Poor Excuse for Zoning Ritzy W`chester towns rip fed

Transcription

Poor Excuse for Zoning Ritzy W`chester towns rip fed
36
Monday, November 29, 2010
YourBorough
DAILY NEWS NYDailyNews.com
POOR EXCUSE FOR ZONING
BY ABBY LUBY
SPECIAL TO THE NEWS
Section-Low: MAIN-36
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WHILE AFFLUENT Westchester towns await a federal monitor’s next report on a court-ordered affordable-housing plan,
some upper-crust communities
are already complaining about
mandated zoning changes.
Federal
monitor
James
Johnson finally gave his first nod
in a year to a new model zoning ordinance a few weeks ago, after rejecting the county’s first two housing plans.
His next report is expected to
criticize County Executive Robert
Ritzy W’chester towns rip fed housing plan
Astorino’s refusal to sign off on
previous housing legislation.
The county was forced to build
750 affordable units after being
sued by the Anti-Discrimination
Center for misappropriating federal funds earmarked for affordable
housing.
The settlement stipulates that
$51.6 million be spent on units to
be built in towns with little or no
black or Hispanic residents, such
as Scarsdale, Rye, Irving, Tarrytown, Bronxville and Yorktown.
But the targeted communities
say the ordinance is problematic,
especially considering the cost of
land.
“Land here costs $1.7 million
an acre,” said Scarsdale Village
Manager Alfred Gatta. “It would
be a great incentive to build affordable housing if the county gave us
$1.7 million. That would work.”
“Somebody who knew nothing
about northern Westchester created this plan,” said Yorktown Supervisor Susan Siegel. “You can’t
pop units in where you have no
public water, no sewers, no public
transportation.”
She said Yorktown is changing
its zoning to accommodate affordable homes in the future.
“The plan remains vague and
the communities are anxious,”
said Tarrytown Village Administrator Mike Blau. “We still don’t
know all the ins and outs and what
our obligations actually are.”
Towns that resist the plan may
lose federal community development block grants or other funding doled out by the county, said
Westchester legislator John Nonna of Pleasantville and Briarcliff
Manor, who serves on the Housing and Planning Committee overseeing the plan.
Siegel said the block grants are
a major revenue source for Yorktown, adding: “We don’t want to
jeopardize that money.”
“We don’t want to start out taking a hammer to anyone’s head,”
said Westchester County Board of
Legislators Chairman Ken Jenkins (D-Yonkers). “The last straw
would be eminent domain.”
Westchester must have both financing in place for 100 affordable units and 50 building permits
in place by Dec. 31, 2011.
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Toby Kasavan, whose great-grandfather was an accomplished klezmer player in Poland, wants
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41
Monday, November 29, 2010
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who BELIEVE IN THEIR FUTURE.
He’s tuning up for
a klezmer revival
oby Kasavan can’t read the Jewish and non-Jewish audiences.
words on the 106 pages of
Barsh was at least 50 years old when
klezmer music he’s had for close he left Poland sometime around 1900,
to 25 years.
immigrating to Germany before joining
He can’t really play any of it ei- family members who had moved to Torther, even though he’s a professional pi- onto.
anist in the “jazz and funk” genres.
“A cousin, Stuart Gold, interviewed
“These are gig books, arrangements Joshua’s son back in 1986,” Kasavan
for performances,” Kasavan said. said. “He said Joshua left Poland be“There is a violin book in the key of ‘C,’ a cause he was about to be drafted in the
‘B flat’ book for clarinet, and an ‘E flat’ Polish Army, which had a long enlistbook for alto saxophone. There really is ment requirement. He got fake papers
no part for the piano.”
and went to Germany and then to CanaBut Kasavan, 58, does know a lot of da. Most of the family is still in Toronto.”
the history behind the music because it’s
Joshua moved to Los Angeles after
family history. Each of the pieces are World War II.
original compositions written by Joshua
“All my life I had heard there was a
(Sheayaikle) Barsh,
trunk of my grandfahis maternal greatther’s music somegrandfather,
who
where out there,”
was 102 when he
Kasavan said. He
died in Los Angeles
found out for sure
in 1952.
when an uncle, Louis
BY CLEM RICHARDSON
Now Kasavan just
Gold, passed the 120
wants to get the mupages along in 1984.
sic heard.
“He said, ‘You’re the musician in the
“I want to make the music live again,” family, maybe you can do something
he said. “The music is a connection to with this,’ ” Kasavan said.
the family’s past and the past in general.
The papers sat in Kasavan’s Rego
Getting it played is like bringing some- Park, Queens, attic until he rediscovered them during a move to Kensington,
thing to light that was hidden.”
Barsh was a violinist, a klezmer musi- Brooklyn, three months ago.
Curious, Kasavan made some queries
cian and an orchestra leader of some renown, though most of his history is on the Web. Klezmer music, he found,
sketchy. Born in 1850 in a Polish village was in the midst of a revival.
Local New York City bands like the
that Kasavan said was later destroyed in
World War I, Barsh played with a family Klezmer Mountain Boys and a New Enorchestra of at least 14 musicians in his gland Conservatory of Music professor
have performed pieces. A University of
native Poland.
“The Barsh family were all musi- Virginia professor is writing a Barsh
cians,” Kasavan said. “He probably family klezmer history.
Kasavan could not be happier.
started playing in the family orchestra
“I just want everyone to play the muwhen he was 15 years old.”
Family research suggests the orches- sic, as long as Joshua gets credit and the
tra, the name of which has been lost, music gets out there,” Kasavan said.
worked within a 100-mile radius of its “Some of it is really beautiful.”
For more info, email Kasavan at
home base, something Kasavan said indicates not only that it was popular but rgfh10@hotmail.com.
crichardson@nydailynews.com
also that it probably performed for both
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