T h e R e c c l e s i a R e v i e w

The Recclesia Review
A review of the specialist projects and conservation contracts carried out by Recclesia Ltd in 2009 / 2010
The Medieval Preaching Cross
The William Morris Tree of Life Window
Coronation Park, Ormskirk
St Mary's Church Eardisland
St George's Terrace Georgian Fanlights
Middlewich Primary School
Paxton's Fernery at Tatton Park
Titanic Survivor's Home Restored, Port Sunlight
Worden Park, Leyland
|2| The Recclesia Review
Welcome to the Recclesia Review
Last year was a busy one for Recclesia and it was tough deciding which of the eighty four
projects we carried out made it into our annual review.
We have had such an exciting twelve months and it has really flown by. We moved into our new
purpose built offices, workshops and studio space in April and haven't looked back - it has given
the company scope to develop its traditional skills in a modern and clean environment whilst
helping us to operate more efficiently.
The projects that we have carried out this year are as many as they are varied. The beginning
of the year saw us at Tatton Park in Cheshire, re-glazing Joseph Paxton's Fernery in mouth
blown cylinder glass. At the same time, our masons were down in Herefordshire restoring the
C14th preaching cross at St Alkmund's Church in Aymestrey.
As part of Bolton's Townscape Heritage Initiative, we were commissioned to restore two
original Georgian fanlights and using those, reproduce seventeen new fanlights for the entire
terrace of nineteen listed townhouses. This was closely followed by us being called into
restore the stunning William Morris Tree of Life window at St Cybi's Church Holyhead, which
was smashed in thirty seven places and in a highly fragile state.
September saw us carrying out traditional skills demonstrations at Nantclwyd House in Ruthin
and at the Dr. Evan Pierce Memorial Garden in Denbigh as part of Denbighshire County Council's
Heritage "Open Doors" Weekends. Attendance was high, with hundreds of people being shown
stonemasonry, lime plastering and stained glass restoration skills under the blazing sun of the
late summer.
Later on in the year we started work at Coronation Park in Ormskirk where well-known artist,
designer and sculptor Stephen Broadbent had been commissioned by West Lancashire Borough
Council to design new entrances in natural stone and intricately forged metalwork. At the
same time, we also undertook the restoration of the North Entrance to Worden Park in Leyland
for South Ribble Borough Council, a grand masonry and metalwork restoration project (most of
which took place in a foot of snow). Parks became a bit of a theme, as we also restored the
Victorian stone entrance to Fulwood Park in Liverpool.
Church works were of course the bulk of our work during the year. The project at Grade I listed
St Mary's Church in Eardisland, Herefordshire, was perhaps the most interesting as it involved
use of all of our various in-house traditional skills. St Paul's in Wrexham, where we restored
every window in the building was also notable as a good example of preventative conservation
work.
We are currently working on a number of very exciting contracts including a new stained glass
commission for a new Roman Catholic chapel in Middlewich, and a second commission for
Llanasa Parish Church in North Wales, church contracts including St Helen's in Penisar'Waun,
Llanberis, All Saints in St. Helens and St Nicholas' in Henley on Thames.
The year ahead is looking busy, with some great new projects starting soon. If you can't wait
until next year's review, keep an eye on our website which we keep up to date with all of our
latest project news. All that remains is for us to thank all of our clients for choosing to use us,
and to our new clients offer our warmest welcome.
Jamie Moore
Jamie is Managing Director at Recclesia Ltd and holds an MSc in Historic Building Conservation and a
BA (Hons) in History from Southampton University. He has been working in the building conservation
sector since 1998 and has both worked on and managed many restoration and conservation projects
and has a thorough understanding of traditional skills, building techniques and architectural styles.
Jamie lives in Shropshire, is married to an Ecologist and is an accomplished pianist.
Inside This Issue
The C14th Preaching Cross, Aymestrey
Coronation Park, Ormskirk
St Mary's Church, Eardisland
St Georges Terrace Fanlight Project, Bolton
The William Morris Tree of Life Window, Holyhead
Joseph Paxton's Fernery at Tatton Park
Stained Glass Commission - Middlewich RC Primary
Fulwood Park, Liverpool & Worden Park, Leyland
Titanic Survivor's Home Restored, Port Sunlight
Traditional Skills Demonstrations, Denbighshire
Company Details & Contact Information
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The Recclesia Review |3|
Investigative Foundation Work
Base & Shaft as Found
Each Course Laid Out
The Base Partially Rebuilt
St Alkmund's Preaching Cross
HEREFORD'S MEDIEVAL MASONRY CONSERVED
Client:
The PCC of St Aulkmund's Church
Aymestrey, Hereford
Conservation Architect:
John Wheatley
Project Synopsis:
Recclesia were contracted to
undertake the careful rebuilding
of the medieval Preaching Cross
at Grade I Listed St. John the
Baptist and St. Alkmunds Church
in Aymestrey, Herefordshire. The
historic masonry structure was
suffering from quite severe
settlement causing it to sink and
tilt at a dangerous angle. It was
dealt a final blow by churchyard
vandals who pushed the cross
over, smashing several sections of
the fifteen-foot high monument
as it tumbled to the ground.
English Heritage funded the
project and their research
revealed records citing a
structure at that location in
medieval times and further
analysis showed that the column
supporting the cross was
superimposed onto the earlier
masonry during the sixteen
hundreds. By 2009, the Preaching
Cross masonry was very badly
eroded and almost every section
had delaminated, moved or
vanished altogether.
Through a careful process of
groundwork investigation, the
foundations of the structure were
revealed to show rudimentary
rubble foundations which had
failed and left sections of the
structure unsupported. The base
and plinth wee recorded as they
stood, every section numbered
and marked, then taken apart
and laid out in sequence.
Each section of stone was
painstakingly repaired piece by
piece using stainless steel pins
and dowels. New foundations
were dug under an archaeological
watch and the process of
rebuilding carried out, ensuring
that every section of the original
masonry was put back in the
location from which it came.
The result of the conservation
work has received praise from the
PCC, English Heritage and
conservation architect John
Wheatley, all of whom were
extremely impressed with
Recclesia's workmanship and
dedication to conservation
standards.
More photos are available online
at www.recclesia.com
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Natural Stone Awards 2010 Nominated Project
Coronation Park Ormskirk
C O NTE M PO RARY NATU RAL STO N E E NTRAN C E S
Client:
West Lancashire
Borough Council
Architect:
Stephen Broadbent
Project Synopsis:
Designed by well-known
artist and sculptor
Stephen Broadbent, this
impressive masonry
feature stands at the
heart of the town centre
and at the entrance to
the town's popular urban
green space, Coronation
Park.
The design consisted of a
large curved wall,
flanked by tall carved
posts some four metres
in height. Further posts
stand independently,
leading to a second wall
with semi-circular base,
carved lettering and
commemorative bronze
work. Tying the tallest
posts together is a giant,
curved and intricately
designed ironwork
feature. A highspecification hidden LED
lighting system was
brought in from the USA
by Recclesia and was
incorporated into the
radius coping, providing
a stunning effect after
dark.
The stone selected is
from the Woodkirk Stone
Quarry in Leeds, with
whom Recclesia worked
closely to ensure that
the designs on paper
turned into a reality on
site. The stonework was
produced and fixed
using traditional
techniques and all of the
detailing was hand
carved. The masonry
sections were of
considerable size but
the detailing was quite
delicate, meaning that
every stage of the build
had to be carefully
planned to ensure that
the handling of such
large stones was carried
out in a controlled way.
The project has been
very well received by
the people of Ormskirk
and will take pride of
place in the town centre
for generations to come.
The Recclesia Review |5|
St Mary's Church Eardisland
C 1 4 EAS T W I N D O W MAS O N R Y , S TAI N E D G LAS S & F E R RAM E N TA
Client:
The Church Commissioners
Church House, London
Conservation Architect:
Lesley Lloyd
Project Synopsis:
St. Mary's Church in Eardisland,
Herefordshire, is noted as being
one of the most outstanding
buildings in the county and is
Grade I listed, being of national
significance. There is certainly no
questioning the antiquity of the
building. The Nave was built in
the 1100s and the Tower and
Chancel followed in the 1300s.
The Tower collapsed in 1728 and
the one that stands on the site
today was rebuilt in 1760. An
extensive restoration of the
church was undertaken in 1864
under Henry Curzon, an architect
out of London, costing some
£2,000 (£86,000 by today's
standards).
Following identification of severe
weathering and delamination of
the masonry to the East Window
by conservation architect Lesley
Lloyd, Recclesia were awarded
the contract to carry out masonry
conservation and restoration
work to the 14th century tracery
work, the stained glass window
and the wrought iron ferramenta.
All of the work was carried out inhouse by Recclesia, including the
restoration of the 1901 Burlesson
and Grylls stained glass window
and ferramenta, all of which was
removed to the studio in Chester
for specialist conservation work.
The stone selected for the new
sections of tracery was the
Mottled Hollington from
Staffordshire Stone which was
similar in consistency, porosity,
appearance and weathering
characteristics to the original
stone used. Recclesia masons
carefully propped and cut out the
irreparable sections of tracery
and inserted new replacement
sections. After inspection, several
sections were considered to be
candidates for conservation work
rather than replacement,
involving a very delicate repair
technique whereby very small
stainless steel pins were inserted
to hold the masonry together.
Indent repairs were also carried
out in some places, and the
weather-shedding properties of
the masonry restored using a lime
mix made up by Limegreen Ltd
after special analysis of the
masonry and the original pointing
mix.
More photos are available online
at www.recclesia.com
|6| The Recclesia Review
St Georges Terrace Bolton
D E C O RATI V E G E O R G IAN FAN LI G HT PR O J E CT
Client:
Corporate Developments
Conservation Architect:
Pickard Finlason
Project Synopsis:
Recclesia were commissioned to
undertake specialist works to a
terrace of nineteen Grade II listed
Georgian townhouses in Bolton as
part of the Townscape Heritage
Initiative by Bolton Council.
Originally, all nineteen properties
had decorative arched fanlights
above each front door, but only
two of these fanlights remained.
The objective was to achieve a
more uniform appearance to the
terrace frontage by restoring the
two original lights and to use this
process to investigate how they
had been put together.
workshops where conservation
specialists began the process of
stripping back the lights in order
to conserve each individual
element whilst the timber frames
in which they sat were repaired.
Recclesia were charged with
producing designs showing how
new fanlights could be produced
in the same way as the old
fanlights. Staff also researched
and trialed various traditional
methods of production in order to
ensure that the designs were
feasible.
The originals were removed from
the building and returned to the
The decorative lead sections
were cast in-house using moulds.
These moulds were made using a
combination of techniques
depending on the shape required.
The larger sections were
produced using vulcanised rubber
moulds, specially made for
Recclesia in Ireland. The smaller
sections were produced using
casts made out of dental plaster
and carved oak. The long lengths
of astragal lead were milled to
order in Rotherham. The subframe was produced by Recclesia
using guillotined stainless steel
which was cut paper thin to
ensure that the delicate outline
of each vertical section was not
compromised.
The fanlights were glazed using
mouth-blown cylinder glass,
which completed the traditional
appearance of the new lights.
More photos of the project are
online at www.recclesia.com
The Recclesia Review |7|
Stainless Steel Guards Installed on Completion
The Releading
Stripped Down Onto Rubbings
Drawing up Conservation Records
The William Morris Tree of Life Window
S TAI N E D G LAS S R E S C U E AT S T C Y B I ' S H O LY H EAD
Client:
The PCC of St Cybi's Church
Church Architect:
Adam Voelcker
Project Synopsis:
Recclesia's Stained Glass Studio is well
known for its stained glass expertise,
so when one of the most unusual
stained glass windows in North Wales
needed examining we were the first to
be called upon. The William Morris
Tree of Life window in the Stanley
Chapel at St Cybi's Church in Holyhead
on Anglesey is a major tourist
attraction. Commissioned by a Muslim
family for a Christian building, the
window is unique in not depicting any
characters or animals. Instead, the
entire window is given to the Tree of
Life or the Jesse Tree, which fills the
glass with rich foliage in sumptuous
greens and pomegranates in pink and
deep orange.
After a hundred and twenty years in
place facing the North Sea, the
window had started to deteriorate to
the point at which glass was breaking
and being lost forever. Several
sections were completely missing, and
our report identified thirty seven
broken pieces of painted glass. To add
to this, the lead came matrix holding
the glass together had deteriorated to
the point at which the window was
moving, rattling in the wind and
letting the weather in.
Without a moment to lose, specialists
from Recclesia were called in to carry
out extensive work to the window,
which had to be removed piece by
piece from the church and returned to
the studio where the painstaking
process of repair was undertaken. The
window was exposed to several
methods of conservation treatment,
all of which were non-invasive and
reversible. The entire window was
stripped down and cleaned by hand
and all of the broken glass was put
back together using reversible edgebonding techniques. The sections that
were missing entirely were filled with
new painted images which were
established using church records and
old photographs. Many days were
spent making glass to exactly match
the colour tone and texture of the
original glass, which was then painted
by our artist and fired in the kiln at the
studio. The window was then rebuilt
using new lead came.
The project was recorded in full by
way of conservation rubbings and
computerised scans with legends,
along with a full photographic record
throughout with additional images
taken using a digital microscope
attached to a computer.
The stained glass window was
reinstated just before Christmas and
has been described as both
breathtaking and mesmerizing. On
completion, Recclesia fabricated and
installed new powder coated stainless
steel approved guards to the external
face to ensure the security and
longevity of this beautiful historic
glass.
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Joseph Paxton's Fernery at Tatton Park
R E G LAZ I N G P R O J E C T AT NAT I O NAL T R U S T ' S F E R N E R Y
Client:
The National Trust &
Cheshire West Council
Conservation Architect:
Purcell Miller Tritton
Project Synopsis:
In 1850 William Tatton Egerton
employed Joseph Paxton, the
creator of Crystal Palace, to
design a Fernery and an Italian
Garden for Tatton Park. The
mature gardens that we see there
today are the result of his work
and are currently cared for by a
collaboration of the National
Trust and Cheshire West Council.
The Fernery is known today for
being part of one of the most
important glasshouses in the UK
and is home to a vast variety of
ferns and tropical plants.
Following years of patching up,
Recclesia were asked to carry out
extensive glazing restoration to
the whole structure. There were
broken panes of glass all over the
glasshouse which posed a threat
to the delicate plants beneath,
not to mention the danger of
glass falling onto visitors.
Each pane of glass is over two
feet square, and some one
hundred and twenty were
broken, spread across the
canopy. The work took place
whilst the park remained open
and the delicate flora remained
in place.
Recclesia teamed up with
Nationwide Access who surveyed
the site and provided us with
several different machines to
reach the difficult angles without
danger of smashing further glass although our hearts were in our
mouths whilst operating the
machine!
The restoration work was carried
out using only mouth-blown
cylinder glass to match the
original glass and we used some
250 square feet in the process.
The glass was imported directly
from Germany, where some of
the finest blown glasses are
currently being produced.
More photos of the project are
online at www.recclesia.com
The Recclesia Review |9|
Commission: The Rainbow Window
N E W S TAI N E D G LAS S W I N D O W AT M I D D LE W I C H R C P R I MAR Y S C H O O L
Client:
St. Mary's RC Primary School
Project Synopsis:
Recclesia was approached to
submit designs for a new stained
glass window at St Mary's Roman
Catholic Primary School in
Middlewich where work was about
to start on the construction of a
brand new extension. Part of the
new building was a chapel which
wrapped around the side of the
building with a large curved outer
wall with six floor to ceiling
windows.
The design brief was confident in
its requirements - the school
wanted a traditionally leaded
stained glass window with a
rainbow running through all six
panels of glass and the building
inspector wanted the windows to
perform to current standards by
encapsulation of the traditional
glass inside toughened, gas-filled
double-glazed units.
Recclesia head, Jamie Moore,
produced several designs for
submission to the school board,
which had requested designs and
costs from three firms. Jamie's
modern and abstract designs were
chosen and Recclesia was
commissioned to produce the
window to meet a very tight build
schedule to ensure that the
window was ready to be installed
to meet with the building
programme.
Jamie produced full size cartoons
of the window, which were
produced to the school and signed
off for production. Glass was
carefully selected from a variety
of manufacturers, including
Lamberts, St Just and Schott. The
colours used were of particular
importance to the school, who
wanted a bright, unapologetic
palette to reflect the hope and
optimism conveyed by the
symbolism of the rainbow. At the
same time, we were very careful
to select glass types that would
pick up the light properly and
appear full of life.
Some eighteen hundred sections
of glass and seven thousand solder
joints later, each panel was
encapsulated into modern units.
The building process was
completed in ten weeks and the
windows were installed on time
on the very last day of the build as
planned. The finished installation
has had a huge impact on the new
building, transforming the chapel
into a colourful and wonderful
space.
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Worden Park Leyland & Fulwood Park Liverpool
R E STO RATI O N O F TW O V I CTO R IAN PAR K E NTRAN C E S
Client at Worden Park:
South Ribble Borough Council
Project Synopsis:
Worden Park is an historic park in
Leyland, Lancashire, established by
the Farington family of nearby Shaw
Hall in the 1800s. The park holds the
prestigious Green Flag award, noting
it as one of the best green spaces in
the UK.
The North Entrance to the park is
Grade II Listed. It is a large masonry
structure of some presence with
decorative metalwork and an
intricately carved facade in a mixture
of architectural styles. The
restoration project involved
extensive masonry conservation and
repair, together with the restoration
of long runs of cast iron railings.
Several sections of railing were
missing and Recclesia commissioned a
specialist foundry in Scotland to copy
and cast new replacement sections.
Recclesia masons and metalworkers
worked through some of the worst
weather we have seen for a long time,
with much of the site being under
several feet of snow for the most
part! South Ribble Council were very
impressed with our management of
the contract and the high standard of
the completed work.
More photos of the project are online
at www.recclesia.com
Client at Fulwood Park:
Bidvest Europe
Project Synopsis:
Re c c l e s i a ' s S m a l l Wo r k s t e a m
completed remedial works to the
entrance at Fulwood Park in Liverpool
in late Summer.
Following an accidental meeting with a
juggernaught, the 16-foot high
monolithic columns at the entrance
were left teetering on their bases with
damage to the stonework and
decorative ironwork.
The gigantic columns were all of one
single piece of stone and were far too
big to be handled by anything but a
crane. Recclesia teamed up with Bob
Francis Cranes in order to lift the 4tonne columns back into position
following repair work.
Metalworkers from Recclesia's
Chester workshops effected repairs
to the decorative wrough iron and
reinstated it on site whilst masons
carried out indent repairs in
Hollington Stone to the columns.
Both the client and the insurance
company were very pleased with
the work.
More photos of the project are
online at www.recclesia.com
T h e R e c c l e s i a R e v i e w | 11 |
Titanic Survivor's Home Restored
TI M B E R F RAM E R E PAI R S
Project Synopsis:
Following a survey revealing
significant problems with the timber
frame part of the building, Recclesia
was awarded th conract to carry out
timber frame repairs, plasterwork
repairs and the redecoration of this
stunning example of the planned
village architecture at Port Sunlight
Village on the Wirral. The village
itself was built by the Lever Brothers
for the workers in their soap factory
next door. The village was named
after their best selling soap brand,
Sunlight. Today, the village is a major
tourist attraction looked after by the
Port Sunlight Village Trust, for whom
Recclesia has carried out a number of
contracts over the last year.
This particular building was of
considerable historical interest due
to the story of its former resident,
one Mrs Elizabeth May Leather, one of
the few survivors of the Titanic
disaster.
The Encyclopedia Titanica states
that Mrs Elizabeth Leather, 41, was
born in Liverpool. When she signedon to the Titanic on 6 April 1912 she
gave her address as 28 Park Road,
Port Sunlight, Liverpool. Her last ship
had been the Olympic. As a
stewardess she received monthly
wages of £3 10s. At the time of the
collision she was asleep in her berth
and was not awakened by the impact,
instead she awoke some three
quarters of an hour later. She found
as she made her way to see to her
passengers that they had already
abandoned their quarters, so she
proceeded on up to B deck. She was
rescued in lifeboat sixteen.
This extraordinary story behind the
building is one of the reasons why so
many people visit the village, the
entirety of which is designated Grade
II Listed.
More photos and information about
the many projects we have
completed at Port Sunlight is
available at www.recclesia.com
Traditional Skills Demonstrations
D E N B I G H S H I R E ' S H E R ITAG E ' O PE N D O O R S ' W E E K E N D S
In September, Recclesia held four
days of traditional skills
demonstrations as part of
Denbighshire County Council's
Heritage 'Open Doors' Weekends,
during which the doors of some of the
county's finest historic buildings
were thrown open to the public.
The scheme is very popular and we
supported the event by showing off a
variety of traditional skills including
stonemasonry and the use of lime
mortars. We even set up our own
stained glass studio under a canvass
roof and rebuilt salavaged stained
glass panels with a lively running
commentary.
The events were held in both Denbigh
and Ruthin. In Denbigh, we were at
the Dr Evan Pierce Memorial Gardens
which were extensively restored in
2007. In Ruthin, we were in the
wonderful gardens at the stunning
Nantclwyd Y Dre, the well known
15th Century timber-framed mansion
house at the centre of the town.
Both weekends were very well
attended and we talked until we
were hoarse to many hundreds of
people about our skills and about the
work we carry out.
Denbighshire CC have asked
Recclesia to carry out the same
demonstrations again in Denbigh and
Ruthin next September and we hope
to see you there!
Recclesia Ltd
An experienced team of conservation
professionals & highly skilled staff
Recclesia Specialist Building Works
Recclesia Stained Glass
Principal Contractors
Building Conservation & Restoration
Church Building Specialists
Listed & Historic Buildings
Traditional Skills In-House
CITB Registered
Constructionline Registered
Conservation & Restoration
Commissions & Design Work
Leaded Lights & Restoration Glazing
Histoglass - Approved Installers
Surveys & Reports
Metalwork Restoration
Protective Guards
www.recclesia.com
www.recclesiastainedglass.com
Recclesia Small Works
Recclesia Fanlights
Smaller Projects & Minor Works
Maintenance Work
Cyclical Work
Investigative Work & Fabric Analysis
Attendance on Architects for
Quinquennials and Inspections
Decorative Fanlight Restoration
Contemporary Fanlights
Bespoke Or Reproduction Designs
Lead Casting & Moulding
Milled Lead Sections
Cylinder Glass Glazing
www.recclesia.com/smallworks
www.recclesiafanlights.co.uk
Principal Contractor
Listed Buildings
Historic Buildings
Church Works
Surveys & Reports
Design & Advice
Stonemasonry, Masonry Conservation
& Restoration, Specialist Cleaning
Lime Pointing, Plasterwork and
Decorative Mouldings
Joinery, Timber Frame Repairs &
Timber Conservation
Current Contracts
St Nicholas Church, Henley on Thames
Stained Glass Restoration. Fabrication and Installation of Window Guard
Historic & Decorative Plasterwork
The King's School, Chester
Tower masonry cleaning (TORC / DOFF) and masonry conservation to statuary
Traditional Paints & Limewash
St Helens Church, Penisar'Waun
Masonry Restoration, Repointing, Cast Iron Rainwater Goods, Roofing, Leaded Light
Repairs & Installation of Stainless Steel Protective Window Guards
Recclesia Stained Glass
www.recclesiastainedglass.com
Hulme Hall, Port Sunlight (Phase II, Phase I Completed in 2009)
Restoration of Metal Casements and Leaded Lights
Recclesia fanlights
www.recclesiafanlights.com
St Mary's Church, Whitegate
Installation of Tower Fall Arrest System
All Saints Church, St Helens (Phase II, Phase I Completed in 2009)
Restoration of Stained Glass and Leaded Lights and Installation of Window Guards
Reproduction Fanlights, Islington, London
Re-creation of Georgian Fanlights
Christ Church, Alsager
Stained Glass Conservation & Installation of Secondary Glazing
Mellor Parish Church, Stockport
Metalwork Fabrication & Restoration
Rectory Road Chapel, Upton upon Severn, Worcester
Restoration of masonry & lime pointing to boundary walls
www.recclesia.com
Llanasa Parish Church
Stained Glass Commission - Two Pictorial Windows to the West End
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available online, along with an extensive
portfolio of completed contracts, company
details, downloads and approvals.
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