A-DYN - KHB Musical

Transcription

A-DYN - KHB Musical
OFFICIAL CATALOGUE 2013/1
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page 2
ABOUT US
INSTRUMENT SENSORS - AN INTRODUCTION
VIOLIN & VIOLA ..........................................
CELLO ...........................................................
DOUBLE BASS .............................................
GUITAR (western/nylon) ...............................
MACCAFERRI & RESONATOR GUITARS...
GUITAR, MANDOLIN, BANJO .....................
MANDOLIN, GUITAR, BANJO, A.BASS ..... HARP ..............................................................
PIANO, UPRIGHT & GRAND ................
PERCUSSION & ETHNIC INSTRUMENTS .
UNIVERSAL SENSORS ................................
MAGNETICO SERIES.....................................
AMPS, LOUDSPEAKERS & PREAMPS .....
AMPLIFIERS ..................................................
AMPLIFIERS ..................................................
AMPLIFIERS ..................................................
AMPLIFIERS ..................................................
AMPLIFIERS ..................................................
LOUDSPEAKERS ...........................................
PREAMPLIFIERS ...........................................
SCHERTLER GUITARS ..................................
SCHERTLER GUITARS ..................................
SCHERTLER GUITARS ..................................
ACCESSORIES ...............................................
ACCESSORIES ...............................................
TECHNICAL SPECIFICATIONS ....................
TECHNICAL SPECIFICATIONS ....................
TECHNICAL SPECIFICATIONS ....................
TECHNICAL SPECIFICATIONS ....................
TECHNICAL SPECIFICATIONS ....................
TECHNICAL SPECIFICATIONS ....................
notes ...
notes ...
basik, stat-v, dyn-v-set & a-dyn product description
basik, stat-c, dyn-c-set & a-dyn product description
stat-b, dyn-b-set & a-dyn product description
lydia-vol/eq/ob & dual product description
basik, stat-macc, basik-reso & a-dyn product description
resocoil & resocoil banjo product description
dyn-g, dyn-m & dyn-abg product description
basik, dyn-h, resocoil, arpavox & a-dyn product description
basik, dyn-p, dyn-gp & a-dyn product description
basik, dyn-e, resocoil & a-dyn product description
basik & a-dyn product description
AG6 model for acoustic guitars NEW!
introduction
deluxe series introduction, unico deluxe product description
david deluxe & lafaro double bass amp product description
Giulia acoustic amplifier NEW!
classic series amplifiers introduction, unico classic & david classic product description
jam series introduction, jam 100, jam 150 & jam 400 product
description
side, bass & jam 150 extension box product description
yellow single, yellow blender, a-pre & stat-pre product description
introduction
schertler guitar nylon string CP & steel string SP technical specifications
schertler guitar steel string SB & steel string SM technical specifications
various accessories
various accessories
stat-v, dyn-v, stat-c, dyn-c, stat-b, dyn-b, stat-macc & basik reso
dyn-g, dyn-h, dyn-m, resocoil, dyn-abg & dyn-e
dyn-p, basik, a-dyn,
unico classic, david classic, unico deluxe, david deluxe, lafaro & giulia
bass, jam 150 extension, am 100, jam 150, jam 400 & side
a-pre, stat-pre, yellow blender & yellow single
DESIGNED & MANUFACTURED IN SWITZERLAND
Your musical instrument is a prized possession, so its sound deserves to be authentically
reproduced and amplified with the best possible audio quality. Since its foundation in the
early 1980s, SCHERTLER has embarked on a passionate programme of research that aims
to achieve the highest levels of fidelity in the reproduction of acoustic stringed instruments.
Led by double bass player Stephan Schertler, the company’s research and development
initially focussed on providing a series of high quality alternatives to outdated and imperfect piezoelectric technology. Over the years, Schertler’s original approach to harnessing
acoustic vibrations has led to the development of several international patents, including
the STAT electrostatic bridge pickup technology found in the classic range of sensors for
bowed instruments. Other developments have included Schertler’s unique “air chamber” Stephan Schertler
technology, an integral feature of the Lydia guitar sensor range.
Alongside its comprehensive range of instrument sensors, Schertler has developed a whole
series of high quality, compact acoustic amplification systems. Adaptable to all acoustic
instruments and genres, the amplifiers combine pristine sound quality with a wealth of
features designed to meet exacting performance requirements.
With the need for flexibility in mind, Schertler has also extended its product range to include
wireless systems, high quality preamplifiers and DIs, plus a variety of accessories.
More recently, a unique collaboration between Stephan Schertler and Claudio Pagelli resulted in the birth of SCHERTLER GUITARS and the creation of a smaller sized electro-acoustic
guitar for the stage, equipped with a reference quality pickup system.
SCHERTLER SA
via beroldingen 18
6850 mendrisio
switzerland
t.+41 91 6300710
Today, the Schertler brand is a standard for live performance, broadcast and recording f.+41 91 6300711
applications and we are proud to list some of the world’s leading orchestras, ensembles and e. info@schertler.com
solo artists as our ambassadors.
to find your nearest
Schertler stockist, plea-
Whether you are new to Schertler, or one of our existing customers, we hope you enjoy this se visit our website:
schertler.com
catalogue and, as always, we welcome your feedback on our products.
Stephan Schertler
For Schertler Guitars,
please visit:
schertler-guitars.com
page 3
INSTRUMENT SENSORS - AN INTRODUCTION
Thousands of musicians worldwide rely on Schertler microphone technology in a variety of
performance situations and genres ranging from classical to rock, jazz and fusion.
The technology behind Stephan Schertler’s first product, the STAT pickup for bowed string
instruments, established his reputation for innovation. Introduced in 1986, the patented
electrostatic, bridge-mounted pickup broke new ground in delivering an impressive sound
that lacked the harshness or distortion associated with piezo pickups, while also proving
highly resistant to feedback.
“Schertler pickups make
it sound real! We rock out
with BASIK and STAT-C.
Real sound – real power! “
APOCALYPTICA
Increasing demand for highly accurate, amplified string sound precision led to the development of Schertler’s DYN series of electrodynamic microphones. The series was also
designed to provide sound engineers with an efficient range of high quality transducers for
use in live, broadcast and studio recording applications. Individual DYN models are available
for orchestral strings and fretted instruments as well as piano, harp and percussion/ethnic
instruments. Each contact microphone is carefully tailored to the frequency range and
tonal characteristics of the instrument and can be easily attached via special non-harmful
adhesive putty.
For guitarists and players of other fretted instruments, Schertler has combined a range of
external contact microphones with specialist build-in solutions like the LYDIA under-saddle
“This transducer repro- systems and the patented RESOCOIL electrodynamic sensor (based on DYN technology),
duces the sound of my
bass, strings and fingers, which can also be used on mandolins, banjos and resonator guitars.
nothing else.... “
CHARLIE HADEN
For more flexible miking requirements, Schertler’s flagship A-DYN transducer provides a high
quality universal solution for guaranteeing the best possible results in professional situations. The BASIK universal contact pickup offers a cost-effective alternative for achieving a
natural acoustic sound on a variety of instruments. Schertler sensors are easy to install, with most models resulting in no modification to the
instrument. Importantly, they also remain unobtrusive to the player.
Complementing this contact microphone range, a series of Schertler preamplifiers enables
“…I use both Schertler greater flexibility during performance. Finally, the LB-229 wireless system can also be used
guitar transducers, Blue- with any Schertler transducer, as well as with other instrument and vocal microphones.
stick & DYN-G, together
with their Unico acoustic
amp. The combination
offers me the most inspiring and natural amplified
acoustic sound I have
ever had on stage…”
JOHN JORGENSON – ACCLAIMED GYPSY JAZZ GUITARIST, HELLECASTERS, DESERT
ROSE BAND, ELTON JOHN AND
NASHVILLE SESSION GUIITARIST
page 4
SENSORS FOR VIOLIN AND VIOLA
GOOD REASONS
TO OWN ONE!
BASIK Universal Sensor
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
STAT-V-SET
Easy to install / use
STAT-V
Great sound
A great live performance microphone, the bridge-mounted STAT-V violin & viola sensor is
designed to accurately reproduce the warm sound of the instrument’s strings. It gives depth
and body to lower strings and reproduces the clarity and brightness of higher ones.
Impressively resistant to feedback, STAT-V is a great choice for loud musical environments,
or rock /jazz/fusion performances with high levels of amplification. The standard STAT-V
SET includes pickup, cable and battery-powered STAT-PRE preamp with volume control. The
STAT-V-PRO includes the sophisticated YELLOW SINGLE preamp while the STAT-V-ROAD includes Schertler’s flagship YELLOW BLENDER. Both preamps come with regulated AC power
supply. They also let the player control parameters such as gain, bass, treble, resonance,
and more ...
YELLOW BLENDER
YELLOW SINGLE
DYN-V
STAT-PRE
STAT-V
Popular with sound engineers for orchestral miking and studio recording, the DYN-V produces a neutral instrument tone that is perfect for recording purposes. The sensor fits easily
and safely to the violin/viola body using special adhesive putty, accordingly positioned to
capture the best tonal qualities of the instrument. It can also be easily transferred from one
instrument to another. DYN-V is fitted with an XLR connector, enabling direct connection into
a microphone input on a mixing desk. It also works effectively through full-range amplification systems such as the Schertler amplifier series.
A-DYN Universal Sensor
No harshness or distortion
Ideal for performances
with higher sound levels
Feedback resistant
DYN-V-SET
DYN-V is fitted with an
XLR connector, enabling
direct connection into a
microphone input on a
mixing desk
Ideal for orchestral and
broadcast use
Easily transferred from
one instrument to another
Natural sounding tone
Accurate sound reproduction
you might also be
interested in...
amplifiers
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
various accessories
page 5
GOOD REASONS
TO OWN ONE!
SENSORS FOR ‘CELLO
STAT-C-SET
BASIK Universal Sensor
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
Easy to install / use
Great sound
No harshness or
distortion
Ideal for performances
with higher sound levels
Feedback resistant
DYN-C-SET
DYN-C is fitted with an
XLR connector, enabling
direct connection into a
microphone input on a
mixing desk
Ideal for orchestral and
broadcast use
Easily transferred from
one instrument to another
Natural sounding tone
Accurate sound reproduction
you might also be
interested in...
STAT-C
Schertler’s bridge-mounted STAT-C sensor is perfect for cellists performing in loud musical
environments. Specially designed to bring out the richness of the instrument’s lower register,
it also produces clarity in the higher ranges. STAT-C is remarkable for its high resistance to
feedback, making it an ideal system for rock, jazz or fusion performances with high levels
of amplification. It also works very effectively with signal processors and effects units. The
standard STAT-C SET includes pickup, cable and battery- powered STAT-PRE preamp with
volume control. The STAT-C-PRO includes the sophisticated YELLOW SINGLE preamp, while
the STAT-C-ROAD includes Schertler’s flagship YELLOW BLENDER. Both preamps come with
regulated AC power supply. They also let the player control parameters such as gain, bass,
treble, resonance, and more ...
YELLOW BLENDER
YELLOW SINGLE
STAT-PRE
STAT-C
DYN-C
DYN-C is designed to reproduce the natural sound of the ‘cello in a moderately loud environment. This makes it a popular choice with sound engineers for both orchestral miking
and studio recording. Easily and safely fitted to the body of the ‘cello, using special adhesive
putty, the sensor can be appropriately positioned to capture the best tonal qualities of the
instrument. It can also be easily moved from one instrument to another. DYN-C is fitted with
an XLR connector, enabling direct connection into a microphone input on a mixing desk.
It also works effectively through full-range amplification systems such as the Schertler
amplifier series.
amplifiers
A-DYN Universal Sensor
various accessories
page 6
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
SENSORS FOR DOUBLE BASS
GOOD REASONS
TO OWN ONE!
STAT-B
STAT-B-SET
Stephan Schertler’s original bridge-mounted STAT-B is a simple system that effectively
reproduces the complex tone of the double bass and also works with any bass amplifier.
STAT-B is remarkable for its high resistance to feedback, making it an ideal system for rock,
jazz or fusion performances with high levels of amplification. The standard STAT-B SET includes pickup, cable and battery-powered STAT-PRE preamp with volume control. The STAT-BVINTAGE version includes two transducers, providing a greater sense of space and richness
of sound. STAT-B-PRO/VINTAGE-PRO includes the sophisticated YELLOW SINGLE preamp,
while the STAT- B-ROAD/VINTAGE-ROAD includes Schertler’s flagship YELLOW BLENDER. Both
preamps come with regulated AC power supply. They also let the player control parameters
such as gain, bass, treble, resonance, and more ...
Easy to install / use
Great sound
No harshness or distortion
Ideal for performances
with higher sound levels
Feedback resistant
DYN-B-SET
YELLOW BLENDER
YELLOW SINGLE
DYN-B
STAT-PRE
STAT-B
STAT-B-VIN
Achieving the perfect amplification of an acoustic bass is a dream of many jazz bassists. In
delivering the most natural sound possible, DYN-B takes players a step nearer to that goal.
Ideal for orchestral and pro audio/broadcast applications, DYN-B is also popular with sound
engineers. Easily and safely fitted to the body of the double bass, using special adhesive
putty, the sensor can be appropriately positioned to capture the best tonal qualities of the
instrument. It can also be easily moved from one instrument to another. DYN-B’s balanced,
low impedance output reduces the risk of hum and radio frequency (RF) interference, even
with long cable runs. An XLR connector allows direct connection to mixing desks or preamplifier inputs.
DYN-B is fitted with an
XLR connector, enabling
direct connection into a
microphone input on a
mixing desk
Ideal for orchestral and
broadcast use
Natural sounding tone
Easily transferred from
one instrument to another
Accurate sound reproduction
you might also be
interested in...
A-DYN Universal Sensor
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about amplifiers
this product on page 15.
various accessories
page 7
GOOD REASONS
TO OWN ONE!
LYDIA
Great sound
Ideal for high volume performances
Easy–to-use controls
Long battery life
Can be used with a range
of amps and mixers
SENSORS FOR GUITAR, BANJO & MANDOLIN - BUILD-IN
10 years of research and development in the field of under-saddle systems has culminated
in Schertler’s LYDIA. This revolutionary air chamber technology built around an ultra linear
condenser microphone, with solid diaphragm and integrated electronic settings, has been
specially designed to reproduce the true sound of your instrument. Safe and reliable in all
kinds of performance situation, it delivers an impressive sound with enhanced dynamic.
LYDIA VOLUME includes an CLASS-A internal preamp, with volume wheel, installed in the
sound hole. Two lithium batteries are supplied. LYDIA EQ includes a CLASS-A internal preamp, with volume, bass and treble pots, installed in the sound hole. Two lithium batteries
are also supplied. LYDIA ONBOARD has an CLASS-A onboard preamp (on the shoulder of the
instrument), with volume, bass, mid, treble, battery check and PAD controls. A standard 9V
battery is supplied.
All models are available for steel and nylon string guitars. The technology is compatible with
previous SCHERTLER under-saddle systems, offering a practical “upgrade” option.
DUAL
Sounds Awesome! Best
build-in amplified sound
ever
LYDIA ONBOARD
LYDIA EQ
Ideal for professionals
Outstanding reliability
No visible holes on your
instrument
Percussive effects possible on instrument
you might also be
interested in...
amplifiers
various accessories
page 8
DUAL SYSTEM
Our DUAL system provides guitarists with one of
the most flexible options currently available. LYDIA
in combination with the RESOCOIL transducer enables you to create a wide variety of tones. Select
either pickup individually, or blend the two. Simple
to operate, a double rotary controller is mounted
(with double-sided tape) inside the sound hole.
Adjust the overall volume level using one control
and the blend using the other. The DUAL system
includes an A-CLASS preamp and is supplied with
two lithium batteries. Available for both steel and
nylon string guitars.
LYDIA VOL
SENSORS FOR MACCAFERRI & RESONATOR GUITARS
GOOD REASONS
TO OWN ONE!
BASIK Universal Sensor
STAT-MACC
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
Extremely natural tone
STAT MACC
This sensor has been specially designed for use with Maccaferri-Selmer guitars. Based on
Lydia technology, STAT-MACC is engineered with a high quality electrostatic microphone
inside the transducer. Its cork and cotton fibre construction materials have been specially
selected to give natural, high fidelity sound. Fixed between the soundboard and the bridge,
it captures only the mechanical vibrations on the instrument and is also highly resistant
to feedback. STAT-MACC is easy to apply and remove without any risk of damage to the
guitar. The standard STAT-MACC-SET includes pickup, cable and battery-powered STAT-PRE
preamp with volume control. The STAT-MACC-PRO includes the sophisticated YELLOW SINGLE
preamp, while the STAT-MACC-ROAD includes Schertler’s flagship YELLOW BLENDER. Both
preamps come with regulated AC power supply. They also let the player control parameters
such as gain, bass, treble, resonance, and more ...
Accurate sound reproduction
Real “gipsy” sound
No visible holes on your
instrument
Easily moved from one
instrument to another
BASIK RESO
Ideal for folk and pop
music
Perfect for live use
Natural sounding tone
YELLOW BLENDER
YELLOW SINGLE
STAT-PRE
STAT-MACC
STAT-MACC
BASIK-RESO
High level output
Accurate sound reproduction
BASIK-RESO is a special version of the pickup adapted for use on resonator guitars. Designed to convey the body vibrations with a high degree of precision, it produces a natural
acoustic sound. A special kit is supplied for attaching the pickup to your instrument. The
standard BASIK-RESO includes pickup, Jack socket and battery-powered STAT-PRE preamp
you might also be
with volume control.
interested in...
A-DYN Universal Sensor
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
amplifiers
various accessories
page 9
GOOD REASONS
TO OWN ONE!
SENSORS FOR GUITAR, BANJO & MANDOLIN - BUILD-IN
R E S O C O I L / RESOCOIL
R E S O C O I L RESOCOIL is designed for musicians who need an internal solution
fixed inside the instrument’s sound box. This sensor delivers the
BANJO
warm natural sound typically found in Schertler’s DYN family of
external contact microphones, with the added convenience of a permanent installation that leaves no visible holes on the instrument.
RESOCOIL
is suitable for use with classical type guitars, mandolin
family
instruments, ukulele and resonator guitars.
RESOCOIL
Incredibly natural sound
Ideal for classical, folk
and world music
No visible holes on your
instrument
Works without batteries,
adapters or phantom
power
Balanced connection for
professional applications
you might also be
interested in...
amplifiers
various accessories
page 10
RESOCOIL BANJO
RESOCOIL BANJO is specially designed to reliably reproduce the instrument’s complex sound
characteristics. Available for resonator, open/closed back and rounded resonator banjos, it
includes an XLR connector for use in a range of professional situations.
SENSORS FOR GUITAR, BANJO & MANDOLIN - EXTERNAL
GOOD REASONS
TO OWN ONE!
DYN-G
DYN-G-SET
One of the most natural sounding acoustic sensors available and a favourite with sound
engineers, DYN-G is suitable for use in both solo and orchestral environments with moderately loud sound levels. Easily and safely fitted to the body of the instrument, using special
adhesive putty, the sensor can be appropriately positioned to capture the guitar’s best tonal
qualities. It can also be quickly transferred from one instrument to another (even during
performances or recording sessions). A balanced XLR connector enables direct connection
into an acoustic guitar amp, or a microphone input of a mixer. DYN-G also works effectively
through full-range amplification systems such as the Schertler amplifier series.
Ideal for classical, gipsy and flamenco
Accurate sound reproduction
No harshness or distortion
Easily moved from one
instrument to another
DYN-M-SET
DYN-G ON NYLON STRING GUITAR
DYN-G ON BANJO
DYN-G ON GIPSY GUITAR
DYN-M
The increasing popularity of the mandolin in a range of performance situations has led to
the development of Schertler’s DYN-M, a sensor that focuses on reproducing the mid/high
sounds of the instrument. Simple to use and highly resistant to feedback, DYN-M can be
attached to the mandolin using special adhesive putty and positioned to achieve the best
sound. A balanced XLR connector enables direct connection into an acoustic guitar amp, or
a microphone input of a mixer. DYN-M also works effectively through full-range amplification
systems such as the Schertler amplifier series.
DYN-M is also recommended for use with Sitar, Oud, Saz and similar ethnic instruments.
DYN-M ON MANDOLIN
DYN-M ON BALALAIKA
DYN-ABG (acoustic bass guitar)
Ideal for folk/world music
Accurate sound reproduction
No harshness or distortion
Easily moved from one
instrument to another
DYN-M PICKUP
you might also be
interested in...
Suitable for use in both solo and orchestral environments with moderately loud sound levels,
DYN-ABG has been specially developed to reproduce the true sound of the acoustic bass
guitar. Safely mounted to the instrument body using special adhesive putty, it can also be
quickly transferred from one instrument to another during live performances or recording amplifiers
sessions. A balanced XLR connector enables direct connection into an acoustic guitar amp,
or a microphone input of a mixer. DYN-ABG also works effectively through full-range
amplification systems such as the Schertler amplifier series.
various accessories
page 11
GOOD REASONS
TO OWN ONE!
SENSORS FOR HARP
DYN-H
BASIK Universal Sensor
Extremely natural amplified sound
Ideal for classical, folk
and jazz music
No batteries or adapters
required
Easy to apply - no damage to the instrument
Balanced connection for
professional applications
RESOCOIL
Extremely natural amplified sound
Ideal for solo performers
No batteries or adapters
required
Easy to apply - no damage to the instrument
Balanced connection for
professional applications
ARPAVOX
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
DYN-H
This sensor presents a practical, high quality solution to
the challenges involved in miking a harp. DYN-H enables
the full range of the instrument to be accurately reproduced with both clarity and balance, while at the same
time eliminating extraneous noise. Suitable for use on a
range of different harps from full size classical concert
models to folk instruments, DYN-H can be positioned on
the resonance case or on the head of the harp itself.
Simple and safe to apply, it can be attached using special adhesive putty. A balanced XLR connector enables
direct connection of DYN-H into a microphone input of a
mixer. As with other Schertler sensors, it also works effectively through full-range amplification systems such
as the Schertler amplifier series.
RESOCOIL
This build-in solution offers an alternative for harpists who require a fixed sensor inside the
instrument’s resonance case. RESOCOIL delivers the same warm natural sound typically
found in Schertler’s DYN family of external contact microphones, but with the added convenience of permanent installation. (Cable length can be modified on request).
ARPAVOX
Created especially for the harp, a new active build-in system that combines four RESOCOIL
sensors and a preamp. Simple to operate, it includes a single volume wheel for the player.
Other parameter controls are on the internal preamp that is attached using velcro. During
the build-in process, the gain of each RESOCOIL pair can be fixed and the phase reversed if
necessary. A resonance filter is included to reduce potential feedback issues. Connection is
via jack output socket. A 9V battery socket is supplied.
Player has control over
volume
Captures full range of
harp
Easy to use
Can be used on any harp
High quality internal preamplifier
page 12
A-DYN Universal Sensor
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
SENSORS FOR PIANO - UPRIGHT AND GRAND
GOOD REASONS
TO OWN ONE!
BASIK Universal Sensor
DYN-GP-SET
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
DYN-P AND DYN-GP
Specially designed to reproduce the wide frequency range and complex sound qualities of
the piano, this sensor is available in two models for use with upright and grand pianos.
DYN-P, the “Piano Model”, consists of a single contact microphone. This is generally suitable for uprights or smaller concert pianos. DYN-GP, the “Grand Piano Model”, includes two
microphones that enable sound to be captured from two separate points. This results in a
more balanced tone and richer sound. DYN-P/DYN-GP sensors are simple and safe to apply
– even to the most expensive instruments. The sensor(s) can be attached to the piano using
special adhesive putty and positioned accordingly to produce the best possible sound. The
overall sound quality and resolution of DYN-P and DYN-GP has already made them a favourite with many sound engineers. Balanced XLR connectors enable direct connection into a
microphone input of a studio or stage mixer.
Extremely natural amplified sound
Ideal for pop, classical,
jazz or folk music
No batteries, adapters or
phantom power required
Easy to apply - no damage to the instrument
Balanced connection for
professional applications
CEMBALOX
Created especially for the harpsichord (Cembalo), a new active build-in system that combines two RESOCOIL sensors and a preamp. Simple to operate, it includes a single volume
wheel for the player. Other parameter controls are on the internal preamp that is attached
using velcro. During the build-in process, the gain of each RESOCOIL pair can be fixed and
the phase reversed if necessary. A resonance filter is included to reduce potential feedback
issues. Connection is via jack output socket. A 9V battery socket is supplied.
you might also be
interested in...
A-DYN Universal Sensor
amplifiers
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
various accessories
page 13
GOOD REASONS
TO OWN ONE!
SENSORS FOR PERCUSSION AND ETHNIC INSTRUMENTS
DYN-E
BASIK Universal Sensor
Extremely natural amplified sound
Ideal for a wide range of
ethnic instruments
No batteries or adapters
required
Easy to apply - no damage to the instrument
Balanced connection for
professional applications
RESOCOIL
Schertler’s BASIK sensor is a perfect solution for any instrumentalist requiring a reliable,
cost-effective, universal pickup. Easy to apply, it produces a highly precise, natural acoustic
sound. BASIK can be plugged into any amplifier using the supplied phantom power adapter
box. Find out more about this product on page 15.
DYN-E
This sensor has been specially developed to meet a range of requirements in the performance and recording of world music. From Chinese harps to African djembe, DYN-E offers
reliable reproduction of a range of instrumental sounds and is particularly effective when
used with ethnic percussion. The sensor offers total freedom to performing musicians, while
easing problems such as isolation, bleed or feedback that commonly face sound engineers.
Simple and safe to apply, DYN-E can be attached to the instrument using special adhesive
putty. A balanced XLR connector enables direct connection into a microphone input on a
mixer. As with other Schertler sensors, DYN-E also works effectively through full-range amplification systems such as the Schertler amplifier series.
Extremely natural amplified sound
Ideal for solo performers
No batteries or adapters
required
Balanced connection for
professional applications
RESOCOIL
This build-in solution offers an alternative for musicians who require a fixed sensor. RESOCOIL delivers the same warm natural sound typically found in Schertler’s DYN family of
external contact microphones, but with the added convenience of permanent installation.
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page 14
A-DYN Universal Sensor
A-DYN is considered our flagship contact microphone. It can be connected to studio or live
mixing desks and is suitable for a range of professional applications. Find out more about
this product on page 15.
UNIVERSAL SENSORS
GOOD REASONS
TO OWN ONE!
BASIK
BASIK
BASIK is our universal contact microphone designed for use with practically any stringed,
percussive or ethnic instrument. Cost-effective and easy to apply, BASIK produces a precise,
natural sound and is highly recommended for student and semi-professional applications.
The standard BASIK-SET includes the pickup and a phantom power adapter box supplied with
a 1.5V AA battery. This enables the microphone to be plugged into any amplifier. BASIK-PRO
has been designed for studio recording and pro audio applications. This package includes
the pickup and a 48V phantom adapter, allowing direct connection to a mixer via a balanced
line input. BASIK-ROAD includes the pickup and both adapters (1.5V AA battery-powered and
48V phantom) making it suitable for any live performance or recording situation. For fixed
installation on resonator guitars, BASIK-RESO is also available.
General purpose contact
microphone
Natural tone
No harshness or distortion
Cost effective solution
Easily moved from instrument to instrument
A-DYN
A-DYN
Quite literally, we consider this the best contact microphone we have ever developed! Based
on the Schertler DYN technology, A-DYN is a low impedance professional sensor designed
for connection to any mixing desk via a microphone input. Simple to use and recommended
for all acoustic instruments, it produces a highly natural sounding tone.
A-DYN is available as a stand-alone unit and as part of the A-DYN-SET that includes the
microphone and Schertler’s high quality A-PRE preamplifier. For the best possible results,
we recommend this combination: the preamp has a roll-off filter and 3-step gain, as well as
a phase switch for removing feedback. Green putty container, cable holders and an A-PRE
floor support are also included.
High quality, general purpose, professional contact microphone
Natural tone
No harshness or distortion
Easily moved between
instruments
A-DYN-SET includes high
quality preamp and accessories
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page 15
MAGNETICO SERIES
A new sound in the magnetic pickup panorama
Schertler introduces the revolutionary MAGNETICO series of fretted instrument pickups. Based on a completely different concept from standard single coil or humbucker pickups, MAGNETICO uniquely combines high-end
Schertler electronics with active multiple coil technology. This results in fast transient behaviour, an incredibly
flat frequency response and a transparent rich sound across the full range of the instrument.
MAGNETICO A-Series
Designed for use with acoustic guitars, the AG6 compact pickup fits neatly inside the guitar’s sound hole. It
is equipped with a volume control and has an external input (with separate volume control) for connecting a
second pickup. Sound from both pickups can be blended using the volume controls to create the perfect result
for each performance or recording.
The AG6 system is designed for maximum flexibility and is available with either an internal Jack cable for fixed
installation on the instrument, or an external Jack cable.
Two new microphones will also be available for use with the AG6; an electrodynamic moving coil contact
microphone and an ear microphone. These various options offer guitarists a choice of six different packages
to suit different requirements.
AG6 pickup with internal Jack cable
AG6 pickup with external Jack cable
AG6 pickup with electrodynamic mic and internal Jack cable
AG6 pickup with electrodynamic mic and external Jack cable
AG6 pickup with ear mic and internal Jack cable
AG6 pickup with ear mic and external Jack cable
The AG6 is available with either a wood or black top finish.
ACCESSORIES:
Magnetico extra Air-Mic
magnetico external conn cable
Magnetico extra Contact-Mic
MAGNETICO E-Series
The MAGNETICO E-Series offers a range of external pickup models and options for use with electric guitars
and basses.
MAGNETICO R-Series
The MAGNETICO R-Series replacement models are designed for use in place of existing standard single coil or
humbucker systems on specified guitar brands including Fender and Gibson.
page 16
AMPLIFIERS, LOUDSPEAKERS & PREAMPS
AN INTRODUCTION
In 2003 Schertler launched the original Classic series of compact amplifiers. The 3-channel
UNICO and its 2-channel sibling DAVID provided musicians with high quality portable solutions for amplifying stringed instruments. Suitable for almost any performance situation, the
amplifiers received positive feedback from users worldwide, firmly establishing Schertler’s
reputation in the field of acoustic amplification. In 2010, the Classic series was upgraded.
Matteo Minozzi: “The
A new “look” and lighter weight, combined with increased power and functionality, offered
incredible fidelity of the
Schertler systems allows even greater flexibility, ensuring the amplifers’ continuing popularity.
me to find the best sound
in any situation, allowing
my creativity to be free
of restrictions.” - Eugenio
Polacchini: “From the first
time I tried the Schertler
amps I realized that they
represent the state of the
art for amplifying acoustic
instruments. The dynamics and timbre are simply stunning: the ultimate
amplifier.” BRUSKERS DUO
“Wonderful to use on
stage, DAVID is without
doubt the most naturalsounding guitar amp I
have ever heard.”
BENNY GALLAGHER
“It is simply the best
acoustic amplifier I have
ever used! It is incredible
that so much bass comes
out from a 6” woofer ..
every guitar player should
own one!”
DARIO FORNARA
page 18
2011 saw the release of Schertler’s Deluxe series, the ultimate in compact acoustic amplification systems. Even more powerful, with re-engineered CLASS-A preamps and power
amps as well as a range of new control features, the Deluxe series has reflected Stephan
Schertler’s lifelong dedication to offering musicians the very best in acoustic sound reinforcement. This has been further evidenced in 2012 by the addition of the new LAFARO double
bass amplifier. Dedicated to one of the best-sounding bassists in jazz history, LAFARO represents the culmination of years of research into the challenges of successfully amplifying
the sound of this complex instrument. 2012 has also seen the former SR Technology range
of compact JAM amplifiers re-branded by Schertler, providing customers with an additional
series of cost-effective, all-round sound reinforcement options.
Schertler amplifiers are complemented by a range of loudspeakers including the Classic
SIDE that functions as a stand-alone active system, or as an extension to UNICO. Schertler’s
BASS system provides a subwoofer that can be used to great effect with either DAVID or
UNICO. It also provides the foundation for a compact PA system in conjunction with two
SIDE units. The JAM series offers similar possibilities, with the JAM150 Extension expanding
the compact JAM 150 amplifier to a highly effective 300W system. Schertler’s high quality
preamp series includes the flagship Yellow Blender and its new Yellow Single sibling. These
user-friendly, lightweight yet robust preamps are designed for use with a variety of instruments. Every section from input to output has been specially engineered to ensure maximum
potential from any type of sound source. Schertler’s STAT-PRE and A-PRE preamps continue
to provide musicians with high quality solutions that are tailored for use with STAT-SET
sensors and the A-DYN universal contact microphone.
“.. Couple its remarkable fidelity
with its compact size, and you
have a combination that’s hard
to beat ... The David delivers a
transparent window of any pickup’s sound that few, if any,
acoustic amplifiers can match.”
Steven Stone
Vintage guitar (0910)
USA
PRESS
“The Unico is confident with naturalness, transparency, dynamics
and performance, short and with
very good sound reproduction
characteristics, where the bi-amp
design is certainly relevant ...”
Michael Dommers
Gitarre und Bass (0808)
Germany
“... The David, a great little travel
companion, designed to satisfy
any acoustic guitarist and his
many needs. If we think of its
comfort, quality and tone and all
the functions available ...the cost
is more than reasonable!”
Daniele Bazzani
Chitarre (0110)
Italy
DELUXE SERIES AMPLIFIERS
GOOD REASONS
TO OWN ONE!
INTRODUCTION
UNICO
DELUXE
Schertler’s UNICO and DAVID Deluxe amplifiers set new standards in acoustic instrument
amplification with their outstanding clarity, warmth and accuracy. Suitable for use with
practically any microphone or pickup, both models contain a re-engineered CLASS-A preamp
(with no integrated circuits), re-engineered power amps, high-end speakers and a high quality headphone preamp. Intelligent inputs enable the amplifiers to automatically recognise
the impedance of a connected microphone or pickup, so no DI box is required. Each amplifier
channel has a 4-band EQ and there are dedicated filters for warmth, resonance and brilliance
(vocal presence). With robustly constructed plywood housing, the amplifiers are ideal for
withstanding the rigours of live performance and touring. Their intuitive control surfaces are
conveniently placed for easy set-up and any adjustments needed during performances.
3 independent channels
High quality sound
UNICO DELUXE
The 3-channel UNICO DELUXE is perfect for any performance situation. Equipped with a 1”
dome tweeter and 8” woofer, it offers 280W of bi-amplified power. UNICO has 3 independent
input channels (MIC, DYN and STAT) for connecting a variety of microphones and instruments. 3 output lines provide multiple options for connecting to mixers, active loudspeakers
(for example a subwoofer), or other external devices. The amplifier has a high quality built-in
spring reverb with individual level controls on each channel as well as a Master setting.
An external dynamics processor (such as a compressor) can be connected via the Master
section Insert. Phantom power is available on all input channels (48V on MIC and 10V on
DYN/STAT), complete with LED indicators. LED peak indicators are also provided on each
channel enabling levels to be easily monitored. The STAT channel is additionally equipped
with a -15dB PAD to guard against potential signal overload.
“.. Yess! the David is an awsome piece of kit and easily one
of the best acoutic amps we’ve
ever tried... swiss bliss!”
Ed Mitchel
Total guitar (0305)
UK
PRESS
“... Efficiency and professionalism characterize this little amp
designed in Switzerland and built
in Italy, where nothing is left to
chance...”
Luca Pedroni
Strumenti musicali (0112)
Italy
“... Unico Deluxe is a universal
front amp that deserves the
term “all-round talent”. Musicians
who are looking for high quality,
should give it a try. This Schertler
combo is worth considering.”
Thomas Bugert
Bass Quarterly (0911)
Germany
Suitable for all acoustic instruments and
musical genres
Flexible input/output
options
Full range of features
to meet any requirement
Intuitive control surface
Compatible with all
currently
available
microphones
and
transducers
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page 19
GOOD REASONS
TO OWN ONE!
DELUXE SERIES AMPLIFIERS
DAVID
DELUXE
DAVID DELUXE
2 independent channels
The 2-channel DAVID DELUXE is perfect for musicians who require a more compact high
quality solution. Equipped with a 1” dome tweeter and 6” woofer, DAVID offers 150W of
bi-amplified power. A balanced MIC/DYN input accepts any kind of signal source with the
electronics automatically adapting to suit. The STAT input is designed for unbalanced jack
connectors, STAT series pickups and high level line sources. (A -15dB PAD guards against
potential signal overload.) Phantom power is available on both channels and LED peak indicators enable channel levels to be easily monitored. Output options and other features are
similar to the UNICO Deluxe.
High quality sound
Suitable for all acoustic
instruments and musical
genres
Flexible
options
input/output
Meets a range of performance requirements
Compatible with all currently available microphones and transducers
LAFARO
Extremely high quality
sound
Specially designed for
double bass
Unique feature set
Powerful enough for any
situation
Conveniently placed onboard control
Compatible with all currently available microphones and transducers
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page 20
LAFARO
Double bass amplification proved the original inspiration for Schertler’s range of high quality pickups.
Now, LAFARO represents another milestone in Stephan Schertler’s quest to provide the international
bass playing community with an amplification system that reproduces the true sound of this complex
instrument. Dedicated to jazz bass legend Scott LaFaro, this new amplifier combines many of the
high quality features found in Schertler’s Deluxe series with some unique functionality to produce an
extraordinarily natural and musical reproduction of the instrument. Any microphone source can be
connected to LAFARO’s 2-channel CLASS-A preamp. The amplifier is equipped with 3 DI outputs, one
for each channel and one for the Master section. A traditional, transformer-driven 280-Watt power amp
moves a specially developed 8” woofer with record-breaking linear extension to provide strong, clear
low frequencies and a natural sounding mid range. A tweeter, powered with 80 Watts, is designed to
smooth out uncompressed harmonics – important for any stringed instrument, not least the double
bass. An effect loop and other high-end features guarantee unparalleled professional versatility and
quality. In addition to its primary application as an acoustic bass amplifier, LAFARO sounds great as
a rehearsal or recording amplifier for electric bass. It can also be successfully used with ‘cello when
strong amplification is needed. LAFARO is not cheap, nor is it lightweight. But there’s no compromise
on sound quality and we believe that it offers the most musical and natural amplification possible,
particularly when used with Schertler STAT-B or DYN-B pickups.
CLASSIC SERIES AMPLIFIERS
GOOD REASONS
TO OWN ONE!
GIULIA
GIULIA
The ultra-compact GIULIA is the latest addition to Schertler’s Classic amplifier series. Ideal
for small venues, home studios or for practice, the single channel amp has the same high
quality sound, appearance and robust construction as its larger siblings DAVID and UNICO,
while weighing in at just 6.3kg.
Equipped with a 1” dome tweeter and 5” woofer, GIULIA offers 50W of bi-amplified power.
Its input channel can accommodate both XLR and 1/4” Jack connectors, making it suitable
for use with a wide range of microphones including Schertler’s DYN and STAT series, or the
BASIK pickup. Phantom power (48V and 10V) is supplied. The input can also be used for a
guitar or other high level line source, with the amplifier’s intelligent electronics automatically adapting to suit. The channel also has 3-band EQ and Warm low-pass filter to produce a
warmer sound when used with bridge-mounted pickups.
1 flexible channel for any
situation
Separate Line and DI outputs enable connection to a mixer, subwoofer or other external
device.
Works with all mics and
transducers
Automatically adapts for
acoustic instruments
Honest linear tone
Very light comformable
size
Natural linear tone
GIULIA is also equipped with a high-quality digital reverb (controlled via potentiometer) and
an Insert socket, enabling the connection of an external dynamics processor or a volume
pedal.
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page 21
CLASSIC SERIES AMPLIFIERS
GOOD REASONS
TO OWN ONE!
Schertler’s UNICO and DAVID Classic amplifiers continue to prove a favourite with musicians
worldwide. Suitable for use in a range of performance situations, the user-friendly compact
amplifier series was upgraded during 2010. A new size and shape has achieved a tighter,
more focussed bass response, while lower weight, increased power and additional functionality have also added to the amplifiers’ flexibility, ensuring a high level of performance. With
robustly constructed plywood housing, the amplifiers are ideal for withstanding the rigours
of live performance and touring. Their intuitive control surfaces are conveniently placed for
easy set-up and any adjustments needed during performances.
UNICO CL
UNICO CLASSIC
UNICO Classic is a perfect compact performance companion. Equipped with a 1” dome tweeter and 8”
woofer, it offers 200W of bi-amplified power. UNICO has 3 independent input channels (MIC, DYN and
STAT) for connecting a variety of microphones and instruments. A Gain control on each channel enables
precise input level control. Phantom power is available on all input channels (48V on MIC and 10V on
DYN/STAT). 3 output lines provide multiple options for connecting to mixers, active loudspeakers (for
example a subwoofer), or other external devices. DYN and STAT channels are equipped with a 3-band
EQ, while the MIC channel offers a 4-band option for more demanding requirements. A resonance filter
helps reduce low frequency feedback. UNICO Classic has a high quality built-in spring reverb with individual level controls on each channel, in addition to a Master setting. An external dynamics processor
(such as a compressor) can also be connected via the Master section Insert.
3 independent channels
High quality sound
Suitable for all acoustic
instruments
Compact size
Natural linear tone
Compatible with all currently available microphones and transducers
DAVID CL
2 independent channels
High quality sound
Suitable for all acoustic
instruments
DAVID CLASSIC
Compact size
Natural linear tone
The 2-channel DAVID Classic provides similar performance quality in a more compact unit. Equipped Compatible with all curwith a 1” dome tweeter and 6” woofer, it offers 150W of bi-amplified power. A balanced MIC/DYN rently available microphoinput is switchable to accommodate either vocal condenser mics or Schertler’s DYN sensors. The STAT/ nes and transducers
LINE switchable input can be used with electric guitars and basses, or with high level line sources like
CD players. Phantom power is supplied on both channels (48V on MIC/DYN and 10V on STAT/LINE).
Each channel has a 3-band EQ. A resonance filter helps reduce low frequency feedback. Output options you might also be
are similar to the UNICO Classic. DAVID has a high quality built-in spring reverb with individual level interested in...
controls on each channel, in addition to a Master setting. An external dynamics processor (such as a
compressor) can also be connected via the Master section Insert.
pickups
various accessories
page 23
GOOD REASONS
TO OWN ONE!
JAM SERIES AMPLIFIERS
JAM 100
Recently added to Schertler’s amplifier range, the former SR Technology branded series offers musicians a cost-effective, all-round solution for portable acoustic amplification. Three models are currently
available with various input options to simultaneously accommodate a range of instruments and microphones. With robustly constructed plywood housing, the amplifiers are ideal for live performance use.
All models are available in a choice of wood or grey finishes.
JAM 100
All-round 80W amp for
any situation
Great price – quality ratio
Compact size
Honest tone
An ideal entry-level amp for any musical situation. The 80W compact JAM 100 is equipped with a 1”
dome tweeter and 6” woofer offering a good, honest sound quality. 3 independent channels plus a CD
input (Phono connection) enable the simultaneous connection of several instruments. Channels 1 and
2 offer XLR connections with phantom power as well as Hi-Z line inputs. Other features include 3-band
EQ, digital reverb and an intuitive compact control surface enabling easy set-up and adjustment.
Easy to use
JAM 150
JAM 150
All-round 150W amp for
any situation
Great price – quality ratio
Compact size
Good sound quality
Already a market leader in Europe, the JAM 150 has a range of features that meet the needs of performing
musicians. The 150W amplifier is equipped with a 1” dome tweeter and 8” woofer offering good quality sound.
3 independent channels plus a CD input (Phono connection) enable the simultaneous connection of several
instruments. Channels 1 and 2 offer XLR connections with phantom power as well as Hi-Z line inputs. Featuring
3-band EQ, digital effects including send/return effects loop, several output options plus an intuitive control
surface, JAM150 provides a great all-round solution for live performance. In combination with the S1 stand, the
JAM 150 can also be used as a stage monitor.
Easy to use
JAM 400
JAM 400
All-round 400W amp for
any situation
Ideal for rehearsal rooms
Compact small PA
Good sound quality
Easy to use
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page 24
A highly portable cabinet that provides enough facilities for the most demanding of performers. Equipped with 1” horn and two 8” woofers, JAM 400 provides a full 400W of power. A range of XLR, Jack
and Phono inputs offers the potential for solo artists, duos and ensembles to perform using a single
lightweight amplifier. The JAM 400’s control surface provides an intuitive yet comprehensive mixing
facility for easy set-up and on-stage adjustments during performances. Advanced features such as
switchable subwoofer output, variable anti-feedback control, phantom power and multiple digital effects
are included. An integrated switchable crossover enables the addition of an active subwoofer to create
a full 3-way active system capable of providing huge reserves of power for any musical situation.
LOUDSPEAKER SYSTEMS
GOOD REASONS
TO OWN ONE!
SIDE
SIDE
SIDE can either be used as an extension for the UNICO amplifier, or as a stand-alone active loudspeaker.
Equipped with a 1” tweeter and an 8” woofer, the compact loudspeaker offers 180W of bi-amplified
power. SIDE uses the same high quality components and circuitry found in UNICO, making the two perfectly compatible. When used together with UNICO, SIDE becomes an effective second stage monitor
for a duo performance, enabling more output and better sound dispersion. UNICO and SIDE can also be
used together as an active compact PA system.
As a single, stand-alone loudspeaker system, SIDE can be teamed with a preamp such as the Yellow
Blender or Yellow Single for small-scale solo performances. Robust plywood housing makes SIDE suitable for live performance and touring use.
Natural, accurate sound
quality
Can be used in combination
with UNICO, or as standalone active loudspeaker
Compatible with Schertler
preamp range
Robust construction
BASS
BASS
Schertler’s 200W active BASS subwoofer can be effectively teamed with a UNICO or DAVID amplifier to enhance
the performance of acoustic instruments that produce strong low frequencies, such as double bass, acoustic
bass guitar or ‘cello. (In order to let BASS exploit the low frequency range to maximum effect, we recommend
using the low cut feature on UNICO and DAVID.) Because of its active stereophonic separation, BASS can also
be combined with two SIDE units to form a highly effective compact PA system. The subwoofer has robustly constructed plywood housing with side handles for convenient transportation. Its bipolar 200W RMS and traditional
power supply ensure an extremely controlled, accurate and powerful bass reproduction
Controlled, accurate and
powerful bass reproduction
Ideal for enhancing low
frequency range of bass
instruments
Can be used in combination
with UNICO, DAVID and
SIDE
Stereo connection possible
JAM150 ext
JAM 150 EXTENSION
The JAM 150 Extension has been designed for combination with the JAM 150 compact amplifier, providing a 300W system that plays a similar role to the SIDE/UNICO combination in providing more output
and better sound dispersion. Perfect as a second stage monitor for duo performances, the JAM 150/
Extension combination can also be used as a compact active PA system that suits a range of activities
including some small-scale DJ applications. As a single, stand-alone loudspeaker system, the JAM 150
Extension can be teamed with a preamp such as Yellow Blender or Yellow Single for small-scale solo
performances.
Suitable for a range of
applications
Can be used in combination
with JAM 150 or as a standalone loudspeaker
Compatible with Schertler
preamp range
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page 25
GOOD REASONS
TO OWN ONE!
PREAMPLIFIERS
YELLOW
YELLOW SERIES
Impressive sound quality
Ideal for live use without an
amplifier
Includes a range of control
and output options
User friendly
Studio quality on stage
A-PRE
YELLOW series preamps have been specially developed to offer musicians and sound engineers flexible
solutions that meet a range of performing and recording requirements. The preamps combine CLASS-A
electronics with a modern, sophisticated design and lightweight yet robust aluminium housing. Every
single section has been engineered to ensure maximum potential from any kind of sound source.
YELLOW BLENDER offers 2 dedicated inputs (one balanced XLR for microphones and one unbalanced
Jack for instruments). The Return socket can also be used as a third input for line sources. A choice of four
balanced / unbalanced output options enables connection to active loudspeakers, mixers, recording devices
and effects. A separate headphone output is also provided. The two input channels include 4-band EQ, notch
filter, phase reverse, low-pass “warmth” filter, low cut switch and phantom power (48V and 10V). The Send/
Return sockets also enable an effect loop. As its name suggests, YELLOW SINGLE has one dedicated
input channel that accommodates a range of microphones, pickups and instruments. The Return socket can also
be used as a second input for line sources. Output options and other features are similar to its larger sibling.
Yellow Single is included in all STAT-PRO sensor packages. Yellow Blender is included in all STAT-ROAD packages.
Compact high-end preamp
Impressive sound quality
Plenty of headroom
User friendly
No batteries required, works with 48V phantom power
A-PRE
A-PRE has been developed to guarantee the best possible performance from Schertler’s flagship A-DYN
universal sensor. The preamp’s low impedance CLASS-A electronics guarantee a high quality signal
suitable for use in a range of pro audio applications. Practical, on-body controls including 3-step gain,
roll-off filter and a phase switch for dealing with feedback, enable quick and easy adjustments in order
to achieve the desired sound. A-PRE is powered through regular 48V phantom power.
STAT-PRE
Preamp your passive pickup!
Superb sound quality
10V phantom integrated
Long lasting battery life
Belt clip version available
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page 26
STAT-PRE
Schertler’s STAT-PRE preamp perfectly complements the STAT series of sensors for orchestral stringed
instruments, as well as providing a convenient solution for use with other compatible active pickups.
Compact and easy to use, STAT-PRE ensures a faithful reproduction of the instrument’s sound while
delivering nearly 500 hours of playing time from one 9V battery. The preamp’s rugged aluminium case
enables it to be positioned on the floor, or attached to the player using a belt clip. STAT-PRE is included
in all Schertler STAT-SET sensor packages.
SCHERTLER GUITARS
INTRODUCTION
Schertler guitars are the result of a unique collaboration between Stephan Schertler and
Claudio Pagelli, a Swiss guitar maker of international repute. Schertler and Pagelli’s vision
of creating a smaller sized electro-acoustic guitar for the stage, armed with a reference
quality pickup system, has culminated in the current series of instruments with their elegant
shape, unbeatable playability and world-class stage sound.
Four nylon and steel string models are available, their backs and sides beautifully crafted
from a range of quality woods - Indian Rosewood, Bubinga and Mahogany. The tops are all
made from Swiss Alpine Spruce moon cut wood (said to exhibit outstanding and unique
characteristics when felled during certain lunar phases). Attention to detail is apparent in
every aspect of the instruments’ construction, from their flat profile ebony fingerboards and
solid bridges, to their elegant rosewood and maple bindings, bone carved saddles and nuts,
original Schertler machine heads and timeless ebony knobs.
The natural, high quality sound of each guitar is accurately reproduced by Schertler’s DUAL
on-board system. DUAL combines the LYDIA electrostatic under-saddle pickup with an electrodynamic contact microphone (based on Schertler’s DYN technology) mounted to the top.
Sound from the two sensors can be blended to create a range of options from natural acoustic to edgier tones that will cut through on a loud rock stage. The control circuitry uses
discrete CLASS-A technology with 27 transistors – never before seen in guitar electronics!
A standard 9V battery will provide over 200 hours of playing time.
“When I play this guitar
on stage I feel like I
can express my music
without limits”
Ibrica Jusic
“My Schertler SP is a
great stage guitar with
good playability and feels
good while playing”
Dario Fornara
PRESS
“... It sounds so amazing,
especially considering the
size of the body. The SP has
a large volume and an excellent dynamic. It has a good
balance and definition of
the entire sound spectrum.
Excellent sustain. Versatile
and easy-to-play ... ”
Mario Giovannini
Chitarre (0409)
Italy
“... Overall, this is a fantastically good guitar, and very
capable.... if you need a
guitar which can cut through the mix, on which you
can pick, strum or solo,
it’s fabulous. The amplified
sound is instantly accessible
and excellent, yet it doesn’t
seem to sacrifice acoustic
sound at all.”
Sam Wise
Acoustic UK (0308)
“ ... This beautiful guitar,
with an innovative and efficient conception, both for
Lutherie based on a revolutionary design, and for its
sound, it is placed among
the best products in the present market... ”
Dr. Boost
Guitar Part (#151)
France
“.....the sound out of
these guitars, as well as its
quality represents a very
high level.
Design and aesthetics are
well thought...... the result is
irreproachable ”
Tim Van Roy
Meet Music 0709
Belgium/Netherlands
page 27
SCHERTLER GUITARS
NYLON STRING - SCHERTLER CP
Total length
Scale length Fret Qty Width at nut Width at 12th fret Depth at tail Depth at lower bolt Body lower width Body width at cutaway Body length Adjustable neck Back and sides Top Tuners Electronics Finish 990 mm
650 mm
18
50 mm
60.5 mm
90 mm
86 mm
375 mm
265 mm
470 mm
No
Indian Rosewood
Swiss Alpine Spruce, moon cut
Schertler 1:18 Ratio
Schertler DUAL onboard
All gloss
STEEL STRING - SCHERTLER SP
Total length Scale length Fret Qty Width at nut Width at 12th fret Depth at tail Depth at lower bolt Body lower width Body width at cutaway Body length Adjustable neck Back and sides Top Tuners Electronics Finish page 28
990 mm
650 mm
18
45 mm
55 mm
90 mm
90 mm
380 mm
265 mm
470 mm
Yes
Indian Rosewood
Swiss Alpine Spruce, moon cut
Schertler 1:18 Ratio
Schertler DUAL onboard
All gloss
SCHERTLER GUITARS
STEEL STRING - SCHERTLER SB
Total length
Scale length Fret Qty Width at nut Width at 12th fret Depth at tail Depth at lower bolt Body lower width Body width at cutaway Body length Adjustable neck Back and sides Top Tuners Electronics Finish 990 mm
650 mm
18
45 mm
55 mm
90 mm
90 mm
380 mm
265 mm
470 mm
Yes
Bubinga
Swiss Alpine Spruce, moon cut
Schertler 1:18 Ratio
Schertler DUAL onboard
All gloss
STEEL STRING - SCHERTLER SM
Total length Scale length Fret Qty Width at nut Width at 12th fret Depth at tail Depth at lower bolt Body lower width Body width at cutaway Body length Adjustable neck Back and sides Top Tuners Electronics Finish 990 mm
650 mm
18
45 mm
55 mm
90 mm
90 mm
380 mm
265 mm
470 mm
Yes
Mahogany
Swiss Alpine Spruce, moon cut
Schertler 1:18 Ratio
Schertler DUAL onboard
All gloss
page 29
SCHERTLER ACCESSORIES
ACTIVE DI
Schertler’s Active DI enables direct connection of acoustic and electric guitars, guitar amps,
keyboards and other devices to a mixer. No hum loops!
(Requires phantom power supply.)
ACTIVE DRIVER CABLE
A 4-metre buffer cable that adjusts the impedance on an input from high to low. Ideal for
musicians with Piezo and magnetic pickup systems who want to use Schertler Classic series
amps and STAT-PRE preamplifier. Requires 10V phantom power.
AMP LINK CABLE
With the cable plugged into the “Insert”, it is possible to connect two Schertler amplifiers.
Each amp will reproduce the signal from the other one.
VOLUME PEDAL
Plugged into the amplifier’s “Insert” using a single cable, the pedal can control the Master
volume without any loss in sound. Now with an extra Insert socket included on the pedal!
ADHESIVE PUTTY
Green adhesive putty for attaching contact microphones such as the DYN and BASIK series.
Material will not damage the instrument. Available in single units, or packs of 5.
PREAMP BELT CLIP
Belt clip for STAT-PRE preamp. Needs to be glued using special adhesive supplied in the
package.
CABLE CLIP
Belt clip for XLR cable.
1.5V ADAPTER
Power supply for the BASIK pickup with 1.5V battery. Enables microphone to be plugged
into any amplifier.
48V ADAPTER
48V phantom adapter for use with BASIK pickup. Designed for pro audio applications, it
allows direct connection to a mixer via balanced line.
page 30
SCHERTLER ACCESSORIES
S1 MONITOR STAND
Support for Schertler amplifiers and loudspeakers when used as stage monitors.
S3 MONITOR STAND
Tripod loudspeaker stand for stage use.
AMPLIFIER BAGS
Fitted padded bags for safely transporting Schertler amplifiers. Separate front pocket for
storing cables. Individual bags available for: JAM 100, JAM 150, JAM 400, UNICO Classic /
SIDE, DAVID Classic, UNICO Deluxe, DAVID Deluxe
TUNERS
For classical, steel string and electric guitar, as well as steel string guitar with slotted peg
head. Available in a range of surface finish options including ebony, perloid, satin chrome,
satin black, gold and nickel gloss. More about tuners on: http://www.schertler.com/homepage_schertler/accessories-tuners-en.html
BASIK & STAT BAG
Fitted padded bags for safely transporting Schertler’s BASIK pickup or STAT series pickups.
CABLES
In addition to high quality 1/4” jack and XLR cables, supplementary cables in different
lengths are also available for use with all Schertler products.
MP DRIVER
Magnetic Pickup Driver - ultra velocity O Hz to 1OOkHz. A state-of-the-art device, developed
by Stephan Schertler, that has been specifically designed to produce maximum colour and
dynamic from electric guitars and basses. This built-in retrofit preamp starts to transmit at
zero Hertz (no phase shift at low frequencies) and works up to 1 MHz (limited to 1OO kHz).
The MP Driver delivers a velocity and impulse behaviour that transmits the smallest musical
details with amazing accuracy. And that is exactly what you will hear...
YELLOW ASM
Microphone stand adapter for the Yellow
PSU (power supplies)
Power supplies are available for all Schertler products to suit the requirements of different
geographical regions.
page 31
TECHNICAL SPECIFICATIONS
STAT-V
DYN-V
Nominal impedance
2 kohm
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Frequency response
60 Hz to 12 kHz
Nominal impedance
1500ohm / 1000Hz
Dynamic range
70 dB
Frequency response
60 Hz to 18 KHz +/-3dB
Sensitivity (on instrument)
ca. -20 dB
Dynamic range
139dB-145dB Typical
Temperature range
-10° C to +50° C
Equivalent output noise
16dB/0dB =0.002%
Contacts
Gold plated
Sensitivity
20mV/g
Connection
Binder to 1/4”Jack
Sensitivity (on instrument)
ca. -32dBu
Temperature range
-20° C to +70° C
STAT-C
Contacts
All hard gold 0.5um plated
Nominal impedance
1.6 kohm
Connection
XLR balanced
Frequency response
20 Hz to 12 kHz
Cable length
2.2 m (87 in)
Dynamic range
75 dB
Sensitivity (on instrument)
ca. -25 dB
Temperature range
-10° C to +50° C
Contacts
Gold plated
Connection
Chinch (RCA) to 1/4”Jack
DYN-C
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
STAT-B
Frequency response
40 Hz to 18 KHz +/-3dB
Nominal impedance
1.6 kohm
Dynamic range
139dB-145dB Typical
Frequency response
20 Hz to 12 kHz
Equivalent output noise
16dB/0dB =0.002%
Dynamic range
75 dB
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -25 dB
Sensitivity (on instrument)
ca. -28dBu
Temperature range
-10° C to +50° C
Temperature range
-20° C to +70° C
Contacts
Gold plated
Contacts
All hard gold 0.5um plated
Chinch (RCA) to 1/4”Jack
Connection
XLR balanced
Cable length
1 m (40 in)
Connection
STAT-MACC
Nominal impedance
1.6 kohm
Frequency response
40 Hz to 12 kHz
Dynamic range
75 dB
Sensitivity (on instrument)
ca. -25 dB
Temperature range
-10° C to +50° C
Contacts
Gold plated
Connection
Chinch (RCA) to 1/4”Jack
BASIK-RESO
Frequency response
60 Hz to 15 kHz
Output impedance
1000 ohm
Equivalent output noise
16dB/0dB =0.002%
Sensitivity (on instrument)
ca. -32dBu
Temperature range
-10° C to +50° C
Connection
Female 1/4”Jack
page 32
DYN-B
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
Frequency response
20 Hz to 18 KHz +/-3dB
Dynamic range
139dB-145dB Typical
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -28dBu
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Switch on connector
Phase reverse
Cable length
0.24 m (10 in)
TECHNICAL SPECIFICATIONS
DYN-G
DYN-H
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
Nominal impedance
1500ohm / 1000Hz
Frequency response
60 Hz to 18 KHz +/-3dB
Frequency response
20 Hz to 18 KHz +/-3dB
Dynamic range
139dB-145dB Typical
Dynamic range
139dB-145dB Typical
Equivalent output noise
16dB/0dB =0.002%
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
20mV/g
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -30dBu
Sensitivity (on instrument)
ca. -32dBu
Temperature range
-20° C to +70° C
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Connection
XLR balanced
Cable length
1.8 m (71 in)
Cable length
1.4 m (55 in)
DYN-M
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
Frequency response
60 Hz to 18 KHz +/-3dB
Dynamic range
139dB-145dB Typical
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -30dBu
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Cable length
2.2 m (87 in)
DYN-ABG
RESOCOIL
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
Frequency response
80 Hz to 14 KHz +/-3dB
Dynamic range
139dB-145dB Typical
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -28dBu
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Cable length
Custom lengths possible
DYN-E
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
1500ohm / 1000Hz
Nominal impedance
1500ohm / 1000Hz
Frequency response
20 Hz to 18 KHz +/-3dB
Frequency response
20 Hz to 18 KHz +/-3dB
Dynamic range
139dB-145dB Typical
Dynamic range
139dB-145dB Typical
Equivalent output noise
16dB/0dB =0.002%
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
20mV/g
Sensitivity
20mV/g
Sensitivity (on instrument)
ca. -28dBu
Sensitivity (on instrument)
ca. -32dBu
Temperature range
-20° C to +70° C
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Connection
XLR balanced
Cable length
1.8 m (71 in)
Cable length
1.8 m (71 in)
page 33
TECHNICAL SPECIFICATIONS
BASIK
DYN-P
Output impedance
1000 ohm
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Frequency response
60 Hz to 15 kHz
Nominal impedance
1500ohm / 1000Hz
Equivalent output noise
16dB/0dB =0.002%
Frequency response
20 Hz to 18 KHz +/-3dB
Sensitivity (on instrument)
ca. -32 dBu
Dynamic range
139dB-145dB Typical
Temperature range
-20° C to +50° C
Equivalent output noise
16dB/0dB =0.002%
Connection
1/4”Jack
Sensitivity
20mV/g
Cable length
3 m (118 in)
Sensitivity (on instrument)
ca. -28dBu
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Cable length
0.97 m (38 in)
A-DYN
Mechanical decoupling
Butterworth 2nd ord, Q=0.6
Nominal impedance
440 ohm
Frequency response
20 Hz to 20 KHz +/-3dB
Dynamic range
139dB-145dB typical
Equivalent output noise
16dB/0dB =0.002%
Sensitivity
8 mV/g
Sensitivity (on instrument)
ca. -38dBu
Temperature range
-20° C to +70° C
Contacts
All hard gold 0.5um plated
Connection
XLR balanced
Cable length
2 m (78 in)
page 34
MAGNETICO AG6
Battery Type
Lythium 3V CR2032
Playing hours
120 hours
Current consumption
1.84mA
Frequency range
0Hz - 40kHz (+/- 3dB)
Dynamic Range
68dBsnr
Max output voltage
4Vpp
Output level
-5dBu /1.23Vpp
Output impedance
5Kohm
TECHNICAL SPECIFICATIONS
UNICO DELUXE
DAVID DELUXE
Weight
19.10 kg (42.10 lb)
Weight
12.90 kg (28.45 lb)
Dimensions
37x33.5x45cm
(14.5x13.2x17.7 in)
Dimensions
31x37x27.5cm
(12.2x14.6x10.8 in)
Frequency response
40 Hz to 20 KHz +/-3dB
Frequency response
60 Hz to 20 KHz +/-3dB
Speakers
1” dome tweeter, 8” woofer
Speakers
1” dome tweeter, 6” woofer
Construction
Plywood
Construction
Plywood
Channels
3 independent channels
Channels
2 independent channels
Inputs
MIC, DYN, STAT
Inputs
MIC/DYN, STAT
Outputs
DI, LINE, AUX & Headphones
Outputs
DI, LINE, AUX & Headphones
Phantom power
48V on MIC channel, 10V on
STAT channel.
Phantom power
48V MIC channel, 10V STAT
channel.
Effect
Spring reverb
Effect
Spring reverb
Preamp
Class-A no integrated circuits
Preamp
Class-A no integrated circuits
Power
280 W bi-amplified
Power
150 W bi-amplified
LAFARO
Weight
19.10 kg (28.45 lb)
Dimensions
26x42x50cm
(10.23x16.53x19.70 in)
Frequency response
30 Hz to 20 KHz +/-3dB
Speakers
1” dome tweeter, 8” woofer
Construction
Plywood
Channels
2 independent channels
Inputs
MIC/DYN, Instrument, Effect
return
Outputs
Phantom power
Master section - DI, LINE,
AUX and Dry out on both
channels for effect loop
48V on MIC channel, 10V on
Instrument channel.
UNICO CLASSIC
Weight
15.40 kg (33.95 lb)
Dimensions
34x43x31cm
(13.4x16.9x12.2 in)
Frequency response
50 Hz to 18 KHz +/-3dB
Speakers
1” dome tweeter, 8” woofer
Construction
Plywood
Channels
3 independent channels
Inputs
MIC, DYN, STAT
Outputs
DI, LINE, AUX
Phantom power
48V on MIC channel, 10V on
STAT channel.
Effect
Spring reverb
Preamp
Class-AB
200 W bi-amplified
Effect
No built in effects, effect
loop possible
Power
Preamp
Class-A - no integrated circuits
DAVID CLASSIC
Power
280 W bi-amplified
Weight
10.3 kg (22.70 lb)
Dimensions
26x36x30cm
(10.2x14.1x11.8 in)
GIULIA
Weight
6.3 kg (13.86 lb)
Frequency response
60 Hz to 18 KHz +/-3dB
Dimensions
27x18x28cm
Speakers
1” dome tweeter, 6” woofer
Frequency response
50 Hz to 20 KHz +/-3dB
Construction
Plywood
Speakers
1” dome tweeter, 5” woofer
Channels
2 independent channels
Construction
Plywood
Inputs
MIC/DYN, STAT/LINE
Channels
Single channel
Outputs
DI, LINE, AUX
Inputs
Combo XLR/jack
Phantom power
Outputs
Line out and DI out
48V on MIC channel, 10V on
STAT channel.
Phantom power
48V on XLR, 10V on jack.
Effect
Spring reverb
Preamp
Class-AB
Power
100 W bi-amplified
Effect
Digital reverb
Power
50 W bi-amplified
page 35
TECHNICAL SPECIFICATIONS
BASS
JAM 150 Extension Box
Weight
17.4 kg (38.35lb)
Weight
12 kg (24.4lb)
Dimensions
32x40x37cm
(12.6x15.7x14.5 in)
Dimensions
27x39x36cm
(10.6x15.3x14.17 in)
Frequency response
25 Hz to 200 Hz +/-3dB
Frequency response
60 Hz to 18 KHz +/-3dB
Speakers
10” woofer bass reflex
Speakers
1” dome tweeter, 8” woofer
Construction
Plywood
Construction
Plywood
Inputs
Stereo/mono input
Inputs
Combo (XLR-1/4”)
Outputs
2 x Combo parallel & 2x
crossover out
Outputs
Parallel XLR
Max SPL
112dB
Max SPL
117dB
Controls
Volume, ground lift
Controls
Volume, ground lift, monostereo selector
Power
150 W bi-amplified
Power
200 W
JAM 400
SIDE
Weight
21.00 kg (46.29 lb)
Weight
13.6 kg (29.9lb)
Dimensions
37x49x43cm
(14.56x19.29x16.92 in)
Dimensions
34x44x28cm
(13.4x17.3x11 in)
Frequency response
60 Hz to 18 KHz +/-3dB
Frequency response
50 Hz to 18 KHz +/-3dB
Speakers
1” horn, 2x 8” woofer
Speakers
1” dome tweeter, 8” woofer
Construction
Plywood
Construction
Plywood
Channels
3 channels, 2x Stereo, CD in
Inputs
Combo (XLR-1/4”)
Outputs
Rec out, DI, Aux, SW out
Outputs
Parallel XLR
Phantom power
48V on all XLR inputs
Max SPL
114dB
Effect
Digital reverb multi effect,
effect loop possible
Controls
Volume, ground lift
Preamp
Class-AB
Power
200 W bi-amplified
Power
400 W bi-amplified (CLASS-D)
JAM 150
JAM 100
Weight
13.00 kg (28.66 lb)
Dimensions
27x40x36cm
(10.6x15.74x14.17 in)
Frequency response
60 Hz to 18 KHz +/-3dB
Speakers
1” dome tweeter, 8” woofer
Construction
Plywood
Channels
3 channels + CD in
Outputs
Rec out, DI, Fx send
Phantom power
48V on all XLR inputs
Effect
Digital reverb multi effect,
effect loop possible
Class-AB
Preamp
Class-AB
80 W bi-amplified
Power
150 W bi-amplified
Weight
11.00 kg (24.25 lb)
Dimensions
27x36x29cm
(10.6x14.17x11.4 in)
Frequency response
80 Hz to 18 KHz +/-3dB
Speakers
1” dome tweeter, 6” woofer
Construction
Plywood
Channels
3 channels + CD in
Outputs
Rec out, DI
Phantom power
48V on all XLR inputs
Effect
Digital reverb
Preamp
Power
page 36
TECHNICAL SPECIFICATIONS
A-PRE
STAT-PRE
Weight
0.109 Kg (0.24 lb)
Weight
0.16 Kg (0.34 lb)
Dimensions
ø23x154mm
(ø0.90x6.06 in)
Dimensions
10.3x5.5x2.5cm
(4.0x2.16x0.98 in)
Frequency response
16 Hz to 50 KHz +/-3dB
Frequency response
Construction
Anodized aluminium tube
40 Hz to 20 kHz +/-3dB
40 Hz to 14 kHz +/-3dB
(with warm filter integrated)
Input
XLR balanced
Construction
Aluminium box
Max input
0dBu
Nominal output level
0dBu
Max gain
(3 positions) 0dB, 8dB, 16dB
Maximum output level
+8dB
Controls
Roll-off filter, 3 positions,
gain 3 positions, phase
reverse
Maximum gain
18dB
Maximum input level
0dBu
Output impedance
190 ohm
Signal to noise ratio
93dB
Input impedance
4.7 kohm
THD
<0.06% at -10dBu
THD
<0.05% at 1kHz, 0.2Vrms
Input impedance
25 kohm
Supply
24V to 48V phantom power
Output impedance
190 ohm
Supply
9V alkaline battery
YELLOW BLENDER
YELLOW SINGLE
Weight
0.4 Kg (0.88 lb)
Weight
0.32 Kg (0.0.68 lb)
Dimensions
20x10x3.8cm
(7.87x4.25x1.49 in)
Dimensions
15x10x3.8cm
(5.9x4.25x1.49 in)
Frequency response
10 Hz to 25 KHz +/-3dB
Frequency response
10 Hz to 25 KHz +/-3dB
Construction
Anodized aluminium box
Construction
Anodized aluminium box
MIC input
XLR balanced; sensitivity
-56dB; impedance 4.7kohm
Main input
LINE/INSTRUMENT input
1/4” Jack: sensitivity -52dB;
impedance 3kohm with 10V
on, 200 kohm with 10V off
RETURN/LINE input
1/4” stereo balanced Jack;
sensitivity -30dB; impedance
22kohm
MIC IN: XLR balanced;
sensitivity -56dB; impedance
4.7kohm
LINE IN: 1/4” Jack: sensitivity -52dB; impedance 3kohm
with 10V on, 200 kohm with
10V off
RETURN/LINE input
4 band eq + adjustable
notch filter, warm and
low cut
1/4” stereo balanced Jack;
sensitivity -30dB; impedance
22kohm
EQ
4 band eq + adjustable
notch filter, warm and
low cut
MASTER outputs
XLR balanced; output level
+20dBu; impedance 100ohm
1/4” jack unbalanced; output
level +14dBu; impedance
100ohm
DI output
XLR balanced; sensitivity
+5dBu; impedance 100ohm
SEND output
1/4” Jack stereo balanced;
sensitivity 5dBu; impedance
100 ohm
Headphone
High class headphone preamplifier; 1/8” Jack, sensitivity
+10dBu; impedance 10 ohm
Supply
24VDC 210 mA regulated
power supply
Controls
MASTER outputs
XLR balanced; output level
+20dBu; impedance 100ohm
1/4” jack unbalanced; output
level +14dBu; impedance
100ohm
DI output
XLR balanced; sensitivity
+5dBu; impedance 100ohm
SEND output
1/4” Jack stereo balanced;
sensitivity 5dBu; impedance
100 ohm
Headphone
High class headphone preamplifier; 1/8” Jack, sensitivity
+10dBu; impedance 10 ohm
Supply
24VDC 210 mA regulated
power supply
page 37
NOTES:
NOTES:
SCHERTLER SA
VIA BEROLDINGEN 18
6850 MENDRISIO
SWITZERLAND
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