The OMC-28M Laurence Juber Custom Signature Edition

The OMC-28M Laurence Juber
Custom Signature Edition
Laurence Juber Goes Three For Three With New
Madagascar Rosewood Custom Edition
Fingerstyle guitar wizard Laurence Juber has a
knack for creating impressive namesake Martins.
In 2002 he began his winning streak with the
Laurence Juber OMC-18VLJ Signature Edition, a
superb Adirondack spruce/mahogany cutaway
OM that sold a respectable 133 instruments. He
came back in 2004 with two OMC-28 Laurence
Juber Signature Editions: The OMC-28 Laurence
Juber in Indian rosewood yielded an edition of –
coincidentally – 133 guitars, while the very limited
OMC-28B Laurence Juber, in rare Brazilian rosewood,
sold all 50 guitars offered and became one of the most
coveted Martins of recent years.
Now he returns with yet another winner: the Martin
OMC-28M Laurence Juber Custom Edition. Following
in the tradition of its predecessors, the new guitar
features classic OM appointments, a smooth Venetian
cutaway and a focused, resonant Adirondack spruce
top with 1/4” scalloped Adirondack spruce braces, but
this time matches them to a back and sides of beautiful
Madagascar rosewood, a true rosewood that closely
resembles now-endangered Brazilian rosewood in
appearance and sound.
“Madagascar rosewood has been
on my agenda for some time,” Juber
explained. “When we worked out
the details for the OMC-28B
Laurence Juber, I asked Martin to
check on it, but it was – at the time
– in short supply. While still rare,
Martin has had the forture of
acquiring enough for a run of special
instruments. Because of the limited
quantities of the previous
editions, we wanted to
continue the LJ specifications
in an ‘open ended’ Custom
Edition format and the
OMC-28M fits the bill; a
guitar created to be a
‘picking cousin’ to the
Brazilian, Indian and
Mahogany versions.”
Juber has given a prototype
OMC-28M some serious playing
time during concert tours of Asia,
Europe and the United States in the past year. But as
expected of a musician whose work has included
lead guitar for Paul McCartney’s band Wings, plenty
of soundtrack sessions for film and television, and
several fine solo albums (all detailed in the January
2002 and January 2004 editions of Sounding Board,
at www.martinguitar.com), he has stayed equally
busy off-stage.
In 2005, he won a Grammy Award (his third)
for his contribution to the “Henry Mancini: Pink
Guitar” album. That same year, he released “One
Wing,” an album of instrumental McCartney from the
era when they were bandmates. He produced Al
Stewart’s 2005 album “A Beach Full of Shells” and is
currently working with Stewart on some new tunes.
He started work on his next album, a collection of
solo arrangements of songs by Harold Arlen,
highlighting one of the 20th century’s finest
composers. He also steps out from behind his guitars
to write a column for Guitar World Acoustic.
In appointments, the OMCM Laurence Juber
Custom Edition continues the vintage elements that
made the OMC-28 Laurence Jubers such hits. Fine
pattern herringbone purfling and black/white wood
fiber inlays encircle the top and back
respectively, with grained ivoroid
binding protecting both. The grained
ivoroid end piece is framed with
black/white fine line inlays and The
Golden Era Style 28 rosette features
wood fiber rings.
The modified V-shape neck of
genuine mahogany, 1 3/4” at the nut,
is carved with a 1930s-style
diamond volute and solid square
tapered headstock. The polished
headplate of Madagascar
rosewood sports the traditional
gold foil “C.F. Martin & Co.”
decal as well as Waverly
nickel plated open geared
tuners with “old style” nickel
butterbean knobs.
The fingerboard and belly
bridge showcase premium black
ebony. True to the spare ornamentation of
Laurence Juber at the 2006 Anaheim NAMM Show with the prototype of his OMC-28M Custom Edition.
previous Laurence Juber Signature Editions, the fingerboard
bears only side dot position markers. Both the nut and
compensated drop-in saddle are crafted from genuine bone.
Fossil ivory bridge pins and end pin are topped with inlaid
black dots.
Martin’s famous flawless gloss lacquer finish protects the
body and neck, accented by aging toner on the top to
enhance the OMC-28M’s vintage style. In keeping with
Laurence Juber’s fingerstyle playing, no pickguard sullies its
beautiful face. The OMC-28M Laurence Juber Custom
Signature Edition may be ordered with a sunburst finish
and/or factory electronics as extra-cost options. Left-handed
instruments are available by special order at no additional
cost.
Delivered in a vintage-inspired Geib™ style hardshell
case, each Martin OMC-28M Laurence Juber Custom
Signature Edition guitar bears an interior label personally
signed by Laurence Juber and Martin Chairman C.F. Martin
IV, and numbered in sequence. Authorized C.F. Martin
dealers have already begun accepting orders for the OMC28M Laurence Juber and participating dealers will be posted
on the Martin website, www.martinguitar.com.
Madagascar rosewood possesses much of the visual
beauty of Brazilian rosewood, but its real attribute is
that it rivals Brazilian rosewood in its tonality.
LAURENCE JUBER OMC-28M CUSTOM SIGNATURE EDITION – SPECIFICATIONS
SUGGESTED RETAIL PRICE
MODEL: OMC-28M Laurence Juber Custom Signature Edition
$5599.00
CUTAWAY: Venetian Cutaway
CONSTRUCTION: Standard Series
This model may be ordered
BODY SIZE: 14-fret 000 OM
through your local
TOP: Solid Adirondack Spruce
Authorized Martin Dealership
ROSETTE: Golden Era Style 28 With Wood Fiber Rings
TOP BRACING PATTERN: Scalloped X-Bracing, 1/4” Width
TOP BRACES: Adirondack Spruce
BACK: Madagascar Rosewood, 2 Piece
BACK PURFLING: HD-28 Style Zig Zag Back Strip
CAUTION STAMP: “C. F. Martin & Co., Nazareth, PA” Stamping
Between 1st & 2nd Back Braces
BLOCK TO READ:
(Lasered Decal Logo)
Custom
Laurence Juber
Serial #
SIDES: Madagascar Rosewood
RIBBON:
Spanish Cedar
END PIECE: Grained Ivoroid
END PIECE INLAY: Yes, Black White, Wood Fiber Inlays
BINDING: Grained Ivoroid
TOP INLAY STYLE: Fine Pattern Herringbone
BACK INLAY: Black White, Wood Fiber Inlays
NECK SHAPE: Modified V-Shape With Diamond Volute
TRUSS ROD: Adjustable
HEADSTOCK: Solid Square Tapered
HEADPLATE: Madagascar Rosewood With Old Style Decal Logo
HEELCAP: Grained Ivoroid
NUT: Genuine Bone Nut
FINGERBOARD: Black Ebony
SCALE LENGTH: 25.4”
# OF FRETS CLEAR: 14
# OF FRETS TOTAL: 20
FINGERBOARD POSITION INLAYS: None
SIDE POSITION DOTS: White, 3rd, 5th, 7th, 9th, double at 12th, 15th, 17th.
FINISH BODY: Polished Lacquer, Dark Filler
FINISH TOP: Polished Gloss Lacquer, Aging Toner on Top
FINISH NECK: Polished Lacquer Complete, Dark Mahogany Stain, Dark Filler
BRIDGE: Black Ebony, Belly
BRIDGE SPACING: 2 1/4” Bridge Spacing
SADDLE: Genuine Bone Drop In Compensated Saddle, 16” Radius
TUNING MACHINES: Waverly W-16 Nickel Plated Open Geared Tuners
With Old Style Nickel “Butterbean” Knobs
STRINGS: Martin SP 4100 Light Gauge Phosphor Bronze
BRIDGE & END PINS: Fossil Ivory With Black Dot
PICKGUARD: None
CASE: #533 “Geib Style” 5-Ply Vintage Hardshell Case
INTERIOR LABEL(S): Personally Signed by Laurence Juber
Numbered In Sequence Without Total, i.e. #1, #2, etc.