meet the - Robert Keeley

meet the
Dyna-killer
Whether you’ve been hanging on to that old red compressor
for 25 years or you have yet to discover the organic magic
of a studio quality compressor, it’s time you added the
award-winning Keeley Compressor to your rig.
Shape the detail and sustain of every note, overdrive your
amplifier, or maintain precise level control with absolutely no
effect on your signature tone!
Classic design…
meticulously built and improved.
While the basic structure of the Keeley Compressor
remains faithful to the vintage Ross compressor, the Keeley
is built with superior metal film capacitors, original tanatalum caps, Teflon wire, silver solder, and improved with a
bright on/off LED and True Bypass.
“You play the guitar. We’ll build the gear.”
1-866-846-7539 (toll-free) www.robertkeeley.com
Keeley Compressor users include Sonny Landreth, Steve Kimock, Dan Huff, Brent Rowan, Greg Lockhardt, Jon
Pousette-Dart, Buddy Miller, Pete Anderson, George Lynch, Gordon Kennedy, Jerry McPherson and John Mayer.
Clean boost,Overdrive & Distortion
Most players need a reliable pedal that simply fattens their tone and kicks the volume up a bit
without dumping the lows and highs or pushing the midrange into a ‘screaming’honkfest. We build that pedal. It’s called the Katana Boost, and your search for a transparent and utterly inspiring clean boost is over.
TREBLE BOOST is so misunderstood…
With so many ‘clones’ of the vintage Rangemaster Treble Boost around, we’re
not surprised by the confusion. How does the Limited Edition Keeley Java
Boost differ from a typical overdrive, distortion or treble boost pedal?
Start with our secret stash of vintage ‘60s Mullard OC44 transistors, made
in Holland – the heart of the Java Boost. But the Java Boost is not a
typical overdrive or distortion pedal… Our exclusive, locking
3-way Tone Switch renders a true range of overdrivento-intensely-distorted tones spanning the classic treble boost, in which higher notes are increasingly
amplified and distorted by your amplifier, a fat
midrange boost, and an even richer full-range
boost. Discover why the Java Boost Limited
Edition continues to inspire the most discriminating and experienced players.
“You play the guitar. We’ll build the gear.”
1-866-846-7539 (toll-free) www.robertkeeley.com
Fuzz is not what you think it is andTime never stands still.
Fuzz relative to the electric guitar is also referred to as
“hair”in Texas,“balls”in the New York,and “nuts”just
about everywhere.
The Fuzz Head is our take on the vintage and oh-so-familiar Gonzo Germanium Transistor Fillmore Terror Unit and
a selectable pair of luscious silicon diodes (harder,
faster!!!) as an optional and eminently worthy 50W grunt.
Roll back on your guitar volume in either mode and your
tone cleans up nice,naturally.We’ve added a Big Blue
LED,True Bypass and you’ll be glad to know that Fuzz
Head gets along quite well with other pedals.
And for those times when we just can’t make up our
minds where we want to be, we give you the Time
Machine Boost. Our unique, tri-mode Boost pedal can
drop you and your rig into 1966, 1973 and well
beyond, while you shape harmonic content and tone
across the time/space continuum practicing
“Nantucket Sleigh Ride.”Curtis Mayfield would have
loved this pedal.Yes, we’re certain, and we’ve given it a
lot of thought, as would Rod Prince of Bubble Puppy…
Neither would have cared about the Big Blue LED or
the True Bypass, but they are there just the same.
“You play the guitar. We”ll build the gear.”
1-866-846-7539 (toll-free) www.robertkeeley.com
When Jimmy Reed cut…
“High and Lonesome,”he did it on a borrowed amp.
And you can’t decide which amp to take to the gig…
Today we are blessed with old and new amplifiers that deliver
powerful, clean headroom, and others that produce sweet
overdriven tones at sensible volume levels.We need amp
switchers, and Peter Frampton understood this long ago.
Framptone Amp Switchers work beautifully, while
eliminating all of the pesky problems you may have
encountered in the past. Combine two different
amps at the touch of a button with the
Framptone A/B switcher, or up to three amps
and a tuner with the Framptone 3-banger.
Why are Framptone Switchers “Bullet-proof?”
• Our ground loop exclusion electronically isolates the ground.
• A custom buffer circuit converts the instrument input to a low
impedance signal to insure no signal loss or degradation.
• Soft-touch momentary switches for click-less, noise-free
switching
• A phase reversal switch to eliminate any out of phase
amp situation
1-866-846-7539
www.robertkeeley.com