Lysbilde 1

Jernneve og silkehanske
Om disiplineringens kulturhistorie
Erling Sandmo
Institutt for arkeologi, konservering og historie
UiO
William Hogarth, Industry & Idleness 11 (1747)
Eastern State Penitentiary, Philadelphia (1829)
Hyacinthe Rigaud
Louis XIV, 1701
Prosesjonen ved George IIs kroning, 1727
Baltahasar Denner
George Frideric Handel
1727
Westminster Abbey
G.F. Handel: Zadok the Priest (1727)
Zadok the priest
And Nathan the prophet
Annointed Solomon King.
And all the people rejoiced and said:
God save the King!
Long live the King!
May the King live for ever.
Alleluia. Amen.
Charles Jervas, George II, 1727
Anders Roslin
Gustaf III (1777)
Anders Roslin
Gustaf III (1775)
Maurice Quentin de
la Tour
Jean-Jacques
Rousseau, 1753
Joseph Duplessis
Christoph Willibald Gluck
1775
C.W. Gluck, Orfeo ed Euridice (1762)
Akt 2, scene 1
Orfeo
Mille pene, ombre sdegnose,
come voi sopporto anch'io;
Ho con me l'inferno mio,
Me lo sento in mezzo al cor.
Orfeo
Ye mournful shades, a thousand racking pangs
Do I endure like you.
I feel within myself that torment
Ever torturing my soul.
Coro
Ah qual incognito
Affetto flebile,
Dolce a sospendere
Vien l'implacabile
Nostro furor!
Chorus
Ah, what means this unknown,
Mournful, sweet affection,
Which seems
Almost to harmonise
Our wonted fury.
Ah, what means …
Orfeo
Men tiranne, ah! voi sareste
Al mio pianto, al mio lamento,
Se provaste un sol momento
Cosa sia languir d'amor.
Orfeo
Alas! Would you be less cruel
To my mournful cries and lamentations,
If you felt, but for an instant
The pangs of one lingering with love.
Coro
Ah! Quale incognito, ecc.
Le porte stridano
Sui neri cardini;
E il passo lascino
Sicuro e libero
Al vincitor;
E il passo lascino, ecc.
Le porte stridano, ecc.
Chorus
Ah, what means. &c. &c.
The gates creaking
On their rusty hinges,
Leave a safe,
Uninterrupted passage
To the conqueror!
The Furies and monsters begin to withdraw; and as they disperse into the
wings they repeat the last verse of the chorus, which continues while
getting further and further away; finishing at last in a confused murmur.
Once the Furies have disappeared and the Monsters have been swept
away, Orpheus goes forward into Hell.
Seneca d.y. (4 f.Kr. – 65 e.Kr.)
Ridley Scott: Gladiator (2000)
Anon: Michel de Montaigne
Pieter Bruegel, Slaraffenland (1567)
Pietro Longhi, Il Ridotto, 1750-t.
Friedrich Nietzsche (1844 – 1900)