fall books 2016

Transcription

fall books 2016

FALL BOOKS 2016
See our Spring 2016 catalog for backlist titles
New Releases
New Releases
Kate Krasin: Luminous Prints
Birds & Beyond:
The Prints of Maurice R. Bebb
Essay by Carmen Vendelin
More than 60 full-color reproductions
Edited by Cori Sherman North
Contributions by Jim Harbison, John R.
Mallery, and Cori Sherman North
Two black-and-white photographs
260 pp., 121/8 x 9 in.
Includes Essay, Index of Artworks
Smyth-sewn casebound, with jacket
A255 • ISBN 978-0-7649-7557-8
$29.95 US ($39.95 Canada)
More than 20 photographs
Available September 2016
Includes Essays, Chronology,
Catalogue of Prints, Index of Prints
96 pp., 11 x 9 in.
ABOUT THE AUTHOR
Carmen Vendelin is curator of art at the New Mexico Museum of Art.
Since joining the curatorial staff in July 2014, she has curated Hunting +
Gathering (2014), Colors of the Southwest (2015), O’Keeffe in Process
(2015), Stage, Setting, Mood: Theatricality in the Visual Arts (2016), and
Finding a Contemporary Voice: The Legacy of Lloyd Kiva New and IAIA (2016).
Vendelin was previously curator of art at La Salle University Art
Museum in Philadelphia, Pennsylvania, and before that worked at the
Newark Museum, the Jane Voorhees Zimmerli Art Museum at Rutgers,
and the Art Institute of Chicago.
• The first monograph of Krasin’s work, Kate Krasin:
Luminous Prints reproduces more than sixty of the
artist’s prints from the collection of the New Mexico
Museum of Art.
• Admirers of Japanese woodblock prints and the
woodcuts of Santa Fe artist Gustave Baumann will
enjoy seeing how those works influenced Krasin’s
aesthetics.
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Kate Krasin (American, 1943–2010) was a master of the silkscreen
print. Her highly refined work proved that silkscreen, or serigraphy,
was not just a medium for photo-transfer T-shirts or simple graphic
designs in flat colors. For a single print she might use as many as forty
successive screens, all cut by hand, to create a detailed, textured work
of art.
Krasin studied the work of Japanese woodblock print artists and
fellow Santa Fe woodcut artist Gustave Baumann. She, however,
preferred the “dance” of silkscreen: the process of drawing the
sketches, cutting the stencils, formulating the colors, printing by hand.
She diluted inks and layered colors to create transparent, ethereal
beauty.
Drawn to the southwestern landscape as subject again and again,
she felt an affinity for her native New Mexico. “We happen to live in a
landscape that is just fraught with color—red rock, turquoise chamisa,
pink and maroon earth—it’s everywhere, so that walking here can
make me high. And in New Mexico there’s a definite ancient feeling to
the land, a sense of civilizations that have gone before, a pervasive
quality that’s sometimes enough to make my hair stand on end. I want
that mystery, as much as I can put it in a straight landscape. I try to
make pictures of mystery—not just mountains, but rather the feeling,
the meaning, of the Earth.”
Kate Krasin: Luminous Prints includes more than sixty of the artist’s
prints in full color. Author Carmen Vendelin brings forth the voices of
Krasin’s friends; her former husband, artist Peter W. Rogers; and
David Scheinbaum and Janet Russek, who so appreciated her abilities
and aesthetics that they represented her in their photography gallery.
CALL TOLL-FREE: 800 227 1428 • WWW.POMEGRANATE.COM
A261 • ISBN 978-0-7649-7625-4
$50.00 US ($70.00 Canada)
• Fans of Norma Bassett Hall and J. Fenwick Lansdowne
will find themselves at home with Bebb’s work.
• Catalogue raisonné published on the occasion of the
retrospective exhibition Birds & Beyond: The Prints of
Maurice R. Bebb; Birger Sandzén Memorial Gallery;
Lindsborg, Kansas; August 6–October 23, 2016.
19018 NE PORTAL WAY, PORTLAND OR 97230
Artist Maurice Robert Bebb (American, 1891–1986), renowned
for the prints of American birds he produced over five decades,
didn’t turn to printmaking until later in life. Looking back, he
mused, “I wanted to draw and paint for years and years before I
had the nerve to dirty a piece of paper.” Largely self-taught, Bebb
established a national reputation as an exceptional etcher. He
created more than two hundred print designs and produced
prints for the Chicago Society of Etchers, the Prairie Print Makers,
and the Print Makers of California.
Bebb looked to other printmakers for guidance and inspiration,
maintaining long friendships with etchers Charles Capps, Arthur
Hall, Leon Pescheret, and F. Leslie Thompson. He took notes of
their advice and of his own experiments with etching plates, and
he kept meticulous records of his print editions. Many of his
“printing keys” have provided the underlying structure for this
catalogue raisonné.
In Birds & Beyond: The Prints of Maurice R. Bebb, former Bebb
student Jim Harbison writes a warm-hearted account of making
prints in the artist’s home studio. Cori Sherman North, curator to
the Birger Sandzén Memorial Gallery, details a history of
printmaking before 1950, setting the stage for Bebb’s work. And
John R. Mallery, a collector of Bebb’s prints, provides a brief
biography of the artist.
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New Releases
New Releases
Beguiled by the Wild: The Art of Charley Harper
The Weather Works
Charley Harper
Introduction by Roger Caras
Foreword by Brett Harper
Mike Wilks
132 pp., 111/4 x 111/4 in.
Full-color illustrations throughout
A256 • ISBN 978-0-7649-7538-7
$17.95 US ($23.95 Canada)
32 pp., 8 x 12 in.
A244 • ISBN 978-0-7649-7229-4
$50.00 US ($60.00 Canada)
Here is a once-in-a-lifetime opportunity, a guided tour of the Weather Works, a
unique sprawling factory where the weather is made. Open this enchanting volume
and wander through Mike Wilks’s atmospheric wonderland. Visit chamber after
chamber, each filled with fascinating machinery dutifully churning out the weather
in all its variations. Skate through the ice and sleet compartment, and sweat
through the burning-hot halls where liquid sunshine bubbles in vats. Marvel at the
revolutionary wonders being wrought in Research, and bask in the radiant colors of
Rainbow Hall.
Notice how the guide grows visibly older and more harried as the tour
progresses, and keep a sharp eye on the mysterious pet, who seems intent on
wreaking havoc!
Charming and challenging, The Weather Works is a metaphorical epic of finely
interwoven art and verse, destined to earn a place as a classic illustrated work for
readers of all ages.
ABOUT THE AUTHOR
Charley Harper’s paintings and prints have been published by a
variety of nature- and conservation-oriented organizations. His
work has been featured in Ford Times magazine (1948–1982); on
posters for the National Park Service, the Audubon Society, and
many other conservation organizations; and in several books,
including Pomegranate’s Harper Ever After: The Early Work of
Charley and Edie Harper (2015), Charley Harper Nature Discovery
Series (2013, 2014), and three new board books: Charley Harper’s
Animal Alphabet, Charley Harper’s Count the Birds, and Charley
Harper’s Book of Colors.
Presenting more than 110 serigraphs accompanied by intriguing, pun-filled
captions, this new, revised edition of Beguiled by the Wild: The Art of Charley
Harper pays homage to one of America’s most beloved artists. Charley
Harper (1922–2007), with his masterly use of simple geometric shapes,
patterns, and vivid colors, distilled the essence of each bird, bug, otter,
raccoon, or elephant he painted to its most important details. He called his
style of painting minimal realism. “Instead of trying to put everything in when
I paint, I try to leave everything out. . . . I reduce the subject to the simplest
possible visual terms without losing identity, thereby enhancing identity.”
Harper’s approach to depicting the natural world is both sophisticated and
fun. His works—especially those of cardinals and ladybugs—have become
icons of wildlife art.
Originally published in 1994 and long out of print, this new edition of
Beguiled by the Wild presents—exclusively—all of the serigraphs Charley
Harper produced from 1968 to 2007. Fans of Harper will be happy to see,
along with several new images, almost all of their favorites from the original
edition.
The original essays by Roger Caras and Charley Harper are joined by a
new foreword from the artist’s son, Brett Harper.
• New edition exclusively features serigraphs.
• Last published in 1994.
• Witty text written by Charley Harper accompanies
his artworks.
ABOUT THE AUTHOR
Mike Wilks (British, b. 1947) began his artistic career at age
thirteen when he won a scholarship to art school. He ran a
successful graphic design business for five years before he
sold it and began writing and illustrating books in 1975. He
rocketed to fame following publication of The Ultimate
Alphabet in 1986; the puzzle book was a worldwide best
seller. After eight illustrated books, he established himself
as a novelist with The Mirrorscape Trilogy, a fantasy
adventure series.
The Museum of Modern Art in New York, the Victoria
and Albert Museum in London, and many private
collections have acquired Wilks’s drawings and paintings.
Wilks lives in London.
• Original edition published in 1983.
• Follows Pomegranate’s 2015 release of Wilks’s
The Ultimate Alphabet: Complete Edition.
• Jigsaw puzzles, notecards, and more Wilks products
are among Pomegranate's best sellers.
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New Releases
New Releases
Bertram and His Fabulous Animals
The Colors of Ancient Egypt
By Paul T. Gilbert
Pictures by Minnie H. Rousseff and Barbara Maynard
By Amy Mullen
152 pp., 6 x 71/2 in.
Board book
Fully illustrated
70 illustrations
Item No. A259 • ISBN 978-0-7649-7541-7
A257 • ISBN 978-0-7649-7539-4
$10.95 US ($13.95 Canada)
$24.95 US ($32.95 Canada)
The yellow belly of a toothy green crocodile. The gold in Nefertiti’s headdress.
The sweetly simple designs in this board book will help little ones learn their
colors while dipping a toe into the history and culture of ancient Egypt.
24 pp., 7 x 6 in.
ABOUT THE AUTHOR
Paul T. Gilbert (1876–1953) was, for the first half of the
twentieth century, a career newspaperman, most notably
for the Chicago Evening Post. During his years as a columnist
and feature writer, Gilbert interviewed many celebrities of
the day and, as a lifelong circus enthusiast, took on stints
as a circus acrobat, animal trainer, and clown. In the early
1930s he created the Bertram stories, which he modeled
after family and friends, including his wife, Ilse, and their
two sons, Paul Jr. and Peter. Child Life magazine published
nearly seventy of the now-classic tales.
Little Bertram, he’s always wishing he had his very own fabulous animals—
creatures you only hear about in stories or read about in books. And lucky for
Bertram, they seem to appear right in front of him!
Last time we visited Bertram, his funny animals were awfully busy causing
mayhem for him and his mamma. These days he’s a little older, and he’s busy
hunting for buried treasure with the help of a griffin, hatching a baby dinosaur
from its egg, soaring over his town with a roc, and palling around with a miki-miki
(an animal whose diet is entirely filled with candy). His old friends Ginny Banning
and George Fish help him along the way, joining in the fun and trouble. His
mamma is still as baffled by Bertram as ever. Baby Sam gets caught up in the
chaos once again. And his daddy is there to save the day, when he gets back from
business in Omaha, of course.
Author Paul T. Gilbert has filled Bertram and His Fabulous Animals, first
published in 1937, with ten tales of Bertram’s imaginative antics. Drawings by
Minnie H. Rousseff and Barbara Maynard illustrate his adventures with a dragon,
griffin, squeazle-weasel, unicorn, mermaid, anting-anting, dinosaur, roc, and
miki-miki, as well as everyone’s favorite winged horse, Pegasus.
ABOUT THE AUTHOR
Amy Mullen is a self-taught digital illustrator with a
penchant for creating charming “no fuss” designs for
children. She is a graduate of Sweet Briar College, Virginia,
and a member of the Society of Children’s Book Writers
and Illustrators.
Owls & Loons
Inuit Art from Cape Dorset
Text by Zoe Burke
See Bertram and His Funny Animals on page 9.
24 pp., 7 x 6 in.
Board book
Fully illustrated
A260 • ISBN 978-0-7649-7542-4
“Vivid characters and offbeat adventures . . . tempered
with common sense and warm, hearthside humor.
Bertram is every reader’s Every-kid.”
$10.95 US ($13.95 Canada)
This read-aloud board book presents rhyming couplets by Zoe Burke accompanied by ten intriguing prints of owls and loons, brightly colored and full of fun.
—Malcolm Whyte, founder of the Cartoon Art Museum (b. 1933)
ABOUT THE ARTISTS
In the Canadian territory of Nunavut, Inuit artists at the Cape
Dorset printmaking studios share their culture with the world
through art. The Inuit treasure their language and stories, which
often feature owls, loons, and other birds of the Arctic.
• Originally published in 1937.
• Bertram, Baby Sam, Ginny, and George are back in
this rollicking follow-up to Pomegranate’s Bertram
and His Funny Animals.
ABOUT THE AUTHOR
Zoe Burke is the author of the Nature Discovery Book series and
board books featuring art by Charley Harper (PomegranateKids).
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Recently Released
Recently Released
The Space Within:
Inside Great Chicago Buildings
Kazuyuki Ohtsu
Patrick F. Cannon
Photographs by James Caulfield
80 pp., 103/4 x 81/2 in.
Essay by Bob Hicks
320 pp., 113/4 x 9 in.
Includes Index of Artworks by Kazuyuki Ohtsu
More than 360 full-color photographs
A250 • ISBN 978-0-7649-7439-7
A242 • ISBN 978-0-7649-7205-8
$24.95 US ($32.95 Canada)
$65.00 US ($80.00 Canada)
For forty years Kazuyuki Ohtsu (Japanese, b. 1935) served as
assistant to Kiyoshi Saito, a woodblock artist at the forefront of the
sōsaku hanga movement and a man Ohtsu revered as “Master.”
Breaking with the traditional division of labor practiced by the shin
hanga (new prints) artists, the sōsaku hanga (creative prints) artists
handled every step of production—painting the original pictures,
carving the woodblocks, and printing the images.
Saito and Ohtsu worked as a team, if an unequal one. Ohtsu
seemed content to stay in the background as their relationship
deepened. Eventually, he began making his own prints. What Ohtsu
created under his own name is a fascinating blend of old and new, a
reinvigoration of traditional topics with contemporary techniques.
Ohtsu’s prints are poetic contemplations, drawing us into lovely,
tranquil scenes of natural beauty and harmony. The more than fifty
images presented in this book convey a sense of the universe slowed
down, of moments when things come together in a fine stillness and
life aligns. They are what you feel when you stop and pay attention
and simply let your surroundings sink in.
For the first time, the interiors of some of the Chicago area’s greatest
buildings, designed by celebrated architects, are brought together and
featured in truly stunning original photographs. These Chicago-area homes,
religious spaces, and commercial and public structures give visual meaning
to Frank Lloyd Wright’s belief that “the space within becomes the reality of
the building.”
Beginning with the Clarke House of 1836 and continuing to the present,
every type and style of building is presented. Famous residences such as
Wright’s Robie House and Ludwig Mies van der Rohe’s Farnsworth House
are here, but so are more modest (and not so modest) homes by Walter
Burley Griffin, George Washington Maher, and Paul Schweikher.
Text by author Patrick F. Cannon discusses each building’s architecture,
architect, and place in history. James Caulfield, a noted architectural
photographer, leads a visual tour into both the intimate and grand interiors
of the Chicago area’s finest buildings. While many of these architectural
masterpieces are open to the public, others can be seen only here.
Robert Rahway Zakanitch
Bertram and His Funny Animals
David Pagel and John DeFazio
180 pp., 91/2 x 11 in.
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By Paul T. Gilbert
Pictures by Minnie H. Rousseff
104 full-color reproductions and 8 photographs
140 pp., 6 x 71/2 in.
Includes Chronology and Index of Artworks
A243 • ISBN 978-0-7649-7263-8
More than 70 illustrations
$50.00 US ($60.00 Canada)
A251 • ISBN 978-0-7649-7372-7
To Robert Rahway Zakanitch, life is full of ordinary miracles and the boundless beauty
of humanity, which he expresses on paper and canvas in what essayist David Pagel
calls “a wild collision between freewheeling bohemian abandon and settled-down
domestic sociability.”
Zakanitch began to paint seriously amid the 1960s culture of artistic intellectualism, when beauty was out of fashion and Modern Art seemed bent on excluding
rather than including its audience. After exploring Formalism and Abstract
Expressionism, Zakanitch began painting what he described as “gestural things and
patterns that were anathema to Modernism. Things that I didn’t quite understand but
felt good to me.” He wanted to get back to the human rather than pursue the abstract.
He wanted to reclaim beauty.
By the 1970s Zakanitch had reached critical acclaim as a fine artist and as a
founder of the Pattern and Decoration movement. More recently, Zakanitch has used
line, form, color, composition, and scale—especially scale—to create accessible,
visually rich paintings. He wields his pencils and brushes with undeniable authority
but invites viewers into his artistic process by allowing visible erasures, drips of paint,
glimpses of gridwork and support materials, and bits of hand-lettering.
$24.95 US ($32.95 Canada)
Little Bertram, he’s always bringing home the most extraordinary pets, usually after
asking his mamma for permission first, of course. But who ever heard of cutting holes
in the ceiling for a giraffe? Or running from a dangerously ticklish rhinoceros? If only
Bertram would bring home a dog or a cat or even a turtle instead, he might not find
himself in such predicaments. And his mamma—my, is she frazzled!
Author Paul T. Gilbert, who happened to have a son just like Bertram, first
imagined these pet-ownership mishaps as bedtime stories. Bertram and His Funny
Animals became a book in 1934. Now it’s back in a new edition, and this time a
troublesome camel joins the original’s mischievous menagerie! Children will love
Bertram’s cackle-inducing dilemmas and the sweet drawings by Minnie Rousseff, and
parents will delight in tales filled with the charming foibles of childhood.
Assisting Bertram in his misadventures are his well-behaved little brother, Baby
Sam, and friends Ginny and George. Aunt Ella and Great-Aunt Jane reliably offer their
disapproval. Neighbor Mrs. Cree is appropriately nosy. Bertram’s mamma, well, she
means well. And Bertram’s daddy always manages to save the day (that is, when he
gets back from business in Omaha).
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Recently Released
Recently Released
CatBook
Back in Print!
B. Kliban
Text by Zoe Burke
Susan Seddon Boulet: A Retrospective
Michael Babcock
Foreword by Angeles Arrien
24 pp., 7 x 6 in.
Board book
272 pp., 91/4 x 121/4 in.
Fully illustrated
A252 • ISBN 978-0-7649-7371-0
More than 200 reproductions of her paintings
$10.95 US ($13.95 Canada)
A254 • ISBN 978-0-7649-1030-2
B. Kliban’s high-spirited Cats play piano, eat ice cream, and dance the hula
on the pages of this board book, purrfectly accompanied by Zoe Burke’s
rhyming text.
$65.00 US ($85.00 Canada)
2nd Printing
Susan Seddon Boulet (American, b. Brazil, 1941–1997) lived in search of the
magnificent. As a child growing up on a Brazilian farm, she developed an abiding
affection for animals, making them her first artistic subjects. From these simple roots,
creating art became central to her life. Boulet developed a unique style, an inspired
vision suffused with detail, texture, and color. Her artwork reflects her innermost
journey, beginning with fairy tales and evolving into powerful archetypal figures that
welled up from what Carl Jung once called “the deepest springs of life.”
Boulet is known for her portraits within portraits—explorations of dreams,
visions, and spiritual symbols. For these paintings she drew inspiration from folklore
and myth as well as shamanic and Native American traditions. This retrospective
recounts her artistic development and celebrates her extraordinary personal journey.
Back in Print!
Edgar Payne: The Scenic Journey
Flowers Grow All in a Row
By Lisa Houck
Scott A. Shields and Patricia Trenton
24 pp., 7 x 6 in.
272 pp., 101/2 x 12 in.
Board book
Fully illustrated
120 full-color reproductions and over 50 black-and-white
photographs and drawings
A253 • ISBN 978-0-7649-7446-5
A203 • ISBN 978-0-7649-6053-6
$10.95 US ($13.95 Canada)
$60.00 US ($75.00 Canada)
This board book blooms and buzzes with Lisa Houck’s white-line
woodcuts and rhyming text. While the garden grows, little ones can
count the flowers—adding in two butterflies and a bug. They’ll have fun
learning their numbers, 1 to 10.
Exhibition catalogue
3rd Printing
One of the most gifted of the historic California plein-air painters, Edgar Alwin Payne
(1883–1947) utilized the animated brushwork, vibrant palette, and shimmering light
of Impressionism, but his powerful imagery was unique among artists of his
generation. While his contemporaries favored a more idyllic representation of the
natural landscape, Payne was devoted to subjects of rugged beauty. Largely selftaught, he found inspiration and instruction in nature itself. His majestic, vital
landscapes are imbued with an internal force and an active dynamism.
An avid traveler, Payne was among the first painters to capture the vigor of the
Sierra Nevada, and his travels through the Southwest resulted in equally magnificent
depictions of the desert. In Europe he rendered the towering peaks of the Alps and the
colorful harbors of France and Italy. His quest to convey the “unspeakably sublime”
won him widespread acclaim—one critic called him a “poet who sings in colors.”
Edgar Payne: The Scenic Journey presents more than 125 reproductions of Payne’s
paintings, drawings, and decorative arts, as well as rarely seen photographs from the
artist’s travels and selections from his personal collection of compositional studies.
ABOUT THE AUTHOR
Lisa Houck (American, b. 1953) expresses her love of
nature through a kaleidoscope of color, pattern, and
texture. Houck’s creations are part of public and private
collections, notably those of the Museum of Fine Arts,
Boston, and the Boston Children’s Hospital, where her
art brings joy to children and adults alike.
10
11
19018 NE Portal Way
Portland OR 97230
2016 Fall Books
Pomegranate’s
mission is to invigorate,
Don’t
forget Pomegranate’s
holiday books!
illuminate, and inspire through art.
CatChristmas
B. Kliban
48 pp., 5 x 6 in.
Over 40 color cartoons and paintings
A634 • ISBN 978-0-7649-2108-7
$12.95 US ($14.95 Canada)
4th printing
The Twelve Terrors of
Christmas
John Updike
Drawings by Edward Gorey
32 pp., 41/4 x 53/4 in.
Over a dozen black-and-white illustrations
A128 • ISBN 978-0-7649-3710-1
$9.95 US ($11.95 Canada)
Not available in the UK
15th printing
Charley Harper’s
A Partridge in a
Pear Tree
28 pp., 7 x 5 in.
14 full-color reproductions
A236 • ISBN 978-0-7649-6851-8
$9.95 US ($11.95 Canada)
Pomegranate’s mission is to invigorate,
illuminate, and inspire through art.
Pomegranate Communications, Inc.
19018 NE Portal Way, Portland OR 97230
800 227 1428 • 503 328 6500
Fax 800 848 4376 • 503 328 9330
www.pomegranate.com
Catalog contents © 2016 Pomegranate Communications, Inc.
All rights reserved. Prices and availability subject to change.
Pomegranate books are available from the following
international distributors:
Canada
Canadian Manda Group
664 Annette Street
Toronto, Ontario M6S 2C8
855 626 3222 • Fax 888 563 8327
info@mandagroup.com
UK and mainland Europe
Pomegranate Europe Ltd.
Unit 1, Heathcote Business Centre, Hurlbutt Road
Warwick, Warwickshire CV34 6TD, UK
[+44] 0 1926 430111 • Fax [+44] 0 1926 430888
sales@pomeurope.co.uk
Far East and Middle East
Julian Ashton
Ashton International Marketing Services
jashton@ashtoninternational.com
[+44] 0 1732 746093 • Fax [+44] 0 1732 808479
Africa, Latin America, Australia, and New Zealand
Contact us through our website, www.pomegranate.com,
or at 503 328 6500.
To order and for terms of sale, discounts, and other
information, please contact us:
800 227 1428 • 503 328 6500
Fax 800 848 4376 • 503 328 9330
Cover image:
Kate Krasin (American, 1943–2010)
Chamisa, 1980
Silkscreen, 15.9 x 22.5 cm (61/4 x 87/8 in.)
Collection of the New Mexico Museum of Art
Gift of Kate Krasin, the artist, 2012 (2012.31.56)
© Kate Krasin Estate
Photograph by Blair Clark
From Kate Krasin: Luminous Prints (see p. 2)
POMEGRANATE is a registered trademark of Pomegranate Communications, Inc.
PomegranateKids® is an imprint of Pomegranate Communications. PomegranateKids
products are phthalate free; printed with nontoxic, soy-based inks; and CPSIA
compliant.
CABOOK2 2016 Printed in USA

fall books 2016

Transcription

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