astrid lindgren
Transcription
astrid lindgren
SCANDINAVIAN astrid lindgren LEGENDS Lindgren’s passport, crammed with stamps from her trips to Copenhagen. She traveled back and forth to Denmark for three years to visit her son Lasse. mommie dearest 2 Scanorama november 2007 She was unmarried, unemployed, only 19 years old – and pregnant with her boss’s child. That is what you would call a rough start in life for ASTRID LINDGREN. The 1920s wasn’t easy on a single mother, and the scandal of her illegitimate child Lasse caused a great stir. But the soon-to-be world famous writer was tough, and unlike other women in the same predicament, didn’t dump her son at an orphanage. Johan Erséus reveals the dramatic story that inspired Lindgren to create her best-selling children’s books. S c a n o r a m a n o v e m b e r 2 0 0 7 3 T he tale of the young mother and her little boy could well have finished there. Almost every unmarried young mother who found herself in a similar situation left her newborn in an orphanage or with adoptive parents and then got on with her life. Heartbroken as they were at being unable to care for their children, most were nevertheless forced to accept that the idea was totally unrealistic. Lindgren, however, was different. She had no husband and not even a boyfriend. She had no fixed address and no work when Lasse, in 1930, enjoying the summer at Lindgren’s parents estate. 4 Scanorama november 2007 berti l da ni el sson, ast rid’s ph oto a lbum, tomas oneborg & j onas ekströ mer/scanpix. L indgren had an idyllic childhood, not unlike that of the children from Noisy Village (Bullerbyn) whom she wrote about in her books. She grew up on Näs Farm with her parents, Samuel August and Hanna, and her siblings, Gunnar, Stina and Ingegerd. By the time she left school at 16, Lindgren was already a talented writer and was offered a post as an apprentice with the local newspaper Wimmerby Tidning. From the spring of 1924, she was busy accepting advertisements, reading proofs, and writing obituary notices, short news items and articles. Two years later, her career as a journalist was over. She had succumbed to the unrelenting flirtations of editor in chief Reinhold Blomberg – and was carrying his child. “Girls are such silly creatures,” she explained many years later. For the family at Näs – respected members of the community and regular churchgoers – their daughter’s pregnancy was a heavy burden to bear: for the gossipmongers in the little provincial town, the news was an irresistibly juicy tidbit. Blomberg was in love with Lindgren and wanted to marry her, but she refused. She wasn’t the least interested in him. And on that point, she enjoyed the full backing of her parents. “One accident in the family is more than enough” was her father Samuel August’s comment on the affair. It would be better for her to leave behind the paradise of her childhood and seek an uncertain future in Stockholm. Lindgren would have her baby, but with regard to her future, that was all that she could be certain of when she bid farewell to her family at the end of the summer. After a few weeks at a home for mothers-to-be outside Jönköping, she came to the Swedish capital and embarked on a secretarial course. She moved into simple lodgings at the corner of Artillerigatan and Kaptensgatan – where she later had the title character of her Kati novels live. One comfort in this bleak existence was the other country girls whom she lodged with and who were also trying to make their way in the big city. Then, one day shortly before her baby was due, Lindgren read an article about Eva Andén, a lawyer and champion of women’s rights who had helped other pregnant girls. She met with Andén, who listened to her story. “But, my dear child, do you mean to say you’re all alone? Is there really no one who can help you?” Lindgren shook her head. Andén heaved an anxious sigh, but promised to see to it that the young girl could have her baby at the Rigshospitalet in Copenhagen, at that time the only hospital in Scandinavia that would deliver babies without passing on details of the mother’s situation to the authorities. Andén would also do what she could to find a good foster family in Denmark. A month later, on November 21, 1926, the first stamp was entered in Lindgren’s passport. On December 4, she gave birth to her son, Lasse. And for almost three weeks after that, she was allowed to live with the child’s future foster mother in Copenhagen and spend time together with her beloved baby boy. The day before Christmas Eve, she kissed Lasse farewell and, leaving him with Mrs. Stevens in Brønshøj, returned home to her family. previous sprea d: lasse’s photo album, jac ob forsell . t h is pag e: l asse’s ph oto album. next spread: jens assur, we jne lexius, jan delden & thorbjörn and ersson/ s can p ix LEGENDS O n Saturday, October 30, 1926, Astrid Lindgren stepped into the police station in Stockholm, paid nine kronor and signed for her first passport. The photo shows a young woman with short, wavy hair. The written details record that she was 165 centimeters tall, with blue eyes, 18 years of age and unmarried. But the little gray book said nothing about her being alone and unhappy in the big city, that she was eight months pregnant, that the baby’s father was a man more than 30 years her senior whom she no longer wanted anything to do with, or that she needed the passport to travel to Denmark to give birth to a son that she herself had not the remotest possibility of looking after. Over the next three years, the increasingly well-thumbed passport would be filled with red and blue exit and entry stamps – every one of them from her train journeys between Stockholm and Copenhagen. There is no doubt that adult life could have begun more simply for this farmer’s lass from Vimmerby in Småland, who one day would create Pippi Longstocking and become one of the world’s most widely read writers of children’s books. The experiences of those late teenage years would forever leave their mark on Lindgren and her writing. Far left: Lindgren and her children, Lasse and Karin, at the piano. Left: Serving as a secretary at the International Grand Prix race in Sweden in 1933. she returned to live in Stockholm. She had only recently turned 19 and was in lodgings in a strange city. But she was determined never, never to turn her back on Lasse. By January 12, she was already back with him in Copenhagen. She spent 10 days with Mrs. Stevens, who was clearly a very good foster mother and who, in addition to a son of her own, also had another Swedish foster child, Esse. Back in Stockholm, Lindgren completed her secretarial training. She had become a proficient shorthand typist and applied for a position as “a dedicated typist” with a secretarial company. Summoned to her first interview, she thought, “Now I’ll show them!” and, without even a glance at the keyboard, swiftly began to type out the test piece. It was only after the first line that she realized she had placed her fingers one row too high on the keys. The result was a sentence that made no sense – and no job. She did, however, find a position with a publishing company, Svenska bokhandelscentralen, as private secretary to Torsten Lindfors, the manager for radio sales (and father of the future Hollywood actress Viveca Lindfors, for whom Lindgren would write her first story). Lindfors was skeptical at first. He didn’t like the idea of employing 19-year-olds: they only got themselves pregnant or left in a hurry to seek fame elsewhere, as his previous secretary had done, the singer Zarah Leander. Lindgren assured him that she was an unusually mature 19-year-old. The salary was 150 kronor a month. Her rented accommodation cost 100 kronor, and even if she could share her rooms with a friend, it would be difficult to make ends meet. Lindgren couldn’t afford to waste a single penny. Tram tickets and visits to a cafe or the cinema were unnecessary luxuries. The city library offered the prospect of a free excursion, and sometimes the girls arranged simple get-togethers in Lindgren’s room, where they amused themselves with fancy-dress parties or simply talked about men. Above right: The Lindgrens sunbathing in the archipelago, mid-1930s. Right: Lindgren and Sweden’s Crown Princess Victoria always had a mutual understanding and enjoyed each other’s company. Here they are chatting during the ceremony to celebrate when Lindgren received the International Swede of the Year award in 1997. Bottom: With Russia’s president Boris Yeltsin. Lindgren had a huge impact on the political scene in Sweden, but she was also an international celebrity who impressed the world’s leaders. D uring her years in lodgings, Lindgren was constantly hungry: it was not surprising that the Norwegian Knut Hamsun’s book Hunger (Sult) was among her favorite reading. Salvation came in the form of regular food packages from Näs. In her letters home, she heaped praise on the bread, the sausage, the butter and the cheese from the farm with the same fervor she was to display in her descriptions of the mountains of Christmas fare in the stories about Emil from Lönneberga many years later. Other letters reveal the hardships she had to endure. To her brother Gunnar, she wrote, “I feel lonely and poor. Lonely S c a n o r a m a n o v e m b e r 2 0 0 7 5 LEGENDS Top left: “Now, you stop skinheading,” Lindgren told this young man. Right: She had her very own way of communicating with children. Bottom left: Together with actress Inger Nilsson, who played Pippi Longstocking in the films. Below: After finally finding the play-button, Lindgren enjoys a freestyle in 1987. 6 Scanorama november 2007 S c a n o r a m a n o v e m b e r 2 0 0 7 7 Posing with little Lasse in Stockholm in 1930. Moves to Stockholm and starts a secretarial course. Her son Lasse is born in Copenhagen, where he lives with his foster mother 1926 1907 Born as Astrid Anna Emilia Ericsson at Näs Farm in Vimmerby on November 14 1924 Starts work as an apprentice journalist on Wimmerby Tidning 1930 Brings Lasse home to Sweden. For the first year, he lives with his grandparents, Samuel August and Hanna at Näs 1934 1931 Marries Sture Lindgren, office manager at the Royal Swedish Automobile Club. Leaves secretarial work to become a housewife Sture and Astrid Lindgren in the 1930s. 8 Employed by the Swedish Intelligence Service’s Bureau of Censorship, and spends WWII reading letters Lindgren devoted herself wholeheartedly to the role of mother and housewife. She wasn’t satisfied to sit on the park bench with the other mothers, but took an active part in Lasse’s and Karin’s games, climbing trees with them and ripping her skirt on the slides. In 1944, at the age of 36, she published her first book. And then the following year, Pippi Longstocking turned her life – and the story of children’s literature – upside down. For 40 more years, the stories flowed from her shorthand pads and her typewriter. She stuck to subjects and settings she was familiar with: childhood in the countryside, life in small provincial towns, summer in the skerries, loneliness in the big city. As a voice in the public debate, she sided with many causes in society – but nothing captured her attention like children. Right up to her death, in 2002, she was always equally distressed and incensed every time she heard of children who were made to suffer. She endeavored to help by writing articles, donating money, influencing decisions – but she always felt that her contributions were inadequate. Even in her dreams, Lindgren was frequently surrounded by vulnerable children in need of help, care and attention. It is a constant, if unconscious, theme in her work. Actually, it was Awarded the Gold Medal of the Swedish Academy (although, to the disappointment of many people, never the Nobel Prize). Writes about her own childhood fun and games in the books about Noisy Village (Bullerbyn) 1947–52 1940 1945 Pippi Longstocking is published and becomes an enormous success 1946 Employed as an editor of children’s books and, for the next 24 years, makes a huge contribution to Swedish children’s literature. Bill Bergson, Master Detective is published (Mästerdetektiven Blomkvist) Scanorama november 2007 Lindgren’s biographer, Margareta Strömstedt, who pointed out to her that all the girls who play the leading roles in her stories – girls like Pippi Longstocking, Ronia the Robber’s Daughter and Meg (Madicken) – are strong females with the same strong ties to their fathers as Lindgren herself had to her own father, Samuel August. For the boys, on the other hand, the opposite is true. They are almost always lonely in some way and weak – like the bedridden Göran who flies to Twilight Land with Mr Lilybroom (Herr Liljonkvast), the sickly Bertil who meets Simon Small (Nils Karls- She took an active part in Lasse’s and Karin’s games, climbing trees with them and ripping her skirt on the slides. Little Kerstin in Noisy Village. The original Pippi Longstocking script. Daughter Karin is born. Moonlights during the ’30s by writing fairy tales for Christmas magazines had been something of a pioneer in bringing home her “innocent son” to a small country town where “people weren’t used to unmarried mothers walking around with their children as if they were miracles equally as great as any other child.” For the hard-working office girl, a secure home was now just around the corner. In May 1928, she had taken a job as a secretary with the Royal Swedish Automobile Club in Stockholm. The office manager, Sture Lindgren, had taken a shine to her and they were married at Näs in the spring of 1931. Three years later, their daughter Karin was born. thanks to jeppe wikström and max ström publishing house Lindgren had first got to know Gun at the maternity home outside Jönköping. Gun’s daughter now lived in an orphanage in Småland. For Lindgren, it was impossible to forget her own child for even a minute, so she could not for the life of her understand why Gun never visited the girl. In the end, Lindgren herself went to see her. It was a visit she would never forget. When she recalled the incident many years later, she was still indignant over the dreary, dilapidated state of the orphanage and the pervading air of gloom. The smell was unbearable, and the children were frightened, distressed and dispirited at the same time as they mobbed her in sheer desperation to beg for candy. The contrast to Mrs. Stevens’ home where Lasse was living was startling. Even though it broke her heart to have her son so far away, it was a comfort to know that he was well looked after. Shortly before Christmas 1929, Lindgren received news that Mrs. Stevens had suddenly taken ill and could no longer care for Lasse. At the same time, Lindgren had developed toxic goiter and was about to be operated on. There was no question of her dashing off to Copenhagen. Lasse meanwhile was taken in by Mrs. Stevens’ sister who ran a home for elderly ladies, and he spent his nights sleeping on an armchair in the common room. After her operation, Lindgren again visited Copenhagen and realized at once that she must bring Lasse back to Sweden, despite the fact that she had neither a home nor a babysitter to look after him. She returned to Stockholm, and one month later, Lasse joined her there for the first time, with his 16-year-old Danish foster brother as his traveling companion. During the days, while Lindgren was at work, the landlady kept an eye on Lasse and made sure he was fed. But the nights were worst. The three-year-old developed whooping cough, and neither he nor his mother could sleep. Even so, these days were among the happiest in Lindgren’s 22-year-old life. At last, she had brought her son home. At Näs, Samuel August and Hanna welcomed little Lasse as if he were the prodigal son when he came to live with them. Lindgren had noted that the scandal of her illegitimate child had caused a great stir in the conservative Vimmerby. However, she and her family could no longer care two hoots about the gossip. She traveled from the station in an open carriage and proudly showed off her son. Many years later, she claimed that she left page: astrid’s phot album, ©ingrid vang nyman/saltkråkan ab, jacob forsell. r ight page : ©ilon wik lan d, s can p ix LEGENDS because I am, and poor because the only possessions I have are a few small Danish coins. I dread the thought of what winter might bring.” Outwardly, Lindgren always put on a bold front. But she was constantly plagued by her longing for Lasse: that was worse than all her other privations. Her memories of this time never faded: “The years I couldn’t spend with my child were terribly painful. I’ve always had such a strong maternal instinct, and I loved that little lad of mine to distraction.” Against all the odds, she managed to scrape together enough money to visit Lasse seven times before his first birthday in 1927. The cheapest return ticket on the night train to Copenhagen cost almost 50 kronor. Often she had to borrow the last few kronor from her friends or visit the pawnshop before she could afford her ticket. The train journey – with a steamboat connection across the sound – took almost 14 hours each way. If she could get a day off on Saturday, she would catch the 8.15 evening train from Stockholm and arrive at Copenhagen’s Central Station just before 10 the following morning. That gave her almost a day and a half with Lasse, valuable hours into which she crammed so much that the little boy could scarcely sleep afterward. Lindgren would arrive back in Stockholm at four minutes to nine on Monday morning and could be at work just a few minutes later. One spring Saturday in 1928, Lindgren had not had the opportunity to ask for time off but sneaked away a few hours early – only for her absence to be discovered by the senior manager. She arrived in Copenhagen at midnight, spent an intensive Sunday with Lasse, collapsed into her seat on the night train, raced to work the following morning – and was promptly sacked! By then, she had moved from Artillerigatan and was living with a friend, Gun, in an expensive but inhospitable room that the landlady had emptied of so much furniture that it most resembled “a military hospital.” Gun was another of the poor office girls, a sister in misfortune with whom Lindgren maintained contact for the rest of her life. It wasn’t until she compared her own childhood with the conditions under which Gun and her sister-in-law, Lecka, had grown up that Lindgren realized for the first time how truly wonderful her years at home had been – and she immediately wrote to thank her parents. 1957 The start of collaboration with the director Olle Hellbom; together they make almost two dozen films and a TV series 1971 1963 Elected as a member of the Swedish literary academy, Samfundet De Nio. Writes her first book about Emil, which is based on her father Samuel August’s childhood S c a n o r a m a n o v e m b e r 2 0 0 7 son Pyssling), the bored Midge (Lillebror) who befriends Karlson-on-the-Roof, the dying Scotty Lionheart (Skorpan) and his older brother, Jonathan. Other boys are also vulnerable and in need of a father figure: Emil and the farmhand, Alfred; Rasmus and the vagabond, Paradise-Oscar; and not least the little boy in Mio, My Mio who finds his father, the King. L indgren herself had not noticed these patterns, but with hindsight, it is easy to see how the whole of her written production was colored by the memory of a fatherless little boy who had once been given away in Copenhagen. After Lindgren’s death, in a writing desk by the window in her Stockholm apartment that still remains just as it did that day, someone found an envelope with a photograph of Lasse as a baby and his foster brother, Esse. Fixed to the photograph was a lock of Lasse’s baby hair. And underneath the envelope was the passport with all those exit and entry stamps to Denmark – put aside, but not forgotten. JOHAN ERSÉUS is a journalist and author living in Stockholm. He has written extensively about Astrid Lindgren’s life and work. johan.erseus@telia.com Writes the saga of Pomperipossa, who pays 102 percent in tax. The ensuing debate is instrumental in costing the ruling Social Democrat party victory in the election 1976 Awarded the Peace Prize of the German Book Trade, and speaks out passionately against all forms of violence 1978 1986 Son Lasse dies The crew from the Saltkråkan TV series. The dog, Båtsman, became a celebrity in his own rite. Voted “International Swede of the Year” in the year of her 90th birthday. Also retires from public life 1997 1994 Awarded the Right Livelihood Honorary Award for her dedication to the rights of children and animals 2002 Dies on 28 January in her home in Stockholm, aged 94 9