Les Fauvettes Cinema, Paris

Transcription

Les Fauvettes Cinema, Paris
2015
Les Fauvettes Cinema, Paris
PATHÉ,
at the forefront
of European cinema
A key player in European cinema, Pathé is active in three areas:
film production, film distribution and movie theater operation.
FILMS
4
6
26
42
44
46
48
KEY FIGURES
FILMS
CINEMAS
PATHÉ LIVE
OLYMPIQUE LYONNAIS
ORGANIZATION
CONTACTS
France and the UK: film production; theatrical, video (physical),
video on demand (digital) and television distribution; and international sales.
MOVIE THEATERS
Modern movie theater operations in France, the Netherlands,
Switzerland and Belgium.
3
FILMS
CINEMAS
710
155
64.5
million admissions
million euros
in revenue
million euros
in revenue
17
800
films released
in France
and the UK
110
cinemas with a total of
1,051 screens
feature film titles
in the film library
In 2015, Pathé recorded 865 million euros in revenue and, at the end
of December, was employing 3,990 people in five countries.
5
FIL MS
Pathé
is one of Europe’s leading
feature film production
and distribution companies.
Leveraging its rich heritage,
Pathé owns the rights to an
extensive film library, which
is constantly expanding
thanks to the new films
produced or acquired
by the company.
7
4,433,316
admissions in France
by and with Arthur Benzaquen
with Kev Adams,
Jean-Paul Rouve, Éric Judor,
Vanessa Guide, Audrey Lamy,
Michel Blanc
co-produced with 74 Films
released on October 14, 2015
THE NEW ADVENTURES OF ALADIN
A comedy that won over the general public
The first feature film by Arthur Benzaquen (creator of television series
Zak), The New Adventures of Aladin was the highest grossing French film
at the French box office in 2015.
This new version of the mythical tale of the famous thief stars Kev Adams,
Jean-Paul Rouve as the evil vizier, Éric Judor as the genie, Michel Blanc
as the rapacious sultan, Audrey Lamy as a devoted servant and Vanessa
Guide as the bossy, capricious princess.
Most Successful
French film
of the year
9
Compelling in their cowardice
and hypocrisy, Marina Foïs
and Laurent Lafitte indulge
in formidably well-written,
colorful verbal sparring,
held together by
fast-paced staging.
The film rings resoundingly
true and is jam-packed with
maliciously dark humor, just
how we like it. Sometimes
cruel, always fair.
Barbara Théate, JDD
Isabelle Giordano, Femme Actuelle
by Martin Bourboulon
with Marina Foïs,
Laurent Lafitte, Alexandre
Desrousseaux, Anna
Lemarchand, Achille Potier
co-produced with Chapter 2
MUM OR DAD
A family breakdown unlike any other
Marina Foïs and Laurent Lafitte are divorcing, and are battling it out to
NOT get custody of their children. The film was written by screenwriting
duo Matthieu Delaporte and Alexandre de la Patellière (What’s in a Name)
and directed by Martin Bourboulon. Best known for directing commercials
(Euro 2016, Adidas, Orangina) and short films, this is Martin Bourboulon’s
first feature film.
released on February 4, 2015
The French film with the
4 biggest box office
th
of the year
2,886,967
admissions in France
Studio Ciné Live Public Prize,
18th International Comedy Film Festival,
Alpe d’Huez
11
Jamel Debbouze’s humor dominates
from start to finish, and will have
the whole family in stitches.
A great success that performed
well to boot.
Jacky Bornet
Culture Box by France TV
Pace, adventure, family-friendly humor,
and love, in the broadest sense of the term…
In terms of art and design, this animated
film, the first in Europe to be entirely made
with motion capture, is a triumph.
2,410,022
admissions in France
Maryline Letertre – Metro
by and with Jamel Debbouze
with Mélissa Theuriau,
Arié Elmaleh, Patrice
Thibaud, Christian Hecq
released on April 8, 2015
The French film with the
5 biggest box office
th
of the year
EVOLUTION MAN - MONKEY BUSINESS
(WHY I DID NOT EAT MY FATHER)
A European First!
For his first feature-length film as a director, comedian and actor
Jamel Debbouze drew inspiration from What We Did to Father, a novel
by English writer Roy Lewis, published in 1960. It is the first French
animated comedy made entirely with motion capture.
The actors were dressed in special suits with 40 markers that enabled
their movements to be captured, as well as a helmet that captured
their facial expressions.
2 months’ filming
80 technicians
70 Vicon 4K cameras with 360° capability,
recording at 100 frames per second
40 computers and one monumental
hard drive
Motion capture allows us
to carry on filming for
15 minutes without stopping,
without lighting changes,
without having to keep marks
or retouch hair and make-up.
It gives us incredible
freedom because the only
thing holding us back
is our imagination.
Jamel Debbouze
13
Nominated for 2 Oscars
including Best Film
Nominated for 4 Golden Globes
I think it is very important for this generation
- and not just the young, but all of us to watch a movie like Selma and
to understand what we did and how
we did it. We accepted the way of peace,
the way of love, the way of nonviolence.
Whether in America or in Europe or in Africa,
the Middle East, Asia, or Central or South
America, we all live in the same house:
the world house. And we must live together.
It is a must to work toward change.
including Best Film
John Lewis, US congressman and one of the student
leaders of the movement in 1965.
SELMA
From Selma to Montgomery,
a march that changed history
Lauded at the 2012 Sundance Festival for Middle of Nowhere,
director Ava DuVernay tells the story of the long, peaceful march led
by Martin Luther King in 1965 from Selma, a small town in Alabama,
for the right for African Americans to vote.
This historic conflict was instrumental in bringing about the signing of
the Civil Rights Act by President Johnson. Actor David Oyelowo (recently
seen in Interstellar and A Most Violent Year) brings to life the charismatic
political leader, whose determination and courage left an indelible mark
on American society. Oprah Winfrey, who plays activist Annie Lee Cooper,
was also a producer and co-financier of the film.
by Ava DuVernay
with David Oyelowo, Tom
Wilkinson, Carmen Ejogo,
Giovanni Ribisi, Tim Roth,
Oprah Winfrey
released in the UK on
February 6, 2015
Thrilling… A scorching,
full-bodied, flat-out great film…
Oyelowo is electrifying as Martin
Luther King… tremendous.
The Daily Telegraph
15
Lorem ipsum dolor sit amet
Outstanding…
Undisputedly one of the best
films of the year…
A thrilling, heart-breaking
rare gritty gem of a movie…
A masterpiece!
Daily Mail
SUFFRAGETTE
A hundred years after the events depicted,
a film about the courageous struggle for votes
for women
British director Sarah Gavron (Brick Lane) has tackled a major topic
in the history of her country: the Suffragette movement. This was the
name given to the militant activists who, in the early twentieth century,
fought for women’s right to vote. The film stars Carey Mulligan (An Education),
Helena Bonham Carter (The King’s Speech) as well as Brendan Gleeson
and Meryl Streep.
UK and Ireland box office: £10 million
by Sarah Gavron
with Carey Mulligan, Helena
Bonham Carter, Meryl Streep,
Ben Whishaw, Brendan Gleeson
released in the UK on
October 12, 2015
Lorem ipsum dolor sit amet
What attracted me to the project was its urgent,
visceral nature. It’s not a nostalgic period film that
calmly celebrates major progress in women’s rights,
but a brutal reminder of the sacrifices these women
voluntarily made, and of what we have left to do before
women are truly treated as equal.
Cameron McCracken, executive producer
of the film and managing director of
Pathé in the United Kingdom
17
Paolo Sorrentino reaches
new heights of showy,
utterly tasteful
magnificence.
Ravishing images.
Screen Daily
Youth is a voluptuary’s feast,
a full-body immersion in the
sensory pleasures of cinema.
A sustained torrent
of great beauty.
The Hollywood Reporter
Paolo Sorrentino’s most tender film. An emotionally rich
contemplation of life wisdom…
Stunning compositions (…), a second-to-none
understanding of music’s emotional range,
delightfully unexpected interludes,
and a towering performance.
Variety
YOUTH
A film about life, art, friendship,
love, and death
Michael Caine and Harvey Keitel are two old friends on holiday in a hotel
in the Alps, watched by the camera of poetic free-spirit, Paolo Sorrentino.
The two men know that their days are numbered…
The director of The Great Beauty (La Grande Belleza), Il Divo and
This Must Be The Place offers a uniquely personal film, both funny
and melancholic, in which music plays an important part. Rachel Weisz,
Paul Dano and Jane Fonda also star.
Paolo Sorrentino
by Paolo Sorrentino
with Michael Caine,
Harvey Keitel, Rachel Weisz,
Jane Fonda, Paul Dano
co-produced with Indigo Film
and Barbary Films
released in France on
September 9, 2015
European
Film Awards winner for Best Film,
Best Director for Paolo Sorrentino,
and Best Actor for Michael Caine
Official Selection at Cannes Festival 2015
Nominated for the 2016 César Awards for Best Foreign Film
Nominated for the 2016 Oscars for Best Song
Nominated for the 2016 Golden Globes for Best Supporting Actress
for Jane Fonda
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PHYSICAL AND DIGITAL
VIDEO DISTRIBUTION
VIDEO
In 2015, Fox Pathé Europa, the video distribution economic interest group (EIG) that represents Pathé,
Fox, and EuropaCorp in France, posted revenues of €108 million, representing 16% of the market.
FRANCE
VIDEO ON DEMAND
EVOLUTION MAN - MONKEY BUSINESS
Valued at €262 million in 2015, the French market for transactional VOD benefited from an
increase in EST (Electronic Sell Through, or download to own) and SVOD (Subscription Video
on Demand). Pathé carried out 2 million digital transactions, representing a turnover
of €9 million.
THE UNITED KINGDOM
In the United Kingdom, approximately 100 Pathé films
are available via EST, VOD and SVOD on 15 digital platforms.
(WHY I DID NOT EAT MY FATHER)
1 76,384 DVD/Blu-ray sales
1 78,522 VOD transactions
MUM OR DAD
8 2,664 DVD/Blu-ray sales
3 93,650 VOD transactions
PRIDE
124,000 DVD/Blu-ray sales
1 10,000 VOD transactions
SELMA
55,000 DVD/Blu-ray sales
ENTRE AMIS
1 14,619 VOD transactions
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INTERNATIONAL
FRENCH TV SALES
A strong presence of Pathé’s library on television
An active Pathé presence on international
markets in 2015
OVER 5 MILLION TELEVISION VIEWERS TO EACH FILM
YOUTH
In 2015, 24 films from Pathé’s library were shown during prime time on the main French channels.
Three of these films that aired on TF1 were watched by more than 6 million viewers: Asterix and Obelix
Meet Cleopatra directed by Alain Chabat, Nothing to Declare directed by Dany Boon, and Camping 2
directed by Fabien Onteniente.
Two others, The Gilded Cage directed by Ruben Alves and LOL (Laughing Out Loud) ® directed
by Lisa Azuelos, also aired on TF1, were watched by more than 5 million viewers.
the Paolo Sorrentino film co-produced
by Pathé, Indigo Film and Barbary Films
was sold in over 100 territories.
272 PATHÉ FILMS
In total, 272 films from Pathé’s library were programmed
across all French channels in 2015.
SUFFRAGETTE
by Sarah Gavron, opened the BFI London
Film Festival and was then sold in
over 100 territories.
SEASONS
was sold in around 30 territories.
This film directed by Jacques Perrin and Jacques Cluzaud
tells the story of the long shared history between
man and beast in Europe, from the Ice Age to modern times.
PRESENCE AND REDISCOVERY OF GREAT RESTORED FILMS
Various films restored by Pathé have been shown on Arte:
The Two of Us directed by Claude Berri and starring Michel Simon
(1967), was viewed by a record Arte audience in 2015;
The Proud and the Beautiful directed by Yves Allégret and starring
Gérard Philipe and Michèle Morgan (1953);
Republic of Sin directed by Luis Buñuel and starring Gérard Philipe
and Maria Félix (1959);
So Long, Stooge directed by Claude Berri and starring Coluche
and Richard Anconina (1983).
Alain Cohen and Michel Simon in
The Two of Us
23
In 2015,
Pathé honored Julien
Duvivier through
the restoration of
They Were Five (1936).
LIVING WORKS
THEY WERE FIVE
by Julien Duvivier
A FILM WITH TWO ENDINGS
Poster of time
They Were Five has become the emblematic film of an era: the age
of the Popular Front. Charles Spaak, who co-wrote the script with
Julien Duvivier, would later explain that, “it was an age when
certain subjects were in the air.”
Filmed over the summer of 1936, the film brought together Jean Gabin,
Charles Vanel, and a young Viviane Romance in her debut film,
for a story of friendship and destiny. The film had a unique career
as it was screened with two different endings: one pessimistic,
If I were an architect and I had to
build a monument to cinema,
I would place a statue of Duvivier
above the entrance.
THE RESTORATION
OF THE FILM
They Were Five was restored
in 4K from the nitrate negative
image. The 4K restoration was
carried out by the Immagine
Ritrovata laboratory
in Bologna, overseen by Pathé
and Christian Duvivier.
More than 2,300 hours of work
were needed to restore the film.
Jean Renoir
Two other Julien Duvivier films were restored by Pathé in 2015:
The End of the Day (La Fin du jour) starring Louis Jouvet
and Michel Simon (1939), and Twelve Hours to Live (aka Deadlier
Than the Male) (Voici le temps des assassins) starring Jean Gabin
and Danièle Delorme (1956).
the other more optimistic or “rosy”, in the words of Charles Spaak.
When the film was initially released in various cinemas with the
pessimistic ending, initial feedback was very negative. The producer
convinced Duvivier and Spaak to film a second ending, a happier
one this time. It was this second ending that would be shown for
more than 70 years. Now, finally, following the wishes of Charles
Spaak and Julien Duviver, the pessimistic ending has been
reincorporated into the film, to be screened in a newly-restored version.
DVD
25
CINE MAS
For Pathé, one of the main
European movie theater
operators through its subsidiary
Les Cinémas Gaumont Pathé,
2015 has been marked by the
development and modernization
of its circuit.
At the end of 2015, Pathé operated
1,051 screens in four countries:
France, the Netherlands,
Switzerland and, the latest
addition, Belgium.
Pathé is constantly striving
to improve the quality of its
screens and services, by offering
wide-ranging programming
and innovative settings
for screenings in order to ensure
a unique and up-to-date experience
for moviegoers.
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Les Cinémas Gaumont Pathé is the biggest movie theater
chain in France, the Netherlands and Switzerland.
In 2015, the chain sold 64.5 million tickets comprising
47.3 million in France, 13.8 million in the Netherlands
and 3.2 million in Switzerland.
FRANCE
71 movie theaters with
a total of 760 screens
1,987 employees
THE NETHERLANDS
25 movie theaters with
a total of 194 screens
1,474 employees
SWITZERLAND
9 movie theaters with
a total of 68 screens
367 employees
BELGIUM
5 movie theaters with
a total of 29 screens
56 employees
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It’s a place you want to stay in and come
back to. A place to live in and to share.
Françoise Raynaud
Architect and founder of the Loci Anima agency
IN PARIS, A UNIQUE CONCEPT IN FRANCE
A true architectural challenge, Les Fauvettes
was entirely reworked, turning this cinema into
a living space that blends technology with nature.
This achievement was the work of three renowned
architects and artists: Françoise Raynaud (architect),
Jacques Grange (decorator) and Miguel Chevalier
(digital and virtual artist).
Spectators are welcomed by an LED screen façade,
which shows pixelated, metamorphosed advertisements;
the cinema hall opens onto a bright central patio.
Rest spaces made of natural materials such as wood,
stone and glass are designed to make visitors
want to linger before or after a screening.
Now there is a cinema that renders unforgettable
movies everlasting.
TIMELESS FILMS IN A MODERN-DAY CINEMA
Les Fauvettes offers a programme that consists exclusively of timeless and worldwide hits
of all kinds, and that brings together under one roof arthouse masterpieces, American blockbusters,
movie classics, comedies and animated films.
At Les Fauvettes, filmmakers often present
their favourite works; for example,
Michel Hazanavicius and François Bégaudeau
participated in the “10 x Belmondo” cycle,
which featured ten unforgettable
Jean-Paul Belmondo films, and Danièle Thompson
presented Gérard Oury’s The Sucker.
5 screens with
tiered seating
646 numbered club
and duo seats
4K projectors and 7.1
digital sound
2 3D-enabled screens
Bar, lounge,
planted patio
31
The Pathé Belle-Épine
has welcomed more
than 33 million
moviegoers since
it opened twenty-two
years ago.
Christophe Boulmier,
Director
PATHÉ BELLE-ÉPINE
Immediate
Boarding!
The designer Ora-ïto designed
a space similar to a futuristic airport
to offer moviegoers a complete
experience that evokes travel and escape.
He made use of the 1,600m2 foyer
to create a light airy space where
visitors can relax, unwind, and get
a bite to eat before their screening.
Featuring an LED screen that presents
movie news, automatic terminals to buy
tickets without waiting, renovated theaters,
cutting-edge technology and more…
Everything has been designed to ensure
that moviegoers can truly unwind
in a space where time ceases to exist.
Pathé Belle-Épine offers a range of innovative snack choices to complement
the classic offerings of confectionary and popcorn. Moviegoers can now
take advantage of a fruit and vegetable juice bar, a Haägen-Dazs stand,
and a variety of savory snacks.
16,000m2 of dedicated
cinema space
16 screens with
tiered seating
3,601 club, duo
and D-Box seats
7.1 digital sound
and Dolby AtmosTM
2K and 4K projectors
PATHÉ LEVALLOIS
Serving the Viewer’s
Experience
Located opposite the So Ouest shopping
mall, Pathé Levallois adds the finishing
touch to this new commercial, business
and leisure district located in the west
of Paris.
Attended by movie-buffs and families
alike, this movie theater offers optimal
conditions in terms of comfort and
screening quality with tiered seating,
large club and duo seats, and 1.10 m
of legroom between each row…
Numbered seats can also be selected
when purchasing your ticket.
8 screens with tiered
seating and 1 539 club
and duo seats
8 screens up to
18m wide
One 12m LED screen
7.1 digital sound
and Dolby AtmosTM
4K projectors
33
THE NETHERLANDS
Pathé, the Netherlands’ number one cinema chain, has opened
two new branded multiplexes in Arnhem and Maastricht.
PATHÉ ARNHEM
Pathé Arnhem opened in October 2015. This is one of the most prominent theaters in the Netherlands
in an architectural way as well as state of the art cinema performance. It is equiped with 9 3D-enabled
screens, 1,683 seats and an IMAX® screen and 2 Dolby AtmosTM sound systems.
PATHÉ MAASTRICHT
Pathé Maastricht opened in November 2015. The theater is developed and located next to a historical
listed building located in the Belvédère district. It is equiped with 8 screens and 997 seats.
35
THE NETHERLANDS
CineMec, acquired in 2014, is expanding.
CineMec screens mainstream movies for the general public as well as offers conference
and trade fair facilities for professionals.
CINEMEC UTRECHT
The Utrecht CineMec opened its doors in September 2015. It forms a modern complex that was baptized
The Stargazer, and a large rooftop terrace offers views of the city. The movie theater is equiped with
7 screens and 1,852 seats.
BELGIUM
Les Cinémas Gaumont Pathé expands into Belgium.
On December 1, 2015, Les Cinémas Gaumont Pathé acquired Cinépointcom.
This Belgian network consists of five movie theaters, including two multiplexes:
Charleroi, with 14 screens and 3,300 seats;
Verviers, with 8 screens and 1,600 seats.
The other three cinemas are in the Belgian Ardennes: in Bastogne (2 screens),
Marche-en-Famenne (3 screens), and Libramont (2 screens).
VERVIERS
CHARLEROI
37
DIVERSITY OF PROGRAMMING:
THE FRENCH EXAMPLE
In 2015, Les Cinémas Gaumont Pathé released 450 films on their screens in France,
which testifies to the company’s concern for the diversity and the editorial breadth.
In order to help French cinemagoers decide which films to see, Les Cinémas Gaumont Pathé
uses three labels: the “Coup de Coeur,” the “Cine Tribu” and the “Autre Regard.” In 2015,
more than 20 films were awarded a label.
IMAX® FILMS FOR
A UNIQUE EXPERIENCE
Les Cinémas Gaumont Pathé is constantly improving the quality of its theaters
by utilizing innovative screening technology. Les Cinémas Gaumont Pathé was,
in 2015, the only network to offer Imax® screens in the Netherlands (6 screens),
France (5 screens) and Switzerland (1 screen). This unique screening system fully
immerses the viewer in the film.
In 2015, the 6 Imax® screens in the Netherlands - Pathé Spuimarkt in The Hague,
Pathé Tilburg, Pathé Eindhoven, Pathé Schouwburgplein in Rotterdam, Pathé Arena
in Amsterdam, and Pathé Arnhem - recorded a total of 900,000 admissions.
a film that specifically charmed
and moved us.
2015 saw the opening of a new Imax® screen in Arnhem.
ideal for the family viewing.
Films that are well-suited
for all generations to view
together.
films that are unique
(either for their plot or their
cinematography).
Pathé Arnhem - Imax® screen
39
THE FASTEST AND MOST USER-FRIENDY CINEMA APP ON THE MARKET
Les Cinémas Gaumont Pathé’s mobile app won the prize for the best M-commerce #app at the AppAwards 2015,
the premier multi-platform app competition. The app, in particular, allows moviegoers to buy their e-tickets in less
than 60 seconds, or, thanks to SuperScan, to use a film poster to reserve tickets for their nearest cinema.
DIGITAL TECHNOLOGY SERVING
THE NEEDS OF CINEMA RELEASES
THE SUCCESS OF E-TICKETING
Tickets sales on the Internet site and mobile app reached 8.5 million e-tickets
in 2015, a 26% increase on 2014.
Four films made a significant contribution to these figures:
Star Wars: The Return of the Force by J.J. Abrams,
with 41% of the admissions via e-tickets;
007 Spectre by Sam Mendes, with 29% of the admissions
via e-tickets;
Fifty Shades of Grey by Sam Taylor-Johnson,
with 28% of the admissions via e-tickets;
Spotlight by Tom McCarthy, with 26% of the admissions
via e-tickets.
In terms of figures, Les Cinémas Gaumont Pathé benefited from:
800,000 downloads;
3.6 million e-tickets sold through the app;
41% of sales through e-tickets (a 64% increase on 2014).
available on
In the Netherlands and Switzerland, Pathé movie theaters have developed digital services for their clients.
In Switzerland, the mobile app and the web site recorded 5.6 million visitors in 2015.
In the Netherlands, the mobile app recorded more than 340,000 visitors per month and the web site
was awarded the most popular site in 2015 in the category “Leisure activities.” In 2015, a total of
4.3 million e-tickets were sold through web and mobile channels in the Netherlands (31.7% of sales
against 23.4% in 2014).
ATTRACTIVE AND DEMATERIALISED SUBSCRIPTION PROGRAMMES
In France, the cinema experience of loyalty cardholders and subscribers has been improved with
technology meaning that subscription is instant
(in a few clicks, at the cinema or at home),
dematerialized (100% integrated into the mobile app),
and offers dedicated ticket terminals and priority
access at cinemas.
Les Cinémas Gaumont Pathé is also the only network in
France to offer “Click & Collect”, a service which allows
spectators to buy their subscription card online, and
then collect it in person at the cinema. What’s more,
subscription cards Le Pass (Le Pass Solo and Le Pass
Duo) and the loyalty card can be saved in the electronic
wallet of the Les Cinémas Gaumont Pathé’s mobile app.
In the Netherlands, the Pathé Unlimited card
is available in Classic and Gold versions.
In Switzerland, all of Pathé’s theaters offer an unlimited card,
Pathé Pass, and a subscription card, Pathé Friends Card.
41
PATHÉ LIVE
Pathé Live is the leader in the transmission of cultural
events and the performing arts to cinema screens.
It offers everyone the chance to discover
world-renowned masterpieces of opera and ballet
performed in prestigious venues such as the Metropolitan
Opera NYC (MET), as well as concerts and exhibitions.
Since 2009, Pathé Live has also been a key international
player in the production and distribution of alternative
programming through directly producing and broadcasting
the performances of the Bolshoi Ballet to more
than 1,400 cinemas worldwide.
NEW RECORDS IN 2015!
n
More than 1 million admissions
n
30 events broadcast to 1,400 cinemas in 55 countries
n
n
n
n
World record for a ballet with 145,000 admissions
for Swan Lake
Box office record for Les Vieilles Canailles
A range of French artists: Patrick Bruel, Kendji Girac,
Calogero, la famille Chedid, Christophe Willem,
Anne Roumanoff, Zaz, Jacques Dutronc, Eddy Mitchell
and Johnny Hallyday.
Other hits in 2015
n 100,000 admissions: The Nutcracker
n 48,000 admissions: Patrick Bruel
n 26,000 admissions: The Merry Widow
A range of events: operas, ballets, concerts (The Wall by
Roger Waters), exhibition walkthroughs (David Bowie is),
documentaries (Montage of Heck about Kurt Cobain),
and much more…
43
OLYMPIQUE LYONNAIS
The OL Groupe, a major player in the field of sport and entertainment
in France, is structured around Olympique Lyonnais, a premier league
football club. Pathé has been a shareholder of the OL Groupe since 1999.
The Parc Olympique Lyonnais, with its 59,186-seater stadium, which serves as the basis for the OL Groupe’s
development, was inaugurated on 9th January 2016, following a construction project lasting two and a half years.
The work was finished on schedule and within budget.
OL has thus become a member of the group of great European football clubs which own their own stadium.
As regards sporting success, at the end of the season 2014-2015, the men’s team were second in the French league
and the women’s team were once again at the top of the French league.
45
ORGANIZATION*
EXECUTIVE
BOARD
OPERATIONS
MANAGEMENT
Jérôme Seydoux
Co-Chairman
PRODUCTION AND DISTRIBUTION France
Eduardo Malone
Co-Chairman
Marc Lacan
Managing Director
Lisa Azuelos
Bruno Bonnell
Dany Boon
François Letaconnoux
Michel Seydoux
Sophie Seydoux
Serge Toubiana
ASSOCIATE
FILMS PRODUCERS
Vivien Aslanian
Managing Director
Romain Le Grand
Managing Director
Olivier Cottet-Puinel
Senior Vice President,
Business Affairs and Head of Legal
Christine Hayet
Senior Vice President, TV Sales France
and SVOD French-Speaking Europe
INTERNATIONAL SALES
Muriel Sauzay
Senior Vice President, International Sales
PRODUCTION AND DISTRIBUTION The United Kingdom
Liza Azuelos
Philip Boëffard
and Christophe Rossignon
Dany Boon
Richard Grandpierre
Jacques Perrin
Dimitri Rassam
Paul Rassam
Alain Sarde
Anne-Dominique Toussaint
Cameron McCracken
Managing Director
Lee Bye
Head of Theatrical Distribution and Technical
James Clarke
Finance Director
Pierre du Plessis
Deputy Managing Director, Production
Fiona McGuire
Head of Physical Production
FUNCTIONAL
DEPARTMENTS
DISTRIBUTION Switzerland
Loïc Trocmé
Managing Director
THEATER OPERATIONS
THEATERS The Netherlands
Martine Odillard
Chairman
Lauge Nielsen
Managing Director
Barry de Bruin
Information Technology Director
Tina Elewaut
Human Resources Director
Doron Kurz
Director of Commerce
Bram van den Broek
Operations Director
Nico Vertommen
Facility Director
Isabelle Dupuy
General Counsel
THEATERS France
Xavier Orsel
Managing Director
Beatriz Berian
Director of Buildings and Facilities
François Bertaux
Operations Director
Nathalie Cieutat
Director of Programming
Jean-Christophe Désire
Information Technology Director
Thierry Fontaine
Marketing Director
Marie-Luce Sensi
Human Resources Director
Sébastien Wisniewski
Finance Director
THEATERS Switzerland
Thierry Hatier
Managing Director
Mireille Frick
Marketing Director
Patrick Nussbaumer
Information Technology Director
Umberto Tedeschi
Director of Programming
Teodor Teodorescu
Operations Director
PATHÉ LIVE
THEATERS Belgium
Thierry Fontaine
Chairman
Caspar Nadaud
Managing Director
Bernard Schmitt
Theater Operations Director
INTERNATIONAL DEVELOPMENT
Olivier Grandjean
International Development Director
Florence Fayet
Finance Director
Chantale Pajot
Human Resources Director
*Mai 2016
47
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THE UNITED KINGDOM
Pathé Films
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75008 Paris
SWITZERLAND
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PHOTO CREDITS
PATHÉ
CORPORATE HEADQUARTERS
2, rue Lamennais
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FILMS
ASTÉRIX ET OBÉLIX : MISSION CLÉOPÂTRE (ASTERIX AND OBELIX MEET CLEOPATRA):
P.23: POSTER: JULIEN PELGRAND FROM PHOTO OF ÉTIENNE GEORGE © 2002
PATHÉ PRODUCTION - CHEZ WAM
PHOTO: © 2015 - PATHÉ PRODUCTION - BORÉALES - KISSFILMS - M6 FILMS - PATHÉ
DISTRIBUTION - UMEDIA - CATTLEYA ; P.21 : DVD: © 2015 - PATHÉ PRODUCTION
- BORÉALES - KISSFILMS - M6 FILMS - PATHÉ DISTRIBUTION - UMEDIA - CATTLEYA
CAMPING 2: P.23: POSTER: © 2010 PATHÉ PRODUCTION - TF1 FILMS PRODUCTION
PRIDE: P.20: DVD: © PATHÉ PRODUCTIONS LIMITED, BRITISH BROADCASTING
CORPORATION AND THE BRITISH FILM INSTITUTE 2014. ALL RIGHTS RESERVED
ENTRE AMIS: P.21: DVD: © 2015 ESKWAD - PATHÉ PRODUCTION - TF1 FILMS
PRODUCTION - MALEC PRODUCTION
LA BELLE ÉQUIPE (THEY WERE FIVE): P.24, P.25: STILL: © 1936 - SUCCESSIONS
JULIEN DUVIVIER ET CHARLES SPAAK; POSTER: UNIDENTIFIED AUTHOR © 1936 SUCCESSIONS JULIEN DUVIVIER ET CHARLES SPAAK; DVD: © 1936 - SUCCESSIONS
JULIEN DUVIVIER ET CHARLES SPAAK
LA CAGE DORÉE (THE GILDED CAGE): P.23: POSTER: LE CERCLE NOIR FOR SILENZIO
FROM PHOTO © JULIEN PANIÉ © 2013 - ZAZI FILMS - PATHÉ PRODUCTION - TF1 FILMS
PRODUCTION
LES NOUVELLES AVENTURES D’ALADIN (THE NEW ADVENTURES OF ALADIN):
P.4, P.6, P.8, P.9: POSTER: RYSK © PHOTO: ROGER DO MINH © 2015 74 FILMS PATHÉ PRODUCTION - M6 FILMS - ARTÉMIS PRODUCTION; PHOTO: © ROGER DO
MINH © 2015 74 FILMS - PATHÉ PRODUCTION - M6 FILMS - ARTÉMIS PRODUCTION
DESIGN AND PRODUCTION
LES SAISONS (SEASONS): P.22: POSTER: © 2015 - GALATEE FILMS - PATHÉ FRANCE 2 CINÉMA - INVEST IMAGE 3 - RHÔNE-ALPES CINÉMA - CENTER PARCS WINDS - PANDORA FILM GMBH & CO. FILMPRODUKTIONS - UND VERTRIEBS KG
LES SUFFRAGETTES (SUFFRAGETTE): P.6, P.16, P.17, P.22: POSTER: SILENZIO
CREATION © PATHÉ PRODUCTIONS LIMITED - CHANNEL FOUR TELEVISION
CORPORATION AND THE BRITISH FILM INSTITUTE 2015 ALL RIGHTS RESERVED;
PHOTO: © STEFFAN HILL © PATHÉ PRODUCTIONS LIMITED - CHANNEL FOUR
TELEVISION CORPORATION AND THE BRITISH FILM INSTITUTE 2015 ALL RIGHTS
RESERVED
LE VIEIL HOMME ET L’ENFANT (THE TWO OF US) : P.23: PHOTO: UNIDENTIFIED
PHOTOGRAPHER - COLLECTION FONDATION JÉRÔME SEYDOUX PATHÉ © 1967 PATHÉ
PRODUCTION
LOL (LAUGHING OUT LOUD) ®: P.23: POSTER: LE CERCLE NOIR FOR SILENZIO
© PHOTOS DAVID KOSKAS © PATHÉ PRODUCTION - TF1 FILMS PRODUCTION M6 FILMS
PAPA OU MAMAN (MUM OR DAD): P.7, P.10, P.11: POSTER: LE CERCLE NOIR FOR
SILENZIO; PHOTO : THIBAULT GRABHERR © 2014 - CHAPTER 2 - PATHÉ PRODUCTION - M6
FILMS - JOUROR FILMS - FARGO FILMS; PHOTO: © THIBO&ANOUCHKA © 2014 - CHAPTER 2
- PATHÉ PRODUCTION - M6 FILMS - JOUROR FILMS - FARGO FILMS; P.21: DVD : © 2014 CHAPTER 2 - PATHÉ PRODUCTION - M6 FILMS - JOUROR FILMS - FARGO FILMS
RIEN À DÉCLARER (NOTHING TO DECLARE): P.23: POSTER: © 2011 - PATHÉ
PRODUCTION - LES PRODUCTIONS DU CH’TIMI - TF1 FILMS PRODUCTION - FILMS
FACTORING & CATALOGUE
SELMA: P.6, P.14, P.15: POSTER: EMPIRE DESIGN © 2014 PATHÉ PRODUCTIONS
LIMITED ALL RIGHTS RESERVED; PHOTO: © ATSUSHI NISHIJIMA © YOICHI
OKAMOTO/LBJ LIBRARY - INIT-EP © STANLEY WOLFSON/ WORLD TELEGRAM &
© 2014 PATHÉ PRODUCTIONS LIMITED ALL RIGHTS RESERVED; P.20 : DVD: © 2014
PATHÉ PRODUCTIONS LIMITED ALL RIGHTS RESERVED
YOUTH: P.6, P.18, P.19, P.22: POSTER: ORIGINAL CREATION: LE CERCLE NOIR FOR
SILENZIO © 2015 INDIGO FILM - BARBARY FILMS - PATHÉ PRODUCTION - FRANCE
2 CINÉMA - NUMBER 9 FILMS - C FILMS - FILM4; PHOTO: © GIANNI FIORITO © 2015
INDIGO FILM - BARBARY FILMS - PATHÉ PRODUCTION - FRANCE 2 CINÉMA - NUMBER
9 FILMS - C FILMS - FILM4
CINEMAS
COVER: CONCEPT: LOCI ANIMA ARCHITECTURES / MIGUEL CHEVALIER; PHOTO:
© JEAN PIERRE PORCHER
P.2, P.5, P.26-49: XAVIER GRANET - SEBASTIEN VERONESE - FRÉDÉRIC BERTHET LOCI ANIMA - PHOTO ALL RIGHTS RESERVED PATHÉ THEATRES BV ET PATHÉ SCHWEIZ AG.
- WARNER BROS. FRANCE - PATHÉ DISTRIBUTION - WILD BUNCH DISTRIBUTION PYRAMIDE DISTRIBUTION - MARS FILMS - GAUMONT DISTRIBUTION - GEBEKA FILMS HAUT ET COURT - THE WALT DISNEY COMPANY FRANCE - PARAMOUNT PICTURES
FRANCE - SONY PICTURES RELEASING FRANCE - TWENTIETH CENTURY FOX FRANCE LA BELLE COMPANY - LE PACTE - JOUR2FÊTE - REZO FILMS - AD VITAM - UNIVERSAL
PICTURES INTERNATIONAL FRANCE
PATHÉ LIVE
P.42, P.43: PHOTO: © DAMIR YUSUPOV
OLYMPIQUE LYONNAIS
P.44, P.45: © PAUL THOUVENIN
POURQUOI J’AI PAS MANGÉ MON PÈRE (EVOLUTION MAN - MONKEY BUSINESS):
P.7, P.12, P.13: POSTER: LE CERCLE NOIR FOR SILENZIO © 2015 - PATHÉ PRODUCTION
- BORÉALES - KISSFILMS - M6 FILMS - PATHÉ DISTRIBUTION - UMEDIA - CATTLEYA;
51
2, rue Lamennais
75008 Paris
France
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