Using the Avid Adrenaline

Transcription

a
Important Information
Avid® recommends that you read all the information in these installation
instructions thoroughly before connecting or using your new hardware and
software.
This document explains how to use and to connect cables and devices to the
Avid Adrenaline™ Digital Nonlinear Accelerator (DNA) and how to connect
specific devices to an Avid-supported PC or Macintosh® system that the Avid
Adrenaline is connected to. The PC and Macintosh systems supported with
your Avid Adrenaline can change at any time.
n
Please look at the ReadMe file that installs with the application. It contains
important information that is used in conjunction with the information
presented in this document.
Contents
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Avid Adrenaline Front and Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Four-Channel Audio I/O Board Connectors. . . . . . . . . . . . . . . . . . . . 8
Avid DNxcel Board Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
SD Video I/O Board Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Synchronizing Audio and Video Equipment . . . . . . . . . . . . . . . . . . . . . . . . . 13
Power-On Self-Tests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
1394 Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Connecting Peripheral Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Connecting a Video Deck — Component Signal. . . . . . . . . . . . . . . . . . 17
Connecting a Video Deck — Composite Signal . . . . . . . . . . . . . . . . . . 19
Connecting a Video Deck — Serial Digital Signal . . . . . . . . . . . . . . . . . 20
Connecting S-Video or DV Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Connecting Audio Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Connecting a Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
System Connections and Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Connecting the Application Key. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
HP xw8200 System Slot Configuration and Connections . . . . . . . . . . . 27
HP xw8000 System Slot Configuration and Connections . . . . . . . . . . . 29
Macintosh G5 System Slot Configuration and Connections . . . . . . . . . 31
Macintosh G4 System Slot Configuration and Connections . . . . . . . . . 32
Connecting Serial and MIDI Port Devices . . . . . . . . . . . . . . . . . . . . . . . . . . 33
USB and Serial Differences Between Windows and
Macintosh Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Connecting the USB Hub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Connecting the USB Devices to the USB Hub . . . . . . . . . . . . . . . . . . . 34
Connecting the USB-to-Serial Adapter . . . . . . . . . . . . . . . . . . . . . . 35
Connecting the USB-to-MIDI Converter . . . . . . . . . . . . . . . . . . . . . 35
Connecting JL Cooper Fader Controllers . . . . . . . . . . . . . . . . . . . . . . . 36
Connecting the Yamaha 01V Mixer. . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Connecting the Yamaha 01V/96 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . 40
Controlling a Video Deck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
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If You Need Help
Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
SCSI Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Fibre Channel Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
1394 Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Ethernet Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Formatting and Striping MediaDrives (Windows) . . . . . . . . . . . . . . . . . . 43
Formatting and Striping MediaDrives (Macintosh) . . . . . . . . . . . . . . . . . 43
Using Striped Drives on Mac OS X and Mac OS 9.x Systems . . . . 44
Moving Striped Drives to Another System (Macintosh Only). . . . . . 45
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Dimensions and Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Environmental Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Electrical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Regulatory and Safety Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Warnings and Cautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
FCC Notice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Canadian ICES-003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
European Union Notice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Australia and New Zealand EMC Regulations . . . . . . . . . . . . . . . . . . . . 51
Taiwan EMC Regulations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Technical Support Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
If You Need Help
If you are having trouble using Avid Adrenaline:
1. Retry the action, carefully following the instructions given for that task. It
is especially important to check each step of your workflow.
2. Check this ReadMe file for the latest information that might have become
available after the documentation was published.
3. Check the documentation that came with your Avid application or your
hardware for maintenance or hardware-related issues.
3
4. Visit Avid Online Support at www.avid.com/onlinesupport/. Online
support is available 24 hours per day, 7 days per week. Search the
Knowledge Base to find answers, to view error messages, to access
troubleshooting tips, to download updates, and to read/join online
message-board discussions.
5. For Technical Support, please call 800-800-AVID (800-800-2843).
For Broadcast On-Air Sites and Call Letter Stations, call
800-NEWSDNG (800-639-7364).
Symbols and Conventions
These installation instructions use the following symbols and conventions:
Symbol or Convention
Meaning or Action
n
A note provides important related information,
reminders, recommendations, and strong suggestions.
c
A caution means that a specific action you take could
cause harm to your computer or cause you to lose data.
w
4
A warning describes an action that could cause you
physical harm. Follow the guidelines in this document
or on the unit itself when handling electrical equipment.
>
This symbol indicates menu commands (and
subcommands) in the order you select them. For
example, File > Import means to open the File menu
and then select the Import command.
t
This symbol indicates a single-step procedure. Multiple
arrows in a list indicate that you perform one of the
actions listed.
Italic font
Italic font is used to emphasize certain words and to
indicate variables.
Overview
Overview
The Avid Adrenaline is designed to capture and output analog media and
digital media (DV 25) using digital decks, cameras, and digital audiotapes.
The Avid Adrenaline is powered by an autosensing power supply connected
by a standard power cord to a wall plug or power strip.
The Avid Adrenaline accepts video and audio in different formats and
resolutions, and changes these formats and resolutions to Avid-specific data
for transfer to the Avid editing system over a 1394 (FireWire®) cable. The data
transfer uses an Avid-specific protocol that describes the format and resolution
of the data being input.
You then edit the data on the Avid editing system and return it to the Avid
Adrenaline to be changed back to the proper format and resolution as needed
for video and audio output.
The Avid Adrenaline consists of:
•
The Avid Adrenaline enclosure, backplane, power supply, and power cord
•
A standard-definition (SD) video I/O board
•
A high-definition (HD) video I/O board, called the Avid DNxcel™
•
A four-channel audio I/O board
A Professional/Consumer In audio cable is provided with the Avid Adrenaline
that allows you to input four channels of analog audio. The cable has a DB25
connector at one end that plugs into the Avid Adrenaline and eight separate
connectors at the other end that allow you to input either four channels of
professional analog audio (using XLR connectors) or four channels of
consumer analog audio (using RCA® connectors).
Also included in the kit is a 6-pin to 6-pin 1394 cable that connects the
Avid Adrenaline to the host system platform.
The Avid Adrenaline is shipped with a Using the Avid Adrenaline CD-ROM
that includes this online document.
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Avid Adrenaline Front and Rear Panel
The Avid Adrenaline is turned on from the front panel and most cables are
connected at the rear of the enclosure.
Front Panel
The Avid Adrenaline front panel (see the following figure) contains a power
button, a ¼-inch headphone jack and volume control, audio meters, and
various status LEDs.
Avid Adrenaline Front Panel
Status LEDs
HD
SD
DV NTSC PAL REF
Pull
Down
Audio meters
LTC 44.1
48
96
1
2
3
4
5
6
7
8
IN
Power button
6
¼-inch headphone jack
1
2
3
4
5
6
7
8
OUT
Headphone volume control
The status LEDs are used during POST (see “Power-On Self-Tests” on
page 15) and light when the function specified by the LED is active. The
following table shows the name of each LED and describes its function.
LED Functions
LED
Function
HD
Lit when high-definition codec is selected and POST
SD
Lit when standard-definition codec is selected and POST
DV
Lit when DV data is present on the 6-pin 1394 cable between the host
and the Adrenaline. These conditions are:
•
When capturing from a DV source
•
When capturing from an analog or SDI source, and DV is selected
in the Capture tool
•
When performing a Digital Cut with Digital Cut Native selected
NTSC
Lit when an NTSC project is selected
PAL
Lit when a PAL project is selected
REF
Blinks when a Reference signal is connected and constantly on when
the Avid Adrenaline is locked to the incoming Reference signal
Pull Down
Lit when Pull Down is selected in the application
LTC
Lit when LTC IN is being input to the Avid Adrenaline
44.1
Lit when 44.1-MHz audio is selected
48
Lit when 48-MHz audio is selected
96
Lit when 96-MHz audio is selected
Rear Panel
The following boards are attached to the Avid Adrenaline rear panel (see the
following figure):
•
Avid DNxcel (HD Video I/O) board — Provides HD SDI I/O, HD
monitor, HD component, and a HD trilevel sync connections for video
equipment.
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•
Four-channel audio I/O board — Provides two microphone inputs, four
analog I/O channels, two S/PDIF audio I/O channels, four AES/EBU
audio I/O channels, and eight channels of optical ADAT.
•
SD Video I/O board — Provides analog and digital I/O connections for
video equipment, and connects the Avid Adrenaline to the system using a
6-pin 1394 cable. It also provides a reference for syncing equipment to the
Avid Adrenaline.
If you did not order the optional Avid DNxcel board, a blank panel is installed
in the middle slot on the rear of the Avid Adrenaline.
Avid Adrenaline Rear Panel Boards
Avid DNxcel (HD video I/O) board
SD video I/O board
HD SDI IN
GAIN
GAIN
GAIN
2
3
1
OPTICAL
IN
4
1/2
HD SDI OUT
OUT 1
SPDIFF
AES/EBU
ANALOG OUT
ANALOG IN
Four-channel audio I/O board
IN
OUT 2
OUT
1/2
3/4
HD MONITOR OUT
DVI-I
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PB
Y
COMPOSITE
PR
PB
DV
HOST
GAIN 2
PR
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
SDI IN
SDI OUT
OUT
IN
SDTI OUT
Four-Channel Audio I/O Board Connectors
The following figure shows the connections on the four-channel audio I/O
board. The following table describes the function of each connector. You
select which audio inputs to use from the Capture tool when capturing.
Four-Channel Audio I/O Board Connectors
1
2
Gain
8
5
6
OPTICAL
IN
4
1/2
Gain
IN
3/4
1/2
OUT
3/4
9
8
7
SPDIFF
AES/EBU
GAIN
GAIN
GAIN
2
3
4
ANALOG OUT
ANALOG IN
1
3
OUT
WORD
CLOCK
OUT
10
11
n
There is also a headphone jack and volume control located on the front of the
Avid Adrenaline.
Four-Channel Audio I/O Board Identifiers
Number
Label
Function
1
ANALOG IN
Connection for 25-pin DSUB to 4 XLRs (Professional) and 4 RCA
(Consumer) connectorsa
2
ANALOG OUT
Channels 1 – 4 Professional level audio output, male XLR connectors
•
Channels 1 and 3 are left channels.
•
Channels 2 and 4 are right channels.
n
The audio ANALOG OUT channels 1 – 4 are in different locations
depending on the version of your Four-Channel Audio I/O Board.
Check to see how your connectors are labeled
3
AES/EBU IN
AES/EBU channels 1 and 2 digital input, female connectors
4
AES/EBU IN
AES/EBU channels 3 and 4 digital input, female connectors
5
AES/EBU OUT
AES/EBU channels 1 and 2 digital output, male connector
6
AES/EBU OUT
AES/EBU channels 3 and 4 digital output, male connector
7
S/PDIF IN
S/PDIF digital input, white phono (RCA) jack
8
S/PDIF OUT
S/PDIF digital output, red phono (RCA) jack
9
OPTICAL IN
8 optical channels input
10
OPTICAL OUT
8 optical channels output
11
WORD CLOCK OUT
Internal clock output to synchronize audio and video, BNC connectorb
—
GAIN
Gain controls for each audio channel
a. Gain control between –10 and +4 is controlled by a software switch.
b. Word Clock is used to signal the timing of digital audio data words. It is not timecode, which is used to indicate your
place in the program material. Word Clock takes care of the transmission of digital audio from AES/EBU, S/PDIF, or
optical connections. There is normally one device designated as the Word Clock Master (also known as House Clock)
in the studio. All other digital audio devices function as a slave to the House Clock.
9
Avid DNxcel Board Connectors
The following figure shows the connections on the Avid DNxcel (HD video
I/O) board. The table following the figure describes the function of each
connector.
Avid DNxcel Board Connectors
1
2
3
HD SDI IN
4
5
HD SDI OUT
OUT 1
HD MONITOR OUT
DVI-I
OUT 2
6
7
8
HD COMPONENT OUT
Y
PB
PR
HD TRILEVEL
SYNC
TM
Avid DNxcel Board Identifiers
Number
Label
Function
1
HD SDI IN
High-Definition Serial Digital Interface input, BNC connector.
2
HD SDI OUT 1
High-Definition Serial Digital Interface output number 1, BNC
connector.
3
HD SDI OUT 2
High-Definition Serial Digital Interface output number 2, BNC
connector.
4
HD MONITOR OUT
High-Definition DVI (Digital Visual Interface) output connector;
connects to an HDTV monitor.
DVI-I
n
The use of a VGA adapter is not supported.
5
Y, HD COMPONENT OUT
6
PB, HD COMPONENT OUT HD analog component video output, PB color difference signal,
BNC connector; connects to analog video input of a monitor or
waveform /vector.
7
PR, HD COMPONENT OUT HD analog component video output, PR color difference signal,
BNC connector; connects to analog video input of a monitor or
waveform /vector.
8
HD TRILEVEL SYNC
10
HD analog component video output, Y luma signal, BNC connector;
connects to analog video input of a monitor or waveform /vector.
High-Definition video reference input for tri-level sync.
SD Video I/O Board Connectors
The following figure shows the connections on the SD video I/O board. The
following table describes the function of each connector.
n
Video signals are output to all analog video connectors during capture and
playback for client monitor use.
SD Video I/O Board Connectors
11
6
ANALOG IN
14
16
22
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
PR
Y
COMPOSITE
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
1
2
3
4
5
7
8
9
10
12
SDI IN
SDI OUT
IN
SDTI OUT
13 15 17
18
19
OUT
20
21
23
SD Video I/O Board Identifiers
Number
Label
Function
1
Reference IN (REF)
Video reference input for a black burst or house sync signal, BNC
connector
2
Y, ANALOG IN (component) Analog component video input, Y luma, BNC connector;
connects to the Y video output of decks
3
PR, ANALOG IN
(component)
Analog component video input, PR color difference signal, BNC
connector; connects to R-Y video output of decks
4
PB, ANALOG IN
(component)
Analog component video input, PB color difference signal, BNC
connector; connects to the B-Y video output of decks
5
COMPOSITE, ANALOG IN
Composite video input, BNC connector; connects to analog video
output of decks
6
S-VIDEO, ANALOG IN
Super-video input, 4-pin connector; connects to analog video
output of decks
7
S-VIDEO, ANALOG OUT
Super-video output, 4-pin connector; connects to analog video
input of decks
11
SD Video I/O Board Identifiers (Continued)
Number
Label
Function
8
Y, ANALOG OUT
(component)
Analog component video output, Y luma, BNC connector;
connects to Y video input of decks
9
PR, ANALOG OUT
(component)
Analog component video output, PR color difference signal, BNC
connector; connects to R-Y video input of decks
10
PB, ANALOG OUT
(component)
Analog component video output, PB color difference signal, BNC
connector; connects to B-Y video input of decks
11
COMPOSITE,
ANALOG OUT 1
Composite video output, BNC connector; connects to analog
video input of decks or monitor
12
COMPOSITE,
ANALOG OUT 2
Composite video output, BNC connector; connects to analog
video input of decks or monitor
13
SDI IN
Serial Digital Interface input, BNC connector
14
SDI OUT
Serial Digital Interface output, BNC connector
15
SDI OUT
Serial Digital Interface output, BNC connector
16
SDTI OUT 1
Serial Data Transport Interface output, BNC connector
17
SDTI OUT a
Serial Data Transport Interface output, BNC connector
18
HOST, 1394
6-pin 1394 connection used to input/output audio and video
to/from system
19
DV, 1394
4-pin 1394 connection used to input/output DV 25 audio and
video data to/from 1394 decks or cameras; this connection is not
for DV 50 or DVCPRO HD devices. DV 50 and DVCPRO HD
devices require an optional 1394 board on a separate bus.
n
12
Devices connected to the DV connector must be turned on
after the Avid Adrenaline is turned on. For more
information see, “1394 Requirements” on page 16.
Synchronizing Audio and Video Equipment
SD Video I/O Board Identifiers (Continued)
Number
Label
Function
20
LTC IN
Longitudinal timecode input, female connector; can be used in
place of 9-pin deck control when deck control is not required
21
LTC OUT
Longitudinal timecode output, male connector; master clock used
to stripe tapes and synchronize systems to the house master clock
(SMPTE for NTSC, and EBU for PAL)
22
MONITOR, OUT 1
23
MONITOR, OUT 2
¼-inch audio tip/ring/sleeve (TRS) jacks that each output one
channel (left/right) of audio to speakers. The audio feeding this
connection is from the incoming or outgoing audio.
TRS jack provides balanced professional level
c This
audio to your speaker system. Do not use ¼ mono cables
in this connector, as your output levels might be too
high.
a. At this time, the SDTI outputs function as SDI outputs.
Synchronizing Audio and Video Equipment
Avid editing systems require synchronization when capturing audio and video.
Digital audio signals (AES/EBU, S/PDIF, and optical) contain their own
synchronization (sync) signal. A sync signal for analog audio and analog
video can also be generated from the connected REF signal, from incoming
video, or internally by the Avid Adrenaline.
n
The digital signal from a 1394 device has its own sync signal, to which the
Avid Adrenaline synchronizes.
n
When doing a digital cut, you need to select the type of sync you are using in
the Video Output tool.
The following list summarizes how sync works:
•
HD Tri-Level Sync — Tri-level sync signals are generated from the
incoming tri-level house sync. If there is no sync connected, an internal
sync is used.
Tri-level sync works similar to an analog sync, but the tri-level sync signal
consists of a three-level sync pulse: zero volts (0V) blank, a –0.3 V pulse,
and a +0.3 V pulse.
13
n
Do not connect a tri-level sync to the Ref connector on the SD Video I/O board
or connect the reference sync to the tri-level sync connector on the
Avid DNxcel board. The proper sync signal must be connected to the correct
connector for the sync to work.
•
n
Video Reference IN (REF) — Sync signals are generated from the
incoming black burst generator (BBGen) or from a house sync. If there is
no sync connected to REF, an internal sync is used.
By default, the sync signal is generated from incoming video whenever you
capture analog video. Depending on the configuration of the audio and video
equipment attached to the Avid Adrenaline, you might need to use a BBGen or
house sync; for example, when you perform an Insert Edit.
•
Incoming video signal — When you capture video, a sync signal is
generated by the Avid Adrenaline from the incoming video: component,
composite, SDI, S-Video, or DV.
When you capture analog video and audio, the Avid Adrenaline generates
a sync signal from the incoming video, but it does not sync your video to
your audio. You must sync these externally to the Avid Adrenaline.
c
14
•
Word Clock Out signal — The Word Clock Out signal is primarily used
to sync an audio device with the Avid Adrenaline’s internal sync. When
the Avid Adrenaline generates a sync signal from a video input, an audio
device can use the Word Clock Out to sync to the Avid Adrenaline.
•
Incoming analog audio — When you capture audio only, the Avid
Adrenaline does not sync to the incoming audio. An external sync should
be used in this case.
When you capture audio using the AES/EBU inputs on the Avid
Adrenaline, always use AES/EBU channels 1 and 2 first. The AES/EBU
1/2 connector syncs to the incoming digital signal. If you connect to the
AES/EBU 3/4 connector only, the internal sync on the Avid Adrenaline
does not sync with the incoming digital audio signal and the audio data
will be corrupted. Use the AES/EBU 3/4 connector only if you need
4 channels of AES/EBU audio.
Power-On Self-Tests
Power-On Self-Tests
The Avid Adrenaline runs power-on self-tests (POSTs) to determine if the box
and the boards within the box are operating properly each time you turn it on.
If a failure occurs during the POST, specific Avid Adrenaline status LEDs on
the front panel (see the following figure) light to help you determine which
board within the Avid Adrenaline is not functioning properly.
Avid Adrenaline Status LEDs
Status LEDs used for POST
Power
button
HD
SD
DV NTSC PAL REF
Pull
Down
LTC 44.1
48
96
1
2
3
4
5
6
IN
HD
SD
DV NTSC PAL
7
8
1
2
3
4
5
6
7
8
OUT
REF
The following table shows the failure codes presented on the LEDs that define
passing and failing during POST, and which specific board has failed.
n
If no LEDs are lit 10 seconds after you turn on the Avid Adrenaline, the Avid
Adrenaline has not yet reached the capability of running diagnostics and
should be considered nonfunctional.
When a failure occurs in the POST, both the high-definition (HD) and
standard-definition (SD) LEDs are lit and the DV and NTSC LEDs define the
failing board. The PAL and REF LEDs might be on or off. For more
information on the LEDs, see “Front Panel” on page 6.
POST Failure Codes
HD
SD
DV
NTSC
PAL
REF
Failed Board
On
On
On
On
–
–
Audio
On
On
On
Off
–
–
Avid DNxcel
On
On
Off
–
–
–
SD Video
15
1394 Requirements
The rear of the Avid Adrenaline has two 1394 connectors. The 6-pin connector
is used to connect the Avid Adrenaline to the system. The 4-pin connector is
used for connecting cameras, decks or other video devices for input or output.
For connector locations see, “SD Video I/O Board Connectors” on page 11.
n
n
Macintosh systems more commonly use the term FireWire, where Windows
systems use the IEEE term of 1394.
The multiple FireWire connectors on Macintosh systems are on the same bus.
You must install a separate 1394 board in Macintosh and Windows systems if
you want to attach 1394 drives.
Cable
The IEEE 1394 cabling standard requires that IEEE 1394 (FireWire) devices
be within 14.76 ft (4.5 m) of the next bus connector. When connecting a
FireWire device (drive, camera, or deck), your FireWire cable must not exceed
this length. Avid products do not support the use of IEEE 1394 (FireWire)
repeaters to boost or extend the signal to the device.
In addition, Avid does not support any type of cable extender or FireWire hub
between the Avid editing system connection and the Avid Adrenaline or the
Avid Mojo™. If the Avid editing system does not sense a direct connection to
the Avid Adrenaline or the Avid Mojo, the Avid product enters a nonoperating mode.
Devices
1394 (FireWire) decks and cameras that are connected to the Avid Adrenaline
must be turned on after the Avid Adrenaline. Avid recommends you turn on
your Avid editing system and start the Avid editing application as follows:
To turn on an Avid editing system with a FireWire device:
1. Turn on the system.
2. Turn on the Avid Adrenaline.
3. Turn on the 1394 (FireWire) device.
16
Connecting Peripheral Equipment
n
Although some devices appear to be turned off, they can still send data over
the 1394 bus. Many support a standby mode. To ensure the device is off,
disconnect the power cord.
4. Start the Avid editing application.
n
To capture, play, or perform a digital cut with DV 50 or DVCPRO HD media,
you need to capture using a separate 1394 (FireWire) port. For more
information, see “Capturing DV 50 and DVCPRO HD Media Directly from a
DV Device” in the Help.
There are several possible cabling configurations depending on your camera,
video deck, and client monitor. The audio and video output signals are
available to each output connector at the same time. Industry-standard video
and audio cables are not included with the Avid Adrenaline. The following
sections describe several possible connections:
•
Connecting a Video Deck — Component Signal
•
Connecting a Video Deck — Composite Signal
•
Connecting a Video Deck — Serial Digital Signal
•
Connecting S-Video or DV Signals
•
Connecting Audio Signals
•
Connecting a Client Monitor
A component video deck connection requires the following:
•
Two component video cables with three BNC connectors at both ends
•
A video deck with component inputs and outputs
To connect a deck using component signals:
1. Locate one component video cable.
The cables used in the following example have three BNC connectors on
each end of the cable and are color coded (red, green, and blue).
17
2. Attach one end of the cable to the Avid Adrenaline inputs as follows (see
the following figure):
a.
Connect the BNC attached to the green wire to the component input
connector labeled Y.
b.
Connect the BNC attached to the red wire to the component input
connector labeled PR.
c.
Connect the BNC attached to the blue wire to the component input
connector labeled PB.
1
4
HD SDI OUT
OUT 1
OPTICAL
IN
1/2
HD SDI IN
SPDIFF
GAIN
GAIN
GAIN
2
3
AES/EBU
ANALOG OUT
ANALOG IN
IN
3/4
HD MONITOR OUT
DVI-I
OUT 2
Component in
OUT
1/2
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
SDI IN
SDI OUT
SDTI OUT
IN
OUT
Component out
To component out
on deck
To component in
on deck
3. Attach the other end of the component cable to Component output of your
video deck as follows:
18
a.
Connect the BNC attached to the green wire to the component output
b.
Connect the BNC attached to the red wire to the component output
connector labeled R-Y.
c.
Connect the BNC attached to the blue wire to the component output
connector labeled B-Y.
4. Locate another component video cable and attach it to the Avid
Adrenaline outputs as follows (see the previous figure):
a.
Connect the BNC attached to the green wire to the component output
b.
Connect the BNC attached to the red wire to the component output
connector labeled PR.
c.
Connect the BNC attached to the blue wire to the component output
connector labeled PB.
5. Attach the other end of the component cable to Component input of your
video deck as follows:
n
a.
Connect the BNC attached to the green wire to the component input
b.
Connect the BNC attached to the red wire to the component input
connector labeled R-Y.
c.
Connect the BNC attached to the blue wire to the component input
connector labeled B-Y.
Make sure you terminate the input signal if your video deck supports
passthrough. See the documentation that is provided with your video deck.
A composite video deck connection requires the following:
•
Two composite video cables with BNC connectors at both ends
•
A video deck with composite inputs and outputs
19
To connect a deck using composite signals:
1. Locate one composite video cable.
2. Attach one end of the cable to the Avid Adrenaline Composite output
connector on the SD video I/O board (see the following figure).
HD SDI OUT
OUT 1
OPTICAL
IN
4
1/2
HD SDI IN
SPDIFF
GAIN
GAIN
GAIN
2
3
AES/EBU
ANALOG OUT
ANALOG IN
1
IN
OUT
1/2
3/4
HD MONITOR OUT
DVI-I
OUT 2
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
Composite in
To composite out
on Video deck
SDI IN
SDI OUT
IN
SDTI OUT
OUT
Composite out
To composite in
on video deck
3. Attach the other end of the composite cable to Composite input of your
video deck.
4. Locate another composite video cable and attach it to the Avid Adrenaline
Composite input on the SD video I/O board (see the previous figure).
5. Attach the other end of the composite cable to Composite output of your
video deck.
n
Connecting a Video Deck — Serial Digital Signal
A serial digital video deck connection requires the following:
20
•
Two serial digital cables with BNC connectors at both ends
•
A video deck with serial digital inputs and outputs
To connect a deck using serial digital signals:
1. Locate one serial digital cable.
2. Attach one end of the cable to the SDI IN on the Avid Adrenaline SD
video I/O board or HD SDI IN on the Avid DNxcel board (see the
following figures).
Connecting a Video Deck — Digital Signal to the DNxcel Board
1
IN
4
IN
1/2
HD SDI IN
HD SDI OUT
OUT 1
OPTICAL
GAIN
GAIN
GAIN
2
3
SPDIFF
AES/EBU
ANALOG OUT
ANALOG IN
HD SDI OUT
OUT
1/2
3/4
3/4
HD COMPONENT OUT
HD MONITOR OUT
DVI-I
OUT 2
WORD
CLOCK
OUT
OUT
Y
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PB
PR
Y
PB
PR
Y
COMPOSITE
DV
HOST
GAIN 2
REF
GAIN 1
1
HD SDI IN
MONITOR
2
COMPOSITE
SDI IN
SDI OUT
OUT
IN
SDTI OUT
To serial digital input
on video deck
To serial digital output
on video deck
Connecting a Video Deck — Digital Signal to the SD Video I/O Board
1
4
HD SDI OUT
OUT 1
OPTICAL
IN
1/2
HD SDI IN
SPDIFF
GAIN
GAIN
GAIN
2
3
AES/EBU
ANALOG OUT
ANALOG IN
IN
3/4
HD MONITOR OUT
DVI-I
OUT 2
OUT
1/2
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
SDI IN
To serial digital output
on video deck
SDI IN
SDI OUT
SDTI OUT
IN
OUT
SDI OUT
To serial digital input
on video deck
3. Attach the other end of the serial digital cable to serial digital output on
the video deck.
21
4. Locate another serial digital cable and attach it to the SDI OUT on the
Avid Adrenaline SD video I/O board or HD SDI OUT on the
Avid DNxcel board (see the previous figures). You can use either SDI
OUT connectors on the two boards.
5. Attach the other end of the serial digital cable to the serial digital input on
the video deck.
n
Connecting S-Video or DV Signals
The S-Video and DV connectors on the rear of the Avid Adrenaline use
industry-standard connectors. The connections are as follows:
•
There are two S-Video connectors on the rear of the Avid Adrenaline. One
connector is for video input, and the other is for video output. The
following figure identifies the connectors.
•
The DV connector uses a 4-pin 1394 cable that carries the video and audio
input and output signals to and from your DV device. You can also use a
4-pin to 6-pin DV cable if your DV device uses a 6-pin connector. The
following figure identifies the connector.
Connecting S-Video or DV to the Deck
1
HD SDI IN
OPTICAL
IN
4
1/2
HD SDI OUT
OUT 1
SPDIFF
GAIN
GAIN
GAIN
2
3
AES/EBU
ANALOG OUT
ANALOG IN
IN
3/4
HD MONITOR OUT
DVI-I
OUT 2
OUT
1/2
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
S-Video input
22
SDI IN
SDI OUT
S-Video output
SDTI OUT
IN
OUT
4-pin DV
Connecting Audio Signals
Avid provides a Professional Line In Audio cable with the Avid Adrenaline
(see the following figure). The Avid-supplied cable uses a DB-25 connector on
one end and eight separate connectors at the other end that allow you to input
either four channels of professional analog audio (using XLR connectors) or
four channels of consumer analog audio (using RCA connectors).
Analog Professional Line In Audio Cable
The connections between the Avid Adrenaline and video deck vary depending
on the type of audio equipment and video deck you have. The following figure
identifies the connections for your audio equipment. See “Four-Channel
Audio I/O Board Connectors” on page 8 for more connector information.
Channels 1 and 3 are left channels, channels 2 and 4 are right channels.
n
The audio ANALOG OUT channels 1 – 4 are in different locations depending
on the version of your Four-Channel Audio I/O Board. Check to see to how
your connectors are labeled.
Audio Input and Output Connections
ANALOG OUT
XLR audio out
cable connection
ANALOG IN
Avid-supplied
analog line in
cable connection
1
HD SDI IN
GAIN
GAIN
SPDIFF
AES/EBU
OPTICAL
IN
4
1/2
HD SDI OUT
OUT 1
S/PDIF I/O
connections
Optical I/O
connections
ANALOG OUT
ANALOG IN
GAIN
2
3
AES/EBU I/O
cable connection
IN
3/4
HD MONITOR OUT
DVI-I
OUT 2
OUT
1/2
3/4
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
OUT
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
SDI IN
SDI OUT
SDTI OUT
IN
OUT
23
To connect your audio equipment:
1. Attach the audio output ports on the Avid Adrenaline to the input ports on
the video deck or audio device (see the preceding figure).
2. Connect the audio input ports on the Avid Adrenaline to the output ports
on the video deck or audio device.
The Avid Adrenaline provides two balanced ¼-inch audio tip/ring/sleeve
(TRS) jacks for monitoring your audio. The MONITOR output jacks are on
the SD Video I/O board. When you play a sequence, the audio tracks are
mixed down to stereo for playing through the monitor speakers (see the
following figure).
c
These TRS jacks provide balanced professional level audio to your
speaker system. Do not use ¼-mono cables in this connector, as your
output levels might be too high.
Audio Monitoring Connection
Avid Adrenaline
HD SDI IN
OPTICAL
IN
4
1/2
HD SDI OUT
OUT 1
SPDIFF
GAIN
GAIN
GAIN
2
3
1
AES/EBU
ANALOG OUT
ANALOG IN
IN
3/4
HD MONITOR OUT
DVI-I
OUT 2
OUT
1/2
HD COMPONENT OUT
Y
WORD
CLOCK
OUT
Speakers
OUT
3/4
PB
HD TRILEVEL
SYNC
PR
TM
ANALOG IN
LTC
1394
ANALOG OUT
S-VIDEO
PR
PB
COMPOSITE
Y
PR
PB
HOST
DV
GAIN 2
Y
GAIN 1
1
REF
MONITOR
2
COMPOSITE
SDI IN
SDI OUT
SDTI OUT
IN
OUT
Output to monitoring
speakers
24
System Connections and Configurations
Connecting a Client Monitor
To view the video as it passes through the Avid Adrenaline, you might want to
connect a Client monitor. All analog video outputs are active when you play a
sequence or when you capture data. A Client monitor can be connected to any
of the following video outputs on the SD video I/O board (see “SD Video I/O
Board Connectors” on page 11):
c
•
Component
•
Composite
•
SDI
•
S-Video
•
DV
If you use the DV connection for a Client monitor, Avid cannot guarantee
that the DV device will be synchronized with the playing of the data in the
system.
A Client monitor can be connected to of the following video outputs on the
HD video I/O board (see “Avid DNxcel Board Connectors” on page 10):
•
HD Monitor Out
•
HD Component Out
Most video decks provide a video output connector. You can connect a
monitor to the deck to see the video sent to the Avid Adrenaline or the video
the Avid Adrenaline sends to the deck. See the documentation that came with
your video deck for more information.
c
The video you see in the monitor connected to the deck might not indicate
there is a video signal going to the Avid Adrenaline.
The Avid Adrenaline has been tested with the following PC and Macintosh
products, which are used as examples in this document:
•
HP® Workstation xw8200
•
HP Workstation xw8000
25
•
Apple, dual 2.8-GHz (or faster) PowerPC G5 system
•
Apple® FireWire 800, dual 1.42-GHz PowerPC® G4 system
The 2.4 GHz Mobile P4 Dell Latitude C840 and the 1.33-GHz Apple
PowerBook® G4 17-inch are also available for use with the Avid Adrenaline,
but they are not used as examples in this document. You might need to provide
a 6-pin to 4-pin cable for use with your Dell Latitude C840.
As more systems and third-party boards are tested and qualified, and as
different configurations are approved, they will be placed on the Avid web
site. For the latest information concerning system availability, go to
www.Avid.com. Click your product line (for example, Broadcast or Video
Editing) and then click your Avid application.
Connecting the Application Key
The application key (see the following figure), commonly referred to as a
dongle, allows the Avid software to run on your system. If you have not yet
connected the application key, you should do so before you run the Avid
application. If your system has USB ports in the front and in the rear, Avid
recommends that you connect the application key to a USB port at the rear of
the system.
Application Key
26
HP xw8200 System Slot Configuration and Connections
Avid has qualified the xw8200 system with the NVIDIA® Quadro® FX 1300
graphics board to be used with the Avid Adrenaline. Other PC systems and
graphics boards might be qualified at a later date.
The following table lists the Avid qualified slot configuration for the xw8200
system. The following figure identifies the slots and connections on the rear of
the xw8200 system.
c
The ATTO™ 3300 and 3305 Fibre Channel boards are designed for
100 MHz PCI-X bus slots. If these Fibre Channel boards are installed into
a PCI-X 133 MHz bus slot, you will experience data corruption and data
loss. Make sure you install ATTO 3300 or 3305 Fibre Channel board in a
PCI-X slot that runs at 100 MHz or less.
HP Workstation xw8200 Slot Assignments
Slot
Description
PCI slot 1 (32-bit, 33 MHz, 5 V)
Do not use. (This bus segment is used by the integrated 1394 and the
integrated Ethernet.)
n
An on-board Ultra 320 SCSI connector panel occupies this
location. The on-board SCSI is on the same bus segment as
slots 6 and 7.
PCI Express slot 2 (x16 Graphics bus)
Qualified OGL graphics board
Do not use. This bus segment is used by the integrated 1394 and the
integrated Ethernet.
PCI Express slot 4 (x8 mechanically,
x4 electrically)
Do not use. Currently, Avid has not qualified any boards for this slot.
PCI-X slot 5 (64-bit, 133 MHz, 3.3 V)
(Option) Avid Unity™ LANshare EX or Avid Unity PortServer gigabit
board or second 1394 board. See “Ethernet Support” on page 42 for
more Ethernet informations.
not install the ATTO 3300 or 3500 Fibre Channel board
c Do
in this slot.
a second 1394 (FireWire) board, make sure that it
n Ifrunsyouoninstall
3.3 volts or is a Universal board. Universal boards
operate at 5 volts and at 3.3 volts.
27
HP Workstation xw8200 Slot Assignments (Continued)
Slot
Description
(Option) Fibre Channel board to Avid Unity system or Fibre Channel
board to playback device
Available slot
Rear View of xw8200 System
PS/2 ports
Parallel port
Serial port
USB ports
LAN connection
1394 6-pin connection
Microphone
Line OUT
Line IN
PCI Slots
28
Channel A SCSI connector
Video graphics board
1
2
3
4
5
6
7
Channel B SCSI connector
HP xw8000 System Slot Configuration and Connections
Avid has qualified the xw8000 system with the NVIDIA Quadro4 980 XGL
graphics board to be used with the Avid Adrenaline. Other PC systems and
graphics boards might be qualified at a later date.
The following table lists the Avid qualified slot configuration for the xw8000
system. The following figure identifies the slots and connections on the rear of
the xw8000 system.
c
The ATTO 3300 and 3305 Fibre Channel boards are designed for
100 MHz PCI-X bus slots. If these Fibre Channel boards are installed into
a PCI-X 133 MHz bus slot, you will experience data corruption and data
loss. Make sure you install ATTO 3300 or 3305 Fibre Channel board in a
PCI-X slot that runs at 100 MHz or less.
HP Workstation xw8000 Slot Assignments
Slot
Description
AGP slot
Qualified OGL graphics board
(Option) Avid Unity LANshare EX or Avid Unity PortServer gigabit
board or second 1394 board. See “Ethernet Support” on page 42 for
more Ethernet informations.
not install the ATTO 3300 or 3500 Fibre Channel board
c Do
in this slot.
a second 1394 (FireWire) board, make sure that it
n Ifrunsyouoninstall
3.3 volts or is a Universal board. Universal boards
operate at 5 volts and at 3.3 volts.
29
HP Workstation xw8000 Slot Assignments (Continued)
Slot
Description
Available slot
(Option) Fibre Channel board to Avid Unity system or Fibre Channel
board to playback device
Rear View of xw8000 System
Keyboard and mouse
USB ports
Parallel port
Serial port
1394 6-pin connection
LAN connection
Microphone
Line OUT
Line IN
AGP Slot
PCI Slots
30
Channel A SCSI connector
1
2
3
4
5
Channel B SCSI connector
Macintosh G5 System Slot Configuration and Connections
The following table lists the Avid qualified slot configuration for the
Macintosh G5 system. The following figure identifies the slots and
connections on the rear of the Macintosh G5 system.
G5 Slot Assignments
Slot
Description
(Option) Second 1394 FireWire board or
Ultra320 SCSI (UL4D) board
(Option) Fibre Channel board to Avid Unity system
(Option) Ultra160 SCSI (UL3D) board or second 1394 FireWire
board when an Ultra320 SCSI board is used in slot 4
AGP slot
Apple graphics board
Rear View of G5 System
Slot 4
Slot 1 Apple graphics board
Audio connections
USB ports
FireWire 400, 6-pin connection
FireWire 800, 9-pin connection (1394B)
Ethernet connection
Modem connection
31
Macintosh G4 System Slot Configuration and Connections
Avid has qualified the G4 system with the NVIDIA GeForce™4 Titanium
graphics board to be used with the Avid Adrenaline. Other Macintosh systems
and graphics boards might be qualified at a later date.
The following table lists the Avid qualified slot configuration for the
Macintosh G4 system. The following figure identifies the slots and
connections on the rear of the Macintosh G4 system.
G4 Slot Assignments
Slot
Description
Available slot
(Option) Avid Unity LANshare EX or Avid Unity PortServer gigabit
board or second 1394 FireWire board
(Option) SCSI or Fibre Channel board to Avid Unity system
(Option) SCSI or Fibre Channel board to Avid Unity system
AGP slot
Apple graphics board
Rear View of G4 System
Slot 5
5
4
3
Slot 1 Apple
graphics board
USB ports
FireWire 6-pin
connections
Audio connections
32
2
1
Connecting Serial and MIDI Port Devices
Avid systems support the connection of two different MIDI fader controllers
and a Yamaha® 01V mixer. The fader controllers and the 01V mixer connect
to the MIDISPORT™ 2x2 USB-to-MIDI converter attached to the USB ports.
The two fader controllers are the JL Cooper FaderMaster Pro™ and the JL
Cooper MCS-3000X. Avid supports recording automation gain using the
MIDI features of the 01V mixer.
USB and Serial Differences Between Windows and Macintosh
Systems
If you have a Windows system, you most likely have 2 or more USB
connections and one serial connection. If you need more than one serial
connection, Avid recommends using a USB-to-serial adapter. See the
documentation that comes with the device.
If you have a Macintosh system, you might have two USB connectors and no
serial ports. Avid suggests you attach a USB hub to the rear of the system and
use a Keyspan Twin USB-to-serial adapter (Macintosh only) for deck control.
Connecting the USB Hub
The USB hub explained in this section converts one USB port into seven USB
ports. The USB hub kit (see the following figure) contains a USB hub, a power
adapter, and a USB cable.
n
n
The USB hub shown in the example might not be the actual USB hub you use.
However, the example shown provides enough information to allow you to
properly connect whatever USB hub you decide to use.
The USB hub is supported only when it is powered by an ac adapter.
The USB hub has the following connections:
•
USB ports 1 through 7
•
Device connection
•
On/Off switch
•
Power connection
33
USB Hub
DC connector
AC power adapter
USB hub
USB cable
USB ports
Device connection
On/Off switch
Power connection
Device connector
USB connector
To connect the USB hub:
1. Connect the power adapter to the USB hub:
a.
Plug the dc connector of the ac power adapter into the USB hub
power connection.
b.
Plug the ac power adapter into a wall outlet or power strip.
2. Connect the USB hub to the system using the USB cable:
a.
Plug the device connector of the USB cable into the device
connection at the rear of the USB hub.
b.
Plug the USB connector of the USB cable into one of the USB ports
at the rear of the system.
3. Turn on the power.
Connecting the USB Devices to the USB Hub
Once the USB hub is connected to the system, you can connect the following
USB devices to the USB hub:
34
•
USB-to-serial adapter
•
USB-to-MIDI converter
Connecting the USB-to-Serial Adapter
The USB-to-serial adapter connects to a USB port on the USB hub (see the
following figure).
USB-to-Serial Adapter
USB-to-serial
adapter cable
To connect the USB-to-serial adapter to the USB hub:
1. Plug the USB-to-serial adapter cable into a USB port on the USB hub (see
“Connecting the USB Hub” on page 33 for port locations).
2. Install the USB-to-serial adapter software, using the instructions that
came with the USB-to-serial adapter.
Connecting the USB-to-MIDI Converter
Avid recommends the use of the MIDISPORT 2x2 USB-to-MIDI converter
connected to a USB hub for the Macintosh systems or to a USB port on a PC
(see the following figure).
Connecting the USB-to-MIDI Converter
USB-to-MIDI converter USB cable
Device connector
n
Device connector
USB connector
The ReadMe file and the Help in your application explains how to install the
drivers and configure the USB-to-MIDI converter.
35
To connect the USB-to-MIDI converter to a port on the USB hub:
1. Locate the MIDI converter USB cable.
2. Connect the device connector of the USB cable to the device connector on
the USB-to-MIDI converter.
3. Connect the other end of the USB cable to a USB port on the USB hub
(see “USB Hub” on page 34 for a port location).
4. Push the USB/MIDI Thru button in to allow the device to function as a
USB-to-MIDI converter (see the following figure).
USB-to-MIDI Converter Front Panel
IN A
USB/
MIDI
Thru
IN B
Button (In position)
USB
IN A
OUT A
OUT B
Connecting JL Cooper Fader Controllers
Your Avid system supports the FaderMaster Pro and the MCS-3000X fader
controllers. Both of the fader controllers connect to a USB-to-MIDI converter
that connects to a USB port on the system. See your Avid editing application
Help to initialize your JL Cooper fader controllers.
Fader controller connections are shown for both the MCS-3000X and the
FaderMaster Pro (see “JL Cooper MCS-3000X Fader Controller Cabling” on
page 37 and “JL Cooper FaderMaster Pro Fader Controller Cabling” on
page 38). There are two major differences between the two fader controllers:
•
The MCS-3000X has a four-position switchpack that is not on the
FaderMaster Pro.
•
The MIDI IN and MIDI OUT are in opposite positions in the MCS-3000X
and the FaderMaster Pro.
To connect the fader controllers:
1. Quit any open applications.
2. Shut down the Avid editing system.
3. Make sure your USB-to-MIDI converter is connected to the USB port as
explained in “Connecting the USB-to-MIDI Converter” on page 35.
36
4. If you are cabling the MCS-3000X, set switch 4 to the ON (down)
position. The switch is upside down on the MCS-3000X (see the
following figure).
5. Locate two MIDI cables with 5-pin DIN connectors.
n
You can use the In A and Out A connector pair or the In B and Out B
connector pair on the rear of the USB-to-MIDI converter. Whichever pair you
use, select the corresponding port when you configure the device using the
Controller Settings dialog box in the Avid editing application. For information
on configuring the device, see “Using the Fadermaster Pro and MCS-3000X”
in the Help.
6. Plug one end of the first MIDI cable into the In A connector of the USBto-MIDI converter (see “USB-to-MIDI Converter Front Panel” on
page 38), and the other end of the cable into the MIDI OUT connector of
the fader controller.
7. Plug one end of the second MIDI cable into the Out A connector of the
USB-to-MIDI converter, and the other end of the cable into the MIDI IN
connector of the fader controller.
8. Make sure the button on the front of the USB-to-MIDI converter is pushed
in (see “USB-to-MIDI Converter Front Panel” on page 38).
JL Cooper MCS-3000X Fader Controller Cabling
ON
MIDI cable
CTS 206-4
1 2 3 4
Switch
EXPANDER
SELECT
USB-to-MIDI
converter (rear)
MIDI IN
MIDI OUT MIDI IN
ON
POWER
Out A
In B
Out B
Out A
MIDI OUT
MIDI cable to In A
(see “USB-to-MIDI
Converter Front
Panel” on page 38)
37
JL Cooper FaderMaster Pro Fader Controller Cabling
MIDI cable
MIDI IN
Power 9VDC
_
MIDI In
MIDI Out
Switch In
Switch Out
+
Out A
MIDI OUT
In B
Out B
USB-to-MIDI
converter (rear)
Out A
MIDI cable to In A (see “USB-to-MIDI
Converter Front Panel” on page 38)
USB-to-MIDI Converter Front Panel
IN A
In A
USB/
MIDI
Thru
IN B
Button (In position)
USB
IN A
OUT A
OUT B
Connecting the Yamaha 01V Mixer
To connect the 01V mixer:
1. Quit any open applications.
2. Shut down the Avid editing system.
3. Make sure your USB-to-MIDI converter is connected to the USB port as
explained in “Connecting the USB-to-MIDI Converter” on page 35.
4. Locate two MIDI cables with 5-pin DIN connectors.
n
38
You can use the In A and Out A connector pair or the In B and Out B
connector pair on the rear of the USB-to-MIDI converter. Whichever pair you
use, select the corresponding port when you configure the device using the
Controller Settings dialog box in the Avid editing application. For information
on configuring the device, see “Setting Up the Yamaha 01V/96 or Yamaha
01V” in the Help.
5. Plug one end of the first MIDI cable into the In A connector of the USBto-MIDI converter (see “USB-to-MIDI Converter Front Panel” on
page 38).
6. Plug the other end of the cable into the MIDI OUT connector of the 01V
mixer (see the following figure).
7. Plug one end of the second MIDI cable into the Out A connector of the
USB-to-MIDI converter.
8. Plug the other end of the cable into the MIDI IN connector of the 01V
mixer (see the following figure).
9. Make sure button on the front of the USB-to-MIDI converter is pushed in
(see “USB-to-MIDI Converter Front Panel” on page 38).
Yamaha 01V Mixer Rear View
MIDI IN
MIDI OUT
R
L
SREREO OUT
R
L
OMNI OUT
MONITOR OUT
4
3
2
1
DIGITAL STEREO
COAXIAL
OUT
POWER
ON
IN
MIDI
THRU
OUT
TO HOST
IN
Out A
OPTION 1/0
n
In B
Out B
OFF
Out A
n
USB-to-MIDI
converter (rear)
MIDI cable to In A
(see “USB-to-MIDI
Converter Front Panel”
on page 38)
You must set up the 01V mixer using its front panel. See your Avid editing
application Help for more setup instructions.
The Yamaha 01V mixer can also be connected directly to a serial port. For
information on configuring the mixer when connected to a serial port, see
“Setting Up the Yamaha 01V/96 or Yamaha 01V” in the Help.
39
Connecting the Yamaha 01V/96 Mixer
You can connect a Yamaha 01V/96 mixer via MIDI using the same procedure
described in “Connecting the Yamaha 01V Mixer” on page 38. However, Avid
recommends that you use a USB connection for this mixer. For information on
configuring on connecting the Yamaha 01V/96, see “Setting Up the Yamaha
01V/96 or Yamaha 01V” in the Help.
Controlling a Video Deck
Avid editing systems provide video deck control through a serial control
connector on most decks. You can control a single deck by using an RS-232 to
RS-422 serial adapter. An optional RS-232 to RS-422 serial adapter kit is
available through Avid.
The optional serial adapter kit that contains the following:
•
An RS-232 to RS-422 serial adapter
•
Two serial cables with 9-pin male connectors at both ends
To connect a single deck to your system:
1. Locate the serial adapter kit.
2. Attach one end of a 9-pin cable to the end of the serial adapter labeled
RS-232.
3. Attach the other end of the 9-pin cable to the serial port on the Avid
editing system (see the following figure) or to the serial connector of the
USB-to-serial adapter.
n
When you attach the cable to the serial port on the PC, note if you are using
the COM1 or COM2 serial port. You need to select the same port in the Avid
editing application.
Video Deck Control Cabling
RS-422 connection
To video deck
40
Serial Adapter
RS-232 connection
To Avid editing
system
Storage
4. Attach one end of another 9-pin cable to the end of the serial adapter
labeled RS-422.
5. Attach the other end of the 9-pin cable to the remote serial port of the
video deck.
n
Place the deck in Remote mode before attempting to control the deck using the
software. See the documentation provided with your deck.
Storage
You have several storage options, including SCSI, Fibre Channel, 1394, and
Ethernet. To use all the resolutions available in your Avid editing application,
you might need to configure and stripe your drives. Storage options are
explained in the following sections.
SCSI Support
Avid has qualified the two SCSI channels on the rear of the xw8000 system
(see “HP xw8000 System Slot Configuration and Connections” on page 29).
The channels connect to a dual U320 chip on the system board. You can use
the two SCSI connectors at the rear of the system and a Fibre Channel board in
the xw8000 system at the same time.
Avid supports the ATTO SCSI UL3D/160 LVD board in the G4 system and
the G5 system. Additional boards might be supported at a later date. You can
use a SCSI board and a Fibre Channel board at the same time in the G4 system
or the G5 system.
Documentation for connecting storage devices is included with the devices on
a CD-ROM if they are purchased from Avid. Striping information can be
found on the Avid Knowledge Base.
n
Contact your Avid Sales and Product information line at 800-949-2843 for the
latest storage product information.
41
Fibre Channel Support
Avid provides support for local storage or Avid Unity MediaNetwork using
the following Fibre Channel boards in the xw8000 system, G4 system, and
G5 system:
•
ATTO 2-Gb optical Fibre Channel (Model 3300, single channel)
•
ATTO 2-Gb copper Fibre Channel (Model 3305, single channel)
1394 Support
When you are using an Avid Adrenaline and you want to use 1394 (FireWire)
drives, you need a second 1394 OHCI board on a different bus segment in your
Avid editing system. See your computer manufacturer’s documentation to
identify a PCI bus slot that is on a different bus segment than the 1394 port
used for the Avid Adrenaline.
n
If you use a 1394 board in slots 3, 4, or 5 (PCI-X slots) in the xw8000 it must
be a “universal” PCI card and not a +5V-only board.
To determine the supported 1394 boards, go to www.Avid.com. Click your
product line (for example, Broadcast or Video Editing) and then click your
Avid application.
n
At this time, Avid has not qualified a FireWire 800 (or 1394b) drive to be used
with Avid Adrenaline systems. For the latest qualified storage products,
contact your local Avid Reseller or call the Avid Sales and Product
information line at 800-949-2843 for the latest information about available
drives.
Ethernet Support
At this time only the Alacritech® 1-Gb board is supported. For supported
devices and configurations, go to www.Avid.com. Click your product line (for
example, Broadcast or Video Editing) and then click your Avid application.
n
42
You cannot use the built-in 1394 connection and the built-in 1-Gb Ethernet for
a Avid LANshare EX connection in the xw8000 system at the same time.
Storage
Formatting and Striping MediaDrives (Windows)
To use all the resolutions available in your Avid editing application, you might
need to stripe your MediaDrives. Disk drives must be configured as Dynamic
if you are striping drives.
To configure and stripe a drive:
1. Start your system, and log in to an account with administrative privileges.
2. Right-click the My Computer icon, and select Manage.
The Computer Management window opens.
3. Click the Disk Management folder.
n
For more information on the Computer Management window, click the Help
icon in the toolbar of the Computer Management window.
4. Make a drive Dynamic by right-clicking the disk ID section of the disk in
the Computer Management window and selecting Upgrade to Dynamic
disk, or Create Dynamic disk, depending upon the status of your disk.
When you select a disk in the Computer Management window, the white
section of the disk changes to stripes, showing that the section has been
selected.
5. Repeat step 4 for each drive you want to stripe.
6. Right-click one of the Dynamic drives and select Action > Create Volume.
7. Follow the instructions in the Create Volume Wizard to finish striping the
drives using NTFS format.
Formatting and Striping MediaDrives (Macintosh)
To use all the resolutions available in your Avid editing system, use the ATTO
ExpressStripe software to stripe drives on the Mac OS® X operating system.
The ExpressStripe software is installed in the following location:
/Applications/ExpressStripe
The instructions for using the software are in a PDF file, Expressstripe.pdf,
that is installed along with the ExpressStripe application.
n
You must be logged in as an Administrator to stripe drives.
43
c
Do not use the Apple Disk Utility application (in Applications/Utilities) to
stripe drives. If you use the Disk Utility application, you will not be able to
view the drives on the Mac OS 9 system. Additionally, Avid’s drive
filtering feature will not function properly, resulting in poor performance.
There are certain considerations when using striped drives on different
Macintosh operating systems and when moving striped drives.
Using Striped Drives on Mac OS X and Mac OS 9.x Systems
The Avid editing software automatically recognizes drives that were striped on
Mac OS 9.x. You should be able to use these drives to edit and play video.
However, if you move a drive that was striped on a Mac OS X system back to
Mac OS 9.x, you cannot play video from the drives on Mac OS 9.x. If
necessary, you can set up your Mac OS 9.x system so that it recognizes the
drives. You can then copy media files from the drive to your Mac OS 9.x
drives.
To set up a Mac OS 9.x system to recognize drives that were striped on a
Mac OS X system:
1. Navigate to the following folder:
Applications/Avid Goodies/OS 9/System Folder/Extensions
2. Copy the file ~~ExpressStripe_OS9_Enablr to the Extensions folder on
your Mac OS 9 system.
3. Restart the Mac OS 9 system.
The system is now able to recognize the striped drives. You can use the drives
to copy media onto your Mac OS 9 drives.
c
44
Do not run a Mac OS 9 Avid editing application on the same system as a
Mac OS X Avid editing system. There might be conflicts between the
system files used by the two applications.
Storage
Moving Striped Drives to Another System (Macintosh Only)
In order to move striped drives to another system, you need to be able to
identify the drives that make up a particular striped set. This was easy on
Mac OS 9 because the system allowed you to use the SCSI ID order when
striping drives.
On Mac OS X, the system does not use the SCSI ID but instead uses its
internal diskn name (where n is the drive number) when creating the striped
sets. You can use Avid Storage Manager or ExpressStripe to identify a striped
set on Mac OS X.
To use Avid Storage Manager to identify a striped set:
1. Start the Avid Storage Manager application and select View > Volumes.
2. Select the striped volume you wish to move and click Identify.
The system blinks the lights on the front of the drives that make up the
volume.
To use ExpressStripe to identify a striped set:
1. Start the ExpressStripe application.
2. In the opening dialog boxes, select Utilities and then select Benchmark.
3. Select the striped volume you want to move and click Start.
The system runs the benchmark test on the volume and shows activity on
the front of the drives that make up the volume.
45
Specifications
The following sections provide specifications for the Avid Adrenaline.
Dimensions and Weight
The following table shows the dimensions and weight for the Avid Adrenaline
enclosure.
Dimensions and Weight
Dimension
Avid Adrenaline
Width
17.5 in (445 mm)
Height
5.25 in (132 mm)
Depth
16.8 in (422 mm)
Weight
29.0 lb (13.2 kg)
Environmental Specifications
The following table shows the environmental specifications for the Avid
Adrenaline enclosure.
In general, you should prepare a site that is clean and dust free. In addition:
46
•
Select a location free from significant temperature or humidity changes. A
location with approximately 40 percent humidity can prevent problems
stemming from electrostatic discharge.
•
Select a location where there is adequate space in front of and behind the
system components. You must be able to connect cables and service the
parts of your system; they also need adequate airflow for cooling.
Specifications
Environmental Specifications
Environment
Specification
Operating temperature
50°F to 95°F (10°C to 35°C)
Operating humidity
5% to 95% noncondensing
Storage temperature
–40°F to 117°F (–40°C to 47°C)
Storage humidity
5% to 95% noncondensing
Electrical Specifications
The following table shows electrical specifications for the Avid Adrenaline
enclosure. Select your site with these electrical requirements in mind:
•
Make sure there are adequate power outlets for the Avid Adrenaline. This
prevents the need for extension cords.
•
Make sure your site is away from major electrical equipment such as
motors, air conditioners, or elevators.
•
Make sure the location is not subject to static electrical buildup.
•
Plug only the Avid Adrenaline and other system equipment into the power
strip. Do not plug in coffee makers, radios, lights, or other non-Avid
devices. Avid recommends the use of an uninterruptible power supply
(UPS) appropriately sized for your system configuration. The UPS
provides system protection against sudden power surges or losses that
could cause you to lose your work.
Electrical Specifications
Topic
Specification
Voltage
100 V ac to 240 V ac
Frequency range
50 Hz to 60 Hz
Watts
165 W
47
Regulatory and Safety Notices
The following sections explain the regulatory and safety notices for the
Avid Adrenaline.
Warnings and Cautions
w
w
w
c
c
Never install equipment if it appears damaged.
Disconnect the power cord before servicing unit.
Only perform the services explicitly described in this document. For
services or procedures not outlined in this document, speak with
authorized Avid service personnel.
Follow all warnings and cautions in the procedures.
Operate the device within its marked electrical ratings and product usage
instructions.
FCC Notice
This device complies with Part 15 of the FCC Rules. Operation is subject to
the following two conditions:
1. This device may not cause harmful interference.
2. This device must accept any interference received, including interference
that may cause undesired operation.
This equipment has been tested and found to comply with the limits for a
Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference when
the equipment is operated in a commercial environment. This equipment
generates, uses, and can radiate radio frequency energy and, if not installed in
accordance with the instruction manual, may cause harmful interference to
radio communications. Operation of this equipment in a residential area is
likely to cause harmful interference in which case the user will be required to
correct the interference at his own expense.
48
Canadian ICES-003
This Class A digital apparatus meets all requirements of the Canadian
Interference Causing Equipment Regulations.
Cet appareil numérique de la classe A respecte toutes les exigences du
Règlement sur le matériel brouilleur du Canada.
European Union Notice
Declaration of Conformity
(According to ISO/IEC Guide 22 and EN 45014)
Application of
Council Directives:
73/23/EEC, 89/336/EEC.
Standards to which
Conformity is
Declared:
EN60950:2000 Third Edition
CISPR 22:1997 / EN55022:1994 + A1:1995 +
A2:1997 Class A
EN55024:1998/EN61000 — 3-2, 4-2, 4-3, 4-4,
4-5, 4-6, 4-8, 4-11
Manufacturer’s
Name:
Avid Technology, Inc.
1925 Andover Street
Tewksbury, MA 01876, USA
European Contact:
Nearest Avid Sales and Service Office or
Avid Technology International B.V.
Sandyford Business Center
Unit 3,
Dublin 18, Ireland
Type of Equipment:
Information Technology Equipment
49
Product Name:
Products for the Windows NT, Windows 2000, or
Windows XP Operating System: Avid
Adrenaline DNA, Avid DS Nitris DNA, Avid
Equinox Break-Out-Box, Avid|DS, Avid Xpress,
Avid Xpress DV, Film Composer,
Media Composer, MediaDock, MediaDock 2+,
MediaDrive, MediaRAID, MEDIArray,
MEDIArray Drive, MEDIArray II, MEDIArray
II Drive, Meridien I/O box, NewsCutter,
NewsCutter DV, NewsCutter XP,
Pro Tools AVoption|V10, Symphony
Products for the Mac OS X Operating System:
Avid Adrenaline DNA, Avid Xpress,
Avid Xpress DV, Film Composer,
Media Composer, MediaDock, MediaDock 2+,
MediaDrive, MediaRAID, MEDIArray,
MEDIArray Drive, MEDIArray II,
MEDIArray II Drive, Meridien I/O box,
Pro Tools AVoption|V10, Symphony
Products for the UNIX Operating System:
AirPlay, AirSPACE, AirSpeed, VideoSPACE
Products for MediaNetwork and Workgroups:
Avid ProEncode, Avid Unity MediaManager,
Avid Unity MediaNetwork (includes File
Manager), Avid Unity TransferManager,
LANserver, LANserver EX, MEDIArray,
MEDIArray Drive, MEDIArray II, MEDIArray
II Drive, MEDIArray ZX, MEDIArray ZX
Drive, Nearchive, PortServer, Vixel switches
(8100, 7100, 7200, 9100, 9200), Xdeck
Base Model Numbers: None
Product Options:
All
Year of Manufacture: 2005
50
(1) Products for the Windows NT, Windows 2000, or Windows XP Operating
System: products were tested in a typical Avid Adrenaline DNA, Avid DS
Nitris DNA, Avid Equinox Break-Out-Box, Avid|DS, Avid Xpress,
Avid Xpress DV, Film Composer, Media Composer, MediaDock, MediaDock
2+, MediaDrive, MediaRAID, MEDIArray, MEDIArray Drive,
MEDIArray II, MEDIArray II Drive, Meridien I/O box, NewsCutter,
NewsCutter DV, NewsCutter XP, Pro Tools AVoption|V10, or Symphony
configuration.
(2) Products for the Mac OS X Operating System: products were tested in a
typical Avid Adrenaline DNA, Avid Xpress, Avid Xpress DV, Film Composer,
Media Composer, MediaDock, MediaDock 2+, MediaDrive, MediaRAID,
MEDIArray, MEDIArray Drive, MEDIArray II, MEDIArray II Drive,
Meridien I/O box, Pro Tools AVoption|V10, or Symphony configuration.
(3) Products for the UNIX Operating System: products were tested in an
AirPlay, AirSpeed, or VideoSPACE configuration.
(4) Products for MediaNetwork and Workgroups: products were tested in a
typical Avid ProEncode, Avid Unity MediaManager, Avid Unity
MediaNetwork (includes File Manager), Avid Unity TransferManager,
LANserver, LANserver EX, MEDIArray, MEDIArray Drive, MEDIArray II,
MEDIArray II Drive, MEDIArray ZX, MEDIArray ZX Drive, Nearchive,
PortServer, or Xdeck configuration.
I, the undersigned, hereby declare that the equipment specified above
conforms to the above Directives and Standards.
George R. Smith, Director of Hardware Engineering
Australia and New Zealand EMC Regulations
N1709
John Kells, Australian Operations Manager
Avid Technology (Australia)
Unit B
5 Skyline Place
French Forest NSW 2086
Australia
Phone: 61-2-8977-4800
51
Taiwan EMC Regulations
Taiwan EMC Regulations BSMI Class A EMC Warning
Technical Support Information
Most products feature a number of coverage options. Avid Assurance service
offerings are designed to facilitate your use of Avid solutions. Service options
include extended telephone coverage, automatic software maintenance,
extended hardware warranty, and preferred pricing on replacement parts.
For more information regarding Avid’s service offerings, visit
www.avid.com/support or call Avid Sales at 800-949-AVID (800-949-2843).
Program availability and details might vary depending on geographic location
and are subject to change without notice. Contact your local Avid office or
your local Avid Reseller for complete program information and pricing.
However, if you need help locating an Avid office or Avid Reseller near you,
please visit www.avid.com or call in North America 800-949-AVID (800-9492843). International users call 978-275-2480.
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc.
The software described in this document is furnished under a license agreement. You can obtain a copy of
that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the
product in the same directory as the software. The software may not be reverse assembled and may be
used or copied only in accordance with the terms of the license agreement. It is against the law to copy the
software on any medium except as specifically allowed in the license agreement.
52
Technical Support Information
Avid products or portions thereof are protected by one or more of the following United States patents:
4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378;
5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,583,496; 5,584,006; 5,627,765;
5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,719,570; 5,724,605; 5,726,717; 5,729,673; 5,745,637;
5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,905,841; 5,929,836;
5,930,445; 5,946,445; 5,987,501; 5,999,406; 6,016,152; 6,018,337; 6,023,531; 6,038,573; 6,058,236;
6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919; 6,141,007; 6,141,691;
6,198,477; 6,201,531; 6,211,869; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369;
6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271;
6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824;
6,596,031; 6,618,547; 6,636,869; 6,665,450; 6,678,461; 6,687,407; 6,704,445; 6,747,705; 6,763,134;
6,763,523; 6,766,063; 6,766,357; 6,791,556; 6,810,157; 6,813,622; 6,847,373; 6,871,003; 6,871,161;
D352,278; D372,478; D373,778; D392,267; D392,268; D392,269; D395,291; D396,853; D398,912. Other
patents are pending.
No part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
Copyright © 2005 Avid Technology, Inc. and its licensors. All rights reserved.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AirSpeed, AniMatte, AudioSuite, AudioVision,
AutoSync, Avid, Avid DNA, Avid DNxcel, Avid DNxHD, AVIDdrive, AVIDdrive Towers, Avid Mojo, AvidNet,
AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX, CamCutter, ChromaCurve,
ChromaWheel, DAE, D-Fi, D-fx, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise
Reduction, DigiDrive, Digital Nonlinear Accelerator, DigiTranslator, DINR, D-Verb, Equinox, ExpertRender,
FieldPak, Film Composer, FilmScribe, FluidMotion, HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX,
Image Independence, Intraframe, iS9, iS18, iS23, iS36, LaunchPad, Lo-Fi, Magic Mask,
make manage move | media, Marquee, Matador, Maxim, MCXpress, Media Composer, MediaDock,
MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray,
MediaShare, Meridien, MetaSync, MissionControl, NaturalMatch, Nearchive, NetReview, NewsCutter,
Nitris, OMF, OMF Interchange, OMM, Open Media Framework, Open Media Management, ProEncode,
Pro Tools, QuietDrive, Recti-Fi, RetroLoop, rS9, rS18, Sci-Fi, Softimage, Sound Designer II, SPACE,
SPACEShift, SpectraGraph, SpectraMatte, Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver,
VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology, Inc. in the
United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Alacritech is a registered trademark of Alacritech, Inc. Apple, PowerBook, FireWire, Macintosh, and Mac
OS are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. ATTO is a
trademark of ATTO Technology, Inc. FaderMaster Pro is a trademark of JL Cooper, a division of Sound
Technology. GeForce, NVIDIA, and Quadro are registered trademarks or trademarks of NVIDIA
Corporation in the United States and/or other countries. HP is a registered trademark of Hewlett-Packard
Company. PowerPC is a registered trademark of International Business Machines Corporation, used under
license therefrom. MIDISPORT is a trademark of M-AUDIO. RCA is a registered trademark of General
Electric Company. VLXi is a registered trademark of Videomedia, Inc. Windows is either a registered
trademark or trademark of Microsoft Corporation in the United States and/or other countries. Yamaha is a
registered trademark of Yamaha Corporation of America. All other trademarks contained herein are the
property of their respective owners.
Using the Avid Adrenaline • Part 0130-06790-01 Rev. B• April 2005
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Using the Avid Adrenaline

Transcription

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