Abstracta Greatworkspaces 2013
Transcription
Abstracta Greatworkspaces 2013
Great Workspaces Acoustics | Meetings | Workstations | Storage www.abstracta.se INDEX Acoustics 7 Design Thinking #1 17 Design Thinking #2 31 Meetings 43 Workstations 63 Design Thinking #3 71 Storage 75 Design Thinking #4 83 Products overview 88 Surfaces 105 Standard fabrics 106 Great workspaces get people together, to work together and learn from each other. Great workspaces allow time and space for focus and privacy. Abstracta shares this insight, provides the proper details and designs that transform your workspace from good to great. 2 3 Acou Meet Workst Stor 4 ustics tings tations rage 5 It is no exaggeration to say that an efficient and enjoyable working environment stands or falls on its acoustic qualities. Sound matters for concentration as well as for communication. For both the individual workstation and for the conference room. Being one of the pioneers in the field, Abstracta embraces the increasing interest in sound absorbents and a more efficient working environment. Discover Abstracta’s full range of partitions and sound absorption panels, and see how creative design can enhance the sound experience in your office. Exposed to an increasing information overload, the need for undisturbed spaces is greater than ever. Every interruption costs time and focus. With acoustics and partitions we form secluded workspaces needed for full concentration and productive focus. Acoustics F E AT U R E D P RO D U C T S Plaid Loop Alumi Alumi Round Softline Triline Triline Wall Bits Wall Soneo Wall Window Airflake Aircone Airwave 7 A better sound environment makes all the difference. 8 Q&A with Oskar Ahlstrand Engineer specialising in work environment and ergonomic design at Previa, Sweden’s leading provider of occupational health services What’s happening in the office 2013 from an acoustic point of view? The trend towards project-based work in flexible open-plan offices is making new, tougher demands on acoustic planning. On the one hand, they facilitate communication between co-workers. On the other, they tend to be noisier. Considering that an increasing number of people suffer from a range of hearing defects, it’s even more important to build and design with acoustics in mind. What actions are most efficient for a pleasant sound environment? For a start, most countries have regulated standards for building acoustics, and as a design engineer or interior designer you have numerous tools to work with. For larger projects an acoustic expert is almost obligatory. More hands-on, it’s important to see all parts of the room, but a good sound-absorbing ceiling is the critical point. Textile carpets and walls and partitions with sound-absorbents are good compliments that also improve the experience. Other solutions are designated rooms for conversations and meetings, guidelines for phone ringtones, etc. If you can influence the room layout from the start, try to place toilets, printers and other noise sources as far from away as possible, or at least behind a soundproof wall. What’s next in acoustics for the workplace? New materials, often recycled and environmentally sustainable, are coming onto the market. I would also say that workplace acoustics is a growing industry, and with more actors it’s important to keep an eye on quality and performance. 9 Plaid D E S I G N F O R M US W I T H LO V E Traditional screens and absorbers allow little flexibility; at the same time flexibility is just what modern day office planners seeks. To address this need Plaid renews the idea of a room divider, while still keeping the characteristics and functions of a traditional sound absorber. Made from laminated felt and fabric, the soft Plaid panels can be suspended from the ceiling or standing on the floor, all depending on the needs of the space. “Plaid sets a new standard for the divider and absorber category. The family consists of the standard application; freestanding, but then we have added hanging versions and the spectacular Plaid House!” says Form Us With Love. 10 11 12 Loop D E S I G N A N YA S E BTO N Loop is a playful screen system that offers users opportunities to form creative combinations. The product consists of a white or black framework, with lines of fabric threaded between the bars of the frame in a classic weaving technique. Creating a screen with an irregular shape not only produces an aesthetically attractive look, but also effectively blocks sound waves. This gives Loop excellent sound-absorbing properties. 13 Alumi DESIGN NINA JOBS Improve the sound environment of the workplace with style. With its combination of different kinds of fabric/felt and aluminium (white or silver anodized), Alumi is a practical range of sound absorbing units. The flexible and functional acoustic line includes floor partitions, table screens and a flexible unit called Alumi Combi. Alumi Combi is a floor screen on wheels that includes whiteboard glass, which means it is a combination of a whiteboard at the same time as it is a floor screen. 14 Alumi Round DESIGN NINA JOBS Inspired by Italian arched windows, designer Nina Jobs revisited her straight Alumi panels and discovered a new urge for a round shape. Creating a new playful yet elegant ambience using small details, the curved form brings a human element to today’s often-rigid spaces. The aluminium frame makes the sound absorbing panel both light and strong, fitted with grey rubber corners in perfect contrast to the durable metal panel. You can also combine Alumi round with the standard Alumi, straight corners, to get a smooth ending to a row of screens. Alumi round can also be placed in an angle. “Abstracta are brave design pioneers and outstanding in the absorbing panel division at the same time. I’m proud to design solutions that celebrates both function, smartness and contemporary aesthetics”, says Nina Jobs. 15 Design Thinking #1 Nina Jobs A LU M I D E S I G N N I N A J O B S 16 What’s the greatest challenge facing the workplace of tomorrow? Finding the balance between functionality and well-being. How is the working environment changing from your point of view? The workplace as we know it is starting to dissolve. A fixed office is no longer necessary since the wireless networks let us work from home, from a café or a hotel lounge. But also within the office, we are more mobile and I believe that integrated sound-absorbents will be useful for creating more intimate and quiet work corners. How can designers contribute to a better workplace? It all depends on the product, but we should try to integrate sound absorbing qualities into more products. What’s the thinking behind your products for Abstracta? I wanted to create functional furniture and make it easy to integrate with existing interiors. My design is discrete with the focus on flexibility and functionality that a wide range of customers can appreciate. 17 DoReMi DESIGN NINA JOBS DoReMi is a screen suitable for offices and public areas designed by Nina Jobs. DoReMi can be used as a free-standing solitaire or connected together to screen off a larger area. The frame is made from solid timber. The exposed edge is made from natural birch or oak. Both sides of the screen are covered with a compressed 100% polyester felt panelling. The unique felt panelling is sound absorbing and is available with unique embossed patterns (wave, block or dot pattern) in white, light grey, dark grey or black. The acoustic filling is made of mineral wool. The flexibility of the screen and its technical features all combined makes the screen extremely versatile and suitable for a variety of interiors. Available in width 800 and 1400 mm. 18 19 Softline With its sound absorbing class A core, and wide range of fabric colours, it creates a comfortable workspace. The Softline partition line is a very flexible, modular system which easily adapts to the changing requirements of the functional workspace. The screens come in both rectangular and wave shapes in a choice of dimensions. Softline can easily be placed in a lot of different places due to its discrete design, flexibility and versatility. 20 21 22 23 24 Triline D E S I G N A N YA S E BTO N The triangular design of the screen Triline does not only enhances the aesthetics, it prevents sound waves bouncing straight back. The screen is reversible and offers a huge range of variations. A beautiful pattern can be created when the screens are placed next to each other. One side is straight and smooth ideal for placing directly against a table. The thread leg picks up the triangular pattern and gives the screen a floating expression, as well as providing excellent support. 25 Triline Wall D E S I G N A N YA S E BTO N Arrange the wall panels next to each other for a stylish relief pattern, and play around with the different colour expressions available. The angled shape of Triline is not only an aesthetic statement; it also adds extended acoustic qualities. The three-dimensional triangular section of the wall panel prevents the sound waves from bouncing straight back. The Triline Wall panel uses hidden mounting bars that allow the panel to be hung either horizontally or vertically. Sound absorbing class A. 26 27 28 Bits Wall D E S I G N A N YA S E BTO N Bits wall can be freely combined to create different pattern formations. Using a triangular shape not only produces an aesthetically attractive look, but also effectively breaks the sound waves, which makes a better acoustic environment. The product is mounted on the wall by using hidden hanging rails,allowing the panels to be hung either horizontally or vertically and offering users the flexibility to create both symmetrical and asymmetrical pattern formations. The system’s modular construction means that Bits Wall can be assembled to whatever size the user requires. The sound absorbent panels are made from moulded polyester fibre that is covered with fabric. 29 Design Thinking #2 Anya Sebton B I T S WA L L D E S I G N A N YA S E B TO N 30 What’s the greatest challenge facing the future workplace? Meeting the demand for flexibility and function without giving up the individual employee’s need for privacy. Acoustics and partitions are key-factors. How could the designer contribute to a better workplace? By observing new office landscapes and discovering the needs of both the organisation and the individual. Being active in environmental issues and caring about material choices are also areas where our words carry weight. What were the design criteria for Triline? It’s a play with angles and their effect on sound waves. I tried to find a form that could create beautiful formations while solving acoustic problems. Architecture and façades inspired the final design. 31 32 Soneo Wall Functional creativity through sound-absorbing squares. Soneo Wall is a simple and yet stylish system of wall panels based on square, sound-absorbing and coated panels. The Soneo Wall panel is so simple in its style that it is the fabric that sets the tone of the product. The product provides a wide range of variations in patterns and colours. The panels are available in several sizes, and the mounting is hidden. Soneo is also available as a floor screen and as a table screen. 33 Window DESIGN JONAS FORSMAN A sound absorbing wall full of magazines provides relaxation for both the eye and the ear. Window is a display system that works as a sound absorber or a sound absorber that works as a display system. It is pleasant to work in a quiet environment, but it is important that the environment doesn’t become sterile and impersonal. Moulded felt is the basic material used in Window. 34 35 36 Airflake D E S I G N ST E FA N B O R S E L I US This modular system is built around the shape of a hexagon in a variety of designs and colours, which can be freely combined to create a hanging screen. The product is made from moulded fibre felt and has an inspiring pattern. It is fixed to a straight or angled aluminium rail for mounting in the ceiling or on the wall. 37 38 Aircone D E S I G N ST E FA N B O R S E L I US The innovative Aircone is based on the successful Airflake, a sound-absorbent partition with a snowflakeinspired design, which was the first product designed by Stefan Borselius in collaboration with Abstracta in 2006. Unlike Airflake, Aircone has a simple graphic design. The modules are assembled together using small plastic clips, and each module is angled and has a tapered shape. The pattern formed by combining several modules can be varied in a virtually infinite number of ways. The angles diffuse sound waves, and the product thus helps create a better sound environment. Aircone is made from compression-moulded fabric-covered fibre felt and is available in a range of colours. It can be hung from the ceiling or against the wall on an aluminium rail. 39 40 Airwave D E S I G N ST E FA N B O R S E L I US Airwave is a module system designed to form a screen that can be hung up in no time, as the modules simply hook into one another. It has a body made from polyurethane and covered with a fabric, which makes the partition sound-absorbent. The thick shape of Airwave also ensures a good acoustics product. The impression created by the module system can be varied depending on how the different modules are combined. The module system can easily be assembled/hooked up on a ceiling- or wall-mounted rail. 41 We meet to innovate and create, share and learn. Some meetings are planned and some happends ad hoc. Abstracta’s mobile solutions and visual aid accessories facilitate interaction and make the most out of your time. As business moves fast and the conditions change continuously, we need more meetings. The interaction between competences, cultures and individuals within a workplace can be the one crucial competitive advantage in the knowledge economy. Meeting and interacting in different forms nourish creativity and innovation. Open workspaces with various settings and built-in mobility pave the way for a dynamic meeting culture. Read more about meetings on www.abstracta.se Meetings F E AT U R E D P R O D U C T S Messenger Moow Magvision/Vision Sketchalot Enjoy Base Sense/Mixx/Ono 43 Improved meetings pave the way for successful organisations. 44 Q&A with Monica Wallén Behavioural scientist and consultant in meeting techniques How important are meetings for the contemporary workplace? They are extremely important. Many people work in processes and projects where cooperation is crucial, and every single workplace needs their specific support for better meetings to get the most out of the group. You could say that the more advanced product or service, the more important are the meetings. Our challenge is to consolidate competences, getting the experts to work better together and achieve more. What signifies good meetings and how do you achieve them? A successful meeting is efficient, focused and active, it has selected participants and it is not too long or too short. You make them possible by careful planning and purposeful leadership. But the right conditions are also vital. Are the room and the setting suited to the meeting? You need to plan for flexibility and variation. What’s next in meeting techniques? There is huge potential in new technology, but it will also make new demands on leadership and organisational structures. It’s an inspiring and challenging trend. I would also emphasize the fact that the meeting is an excellent instrument for successful organisations. 45 Messenger D E S I G N F R E D R I K WA L L N E R Functionality, design and technical performance are equally important for Messenger. A modern conference cabinet, fitted with sliding glass doors, as pleasing to the eye as it is practical for writing. It can be equipped with a writing/projection area or a flat screen behind the doors. Messenger is available in three different sizes, it is made to fit to a LCD/LED/Plasma screen. 46 47 Moow D E S I G N ST E FA N B O R S E L I U S Whiteboards are known as functional necessities, rarely contributing to the atmosphere of its surrounding. Moow embodies the designers understanding of aesthetic and material, adding to the functional need of a whiteboard rail system. Framed by a round slightly raised black thin line, Moow leaves an exclusive and neat impression. Designed as a series of flexibility, the whiteboards to this rail system comes with a fixture or on embedded wheels, allowing the board to be either freestanding or mounted to the wall. “Hanging systems are nothing new, but the design and function of Moow makes other systems feel outdated. Moow is a smart and easy way to meet the need of contemporary workspaces”, says Stefan Borselius. The Moow system consists of wall-mounted whiteboards and wheel-mounted whiteboards in several different sizes, wall rail and flip chart hooks. The wheelmounted whiteboards can be leaned against the wall or turned around to be hung on a wall rail. 48 49 50 51 VIP D E S I G N F R I I S & M O LT K E D E S I G N VIP whiteboard-railsystem creates a framework to make the most out of your meeting room. The 60 mm wide aluminium profile that is included in all the products in the VIP-family, creates the characteristic of the product. The different boards can be hung on the rail and can easily be slided on the rail. This stylish system fits in any kind of office. 52 53 Vision / Magvision In its elegance and with its choice of dimensions, Vision is a frameless writing-board fitted for most meeting rooms. The board comes in a number of different designs: Vision optical glass, Vision E3 whiteboard and MagVision magnetic optical glass (read more on page 105). ProVision ProVision looks similar to the Vision writing-board, but it has a discrete, thin frame of aluminium, and is equipped with the SilverProTM surface – a unique magnetic, matte elegant glass surface. 54 55 Sketchalot D E S I G N E E LC O V O O G D Unleash your ideas and give freedom to your presentations. The Sketchalot modular whiteboard panel, is not limited by its placement or wall attachments, nor by wall materials or building regulations. It’s the first of its kind in the world and it stands on its own feet. Alone or together in groups, neatly placed beside each other, side by side. 56 Base DESIGN EELCO VO O GD Base, a pouf made for spontaneous meetings and productive breakout sessions. Base’s simple and square form makes it easy to position and allows endless seating formations. Position Base individually around the office or in groups in meeting areas. Or move them around as you like. 57 58 Enjoy DESIGN MIA WAHLSTEIN & JOSEF ZETTERMAN Enjoy is a flexible conference cabinet range for meeting rooms. The different units can be combined but also used alone. The glass boards are available with magnetic optical white glass, E3 whiteboard or SilverProTM – a magnetic surface suitable for image projection. Standard wood finishes are birch, oak and lacquer on MDF. 59 Sense D E S I G N ST E FA N B O R S E L I US The Sense mobile writing board has been developed to fit modern boardroom and educational settings. It is made of glass and moulded ash wood. The writing surface is optical white glass, the rear is white. Flip chart hooks are avaliable as an option. 60 Mixx/Ono D E S I G N RU U D E K ST R A N D Mixx/Ono was created from a simple idea with the emphasis on functionality. Mixx is built on a mobile, adjustable pillar base equipped with different units in white powder coated aluminium. The range includes a projector trolley, work station, catering trolley, flipchart stand, versatile table and lectern. 61 Let your workstation follow your workday. From focused work to project meetings. Workstations F E AT U R E D P RO D U C T S Meet Mobi Mobi Tech Wall In One 63 64 Meet D E S I G N DA N I E L L AV O N I US JA R E F E L DT, J O H A N N A M U N C K A F R O S E N S C H Ö L D, J O S E F Z E T T E R M A N Meet is easily manoeuvrable, allowing users to simply wheel their Meet to wherever they need it when, for example, they want to sit together in a temporary working group, work on a colleague’s computer, or sit down and chat over a cup of coffee in the staff room. Meet features a body covered in a white-painted, moulded veneer and rubbercoated wheels with white sides. Inside meet contains two felt baskets holders, which can easily be reached by opening the folding seat.The seat is fitted with a detachable, upholstered cushion and covered with fabric. 65 66 Mobi D E S I G N A N D R E A RU G G I E R O Blending a functional work surface with a built-in, sound-absorbing partition and lockable wheels, Mobi is the innovative, versatile and – most of all – mobile workstation solution. Fully developed for the demands of today’s flexible work environments. The table is made from white covered laminate MDF board with a fabric coated partition in a choice of colours. Use it for individual work, collaborative teamwork or impromptu meetings. 67 Mobi tech D E S I G N A N D R E A RU G G I E R O Mobi Tech is a low, mobile sideboard with wheels and a screen. The sideboard is made from white laminate covered MDF board with a fabric coated partition in a choice colours. 68 69 Design Thinking #3 Andrea Ruggiero R O V E R D E S I G N A N D R E A RU G G I E R O 70 What is the biggest challenge facing the office of tomorrow? The workplace has become less of a place and more of a mindset. Offices evolved from factory assembly lines and became knowledge factories where every worker had a dedicated, or function-specific, space. However, with the miniaturization and proliferation of wireless technology and cloudbased computing, tomorrow’s workplace can be anywhere. How can we design for this? How is the working environment changing as you see it? There will be two types of workers in the future: Location-specific workers and Free-range workers. This is already happening, but the division between the two will become more and more pronounced in the coming years. What’s the thinking behind your Abstracta designs? They are the result of careful observations, and they address the changing nature of the workplace, recognizing that it has become more flexible and multi-purpose. 71 Wall In One D E S I G N C H R I ST I A N N Ø R G A A R D & M A RT I N K EC H AYA S Wall In One is a wall-hung workstation designed to make life easier, particularly at workplaces with a high degree of mobility. This could include workstations for guests, in hotel lobbies, at hospitals or as booking stations at conference and business centres. Wall In One also works well in schools and universities and would not be out of place in the home office. Wall In One is made from white lacquered or veneer moulded wood. To achieve a sound-absorbing effect, the back is covered with felt fabric. 72 73 In the open-plan office with all its flexible solutions and mobile workforce, one tiny detail is often left out: Where do we store our things? The more we are on the move, the more we need to keep binders, stationery and documents safe and structured. We want our things within reach but out of the way. A modern storage solution should blend in with the interior design but still have a character of its own. Storage F E AT U R E D P RO D U C T S Arctic No. 5 Tre No.216 No.216 Sideboard 75 Activity-based flexioffices are here to stay. 76 Nicole Morel Interior Architect, White Arkitekter What are the storage needs of today’s totally digital office? There are still substantial differences from one workplace to another. Those at the cutting edge of digitalisation have very little need for storage, and what little storage they do have should ideally be flexible and mobile. But many workplaces still rely heavily on the physical storage of paper. How does architecture approach storage as part of interior design? Where there is a real need for storage, it’s best if it is treated as an integrated part of the interior concept, with respect both to colour and design. In certain cases it should be as concealed as possible, perhaps behind sliding doors. In others, it might be used as a feature to create an exciting contrast – say, a vivid red compact storage unit or screen in an open office landscape. What storage solutions do architects demand? Flexible storage with a wide range of possible solutions, along with excellent detailing. What trends in architecture will influence the workplace of tomorrow? Activity-based flexioffices are a clear trend at the moment, with the premises divided into various zones. Where you choose to work at any given moment depends on what you are working on. Another clear trend is, of course, towards sustainability – social, financial and ecological. This is an absolutely crucial issue, which has a major impact on our response to trends and interior design. 77 78 Arctic DESIGN ROLF FR ANSSON With its own expressive form, Arctic is a modern piece of furniture offering infinite storage options at the office. The range comprises individual chests of drawers, cupboards and sideboards. The drawers and doors are opened by pressing on them lightly. Arctic is available in a variety of finishes. 79 80 No.5 D E S I G N J E S P E R STÅ H L No.5 is a flexible storage unit, characterized by its slim dimensions and harmonic proportions. The aim was to provide a system that is easy to suit personal preferences, without losing the original design. The back is available in different colours and veneers. It can be fitted to a wall, placed on a floor-stand or on wheels, giving No.5 a vast range of options. The innovative and easy-to-use connection integrated in each module let the user link several units to each other and refurnish as needs change. 81 Design Thinking #4 Jesper Ståhl N o . 5 D E S I G N J E S P E R STÅ H L 82 What is the thinking behind your No. 5? The idea behind No.5 is to meet the need for a modern modular storage system based on small dimensions, simplicity and flexibility. It is also a play on geometry and alignments with proportions based on the square root of five throughout the product. The idea is to offer the user the ability to define, arrange and rearrange the storage system according to individual preferences without losing its design intent or harmony. How could design thinking contribute to better offices (in the digital era)? Design is very much about the attitude to developing products with the user in mind, the user experience and to express a specific brand identity. To contribute to better offices and to enable us to excel in our daily individual work (and private lives) we need space to work, place to store and arrange our stuff, and room for inspiration. Design thinking is about exploring new solutions to old and new needs. Great design is about finding solutions that elegantly embody all these factors. Which will be the most influential trends in office design over the next five years? I think there is a growing need to take flexibility to a new level and to take account of our physical as well as our digital reality and lifestyle, how we communicate and interact. As well as the blur between working time and time for input and inspiration. I think that we will find ourselves having more and more different favourite places for the different phases and tasks of our work. This will have an enormous on how we create your working environment. 83 Overtime & Overtime Cabinet D E S I G N ST I N A S A N D WA L L Configured to meet today’s demand for flexibility, the Overtime desk embraces both business and leisure. Overtime comes in two different sizes and two colors, graphite and white. The Overtime desk is armed with clever opening for storing computer and light cables. There is also a drawer that matches perfectly to the desk The range also includes a neat little cabinet on wheels that fits perfect to the desk. With beautiful shadowed lines, interiors in oak wood and practical hidden wheels, the Overtime cabinet is a perfect stand-alone unit as well as a design fitted supplement to the Overtime table. The stylish but yet simple design on the desk and cabinet fits into the office where you do not want to be too traditional. Tre DESIGN NINA JOBS Inspired by Japanese sliding doors, the Tre shelves are made with no visible screws or nails. The Tre shelf units are seamlessly assembled using a combination of wood blocks and thin metal shelving. With an organized simplicity, Tre accommodates your office as well as your home office, allowing the individual to be creative with its own space. The smart configuration of the shifting materials enhances the shelves magical construction. 84 85 No.216 DESIGN JESPER STÅHL Named after the traditional A4 paper proportional scheme called ISO 216, the sculptural collection of storage units is configured using the familiar poetry of the A-series. No.216 an elegant but still playful storage. The size of the sideboard corresponds to A0, which is a square metre and each door correspond to its own size in the A-standard all the way down to A8. With doors in different shades and a body of ash veneer placed on two trestles, the furniture becomes a playful whole that visualizes classic mathematics and yet flirts with the great Nordic outdoors. 86 No.216 Sideboard DESIGN JESPER STÅHL Named after the traditional A4 paper proportional scheme called ISO 216, the sculptural collection of storage units is configured using the familiar poetry of the A-series. No. 216 sideboard is the next generation in the family. No.216 Sideboard with its solid quality is excellent as an exciting storage of the office. The performance is in matt lacquered ash with painted shutters. 87 Products overview ACOUSTICS, WORKSTATIONS, MEETINGS, STORAGE ACOUSTIC S Airflake L I N E C LO S E D SOUND ABSORBING LINE OPEN BLADE OPEN BL ADE CLOSED AIRFL AKE NEWS Aircone / Bits Wall / Airwave B I TS WA L L AIRCONE SOUND ABSORBING A I R WAV E Alumi / Alumi Round A LU M I F LO O R S C R E E N 88 A LU M I C O M B I S C R E E N SOUND ABSORBING A LU M I TA B L E S C R E E N A LU M I R O U N D For more product information (performances, colours, measures etc.) see our website: www.abstracta.se DoReMi SOUND ABSORBING F LO O R S C R E E N TA B L E S C R E E N Softline SOUND ABSORBING R EC TA N G U L A R S C R E E N WAV E S C R E E N CURVED SCREEN Softline TA B L E S C R E E N SOUND ABSORBING TA B L E S C R E E N WAV E M O D E ST Y PA N E L For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 89 Soneo / Soneo Wall FLO OR SCREEN SOUND ABSORBING TA B L E S C R E E N WA L L PA N E L Triline / Triline Wall F LO O R S C R E E N SOUND ABSORBING WA L L PA N E L Window WA L L M O U N T E D 90 SOUND ABSORBING F LO O R STA N D For more product information (performances, colours, measures etc.) see our website: www.abstracta.se Plaid SOUND ABSORBING PL AID HOUSE PLAID HANGING FLO OR SCREEN Frost SOUND ABSORBING F LO O R S C R E E N Loop SOUND ABSORBING F LO O R S C R E E N For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 91 Allé / Sinus A L L É F LO O R S C R E E N Plentywall 92 PA RT I T I O N I N G SINUS FLO OR SCREEN S O U N D A B S O R B I N G / PA RT I T I O N I N G For more product information (performances, colours, measures etc.) see our website: www.abstracta.se WORK STATIONS Mobi / Mobi Tech MOBI M O B I T EC H Isla / Rover MOBI Meet W O R K STAT I O N ROVER Wall In One W O R K STAT I O N For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 93 MEE TINGS / C ABINE T S & MEDIA WALL S Agenda 800 CONFERENCE CABINET 1600 CONFERENCE CABINET M O B I L E STA N D Enjoy GL A SS WRITING BOARD W I T H LO W E R PA N E L / P E N H O L D E R SIDE CABINET 94 H U TC H C A B I N E T GL A SS WRITING BOARD W I T H O U T LO W E R PA N E L CABINET 1100 N OT I C E B O A R D F L I P C H A RT C A B I N E T CABINET 600 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se MIRROR Messenger DESIGN FREDRIK WALLNER CONFERENCE C ABINET WITH WRITING BOARD CONFERENCE C ABINET WITH PL A SMA / LED / LCD Moow W H I T E B O A R D - R A I L- SYST E M , WA L L M O U N T E D A N D W H E E L M O U N T E D W H I T E B O A R D S WA L L R A I L , F L I P C H A RT H O O K S Sense WRITING BOARD MOBILE WRITING BOARD For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 95 MEE TINGS / WRITING & NOTICE B OARDS Notice boards N OT I C E B O A R D B A S I C N OT I C E B O A R D C L A S S N OT I C E B O A R D U N I T I Brainstorm/Swivel board B R A I N STO R M SWIVEL BOARD Class / Uniti WRITING BOARD CL A SS 96 WRITING BOARD UNITI REVERSIBLE WHITEBOARD ON M O B I L E STA N D For more product information (performances, colours, measures etc.) see our website: www.abstracta.se Sketchalot MOBILE WRITING BOARD Column board WRITING BOARD Logic / Screen 25 LO G I C SCREEN 25 SCREEN 25 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 97 Plentybord P R O J EC T I O N B O A R D WRITING BOARD F L I P C H A RT STA N D A R D Projection screens VISION D E LU X E S I LV E R P I P E ProVision P R O V I S I O N S I LV E R P R O F R O ST E D MAGNETIC GL A SS BOARD 98 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se F L I P C H A RT D E LU X E ( T I LTA B L E ) VIP R AIL AND FLE XIBLE BOARDS 3-FOLDED ROOM DIVIDER N OT I C E B O A R D WRITING BOARD Vision / MagVision VISION OPTIC GL ASS P R O J EC T I O N S C R E E N PINMAG ROOM DIVIDERS WRITING B OARD WITHOUT FR AME V I S I O N E 3 W H I T E B O A R D S U R FA C E MAGVISION MAGNETIC OPTIC WHITE GLASS For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 99 MEE TINGS / SE ATING Base / Rock´d/ Swell BASE POUFFE R O C K’ D P O U F F E SWELL Bodoni CHAIR C H A I R W I T H S E AT C U S H I O N MEE TINGS / TABLE S, TROLLE YS & FLIP CHARTS Blend / Overtime B L E N D TA B L E 100 O V E RT I M E D E S K For more product information (performances, colours, measures etc.) see our website: www.abstracta.se Mixx C AT E R I N G T R O L L E Y V E R S AT I L E TA B L E P R O J EC TO R T R O L L E Y W O R K STAT I O N L EC T E R N F L I P C H A RT STA N D W O R K STAT I O N F O R C P U Ono / Compo O N O F L I P C H A RT STA N D O N O C AT E R I N G T R O L L E Y C O M P O L EC T E R N For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 101 STOR AGE No.216 / No.216 Sideboard N O. 2 1 6 N O. 2 1 6 S I D E B O A R D Tre TRE SHELF No.5 F L E X I B L E STO R A G E SYST E M 102 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se Alento / Azzaro A L E N TO S I D E B O A R D A ZZARO SIDEBOARD Arctic ARCTIC SLIDING D O ORS 40 / 50 ARCTIC CUBE 40 ARCTIC 40 / ARCTIC 50 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 103 Libro L I B R O B O O KC A S E SYST E M Opera / Aluline Plus OPER A V1 OPER A V12 OPER A V13 A LU L I N E P LU S Rover 104 For more product information (performances, colours, measures etc.) see our website: www.abstracta.se SURFACE S Every whiteboard in the Abstracta range has an E3 surface; an environment-friendly, glass enamelled, sheet of steel. The writing surface is magnetic. E3 is recommended for short throw projectors only. (SHORT ONLY) A special “White board kit” is available as an accessory This has been developed to fit the E3 surface and includes: eraser, markers, penholder, bottle of cleaning fluid and magnets. SilverPro™ SilverPro™ is unique to Abstracta – a frosted glass writing board with a projection and magnetic surface. There is no need to add a projection screen, just project directly onto the glass board. SilverPro™ is recommended for front projection. A special “Magnetic glass board kit Pro” ia available as an accessory. This has been developed to fit the SilverPro™ surface and includes: eraser + felts, markers and magnets. Optical White Glass Tempered optical white flat glass with lacquered, tempered reverse side. The surface of optical white glass, e.g. Vision, is not magnetic itself. To achieve the magnetic function, a discrete magnet rail can be mounted on the reverse side; the product is then designated MagVision. Optical white glass is not suitable for projection. A special “Glass board kit” is available as an accessory. This has been developed to fit the Optical white glass surface and includes: eraser and markers. For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 105 STANDARD FABRIC COLOUR S / FELT ATLANTIC – Softline / Triline / Soneo -78 Gabriel nr: 64093 -84 Gabriel nr: 64089 -85 Gabriel nr: 65037 -89 -87 -86 -24 -25 -60 -69 -79 -82 Gabriel nr: 61008 Gabriel nr: 60999 -25 -64 Gabriel nr: 68054 Gabriel nr: 61078 Gabriel nr: 60011 -88 Gabriel nr: 66062 EVENT SCREEN – Softline / Soneo -49 Gabriel nr: 63012 -66 Gabriel nr: 61011 -37 Gabriel nr: 64029 -67 Gabriel nr: 60021 -42 Gabriel nr: 67017 -68 Gabriel nr: 60002 Gabriel nr: 66006 Gabriel nr: 60004 Gabriel nr: 66030 Gabriel nr: 60000 RUNNER – Mobi -34 Gabriel nr: 63034 -56 Gabriel nr: 68056 -63 Gabriel nr: 66063 -11 Gabriel nr: 60011 Gabriel nr: 60025 Gabriel nr: 66064 EUROPOST 2 – Triline Wall / Bits Wall / Alumi / Wall In One / Base / Rock'd / Meet -35 Gabriel nr: 63016 -23 Gabriel nr: 66119 106 -33 -40 -67 -69 Gabriel nr: 64009 Gabriel nr: 60003 Gabriel nr: 68035 Gabriel nr: 60016 -45 Gabriel nr: 68030 -80 Gabriel nr: 60999 -48 Gabriel nr: 67066 -25 Gabriel nr: 66116 -22 Gabriel nr: 66118 -60 Gabriel nr: 60000 Colour samples may be subject to slight variation from the finished product -83 Gabriel nr: 66064 -77 Gabriel nr: 60999 027 Heaven Riviera IF136 Fjord IF087 Seafoam Lead IF083 Carbon IF035 IF058 Bluenote IF252 IF149 Wedgwood IF027 Riviera IF087 Lead IF058 IF276 IF274 Corinth IF089 Tuscany IF241 Viola IF238 IF136 Fjord IF083 Carbon IF252 VOUGE S – Base/Rock´d Cressida 089 Ink Tuscany IF129 IF241 Mermaid Viola -60 Nevotex Vouge S 10420 136 Royal Fjord IF112 Girder IF231 IF238 Verbena -70 -75 Nevotex Vouge S 22237 -80 Nevotex Vouge S 32720 Nevotex Vouge S 646 IF020 TarnCarbon IF141 IF278 Charcoal IF132 IF000 IF083 Aquamarine IF252 Oasis Heaven MAINLINE PLUS/HALLINDAL 65 – Meet -60 Loop -65 -80 Mahonia IF114 Black IF059 IF111 129 Twilight Cressida IF075 IF112 Trident Girder IF135 IF276 Clipper Kvadrat Camira Main Camira Main Hallingdal 65 Line Plus Line Plus 110 Girder Black Ink IF129 Cressida Royal IF020 Tarn -60 IF112 Light grey -65 Girder IF276 Dark grey mirafabrics.com/samples r samples, visit our on-line sample service. 020 075 FELT COLOURS – Airflake/Aircone Tarn Mahonia IF278 Teal CharcoalIF240IF000 Triumph IF275 IF278 Charcoal IF000 –20 –25 –30 –33 –35 –60 –80 –40 –90 blue turquoise red pink orange light grey black green white IF114 Regency Black IF253IF059 Plumage GABRIEL SOUL – Plaid IF279 Twilight IF075 Mahonia IF114 Black IF059 www.camirafabrics.com/samples com/samples To order samples, visit our on-line sample service. e sample service. -35 Gabriel soul 63051 -85 Gabriel soul 65057 -24 Gabriel soul 66104 -26 Gabriel soul 66103 -79 Gabriel soul 61112 -69 Gabriel soul 60097 -67 Gabriel soul 60098 -84 Gabriel soul 60099 -80 Gabriel soul 60999 FELT PATTERN – Alumi / DoReMi Block Dot Wave Colour samples may be subject to slight variation from the finished product 107 PHOTOGRAPHY PELLE WAHLGREN, BODIL BERGQVIST Abstracta AB Box 75, Lammengatan 2 SE-360 30 Lammhult Sweden T +46 472 26 96 00 F +46 472 26 96 01 info@abstracta.se www.abstracta.se