew chorus
13
The Fields of Athenry
C


C

  
S.
C
 
S.

 
15

 
have ta - ken you
ters Mar - y when
sailed out
a - gainst
-

   
  
G
  
F/A
G


 
pri - son
ship lies
you must raise our
lone - ly
'round the

ing.
ing.
ing.

 
For you
Against the
Sure she'll



  


so the young might see
the morn.
I
re - belled, they cut
me down.
for her love in Bo - tan - y Bay.

wai - ting
child with
fields of

in
dig
Ath


-
 
As that

G
   
G7

-
a - way.
your free.
the sky.
C
stole
Tre - vel - y - n's
corn,
fa - mine and
the Crown,
wait
and hope and pray,
S.
C
I heard a young girl call
I heard a young man call
She watched the last star fall
F

Mich - ael, they
Noth - ing mat
pri - son ship
11
F
             


   
By a lone - ly pri - son wall,
By a lone - ly pri - son wall,
By a lone - ly har - bour wall,
7
Pete St John (Arr. Tom Bridges)
C
 
Now a
Now
It's so


the bay.
ni - ty.
en - ry.
Chorus

 
19
S.
A.
T.
B.
C

 
Low
lie
the
 

 
 
 Low

 
 

14
F

lie
the
 
C
Am


fields
   

   

   


   

fields
of
of
Ath - en - ry,

Ath - en - ry,

where


where


S. 

23
C
once
 

A.
 
 once
T.
B.
 


 
27
S.
C
 
love
A.
 
 love
T.
B.
 


 

 


 

 






   
F/A
was on

   
was on
the wing,

   


T.
B.


 
 lone




- ly


the wing,

   
lone - ly
A.
small

31
S.
small
we watched the

 



'round
the






'round
the


 

we watched the



G

free birds

 
free birds







C
  


   

   

fields
of
 
to
 
to
It's so

Ath - en - ry.
 
It's so

 



   


   


Ath - en - ry.
 
sing.


 

 


    
   
of

sing.

fields

Our
C
   
 


    
we had dreams and songs
G7
Our
G
we had dreams and songs

  
 


fly.

 


fly.

 

 




[4 bar guitar/harp turnaround]
15
Another train
C
Flute

 
 G7
A.  
G/B Am

G7


Verse 1
16
 
Fl.
Vla.
Vla.
C/E
 
Fl.
Vla.




G7
C





and will al - ways
be.

G7



You've been listen - ing

 

S. 
   
 
to
those
C
F


     
    



you look so
G
Am

sad,



C
   

you missed your chance.





G/B
 
who say

F


    


G

C
  

C
You say you lost your chance,


F/A


But that means noth - ing,

G7





C/G
  
then fate brought you de - feat.
G/B Am
Am
    
      



28

Dm
 
 C/G
A. 


F
G/B
now,

G/B

 
   
The be - gin - ning is

A. 

Fl.
C
C

22
Pete Morton (Adapted from a Jane Thompson arrangement)





Chorus
33
There's a -noth -er train,
A.


    

    

There's a -noth -er train,
B.
C
16
There's a -noth -er train,
G/B
 Am

     
there al -ways is

    

there al -ways is
     


there al -ways is
G/B

 

F/A
  
May -be the next
  


 
one is yours


 
May -be the next
one is yours
May -be the next
one is yours
  
 
 

S. 

39

A.

up
and
C/E

Am
C/G


  
  
your own breath

there's no such
   
is
F/A

Re - grets
C
      

C/E

 
Dm
Am
and think too

much.
C
 
When it's drag - ging
G7 Verse 4
 
91


C

And I know it's hard
C/E

C/G


(v1.1 6/7/07)
down
G/B

   


    
so you feel you can - not move.

F/A
  
C/G


 
G7
 


 

 
I - ma - gin - a - tion
C


[Chorus]
Am
    
G
C

   
wor - ri - some fools.
[Chorus]
F

      
G/B
worlds
plays
you.
You can crown your - self with fears
C







  


You're build - ing

what the earth can do,
of
when you feel con - fused,
Dm

Am
C

F

load

don't turn a - round,
G/B
    
a - noth - er
  

C


   
 

drain
on - ly break our hearts. And I know you've seen
F/A


Then we fill our heads with cra
        
   



C/G

Am

 
ly
C/G
G7


     
G

-
     
G/B

F


  
past mis - takes will on
We crawl in the dark some - times


G/B
now,
C
Am
Though you're stand - ing on your own

The be - gin - ning is


C
    

of
thing.
G7
king.

 

G7 Verse 3
85
A.
G/B
Dm
 
 
C/G
79
A.
there's a -noth -er train.
there's a -noth -er train.

zy things that
A.
G/B

climb a board
C

 
 
74
A.
    
climb a board
You say you're done,
68
A.
and
G7 Verse 2
62
A.
up
C
             
Get up and climb a board
there's a -noth -er train.
              
 
57
A.
      

Get
51
G7

 
45
A.
F
Get
 

A.
B.
C/G
Am
 

  

that don't ex - ist,
G

 
the worst

C

tricks.


[Chorus x 2]
17
Intro
Verse --> Chorus (for all 5 verses)
Instrumental (bars 18-24)
Chorus x 2
Hallelujah
 
Flute   
Intro
F

Viola   


Verse
9

 
S.
13
     

   
2
 

C

(Choir "oohs")

 


Am
   

Am


  

pleased the Lord but
on
the roof, her
walked the floor, I
on
be - low, but
learned from love was


   
C

     
2
heard there was
a
se - cret chord,
faith
was strong but you need - ed
proof,
May - be I've
been here be - fore,
was
a time
you
let me know,
May - be there's
a
God a - bove,
F
  
F
    
2
I've
 
S.
C
      
2
Leonard Cohen
C


 
G




 
 

 
that
Da - vid played and it
you
saw
her bath - ing
I
know
this room;
I've
what's real
and go - ing
and
all
I
e - ver
G7
C
        

G7
you don't real - ly
care for mu - sic do ya?
beau - ty
and the moon - light o - verthrough ya.
used to live a - lone
be - fore I knew ya.
now you nev - er show
it to me do ya?
how to shoot at some - one who out - drew ya.
It
She
I've
And re
And it's
18 C
F
G
Am
F
G







                    
S.    
 





goes like this: the fourth,the fifth, the
tied you to
a kitch - en chair, she
seen your flag on the mar - ble arch,
mem - ber when I moved in you, the
not a cry you can hear at night, it's
R.

Fl.
 
Vla.
 
18





mi - nor fall, the ma - jor
broke your throne; she cut our
Love is
not a vic - t'ry
ho - ly dove was mo - vin'
not some - body who's seen the
lift,
the baf - fled king com
hair, and from your lips she
march, it's a cold and it's a
too,
and ev - 'ry breath we
light, It's a cold and it's a














(v1.2 7/7/07)
23
E
Am
F
Am
Chorus
           
   

     




S.   



 

A.
T.
B.
R.
Fl.
Vla.

pos - ing Hal - le
drew the Hal - le
bro - ken Hal - le
drew was Hal - le
bro - ken Hal - le

lu lu lu lu lu -





-




  

   
S.   
F

      

lu - jah,
     

B.
R.
Fl.
Vla.

Hal -le - lu

  
G
-

lu

   
(v1.2 7/7/07)


C
-
Hal -le - lu
-
lu
-
Hal -le - lu
-
lu
-

  







  

Am
[To bar 18 verse 5]

  

  

C
   
Hal -le - lu - jah,
  

  









 

   
Hal -le -
                    
  
              

Hal -le - lu - jah.

      
Hal -le - lu - jah,
                    
Hal -le - lu - jah.
Hal -le - lu - jah,
Hal -le 
                   
  
lu - jah,
T.
Hal -le - lu - jah.

lu - jah,
A.


 
30
jah.
jah.
jah.
jah.
jah.

Hal -le -
  
  

 
C

jah.
   
Am
2. Your

jah.

4. There













jah.

    




  

19
Intro
Verse 1 (Solo) --> Chorus
Verse 2 (Duet) --> Chorus
Verse 3 (Choir) --> Chorus
Intro
Serendipity
q = 110
Am

 
Dm


   
Verse
8

M.
M.

F
 

goes rush - ing by.
of youth grow dim.
ren - dip - i - ty.

 
 

 
 

  
 
  
 
 

 
 
  
 
 

Am
We
 


20
F
 
Vague sha - dows from
the past.
So dai - ly fan
that flame.
Just take the chance you'll see,
Dm


all
know


We
all





Dm


know


F

in

in


spite


spite


Bb



Am


Bb

F
 

 
 
 

we say
good - bye.
the days
with - in.
phi - lo - soph - y.

 
 

F


 
 
 

 

Mem - or - ies
fade fast.
To play
in life's sweet game.
that's how life's meant to
be.

of

of


Am

 

all
our best
laid
plans.


laid
plans



all



 
Bb
While you plan for some - thing new.
To play
in life's sweet game.
that's how life's meant to
be.


we re - al - ise.
the days
with - in.
phi - lo - soph - y.
Too soon
Quenched by
That's my

F
 
Am
Too late
Quenched by
That's my
 

That life's what happens to
you.
So dai - ly fan
that flame.
Just take the chance you'll see,
25
Inst.

 
 
 
 
M.

Am
Time
goes tum - bling by.
The fires
of youth grow dim.
Se - ren - dip - i - ty.
Chorus
W.

Dm

  

 
  
16
W.

Time
2. The fires
3. Se
   
W.

Am

F
Kevin Murray (late 80s)

 
our best
 


C





 
  

Bb
30
W.

 
 
still
deals
  


Life
still
deals
 



Inst.  

 
 
34
Dm
Seize


 
Seize
M.

Life

M.
W.
Gm

Inst.   

F
 
the day
 
 
the day


F

that
that





 

 


un - ex - pec - ted


un

  
-


Am
C

     
be - fore
it seiz -es

you.

     
be - fore
it seiz -es
Bb

 
Live
your life

 

you.
     





ex - pec - ted
Gm
Live
your life




hand.
 
So

hand.



F

      
like
 

ev - 'ry day is
new.
       
    
  





like
ev - 'ry day is
new.
1-2
Bb




42
Inst.
F







3.
 


Live
your
46
 
W.

M.
Inst.
Bb


Live
your


Live
your


 


F


life.



life.



Live

life.
Bb



  
F


your
life.














Live
Live


your
your


life.
life.
21
Travelin' Soldier
Bruce Robison
1
A Verse
A
D
   
     
                        
Two days past eight- een. He was wait - in' for the bus in his ar- my greens. Satdown in a booth in a ca - fé
 A
 
            
there. Gave his
4
or - der to


a
girl
with a
bow
in her hair.
            
6

lit - tle shy
He's a
so she gives him
a smile. And he
D
                       
said, "Would you mind sit - tin'
 A

 
 
8

 
11
 
down
for a
while and talk
G

in'
D
lit - tle
low."
A [Strings & accord. start]
      
She said,"I'm off in an hour and I
to me? I'm feel - in' a

    

know where we can go."
                        
[Bass starts]
So they went down and they sat on the pier. He said,"I
bet you got a boy - friend but I don't care. I got
A
G
D
A
 D

         





               
 
14
no one.
to send a let - ter to.
Would youmind if I
B
Chorus
18
F#m
 
         

 

I
cried,

       
 
 
  A
  
20

 



Too young for him they told her.
 

 

22


sent one back here to
you?"
D
            
nev -er gon -na hold the hand
of an -oth -er
guy.
            
    

E
    
Wait - in' for the love
    
of
a trav -el - in'



sol - dier.
F#m
 

   
22

 
D
     
Our love
will nev - er

 
  
end.
       
   

       
    
Wait
-
     
  
in' for the sol - dier to come
back
   
   
E
  A
              

     
24
 

 

Ne -ver more to be


a -lone when the let - ter said
A
a sol -dier's com in' home.



C Verses 2 & 3 A

          

  
a - gain.

27
2. So
 D
   
the let
3. Fri
- ters came from an ar - my camp in Cal - i - for - nia, then Vi - et - nam And he told
- day night at a foot - ball game, the Lord's prayer and the An - them sang,
a man
30


A
                  
her of his
heart. It might be love and all
said "Folks, would you bow your heads for a
33

list
of the things he was so scared of
of lo - cal
Viet - nam dead.
(Extra bar verse 4 only)

He
                        
said, "When it's get - tin' kind of rough o - ver here,
Cryin' all
a - lone
un - der the stands was
 D
  
I
a
think of that day sit - tin'
pi - co - lo player in the
35
my
one name
 
eyes
read
 G

    
 
and
and
see
no
37
wor
pret
          
- ry, but I won't
- ty lit - tle girl

your
- body
  
pret
real
- ty
- ly
  
smile.
cared.
         
a
-
ble
to
with
write
for
a
bow
a
in
while.
her
at the pier. And I close
band.
On - ly
- ing
A
D
be
down
march



Don't
but a
A

 

hair.
Verse 1 (solo + guitar) (strings start bar 10, bass starts bar 12)
Chorus
Verse 2
Chorus
Instrumental (verse)
Verse 3 (with extra bar in middle)
Chorus (sans last bar)
Chorus
Instrumental (A | D | A | D | etc.) (fades)
23
Kacheche (African wagtail bird)

Preset 357
  D                         
 
 
 










                                 

 
Intro
Hp.
Intro
Verse 1 --> Chorus
Verse 2 --> Chorus --> Interlude
Verse 3 --> Chorus --> Coda

Em
D
  D
 
    

  















 
  
  

    


       

12
Hp.
Hp.


  

34
Hp.

F#m
D
  



Em/G
 
D

 




50

O
O
O

    

    

-
nde ge
nde ge
ro ho
58

 

O
O
O
-

 
   

O
nde ge
O
nde ge
O ro ho yan gu



 
 
Bm
 
 
S. 

   
Hp.








    






A7
D
 Verse




    
S. 


Hp.
D









  

42
Hp.
Bm
Em/G
A D
Bm



                                     
 
 
   
  
   
 
 
22
nde ge
nde ge
ro ho
 

A7



A7
  
u - na
u - na
weru - ka
im ba
ru ka
vi le







D






  







  



Em

D




 
    
u - na im
u - na ru
we - im - ba vi



 
 
F#m/A

ba
ka
le
D
     



 



    

Em/G
n - a fur
m ba li
m ba li
a ha
sa na
sa na
n - a fur
m ba - li
n - a fur
a.
sa na.
a ha.


 

  

n - gu fu
ya - ma
ya a ma


                       

 
 
   
 



               
24
  D
S. 

 
65
Hp.

sa
ta
ta
na.
ta.
ta.

     
     
71  D

S. 
Em7
   

U - na
U - na
We - ru - ka
  


   
   
Chorus
 Ka
 
A.
Ka

B.
 
Hp.

-
-
    


     
  D

S. 
79


Ka
A.
Hp.


B.
Ka
  
-
-
 
che -che

 
che -che
 

Ka

Ka

-
O.
O.
O.
A7

Ka
che -che

 
a
a
e




che -che

 
-
ba
ka
le
-
Ka
-

               

 
 
 

         
 
che -che

 
che -che
 
 

Ka

Ka

-

che -che
Ka
che -che


 
-
A7
 
-
Ka

-
Interlude (before verse 3)
 D       
Rec.  

G
96
      



Rec. 



 
 






D

Ka.

   
che - che




che - che

Ka.
   



che - che

      
D
   
che - che

       
  

  

[--> Coda]

Ka.
   
  

  

Ka.
  

       
[--> Coda]
       
 
    
    
D




   

3


  


                        
                    
   
87

 
D


im
ru
vi
A


 
[--> Verse 3]

  D                      rit.
 
 









                             

Coda
103
Hp.




25
Gone the rainbow
Am

 
 

5
Am
Shule,
 
 
 Shule,

 

 
Em

shule




I



saw
my
in

- ble



bib - ble


F




my













the
boo
shy
Lor








in
the
boo
shy
Lor




Am

    


    
    


    



Am


Beal
come




bab - by








Beal


come

Am (Interlude starts here)


 
bab - by
Sal - ly

E7
Em
Sal - ly


 

shule - a - rak - shak, Shule a - ba - ba - coo.





saw

shule - a - rak - shak, Shule a - ba - ba - coo.


I
 





C
Em



shule - a - roo

 
 bib
 
26


 





 When
 


shule - a - roo

 
11

shule
C

 
Am

When

 
Em
 

9

Peter, Paul & Mary (Arr. Maria Dunn 2003)


-
ey.

-




ey.




   


13
Am
G
F
   
Am
C

Here I sit on But - ter - milk Hill;
I sold my flax, I
sold
my wheel To
Oh, my ba - by, oh,
my love,
 
Recorder
Vs 1&2
Concertina


Vs 3 
 
Concertina 

   
Recorder
 

C
17
Vs 1&2


Em
 
Am
 

 
 



Vs 3 
 



Am
Em


    
 


F
Ev' - ry tear would turn a
mill,
So it
in bat - tle he might wield,
Your fa - ther was my on - ly love;
 

Am

Who could blame me, cry my fill;
buy my love a sword of steel,
Gone the rain bow, gone the dove;



Em

    






 
John - ny's gone


     
 
Am
 
for a





 
sol -
 
dier.
  

  

Interlude
21 Am
 

Em

Am
  




 
 

 
Em

Em
  


  

 
Am

F

E
     





 
 

      

   
G
25
C
Am


  
    


C
Intro --> Chorus (solo) --> Chorus (Tutti)
Interlude
Verse 1 --> Chorus
Verse 2 --> Chorus
Verse 3 --> Chorus
Interlude

Am
 
 

  

27
Suo-Gân
Sop
A D
  
  
Sleep,
Are

  
Alto

Sleep,
Are

   
 Sleep,
Tenor
    

Are
Bass
Sleep,
Are
CM2

my dear one,
you dream - ing,
 
  
my dear one,
you dream - ing,
  

my dear one,
you dream - ing,
 
  
my dear one,
you dream - ing,

      

  

 
S. 

D
5






  
 Moth
CM1.
CM2.
Vc.

26
 
  

 
  
dar - ling ba - by,
dar - ling ba - by,
dar - ling ba - by,
dar - ling ba - by,


snug
on
& co - sy,
this love - ly,
 
  

snug
on
& co - sy,
this love - ly,
   


snug
on
& co - sy,
this love - ly,
 
  

snug
on
& co - sy,
this love - ly,
arms
will

D
  


G
A
D











gent - ly rest.
peace - ful night?

gent - ly rest.
peace - ful night?

gent - ly rest.
peace - ful night?

gent - ly rest.
peace - ful night?
G
 
  

A













 

make
qui -
a warm and
et vis - ions,
gen - tle nest.
warm & bright.
a - round you
sur -round you,
make
qui -
a warm and
et vis - ions,
gen - tle nest.
warm & bright.
a warm and
et vis - ions,
gen - tle nest.
warm & bright.
 
  
a - round you
sur -round you,
 
  
a - round you
sur -round you,
 
   
 
  

  


make
qui -


  

    
make
qui -
a warm and
et vis - ions,
gen - tle nest.
warm & bright.

                           

  




D
a - round you
sur -round you,
 
  

   


 
  
  
 





A
arms
will
 
  
Bm
 

     

 


  
 
 


Moth - er's lov -ing
Dreams
of beau -ty



dar - ling ba - by,
dar - ling ba - by,
arms
will
- er's lov - ing
Dreams
of beau -ty
B.
 
  

  

   

dar - ling ba - by,
dar - ling ba - by,
arms
will
Moth - er's lov -ing
Dreams
of beau -ty
T.



 
  


A
   

G
 
  
Moth - er's lov -ing
Dreams
of beau -ty
A.
G
 
  

 
     
CM1
Cello
Traditional Welsh Lullaby (Arr. Fiona Munro)











B D
 
S. 

 
  


 
  
9
In
those arms, no
Heav'n - ly an -gels
A.
T.
B.
CM1.

G
D

harm
dance

F#m
 
  
will find you;
a -bove you;

 
  

 
  
Em7

none
dis -turb your
smil - ing on your

  

A7


slum - ber deep;
slum - ber deep.






In
those arms, no
Heav'n - ly an -gels
harm
dance

will find you;
a -bove you;
none
dis -turb your
smil - ing on your
slum - ber deep;
slum - ber deep.
those arms, no
Heav'n - ly an -gels
harm
dance
will find you;
a -bove you;
none
dis -turb your
smil - ing on your
slum - ber deep;
slum - ber deep.
In
those arms, no
Heav'n - ly an -gels
harm
dance
will find you;
a -bove you;
none
dis -turb your
smil - ing on your
slum - ber deep;
slum - ber deep.

  
 In
   
 
  
 
  

  


  

   


   




 
    
  


   
















          






















Vc.
 
CM2.
13 C D
 
S. 



 
  
Soft - ly, calm - ly,
A.

 
  
B.
CM1.

  
 Soft
   

  


    



Vc.
   
CM2.

A
 
  
dar - ling ba - by,

 
  
D
F#m
 
  

with your moth -er
 
  


  

 
- ly, calm - ly,
dar - ling ba - by,
with your moth -er
 
  
    
  

 

Soft - ly, calm - ly,
dar - ling ba - by,
with your moth -er
               





Soft - ly, calm - ly,
T.
Em
dar - ling ba - by,
 
  
with your moth -er
G A D[to Coda] G  A D
  


  
sweet -ly sleep.
  
sweet -ly sleep.
  
sweet -ly sleep.
  
  
  
sweet -ly sleep.
  
   


    

 


 


  
  
  

  







   


 





  



Vc.
 

  
 
1. Instrumental: CM1 (Sam)
CM1.
2. Verse 1
3. Instrumental: CM1 (Sam) CM2 (John)
4. Verse 2
5. Instrumental: as above + Sop (Fiona), Alto (Helen), Tenor (Barry) CM2.
6. Verse 1
Coda
Coda D
18
G
Em A7
D
27
Skin
Leon Rosselson
iq = q K e
  
   
Chorus
Sop
D
A7

You need skin,
D
5

   
A.

A7

  
D
A7
A7
D
Keep it clean.
Soa -py wa -ter ev 'ry day will wash the dirt & smells a - way 'Cos you need skin.
A7
              
3
3

     
Whe -ther you're fat
Whe -ther you're black
Whe -ther you're dark


3
or whe -ther you're thin it
or whe -ther you're brown it
or whe -ther you're fair
3
3

     
   
 
S. 
        
A7
11
30
D
              
9

 
       
              
3
 
S. 
   
A.
           
Soa -py wa -ter ev 'ry day will wash the dirt & smells a - way 'Cos you need skin.
Verse

A A7
Keep it clean.
 




B.

A.
E7
take good care of it, Don't harm a hair of it What would you do with out it?
     


 
  
S. 
   
D
            
You need skin,
Bass
A7
take good care of it, Don't harm a hair of it What would you do with out it?
 
   
Alto
D
3
3
3
D
      
keeps the germs from craw - ling in.
keeps your tummy from tumb - ling down.
Skin's the thing for growing your hair.
      
 

       
 

       
D
rit.
3
A7
Whe -ther you're skin - ny or whe - ther you're stout. It stops the blood from tric - kl - ing out!
Whe -ther you're sil - ly or whe - ther you're smart. It keeps your bonesfrom fall - ing a - part!
Wa - ter proof in rain - y weather.And keeps the bits of your bo - dy to - gether!


3
3
3
        
3
31
I don't work for a living
 C
Tune   

Chorus


  
I
Women
I
Men
  
 
 G7
T.  
9
I
I
 
W.
M.

I
I
 
M.

T.  
 
W.
M.

32
 
liv -ing I


get a -long all right
   


   

   
toil
all day,
peace - ful - ly,

F
work
fam

work
fam

C


get a -long all right

toil
all day,
peace - ful - ly,


   
24

don't
live
Some peo - ple
I love my
liv -ing I
         

   
W.

work for a
don't
live
Some peo - ple
I love my
 
 
     
don't

17



 C
T. 
  
 
 
     
work for a
don't
Mullen/Freeman - early 20th century?
(Adapted from an arrangment by Chloe and Jason Roweth)

-




with - out.

 
with - out.
  
  

C
G7



 




  



I sup -pose it's be - cause I'm not built that way.
La -bour dis - putes ne - ver wor - ry
me.

for love,
i - ly,

 
I sup -pose it's be - cause I'm not built that way.
La -bour dis - putes ne - ver wor - ry
me.

for love,
i - ly,

-
F
G

G

  
and say it's all
and the miss - us oh

  
and say it's all
and the miss - us oh

 






  



  
G7
But if I can't have sun -shine with - out a - ny work.
I de - ci -ded to make them all hap -py that's why,

           
But if I can't have sun -shine with - out a - ny work.
I de - ci -ded to make them all hap -py that's why,


          
     
G7
C
sun -shine
how I
and gain.
a - dore,
sun -shine
how I
and gain.
a - dore,

    



 
C

        
I think I'll stay out in the rain.
I ne -ver go home an - y - more!

        
I think I'll stay out in the rain.
I ne -ver go home an - y - more!
      


Verse 1
32
T.
C
G7
                       

They say we're all born with a pur - pose,
41
T.
   
Some peo - ple

  
like to be
They say we're all born with a gift.

 
   
far - mers,
I sup - pose it's by
48
T.
 
T.
     
But if I've got a
C

hard work and thrift.
         
There's lots of us fight - ing and striv - ing,
    


  
G7

        
56

for a seat down in the old A. C.
C

seat in me trous - ers,
T.,

G7

       
and a mis sus to work for
me.
[to Chorus]
Interlude
65
T.
C

      
       
Verse 2
73
T.

80
T.
F
C
      

Now give me
G7
 
wall.

a
G7

               
    
 

  
nail
 
And give me a strong step - lad - der,
97
T.
 
And give me a
cou - ple
of
wai - ters,
        
And I bet you I'll hang up that pic - ture,
pic - ture to
 
  
for you know that

        
and a

  
89
T.
        

and a ham - mer,
    
C
I
hang on
the
C
 
might fall.
G7
        
and a bar - rel of good old Bass Ale,

C

    
 
if some - bo - dy drives the
4 bars guitar (C)
Chorus
Verse 1
Chorus
Interlude
Verse 2
Chorus (alternative words)
G7
nail!

[to Chorus]
33
Rip Rip Woodchip
  

Intro
G
Verse 1
clap
          
C3

C
3
thighs
mouthpop
G
raspberry
C
D
What am I go - nna do?
9

G
C
    
3
 G
 
should - n't I get


C
3

 G
 
O - ver the hill
swanee
click clap
G
    D
the bush
D
     
3
O - ver the hill
I

G
is
sa - cred?
    

      
 


Rip
rip
G

 

G
kill - ing a - no - ther moun - tain
G


Em



wood - chip

    
  
Em

    
turn

Em
 
   
   
Em

    

one



 
Verse 2
G C
        
32
 

D


G

C



Cross - cut black - butt
50
     G 
D
ta - llow - wood and ce - dar

C
life
will
fade
the bin
Em

 
G
G
 
G

rasp
rasp


de - lay
Why
 D G
a - way
D
G
can't go slow
like
D
G
G
  


no
news



D
G
a shear - er's blow
to - day

  

G
 
  
    


eye -sore more de -cay
  

D
big swipe
       

D
cymbal
    
 
Fill the quo - ta can't go slow
   
  
  
 
G


Em
Re - mem - ber the axe - men knew their tim - ber
37

throw it in

D
C
    
 
it in - to pa - per

click
    
 
one big swipe a shear - er's blow

    
G

C

C

D
swanee
Go - tta fill the quo - ta
G
Night -mare dream -ing can't you hear the scream -ing chain - saw

 
Huge ma - chin - er - y
 
bikehorn
C

wi - ping out the scen - e - ry
25
An - cient
go


G
Huge ma - chin - er - y


3
I go
C
  
G
G

mouthpop
 

      
21
thighs
G

Go - tta draw the line with - out

  

rasp
     
D

      


C
3
G
D
Chorus

cymbal
C3

 
C
17

 
rasp
G
What a - bout the fu - ture?
e - mo - tion - al
13
D
     
   3   
  
5
John Williamson
(Arr. Maria Dunn 2007)
 
Interlude 1
  C 
C
 D G

cared a - bout the way they bought it down
  C  
build a - no - ther bung - a - low
C
  D G
pi - on - eer town.
 G
 
41


C
D
   
I
 
 
I am ko - a - la
C
D
G


 
    
in my blood go - nna make a stand
 

G
53
 

go
G
G
C
D
   




     
hand in hand
I am the bush like
Ban - jo and Hen - ry it's
Em
D
G
Em
D
  

Intro
G
65
        
         
     
 
Em
        
 

  
D
G

        

 

G
clap
Chorus
  
 
69
G
1. Rip
2. & 3. Rip
  


          
C3

raspberry
thighs
Em
Em
  
cymbal
rasp
Em
G
swanee
    
   
Em
D
D
C
C
thighs
mouthpop
  3   3  
 
click clap
rasp
     


G
Em
D

bikehorn
  
    
     
D
G

  
    

Em
  
     
1-2
D

swanee
G
    
  

G
    
  
      

3.
 
D
make
 
     
G
click
cymbal
rasp
rasp
Em

 
Night -mare dream -ing
Night -mare dream -ing

 
  
chain -saw eye - sore
more de - cay.
stirs my blood gon - na make a
stand.
  
D
G
rip wood -chip turn it in - to pa - per throw it in the bin no news to - day!
rip wood -chip turn it in - to pa - per throw it in the bin don't un - der - stand.
can't you hear the scream -ing
can't you hear the scream -ing

D
mouthpop
   
    
   
74
C
3
G
Rip rip wood -chip turn it in -to pa -per throw it in the bin no news to -day
 
  
    


I am the bush
   
Night -mare dream -ing can't you hear the scream -ing chain -saw eye -sore more de -cay

G

        
            
    
   
Em
     
   
Em
D
We are one
G
in my blood make a stand

C

Chorus
    
 
G
    
 
we are one go hand in hand
    
G

    
I am the bush and
47
G
am the bush
   



 
G

  
a


stand.
   



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