Modh Textiles Scotland Issue 4

A TEXTILES SCOTLAND PUBLICATION
AN ENCHANTING
ESCAPE IN SCOTLAND
FABULOUS FABRIC
AND DETAILED DESIGN
FASHION FOUNDRY
NURTURING SCOTTISH TALENT
JANUARY 2013
contents
3
4
6
12
18
Editor’s Note
Welcome from Stewart Roxburgh
Ten Must-Haves for this Season
Some of the cutest products on offer this season
Fabulous Fabric
Uncovering the wealth of quality fabric in Scotland
Fashion with Passion
Guest contributor Eric Musgrave shares his
thoughts on Scottish textiles
Our World of Interiors
Guest contributor Ronda Carman on why Scotland
has the interiors market firmly sewn up
contributors
21
23
32
38
44
Setting the Scene
Make a statement in any room with
inspired wallpaper
An Enchanting Escape
A fashionable stay in Scotland
Fashion Foundry
Inspirational hub for a new generation
Devil is in the Detail
Dedicated craftsmanship from start to finish
Find us
Why not get in touch – you know you want to!
FRONT COVER
Helena wears: Jacquard Woven Plaid with
Herringbone 100% Merino Wool Fabric in Hair by
Calzeat; Poppy Soft Cupsilk Bra by Iona Crawford and
Lucynda Lace in Ivory by MYB Textiles.
Thanks to:
Our first ever guest contributors – Eric Musgrave and Ronda Carman. Read Eric’s thoughts on the Scottish
textiles industry on page 12 and Ronda’s insights on Scottish interiors on page 18.
And our main photoshoot team – photographer Anna Isola Crolla and assistant Solen; creative director/stylist Chris Hunt
and assistant Emma Jackson; hair-stylist Gary Lees using tecni.art by L’Oreal Professionnel and the ‘O’ and irons by
Cloud Nine, and make-up artist Ana Cruzalegui using WE ARE FAUX and Nars products. More from the team on page 23.
Also thanks to our other photographers:
Rob McDougall, Photographer & filmmaker
An award winning professional
photographer specialising in creative
photography, Rob is well known for capturing
the picture in context. Understanding the
needs of different media, Rob has worked
for VisitScotland, Taylor Wimpey, Historic
Scotland, Weber Shandwick, and was the
official photographer for Homecoming
Scotland 2009.
Gerardo Jaconelli, Photographer
With experience of photography from
both sides of the lens, Gerardo uses his
long career as a model on the catwalks
of Milan, Miami and Chicago to influence
his creative approach to capturing images.
Regularly on assignments across the globe,
Gerardo has photographed for Italian and
Australian Elle magazines, working with
several leading stylists.
And finally…thanks to Leanne McGill from Genuine for her invaluable creative input in to the main shoot; Model Team
especially our models Helena and Charlotte McKelvie, Chris K and Oliver Greenall; and last but by no means least,
Julie Brander and Lynne Heraghty, Weber Shandwick for continuing to share the passion and love for this publication!
EDITOR’S NOTE | 3
editor’s note
We Scots are well known as a friendly, welcoming nation who
can spin a good yarn. And our textiles industry has used these
inherent traits for years, building long-standing relationships with
customers and telling our story across the globe, cementing our
future in the marketplace.
It has been another turbulent year for many,
with global economic challenges forcing
businesses to batten down the hatches and
sit tight so they can ride the storm. But this
doom and gloom does not run through the
textiles sector, if my recent experiences
of meeting customers who have come to
Scotland is anything to go by. These buyers
are embracing growth and development,
increasing their product portfolios, looking
for and finding new suppliers with great ideas,
and spending money in really innovative ways
to capture customer attention.
And we are grateful for it. Testament to our
continued development and the enviable
historical references of quality firmly etched
in the minds of all who work with us the
future remains bright. When a buyer engages
with any of our 600 plus companies in
Scotland they instantly see and appreciate
the close relationship between our landscape
and our products. They love the spirit and
enthusiasm we have for creating something
spectacular. They are assured by our
experience, quality, and the skills we offer,
but also in our ability to repeat this process
year on year, decade on decade and of course
unlike many, century on century.
If you are looking for a supplier that can
engage with the sales process from beginning
to end, can encourage brand loyalty through
a quality offering, and inspire purchasing
decisions, then look no further than Scotland.
There is no room for complacency in
any business, least so textiles and this is
something the Scottish industry knows
well. We are continually grateful that our
customers want to increase their business
with Scotland and we know, as the return to a
need for quality rapidly gathers momentum,
more will follow suit from across the world.
As ever our ideas and designs are always 'on
the money'.
was inspired by our
This edition of
fabulous fabrics, intricate designs and the
much appreciated feedback from media and
customers who have recently visited. We
wanted to present the widest range of ideas
and products we could to our customers and
potential customers out there so you know
why you should come to Scotland.
We are always indebted to those who visit us
to find out more and if you haven’t – why not?
Our door is always open.
We know what sells – innovative, fresh
products that are well researched to fit their
exact needs, backed up by world-class service.
And that is why they come, and keep coming.
Stewart Roxburgh, Editor
Stewart is a Senior Executive, National
Textiles Team, Scottish Enterprise.
4 | TEN MUST-HAVES
one
Doing it for the kids…
2
New kid on the block – We Are Rushworth –
has some serious style options for little ‘triers
and doers’ everywhere. We particularly love
this Lambswool Slipover from the ethically
sourced knitwear brand for children: it is
knitted in Scotland by Scott & Charters.
Fight the frrrrr…
With a true vintage feel, we
love these Leaf Knit Fur
Mittens from Samantha
Holmes. Hand-made, the
design is classic and timeless
making them suitable for all
ages and a perfect, graceful
complement to any outfit.
ten must-haves..
3
School day
snuggles…
You can never have
too many scarves! We
went preppy-mad for
this stripey College
Cashmere Scarf in
Limestone Multi from
Love Cashmere by
Shorts of Hawick. And
stretching 244cms long
it is sure to keep you
warm.
four
Zero calorie treat…
Ever wish you could have
your favourite chocolate
treat every day and not
have to worry about
piling on the pounds? Well
we’ve found the answer, a
Tunnock’s Teacake Cushion
from Nikki McWilliams.
Now that’s what we call
stylish comfort eating!
All because the tablet
deserves tweed…
5
We are the tablet
generation – fact. So
dressing it in the best is
a must. Our pick of the
latest covers on the market
is this leather backed and
embossed iPad Sleeve in
red/grey or Seal Grey Harris
Tweed (from The Carloway
Mill) from Maccessori.
six 7
TEN MUST-HAVES | 5
Artistic fashion…
There is something special about
wearing a piece of art. So why
not pick up a sumptuous scarf
like Dusk below by Helen Ruth.
Beginning with a hand-drawn
illustration, designs are then
mixed with other images creating
a piece worthy of a frame.
Canvas couture…
Most of us have moved from
the plastic to the reusable
nowadays but ever wished
the canvas offering was a
little more stylish? Look no
further. Printing Pretty has
a fab new range of bags
and cushions including
this Hummingbird Tote
Shopping Bag.
8
Free your fingers
in style…
The latest addition to
Hilary Grant’s collection
– the Fingerless Mitten
– is the only way to show
off your manicured paws
and still keep fashionably
toasty! Available in Dash,
Icelandic and Arrow
(pictured) and in six
coulourways, with or
without strings.
Tur-mazing…
To say that this item
was under 24-hr guard
while in the office is no
lie! A must-must-have,
this 100% cashmere
hand frame knitted 4-ply
cashmere Turban from
Rosie Sugden will turn
heads! And it is available
in three colourways –
Black, Heron and
Bokhara (pictured).
nine
ten
So many things we wanted to feature here, it could have been
100. Alas we could only choose ten and they are truly sumptuous!
The dressy doctor…
Who didn’t own a pair? They
came in many colours, wacky
patterns and at long last they
are available in the 'champagne
of fabrics'! Our definite favourite
of Dr Martens’ latest limited
edition is the Cobalt Blue
Collaboration with Harris
Tweed Hebrides. Gentlemen
please form an orderly queue.
6 | FABULOUS FABRIC
fabulous
Clark Turner, Tristan & Nicos, Sim Naomi,
Knott Capital, Nation Gator and Dada Woven
Fabrics from Holland & Sherry.
FABULOUS FABRIC | 7
Given the heritage, quality – stemming from meticulous
processes – and of course style, it is no surprise that
Scottish fabrics grace portfolios around the globe. But
what is it that has kept them returning to the world-wide
stage time and time again?
Scotland is renowned for producing a vast
range of fabrics, from cashmere to tweed
to wool and high performance fabrics of all
forms – all of which put Scotland firmly on
the map as a leader in production.
Let’s look at our loving relationship with
wool. Long dubbed the fibre ‘fit for heroes’
because of its astronaut and mountain
climber connotations, the wool story began
before recorded history when primitive man
first clothed himself in the skins of the wild
sheep he killed for food. He had discovered a
durable fabric which gave him what nothing
else could – protection alike from heat and
cold, from wind and rain – opening it up to
endless possibilities.
No other material, natural or man-made, has
all of wool’s qualities. However, we have been
able to refine and improve the fabric through
tried and tested techniques. Different
breeds of sheep offer different qualities and
properties to the cloth, blended by experts to
achieve the right properties for their usage.
Using nano-technology, wool garments and
fabrics can now be permanently showerproofed and stain-proofed. Shower-proofing,
while allowing the fabric to shed water from
the outside of the garment, still allows the
skin to breathe and exude water vapour.
This is achieved through the use of waxes
and treatments applied by various methods
to the wool fibre. Stain-proofing does not
make it impossible for grease and other
stains to mark the fabric but the stains can
be removed with a household cleaner, and
without leaving any unsightly ring. Antimicrobial treatments can also be used to
protect fabrics from sweat damage.
Wool is certainly the most versatile textile
fibre known to man and its uses are legion
– which the Scottish market shows in
abundance. Apart from its inherent natural
virtues, it is also an easy care fabric thanks
to modern scientific achievements. Also, as
a result of farmers being paid according to
the grading of their wool, which is then sold
to the trade at auction, it is a tribute both to
the excellence of our wool and to customer
knowledge and experience that our wool
regularly commands the highest price in the
world for its type.
So the scene is firmly set for our mills,
companies and designers to work with this
fabulous fibre to create stunning fabrics and
pieces which are adored the world over.
8 | FABULOUS FABRIC
The textiles industry is one of the most
dynamic on the planet – with vast growth
particularly in Brazil, Russia, India and
China. As we witness this increasing
appetite for luxury goods it is no surprise
that Scottish cashmere is firmly back on
the radar. Textiles commentators are all
pointing the world back to using quality
fabrics, which has led to an upsurge in
demand. Scotland has a fantastic history
and deep association with top grade
cashmere which is translating in to a
massive opportunity for many mills and
companies.
Many mills have been weaving exquisite
cloths, including cashmere and silk,
for hundreds of years, and supplying
leading fashion and design houses
around the world. Finest quality, raw
materials, originality of design and expert
craftsmanship are just three of the reasons
why Scottish mills and companies' names
continue to reign supreme in the world of
international textiles. Drawing inspiration
from a rich heritage the design teams give
full expression to this, while remaining
sensitive to the bespoke requirements of
today's designers.
Bold and Colourful
Lambswool and Angora
Blend Striped Scarves by
Begg Scotland.
All fabrics are created to offer the wearer/
user the ultimate in comfort and luxury.
Traditional and modern finishing techniques
are all used in pursuit of these noble aims.
Scotland
has an ancient
history and
deep association
with quality
cashmere
Cashmere and Silk
Sweaters in Purple,
Light Tropic, Orchid,
Daffodil, Orange, Royal
and Cyclamen by
Hawick Cashmere.
FABULOUS FABRIC | 9
We couldn’t talk about Scottish fabric
without mentioning two of the most iconic
fabrics to leave the land – Harris Tweed and
Tartan.
Harris Tweed has witnessed a significant
renaissance recently. Now producing more
tweed than ever before, sought-after
supplies reach over 85 countries. The cloth
has successfully shifted away from the
'Miss Marple' look, towards high fashion
icons such as Kate Moss and Chanel, and
has become the fabric of choice for luxury
five star hotel interiors.
Tweed has now broken into the world’s
fastest growing economies by way of
inclusive approaches including lightweight
tweed jackets which are deemed suitable
for winter evenings in Sao Paulo. While this
is a shift from the norm, the consistent
high-end quality remains.
Traditional Harris Tweed has a reputation
for being durable yet heavy. However, much
time and effort has been spent refining the
manufacturing process that produces the
yarn. This means a lightweight fabric can
be established without losing its inherent
tweed properties, but allowing for a jacket
that can be worn all year round. The
procedure is complex and involves twisting
the yarn tighter to make it much finer so
the fabric is lighter.
Other exciting additions to the tweed
marketplace include the application of
Dry Wax, meaning the tweed is thoroughly
waterproof. Harris Tweed is anything but
stale, as its fan base, and those wishing to
do business with the mills, wrap around the
world and back.
Selection of Tweeds by The
Carloway Mill Harris Tweed
at 21st CENTURY KILTS.
10 | FABULOUS FABRIC
Lurex Yarn at
Johnstons of Elgin.
FABULOUS FABRIC | 11
Tartan Swatches from the
Kinloch Anderson Archives
Dating Back to 1868.
And finally, we have Tartan. Scotland’s oldest
but bravest fabric. Tartan has successfully
tugged at the heartstrings of many for
decades with celebrity endorsements lending
a strong, helping hand. From Alexander
McQueen and Vivienne Westwood to Michael
S Smith’s interiors for the Obamas, Tartan is
a cloth that offers highly acclaimed diversity,
style and again, undisputed quality.
With the Scottish textiles industry continuing
to deepen in order to enhance appeal and
reach – whether it be producing lighter
weight options or producing newer, smarter
performance fabrics – the future for our
fabulous fabrics is colourful.
Scottish fabrics – heritage, provenance
and sustainability built in!
Tartan is
a cloth that
offers highly
acclaimed
diversity, style
and, again,
undisputed
quality
12 | FASHION WITH PASSION
Eric Musgrave, shot on
location in Edinburgh.
FASHION WITH PASSION | 13
We are delighted to welcome guest contributor – leading
industry commentator Eric Musgrave. With over
32 years at the heart of the industry both at home and
abroad, the 'Sharp Suits' author shares his insights in to
what makes Scotland a leading textiles light…
“
A week-long tour to investigate Scotland’s
textile and clothing sector inspired journalist
Eric Musgrave even more than he expected.
He sincerely hopes more industry buyers can
make a similar trip to discover what brilliant
products carry the Made in Scotland label.
Passion is the common denominator
among the people who make Scotland’s
international reputation for excellence in
textiles, clothing and accessories.
During my five-day tour, I was mightily
impressed by the creativity, the skills and,
yes, the obsessive passion of those who craft
the products that are uniquely Scottish.
On my tour I saw lots of what could be
regarded as traditional goods such as
Tartans and Tweeds, but never once did
I have the impression that this was a
backward-looking or conservative sector.
fashion with
14 | FASHION WITH PASSION
On the contrary, heritage is merely a solid
platform on which many companies are
developing desirable goods that are ideally
suited to contemporary consumers’ tastes.
Take Esk Valley Knitwear. The Annanbased producer makes what might appear
at first glance to be fairly traditional
sweaters and cardigans, but look more
closely and you see that most of the
garments are seamless, having been made
on the latest Shima Seiki knitting machines
from Japan. As director Stuart Maxwell
puts it, “We work the machines hard”, which
means that the garments feature integrated
knitted-in pockets or a structure that has
merino on one side and cashmere on the
other. The yarn choice is intriguing too; as
well as the familiar cashmere, merino and
British wool, Esk – as the company’s ownlabel collection is called – uses rarer yarns
such as yak, alpaca, camel and Sea Island
cotton to create heritage-inclined knitwear
that Maxwell describes as “luxury workwear”.
This is a superb contemporary fashion look.
It was very encouraging to see pride
and passion for making products to a
high-quality standard, not to a price. To
celebrate its 215th anniversary this autumn,
Johnstons of Elgin has produced a limited
edition of men’s scarves and women’s stoles
in the super-rare and super-soft vicuna yarn,
which comes from a relative of the llama in
the high plateaux of Chile and Peru. Sold
only through Johnstons’ website, these
items, priced at £325 and £685 respectively,
underline the company’s credentials as a
specialist in the finest luxurious accessories.
There is a pleasing sustainability story here
too as Johnstons is involved in protecting
the once-threatened herds of vicuna, which
now number a very healthy 300,000.
It was very
encouraging to see
pride and passion
for making products
to a high-quality
standard, not
to a price
Ben Cardigan in Pure Camel
Hair by Esk Valley Knitwear.
FASHION WITH PASSION | 15
I enjoyed seeing traditional ideas being
given just a slight twist to take them
off in another direction. On an amusing
level, Perth-based The House of Edgar
has created special Tartans for Scottish
institutions Oor Wullie and The Broons.
It might well be that some of Howie
Nicholsby’s customers at 21st CENTURY
KILTS in Edinburgh select these cheerful
plaids for one of his modern interpretations
of the kilt. Nicholsby is a fine example of a
modernist with a passion for tradition. “I
hate it when people mix up different eras
of Highland Dress,” he told me firmly.
A Selection of Isle Mill's
Homespun and Tibet Throws
by Macnaughtons of Pitlochry.
16 | FASHION WITH PASSION
A Selection of Fabrics from
Harris Tweed Hebrides.
A lot of talk
was about
the increasing
demand for
Harris Tweed
in the interiors
market
In Peebles I was impressed by the way in which
premium cloth merchant Holland & Sherry has
adapted a real Scottish favourite by creating a
luxurious alternative to Harris Tweed. Alert to
the perceived (if somewhat inaccurate) view
that the classic cloth is rough and itchy, Holland
& Sherry has created a softer version using
wool from the only merino sheep in Scotland
(apparently the flock is kept well-hidden in the
Highlands). The wool is specially carded, or
combed, to achieve the visual characteristic of
tweed and blended with 5% cashmere for extra
softness. It is hand-woven in the Outer Hebrides
and is branded Callanish Blackhouse after
the islands’ famous standing stones and the
distinctive thatched roof dwellings.
Among the Harris Tweed community, however,
there is no sign of any concern about a little
competition from Holland & Sherry. On the
Isle of Lewis everyone I spoke to, from the
mill managers to the weavers in their sheds
alongside their homes, was upbeat about
business. Outside Harris Tweed Hebrides’ mill,
the many rolls of cloth stamped with the Orb
awaiting shipping to Japan, Europe and the
US told their own story. A lot of talk was about
the increasing demand for Harris Tweed in the
interiors market.
FASHION WITH PASSION | 17
ANTA, of course, knows all about the
potential for Scottish-designed, and made,
interiors fabrics. Its shop on George Street,
Edinburgh, is an impressive showcase for
its 25 years or more of expertise. Like many
progressive design-led Scottish businesses,
ANTA’s reputation has been made with recolouring heritage classics. It’s an approach
that consumers find easy to understand
and appreciate, which is why I expect Begg
Scotland, the luxury scarf and accessory
producer in Ayr, to do well as it extends more
into the home interiors market.
It was good to see the eclectic retail
interpretations of “The Scottish Look”. These
varied from Kinloch Anderson’s classic
Highland Dress shop to Walker Slater’s new
retro-themed womenswear shop in Edinburgh,
and from The House of Bruar’s amazing
complex in Perthshire to the beautifully
executed visitor centres at Johnstons of Elgin
and in Hawick.
My main wish now is that more buyers from
brands and retailers in the UK and overseas
make the effort to come and see what
the modern Scottish textiles and clothing
manufacturers have to offer. They cannot fail to
be impressed.
“
Selection of Knitted
Accessories by ANTA.
Eric Musgrave, the former editorial director of
Drapers magazine, now writes for a host of leading
publications including The Financial Times, The
Rake, Bespoken, Stylus and Billionaire.com and is a
keen advocate of Made in Britain.
eric@ericmusgrave.co.uk
18 | OUR WORLD OF INTERIORS
world
our
Isle Mill Penny Lane Collection
Fabric in Ashdale Lavender by
Macnaughtons of Pitlochry.
OUR WORLD OF INTERIORS | 19
We are delighted to welcome the second of our guest
– founder of All the
contributors to this edition of
Best Blog and contributing writer for the Huffington Post,
Ronda Carman. Here Ronda shares her insights as to why
the Scottish interiors market shines...
of
interiors
“
When it comes to textiles Scotland has
more to offer than the customary Tartan.
Harris Tweed, cashmere, leather, and lace
are also creative players in the country's
long line of artisanal textiles. While many
in the apparel industry know well the
exceptional quality, interior designers are
now learning too.
This summer I had the privilege of touring
several mills with five prominent U.S.
interior designers. Our whirlwind itinerary
took us from Glasgow to Elgin to Edinburgh
to Perth and back again to Glasgow. Our
days alternated between viewing beautiful
lace at Morton Young and Borland (MYB
Textiles) to witnessing master weavers of
tapestries bring to life commissions for
interior designers, museum curators and
private collectors at Dovecot Studios in
Edinburgh.
I have always believed that experiencing
time-honoured traditions firsthand deepens
the appreciation of a skilled craft and this
trip only further confirmed that belief. In
our world of cheap knock-offs, beautifully
crafted textiles made from the finest raw
materials seem to be an ever-growing
rarity. So, in my opinion, Scotland has an
extraordinary commodity to offer to the
world – textiles of the highest tradition,
quality and design.
Certainly this was true of our visits to
Macnaughtons Interiors, Begg Scotland
and Johnstons of Elgin. To see soft, highly
adaptable cashmere wool spun into yarn
was both a visual and tactile feast. But
perhaps what impressed us most were the
options for versatility and quality control.
20 | OUR WORLD OF INTERIORS
The Home Interiors Room
at Johnstons of Elgin.
The Scottish mills and the industry
reputation rely on fantastic hand-skills with
teams of ladies going over every inch of
fabric and rectifying any problems.
Little question, commitment to quality
(from cashmere to leather) was evident
throughout our trip. Furthermore, what really
delighted the designers was the flexibility
the mills offer to the design community, from
minimum quantities to custom colours. Most
did not expect to come away seeing so many
fresh, current, or even cutting edge textiles.
It’s nice to still be able to surprise people in
unexpected and pleasant ways.
“
Scotland has
an extraordinary
commodity to
offer to the world
– textiles of the
highest tradition,
quality and design
SETTING THE SCENE | 21
scene
setting the
“
Fabrics are far from the only stars in the
interiors world; several unique wallcoverings
from companies round out the diverse mix
of players. Scotland is renowned for its wry
humour laced with irony. And, in terms of
design, no one more fully embraces Scottish
eccentricity than the design studio Timorous
Beasties. Noted for its surreal and provoking
textiles and wallpapers, Timorous Beasties
has been described as “William Morris
on acid”. Interpretations of naturalistic
images – insects, plants, flowers, and stylised
pastoral toiles are a common theme, always
interpreted in a highly original manner. Its
newest toile portrays the vitality, liveliness
and diversity of life in New York.
New York Toile Wallcovering
by Timorous Beasties.
Rose Damask and Ribbon Damask
Wallpaper in Black Silver, Red Gold and
Sand Pearl by MYB Textiles.
22 | SETTING THE SCENE
The New York Toile opening scene is marked
by a struggle between protesters and police
who strike elegant Renaissance-style poses.
Interspersed with instantly recognisable
landmarks, while capturing the never-ending
movement of urban life, Timorous Beasties
has once again transformed a traditional
toile to create a wholly contemporary,
urban genre with the perfect balance of
architectural, human figures and floral
repeats.
Additionally, others in the Scottish market
are following suit and setting the scene. MYB
Textiles’ Paperlace wallpaper beautifully
mimics delicate lace and has already
had a red-carpet debut. Moody Monday’s
contemporary couture wallcoverings are all
handmade in Edinburgh, artist Lynsey Jean
Henderson uses local materials and suppliers
wherever possible in her boutique screenprinting studio, and Natasha Marshall is seen
as one of the UK's foremost design talents.
“
Birds n Bees Wallcovering
by Timorous Beasties.
Black Keys Wallpaper, part of
the Secret Music Collection
by Moody Monday.
PHOTOSHOOT | 23
Nestled in the heart of Glasgow at the luxurious Blythswood
Square, the team absorbed the stunning surroundings for the
photoshoot, channelling classic vintage glamour
latest
through modern day couture and interiors. Let us take you on...
an
in scotland
What our creative team thought:
Anna Isola Crolla, Photographer
The classic quirkiness of the setting and
models created the perfect platform
to showcase the distinguished industry
talents. Each picture instantly came
alive with colours, textures, style and
the unmistakable creativity in this
inspirational shoot.
Chris Hunt, Creative Director/Stylist
I took inspiration from the variety of
luxurious and practical textiles to create
a fashionable weekend party, setting the
scene and taking the fabrics on a journey
shot by shot through the stunning
Blythswood Square.
Gary Lees, Hair Stylist
The shoot inspiration for the hair
was luxurious, understated glamour
– a contemporary feel with a classic
undercurrent. It was so inspirational
working with Scottish fabrics and
headpieces achieving stunning looks
which complemented both outfits and
surroundings.
Ana Cruzalegui, Make-up Artist
My inspiration came from a modern day
Gatsby party girl mixed with Scottish
beauty softness, created by using fun
textures, glitters, rosy cheeks, enchanting
eyes and romantic lip colours to add a
high fashion edge.
24 | PHOTOSHOOT
Helena wears:
Florence Shirt, Victoria Skirt, Wool Scarf and
Iona Waistcoat by Walker Slater; Cinnamon Wool
Socks and Black Riding Boots by Johnstons of
Elgin; Green Pheasant Feather Hat by Pea Cooper
Millinery; Knitted Lambswool Gloves by Kirsteen
Stewart; Multi-Coloured Print Scarf by PickOne;
iPad Cover by Knockando Woolmill and JNXKOS
Tweed and Leather Coat by Jaggy Nettle.
Chris wears:
Blue Chino, Cashmere Button Cardigan and
Fitzgerald Fit Harris Tweed Sport Coat by Brooks
Brothers with Short Brown Boots and Ingrid Scarf
by Cora.
Oliver wears:
Black Kilt and Kilt Socks by Slanj with Short CAT
Boots; Grace Handknitted Jacket by Di Gilpin;
Inkjet Printed Scottish Cashmere Jumper by
Jaggy Nettle and Orange Duffle Bag by Laura
Spring.
Charlotte wears:
Mustard Check Tammy Ladies Jacket by Harris
Tweed Hebrides; Mara Handknitted Gilet by Di
Gilpin; Blue Cashmere Socks and Pink Cashmere
Gloves by Scott & Charters; Linen Skirt by
Scalpay Linen; Wedge Harris Tweed Boots with
Suede Soles by Jaggy Nettle; Charcoal Pom
Scarf by Hilary Grant and Valed Beret by William
Chambers.
Accessories:
Weekend Bag by Juliana Lawson for Harris Tweed
Hebrides.
Interiors:
Animal Print 100% Cashmere Stole by Johnstons
of Elgin; Small Tartan Teddy Bear by Knockando
Woolmill; Harris Tweed Shawl by Rarebird; Dr. Who
Tweed Fabric by Andrew Elliot; Vintage Trunks
and Hat Box by Saratoga Trunk and Vintage
Binoculars Stylists Own.
PHOTOSHOOT | 25
26 | PHOTOSHOOT
Helena wears:
Floral Crin Wave Hat by William Chambers;
Carolina Body by Rebecca Torres and Fushia
Multi Spot Paisley Scarf by Begg Scotland.
Chris wears:
Kiltsuit in House of Edgar Tartan, Kilt
Socks, Black Sporran and Boots all by 21st
CENTURY KILTS.
Interiors:
Horse, Goose, Cockerel, Stag and Comfort
Cushion Memory Foam Pillow by Iona
Crawford; Coloured Patterned Cushions by
Fun Makes Good; Purple Seat Cushion, Green
Headboard and Lampshade by Harris Tweed
Hebrides; Supersoft, Lambswool, Cheviot
and Hounds-Tooth Throws and Fabrics by
Alexanders of Scotland.
PHOTOSHOOT | 27
Charlotte wears:
Beech Wood Necklace by
Kirsteen Stewart; Printed
Patch American Apparel
Jumper and Western Bird
Print Collar by Fiona Heather;
Skirt Created from Begg
Scotland Scarves in Denim
Snow Dot, Granite Spot,
Zebra Petrol and Stone, Ciel,
Royal Blue Multi Spot Paisley;
Red Club Shoes by Emily
Lamb and Siren Socks by
Bebaroque.
Oliver wears:
Yellow Tartan and Army
Print Jacket, Dark Denim
Jeans and Tartan Rucksack
by Slanj; Red Polo-Shirt by
Spalding and Triple Bonded
Harris Tweed Hightops with
Signature Leather Lining by
Jaggy Nettle.
28 | PHOTOSHOOT
Oliver wears:
Richard Shirt, Cord Trousers,
No.7 Denim Jacket and Harris
Tweed Overcoat all by Walker
Slater; Harris Tweed Trilby by
Fabhatrix and Boat Shoes by
Brooks Brothers.
Chris wears:
Cord Trousers in Midnight,
Cashmere Button Cardigan,
James Blazer; Grey Lachlan Tie
and Oxford Shirt all by Walker
Slater; Doc Martin and Harris
Tweed Footwear by Harris Tweed
Hebrides and Lambswool Scarf
by Alexanders of Scotland.
Interiors:
Re-cycled Cashmere Rug by
Turnberry Rug Works.
PHOTOSHOOT | 29
Helena wears:
Jaggy Nettle Orange Scissor Print
Sweater by Johnstons of Elgin and
Hand Crochet Cotton Bridal Skirt by
Psychomoda.
Charlotte wears:
La Danse Hand Knitted Skirt by Di
Gilpin; Swarovski Collar Halterneck
by Belinda Robertson; Noughts
and Crosses Hand Printed Scottish
Cashmere Gloves by Jaggy Nettle;
Bokhara Turban Hat by Rosie Sugden,
Black Boutique 1 Shoes by Emily Lamb
and Flower Coloured Earrings by
Kirsteen Stewart.
Interiors:
Seats Covered in Fabric from Harris
Tweed Hebrides; Morning Coffee and
Tunnock’s Teacake Screen Printed
Biscuit Cushions by Nikki McWilliams;
Haddo Old Gold Lambswool Fabric by
Johnstons of Elgin and Books Covered
in Birds n Bees Duck Egg Blue Paper
and Union Wallpaper in Sea Green by
Timorous Beasties; Black Keys Paper
by Moody Monday and Rose Damask
Paper in Sand Pearl by MYB Textiles.
30 | PHOTOSHOOT
PHOTOSHOOT | 31
Chris wears:
Uni White Shirt, Harris
Tweed Grey Jacket, Grey
Chino, Long Black Overcoat
and Black Belt by Brooks
Brothers and Harris Tweed
and Signature Leather
Footwear by Jaggy Nettle.
Helena wears:
Madam Ebony Black Lace
Dress with Gold Applique by
Judy R. Clark and Audrey H
Saucer Hat by Pea Cooper.
Oliver wears:
Full Kilt Suit in Carloway
Mill Harris Tweed by 21st
CENTURY KILTS.
Charlotte wears:
Pippa and Lilly Draped Silk
Dress by Iona Crawford.
Interiors:
Hamish and Untitled 3
Cushions by Bluebellgray;
Seats covered in fabric by
Harris Tweed Hebrides;
Linda Lace in Ivory by MYB
Textiles and Wind and Water
Rug by Rug Design Co.
32 | FASHION FOUNDRY
fashion
Deconstruct Silk Knit Dress with
Swarovski Crystal Embellishment
by Mairi McDonald.
FASHION FOUNDRY | 33
Met, tem sim laut hiciet fugiam sequi
dit dit, sime molo que auteni am,
volumquassin porrum, volum quidis que
volorum expelesecto dolo erit, oditaturios
auditat emporeri.
A new incubator nurturing Scotland’s emerging fashion
design talent – Fashion Foundry – has burst on to the
scene, mentoring the country’s next ‘ones to watch’.
The new hub has taken 10 of Scotland’s
most promising fashion designers under its
wing to develop their businesses over the
next 18 months. The Fashion Foundry, led
by the Cultural Enterprise Office, Scotland's
specialist provider of business support
to creative micro businesses and cultural
practitioners, in association with Wasps
Studios, will help the aspiring designers to
target the lucrative luxury market both in
the UK and internationally. Selected after
an application process, the 10 successful
companies span the full range of fashion
design from millinery to menswear,
bespoke luggage to textiles and knitwear.
They include a womenswear designer, one
of whose creations has been worn by Lady
Gaga; a men’s knitwear designer selected
by leading global fashion trend forecaster
WGSN’s for its Generation Now directory;
a hat designer who was nominated for
international milliner of the year award in
2009; a women’s knitwear designer who
has already broken into the Asian and
American markets; and a women’s wear
designer who has worked alongside Julien
MacDonald the then Head Designer at
Paris fashion house Givenchy.
foundry
34 | FASHION FOUNDRY
Here we give you a snapshot of our ten
hot prospects destined for great things.
kirsteen stewart
Fair-trade fanatic Kirsteen Stewart has
brought Scotland to Bangladesh and beyond
with the creation of alluring ethical clothing
and accessories. Orkney-based Kirsteen’s
fair-trade pieces are created to ethical
standards and sold across the UK and
internationally. More so, this autumn/
winter we’re seeing a great range of
marvellous knit, print and leather pieces
from Kirsteen that have been handmade
in Scotland.
hilary grant
If you want staple winter accessories then
look no further than Hilary Grant. The
Scottish knitwear label has a whole collection
of scarves, hats and gloves created from the
highest quality of lambswool.
Gold Cluster Sweater Dress
by Kirsteen Stewart
Hilary, an Orkney-based designer, has
taken her brand international with
stockists in Hong Kong, Denmark, Tokyo
and New York. With every accessory both
practicable and playful, a Hilary Grant
accessory is a must-have for this season.
Square Edge Scarf in Diamond
Inferno by Hilary Grant
FASHION FOUNDRY | 35
Vanda Dress
by Rebecca
Torres
Burgundy Marbou Hat by Pea Cooper
Unisex Weatherproof Cape with Convergence
Lining in Orange by Laura Spring
pea cooper
Pea Cooper is certainly one to watch with
her millinery designs already taking centre
stage in a selection of Vogue publications
across the globe including the UK, Turkey,
Russia and Spain editions.
This quirky brand has also had
elaborate and stunning items shown at
Melbourne and London Fashion Weeks.
Named as ‘International Milliner of the
Year’, Pea Cooper’s ‘one off’ designs
are a must for styling any outfit.
rebecca torres
The Rebecca Torres label was created
after Rebecca submerged herself in the UK
fashion capital, London. Her experience
with designer and stylist Nova Dando as
well as working on numerous photo-shoots
including music videos and television adverts
gave this talented designer inspiration to
create her own label.
This new brand, based in Glasgow,
is full of bold colour, interesting
fabrics and intricate designs. Already
featured in publications including
Look, Grazia, Vogue.com and
Company, the Rebecca Torres brand
is on a path to success.
laura spring
The ethos of the Laura Spring label takes
inspiration from everyday experiences
and situations, like the weather, to create
luggage and outdoor accessories. Laura’s
interesting motivation has allowed her to
design experimental pieces with graphic
shapes and bright colours. Last
summer Laura Spring was awarded
the Scottish Craft Residency at Cove
Park where she developed her first
luggage collection and we forecast a
bright future ahead.
36 | FASHION FOUNDRY
Fully Hand Em
Beaded Collar anbroidered,
Silk Sweater d
Lauren Day by
Handmade Soft Suede Body
Piece by Laura Ironside
laura ironside
As an emerging womenswear designer,
Laura Ironside is the architect of an
engineered collection full of soft suede
and leather body pieces, each of which
construct sculpture and accentuate the
female form. Since exhibiting in New
Designers immediately after graduating
from Duncan of Jordanstone College of
Art, Laura has worked for London based
luxury label Le Tour de Force as an assistant
designer, where she produced laser cut work
for the entire AW11 collection. Now returning
to her native land, Laura is setting up her
own fashion label that consists of a fusion
of corsetry, jewellery, breast plates and
armoury, each of which is handmade to the
highest quality in Scotland.
lauren day
If there was one designer destined to
become synonymous with ‘embroidery
finesse’ it would be this one. Lauren Day, a
womenswear designer with a flair for hand
embroidery, focuses on the principalities of
colour proportion, contrast and structure
in her designs. Lauren’s pieces have not
only caught our eye but also those of
the Embroiders Guild who exhibited
her work in the ‘Graduate Showcase’ at
the prestigious ‘Knitting and Stitching
Show’. And with every piece singing with
craftsmanship and quality, it’s no wonder
that she’s becoming a true embroidery
ambassador.
jennifer kent
With experience of working with some
of fashion’s top design houses such as
Alexander McQueen, Tom Scott, Clare
Tough and Lyle & Scott, Jennifer Kent has
a perfect fashion foundation. Jennifer’s own
label, Edition Scotland which is based in
Glasgow, is a premium menswear knitwear
brand that is 100% designed and produced
in Scotland.
Her inspiration is taken from Scotland’s
rich textile heritage and keeping true
to the brand ethos, Jennifer looks to
make full use of the expertise still found
within the industry today – one of which
being the ‘editioning’ system, a process
similar to that used in numbering fine
art print. We can’t wait to see how this
brand excels.
FASHION FOUNDRY | 37
Limited Edition Luxury Scottish
Knitwear Brand by Jennifer Kent
Limited Hand Printed Silk Chiffon
Chole Dress by Saunt & Sinner
Deconstruct Silk Knit Dress
with Swarovski Crystal
Embellishment by Mairi McDonald
mairi mcdonald
Inspired by rock ‘n’ roll and the rebellious
genre, Mairi McDonald creates eclectic
and free-spirited luxury womenswear
designs that scream attitude with a
sprinkle of bohemian flare. A graduate
of London College of Fashion, Mairi has
previously created womenswear and
menswear ranges, including made to
order celebrity commissions and
has also been featured in leading
publications such as Vogue. The Mairi
McDonald label includes pieces with
metal embellishment, fringing, laser
cut leather and luxurious knitwear
which altogether create desirable yet
wearable silhouettes.
saunt & sinner
Saunt & Sinner is a brand with two
fashionable heads – Emma Noble and Toni
Riddle. The luxury womenswear label, which
is based in Glasgow, was born when the two
Grays Schools of Art graduates collaborated
to create something that encapsulated
a ‘home grown’ feel and hence a
collection that celebrates the Scottish
textile industry. With limited edition
pieces, Saunt & Sinner is a label of
exclusivity and individuality and
everything is made in Scotland.
38 | DEVIL IS IN THE DETAIL
devil
is in
A Jacquard Loom with 2688 Hooks Essential
for Intricate Designs at Begg Scotland.
DEVIL IS IN THE DETAIL | 39
The Scottish textiles industry has amassed a reputation over
centuries for delivering quality, diverse, design-led products
and brands to the world. But what elevates the offering to
seriously good? Well, the devil is indeed in the detail…
the
detail
If you have ever been fortunate enough
to take a tour around a Scottish mill or
visit one of the country’s many textiles
companies it would be hard to escape the
fundamental ingredient for their success.
The common mantra is: attention to
detail is crucial, and there is never any
compromise on this.
Over many years producers of fabrics
and garments have perfected techniques
and skills, and most importantly the
‘sixth sense’ for quality textiles. Whether
it is producing core products, adored
by generations or an innovation to set
fashionistas on fire this remains the
common dominator.
40 | DEVIL IS IN THE DETAIL
Let’s look at cashmere for example – a
product Scotland is rightfully famous for –
but many remain unaware of the process
behind the luxury. Each company takes
pride in only selecting the best cashmere
(which comes from the soft under-fleece
of sought-after herds of goats mostly
found in the mountains of China and
Mongolia). The fibre is then combed out
by nomadic herdsmen by hand before it
arrives in Scotland to be carefully dyed
in numerous colours and then spun into
yarn. Once this is complete the design
process takes over, transforming the fine,
soft, light yet strong fibre into luxurious
products. Next it is infused with water,
but not just any water, Scottish water.
This process gives Scottish cashmere an
edge. The soft Scottish water is used in
the manufacturing process to produce
the vibrant colour palette of finest quality
yarn firmly associated with this part of
the Scottish textiles industry. This natural
advantage of Scotland’s landscape also
helps ensure that every product maintains
its shape, appearance and colour for
years. What makes the products even
more exquisite is the hand-finishing
touches which add that extra special
finesse. From knowing by touch whether
the cashmere needs further washing to
achieve the desired softness, to ensuring
the utmost quality of the teazels for
brushing, to hand pressing for the added
sheen, to sewing on labels exactly down
to the last millimetre on each product –
there is no compromise on detail.
Silk and Wool Corsages
by Lauren Crawford.
devil is in the detail
Balcurvie Tweed by
Peter Greig & Co.
Harris Tweed is a hand-woven fabric
produced exclusively in the Outer
Hebrides in northern Scotland. Described
as ‘the champagne of fabrics’, it is the
fabric of choice for many of the world’s
leading designers as well as their most
discerning clients.
Lewis Slouch Bag made from 100%
Organic British Wool by Jo Storie,
(available to buy or knit yourself).
DEVIL IS IN THE DETAIL | 41
The common mantra is:
attention to detail is crucial,
and there is never any
compromise on this
Harris Tweed is another fine example
of a very detailed process. The wool
is carefully dyed before it is spun,
allowing a rich multitude of colours to be
blended into the yarn producing a highly
complex cloth. It remains the only fabric
produced in commercial quantities by
a truly traditional method anywhere in
the world. By law, genuine product must
be made from pure virgin wool that has
been dyed and spun on the islands and
hand-woven at the home of the weaver
in the Outer Hebrides of Scotland before
it is given the world’s oldest continuously
used trade mark – the ‘Orb’ – as a mark
of authenticity. From start to finish
the cloth is in the hands of skilled and
experienced artisans who oversee every
stage of production, utilising generations
of knowledge to make a product worthy of
the name. Such is the value placed on this,
each piece is assigned a unique number
which can be traced back to the individual
home weaver.
In the 1970s and 1980s
Kinloch Anderson Made
Over 100,000 Ladies Kilted
Skirts a Year and Are Still
Producing Classic and
Contemporary Styles Today.
Clockwise (from top left), Scottish Craftsmanship in Action at
Caerlee Mills, Esk Valley Knitwear, Harris Tweed Hebrides and
The Carloway Mill Harris Tweed.
42 | DEVIL IS IN THE DETAIL
The Scottish knitting fraternity is one which
prides itself on ‘devilish’ detailed design.
Over the years couture knitwear has been
firmly at home across the country with
knitters producing for leading fashion
houses over the world. Generation after
generation has passed on the love and
intricate skill of knitting using a vast range
of yarns and wools to create stunning
garments. And the portfolio of products
has extended from traditional pieces like
jumpers, cardigans and scarves to include
new ranges of delicate accessories from
broaches to corsages – made and finished
by hand. There is little doubt that a piece of
knitwear from Scotland is highly coveted.
Scotland is blessed with creative designers
which complete its picture. From pieces
of art expertly transferred to fabric and
surface-design experts producing worldclass pieces, Scotland has a range of new
talent firmly making their mark. Many use
the drama from their natural surroundings
in Scotland and channel this in to products
for both the fashion and interiors markets.
This new wave of artistic textiles has
proven that the possibilities are endless
when you merge centuries of skill with a
contemporary inspired outlook.
Generations of expertise has led to an
industry which knows by sight, by touch
and most importantly by a unique sense
whether a product is of significantly
high quality. From spinning to weaving to
knitting, along with precision needlework,
raw materials transform in to luxurious
goods. This is why ‘Made in Scotland’ is,
and will remain, one of the world’s most
coveted marks of quality in textiles.
Small Dundee Tote Bag
by Louise Kirby.
Begg Scotland Uses
Natural Teazles to
Raise the Surface
Fibres Giving the
Cashmere a Luxury
Ripple Finish.
DEVIL IS IN THE DETAIL | 43
'Hands Around Yarn' Courtesy
of Johnstons of Elgin.
44 | STOCKISTS
H
Alexanders of Scotland
Harris Tweed Authority
+44 (0)1771 622422, www.alexandersofscotland.com
info@alexandersofscotland.com
+44 (0)1851 702 269, www.harristweed.org
enquiries@harristweed.org
Andrew Elliot
Harris Tweed Hebrides
+44 (0)1750 720412, www.elliot-weave.co.uk
enquiries@elliot-weave.co.uk
+44 (0)1851 702862, www.harristweedhebrides.com
info@harristweedhebrides.com
Angela Cassidy
Hawick Cashmere
+44 (0)7989 235537, www.angelacassidydesign.com
angela@angelacassidydesign.com
+44 (0)1450 372510, www.hawickcashmere.com
info@hawickcashmere.com
ANTA
Helen Ruth
+44 (0)131 225 9096, www.anta.co.uk
edinburgh@anta.co.uk
+44 (0)7816 770246, www.helenruth.co.uk
helen@helenruth.co.uk
B
Hilary Grant
find us
A
bebaroque
+44 (0)7821 310616, www.hilarygrant.co.uk
mail@hilarygrant.co.uk
+44 (0)131 661 2332, www.bebaroque.co.uk
info@bebaroque.co.uk
Holland & Sherry
Begg Scotland
+44 (0)1721 720101, www.hollandandsherry.com
enquiries@hollandandsherry.co.uk
+44 (0)1292 267615, www.beggscotland.com
enquiries@beggscotland.com
House of Edgar
Belinda Robertson
+44 (0)1738 604054, www.houseofedgar.com
sales@houseofedgar.com
+44 (0)131 557 8118, www.belindarobertson.com
info@belindaroberston.co.uk
I
Bluebellgray
Iona Crawford
+44(0)141 221 0724, www.bluebellgray.com
hello@bluebellgray.co.uk
+44 (0)7816 504926, www.ionacrawford.com
iona@ionacrawford.com
Bridge of Weir Leather Company
J
+44 (0)1505 612132, www.bowleather.co.uk
sales@bowleather.co.uk
Brooks Brothers
+44 (0) 131 226 2827, www.brooksbrothers.com
edinburgh@eu.brooksbrothers.com
Jaggy Nettle
+44 (0)7850 342892, www.jaggynettle.com
info@jaggynettle.com
JC Rennie & Co. Ltd
C
+44 (0)1771 622422, www.jcrennie.com
info@jcrennie.com
Caerlee Mills
Jennifer Kent
+44 (0)1896 830222, www.caerleemills.co.uk
info@caerleemills.com
+44 (0)7841 411715, jenkent86@hotmail.com
Calzeat
+44 (0)1890 761374, www.jostorie.com
natter@jostorie.com
+44 (0)1899 309212, www.calzeat.com
calzeathome@calzeat.com
Cora
+44 (0)7834 178723, info@corastudio.co.uk
nancycreaney@hotmail.com
D
Di Gilpin
+44 (0)1334 840431, digilpincollection.weebly.com
shop@digilpin.com
Jo Storie
Johnstons of Elgin
+44 (0)1343 554099, www.johnstonscashmere.com
shop@johnstonscashmere.com
Judy R. Clark
+44 (0)17933 658642, www.judyrclark.com
judy_rclark@hotmail.com
K
Kinloch Anderson
E
+44 (0)131 555 1355, www.kinlochandrson.com
enquiries@kinlochanderson.com
Emily Lamb
Kirsteen Stewart
+44 (0)141 644 2556, www.emilylambshoes.com
info@emilylambshoes.com
Esk Valley Knitwear
+44 (0)1461 207764, www.eskvalleyknitwear.com
stuart@eskvalleyknitwear.com
F
Fabhatrix
+44 (0)131 225 9222, www.fabhatrix.com
info@fabhatrix.com
Fiona Heather
+44 (0)7966 231664, www.fionaheather.co.uk
heythere@fionaheather.co.uk
Fun Makes Good
+44 (0)7880 620523, www.funmakesgood.co.uk
info@funmakesgood.co.uk
+44 (0)1856 875008, www.kirsteenstewart.co.uk
kirsteenstewart@hotmail.co.uk
Knockando Woolmill
+44 (0)1340 810345, www.knockandowoolmill.org.uk
mail@knockandowoolmill.co.uk
L
Laura Ironside
+44 (0)7825 588459,
l.a.ironside@gmail.com
Laura Spring
+44 (0)7855 056851, www.lauraspring.co.uk
hello@lauraspring.co.uk
Lauren Crawford
+44 (0)7783 596216, www.laurencrawford.co.uk
info@laurencrawford.co.uk
STOCKISTS | 45
Lauren Day
+44 (0)7853 142959
laurenday17@btinternet.com
Louise Kirby
+44 (0)7841 423335, www.louisekirby.com
hello@louisekirby.com
Love Cashmere
+44 (0)1450 377648, www.lovecashmere.com
sales@lovecashmere.com
Lynsey Jean Henderson
+44 (0)774 6833508, www.lynseyjeanhenderson.com
lynsey@lynseyjeanhenderson.com
M
Maccessori
+44 (0)141 337 1375, www.maccessori.com
info@maccessori.com
Macnaughtons of Pitlochry
+44 (0)1796 472722, www.macnaughtonsofpitlochry.com
sales@macnaughtonsofpitlochry.com
Mairi McDonald
+44 (0)7969 122986, mairimcdonald@hotmail.com
Moody Monday
+44 (0)131 656 6543, www.moodymonday.co.uk
info@moodymonday.co.uk
MYB Textiles
+44 (0)1560 321210, www.mybtextiles.com
contactus@mybtextiles.com
N
Natasha Marshall
+44 (0)1476 574401, www.natashamarshall.co.uk
info@natashamarshall.com
Nikki McWilliams
www.nikkimcwilliams.com
nikki@nikkimcwilliams.com
P
Pea Cooper Millinery
+44 (0)7845 755637, www.peacoopermillinery.com
info@peacoopermillinery.com
Peter Greig & Co.
+44 (0)1592 651901, www.petergreig.co.uk
info@petergreig.co.uk
Peter Johnston
+44 (0)131 225 4318, www.peter-johnston.co.uk
bespoke@peter-johnston.co.uk
PickOne
+44 (0)7793 544345, www.pickone.co.uk
jamesyboy@hotmail.com
Printing Pretty
+44 (0)7970 679099, www.printingpretty.com
ruth.egginton@btinternet.com
Psychomoda
+44 (0)131 5576777, www.psychomoda.co.uk
psychomoda1@fsmail.net
R
Rarebird
+44 (0)1851 643329, www.rarebirdhandbags.com
rarebirdhandbags@yahoo.co.uk
Rebecca Torres
+44 (0)7944 197171, www.rebeccatorres.co.uk
info@rebeccatorres.co.uk
Botany Twist Marl Suiting in Grey by Reid
& Taylor, photographer Oscar Jacobson
46 | STOCKISTS
find us
Reid & Taylor
+44 (0)1387 380311, www.reidandtaylor.co.uk
office@reidandtaylor.com
Rosie Sugden
+44 (0)1835 870449, www.rosiesugden.com
info@rosiesugden.com
Almond Raglan Geo
Dress and Almond
Geo Scarf by Angela
Cassidy.
Rug Design Co.
+44 (0)845 345 1744, www.rugdesign.co.uk
info@rugdesign.co.uk
S
Samantha Holmes
+44 (0)1436 676777, www.samanthaholmes.com
mail@samanthatholmes.com
Saratoga Trunk
+44 (0)141 221 4433, www.saratogatrunk.com
mail@saratogatrunk.com
Saunt & Sinner
+44 (0)7970 628898, +44 (0)7508 475967
emma@sauntandsinner.co.uk
toni@sauntandsinner.co.uk
Scalpay Linen
+44 (0)7867 752448, www.scalpaylinen.com
scalpaylinen@hebrides.net
Scott & Charters
+44 (0)1450 373221, www.scottcharters.com
robertcharters@scottcharters.com
Slanj
+44 (0)141 248 5632, www.slanjkilts.com
slanj@btconnect.com
Spalding
+44 (0)1952 682900, www.spaldingeurope.com
info.spalding@fotlinc.com
T
21st CENTURY KILTS
+44 (0)7774 757222, www.21stcenturykilts.com
orders@21stcenturykilts.com
The Carloway Mill Harris Tweed
+44(0)1851 643300, www.thecarlowaymill.com
sales@harris-tweed.co.uk
The House of Bruar
+44 (0)1796 483236, www.houseofbruar.com
retail@houseofbruar.com
www.textilescotland.com
www.facebook.com/textilesscotland
www.twitter.com/TextilesScot
The Isle Mill
+44 (0)1738 609090, www.islemill.com
sales@islemill.com
www.linkedin.com/in/textilesscotland
Turnberry Rugworks
www.youtube.com/TextilesScotland
+44 (0)1655 332183, www.turnberryrugworks.com
info@turnberryrugworks.com
Timorous Beasties
www.issuu.com/textilesscotland
+44 (0)141 337 2622, www.timorousbeasties.com
glasgow@timorousbeasties.com
W
Walker Slater
+44 (0)131 220 2636, www.walkerslater.co.uk
shop@walkerslater.com
We are Rushworth
+44 (0)1289 332238, www.wearerushworth.com
us@wearerushworth.co.uk
William Chambers
+44 (0)7815 096367, www.williamchambers.co.uk
info@williamchambers.co.uk
www.creativescotland.com
www.facebook.com/CreativeScotland
www.twitter.com/creativescots
Design and editorial by
Glasgow
www.webershandwick.co.uk +44 (0)141 333 0557 www.webershandwickdesign.com +44 (0)141 333 0445
(m ud) n. 1. mode, fashion, style 2. manners, good breeding 3. respect, honour 4. good morals
STOCKISTS | 47
Peter Johnston Ready to Wear
Collection and Accessories which
are Exclusively Distributed by Isetan
Mitsukoshi in Japan.
BACK PAGE
Oliver wears:
Uni Red Chino, Uni Blue Shirt, Multi-Coloured Sleeves Top; Solid Knit
Tie and Limited Edition Navy Jacket with Fox Pattern by Brooks
Brothers and Harris Tweed and Signature Leather Lining Footwear
by Jaggy Nettle.
Charlotte wears:
Yellow and Orange Leather Fabric by Bridge of Weir Leather
Company and Belt Created From Hounds Tooth Fabric by Reid and
Taylor.
Thanks to Blythswood Square which provided the perfect setting
for our ‘Enchanting Escape’ photoshoot. Recently restored, this
5-star destination commands one side of Blythswood Square in the
heart of Glasgow. Housing 100 guest rooms, including a penthouse,
the hotel also boasts a luxury spa, exquisite restaurant and a 35
metre Salon – the setting for our picture on pages 30 and 31. It
also is home to a private screening room complete with 40 cinema
chairs upholstered with a colourful mix of Harris Tweed Hebrides
fabric. Keeping true to its Scottish roots, Blythswood Square has
used a range of Scottish fabrics throughout, including Harris Tweed,
lace from Morton Young & Borland (MYB Textiles) and cashmere
throws from Johnstons of Elgin, making it the ideal location to
showcase the finest textiles offering from Scotland.
Blythswood Square, Tel: +44 (0)141 248 8888
www.townhousecompany.com, reserve@blythswoodsquare.com
We would love your feedback on the magazine
so please get in touch through our social
media channels opposite or email us at modh@
webershandwick.com or call Paula Mc Nulty on
+44 (0)141 333 0557 / +44 (0)7770 886924