fine art auction - Masterpiece Auction House

Transcription

Jakarta, 6 July 2014
catalogue not for sale
FINE ART AUCTION
TREASURES FINE ART AUCTION
1
Fine Art Auction
Auction
Sunday, 6 July 2014
Luncheon : 11.30 am
Auction : 1.00 pm
Viewing
Friday, 4 July 2014
Saturday, 5 July 2014
11.00 am - 08.00 pm
Venue
Masterpiece Building
Tanah Abang IV No. 23-25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
2
3
Published by:
TREASURES - Auction House
PT. Dwi Samapersada
MASTERPIECE Building
Tanah Abang IV. No.23 - 25 Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
info@masterpiece-auction.com
www.masterpiece-auction.com
4
Copyright @ 2014, Treasures Auction House
All right reserved. No part of this publication
may be reproduced, stored in a retriavel system, or transmitted in
anyform or by any means, electronic, mechanical, photocopying or
otherwise, without written permission from the publisher.
5
CONDITION OF BUSINESS
The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at
the auction. We encourage you to read them wisely and thoroughly.
THE BUYER
Estimated Price
Estimated price is the price range, which reflects the opinion of our
specialist for the price expected to offer at the auction. This should not
be relied on as a statement that this price is either at which the lot
will sell or its value for any other purpose. Estimated prices are based
upon prices recently paid at auction, and the condition of the artworks
including the quality, rarity and history of ownership (provenance).
Reserve Price
The reserve is the confidential minimum price the seller is willing to
accept and below which a lot not be sold.
Buyer’s Premium
Buyers are reminded that the price to be paid will be the sum of the final
bid price plus the buyer’s premium. The rate of buyer’s premium for each
lot is 22 % (twenty two percent) of the hammer price.
BEFORE THE AUCTION
Viewing
Pre-sale viewings are strongly recommended for prospective buyers in
order to examine the artworks thoroughly. Pre-sale viewing is open for
the public at no charge and usually displayed for 2 (two) days prior to
the sale.
Condition Reports
Condition reports are available upon request. They are statements of
opinion and should not be relied on as statements of definitive fact.
Descriptions of property are not warranties and that lot is sold “as is”. All
goods are sold with all faults and imperfections and errors of description.
Illustrations in catalogues are for identification only. It is strongly
recommended that prospective buyers inspect and seek any independent
expert advice to satisfy you as to authorship, attribution, authenticity,
genuineness, origin, date, age, provenance or condition of lot.
Registration
If you are planning to participate in the auction, you will need to register
with us at the registration desk, to complete a bidder registration form
and to receive a bidding number to identify you if you are a successful
bidder. Registration can be made during the viewing period or 30 minutes
prior to the sell.
THE AUCTION
Bidding
All artworks are auctioned in consecutive numerical order. Bidding is done
in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer
will accept bids from those present in the saleroom or absentee bidders
participating by telephone or by written bid left with TREASURES in
advance. The lot being offered is usually illustrated on a screen.
Bidding Increments
Bidding generally opens below the low estimate and advances in the
following increments:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000 Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- above by the auctioneer’s direction.
Absentee/ Written Bids
If you cannot attend the auction in person, you may bid in other ways.
The most common is written bids. Written bids are written instruction
given to TREASURES to bid for you on one or more lots up to a maximum
amount you specify for each lot. There is no charge for this service. If two
or more parties leave identical bids, the first bid received by TREASURES
will take preference. Written bid forms are available 7 days before the
sale and returned to TREASURES within 24 hours before the sale or by fax
to (021) 351 0707.
Telephone Bids
If you cannot attend the auction, TREASURES will execute on behalf of
your bid by telephone. Please make arrangements for this service at least
1 (one) day before the sale. It is advisable for you to leave your maximum
bid, in case you are unable to reach us by phone.
Successful Bids
Successful bidder will be indicated by the fall of the auctioneer’s hammer
after reaching or exceeding the reserve price. TREASURES will record the
bidder number of the buyer. Under the auctioneer’s discretion bidding
may be reopened.
Unsold lots
When a lot fails to sell, the auctioneer will not announce a bidder’s
number. Lots unsold will be returned to the consignor usually after a week
in case there are any post sale offers.
AFTER THE AUCTION
Payment
Payment of purchases should be made within 7 (seven) calendar days.
Please include your paddle number, name, lot number, and total payment
in your bank instruction. If buyers do not make any payment or notice
to TREASURES during the scheduled time, they will be considered as
withdrawing.
Collection of Goods
Goods can be collected only when payment has cleared and been received
by TREASURES. Due to space constraints, TREASURES requires that
purchases and unsold property be collected within 7 (seven) days. If the
goods remain after 7 (seven) days TREASURES reserves the right to cause
the artworks to be stored at the expense of the purchaser.
Storage and Insurance
TREASURES provides insurance cover for sold items for a maximum of
7 (seven) days after the date of the sale. If the goods have not been
removed by the deadline, the goods will be deposited at warehouse and
all storage transportation and other associated costs as well as risk shall
be at the purchaser’s responsibility.
THE SELLER
Auction estimates
If you are considering selling your property at the auction, TREASURES will
provide a free initial estimate of its auction value. You can send a clear
photograph of each item with complete data includes the dimension,
artist’s signature, medium, physical condition and any other relevant
information.
After Sale Notification
You will receive an after sale advice listing the final bid price, or in the
event that the property failed to sell, notification that it was bought-in to
be returned to you. Payment for your sold property takes approximately 4
(four) weeks, provided payment has been received by us from the buyer.
CONDITIONS OF SALE
These conditions of sale together with any terms and conditions set out
a consignment form constitute the entire agreement with the Buyer on
respect to any lots listed in the catalogue. Amendment to the catalogue
descriptions may be made verbally during the course of auction or by
appropriate posted notices. By bidding at the auction, you shall be bound
by the conditions set out below.
Terms used in these conditions
*
“The Buyer” means the person with the highest bid accepted by the auctioneer.
*
“The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue.
*
“The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot.
*
“The Reserve” means the amount below which we agree with the seller that the lot cannot be sold.
*
“The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale.
*
“Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue.
Withdrawal of Property
TREASURES reserve the right to withdraw from the sale the property or
to have the property listed at any auction without any prior notice to the
vendor.
Control of Auction
TREASURES will have absolute discretion to determine the successful
bidder should a dispute arise between the bidders and this includes the
authority to reject any bid, to cancel the sale or to re-offer the property
in dispute.
Ownership of Property
The fall of the auctioneer’s hammer indicates the property sold to the
buyer who is responsible for the property and shall be liable to pay the
full purchase price within 7 (seven) days. If extended payment terms have
not been granted, penalty interest will be charged on the unpaid balance
until paid.
Forgery
In the event of proven forgery, TREASURES will refund to the buyer the
purchase price of the lot. This refund will only occur on the following
terms:
(i)
(ii)
The buyer must provide evidence from an independent expert who proves that the lot is a forgery. TREASURES reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert.
The buyer must provide written notification to TREASURES within 1 (one) year of the auction date of the forgery allegations.
No refund will occur if there is any conflict of opinion among accepted
experts in the field or if it can be demonstrated that the lot is a forgery
only by means of scientific process that could damage or otherwise
jeopardize the condition of the lot and which scientific techniques were
not commonly employed until after the publication of the catalogue.
This guarantee is for the benefit of the buyer only and cannot be assigned.
Such buyer must have remained the owner of the property without
disposing of any interest in it to any third party up until the time the
alleged forgery was discovered.
Handling and Packaging
Handling and packing of all purchase lots shall be at the risk of the buyer
who shall pay an administration charge if TREASURES is responsible for
such services. TREASURES shall use our best efforts to take care when
handling the packing but remind the buyer that from 7 (seven) days time
after the sale, the goods are entirely at the buyer’s risk. You can instruct
your own shipper for the shipping. However, we can also arrange for such
service but are not responsible for any costs incurred during the shipping.
Notice
TREASURES remind prospective buyers that none of the property in
this catalogue is subject to any guarantee of authenticity and all of
the artworks sold “as is” with all imperfections, incompleteness, faults
and errors of description. All property is sold without any warranty or
representation. TREASURES is not responsible for any errors or omission
in the catalogue. Buyers are strongly recommended to take independent
professional advice on selection of purchase.
Remedies of TREASURES
If the buyer is in breach of any of the conditions of sale then TREASURES
may choose to take the following action:
(1)
(2)
(3)
6
In the event a defaulting buyer has made a part payment, TREASURES
reserves the right to apply such payment to any such lots at its sole
discretion.
Cancel the sale, retaining as liquidated damages any payment made by the buyer.
Re-sell the property without any minimum price at the next auction of TREASURES or privately on 5(five) days notice to the buyer.
Take any other action TREASURES may consider necessary.
7
INFORMASI DAN KETENTUAN LELANG
Informasi di bawah ini merupakan panduan dan penjelasan mengenai ketentuan lelang yang diselenggarakan oleh TREASURES Auction House. Kami
sarankan para calon pembeli dan penjual dapat mempelajari dan membaca ketentuan lelang dengan seksama.
PEMBELI
Harga Perkiraan
Harga perkiraan adalah kisaran harga yang akan ditawarkan pada saat
lelang berdasarkan perhitungan dan penilaian tim ahli kami atas kualitas,
sejarah/ asal mula dan kelangkaan serta keunikan suatu karya. Harga
tersebut merupakan harga yang terjadi berdasarkan harga yang terbentuk
di pasaran lelang dan bukan merupakan pernyataan resmi atas nilai suatu
lot pada karya tersebut.
Harga Reserve
Harga reserve adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
Harga Yang Harus Di Bayar
Harga yang harus di bayarkan oleh pembeli adalah terdiri dari harga jadi
(hammer Price) ditambahkan jasa pasca lelang (premium price) untuk
setiap biaya-biaya, bunga dan pajak atas suatu karya sebesar 22% (Dua
puluh dua persen).
SEBELUM LELANG
Pameran
Calon pembeli disarankan untuk mengamati secara langsung karya-karya
yang akan ditawarkan pada lelang. Pameran dibuka untuk umum dan
berlangsung selama 2 (dua) hari sebelum lelang.
Keterangan Kondisi Karya
Keterangan mengenai kondisi karya tersedia sesuai permintaan. Keterangan
tersebut adalah pendapat dari ahli kami berdasarkan pengamatan dan
penilaian yang teliti. Seluruh karya yang ditawarkan adalah dalam
kondisi seperti apa adanya lengkap dengan segala kekurangan dan
ketidaksempurnaan karya tersebut. Uraian dalam keterangan katalog
hanya dipergunakan untuk keperluan identifikasi semata. Calon pembeli
disarankan untuk memeriksa, mencari keterangan dan pendapat dari ahli
independen atas keaslian, sejarah/ asal usul, keterangan serta kondisi
dari karya yang ditawarkan.
Pendaftaran
Calon peserta lelang wajib mendaftarkan diri dengan cara mengisi formulir
pendaftaran pada saat lelang untuk mendapatkan nomor peserta lelang
(paddle number) yang nantinya dipergunakan sebagai identitas pada saat
lelang. Pendaftaran dapat dilakukan pada saat pameran atau 30 menit
sebelum lelang dimulai.
SAAT LELANG
Penawaran
Seluruh karya akan dilelang berdasarkan nomor urutan lot. Harga
penawaran dilakukan dalam Mata uang Indonesia (IDR) berdasarkan
kenaikan harga yang sudah ditetapkan. Juru lelang menerima penawaran
dari peserta yang hadir si ruangan maupun peserta yang tidak dapat
hadir melalui penawaran telephone (telephone bid) ataupun penawaran
tertulis (written bid) yang sebelumnya telah diinformasikan kepada pihak
TREASURES. Lot karya yang akan ditawarkan biasanya ditampilkan pada
layar projector.
Kenaikan Harga
Penawaran biasanya dibuka di bawah harga estimasi terendah sampai
harga tertinggi dengan kenaikan harga sebagai berikut:
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 -
10.000.000 -
20.000.000 -
50.000.000 -
100.000.000 -
200.000.000 -
500.000.000 -
1.000.000.000
Rp. 10.000.000 by Rp. 500.000
Rp. 20.000.000 by Rp. 1.000.000
Rp. 50.000.000 by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
- keatas berdasarkan panduan juru lelang
PESERTA YANG TIDAK DAPAT HADIR
Bagi calon peserta yang tidak dapat hadir pada saat lelang dapat mengisi
formulir Absentee Bid atau Telephone bid yang sudah tersedia 7 (tujuh)
hari sebelum lelang dan terlampir pada bagian belakang katalog ini.
Formulir yang telah diisi dengan data lengkap dapat dikirim melalui
fax (021) 351 0707 paling lambat 24 jam sebelum lelang dimulai.
Penawaran Tertulis
Penawaran tertulis adalah cara yang paling umum digunakan pada
saat lelang. Penawaran tertulis adalah instruksi yang diberikan kepada
TREASURES untuk mewakilkan diri pada saat lelang atas karya yang
diminati dengan menentukan harga maksimum yang diinginkan untuk tiap
lot. TREASURES tidak memungut biaya atas jasa ini. Jika terdapat dua
pihak atau lebih melakukan harga penawaran yang sama pada lot yang
sama, maka penawaran yang berlaku adalah kepada yang terlebih dahulu
diterima oleh TREASURES.
Penawaran Melalui Telephone
Selain melakukan penawaran tertulis peserta dapat juga melakukan
penawaran melalui telephone. TREASURES akan menjadi penghubung
pada saat lelang berlangsung. Pengaturan jasa ini paling lambat 1 (satu)
hari sebelum lelang dimulai. Peserta disarankan untuk memberitahukan
harga penawaran maksimal seandainya tidak dapat dihubungi melalui
telephone.
PEMENANG LELANG
Pemenang lelang adalah mereka yang berhasil melakukan penawaran
tertinggi atas suatu lot dan akan diumumkan oleh juru lelang yang
disahkan oleh pengetukan palu oleh juru lelang. Ketukan palu juru
lelang menandakan bahwa pembeli telah menerima harga jadi dan
TREASURES akan melakukan pencatatan atas nomor paddle pembeli. Juru
lelang berwenang sepenuhnya untuk melanjutkan penawaran pada lot
selanjutnya.
LOT YANG TIDAK TERJUAL
Lot yang tidak terjual ditandai oleh juru lelang dengan tidak menyebutkan
nomor paddle peserta. Lot yang tidak terjual akan dikembalikan kepada
pemiliknya biasanya dalam waktu satu minggu setelah lelang, seandainya
dalam waktu tersebut ada peminat atas karya tersebut diluar lelang.
SETELAH LELANG
Pembayaran
Pembayaran atas pembelian karya dilakukan dalam waktu 7(tujuh)
hari. Mohon cantumkan nama anda, nomor paddle dan nomor lot pada
kolom berita slip bank. Jika pembeli tidak melakukan pembayaran atau
pemberitahuan kepada TREASURES dalam jangka waktu yang telah
ditetapkan, maka akan dianggap batal atau mengundurkan diri.
PENGAMBILAN BARANG
Barang dapat diambil hanya apabila pembayaran telah dilakukan dan
diterima oleh TREASURES. Oleh karena keterbatasan tempat, baik barang
yang terjual maupun yang tidak terjual harus diambil dalam waktu 7
(tujuh) hari. Jika barang tersebut tidak diambil dalam waktu 7 (tujuh)
hari, TREASURES berhak untuk memindahkan dan menyimpan barang
tersebut ke gudang atas biaya pemiliknya.
PENYIMPANAN DAN ASURANSI
Asuransi atas karya yang telah terjual hanya berlaku selama 7 (tujuh) hari
setelah tanggal lelang. Jika barang tersebut belum diambil sampai batas
waktu yang telah ditetapkan maka barang akan dipindahkan dan disimpan
ke gudang.
Seluruh biaya transportasi dan sewa gudang serta biaya lainnya akan
ditanggung oleh pembeli. Segala resiko atas barang juga menjadi tanggung
jawab pembeli.
PENJUAL
Harga Perkiraan
Jika anda berminat untuk menjual barang anda melalui lelang, TREASURES
akan menyediakan perkiraan harga awal atas nilai lelang barang tersebut.
Anda dapat kirimkan foto tiap karya dilengkapi dengan keterangan atas
pelukis, judul, ukuran, media, tanda-tangan, sertifikat, kondisi dan
informasi pendukung lainnya.
Pemberitahuan Atas Penjualan
Daftar rincian perhitungan atas barang-barang yang terjual maupun tidak
terjual akan diberikan setelah lelang. Pembayaran atas barang-barang
yang terjual akan dilakukan dalam 4 (empat) minggu setelah TREASURES
menerima pembayaran dari pembeli.
KETENTUAN LELANG
Ketentuan lelang termasuk istilah-istilah dan persyaratan didalamnya
merupakan bentuk kesepakatan yang mendasari seluruh perjanjian
dengan pembeli atas lot-lot yang tercantum dalam katalog. Penambahan
pada keterangan katalog dapat dibuat secara lisan dalam kurun waktu
lelang atau dengan pemberitahuan secara tertulis. Dengan ikut serta
menjadi peserta lelang, anda akan terikat dengan kondisi-kondisi sebagai
berikut:
PENYELESAIAN DARI TREASURES
Jika pembeli melakukan pelanggaran atas kondisi penjualan, maka
TREASURES akan mengambil langkah-langkah sebagai berikut:
1.
Membatalkan penjualan, pembayaran yang dilakukan oleh pembeli dianggap sebagai pembayaran dengan kecacatan dan dianggap tidak dapat dicairkan.
2.
Menawarkan kembali barang tersebut tanpa menetapkan harga minimum dalam lelang TREASURES selanjutnya atau menjual secara pribadi dengan memberitahukan kepada pemiliknya selama 5 (lima) hari.
3.
Mengambil tindakan lain yang dianggap perlu apabila pembeli telah melakukan sejumlah pembayaran sehingga TREASURES berhak untuk menggunakan pembayaran tersebut atas lot lain atas wewenangnya sendiri.
PEMALSUAN
Jika terjadi suatu lot yang terbukti palsu, TREASURES akan mengembalikan
seluruh biaya yang telah dibayarkan kepada pembeli sesuai harga lot
tersebut. Pengembalian dana ini hanya dapat dilakukan apabila:
1.
Pembeli telah memperlihatkan bukti-bukti yang berasal zzdari tenaga ahli independent yang menyatakan bahwa karya tersebut palsu. TREASURES berhak untuk meminta bukti lebih lanjut dari tenga ahli lainnya atas wewenangnya, apabila hasil temuan dari tenaga ahli kedau pihak masih dianggap kurang memuaskan.
2.
Pembeli harus memberikan pemberitahuan secara tertulis kepada TREASURES dalam waktu 1 (satu) tahun dari tanggal lelang atas pengajuan adanya pemalsuan karya.
Pengembalian dana tidak dapat dilakukan jika terjadi konflik pendapat
dari para tenaga ahli dilapangan atau pemalsuan hanya dapat dilakukan
oleh proses ilmiah yang dapat merusak atau membahayakan kondisi karya
tersebut.
Jaminan ini ditujukan hanya untuk kepentingan pembeli dan tidak bisa
dialihkan. Pembeli harus menjaga atas kepemilikan barang dengan
tidak pengalihkan pada pihak-pihak lain sampai saat pengajuan adanya
pemalsuan telah ditemukan.
Pengepakan dan pengiriman barang adalah sepenuhnya atas resiko
pembeli. Jika pembeli menginginkan TREASURES untuk melakukan
pengepakan dan pengiriman, maka pembeli harus membayar biaya atas
jasa tersebut. TREASURES akan berusaha untuk memberikan pelayanan
yang terbaik untuk menjaga barang yang telah dibeli, namun diingatkan
bahwa setelah waktu 7 (tujuh) hari setelah lelang, resiko barang ada pada
tanggungan pembeli. Pembeli bisa memerintahkan jasa pengirimannya
sendiri untuk melakukan pengiriman. TREASURES juga dapat membantu
untuk mengatur pengiriman barang tetapi tidak bertanggung jawab atas
biaya yang nanti terjadi.
PEMBATALAN/ PENARIKAN KARYA
PEMBERITAHUAN
TREASURES berhak untuk menarik karya dari lelang atau menentukan
karya yang akan masuk lelang.
TREASURES mempunyai hak mutlak untuk menentukan penawar/
pemenang lelang jika terdapat
perselisihan yang muncul antara
penawar, hal tersebut juga meliputi otoritas untuk menolak penawaran
apapun, membatalkan penjualan atau ke menawarkan ulang barang yang
diperebutkan.
Ketukan palu juru lelang menandakan barang terjual kepada pembeli
yang bertanggung jawab atas kepemilikan barang tersebut dan
berkewajiban untuk membayar seluruh pembelian dalam waktu 7 (tujuh)
hari. Jika permintaan untuk memperpanjang batas waktu pembayaran
tidak disetujui, maka akan dikenakan biaya bunga atas saldo yang belum
dibayar sampai dibayar.
Istilah-istilah
“Pembeli” adalah orang perorangan atau badan hukum yang mengajukan
penawaran tertinggi dan diterima oleh juru lelang.
“Lot” adalah barang yang telah dititipkan kepada TREASURES untuk dijual
dalam lelang dan telah diberikan uraian dan keterangan dalam katalog.
“Harga Hammer/ Ketuk Palu” adalah harga jadi yang merupakan harga
tertinggi yang telah ditetapkan oleh juru lelang atas lot yang ditawarkan.
“Harga Reserve” adalah harga minimum suatu karya untuk boleh dijual
dan merupakan harga yang telah disepakati oleh pihak TREASURES dan
penjual.
“Harga Premi” adalah jasa pasca lelang yang dikenakan kepada pembeli
atas setiap biaya-biaya, bunga dan pajak atas suatu karya dengan kisaran
yang telah ditentukan.
“Pemalsuan” berarti suatu lot yang berasal dari tiruan atas suatu karya
yang ditujukan untuk menipu atas keaslian, sejarah, umur, jaman, budaya
dimana sumber keterangan yang benar atas hal tersebut tidak dijelaskan
dalam keterangan katalog.
PENGAWASAN LELANG
8
KEPEMILIKAN BARANG
PENGEPAKAN DAN PENGIRIMAN BARANG
TREASURES tidak pernah memberikan jaminan atas keaslian karya yang
terdapat dalam katalog ini. Seluruh karya yang ditawarkan adalah sesuai
apa adanya dengan segala ketidaksempurnaan, kecacatan, kekurangan
maupun kesalahan dari penjelasannya. Penyajian seluruh karya dalam
katalog ini bukan merupakan jaminan atas keabsahan atau keaslian karya
tersebut. TREASURES tidaklah bertanggung jawab atas kesalahan atau
penghilangan keterangan apapun dalam katalog. Para Pembeli sangat
direkomendasikan untuk mengambil nasihat profesional dari tenaga ahli
yang mandiri pada karya yang akan dibeli atau dipilih.
9
001
SUDJONO ABDULLAH
(Yogyakarta, 1911 – 1993)
Pasar
002
GUNAWAN HANJAYA
(Solo, Central Java, 1954)
Ia menertawakan Kita, 1994
Oil on canvas: 100 x 150 cm
Signed, lower left: S. Abdullah
Acrylic on canvas: 80 x 70 cm
Signed and dated, lower right:
Gunawan, Solo 94
RP 20.000.000 – 30.000.000
RP 6.000.000 – 10.000.000
003
CHENG SHUI
(Bogor, West Java, 1981)
Bakar Jagung
Signed, upper right: Ong Cheng Shui
RP 18.000.000 – 28.000.000
10
004
HASIM
(Jakarta, 1921-1982)
Panen
005
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands, 1968)
Dobbelaars, 1934
Signed, lower right: Hasim
Signed and dated, lower right :
Ger. P Adolfs 34
RP 4.000.000 – 6.000.000
RP 60.000.000 – 80.000.000
11
007
HUANG FONG
(Genteng, 1936)
Dua Gadis Nelayan, 1997
006
SUMARDI
(Solo, Central Java, 1917 - 1983)
Javanese Women
Pastel on paper: 46 x 61 cm
Signed and dated, lower right: Huang Fong’97
RP 15.000.000 – 25.000.000
010
OTTO DJAYA
(Rangkas Bitung, West java, 1916 - 2002)
Penjual Ikan, 1994
Signed, lower right: Sumardi
RP 7.500.000 – 10.000.000
Signed and dated, lower right: Otto Djaya, 1994
RP 20.000.000 – 30.000.000
011
BARLI SASMITAWINATA
(Bandung, 1921)
Dessy, 2002
Signed and dated, lower right: Barli, 2002
RP 15.000.000 – 20.000.000
008
GUNAWAN BAGEA
(Bandung, West Java, 1971)
Keluarga Nelayan, 2013
009
FAIZIN
(Banyuwangi, 1973)
Pergi Ke Pasar, 2003
Acrylic media on canvas: 100 x 130 cm
Signed and dated, lower right: Gunawan, 2013
Signed, titled and dated on the reverse
Signed and dated, lower right: Faizin, 2003
RP 6.000.000 – 9.000.000
12
RP 5.000.000 – 7.000.000
13
013
SUDJONO ABDULLAH
Landscape
Signed, lower right: S. Abdullah
RP 8.000.000 – 10.000.000
014
TATANG GANAR
(Bandung, 1936 – 2004)
Gerobak Sapi, 1968
Signed and dated, lower left: T. Ganar, 68
This lot is accompanied with certificate
of authenticity from artist
RP 6.000.000 – 8.000.000
012
ARIE SMIT
(Zaandam, the Netherlands, 1916)
Sanur Sea and Boats, 2002
Acrylic on canvas on board: 22 x 26,5 cm
Signed and dated lower left: Arie Smit,02
015
JOHN VAN DER STERREN
(Sukabumi, 1938)
Temple Complex Pura Puseh, Desa Sayan Bali, 2003
016
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Gereja Lauders
Signed and dated, lower right: Van Der Sterren’03
Signed, lower right: Jb. Iwan Sulistyo
RP 25.000.000 – 35.000.000
RP 20.000.000 – 30.000.000
14
RP 15.000.000 – 20.000.000
15
017
PRIYADIE
(West Java, 1943)
Tigers, 1996
Signed and dated, lower left: Priyadie96
RP 20.000.000 – 35.000.000
018
I NYOMAN WIJAYA
(Tabanan, Bali, 1971)
3 Sapi, 2007
Pastel on paper: @ 72 x 53 cm (3 Panel)
Signed and dated, lower right: Wijaya, 07
RP 15.000.000 – 20.000.000
019
CHENG SHUI
Sepasang Ayam
Oil on board: 120 x 60 cm
Signed, upper left: Ong Cheng Shui
RP 12.000.000 – 20.000.000
16
020
SEN PAO
(Surabaya, 1949)
Dragon Attraction, 2007
Signed and dated, lower left: Sen Pao 07
RP 20.000.000 – 30.000.000
021
S. TOYO
(Blitar, 1935 – Malang, 2000)
Berburu
Signed, lower left: S. Toyo
RP 40.000.000 – 50.000.000
17
022
AHMAD SUUDHI
(Temanggung, 1958)
Apel Pilihan Adik, 2013
Ahmad Suudhi, 2013
RP 35.000.000 – 50.000.000
023
A.Y. KUNCANA
(Surakarta, 1934)
Bisnis, 1989
Watercolor on paper: 31x 40 cm
Signed and dated, lower left: Kuncana, 89
RP 4.000.000 – 7.000.000
024
JOHAN ABE TOBING
(b. 1976)
7 Wanita Shopping, 2014
Fiberglass: 44 x 67 x 9 cm
Signed and dated, lower area:
Johan Abe, 014
RP 6.000.000 – 9.000.000
025
PRIYADIE
(West Java, 1943)
Dancer
Signed, lower right: Priyadie
of authenticity from the artist
RP 5.000.000 – 8.000.000
18
026
Mersuka Dopazo
(Las Palmas de Gran Canaria, 1971)
Pinocchio
Mixed media on canvas: 180 x 220 cm
RP 42.000.000 – 50.000.000
19
Irsam
Irsam took his study at the Indonesian Fine Arts Academy (ASRI) Yogyakarta (1959 - 1965)
and become a lecturer at that school (1965 – 1967). His works have specific style. His great
fondness in Wayang has given a large contribution in his artworks. He was famous of artist
with decorative style with rich colours, patterns of dots and lines and textures. He rarely
left an empty space in his paintings.
He varied his themes of paintings into; 1) Daily activities, 2) Mythology and 3) Mask. The
present lot was one of his daily activities themes. This theme is expressed in paintings with
simple compositions. They often depict subjects of human’s activities without showing their
time and space. His paintings are so attractive as they are done with decorative style full of
ornamental patterns. Decorative style is a style that allows wide range of expression. It almost
has no rule. It is possible to paint a human body without minding the real proportion or the
anatomy. . In principle, the style of decorative art is an effort to present patterns of lines, colors
and textures that can express ideas with high ornamental element. Its basic principle of work
is repetition of lines, dots, colors or basic shapes till they formed a (sometimes) rhythmic and
consistent pattern.
027
IRSAM
(Klaten, 1942)
Gadis dan Bulan, 1996
Signed and dated, lower left: Irsam, 1996
Literature:
Mikke Susanto, IRSAM, Jejak - Jejak Dekoratif
Published by PT. Dwi Samapersada pg. 57
RP 25.000.000 – 35.000.000
20
21
028
NURDIN B.S
(Padang, West Sumatra, 1915)
Perahu Nelayan
Signed, lower left: Nurdin BS.
RP 5.000.000 – 7.000.000
029
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Dermaga
Signed, lower right: Koempoel
RP 4.000.000 – 6.000.000
030
TORO
(Bandung, 1946)
Barong
Signed, lower right: Toro
RP 8.000.000 – 12.000.000
031
MOERDOWO
(b. Yogyakarta, 1919)
Perahu Nelayan, 1964
Signed and dated, lower left:
1/10-64 Moerdowo
RP 20.000.000 – 25.000.000
032
WILLEM VAN DER DOES
(Amsterdam, The Netherlands, 1889 – 1966)
Perahu Layar
Signed, lower right: W.V.D. Does
RP 20.000.000 – 30.000.000
22
23
035
BUDI KUSTARTO
(Karangbawang, 1972)
Belajar Menggambar,2014
Signed and dated, upper right:
Budi Kustarto, 2014
RP 15.000.000 – 20.000.000
033
WAYAN KUN ADNYANA
(Bangli, Bali, 1976)
The Classic Taste, 2012
Ink and Acrylic on canvas: 150 x 200 cm
Signed and dated, lower middle:
Wayan Kun Adnyana, 2012
RP 38.000.000 – 45.000.000
036
DIDIK NURHADI
(Ngawi, East Java, 1972)
Mutualisme, 2002
Signed and dated, lower right: Nurhadi, 2002
034
OTTO DJAYA
Pelukis dan Model, 1996
RP 25.000.000 – 40.000.000
Otto Djaya, 1996
This lot is accompanied with
certificate of authenticity from artist
RP 10.000.000 – 15.000.000
24
25
037
GUNAWAN HANJAYA
Disisi Pintu, 2001
RP 9.000.000 – 15.000.000
038
DAENG
Pulang, 2014
039
S. DJUPRIJANY
Still Life, 1978
Signed and dated, lower right: Daeng, 014
RP 5.000.000 – 7.000.000
S. Djuprijany, 1978
RP 7.500.000 – 10.000.000
040
AMRUS NATALSYA
(Medan, 1933)
Pemberhentian Perahu, 2011
26
041
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 – The Hague, 1976)
Junk in The Sea
Oil on wood: 68 x 82 cm
Signed, lower right: L. Frits Ohl
RP 12.000.000 – 20.000.000
RP 80.000.000 – 120.000.000
27
Arie Smit
Arie Smit came to Indonesia in 1950s and to Bali in 1956. In Bali he moved one place to another,
including Denpasar, Ubud and Buleleng, in his pursuit of natural beauty of Bali which he poured it
all in his paintings. Many of his paintings depict the nature of his surrounding environment. He had
several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the
Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards
from the local government of Bali.
Arie Smit is an artist who loves natural beauty and Balinese culture in the form of imaginative painting,
painting that express the pure soul of an adventurer, a natural devotee of tropical sunlight. Nature
provides Arie Smit with a tremendous amount of energy that serves as the driving force for his
exploration. In his works, Arie portraits his deep admiration for the beauty of Bali, its mountains, palm
trees, rice terraces, the life of the farmers and particularly, the local spiritual life. Life on the island is
perpetual rich with rituals. Arie’s painting show breath-taking landscapes, relaxing youths, colourful
tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander.
042
ARIE SMIT
(Zaandam, the Netherlands, 1916)
In The Village, 2011
Signed and dated lower right: Arie Smit, 2011
RP 145.000.000 – 200.000.000
28
29
043
PANDU PRIBADI
(Boyolali, Central Java, 1965)
Dagu Panjang
044
HAN SNEL
(Scheveningen, 1925 – 1998)
Women, 1974
Engraving ed. 22/40: 30 x 26 cm
Signed, lower left: Han Snel
Dated, lower right: 22/40, Bali’74
RP 5.000.000 – 7.000.000
RP 4.000.000 – 6.000.000
045
TAUFAN ADI PRIYONO
(Pasuruan, East Java, 1975)
Wanita, 2003
047
SOETOPO
(Yogyakarta, 1931)
Ibu dan Anak, 1992
Signed and dated lower left:
Soetopo, 25 Februari 1992
RP 40.000.000 – 50.000.000
Bronze:26 x 14 x 2 cm
Signed and dated, lower area: Taufan, 2003
RP 6.000.000 – 9.000.000
046
SRIHADI SOEDARSONO
(Solo, 1931)
Bercermin IV ed. 30/80, 2003
Lithograph: 62 x 46 cm
Signed and dated, upper right: Srihadi S’24.6.01
Signed, titled and dated, lower area:
Bercermin IV Srihadi 2003
RP 15.000.000 – 20.000.000
30
31
048
FREDERICK KASENDA
(1920-1950)
Landscape River, 1938
Frederick Kasenda, Minahasa, 1938
RP 8.000.000 – 12.000.000
049
SUDJONO ABDULLAH
The Lake, 1975
Signed, lower left: S. Abdullah
RP 12.000.000 – 18.000.000
052
NI GUSTI AGUNG GALUH
(Kapal, Ubud, 1968)
In The Ricefields, 2009
050
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Memandikan Kerbau
Signed and dated, lower right: Galuh 09, Ubud Bali
RP 22.000.000 – 30.000.000
053
WILHEMUS JEAN FREDERIC IMANDT
(St. Jansteen, The Netherlands, 1882 – 1967)
Sea Panaroma
Signed, lower left: Imandt
RP 28.000.000 – 35.000.000
Signed, lower right: Kompol
RP 15.000.000 – 20.000.000
051
SAIMAN DULLAH
(Tuban, East Java, 1954)
Pura Di Bedugul, 1993
Saiman Dullah, 1993
RP 15.000.000 – 20.000.000
32
33
054
SAFTARI
(Payakumbuh, 1971)
Explosive, 2009
Signed and dated, lower left: Saftari 09
RP 70.000.000 – 90.000.000
055
SALIM
(Medan, 1908 – Paris, 2008)
Tiga Unsur, 2000
Signed and dated, lower right: Salim'200
Literature:
Ajip Rosidi dan Drs. Haryadi Suadi,
SALIM Pelukis Indonesia di Paris,
Published by PT Dunia Pustaka Jaya
dengan Galeri Cemara 6, 2003, pg. 79
RP 50.000.000 – 70.000.000
34
056
WIDAYAT
(Kutoarjo, 1919 – Jakarta, 2002)
Nude, 1991
Oil on canvas laid on board: 40 x 70 cm
Signed and dated, lower left: H. Widayat’91
Signed, titled and dated again on the reverse
RP 45.000.000 – 60.000.000
35
Zulfa Hendra
Pure fantasy is what later has become Zulfa Hendra’s foundation in producing
most of his works. He fully demonstrates his design of work to the process
where he could play with his fantasy forms through his canvases. His objects
represent forms with illumination illusion and deepness, as if the object is
touchable, can be grasped and can be revealed in the real world. His colors
tend to be uniformed (monochrome) in different nuances of atmosphere that
invites the viewer to explore his fantasy mind.
Solo Exhibition:
2003
Dirix Art Gallery, Yogyakarta
Group Exhibition:
1995
Exhibition "Seni Rupa Sakato I" at Purna Budaya, Yogyakarta
1998
Exhibition "Indonesia Art Awards V" at Galeri Nasional, Jakarta
1999
Exhibition "Seni Rupa Sakato III" at Purna Budaya, Yogyakarta
2000
Exhibition "Kelompok Genta" at Purna Budaya, Yogyakarta
2001
Exhibition "Dimana Bumi dipijak, Disana Langit dijunjung",
Galanggang Seni Sakato at Purna Budaya, Yogyakarta
2002
Exhibition "Kelompok Genta", at Gallery Semarang, Semarang
2004
Exhibition "Menimbang Tradisi", Sanggar Sakato, at Galeri Nasional, Jakarta
2005
Exhibition "Re-reading landscape", Sanggar Sakato at Nadi Galeri, Jakarta
Exhibition "Paramitra", at Mon Decor Galeri, Jakarta
2006
Exhibition "Behind the Realism", at V- Gallery, Yogyakarta
Exhibition "an Approach to Indonesian Contemporary Art"
at Biasa Art Space, Denpasar
Exhibition "Kecil itu Indah" at Edwin Gallery, Jakarta
Exhibition "Silence Landscape" at Mon Decor Gallery, Jakarta.
Awards
1998
Award from the Indonesian Minister of Education, Culture and Art
1997
Finalist of the Phillip Morris Indonesian Art Awards
1994
Best Award for Water color painting competition at FSR-ISI, Yogyakarta
057
ZULFA HENDRA
(Bukittinggi, West Sumatra, 1973)
Menembus Alam Pikiran, 2007
RP 60.000.000 – 90.000.000
36
37
058
WAHYU SRIKARYADI
(Bandung, 1968)
Penari Bali, 2005
Mixed media on canvas : 175 x 118 cm
W. Srikaryadi 2005
RP 10.000.000 – 15.000.000
059
NYOMAN GUNARSA
(Klungkung, 1944)
Gerak dan tari Penabuh Gendang, 2001
Watercolor on paper : 73 x 54 cm
Signed and dated, upper right: 2001
RP 12.000.000 – 20.000.000
062
OTTO DJAYA
Istirahat Sejenak, 1998
RP 20.000.000 – 30.000.000
060
WILLEM GERARD HOFKER
(Amsterdam, 1902 – 1981)
Potrait
Lithograph: 30 x 21 cm
RP 5.000.000 – 7.000.000
061
JOHAN ABE TOBING
(b. 1976)
5 Wanita Ngerumpi, 2010
38
063
LUCIEN FRITS OHL
Indonesian Junks in Blue
Signed and dated, lower area:
Johan Abe, 2010
of authenticity from Arnot Gallery
RP 6.000.000 – 9.000.000
RP 35.000.000 – 50.000.000
39
065
SRI HADHY
(Purwodadi, 1943)
Matahari, 1992
066
TORO
(Bandung, 1946)
Perahu
Signed and dated, lower right: Sri Hadhy, 1992
Signed, lower left: Toro
RP 15.000.000 – 20.000.000
RP 13.000.000 – 20.000.000
067
MORI KINSEN
(Yokohama, Japan 1888 - Magelang, 1959)
The Lake
Signed lower left: M. Kinsen
RP 25.000.000 – 40.000.000
068
HARIJADI
Beringin Tua, 2003
064
R. HADI
Ceremony Bali
Ink on paper: 23 x 31 cm
Signed and dated, lower right: Harijadi 03
RP 6.000.000 – 8.000.000
Signed, lower right: R. Hadi
RP 15.000.000 – 20.000.000
40
41
069
CHENG SHUI
Gembala Kerbau
073
PRIYADIE
(West Java, 1943)
Burung Merak
Signed, lower left: Ong Cheng Shui
Signed, lower left: Priyadie
RP 15.000.000 – 25.000.000
RP 18.000.000 – 30.000.000
074
KRIJONO
(Jakarta, 1951 - 2011)
Siap – Siap Tostosan, 2010
070
ADAM LAY
(Wonosobo, Central Java, 1949-2014)
Bergaya Sendiri, 2002
071
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Dua Kelinci, 1978
Koentjoro'78
RP 3.000.000 – 5.000.000
42
Oil on canvas : 69 x 91 cm
Signed and dated, lower right: Adam L.02
Signed, titled and dated, lower left:
Siap-siap Tostosan, 2010, Bali Krijono
RP 7.000.000 – 12.000.000
RP 20.000.000 – 30.000.000
072
WIDAYAT
(Kutoarjo, 1919 – Jakarta, 2002)
Ikan Piranha, 2001
Signed and dated, lower middle:
H. Widayat’2001
RP 3.000.000 – 5.000.000
075
AMBARA BARATAWIDJAJA
(B. Java, 1960)
Pater Familia
Chinese ink on rice paper: 68 x 67 cm
Signed in Chinese character, upper right
Literature:
Ambara Baratawidjaja, Brushes’ Dialogue II
Paintings 1984 - 2013, Published by Dicti
Art Lab, Yogyakarta, 2013, pg. 103
RP 30.000.000 – 40.000.000
43
Awiki
Awiki’s paintings of realism have special character in
form, color, and composition with “rembrandt lighting”
approach. Due to his eye illness he was no longer using
the style. Creatively he produced painting method called
“mata baur - combined eyes”. Since then he creates
impressionist painting of thick paint texture. Nevertheless
this kind of painting gained special response from public.
Awiki’s paintings include themes such as flowers, dancers,
houses, trees, as well as still life. His paintings were inspired
with his surroundings that described people’s daily lives
and tradition.
Awiki works with a purity of purpose and a mastery of
technique that set his art beyond the constraints of time
or place. Engaged in a direct impressionistic encounter
with the dynamics of light, Awiki approaches his work
with great physical courage, often enduring the ferocity
of the tropical sun in order to complete a painting. It is
amazing to watch Awiki paint, with a brush hardened to
function like a palette-knife, he works very fast with great
conviction.
076
AWIKI
(Surabaya, 1961)
Panen, 2012
Signed and dated, lower left: AW.12
RP 90.000.000 – 120.000.000
44
45
077
KUSMANTO
(Demak, 1978)
Kepala Besar, 2005
Kusmanto, 2005
RP 10.000.000 – 15.000.000
078
I KOMANG GEDE TEDJA MULYA
(Gianyar, Bali, 1976)
Berburu Babi, 2002
Tedja Mulya, Yogya, 2002
081
YAYAT SURYA
(Cirebon, 1968)
Michael Jackson, 2009
RP 10.000.000 – 15.000.000
Signed and dated, lower left: Yayat Surya, 2009
RP 18.000.000 – 25.000.000
082
SABRI
(Jakarta, 1955)
James Dean”Celebrity Series”, 2008
Signed and dated, lower right: Sabri, 2008
RP 10.000.000 – 15.000.000
079
UNTUNG WAHONO
(Yogyakarta, 1962)
Tahun Baru Di Bundaran HI, 2013
Signed and dated, lower left: Untung W. 2013
RP 6.000.000 – 9.000.000
46
080
JANURI
(Tuban, East Java, 1977)
Pindah Rumah, 2005
Signed and dated, lower left: Januri, 2005
RP 4.000.000 – 7.000.000
47
085
RUSTAMADJI
(Klaten, 1921 - 2001)
Taman Bunga, 1980
Signed and dated, lower right: Rustamadji, 1980
RP 15.000.000 - 20.000.000
083
NASHAR
(Pariaman, 1928-1994)
Alam Terbentang, 1979
Signed and dated, lower right: 17.8.79
Provenance:
Private collection of Mr. Ajip Rosidi
084
I MADE WIANTA
(Bali, 1949)
Calligraphy, 1994
Signed and dated, lower left: Wianta, 1994
RP 30.000.000 - 40.000.000
RP 30.000.000 - 40.000.000
086
LUCIEN FRITS OHL
Adu Ayam
RP 35.000.000 - 40.000.000
48
49
088
I NYOMAN MARSA
(Bali, 1952)
Penari Kipas, 1999
089
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Penjual Ikan
Signed and dated, lower right: I Nym.Marsa, bali’99
Signed, lower left: Kompol
RP 15.000.000 - 20.000.000
RP 2.500.000 - 3.500.000
087
RAHMAT SUBANI IRFANI
(Solo, 1949 – Jakarta, 2003)
Selama Cahaya Masih Menyingkap Kejujuran, 2002
Signed and dated, upper right: R. 2002
Signed, titled and dated on the revese
RP 15.000.000 - 20.000.000
50
090
WAHYU SRIKARYADI
(Bandung, 1968)
Penari
091
RUDY PRANADJAYA
(Cirebon, 1948)
Balinese Woman, 1984
Signed, lower left: W. Srikaryadi
Signed and dated, lower right: Rudy Pranadjaya’84, Bali
RP 5.000.000 - 8.000.000
RP 10.000.000 - 15.000.000
51
Auke Cornelis Sonnega
An artist’s quest to find inspiration and spiritual contentment can take him on
a long voyage far away from home. Such was the journey for Dutch artist Auke
Cornelis Sonnega. Born in Leeuwarden and educated at the Kunstnijverheidsschool
in Amsterdam (School of Arts and Crafts), Sonnega first set foot on Indonesian soil
when he arrived in Batavia in 1935. Two years later he moved to Bali, which became
a great source of inspiration for his painting.
After the war settled in Ubud in Bonnet’s old studio in Puri Kaleran and dedicated
himself solely to painting. His style is fresh and unique, clearly influenced by his designer
training and background. It is very influenced by Art Deco and often graphic, however,
his larger canvases often transcend these limitations and can even be thought to have
a mystical impact. He also made many portraits, usually of doe eyed young men (he
was in the words of a long time Ubud expatriate euphemism a member of the “club”).
These are very stylized and use a bright palate with strong outlining of his subjects.
Sonnega, like Bonnet, stayed in Bali until 1957 when he was forced to leave by the
Indonesia authorities in the era of Confrontation. The painting becomes all the more
poignant when this separation is considered – the immortalization of a reality that was
to him a fulfillment of a dream.
092
AUKE CORNELIS SONNEGA
(Leeuwarden, 1910 – 1963)
Portrait of Balinese Man (Portret Van een Balinese Man), 1956
Signed and dated, lower right: A. Sonnega, 1956
Provenance:
Private collection of Drs. G. AJ. Geursen
RP 320.000.000 - 450.000.000
52
53
097
NYOMAN GUNARSA
(Klungkung, 1944)
Pemain Biola, 2011
Signed and dated, lower right: 2011
RP 35.000.000 - 50.000.000
093
I KETUT KASTA
(Ubud, Bali, 1945)
Dancer, 2013
094
F. SIGIT SANTOSA
(East Java, 1964)
Wanita, 1999
Signed and dated, lower right: Kt. Kasta.2/2013
Signed and dated, lower left: Sigit Santosa'99
RP 7.000.000 - 10.000.000
RP 10.000.000 - 15.000.000
098
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 - 1995)
Market
Signed, lower left: Hasan Djaafar
RP 7.000.000 - 10.000.000
54
095
HATTA HAMBALI
(Sengkawang, South Sulawesi, 1949)
Aktivitas di Kampung, 1985
096
OTTO DJAYA
Gadis, 1979
Watercolour on paper: 50 x 50 cm
Signed and dated, lower right: Hatta Hambali, 85
RP 3.000.000 - 5.000.000
RP 5.000.000 - 7.000.000
55
099
GUNAWAN HANJAYA
Matahari Yunani, 2004
100
ROYATNA
(Bandung, 1959)
Panen
Signed and dated, lower right: Gunawan.04/5
Document in Lara Magazine, edition June 2007 pg.78
Signed, lower right: Royatna
RP 3.000.000 - 5.000.000
RP 30.000.000 - 40.000.000
103
THEO MEIER
(Switzerland, 1908 - 1982)
Sunscape, ca.1960
101
NYOMAN SUJANA KENYEM
(Sayan, 1972)
Bulan Purnama #2, 2014
102
GUNAWAN BAGEA
Panen, 2014
Signed and dated, lower right: N. Sujana, 2014
Provenance:
Private European Collector acquired
directly from the artist
This lot is accompanied wit certificate of
authenticity from the Artist
RP 3.000.000 - 5.000.000
RP 70.000.000 - 90.000.000
Oil on board: 70.5 x 87 cm
Signed, upper right
RP 5.000.000 - 7.000.000
56
57
104
MIERZA SAID
(b. 1963)
Body Language, 2005
105
UNTUNG WAHONO
(Yogyakarta, 1962)
Panen Padi, 2014
Acrylic on canvas: @75 x 70 cm (2 Panel)
Signed and dated, lower left: Mierza Said’05
Signed and dated, lower left: Untung W. 2014
This lot is accompanied with certificate of
RP 6.000.000 - 9.000.000
RP 4.000.000 - 6.000.000
108
I KETUT SADIA
(Batuan, Bali, 1966)
Indonesia 3-Brazil 2, 2011
Signed and dated, lower right: Kt. Sadia, batuan Bali
Signed and dated on the reverse
Finalist of Jakarta Art Awards 2012, Documented in pg.51
RP 35.000.000 - 45.000.000
109
OTTO DJAYA
Sesaji, 1990
58
106
FAIZIN
(Banyuwangi, 1973)
Pengamen, 2002
107
S. TOYO
(Blitar, 1935 – Malang, 2000)
Panen, 1971
Signed and dated, lower left: Faizin,2002
Signed and dated, lower left: S. Toyo, 1971
RP 12.000.000 - 20.000.000
RP 6.000.000 - 8.000.000
RP 8.000.000 - 12.000.000
59
Ugo Untoro
As an individual artist who is looking for meaning through imagery symbolism, Ugo’s scratchy
paint shows his indeterminate sign and poetic upon his self consciousness. His rough
scratches never recognized anything nor reach into form perfections. His horizontal lines
sometimes go beyond his conscious and offer not only form but also meaningful message.
Awards:
1996 Finalist in the Indonesian Art Awards Competition
1998 The Best Painting at the Indonesian Art Awards
Solo Exhibitions:
2007 "Word's of Ugo Art Forum", Singapore
"Poem of Blood", Taman Budaya, Yogyakarta
"Poem of Blood", Jakarta
2006 "Short – Short Stories", Kuala Lumpur
"My Lonely Riot", Kuta Bali
2004 "Silent Texts", Jakarta
2002 "Goro – Goro", Jakarta
2000 Boneka dan Buku, Surabaya
1999 Sika Contemporary Art Gallery, Bali
1995 "Corat – Coret", Bentara Budaya, Yogyakarta
110
UGO UNTORO
(Purbalingga, 1970)
Lets Talk 3, 2008
Signed and dated, lower right: Ugo’08
RP 110.000.000 - 150.000.000
60
61
111
RONIE ARTO
(Banjarmasin, 1960)
Rasa Amerika, 2010
Signed and dated, lower right: Ronie, 2010
RP 15.000.000 - 20.000.000
112
I WAYAN UPADANA
(b.Gianyar, Bali)
Irama Tubuh, 2007
Signed and dated, lower right: I Wayan Upadana’07
Signed and titled on the reverse
RP 5.000.000 - 7.000.000
113
IVAN SAGITA
(Malang, 1957)
Topeng-topeng Manusia, 1988
Signed and dated, lower left: Sagita, 1988
RP 70.000.000 - 90.000.000
62
63
114
TATANG GANAR
(Bandung, 1936 – Bandung, 2004)
Tari Baris, 1998
115
S.YADI K
(Banyuwangi, 1958)
Figur Penari, 1998
Signed and dated, lower right: T. Ganar’98
Signed and dated, lower right: S. Yadi K, Bali’98
RP 4.000.000 - 7.000.000
RP 8.000.000 - 10.000.000
116
I KOMANG GEDE TEDJA MULYA
(Gianyar, Bali, 1976)
Mepayas, 2003
117
ISWANTO
(Kebumen, 1964)
Main di Pantai, 2006
Signed and dated, lower right: Tedja Mulya, Yogya, 2003
Signed and dated, lower left: M. Iswanto M.2006
RP 10.000.000 - 15.000.000
64
118
F. SIGIT SANTOSA
(East Java, 1964)
Gogh Bless You, 2010
Signed and dated, lower right: F. Sigit Santosa, 2010
RP 50.000.000 - 70.000.000
RP 5.000.000 - 7.000.000
65
Theo Meier
From Switzerland to the South Pacific, from Bali to Thailand, Theo Meier's life was as varied
and exotic as his artistic output, his character as colorful as the oils with which he painted.
Thailand has brought serenity to Theo Meier that made an important contribution to the
artist’s well-deserved fame. His love on the island made Theo painted numerous objects of
figures, landscape as well as village scene. Theo Meier's paintings have achieved worldwide
recognition for their technical excellence, and artistic integrity.
Laiad, was in fact, the real woman the artist needed in order to be able to create with a
peaceful mind. Day after day, she brought to his heart a new serenity, and, on 9 May, she
became his wife in a traditional Thai Wedding, well-organized by Prince Sanidh in Hua
Hin, with the consul of Switzerland in Bangkok Ernest Junier (from Basel), as the witness.
The newlyweds went to Phuket on their honeymoon, by train. Appreciating her dynamic
character, enhanced by a strong Buddhist education, Theo decided to name Laiad Jettli.
Laiad Phab Prakansiwong was Theo’s last wife. “Schatzli” is a nickname/moniker in SwissGerman on someone you hold very dear. Theo as we know was from Switzerland. SwissGerman language has many cute words like that; they add the “li” in the end of the word
to make it cozy-cute. Like “Herzgeferli”, Schnackermusli etc. All those words are used to
express that they are dear to you. “Schatzli” Theo always called her that. But the spelling
has gotten out of hand though. It’s always like that in different languages, that people spell
it their way on how it sounds. But it is actually “Schatzli”,not “Jettli” or “Yattlie” that some
are spelling it.
119
THEO MEIER
(Switzerland, 1908 - 1982)
Portrait of Jettli, 1966
Oil on burlap: 70 x 60 cm
Signed and dated, upper right: The Meier, 66
Provenance:
Private European Collector acquired directly from the artist
RP 120.000.000 - 180.000.000
66
67
120
HIMAWAN DWI PRASETYO
(Madiun, East Java, 1984)
Illegar Logging
121
RITA WIDAGDO
(Germany, 1938)
Relief Dinding, 2001
Signed, lower right: Himawan
Cooper and brass: 50 x 50 cm
RP 4.000.000 - 6.000.000
RP 15.000.000 - 20.000.000
124
TEGUH OSTENRIK
(Jakarta, 1950)
Without Keynote, 2007
122
JOHAN ABE TOBING
(B, 1976)
Wanita, 2010
123
ABDUL DJALIL “AD” PIROUS
(Meulaboh, Aceh, 1932)
Pulau-pulauku Yang Tenggelam dan Hilang, 2003
Signed and dated, lower area: Johan Abe,010
Mixed media on canvas: 55.5 x 60 cm
Signed and dated, lower right: AD. Pirous, 2003
RP 5.000.000 - 8.000.000
68
Signed and dated, lower left: GOEH OST.07
Titled and dated on the reverse
RP 15.000.000 - 20.000.000
RP 40.000.000 - 50.000.000
69
129
NYOMAN WIJAYA
(Tabanan, Bali, 1971)
5 Sapi, 2007
Signed and dated, lower left: Wijaya’07
RP 30.000.000 - 40.000.000
125
CHENG SHUI
Penjual Buah
Signed, upper left: Ong Cheng shui
RP 15.000.000 - 25.000.000
126
ROYATNA
(Bandung, 1959)
Panen
Signed, lower right: Royatna
RP 5.000.000 - 7.000.000
130
CHENG SHUI
Memintal
Signed, lower right: Ong Cheng shui
RP 15.000.000 - 25.000.000
127
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Mencuci Di Sungai
Signed, lower right: Kompol
RP 5.000.000 - 10.000.000
128
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Merah Putih Di Bukit Nandu
Oil on canvas:100 x 120 cm
Signed, lower right: JB. Iwan Sulistyo
RP 25.000.000 - 35.000.000
70
71
131
AGUNG DARMAYUDA
(Bali, 1977)
Dinamika Biru, 2007
Signed and dated, lower right: darmayuda’07
RP 15.000.000 - 20.000.000
133
AMBARA BARATAWIDJAJA
(B. Java, 1960)
Encantamiiento Dorado / Pesona Emas
Chinese ink on rice paper: 70 x 34 cm
Signed in Chinese character, middle right
RP 30.000.000 - 40.000.000
132
FADJAR SIDIK
(Surabaya, 1930 - 2004)
Abstract Series
a. Watercolour on paper: 57 x 37 cm
Signed, lower right: F. Sidik
b. Watercolour on paper: 37 x 28 cm
Signed, lower left: F. Sidik
b. Watercolour on paper: 37 x 28 cm
Signed, lower right: F. Sidik
134
RUSLI
(Medan, 1912 – Jakarta 2005)
Pelabuhan, 1982
Signed and dated, lower right: Rusli, 15 April’82
Provenance:
Private collection of Mr. Ajip Rosidi
RP 30.000.000 - 40.000.000
RP 3.000.000 - 5.000.000
a.
72
b.
c.
73
M. Irfan
M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is included in 51 members
of the young artists from West Sumatra that recently held a group exhibition under
the theme of Panorama. He is widely known as prospective painters in Indonesian
art world. He was one of the member or Jendela Group, a group of painters from
Minang, West Sumatra. Basically Irfan is an artist that does not like to involve himself in
great or political issues. He feels that they are simply beyond his capacity and interests.
For him perceiving petty objects around him is more interesting.
Mohammad Irfan, who is often called as M. Irfan, is regarded as one of the best-selling
Indonesian visual artists in the contemporary art world. His works are being pursued
by collectors and are often appearing in auction houses. His paintings are mostly huge
in size. They portray trains, railways, and fumes which give a sense of darkness.
135
M. IRFAN
(Bukittinggi, West Sumatra 1972)
Golden Head, 2013
Signed and dated, lower left: 2013, Irfan
This Lot is accompanied with certificate of
RP 200.000.000 - 250.000.000
74
75
136
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Love 1001 Night Aladin, 2012
138
ISWANTO
(Kebumen, 1964)
Ballet, 2005
139
GUNAWAN BAGEA
Upacara Bali, 2014
Signed and dated, lower right: M. Iswanto M.2005
Signed and dated, lower left: Gunawan, 2014
RP 7.000.000 - 10.000.000
RP 5.000.000 - 8.000.000
Signed and dated, lower middle: Erica, 2012
RP 18.000.000 - 25.000.000
137
NYOMAN GUNARSA
(Klungkung, 1944)
Penari Legong Coklat, 2009
Signed and dated, lower right: 2009
RP 35.000.000 - 50.000.000
76
140
TATANG GANAR
(Bandung, 1936 – Bandung, 2004)
Bermain Dengan Burung, 1999
141
WADINO
(Bukittinggi, West Sumatra, 1973)
Keluarga Bahagia, 1996
Signed and dated, lower left: T. Ganar’99
Signed and dated, lower left: Yogyakarta, February 1996
RP 8.000.000 - 12.000.000
RP 8.000.000 - 12.000.000
77
143
FREDERIK KASENDA
(1920-1950)
Jalan Pedesaan
Signed, lower right: Frederik Kasenda
RP 12.000.000 - 20.000.000
142
ARIE SMIT
(Zaandam, The Netherlands, 1916)
Up in The Mountains, 2001
Signed and dated, lower left: Arie Smit’2001
144
RUSTAMADJI
(Klaten, 1921 - 2001)
Papaya Tree, 1959
Signed and dated, lower right: Rustamadji, 1959
RP 12.000.000 - 18.000.000
RP 40.000.000 - 60.000.000
78
79
Dede Eri Supria
Dede Eri Supria is a super-realist Southeast Asian artist in Indonesia. He was
born in Jakarta on January 29, 1956. He studied at the Indonesian Fine Art
Academy (ASRI) in Yogyakarta, graduating in 1974. In 1976 he first emerged
onto the Indonesian Art Scene when he exhibited his work at the first Seni Rupa
Baru Indonesia exhibition at the Balai Budaya in Jakarta. Being a contemporary
artist, most of his subject matters explores about the increasing trend of
consumerism happening in Indonesia, emphasizing on the social commentary
portion on Indonesian society in his art works. Themes in his artworks include
the rich-poor divide in Indonesia, the lives of the urban dwellers in Indonesian
cities, the poor and neglected and the changes in the Indonesian society in
general, particularly in his own hometown, Jakarta. He often pictures how urban
lifestyle has oppressed the misfortunate citizens in big cities, especially Jakarta.
The present lot illustrates a group of Persija football team supporters waiting
in line before the game. The group usually called The Jakmania which was
established in 1997 and have become a certain icon of football competition in
Jakarta. Here, Dede tries to picture the lives of urban people in Jakarta, his lovely
hometown.
145
DEDE ERI SUPRIA
(Jakarta, 1956)
Jak-Mania, 2013
Signed and dated, lower left: Dede Eri Supria, 2013
RP 90.000.000 - 150.000.000
80
81
150
SALIM / SARAOCHIM SALIM
(Medan, 1908 – Paris, 2008)
City, 1998
Signed and dated, lower right: Salim’98
RP 50.000.000 - 70.000.000
146
Burungan III, 1988
147
NASIRUN
(Cilacap, 1965)
Untitled, 2013
Signed and dated, lower right: AD. Pirous, 88
Signed and dated, lower right: NS. Run, 2013
RP 30.000.000 - 40.000.000
RP 15.000.000 - 20.000.000
151
I MADE WIRADANA
(Denpasar, 1968)
Bali Life, 2007
Signed and dated, lower right: Wira D.2007
RP 15.000.000 - 20.000.000
148
UMI DAHLAN
(Cirebon, 1942 – Bandung, 2009)
Abstrak, 1990
149
DIKDIK SAYAHDIKUMULLAH
(Majalengka, West Java, 1973)
Remainder, 2001
Signed and dated, lower left: Umi D’90
Signed and dated, lower left: Dikdik’01
RP 15.000.000 - 20.000.000
RP 25.000.000 - 35.000.000
82
83
Putu Sutawijaya
Putu Sutawijaya was born in Angseri, Tabanan, Bali, 1971. He finished studies in painting in
Faculty of Fine Arts at ISI Yogyakarta in 1998. His works was nominated among the ten best
in the Philip Morris Indonesia Art Awards 1999. In 2000 he received the Lempad Prize for his
art from Sanggar Dewata Indonesia (SDI) and currently servers as the general chairman for
this artists’ group which is based in Yogyakarta. He has held solo exhibitions in Bali, Yogyakarta,
Singapore, Hongkong, and Jakarta. With a highly skilled of art, Putu Sutawijaya makes contour
of his paintings in impressive black lines.
Putu invests in his figurative narrative certain anonymity. The figures are androgynous and,
for the most part, faceless which is strikingly different from that of much of recent Indonesian
art which personalizes the messages of art by giving faces to the characters. For Putu, the
facelessness of his figures is not what someone looks like but rather “human expressions,
conveyed through his work, that are meant to apply cross-culturally”.
Awards:
2000
1999
1995
1992
1991
Lempad Prize from Sanggar Dewata Indonesia
The Best 10 Artists, Philip Morris Indonesian Art Awards
Best Fine Art from ISI Yogyakarta at 11 Dies Natalis at ISI, Yogyakarta, Indonesia
Best Oil Painting from Fine Arts Department, ISI, Yogyakarta, Indonesia
The Best Watercolour Painting From Fine Arts Department, ISI, Yogyakarta,
Indonesia The Best Sketch From Fine Arts Department, ISI, Yogyakarta, Indonesia
152
PUTU SUTAWIJAYA
(Bali, 1971)
Memori, 2014
Signed and dated, lower left: Putu Sutawijaya, yogya,2014
RP 70.000.000 - 100.000.000
84
85
153
UMI DAHLAN
(Cirebon, 1942 – Bandung, 2009)
Broken Gold Leaf on Tourquois Green, 1995
155
MARIA TJUI
(Pariaman, Sumatra, 1934)
Pura, 2002
Signed and dated, lower right: Umi D’95
Signed and dated, lower right: Maria Tjui’2002
RP 8.000.000 - 12.000.000
RP 50.000.000 - 60.000.000
156
H.A.L. WICHERS
(Tarutung, North Sumatra, 1893 – The Netherlands, 1968)
Landscape Ricefields, 1949
154
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
My Home Sweet Home, 2012
Signed and dated, lower right: H.A.l Wichers, 1949
Signed and dated, lower middle: erica, 2012
RP 14.000.000 -20.000.000
RP 18.000.000 - 25.000.000
157
DAENG M.
Kampung Nelayan, 2014
Signed and dated, lower left: Daeng, 014
158
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Gerobak Sapi
Signed, lower left: Kompol
RP 5.000.000 - 10.000.000
RP 3.000.000 - 5.000.000
86
87
159
HANAFI
(Purworejo, Central Java, 1960)
Abstrak, 1998
160
Kepak Cendrawasih, 1994
Signed and dated, lower left: Hanafi’98
Signed and dated, lower left: AD. Pirous, 94
RP 5.000.000 - 8.000.000
RP 25.000.000 - 35.000.000
161
SRI HADHY
(Purwodadi, 1943)
Kapal, 1993
1992,Sri Hadhy
RP 8.000.000 - 12.000.000
162
I WAYAN PENGSONG
(Cakra Negara, 1943)
Ibu dan Anak, 1998
Mixed media on canvas: 72.5 x 72.5 cm
Signed and dated, lower left: Pengsong’98
RP 15.000.000 - 20.000.000
88
163
BUDI UBRUX
(Yogyakarta, 1968)
Adu Taji, 2012
Oil on canvas : 136 x 190 cm
Signed and dated, lower right: Budi Ubrux’2012
authenticity from the artist
RP 120.000.000 – 180.000.000
Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta. He had
lived for 2 years in Switzerland to continue his study and working. He has participated
in several exhibitions in Indonesia and overseas. He had his solo exhibition in Semarang
Gallery (2002). He received awards as the first winner of PMIAA, a finalist for Asean Art
Award (2000) in Singapore and Indofood Art Award, Jakarta (2002). Now he lives in
Bantul, Yogyakarta. The exhibition at the furnace gallery (15 – 30 May 2010) was Budi
Haryono aka Ubrux’ first exhibition in Europe, a breakthrough after his three earlier
solos at Semarang Gallery, Bentara Budaya Jakarta, and iPreciation gallery in Singapore.
Budi Ubrux loves to create contemporary realist artworks by exploring newspaper as a
true-lies media. This phenomenon is put into canvas in the form of human being with skin
from newspaper. Figures wrapped from top to toe in newspaper appeared suggesting a
futuristic imagination of what could happen in our uncertain future. Bandaged, swathed
and tied, the faceless sculptural figures are able to lead the imagination in wild proximity.
Since then, art observers and collectors became interested in his works.
89
Biography of Artists
ABDUL DJALIL “A.D.” PIROUS (Meulaboh, Aceh, 1932)
He was born in Meulaboh, Aceh, on 11 March 1933. He finished his arts
education at the Bandung Institute of Technology (ITB) and continued his
study at Rochester Institute of Technology, Rochester, United States majoring
art and graphic design (1964 – 1970). He was well known as the pioneer of
modern calligraphic art in Indonesia. He won several national and international
competitions among other are as the Best Painting Prize in Biennale Art
Award from the Jakarta Arts Council (1974, 1976), the silver medal at the
International Arts Exhibition I in Seoul, Korea, and the Indonesian Arts Award
(1985). He has participated in numerous exhibitions throughout the world,
including the Asia-Pacific Triennale, Brisbane, and the 9th International Asia
Exhibition, Taipei (1994). After he retired from the Academic world, AD Pirous
is still working as a painter and thinker in the field of art and culture.
ADAM LAY (Wonosobo, Central Java, 1949)
Born in Wonosobo, Central Java on September 25, 1949. He started painting
since he was in elementary school. He was known as an autodidact painter. His
first solo exhibition held in 1979 at Hotel Indonesia, Jakarta. As a professional
painter he joined several exhibitions in Jakarta and Australia.
AGUNG DARMAYUDA (Bali, 1977)
Born in Bali, 1977. He studied at STSI Denpasar (2004). He has participated in
several group exhibitions in Bali and around.
AHMAD SUUDHI (Temanggung, 1958)
Born in Temanggung, 17 April 1958. He graduated from Visual Communication
Design at ISI Yogyakarta. He received scholarship “Bakat dan Prestasi”. He has
actively participated in several group exhibitions since 1980 until present. He
has fondness to paint children as his object and he is one of many autodidact
painters.
AMBARA BARATAWIDJAJA (b. 29 May 1960).
Dr. R.A. Ambara Baratawidjaja was born on 29 May 1960 of royal lineage
from Java’s ancient Majapahit Kingdom in Indonesia and is a medical doctor
by choice. At the young age of eight she became 4th place in a worldwide
children’s art competition held in the United States. Since then she has
been eagerly learning different techniques from art masters around the
world, including batik, ceramics and oil painting. Nevertheless, in a major
milestone in 1984, she met her first Chinese brush painting Grand Master, the
late Professor Mr. Chaw I Chow, who introduced her to the classic style and
the philosophy behind it. Later in Kuala Lumpur, she studied under Grand
Masters Mr. Chong Cheng Chuan and Mr. Chong Buck Lee, who taught her the
joy of free style and scenery techniques. Further on, in Bangkok, she thrived
under the caring guidance of Grand Master Lu Shan Yun, with whom they held
marathon sessions of both creation and exploration of techniques¥ fusion for
nearly two years. The results of the latter efforts were praised by Thais
and Chinese at the highest levels of society and art. In 2012, Dr. Ambara
visited Bangkok to resume this unique Master-Pupil dialog over the rice paper.
She did her first exhibition in Chile at the Montecarmelo Cultural Centre”,
at Santiago’s veritable cultural core in the Bellavista quarters. This was
Indonesia’s Government main contribution to celebrate Chile’s Bicentennial
of Independence. Married to Diego Velasco-von Pilgrimm, Chilean diplomat,
with whom they have two sons, Maximiliano (24) and Gerardo Alonso (22).
The family lived in many countries including Indonesia, Singapore, Kenya,
Malaysia, Philippines, Thailand, Chile and now in Melbourne, Australia.
AMRUS NATALSYA (Medan, 1933)
Born in Medan, October 21, 1933. He studied at SSRI & ASRI Yogyakarta
majoring art sculpture. Many of his works have been collected by art collectors
in Indonesia and overseas. In 1983 he did 5 wooden calligraphic monuments
in Jeddah. He got the best award from the Trienale Jakarta II in 1998 held by
the Jakarta Arts Council.
ARIE SMIT (Zaandam, the Netherlands, 1916)
Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of
Arts in Rotterdam before working as lithographer for the Dutch Colonial Army
in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to
engage in full time painting and became an Indonesian Citizen, produced as
well as taught painting at the Bandung Institute of Technology (ITB). Many of
his paintings depict the nature of his surrounding environment. He had several
solo exhibitions in Bandung Institute of Technology, The Honolulu East West
Center, and the Center of Strategic and International Studies in Jakarta. He
90
received the “Dharma Kusuma” art awards from the local government of Bali.
AUKE CORNELIS SONNEGA (Leeuwarden, 1910 – 1963)
Born in Leeuwarden, Holland, 1910. He worked in Jakarta in 1935. He did
his paintings in Parapat and Medan, North Sumatra, and Bali. He returned to
Holland in 1959 and died in Den Haag in 1963. Sonnega’s paintings of Bali have
attracted mtany people attention.
AWIKI (Surabaya, 1961)
Born in Surabaya, November 11, 1961 but well known as painter from
Banyuwangi. He studied painting under Bani Amora in Genteng then continued
his study at Fine Art School Yogyakarta. He also studied to paint from Dullah
in Pejeng Gallery and later joined in Kamboja Gallery among with other 17
painters. He used impasto technique and impresinostic style for his work.
BARLI SASMITAWINATA (Bandung, 1921)
Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok
Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He
also studied the model drawing in Academia Grande de la Chaumiere (Paris)
and the Academy of Fine Art Amsterdam in 1957. He received awards from
Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda
Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland).
BARLI SASMITAWINATA (Bandung, 1921)
Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok
Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He
also studied the model drawing in Academia Grande de la Chaumiere (Paris)
and the Academy of Fine Art Amsterdam in 1957. He received awards from
Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda
Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland).
BUDI KUSTARTO (Karangbawang, 1972)
Born in Karangbawang, Central Java, January 4th 1972. He learned art in Senior
High School majoring Communication Design Visual, Yogyakarta in 1988 – 1992.
He continued his study at Institute Seni Indonesia (ISI) Jogyakarta major in
Fine Art (1993 – 2003). He held his solo exhibition Budi at Nadi Gallery (2005)
and Hetero Green at Galeri Semarang (2006). He also has participated in many
group exhibitions Jakarta and abroad. He received award from Philip Morris
Indonesian Art, Galeri Nasional Jakarta.
BUDI UBRUX (Yogyakarta, 1968)
Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta.
He had lived for 2 years in Switzerland to continue his study and working.
He has participated in several exhibitions in Indonesia and overseas. He had
his solo exhibition in Semarang Gallery (2002). He received awards as the
first winner of PMIAA, a finalist for Asean Art Award (2000) in Singapore and
Indofood Art Award, Jakarta (2002). Now he lives in Bantul, Yogyakarta.
CHENG SHUI (Bogor, West Java, 1981)
Ong Cheng Shui was born in Bogor, West Java in 1981. He is autodidact
painter who found his great interest in painting since he was young. He has
been actively involved in arts since 2000. As a professional painter, he has
participated in several group exhibitions since 2000 until now. Among others
group exhibition at Bogor (2000), at Crown Plaza Hotel (January, 2010), at
Pacific Place (March, 2010), at pondok Indah Mall (April, 2010), and at Grand
Indonesia, (July, 2010). His artworks have been in the collections of both
local and foreign collectors. As a painter, he was inspired by Lee Man Fong
paintings. His subject of paintings closely connected with the animal world,
village scene and people’s daily lives which have become the sought after
themes of painting by collectors.
DEDE ERI SUPRIA (Jakarta, 1956)
Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art
Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the
Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru
Indonesia exhibition at the Balai Budaya, Jakarta. He has received several
awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian
Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila.
He has participated in many group shows as well as solo exhibitions. Dede
held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio
Space in Singapore (2002). Today, he is considered an influential propagator of
super-realist painting in Indonesia.
91
DIDIK NURHADI (Ngawi, East Java, 1972)
Born in Ngawi, East Java, 1972. He graduated from the Indonesian Institute of
Arts (ISI), Yogyakarta. Since 1992, he extensively participated in several group
exhibitions and held solo exhibitions in Kedai Kebun, Yogyakarta and Bentara
Budaya, Yogyakarta.
ERICA HESTU WAHYUNI (Yogyakarta, 1971)
Born in Yogyakarta, 1971. She began to study painting when she was young
and join Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo. In
1996, she graduated from the Indonesian Institute of Arts (ISI), Yogyakarta.
She performed her solo exhibition in Yogyakarta and Jakarta. She intensely
participated in many group exhibitions in Indonesia and overseas, Singapore,
Philippines, Japan and Russia. She received award for the Best Work at ISI
Yogyakarta in 1993.
F. SIGIT SANTOSA (East Java, 1964)
Born in Ngawi, East Java, 1964. He studied at Faculty of Fine Arts – Indonesian
Fine Arts Institute and graduated in 1993. He has actively participated in
numerous group exhibitions since 1987. In 2003, he had his solo exhibition
in Jakarta. In 1994 he was nominated among the best 10 of the Phillip Morris
Group of Companies of Indonesian Art Awards and received award for Best
Work at Biennale IV.
FADJAR SIDIK (Surabaya, 1930 - 2004)
Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954
and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar
Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award as
Contemporary Painter from the Indonesian Government in 1971 and from the
Government of Yogyakarta.
FAIZIN (Banyuwangi, 1973)
Born in Banyuwangi, East Java, 1973. He actively participated in several
exhibitions in Indonesia. He became the finalist at the Phillip Morris Indonesian
Art Awards in 1999.
FREDERICK KASENDA (1920-1950)
Born 1920 – 1950. He was considered as one of the Mooi Indie painter who did
his painting career in early 20th Century in Indonesia. His subject of paintings
mostly depicts Indonesia scenery of mountain landscape, rice field, and
also sea panorama. Several works by the artist have been sold at auction in
Indonesian as well as abroad.
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands, 1968)
Born in Semarang, 1899. He once lived in Surabaya and made many paintings
about the city. He traveled to many countries in Asia, Europe, and Africa, like
Japan, Rome and Arab. He decided to spend the rest of his time in Holland
until he died in Den Bosch, the Netherlands, in 1968.
GUNAWAN BAGEA (Bandung, West Java, 1971)
Born in Bandung, West Java, 1971. His grandfather was the Indonesian famous
painter, Hendra Gunawan. During his childhood he learn painting from his
father.
GUNAWAN HANJAYA (Solo, Central Java, 1954)
Born in Solo, Central Java, 1954. He learned painting in Himpunan Budaya
Surakarta (HBS) under guidance of Dullah and Sumitro. He oftenly has
exhibition on Asean countries. On 1979 he held his solo exhibition at Taman
Ismail Marzuki, Jakarta. One of his works is shown at Gedung Sekretariat
Asean, Jakarta, a 13- meter mural created upon the request by Philip Morris,
New York. He was one of the finalists at Indofood Art Awards 2002 and 2003.
H.A.L. WICHERS
(Tarutung, North Sumatra, 1893 – The Netherlands, 1968)
Born in Tarutung, North Sumatra, 1893. He graduated from the Rijksacademie,
Amsterdam. He returned to Indonesia in 1919. Since 1923 - 1936 he joined
the “Bataviassche Kunstskring” where he took part in several exhibitions.
Many of his works are in the collections of Troppenmuseum and the Nijmeegs
Museum Commanderie van St. Jan, the Netherlands. He died in Nijmegen, the
Netherlands in 1968.
HAN SNEL (Scheveningen, 1925 – 1998)
92
Born in Scheveningen, Holland, 1925. He came to Indonesia as a Dutch soldier
to fight against the Indonesian people, which after he abandoned his side. He
specialized in graphic painting which is very rich in color as well as geometrical
abstract. He lived in Bali since 1950 and became an Indonesian citizen. He has
participated in several exhibitions include at Itoh Gallery, Tokyo, Japan, 1965.
HANAFI (Purworejo, Central Java, 1960)
Bon in Purworejo, Central Java, 1960. He is one of the young potential artists
among the group o Agus Suwage and Ivan Sagita. He took his formal education
in the Indonesian Art Institute (ISI) Yogyakarta in 1979. He held his solo
exhibition in Jakarta, Bali, Singapore, Kuala Lumpur, Barcelona and Toronto.
He has participated in several group exhibitions such as Movement, Jakarta,
Biennale IX, and the Philip Morris Art Award Exhibition in Jakarta and Bali. On
June 2004, he shows his great talent in painting spontaneously for the Olympic
event in Athena, Greek.
HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995)
Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous
landscape painter, Wakidi. He visited Europe in 1948 which after influenced
his works to be impressionist and expressionist. In 1956, he held his first
exhibition in Indonesia then continued to participate in tour exhibitions,
among others are Singapore, Australia, Brazil, Japan, and several European
countries. He died in 1995.
HASIM (Jakarta, 1921-1982)
Born in Jakarta, 1921. He lived and worked in Jakarta.
HATTA HAMBALI (Sengkawang, South Sulawesi, 1949)
Born in Sengkawang, South Sulawesi 1949. He was graduated from ASRI
Yogyakarta. Since 1970 He has participated in several group exhibitions. He
was also awarded as the Best Art Work in the Wendy Sorensen Memorial Award.
HIMAWAN DWI PRASETYO (Madiun, East Java, 1984)
Born in Madiun, August 14, 1984. He studied art at FSR ISI Yogyakarta.
He has participated in several group exhibitions such as in Benteng
Vredeburg Yogyakarta “Isoteraphy”, “Heritage, fath & Space” in Borobudur,
Magelang,D’peak Gallery Jakarta,Sapto Hudoyo Gallery,etc. He was
actively in several group exhibition Pameran “ Isioteraphy” di benteng
Vredeburg Yogyakarta,” Hoping Siang Ho “ di Galery Biasa, Pameran Lukis
“ Dedication to The Future “ Jogja Galleri, Pameran “ Art For Jogja “ di
Taman Budaya Yogyakarta, Pameran lukisan kelompok “ Gotri “ Benteng
Vredeburg,Yogyakarta, Pameran Still life di Galleri Katamsi ISI Yogyakarta,
Pameran seni rupa “ Dua Sisi “ di hotel Melia, Pameran bersama di Hotel
Sheraton Mustika Ratu Yogyakarta. Yogyakarta Surrealism was an attempt
to dismantle the beginning of the birth of Surrealism, its growth, and social
factors that cause a surrealist painting in Yogyakarta.Yogyakarta is the main
venue at the same time be a barometer of the growth of Indonesian painting.
Various facts have shown that social background, historically, and culturally,
Yogyakarta into a fertile land for the birth of Surrealism. The reason is that
in this town all forms of cultural products that premodern, modern, and
postmodern, mingled in the same space and time.
HUANG FONG (Genteng, Banyumas, East Java, 1936)
Huang Fong was born in Genteng, Banyumas, East Java, 1936. He graduated
from IKIP Seni Rupa, Surabaya, Indonesia. He was a member of Kamboja
Group. He started painting under the guidance of painter Tan Kiaw Tek
using watercolor. Huang Fong made friends with many senior painters and
learnt a lot from them. One of them would be the famous Indonesia’s artist
Affandi, whom he befriended in Bali in 1968. Since 1963, he was a professional
Indonesian artist. At first, he painted oil on canvas, eventually, during 1974.
He continued to learn oil painting under painter Nurdin in 1961. He came
to Bali in 1967, lived in Ubud and later on moved to Denpasar. he began to
exploring his arts by mixed the East and West techniques. Huang Fong has
already held solo exhibitions since 1961 and his art pieces were exhibited in
Indonesia, Taiwan, South Korea and Australia.
I KETUT KASTA (Ubud, Bali, 1945)
Born in Ubud, Bali in 1945.He embodies at their apex all teh qualities that
characterize Balinese village traditional painting. He was trained in his art by
I Ketut Djoldjol from Tebeyasa in Ubud, Bali. He studied painting traditionally
with local artists. His works is very typical with his gentle details in Balinese
traditional painting. Ketut Kasta’s paintings are part of the collection of
Rudana Musseum and Agung Rai Musseum of Art (ARMA) in Ubud. His painting
detailed style does not enable him to be productive enough to hold solo
shows, but occasionally he participates in collective exhibitions of a Balinese
Art, such as that held in the Bentara Budaya Jakarta in 2000.
I KETUT SADIA (Batuan, Bali, 1966)
Born in Batuan, Bali, 1966. iS a younger brother of the famous painter I Wayan
Bendi. He first learned to paint from his brother. Sadia’s early works resemble
Bendi’s. In a later development, Sadia takes to using bright colors, giving his
paintings their “pop” looks. His works have been exhibited in Bali and Bali
several times. In his young age. “My sight is consumed by the details of my
painting”, he said. Inded, his painting is highly detailed, complicated, and
compact.
I KOMANG GEDE TEJA MULYA (Gianyar, Bali, 1976)
Born in Gianyar, Bali, 1976. He completed High School Ubud, Bali then in 1976
and continued to ISI Yogyakarta. He has participated in several exhibitions
since 2002. He received awards of Glass Painting FSR ISI, Yogya 2000 and
semi finalist of Nokia Art Award Asia Pacific. His works are inspired by human
attitudes in every day life.
I MADE WIANTA (Apuan, Bali, 1949)
I Made Wianta was born 1949 in the village of Apuan, Bali, Indonesia. He
graduated from the prestigious ASTI art academy in Yogyakarta. Wianta thrived
in ASTI during the heady years of the early 70s. Along with his experiences,
Wianta had grown into a vigorous multidimensional artist from a versatile
painter. He is regarded as one of the most influential living Indonesian artists
today. Wianta has frequently travelled and exhibited in Indonesia as well as
abroad. He has held many exhibitions abroad and received the Art Academia
Intern “Greci Marino” award from Italy.
I MADE WIRADANA (Denpasar, 1968)
Born in Denpasar, 27 October 1968. He graduated from the Indonesia Fine
Art Institute, Yogyakarta. He had joined in several group exhibitions and
received many awards. In 1995, 1998, and 2000 he became the Phillip Morris
Indonesian Art Awards nominee. Made Wiradana meditates on the prehistoric
consciousness in his paintings. He had a successful solo exhibition in Yogyakarta
in November 1999. Wiradana often uses animals as his subject matter. The
distorted shapes of these creatures present their own unique beauty and are
typical of his works.
I NYOMAN MARSA (Bali, 1952)
Born in Bali, 1952. Nyoman Marsa is a graduate of Faculty of Fine Arts &
Design (now known as ISI). To complete their study, students are obligated to
accomplish a final assignment of painting in the field. This method is better
known as field work. For that purpose his students often take advantage of
his studio as the object of their field work. The picture shows Nyoman Marsa
supervising his students who were painting a winged-lion effigy. Learning to
paint can not merely be performed through formal education. As long as there
is serious intention, it can be flexibly and conveniently carried out anywhere.
In Bali there are numerous instructors who are willing to teach this in all
places. One of them is the painter Nyoman Marsa. “Disseminating a skill to
others brings a precious happiness. Moreover, if one day the student attains
his success, there lies my happiness and pride,” he told Bali Travel News. As
a painting artist, Nyoman Marsa also teaches at Vocational High School which
majors in the Art of Painting. Besides, he is also a lecturer at the Indonesia
Institute of Arts (ISI) Denpasar.
I WAYAN PENGSONG (Cakra Negara, 1943)
Born in Cakra Negara, December 15, 1943.I Wayan Pengsong is a Balinese-born
painter who now lives in Lombok. He is considered to be an Impressionist
Decoratif artist. His paintings have close relationship with the unique
Lombok’s architectures because he is an art fighter that search images from
his beloved country. He has an ability to change monochrom colors into an
amazing image of beautiful Lombok surroundings. He had held many single
and group exhibitions. Since 1963, he has already done several collective
exhibitions with other artists at GNI Mataram, Suranadi Hotel, Lombok ,
Lombok University Student Hall, Bentara Budaya, Jakarta, Darwin Australia,
Trienlle at Denpasar Art Center, Bali, Mitra Budaya, Jakarta, Hilton Hotel,
Jakarta. In 1995 and 1996, he participated in an exhibition held by YSRI in
Jakarta. The next year, he held an exhibition with a theme of “World Fund”
at Peng Song Gallery, Cakranegara. In 1998, he attended the Ministry of
Educational and Culture Collection Exhibiton at Republic of Indonesia Ministry
of Educational and Culture Exhibiton Building.
I WAYAN UPADANA (b.Gianyar, Bali)
I Wayan Upadana was born in Gianyar, Bali. He graduated from the Faculty of
Fine Arts at Indonesian FineArt Institute of Yogyakarta and he has actively participated
in several group exhibitions in Bali, Yogyakarta and the other places in
Indonesia.
IRSAM (Klaten, 1942)
Born in Klaten, Central Java, 1942. He graduated from the Indonesian Fine
Art Academy (ASRI) Yogyakarta. He had held his first exhibition in 1967 in
Jakarta. He received an award from the Philippines, Singapore, and Thailand.
In 1980 he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art
Museum Japan.
ISWANTO (Kebumen, 1964)
He was born in Kebumen, Central Java, 25 April 1964. He graduated from the
Indonesia Institute of Arts (ISI) Yogyakarta, majoring in Fine Art and Design
(1986-1994). He held his solo exhibition since 1988 such as in Yogyakarta,
Surakarta, Denmark, Jakarta, and Bandung. He also has joined in many
exhibitions such as Besar Hima ISI in Yogyakarta (1987), Rotary SSAG in
Yogyakarta (1989), Binnale II in Yogyakarta (1990), C.G. Jensen’s Kunstforening
Denmark (1991), Exhibitions in Yogyakarta, Surakarta, Jakarta, Bandung, and
Denmark. He was awarded as the Best Skecth from ISI Yogyakarta, Finalist
Philip Morris Art Award and Finalist Indofood Art Award.
IVAN SAGITA (Malang, 1957)
Born in Malang, December 13, 1957. He studied painting at Indonesian Middle
School of Art, Yogyakarta in 1975. Then, he continued studied painting at the
Faculty of Art and Design, Indonesian Institute of the Arts, Yogyakarta. In 2003
he was awarded a Fellowship Artists in Resident-Vermont Studio Center-US.
His first solo exhibition was held at Duta Gallery, Jakarta in 1988, Drawing
Exhibition Freezing the Time, Northem Territory University Gallery Darwin
Australia (2000), Solo Exhibition at Red Mills Gallery, Vermont-US (2003). He
also participated in several group exhibitions both local and abroad such as
Jakarta, Yogyakarta, Bandung, Semarang, Asian Countries, USA, Australia,
Japan, South Africa. He received the Biennial Painting Award, Indonesia
(1987, 1989), Silver Medal, the Osaka Trienale (1996), Japan and Mainichi
Broadcasting System Prize, the Osaka Sculpture Trienale (1998).
JANURI (Tuban, East Java, 1977)
Born in Tuban, East Java, January 7, 1977. He graduated from ISI Yogyakarta
in 1992. He received several awards among others as finalist of Philip Morris
Indonesian Art Awards in 2000, Top 3 of Nokia Art Awards in 2001, Finalist of
Indonesian Asean Awards in 2002, and Finalist of Indofood Art Awards in 2002.
JB. IWAN SULISTYO (Kudus, Central Java, 1954)
Born in Kudus, Central Java, 1954. He was the first winner in the competition
organized by the Gallendra Art Shop at Semarang in 1970. He has done 18
solo exhibitions in Jakarta, Singapore, and New Zealand. He has performed
numerous the group exhibitions as well. Beside that he also has received
many awards.
JOHAN ABE TOBING (B. 1976)
Born 1976. He is a visual artist. Numerous works by the artist have been
sold at auctions. Selected group exhibitions: 2002 with Caping group, British
Council Jakarta, 2003 KOMNAS Perempuan Jakarta, at the residence of
Secretary to Netherlands Embassy Mr. Alfonsus Stoelinga Jakarta, 2004 “Ide
dan Eksplorasi” One Gallery Jakarta, Festival Seni Ancol (Ancol art festival),
fund raising Sanggar Anak Akar PPHUI Kuningan Jakarta, 2005 “Shared
Passion” Theo Bakker’s residence, “Karya Untuk Kawan” National Gallery,
2006 “Sedulur Gempa” Goethe Haus Jakarta, “Ide & Eksplorasi One Gallery
Jakarta, 2007 16@Sriwijaya” Theo Bakker’s residence Jakarta.
JOHN VAN DER STERREN (Sukabumi, 1938)
Born in Sukabumi, West Java, 1938. He has lived in Indonesia for more than
26 Years and spent his childhood in the tea plantation. After the Second
World War together with his family he moved to New Zealand. He came back
to Indonesia in 1983 and stayed in Subang painting portraits and landscape
which made him to be one of the leading landscape and portrait painters in
Indonesia. His works have been in collection of museum and private collection
93
in Indonesia, Singapore, Malaysia, Japan, Thailand, USA, Mexico, France, the
Netherlands, Germany, Britain, Poland, Australia and New Zealand. Presently
he has a studio near the Borobudur Temple, Central Java, which is also his
resident.
National Consultative Body for culture. At present he is the Head Critique and
the History of art. His painting exhibitions were held at home and abroad.
Moerdowo is also the writer of “Ceremonies in Bali” and “Reflection on
Indonesian Arts and Culture”.
KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987)
He was born in Ngawi, East Java, 1912, with the name of Koempoel Sujatno.
He studied painting from the Dutch painter Gerard Pieter Adolfs and Willem
Van Der Does. He was one of the most productive artists, but since many of
his paintings have been damaged, lost and spread out in countries abroad, his
works are estimated only around 2500. Koempoel was an artist who preferred
outdoor objects, anything under the sun, so that almost his works presented
bright colors in harmony that revealed a graceful enchantment. He died on
August 18, 1987 in Batu, East Java because of his severe throat cancer.
MORI KINSEN (Yokohama, Japan 1888 - Magelang, 1959)
Born in Yokohama, Japan, 1888. In 1914 he came to Indonesia and interned
together with Walter Spies and A.J. Konig. He was a painter and watercolorist
of landscapes and seascapes. His paintings were also included in the Soekarno
collections.
KRIJONO (Jakarta, 1951 - 2011)
Krijono was born in Jakarta on 11 July 1951. His father was a collector, so
Krijono was surrounded by works of art. He began studied painting under the
guidance of the art critic Kusnadi. In 1971, Krijono enrolled in the painting
program at the Indonesian Fine Art Academy (ASRI) Yogyakarta. He has held
solo exhibitions in Indonesia and aboard. His works are documented in the
books Great Charcoals by Indonesia Artist Krijono (1997) and Krijono: The
Flying Elephant (2000). He was lives and works in Jakarta. He died in Jakarta
on 30 November 2011.
KUSMANTO (Demak, 1978)
Born in Demak, March 28, 1978. He graduated from Senior High School of
Art in Yogyakarta. Now he is still studying art in Indonesian Art Institute
Yogyakarta. He has received several awards such as Gold Medal from UNESCO
“MAN AND ENVIRONMENT”, International High School Students Art Exhibition,
the best sketch ISI Yogyakarta and many others. He also had participated in
many group exhibitions.
LUCIEN FRITS OHL
Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose
works were mostly Indonesian landscape. He also produced paintings of Asian
panorama. He was a painter, watercolorist, and draughtsman in the style
reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time
then settled in The Hague until he died in 1976.
M. IRFAN (Bukittinggi, West Sumatra 1972)
M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is included in
51 members of the young artists from West Sumatra that recently held a
group exhibition under the theme of Panorama. His works illustrate beautiful
landscape and seascape that captivate his interest in choosing theme of his
painting.
MARIA TJUI (Pariaman, Sumatra, 1934)
She was born at Pariaman, West Sumatra on May 14, 1934. She started painting
when she was a member of S.I.M (Young Indonesian Artists) under the guidance
of S. Soedjojono. In 1961-1963 she studied at the Indonesia Academy of Fine
Arts, Yogyakarta in Sculpturing. In 1967-1970 she made a tour of some Asian
countries. Returning to Indonesia, she exhibited her works in several cities of
Indonesia.
MERSUKA DOPAZO (Las Palmas, Canaria, 1971)
Mersuka Dopazo was born in Las Palmas de Gran Canaria in 1971. She studied
law but her natural vocation and aptitude for painting led her to work full time
in the world of art. She began her artistic career in 1993 influenced by her
experiences of travelling to various places. She works in oils, acrylics, pencils
and pastels with theme ranging from portraits (figurative works), landscapes
and abstracts. From 2000 until present, she had been actively participated in
numerous painting exhibitions; solo and group exhibitions in Spain, Holland,
Portugal, Italy, France, and Indonesia (Bali & Jakarta).
MOERDOWO (Yogyakarta, 1919 - )
Born in Yogyakarta, August 29, 1919. He graduated as medical Doctor from the
Faculty of Medicine, University of Indonesia, Jakarta. However his career as
a Medical Doctor has never been an obstacle to his love of arts and painting.
Right after the independence of the Republic of Indonesia, he founded and
led the Cultural Association of Surakarta in Solo. He was also a member of the
94
NASHAR (Pariaman, 1928-1994)
Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under
Affandi and Sudjojono. He help established the Institut Kesenian Jakarta
(IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 – 1992 he
was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has
participated in exhibitions of the Festival of Indonesia (USA, 1990 – 1992), the
Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia.
He left his figurative paintings to fully paint in abstract style until his deceased
in April 13, 1994.
NASIRUN (Cilacap, 1965)
Born in Cilacap, October 1, 1965. He studied at the Indonesian Institute of Arts
(ISI) Yogyakarta (1987 – 1994). He received awards for the best sketches and
paintings from ASRI, selected as one of the five best paintings at Yayasan Seni
Rupa Indonesia (Indonesian Fine Arts Foundation) – Philip Morris Indonesian
Art Award, and entered to the ASEAN Art Awards in Manila, the Philippines.
He held his solo exhibitions at the Galeri Nasional Indonesia (Indonesian
National Gallery) in 2000 and participated in Soul Ties exhibition in Singapore
Art Museum.
NI GUSTI AGUNG GALUH (Kapal, Ubud, 1968)
Born in Kapal, Banjar Ubud Kelod, Bali, 9 December 1968. She learnt painting
from her father, a well known artist from the village of Kapal, West Bali and
Walter Spies from which she learnt alot about the use of color shade and light.
She is married to a family of painters who taught her further and encourage
her painting career. In 1995, she was invited to Koln, Germany where from
she continued to travel troughout Europe, visiting museums and galleries to
learn about European traditions of arts. Since 1991, she actively participated
in many group exhibitions, among others are in Media Park Sud, Cologne,
Germany (1995), The Women Artist of Bali group show, Hongkong (1998,
1999), Seniwati Gallery Group show in Singapore, Ubud, and Jakarta (1998
- 2000), etc. Her paintings are greatly influenced by Balinese traditions and
the painter, Walter Spies, which reflect the lovely colors of rising mists in the
distance which distinguish her paintings from other painters.
NURDIN B.S (Padang, West Sumatra, 1915)
Born in Padang, West Sumatra on October 10, 1915. He studied at I.N.S
Kayutanam. After the Transference of Sovereignty, in 1950 he began to pain
under the guidance of Wakidi. In 1953 he was on the invitation of Sticusa of
Amsterdam to visit the Netherlands where he had a chance of study painting
at the Ezeldijk-Jeroel Voskuil in Amsterdam until 1955. Returning to Indonesia
in 1957, he held his solo exhibition in Jakarta. He worked as a designer for
Ratex in 1960. During this period his joint exhibitions with Dr. Moerdowo,
Wiwiek Hidayat and Huang Fong were held. In 1967 he received an Art Award
from the Regional Government of East Java.
NYOMAN GUNARSA (Klungkung, 1944)
Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian
Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art.
He began his career as painter of models and portraits. Since 1967, active
performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade
Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance
Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris
(1996), and Hamburgische Landesbank, Hamburg (1998). He also participates
in joint-exhibitions in Indonesia and overseas. He received awards from the
Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions
(1878 & 1980) and the Lempad Prize (1980). His works are in collection by
local and abroad collectors.
NYOMAN SUJANA KENYEM (Sayan,Bali, 1972)
Born in Sayan, Ubud, Bali, September 9, 1972. He graduated form the
Indonesian College of Arts (STSI), Denpasar, Bali. His works have been
exhibited in numerous group exhibitions at NAkita Gallery, Stockholm, Sweden
(1996), Duta Fine Art, Jakarta (1998), Bentara Budaya, Jakarta (2001), Puri
Lukisan Museum, Ubud, Bali (2002), etc. He received awards for the Best Work
in “Kamasra Price”, The Indonesian College of Arts (STSI), Denpasar (1996),
and the Best Work in the final examination 1997 at STSI, Denpasar (1998).
OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002)
Born in Rangkas Bitung, Banten, West Java on October 6, 1916. During the
Japanese colonialism in Indonesia, he received his army training for officer
in the “Pembela Tanah Air” (Defenders of the country) in Bogor. During the
Physical revolution, as a Major in the Indonesian Army, he took part in the
Armed Struggle for the Independence of the Republic of Indonesia. After
the proclamation, Otto had an opportunity to study at the “Rijksacademie
van Beeldende Kunsten” in Amsterdam and at the Faculty of Letters and
Philosophy, University of Amsterdam. He also had an opportunity of joining
the study-tour of the Netherlands, Belgium, France, Italy and Swiss. Otto
was a Vice Chairman of the Art Section of the Cultural Centre in Jakarta.
He joined in the “Exposition le Grand Prix de Peinture en Monaco” in Monte
Carlo and in Biennial Exhibition in Sao Paolo, Brazil. Besides his one-man
exhibitions in Jakarta, Otto often took part in the joint exhibitions in Jakarta
and Melbourne, Australia.
PANDU PRIBADI (Boyolali, Central Java, 1965)
Pandu Pribadi was born in Boyolali, Central Java in 20 June 1965. He studied
painting in FSRD ISI (Design and Art Faculty Indonesian Art Institute) in
Yogyakarta in 1987-1990. He was participated in several group exhibition
such as at Koong Gallery Jakarta (2006), group exhibition the 87 ‘’Power and
Spirit’’ at Taman Budaya Yogyakarta (2007), Charity Painting exhibtion Lazis
UII 1425 H, at Yogyakarta (2004), Imagination and Reality, A Painting Exhibition
by Heri Pemad, I Nengah Sujena, Klowor, Pandu Pribadi and Soneo, The Regent
Jakarta (2003).he held his first solo exhibition in Seni Lukis Karya Pandu Pribadi
at Tembi Galeri Bantul DIY (2002), Diversity in Harmony at Taman Budaya
Yogyakarta (2002), Pameran Seni Rupa in moom gallery Jakarta (2002), Kecil
itu Indah 5 dengan tema Lukisan Kehidupan at Edwin Galeri Jakarta (1997),
Exhibition Pandu, Duta Fine Arts Foundation Jakarta(1996), Exhibition Pandu,
Darga Fine Arts Gallery, Sanur, Bali (1996), Exhibition Pandu, Duta Fine Arts
Foundation, Jakarta (1996).
PRIYADIE (West Java, 1943)
Mr. Priyadie was born in 1943 in West Java and gas never actually pursued
a formal education in the field of art. But, thanks to his great exceptional
talent currently he is registered in the “D.A.M Museum” Siliwangi, Bandung as
one of their principal painters. He is a great admirer of Raden Saleh, one of
Indonesia’s Finest Classical naturalist painters, and this influences is clearly
reflected Priyadie”s Master pieces. On October 1988, Priyadie will present his
creations on canvas in the Mawar Room. This talented gentleman used to paint
landscapes but will be shown at the exhibition.
PUTU SUTAWIJAYA (Bali, 1971)
Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR),
Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta.
He graduated from ISI in 1997. He had his solo exhibitions in Yogyakarta,
Singapore, Hong Kong and Jakarta. He also participated in numerous group
exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded
Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting
from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar
Dewata Indonesia in 2000.
R. HADI
He came from Semarang. He is a realist painter and one of painters that
study under guidance of painter Sudjono Abdullah. Many of art collectors have
included his painting as their precious art collections in Indonesia as well as
abroad.
RAHMAT SUBANI IRFANI (Solo, 1949 – Jakarta, 2003)
Born in Solo, Central Java, 1949. He finished his study at the Indonesian
Institute of Art (ISI), Yogyakarta in 1971 and took advertising course IPWI –
PPPI in Jakarta and Ad-non Ad course in Jakarta. He has joined in numerous
painting exhibitions since 1995 until 2003 in Jakarta, Bali, Yogyakarta, Bogor
and Japan. Many of his works shown Javanese women as a means of fantasizing
about their ideal and Mystis figure.
RITA WIDAGDO (Germany, 1938)
Rita Widagdo was born in Rottweil, Germany, 1938. She is a graduate of 19571964, she studied art (sculpture) at the Staatliche Akademie der Bildenden
Künste, Stuttgart, Germany. Later she learned a Meisterschüler. She was
awarded as winner of the contest in SABK Stuttgart, Germany, “Winners
contest in Rottweil, Germany (1963), winner of the contest Monument in Slipi,
Jakarta (1972), Winners of the contest Monument at Youth Arena, Kuningan,
Jakarta (1973), Award of Minister of the Ministry of Education and Culture
(1990), And The Winner of the contest Monumental sculpture in Ancol, Jakarta
(2001).
RONIE ARTO (Banjarmasin, 1960)
Born in Banjarmasin, 13 March 1960. He studied art at ASRI Yogyakarta in
1979. He had participated in several group exhibitions such as “Nuansa
Akbar” Jakarta (1995), “Tata Ubud” Bali (1995), “Pesona Legong Nuansa
Bali” Surabaya (1996), “Pelangi 97” Jakarta (1997), “Nuansa Bali” Surabaya
(1998), “Estetika Milenia Nusantara” Bali (2000), “Rainbow in Paradise” Bali
(2001), “Perempuan, Golf & Rally” Jakarta (2003), “Christmas” Bali (2005),
and “Absolut” Bali (2006). He held his solo exhibition “Warna” at Radison
Hotel Bali (1998).
ROYATNA (Bandung, 1959)
Born in Bandung, 28 October, 1959. He graduated from STSRI/ASRI Yogyakarta.
He has joined in several group exhibitions in Yogyakarta, Bandung and Jakarta
since 1979. His works also have collected in Singapore, Malaysia, Japan,
Taiwan, Germany and French.
RUDY PRANADJAYA (Cirebon, 1948)
Born in Cirebon, 1948. He studied painting under painter Barli and Srihadi
Soedarsono. He traveled to Europe to study and expand his art skills. He held
numerous painting exhibitions in Indonesia and overseas.
RUSLI (Medan, 1912 – Jakarta 2005)
Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana
Santiniketan University of Rabindranath Tagore, India from 1932 to 1938,
and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta.
He joined Seniman Muda Indonesia (Indonesian Young Artists) and helped
established the Seni Rupa Masyarakat (Art for People Association). In 1955 he
performed his solo exhibition at Stedelijk Museum Amsterdam. His works were
exhibited at the Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo
exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He passed away
in Jakarta on 11 May 2005.
RUSTAMADJI (Klaten, 1921 - 2001)
Born in Klaten on January 19, 1921. He started his career as painter since 1938
as an autodidact painter. He was joined with Indonesian Young Artist which
made by Sudjojono. His art works showed his skill on natural-realism painting
techniques. He was fond drawing traditional puppet figures while in the third
grade of Primary school and copied photographs. He taught him self to paint in
1938. In, 1948 he moved to Yogyakarta, and from 1949 to 1955 was a member
of Pelukis Rakjat (People’s Painters) group along with other artist.
S. TOYO (Blitar, 1935 – Malang, 2000)
Born in Blitar, East Java, 1935. He was well known as a through autodidact
painter. Since childhood he like to draw as a hobby with paint a shadow play
with leather puppets. He begin learning the people sketch hero faces, namely:
Pangeran Diponegoro, Raden Sentot, Kyai Modjo, Soekarno (First Presiden RI),
Hatta (Vice President), Jendral Sudirman, etc. He also has created his works
on various themes.
S. YADI K (Banyuwangi, 1958)
Born in Banyuwangi, August 6, 1958. He learnt painting since 1997 and became
the 100 top finalist of Philip Morris Art Award. He had joined many exhibitions
in several big cities like Jakarta, Bali, Yogyakarta, Surabaya, Malang and
Banyuwangi. Together with Agus Darmawan T. he had held cultural visiting to
some museums and galleries in Spain, Athena, Turks and Egypt.
SABRI (Jakarta, 1955)
Sabri was born in Jakarta on 30 November 1955. He was an autodidact artist
that learned painting since 1970. He has actively joined in several exhibitions
95
such as group exhibition at Depdikbud Jakarta 1991 and Balai Budaya Jakarta
1993.
SAFTARI (Payakumbuh, 1971)
Born in Payakumbuh, West Sumatra, September 10, 1971. He studied at
the Indonesian Institute of Arts (ISI), Yogyakarta. He actively participated
in several group exhibitions since 1996. He received award for the Best
Watercolour painting from his school (ISI) in 1996 and the finalist at the
Indofood Art Awards, 2003.
SAIMAN DULLAH (Tuban, East Java, 1954)
Born in Tuban, East Java, 9 July 1954. He found great fond of depicting
mountainous landscape in natural way.
SALIM (Medan, 1908)
Born in Medan, North Sumatra, 1908. He left for the Netherlands in 1920.
He went to France where he met Fernand Leger whom he studied painting
with. He received many awards from the France government as well as other
International awards. Until now, he still continues painting and lives in Paris.
SEN PAO (Surabaya, 1949)
Born in Surabaya on May 8, 1949. Since childhood he was fond of making
sketches and got guidance in drawing form the Chanha Institute in the year
1967. Then, he learned from Mr. T.Wing in Bali for three years. His first solo
exhibition was held at a museum in Bali, then Bali Beach and Sanur. He
participated in several exhibitions in Jakarta, Surabaya, and Bali. Senpao has
been participating in solo and joint exhibition in Indonesia and aboard since
1972. Senpao developed his naturalism out of general artistic perception. His
creation, if viewed from formal perception, gives kaleidoscopic impression.
Iconic elements such as parts of human body as well as religious objects
are divided in small units of colors either in harmony or in contrast with
each others. The parts were then integrated in a whole structure that has
its own tones are sometimes realistic/descriptive, and yet sometimes what
is dominant in Senpao’s work is its sense of supernatural in a tone that is
dynamic resulted from the encounter of empty space and crowd, silence and
content as well as reality and dream.
SOETOPO (Yogyakarta, 1931)
Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian
Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and
Soedarso tutelage. Since 1950, he was actively participated in many exhibitions
and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu
Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and
Satria Mandala Museum, Jakarta. following the exhibition welcomes the
Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition
in Yogyakarta, Borobudur International Festival Exhibition at the Museum H.
Widayat, Mungkid, Magelang, 2002. Exhibition “Footsteps” at the Court of
Djoko scream, Yogyakarta, 2003. Art Exhibition “Membaca Dunia Widayat” at
Museum H.Widayat, Mungkid, Magelang, 2004.
SRI HADHY (Purwodadi, 1943)
Born in Purwodadi, Central Java, December 18, 1943. Studied at ASRI
Yogyakarta and Vrije Academie Voor Beeldende Kunsten de Vrije Academia
Psycholopis, the Hague (Netherlands). His international career began when
he traveled to South East Asia (1969 – 1972), and then lived in Netherlands
(1972 – 1988). Until now, he still active to participate in exhibitions in Jakarta,
Netherlands, Germany, French, Spain, Switzerland, Yugoslavia, Denmark,
Egypt, Tunisia, Morocco, and United States.
SRIHADI SOEDARSONO (Solo, 1931)
Born in Solo, December 4, 1931. In 1958 he studied fine arts at the Institute
of Technology Bandung and the Ohio State University, United States (1960 –
1962). His works has been exhibited in Indonesia, the United States, Australia
and Brazil. He received cultural awards from both the Indonesian government
(1971) and Australian (1973). In 1978 and 1987, he received the highest award
in the Biennial Exhibition in Jakarta. Srihadi is currently a senior lecturer in
painting and drawing at the Jakarta Institute of Arts and the Bandung Institute
of Technology.
SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993)
Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son of
Abdullah Suriosubroto, a famous landscape painter and was also the brother
96
of Basoeki Abdullah. He used to help his father cleaned the pallet from which
he found his contenment to be a painter. He finished his school from HIS –
Indonesian Dutch School and worked as a poster artist for the Rex Theater in
Yogyakarta. During the Japanese colonization in Indonesia, Sudjono went to
Parangtritis, Parangkusumo where he continued painting. During the 1970s,
Soedjono moved to Kertosono in East Java, where he lived up to his death in
the village of Pisang at Patian Rowo on 2 May 1993.
SUMARDI (Solo, Central Java, 1917 - 1983)
Born in Solo, Central Java, 1917. Sumardi worked as a professional painter,
particularly portraits drawing, after he finished the Dutch school in 1937.
When an American artist painter W. Stoyed visited the Sunan’s palace
in Surakarta in 1938, to make the potrait drawings for the Sunan’s family
members, Sumardi worked for him as his assistant. From this foreign artist ,
Sumardi learned a lot about the Eroupean realism particularly the technique
of drawing human anatomy. Sumardi was then known as a realistic artist with
an exclusive romantic touch. Some of his works have decorated the walls of
the state palaces in Jakarta and Bogor. One of his works was included in the
book of the President Soekarno Paintings Collections Book IV 1957 (Compiled
by Lee Man Fong). He had participated in several group exhibitions in Solo,
Semarang, Surabaya, and Jakarta, mainly under the arrangement of the
Surakarta Cultural Center (Himpunan Budaya Surakarta).
TATANG GANAR (Bandung, 1936 – Bandung, 2004)
Born in Bandung, August 19, 1936. He graduated from ASRI Yogyakarta (1961)
and lived in Bandung until now. Since 1965 he was active to participate in
solo and joint exhibitions in Jakarta, Bandung, and Bali. Every year he had
exhibition with Papilio Group in Jakarta, Bandung and Surabaya. In 1994 he
had his solo exhibition in Folklore I, TIM, Jakarta and Folklore II, Topaz Hotel,
Bandung.
Jakarta (1995), ITB Art Fair (1996 & 2002), Group Exhibition at Metro TV for
Fund Raising of Aceh tsunami and Yogyakarta Earthquake (2006), Exhibition in
Bali (2007 – 2011), Europe Tour Exhibitions (England, France, Germany, The
Netherlands, Belgium, and Italy) with The Ministry of Culture, Education and
Tourism (2012 – 2013)
UGO UNTORO (Purbalingga, 1970)
Born in Purbalingga, Central Java, 1970. He studied at the Indonesian Institute
of Art (ISI), Yogyakarta. He held his solo exhibitions at Cemeti Ctontemporary
Art Gallery, Yogyakarta (1996, 1998), Kedai Kebun Gallery, Yogyakarta (1999),
Essence Art Gallery, Jakarta (2000) and Cemeti Art House, Yogyakarta (2002).
He participated in several group exhibitions at Purna Budaya Yogyakarta,
Cemeti Contemporary Art Gallery, Yogyakarta (1997), Galeria Jangva, Helsinki,
Finland (1998),T Singapore, National Gallery, Jakarta, Cemeti Art House, Bali,
Queensland Art Gallery, Australia, Centrum van Beeldende Kunst, Dordrecht,
The Netherlands (1999), Nadi Gallery, Jakarta (2000, 2001, 2003), etc.
UMI DACHLAN (Cirebon, 1942 – Bandung, 2009)
Born in Cirebon1942. She studied painting at the Faculty of Fine Arts and
Design at Bandung Institute of Technology (ITB). After graduating in 1968, she
became a lecturer there in 1969. Umi later went on to study at the Gerrit
Rietveld Academy in Amsterdam, The Netherlands, from 1977 to 1979. The
Artist has participated in many group exhibitions in Indonesia and Japan,
Malaysia, Singapore, Hong Kong, Korea, Jordan, Belgium, the Netherlands,
Denmark and Cape Town in South Africa, including Festival pf Indonesia in
America Touring exhibition in 1990 to 1991, and she has held several solo
exhibitions at Taman Ismail Marzuki art Centre Jakarta in 1977 and 1980,
Gallery in Bandung in 1990, and Andy’s Gallery in Jakarta in 2000. She was
guided from the painter, Achmad Sadali that greatly influenced her works.
Most of her works were deeply rooted in religion and spiritually. She died in
Bandung 1 Januari 2009.
TATANG KOENTJORO (b.Semarang. Central Java - 1993)
Born in Semarang, Central Java (?). He studied painting under painter Hadi
in Semarang. He received the First Prize for the Book Cover Competition
held by the French Embassy in 1955. He held his solo exhibition in 1952 and
participated actively in several group exhibitions in various cities in Indonesia.
UNTUNG WAHONO (Yogyakarta, 1962)
Born in Yogyakarta, 1962. He joined group exhibitions “Jakarta On The Spot”,
Plaza Indonesia and Galeri Pasar seni, Jakarta, 2004. He received an award
given by President of Indonesia (Rumah Kepresidenan Istana Negara) in 2002.
TAUFAN ADI PRIYONO ( Pasuruan, East Java, 1975)
Born in Pasuruan, East Java, 5 March 1975. After his education and Professional
Experiences at Faculty of Art and Design - Indonesia Institute of Arts (ISI), He
studied at Yogyakarta Studied Interior Design with Fornandez Barzall (artist
from Canada).
WADINO (Bukittinggi, West Sumatra, 1973)
Born in Bukittinggi, West Sumatra, 1973. He graduated from Yogyakarta State
University. He has held for 25 times exhibitions among others “Kartun Pakarti”
in Purna Budaya Yogyakarta (1994), “Festival Abstrak” in Duta Fine Art (1998).
He was awarded as the Finalist Indofood Art Awards (2002).
TEGUH OSTENRIK (Jakarta, 1950)
After graduated in 1980 from the Fine Arts Department of Hochschule der
Kuenste, West Berlin or Germany, he stayed in New York/USA, Amsterdam/The
Netherlands and Cologne/Germany. In 1988, Teguh as an established painter
and sculptor came back to Indonesia. He has had more than one hundred solo
and group exhibitions in USA, France, The Netherlands, Germany, Australia,
Singapore, Malaysia, Thailand, The Philippines, Hong Kong, Japan, Indonesia
(Jakarta, Bandung, Yogyakarta, Solo, Surabaya, Bali). His art works are
collected by a lot of national and international institutions and corporations.
Awards received include Top Ten Philip Morris Art Award in 1997. He was one
of the Juries in 2005 and 2007 China ASEAN Youth Art Competition in Nanning/
China. In 2006 he was invited as a guest lecturer in Beijing Central Academy
of Art. In 2007 he stayed in Penang or Malaysia as an Artist in Residence, a
Program of ABN-AMRO and Wawasan Open University.
WAHYU SRIKARYADI (Bandung, 1968)
He started to paint under guidance painter Barli Kartasasmita since 1982
until 1989. And then he started painting anatomy from Japan painter and
photographer (1989-1992). He also studied Bali painter from Ida Bagus
Suadjana and I Gusti Matre (1994-1995). Since 1984- 2005 he active joined
inseveral exhibitions.
THEO MEIER (Switzerland, 1908 - 1982)
Born in Switzerland, 1908. He studied at the Kunstgewerbeschule in Basel and
Academies of Art in Berlin and Dresden. In 1936 he settled in Bali for 20 years
then moved to Thailand in 1961. His works have been the collection of former
President Soekarno, the Museum Neka in Bali, the Agung Rai Fine Arts Gallery
in Bali, and the Kunstmuseum in Basel, Switzerland.
TORO (Bandung, 1946)
Born in Bandung, 10 January 1946. He had performed several painting
exhibitions in solo and group; Group Exhibition with Roedyat & Anton
Huang, Jakarta (1973), Exhibition 1500 paintings Varia Nusantara, Jakarta
and exhibition at Wisma Central, Kuala Lumpur (1974), solo exhibition at
Pertamina Cilacap (1976), Exhibition at Hotel Kartika, Pontianak (1989),Group
Exhibition with 100 painters celebrating the 50th Indonesian Independence day,
WAYAN KUN ADNYANA (Bangli, Bali, 1976)
Was born in Bangli, Bali 4 April 1976. He graduated school was followed in PPS
ISI Yogyakarta (2006-2008). He has held first solo exhibition such as pameran
‘’Kamasukha’’ di Genta Gallery, Ubud (2003). He was actively in several
group exhibition such as exhibition Tour de Java ‘’Skill for Power’’ at V Gallery
Jakarta (2005), Dalem Hamur Sava Gallery Yogyakarta, Malang, and Surabaya
(2005), ’Power of Mind’’ di Orasis Gallery, Surabaya (2006), Pameran Young
Arrows’’ Yogya Gallery, Yogyakarta (2006), Pameran Ilustrasi Cerpen Kompas di
Bentara Budaya Jakarta (2007), Biennale Yogya ‘’Neo Nation’’ di Sangkring Art
Space Yogyakarta, Sanur Art Festival di Danes Art Veranda, Denpasar; Pameran
‘’A Beautiful Death’’ at Bentara Budaya, Yogyakarta, Orasis Gallery, Surabaya
dan Darga Gallery Sanur, Bali. He received award the Winner Youngest Artist
Parpostel IX Denpasar (1998), Kamasra Price Best art work (1999), Nominasi
Philip Morris Indonesian Art Awards (2002), Best Predikatcum laude graduated
of STSI Denpasar (2007), Awarded Widya Pataka from Provincial Government
Bali field of writing art criticism.
ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout
Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983),
Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in
Japan, Netherlands and United States for KIAS (1990 – 1991).
WILHEMUS JEAN FREDERIC IMANDT
(St. Jansteen, The Netherlands, 1882 – 1967)
Born in St. Jansteen, The Netherlands, 1882. In 1908, he visited Indonesia,
where he lived and worked as a painter and drawing teacher at secondary
school. From 1920 - 1925, he participated in several exhibitions organized by
the Bataviasche Kunstkring in Jakarta. He returned to The Netherlands and
stayed there since 1928 - 1935, and then came to Indonesia again afterward.
He finally settled in his home town around 1946 until he died in 1967.
WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981)
Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy
of Fine Arts, Masterdam and also learnt under painter W. Witsen and Isaac
Israels. He once lived in Bali from 1938 – 1944 together with his wife, HofkerReuter. His works were undoubted. His color, texture surface, and contrastive
control showed his maturity of painting study. His drawing was elegant and
poetic. His works were inspired by the lifestyle of Balinese people which often
depict them in festive ceremonial dress. He died in 1981.
WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966)
Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil
servant to survey the country. In this function he traveled all over the
archipelago. The artist participated in several group exhibitions in Jakarta,
Medan and Surabaya between 1918 and1939. He returned to the Netherlands
in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of
harbor scenes, City views, and landscapes, in an accurate impressionistic
style.He died in Zeist, the Netherlands, February 3, 1966.
YAYAT SURYA (Cirebon, 1968)
Born in Cirebon, West Java, 1968. He studied art at Sarjana Wiyata University,
Yogyakarta, Mr. Rastika Master Glass Painter, and Indonesia Institute of Arts
(ISI) Yogyakarta. He has held his solo exhibition in Duta Fine Art Foundation
(1999), Jezz Galery Bali (2000), “I Ching Change Iching” Jezz Gallery Bali
2001, Cosmos Chaos JAPAN FOUNDATION (2002), Canna Galery Jakarta
(2005), and “My Love Supreme” in Bikka Building Jakarta 2007. He has also
participated in several group exhibitions in Indonesia and abroad. He was
awarded as The Best Asbtract of Indofood ART award 2003 Jakarta (2003),
The 10 Finalist Indonesian Art Awards, Philip Morris Jakarta 1999, “China
International Exhibition Agency (CIEA) Beijing China (2003).
ZULFA HENDRA (Bukittinggi, West Sumatra, 1973)
Zulfa Hendra was born in Bukittinggi, West Sumatra 1973. He graduated from
the Indonesian Institute of Arts (ISI) Yogyakarta. He held his solo exhibition
in Dirix Art Gallery Yogyakarta (2003). He has also participated in several
group exhibitions such as “Behind the Realism” in V Galeri Yogyakarta, “an
Aproach to Indonesian Contemporary Art” in Biasa Art Space Denpasar, “Kecil
itu Indah” in Edwin Gallery Jakarta, “Silence Landscape” in Mon Décor Gallery
(2006), etc.
WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002)
Born in Kutoarjo, Central Java, 1919. He studied at the Indonesian Fine Art
Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan
(1960). He received BKPM award (1953), a cultural award from the Indonesian
Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the
97
Index of Artists
Abdul Djalil AD Pirous
123, 146, 160
I Komang Gede Tedja Mulya 78, 116
Rita Widagdo
121
Adam Lay
70
I Made Wianta
84
Ronie Arto
111
Agung Darmayuda
131
I Made Wiradana
151
Royatna
100, 126
Ahmad Suudhi
22
I Nyoman Marsa
88
Rudy Pranadjaya
91
Ambara Baratawidjaja
75, 133
I wayan Pengsong
162
Rusli
134
Amrus Natalsya
40
I Wayan Upadana
112
Rustamadji (Klaten)
85, 144
Arie Smit
12, 42, 142
Irsam
27
S. Djuprijany
39
Iswanto
117, 138
S. Toyo
21, 107
Auke Cornelis Sonnega 92
Awiki
76
Ivan Sagita
113
S. Yadi K.
115
Barli Sasmitawinata
11
Januri
80
Sabri
82
Budi Kustarto
35
JB. Iwan Sulistyo
16, 128
Saftari
54
Budi Ubrux
163
Johan Abe Tobing
24, 61, 122
Saiman Dullah
51
Cheng Shui
3, 19, 69, 125, 130
John Van Der Sterren
15
Salim / Saraochim Salim
55, 150
Daeng
38
Koempoel Sujatno
29, 50, 89, 127, 158
Sen Pao
20
Daeng M
157
Krijono
74
Soetopo
47
Dede Eri Supria
145
Kuncana
23
Sri Hadhy
65, 161
Didik Nurhadi
36
Kusmanto
77
Srihadi Soedarsono
46
Lucien Frits Ohl
41, 63, 86
Sudjono Abdullah
1, 13, 49
Dikdik Sayahdikumullah 149
Erica Hestu Wahyuni
136, 154
M. Irfan
135
Sumardi
6
F. Sigit Santosa
94, 118
Maria Tjui
155
Tatang Ganar
14, 114, 140
Fadjar Sidik
132
Mersuka Dopazo
26
Tatang Koentjoro
71
Faizin
9, 106
Mierza Said
104
Taufan Adi Priyono
45
Frederik Kasenda
48, 143
Moerdowo
31
Teguh Ostenrik
124
Gerard Pieter Adolfs
5
Mori Kinsen
67
Theo Meier
103, 119
Gunawan Bagea
8, 102, 139
Nashar
83
Toro
30, 66
Gunawan Hanjaya
2, 37, 99
Nasirun
147
Ugo Untoro
110
H.A.L Wichers
156
Ni Gusti Agung Galuh
52
Umi Dahlan
148, 153
Han Snel
44
Nurdin BS
28
Untung Wahono
79, 105
Hanafi
159
Nyoman Gunarsa
59, 97, 137
Wadino
141
Harijadi
68
Nyoman Sujana Kenyem
101
Wahyu Srikaryadi
58, 90
Hasan Djaafar
98
Nyoman Wijaya
18, 129
Wayan Kun Adnyana
33
Hasim
4
Otto Djaya
10, 34, 62, 96, 109
Widayat
56, 72
Hatta Hambali
95
Pandu Pribadi
43
Wilhemus Jean Frederic Imandt 53
Priyadie
17, 25, 73
Willem Gerard Hofker
60
Himawan Dwi Prasetyo 120
98
Huang Fong
7
Putu Sutawijaya
152
Willem Van Der Does
32
I Ketut Kasta
93
R. Hadi
64
Yayat Surya
81
I Ketut Sadia
108
Rahmat Subani Irfani
87
Zulfa Hendra
57
99
Fine Art Auction
MASTERPIECE Building
Tanah Abang IV No. 23 - 25 Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707
info@masterpiece-auction.com www.masterpiece-auction.com
100

fine art auction - Masterpiece Auction House

Transcription

Similar documents

Immpression Brochure

SPARCh 2016 Brochure - International Office

MENUJU UPN “VETERAN” YOGYAKARTA LEBIH MAJU DAN

Outbound student mobility to Indonesia and the New Colombo Plan

treasure math storm - UC Links: Activity Guides

liquidation auction

Explore Batur Geopark, Bali

Jakarta Smart City

Sunday Early

RK 2011 Oct.pub