Vibe Culture
Transcription
Vibe Culture
In 3-D, Alice Loses Her Much-Ness vibe:culture Breaking Down Tim Burton vibe:culture Before 2000, web-comics werehttp://www.the-reel-mccoy.com/movies/classics/images/EdWood1.jpg considered an online cult, and things that were virtually non-existent to people other than the artists themselves. However, with advocates like Scott McCloud and booming online comics like Penny Arcade, web-comics have become more and more mainstream. In this decade, more artists than ever actually make their living from advertising on their websites, selling merchandise and having donations to their site, even though the number might be considered small when compared to the actual number of comic artists out there. This medium has become so popular, that not only are web-comic artists considered ideal guests for nerd-related conventions, but it also has given birth to several annual Web-Comic awards. It would be unfair to pinpoint one good web-comic, since there are so many. Some of the best ones have huge followings and have been online for years, so going through their strips would only be for compulsive nerds. There are newer ones that look pretty good as well, and they won’t take too long to get through, but because they have not been around as long, it still is hard to say where they are going and what their potential is. As with most things online, it is up to the potential reader to Stephanie DeVito decide how to spend their time on the vast and varied world of the Internet. 2010 Some of my personal favorites include: SomethingPositive.net- A somewhat cynical comic that has been online since 2001. It follows a rather large and varied cast, and their lives as they go through The setchallenges, up seemed like pure perfection; Johnny Deppand as the Mad Hatter, Helena Bonham Carter the sometimes un-average obstacles, their encounters with stupid people whoasmay life’s average temperamental Red Queen, and Tim Burton holding the reins as director applying his wildly artistic and mirror people we know, but wish we didn’t (the same might go for the regular cast members as well). Known beloved, story of Adventures in Wonderland. Thedialogue, movie released for off its beat dark vision humor,toitthe is not for thepsychedelic easily offended, butAlice’s with its patronizing and entertaining it will ontime March 5th 2010, a day Lewis Carroll must have rolled over in his grave. stilleverywhere get you from to time with its sentimental moments. The story ofAAlice in Wonderland is set asthe a sequel the original text. Alicecrazy) is going twenty at a fork Girlyyy.comfun web-comic that details life of atorather eccentric (read: girlon and her side-kick/ in the road: does she refuse a proposal of marriage and stay fully employed as a dreamer or does she accept lover. Since 2003 the pair has amused readers with their “adventures”, and looks to be ending soon. The strip and make her sister happy by doing she innocence is expected? In a moment of panic Alice runs out combines cartoon styleand andmother gags, but usually leaveswhat out the intended with those works. of her own engagement Online party and falls down samethe rabbit thought she had only who dreamed Multiplexcomic.comsince 2005, it the follows liveshole of ashe group of young people workofatasa a child. As she explores the new land she finds she is part of a prophecy to save Wonderland by dethroning movie theatre. Don’t go assuming that this will be movie reviews done as a comic (Joe Loves Crappy Movies theone Redfor Queen slaying themovie Jabberwocky. is the that),and even though fans will enjoy the occasional discussions about upcoming films (or Many were upset that Linda Woolverton’s is set as an addition to obligatory the originalclassic story movie rather get angry if their opinion differs). Usually, the jokesscript are character-based, with the than an adaptation. This wasn’t what upset me personally. The movie is more of a Lord of The Rings references. hero’sOfquest which disregards the original themes of Lewis story. The enough 1865 version course therecompletely are many others that come highly recommended, butCarroll’s there is not nearly room was a storyonline aboutare growing up that utilizes and new wordones play.allAlice dreams up a world of here. Comics in endless supply, andnonsense, people trycharm, to launch the time (whether they be nonsense to escape from the rules and schedules of a structured society she will soon become a part of. good or bad usually has little effect on its target audience). Often as well, if you like one web-comic, it will go funny,that time irrelevant, all time teatime, speech lacks Of direction, endInupWonderland linking you proportions to other web-comics youiscan look through andisdecide to enjoy as well. course, and one everyone is openly mad. Thecomics draw of is the of escape and, possible was of the good things about online is Alice that they arefeeling numerous in number, so with aimpossibilities. little searching,Itthere child-like mixedfor in with more adult sociallikely, commentary willthe always be atinnocence least one comic everya person. Or more five or that made Alice’s Adventures in Wonderland so highly regarded. ten that in the genre with similar plot. The movie starts out by keeping true to that message, with Alice standing on the threshold that changes children into women. When she runs back to Wonderland, she finds the Red Queen has taken complete When discussing the best directors with people, the usual suspects are discussed Spielberg, control, turning the world into an overly governed wasteland. This has Scorsese, Hitchcock, and Antonioni to name a few. But when discussing a person’s favorite every possibility to set up the notion that as we grow older we lose the director you will get a different answer. Tim Burton, who may not be the best director of all ability to see the world through child-like eyes, dreaming of something time, is a film maker who has made his fair share of great movies. With the current release of better than what we are given. It makes sense that Alice’s own world is Burton’s latest film Alice in Wonderland, we take a look at Burton’s five best films. under siege and can be completely transformed if she doesn’t intervene. Unfortunately, the movie lost that train of thought quickly. 5. Sweeney Todd- In 2007 Burton released his blood soaked adaptation of the violent musical Wonderland is a bloody brutal place. The Red Queen has Sweeney Todd on the big screen. The film impresses in many ways, but the first clear thing to decomposing bodies in her moat, parts were burned down, and mention is the beautiful sets. Burton sets the tone of the film with the dark dreary streets of characters were enslaved. In fact “Wonderland” isn’t even called that. Victorian England. From the first shot the viewer gets the full feel of the movie. Also Burton It is now “Underland”. Ew. There is also the fact that Alice is trying to give power back to the White Queen, but why should she be in charge if gets great performances out of Alan Rickman as evil Judge Turpin, Helen Bonham Carter as Wonderland was the world Alice created as a child? Another incongruity Mrs. Lovett, and Johnny Depp as the anti-hero Sweeney Todd. Burton could have chilled out on the excessive gore, but other than that Todd is one of his best films. is that when the movie refers back to her memories of Wonderland as a child, she calls it a nightmare. How could the creators think Alice was terrified of her childhood adventure if at the end of the 1865 book she 4. Ed Wood- Biopics recently have become a major money maker in Hollywood. Burton took gushes to her sister about the enchanting world in which she had just his stab at a biopic with his great film Ed Wood, the story of cult director of the same name. been? Top that off by Alice’s sister ending the book reflecting on how she While not entirely accurate, the film is widely regarded as one of Depp’s best performances of envies Alice and her youth because she can lay in the grass and dream his career. The film itself is an instant classic that will have the viewer not only laughing, but up such extravagancies in her own head. The film couldn’t have missed also appreciating the film as a drama. the boat more. The movie was nothing but an attempt to make Alice an epic adventure, reminiscent of Narina, but it wasn’t done nearly as 3. Beetlejuice- Beetlejuice, Beetlejuice, Beetlejuice! Burton’s second mainstream film well. What summed up the movie’s complete misunderstanding of the Beetlejuice is still considered a classic comedy. The story revolves around a young dead couple real Alice was clearly portrayed in a dance. Sounds weird but I swear trying to rid their house of the new residents. In their quest to rid the house of the new people, it isn’t. Throughout the movie, the Cheshire Cat tries to get the Mad they summon “bio-exorcist” Beetlejuice who causes even more mischief. Everytime Michael Hatter to do the Fudderwacken, a dance he is supposedly the best at that Keaton (who plays BJ) appears on screen, laughs come quickly, which is a clear sign of how celebrates the cheer of Wonderland in its hay-day. The Hatter promises great the film is. that once the White Queen is in power again he will Fudderwacken. The Frabjous day comes, Alice slays the Jabberwocky and that Hatter 2.Edward Scissorhands- Only in the mind of Tim Burton could the idea of a man with begins to dance a horrific dance. It was danced to a techno beat. If the scissors for hands exist. On first look the movie Edward Scissorhands would appear to be a epitome of Wonderland is represented in a techno dance then it implies silly idea, but Burton’s execution is incredible. In short, it is a tale of a man who can’t love that Wonderland is a modern, mechanical, synthesized place. anything human, because anything he touches ends up getting cut due to his scissor hands. At the end of the movie, Burton tries to bring it back to the original setup of holding onto the little piece of yourself that refuses to grow up Edward is someone everyone can relate to because people only like him for his sculpting and forget about all the madness of dreaming when Alice boldly refuses abilities, and everyone has felt underappreciated by their friends at some time. Overall, the proposal, gives everyone a piece of her mind and replaces her late Edward Scissorhands is timeless film that everybody can relate to which is why it is so good. father in his business. It gives the movie a disjointed feeling. Half of the movie feels like just an excuse to use the characters from Alice. 1. The Nightmare Before Christmas- Possibly Tim Burton’s most known film isn’t even As a sister to one he directed. Produced and written by Burton, Nightmare before Christmas is a must Alice’s Adventures see for anyone looking to discover Burton. The songs are rich, the claymation is great, and in Wonderland the plot never gets old. The story follows Jack Skelington, the Pumpkin King, who decides it didn’t do the after Halloween is over to fill in for Santa and help run Christmas. While the movie is no best original justice at picture movie, it is a movie that has stood the test of time and is still a tradition for thousands all. As a movie of people to watch in the week leading up to Halloween. it wasn’t awful but in all honesty, -Zach Cohen it moved far too 2010 quickly, characters that “lead” Alice in her journey were underdeveloped and the script added awkward lines and over-explained things that would have flourished in its own subtlety. If you are looking for something amusing for the next two hours maybe you wouldn’t mind the new version of Alice’s Adventures in Wonderland it is pretty sweet looking in 3D. As for me, this movies isn’t my cup of tea. E 1 vibe:culture TELEVISION TELEVISION TELEVISION TELEVISION TELEVISION HBO Returns to World War II With The Pacific Nate Falk 2011 HBO, in collaboration with Dreamworks, has come out with a new 10 part mini-series that tells the story of three Marines fighting against the Axis powered Japanese in the Pacific during WWII. “The Pacific” comes from the producers of “Band of Brothers”, Tom Hanks and Steven Spielberg. The three main characters are Pfc. Robert Leckie played by James Badge Dale (Chase in 24 Season 3), Sgt. John Basilone played by Jon Seda, and Eugene Sledge played by Joe Mazzello. These three characters are the stars of the mini-series, and the battles like Guadalcanal, Iwo Jima, and Okinawa will be seen through these men’s eyes. The characters are all different and bring their own perspective to the new mini-series. Robert Leckie, a New Jersey native, was a sports writer before enrolling into the Marines and joining the Pacific front. John Basilone, also a New Jersey native, served in the Philippines in 1934, then in 1940 enlisted in the Marine Corps. Basilone was assigned to be a machine gunner. Eugene Sledge was very anxious to join the battles during WWII, but had a heart murmur that prevented his enlistment. Sledge’s family had a strong military history and he wanted to continue it. Sledge wouldn’t give up, so he got a forged doctor’s note that said he had a healthy heart and got his dream of going to war and continuing family history. The characters really don’t meet often; at most two or three characters cross paths every few episodes. The mini-series will zone in on one character per part and tell their view of the war in the Pacific. The mini-series starts off with a map of the Pacific showing the tiny islands that many of us have never heard of but these brave men lived on for months. Next you hear the mellow voice of Executive Producer Tom Hanks. While Hanks is talking, old black and white footage of the war comes up, giving us an excellent overview of what’s going on. Then the screen goes black, the room goes silent, and the epic introduction begins listing cast and crew as powerful music plays. After that your eyes are glued to the TV until the last word of the closing credits. The Pacific was a completely different war than the one we saw on “Band of Brothers”. Don’t expect to see another “Band of Brothers” in “The Pacific”. Instead of fighting in small European towns the soldiers fight on small islands in the middle of the jungle and much closer to the enemy. The weather and terrain can’t even be compared; in place of cold winters are palm trees and oceans. The weather would go from a beautiful sunny day to a monsoon in just seconds. “The Pacific” also shows the home front and romances, something “Band of Brothers” never brought up. More importantly, these men were fighting a completely different enemy than the men in “Band of Brothers”. The Japanese had different tactics and weapons than the Germans. Overall “The Pacific” is an amazing mini-series and though some might like “Band of Brothers” better, you can’t say “The Pacific” is bad. For those viewers who think “Band of Brothers” and “The Pacific” are similar shows, that’s completely wrong. The fact is that the two mini-series are telling two different stories in two very different ways. “The Pacific” shows three marines, not a whole company. In addition, the viewer learns much more about these three characters then they will in “Band of Brothers”. They’re keeping one thing similar that I really like--the interviews of the actual men who fought in the war at the beginning of each episode. “The Pacific” is on Sunday nights at 9 o’clock and gives you 60 minutes of non stop entertainment. Though “The Pacific” and “Band of Brothers” are two different mini-series there is still a rivalry between the two, much like the soldiers fighting in Europe and the Marines fighting in the Pacific. The viewer will have to make their own call as to which they prefer. Southland is Shocking and Unforgetable Brandon Bakhshai 2011 Season 2 Episode 3 of Southland opens with an officer leaving his car hurriedly and flying up the stairs, smashing the windows of a locked door with his shoulder before moving on to the glass window. He handles this with a patio chair, and as the glass shatters, and a grimly intentioned criminal brings a flailing female to the ground, a voice explains over the still image of an adrenaline-dripping officer that “sooner or later, every police officer will learn you can’t save everyone”. This woman will inevitably become prey, and not only the officer, but also you will have to deal with it. Southland is a television series full of shocking moments; to be completely honest, every single moment is shocking, in that this truly mind-blowing show (if the critics are correct) is an accurate depiction of the life of a Los Angeles police officer. Thus, the show is raw, unbearably tense in its most realistic moments, and immensely biting in its most shocking. One of the more shocking and grimly memorable scenes vibe:culture VOLUME 2: ISSUE 6 staff editors Zach Cohen, 2010 Keith Zients, 2010 SENIORS: Stephanie Devito, Louis Fischetti, Conner O’Reilly, Ithan Sokol Tajah Ebram, Chris Palumbo, Melissa Dardani, Vani Ramaraj, JUNIORS Mike Boccio, Elena Georgopoulos Heather Heyer Aaron Lassin, Sidd Bhupathiraju E 2 Kyle Self, SOPHOMORES Nate Falk, Corey Koppel, Bakhshai, special thanks to mr. frank manfre advisor Brandon mr. peter honig I have ever witness on primetime television occurred during the season two premiere. Less than thirty seconds in, the scene features a line of inmates waiting for the shower. However, several of these inmates turn towards something behind them; they are conscious of something unusual. As the camera reaches the end of the line, we see the arm of a man that has undoubtedly killed before; he has a thick shank in his hand, and pushes the inmate closest to the shower back with this shank-wielding hand. The camera turns to expose the snitch from an earlier scene, and right here a heavy weight will build up in your stomach. In what seems like no time, the man has entered the shower and performs his duty, walking out just as swiftly away as he entered, and once again leaving not only the inmates to deal with this truly horrific event, but you as well. The beauty of Southland is that it gives you this picture, both shocking and grim, and then allows this picture to sit in your mind. The experience is different for everyone, just as life is different for every person on earth. Certainly, Southland can and will never replace shows that makes us smile or feel good; those shows, such as The Office and How I Met Your Mother are in their own very separate category. However, Southland is the king of drama, and the master of shows that will stay with a person for a long, long time. Drake Rises to Stardom Sidd Bhupathiraju 2011 With many up-and-coming hip-hop artists, none have made a bigger splash than Aubrey Drake Graham, who goes more commonly by Drake. “Drizzy”, who was previously known for his acting part in “Degrassi: The Next Generation” exploded onto the hip-hop scene in early 2009. His first mixtape, So Far Gone, was a huge success and although he is only in the early stages of his career, Drake has worked with many at-large artists such as Kanye West, Mary J. Blige and his mentors Lil Wayne and Jay-z. Noticing his vast potential, Lil Wayne signed Drake to his own label, Young Money Entertainment. “So Far Gone” was deemed “The Hottest Mixtape of 2009” by MTV. Drake also recorded two of the top ten singles in the same week. He became only the second artist to do so along with Nelly Furtado. “Best I ever had” placed 3rd and “Every Girl” placed 10th. Drake has been nominated for many music awards early in his career and even won BET Rookie of Mass Effect is a Worthy Sequel Corey Koppel 2012 In the videogame world an RPG is described as a role-playing game that involves the player to develop their character through complex task based missions, upgrade systems, character to character play, and then eventually, bore the player to death. It’s true that RPG’s can be redundant at times, but fortunately for more action-oriented players BioWare has recently released Mass Effect 2 for multiple platforms. Mass Effect 2 is the sequel to its predecessor Mass Effect. The sequel puts the player back in control of Commander Shepard and the Normandy crew, but this time around, Shepard can either be a male or female and is fully customizable. Apparently no one in the first game thought to check what Commander Shepard is. At the start of the sequel everything seems normal when Normandy is attacked and Shepard is killed. Two years later Commander Shepard wakes up The overall experience of Mass Effect 2 is engaging, but and learns that a huthe combat system just flails around at the sides. man nationalist group, named Cerberus, saved him and then Shepard is sent out to save the galaxy from galactic demons known as the Reapers. The Reapers are recognized in Mass Effect one and two, as the main threat but there isn’t much combat with them. This isn’t a negative, but it would be more interesting for BioWare to incorporate the Reapers more frequently into the combat system now that it is established that they will most likely attack. Aside from the Reapers, the world of Mass Effect 2 is extraordinarily immense. There are a number of different nebulas, solar systems, and planets that the player can visit. Each planet has it’s own personality and is packed with detailed artwork, but the one thing that is insufferable is that not every planet can be explored. Understandably, it would take too much time to create an environment for each planet, but the least BioWare could do is make a nice picture for its players to look at. Everything about Mass Effect 2 is elaborate, the story, the upgrade system, and each character. Although elaborate, some of these areas are not better than the original. The story of Mass Effect is more enjoyable than the second installment. The sequel may have developed more of a relationship with the Reapers, but most of the story, and game play for that matter, comes from building a team. Mass Effect 2 is just a bridge for Mass Effect 3, which BioWare made obvious there would be. The first clue to Mass Effect 3 was when a fleet of Reapers is headed for the Normandy at the end of the game, but what gave it away was during a loading screen a caption read, “Choices made in Mass Effect 2 will have major ramifications in Mass Effect 3. Not so clever now, are you BioWare? The dialogue that went into Mass Effect 2 was obviously exceptional, but BioWare always has good writing and people are no longer impressed by it. The character development in Mass Effect 2 is some of the best around. Each character comes bundled with a back-story and two missions; like a giant set of toilet paper that seems unnecessary, but you have it just in case. The game forces players to build a large time and then play their background missions. Your team is useless in combat unless you Harry Potter With Songs The Year in 2009. What separates Drizzy from other artists is his unique style. Unlike most other male hip-hop artists who rely on other artists for choruses or vocal parts to a song, Drake has a well trained voice to complement his lyrics. This gives him more opportunities as he is both lyrically and vocally talented. His hybrid skills are shown well in “Forever” which reached number eight on the US Billboard Hot 100 and number one on Us Billboard Rap. Drake mixes his voice with his lyrical genius in this song to produce another one of his masterpieces. Currently Drizzy is working on his first studio album ,“Thank Me Later”, which promises to be just as popular and diverse as his mixtape and was released on March 30. His new album will feature more big names such as Kid Cudi, Andre 3000, Eminem, Kings of Leon, and the returning Kanye West and Jay-Z. Drake has gotten off to a fast start in the music industry and all signs are pointing to him having a long and bright future. vibe:culture VIBE CULTURE VIBE CULTURE VIBE CULTURE VIBE CULTRURE VIBE need a biotics attack that you don’t have, but other than that, they’re around to make Commander Shepard look cool. The overall experience of Mass Effect 2 is engaging, but the combat system just flails around at the sides. First of all, the weapons in the game involve guns and superhuman type abilities called biotics. The weapons in the first game had unlimited ammo, but they would overheat and players would just pick up the next most powerful weapon. In Mass Effect 2 players keep the guns they have and upgrade them, but now the weapons don’t have unlimited ammo. This wouldn’t be such a problem if there was an ammo system in the first game, but playing a game set hundreds of years in the future with unlimited ammo, and then two years later everything requires ammo, seems like a step backwards. The biotics also went through some improvements, there are more uses for it, it is simpler to upgrade, and as a bonus they’re a lot more fun. The only problem with these two areas is the upgrade system. What BioWare forces players to do is find fake elements, mostly through planet exploration, which is not as exciting as it sounds, and once players find enough of one of the four elements used for upgrades, make it to the upgrade station, and finally chose an upgrade from the extensive list, players find that one upgrade takes more than half of the amount of elements you found. Then you look up to the sky and scream, “Curse you BioWare for making such an elaborate upgrade system.” Don’t let this get you down too much through, what Mass Effect 2 lacks in combat it makes up for in motivation. The most motivation seen in a game is that, “shooting things is fun,” but in Mass Effect 2 the player feels motivated to avenge his fallen teammates. Of course this motivation only comes in at the end of the game so, “shooting things is fun,” still stands as the top form of motivation. Mass Effect 2 also allows players to import Commander Shepard from the other game. It doesn’t make a difference if you chose to do this or not, but I guess BioWare made it available for their more lazy customers who don’t feel starting from square one. The secondary missions in Mass Effect 2 aren’t as exciting as the primary missions but they should still keep the player interested for some time. Over all, Mass Effect 2 is an exciting game that will keep players involved even after they finish the game. Heather Heyer 2011 “Did somebody say Draco Malfoy?” If so, that could be a sign that someone is telling you to go watch “A Very Potter Musical” by StarKidPotter on YouTube! Harry Potter fans will love this musical spoof on the wondrous world of Harry Potter. It takes the main themes of Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows into one play. This musical is fan-made by college students at the University of Michigan. All of the songs are fun and will make you wish Hogwarts was a real place that you could actually go to meet these people. A Very Potter Musical will touch your heart while Ron stuffs his face continually and Ginny sings her love for Harry. However, some things in this musical are not exactly what you would expect. Voldemort befriends Quirrel during the time they share a body, Hermione Granger is desired by both Ron and Malfoy, and Cho Chang is a southern belle. Oh, and Cedric Diggory is an annoying Hufflepuff (FIND!). Many other surprises await those who board the Hogwarts Express this year, unless of course you fancy a trip to Pigfarts...? This musical will have you laughing for years to come as you randomly remember bits and pieces of Snape’s unusual tone of voice and Malfoy’s rolling around on the stage. Memorable songs include “Gotta Get Back to Hogwarts”, “Granger Danger”, “The Dragon Song”, and “Cho’s Song”. The amazing cast of A Very Potter Musical is Darren Criss as Harry Potter, Joey Richter as Ron Weasley, Bonnie Gruesen as Hermione Granger, Jamie Lynn Beaty as Ginny, Lauren Lopez as Draco Malfoy, and Joe Walker as Lord Voldemort. Prepare to find out that when spoofed up by college kids, Harry Potter can be pretty hilarious. E 3 Conner O’Reilly 2010 vibe:culture MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES The Runaways Offers a Dull Trip to the 80’s This film had the potential to be great: a coming of age tale about a beautiful young girl who is suddenly drafted into the American dream only to be chewed up and spit out before getting her feet off the ground. Familiar story, yes, but a powerful one which would have worked well against a rock n’ roll backdrop. The story exists somewhere in the mess which is The Runaways, buried beneath a sea of corny dialogue and inane subplots. This film is one huge distraction from its mediocre screenplay. There are music montages, concert performances and random musical breaks littering the screen from the very be- This film is like an AC/DC shirt for sale at WAL-MART; it has ginning and it becomes exhausting quickly, no soul or purpose, it just… exists. especially considering how dreadful the actual music is. Somebody should have told writer/director Floria Sigismondi that she was making a MOVIE, not a music video. Here’s the skeleton of the plot: Cherri Currie (Dakota Fanning) is a young girl living in Los Angeles who is constantly surrounded by sex and alcohol. She has seen these vices take a great toll on her family and friends, especially her father, who is an alcoholic dead-beat. At the same time, young rebel Joan Jett (Kristen Stewart) wanders the city streets with a dream of becoming a rock star. The ambitious Jett convinces scummy music producer Kim Fowley to help her start her own group. Fowley, who recognizes this as an opportunity to exploit fresh young talent, embraces Jett and forms a band around her, a band which is completed by the addition of Cherri as the singer. Good girl Cherri is initially taken aback by the raunchy lyrics she’s asked to sing, but after a while Fowley and the other band members peer pressure her into singing them. Soon enough, Cherri becomes so consumed with the debauchery and decadence of rock star life that she abandons her morals completely and becomes a helpless victim of sex and drug abuse. As I mentioned before, the music video style of this film is distracting and annoying at times, but the one critical error which manages to drag it down considerably is its confusion as to where to focus its story. The writers must have been torn as to what direction to take their film: whether it should be a rock n’ roll bio-pic focusing on the Runaways as a band, or a coming-of-age saga focusing solely on the singer Cheri Currie (whose auto-biography the screenplay is based on). Instead of coming to an actual creative decision, the writers went down both roads, focusing on both Cherri Currie and, to a lesser extent, Joan Jett at the same time. Bad move. The sequences focusing on Jett seem peripheral and detrimental to the flow of the film, whereas the scenes featuring Cherri Currie seem to shine with greater depth and accuracy. Gee, I wonder why? Could it be because her story was based on another source (her auto-biography)? Yes, I would wager so. Eventually (and thankfully), the film abandons whatever Joan Jett story arc the writers were trying to establish to focus solely on Cherri Currie (maybe because they ran out of ideas). Obviously, the film would have benefitted if its focus was exclusive to Currie from the beginning, but they just had to shove in an inane Joan Jett story (“Girls can’t play guitar!” “Oh yeah, I’ll show you!”) in order to appeal to a wider audience. The decision to cast Dakota Fanning and Kristen Stewart as the leads inspired some undeserved controversy when it was announced, but they gave some good performances despite the confused screenplay. It seemed like they were using this film solely for the purpose of shedding their ‘good girl’ images, but after seeing the actual film I was impressed by their work. They prepared for their roles by rehearsing Runaway songs for a whole month, which is funny because they probably practiced more than the original band. Overall, the film suffers greatly from a weak screenplay, a lack of clarity, and an ill-fitting tone. What could have been a great film about disillusionment with the American dream was instead turned into a late-night VH1 special. This film is like an AC/DC shirt for sale at WAL-MART; it has no soul or purpose, it just… exists. The Iraq War Movie Phenomenon Continues Kyle Self 2012 As each new global conflict continues, the media always tries to make money off of it through all kinds of platforms, particularly film. Nowadays, this principal equally applies to the war we have faced in Iraq for over eight years. There are several feature films about the current war, but only a few of them (such as Kathryn Bigelow’s The Hurt Locker) ever receive much critical credit, and typically fail in the box office. However, that does not mean that the public does not enjoy war in film. It is a powerful genre in general, and the film academy has recently chosen such a movie for best picture of the year, after all. Now even more recently, another attempt has been released named Greenzone. Unlike other flicks of its kind, though, it focuses more on the war’s early years and the reasons why it even erupted. Most Iraq War movies focus exclusively on specific missions during the war, this one still includes that concept, but also mentions why the US even wanted to continue the war in the first place. Paul Greengrass (director of the Bourne Trilogy) takes his BFF actor Matt Damon to make a more realistic, and consequently less cinematic middle-eastern warfare experience. The movie is set in Baghdad in 2003. After searching for nuclear weaponry on a few miss-coordinated missions, U.S. Army Officer Miller becomes suspicious about the real whereabouts of this technology, and who is using it. This obviously leads into an intricate conspiracy plot intertwining different characters with different twists. Sometimes, it feels like the writer is giving a little too much information all at once. The best part of the writing portion of this movie is that it tries to stay focused on the true subject matter. The character development is weak, and not all of the information is really accurate, but it does great for raising real questions for a Hollywood movie. As this is a Greengrass film, you can expect shaky camera panning, lightning-fast cuts and Matt Damon running. Lots and lots of running. But don’t think this is Jason Bourne in Iraq. Damon does not play the role as an invincible tough guy jumping through windows, surviving vehicle crashes, and punching people ten feet away. He is a legitimate soldier who obeys his orders without “bending” the rules or risking his comrades’ lives in action. The director does a great job putting the heat of war into most scenes so most of the movie never really gets boring, but the cinematography certainly needs some improvement. There are some great sets fused with a generic but scene-fitting musical score. The casting is all-in-all pretty weak, to be honest. Matt Damon fits the role fine, but is fairly one-note throughout. Amy Ryan makes for a weak female lead, and Greg Kinnear barley gets by. The Middle Eastern terrorist cast of actors is pretty decent though, as they deliver their lines in a realistic manner, with special credit to Yigal Naor. Still, the casting decisions leave much to be desired. As long as this war continues, so will half-hearted Hollywood attempts to put it on the big screen. It’s hard to recommend this one as a theatre trip, but it would certainly be a satisfying rental. This probably won’t succeed in the box office at all, considering that better films in this genre hardly escape the bottom of the barrel. E 4