082-095 Genevieve FINAL
Transcription
082-095 Genevieve FINAL
“ We were awkward with the cameras at first, but then Gen was so easy to be with. She listens in a way that’s so completely undivided, you feel chemistry. Soon it was like we were all just friends hanging out, having regular conversations, and the cameras just happened to be rolling. —David Smith, Delta Upsilon fraternity (Berkeley: Prospect Street) ” When Genevieve Gorder walks into a seductive strut. Her unmistakable allure lies instead in the way room, heads turn. It’s not because she’s this good-gal designer brims with her own contented spirit. instantly recognized as a Trading Gen has the smirk of a girl who approaches every day as Spaces designer—that moment her birthday. She’s prone to flirting and roaming barefoot and usually coincides with her giveaway she hates symmetry. Despite some grunts about an early giggle—and it’s not solely because she’s moss-covered wall, she’s received rave reviews for rooms a tall, striking, green-eyed blond with a ranging from a Moroccan teen fantasy to bright, happy kitchens, a groovy “retrofly” lounge, and comfy, woodsy dens. She’s found design inspiration in old cigar box labels, sliced vegetables, a homeowner’s favorite sea-glass necklace, and a few brief tango lessons from an Argentinean cowboy named Orlando. Many have described Gen’s style as eclectic and whimsical. The resident free spirit of Trading Spaces is anything but random in her mission to make America rethink white walls and beige carpet. “Decorating comes down to how geneviegvoerder 83 While some fans have referred to Genevieve Gorder as “The Barefoot Designer,” flashing her feet on TV serves a practical purpose: Gen adores her collection of shoes and doesn’t want them dappled with paint, adhesives, or numerous other materials she works with every day. In Defense of Moss Gen stands behind one of her most daring designs. didn’t get it, and that they had allergies,” Gen continues, “but at least I got someone out there thinking about the design merit of a material you won’t see on a store shelf.” To that end maybe her organic wonderland was a success: As they stapled on the unconventional wallcovering, Gen’s team members were definitely thinking “Why?” They kept at it and got at least some viewers thinking “Why not?” Gen makes no apologies for the only room in the history of Trading Spaces to be rejected before it was even seen. “Something smells,” said the pair of San Diego homeowners before opening their eyes to see their bedroom wall covered in floor-to-ceiling moss. “That room was hot!” insists Gen, who’s built five more moss walls on commission since that show aired. All were in Manhattan, where urbanites can appreciate portable greenery that grows without light or regular watering. “I’m sorry the San Diego homeowners OK, so... enough about the moss! you find your joy,” she is Lew Ge n explains, “and I’m there to help make yours visible.” That joy can be tough to define when Gen’s only contact with her homeowner client is a 20-minute video. Her solution? She mentally puts herself in her homeowners’ place. Take the couple who enjoyed sitting by the fireplace in their cramped basement dreaming of a cozy cabin makeover: Gen conjured memories of autumns spent at her grandpa’s Minnesota cabin Adrian The always cheer-ful Gen with her two brothers and responded with a design that included not only the look and feel of heavy timber but also the smells, tastes, and overall warmth of the season. She painted the walls to recall the cinnamon she remembers wafting from hot cider; she sewed pillows from 99-cent thrift store sweaters and a corduroy shirt (snap buttons, pockets, and all). Coincidentally, it was also a shirt that inspired Genevieve’s first decorating effort at the ripe age of 7. Taking a cue from her do-it-yourselfer parents who restored their share of south Minneapolis Victorian homes, Gen boldly drew up plans for her own custom headboard patterned after her favorite (and oh-so-’80s) T-shirt, which boasted a 84 bright rainbow arching up one sleeve and down the other. She had some help building that masterpiece, but by high school Gen’s family experiences on house projects had instilled within her the know-how to strip wood, varnish, lay tile, and take down wallpaper by herself. “ She really does dance spontaneously—but only to one or two songs on every CD that she says are upbeat enough for the spirit of the room, and after that she’s up again to change the music every two songs. —Jennifer Quinn (Missouri: Sunburst Drive) Gen Walls and floors soon took a Gen’s mom, “but we weren’t m Mo ” Ad ria n backseat to hip-hop, soccer, and hippies either. Arts and travel some ambitious language and were about giving our kids the cultural pursuits. Growing out of education they need to get out her embarrassing preteen there in life and keep moving.” permed bob and fascination for Gen’s mom is co-owner and all things Cyndi Lauper (any instructor of a yoga studio as surprise this girl just wanted to well as a women’s health have fun?), Gen committed nurse practitioner and former herself to studying Spanish and modern dancer. Her dad and the violin. Both endeavors brother Lewis are talented stemmed not from school amateur photographers, her requirements but from seeds stepdad a classical bassist, and planted by her parents, who her grandpa a former big band bass player. Both brothers have cut their own wanted their children to see and CDs—one creates techno, the other hip-hop and spoken word. Gen raves about embrace cultures the world over. both. Says youngest brother Adrian, “What you see? Gen really is that cool. And “We weren’t conventional,” says more. She’s all about family. I know I can count on her.” Gr an dm a “ Who would I hang out with? All of them. Brains, geeks, jocks, the artsy crowd, and yeah, Molly Ringwald. But I’d always date the skateboarder. The always reliable Gen learned at a young age to follow her own dreams with a sensible mix of caprice and drive. ” College brought Gen to Portland, Oregon, where besides breathing in She traveled as far as France (twice) to play violin with that first fateful scent of Oregon her youth orchestra and, during a summer break in high moss, she majored in international school, studied as an exchange student in Barcelona, Spain. affairs at Lewis and Clark College. Passionate about world cultures but While she debated world politics and contemplated life in the foreign service, a weary of memorizing political poster of Prince in Purple Rain hung above her science acronyms, she enrolled in bed. (She’s still a huge fan.) Asked whom she art classes, eventually finding her would have hung out with if she had been a character in the film The Breakfast Club, Gen calling in a graphic design class. “It all just clicked. Everything answers, “All of them. Brains, geeks, jocks, the artsy crowd, and yeah, changed,” she recalls. Her newfound Molly Ringwald. But I’d always date the skateboarder. Probably for his talent landed her an internship at sense of adventure,” she muses. MTV in New York City, which later Pretty in pigta ils High scho ol da ys soNice Ge cks, n Gen’s snapshots showcase the evolution of a free-spirited trendsetter. Clockwise from left, Gen drying off after a swim, breaking hearts in high school, strolling the beach (in high style!), and acting coy in grade school. me Howeet S ome H Above: Question-and-answer sessions and autograph signings at the home and garden trade show. Below: Gen and her family kicking back in the hotel between Gen’s appearances. became a full-time job; soon she corporate T-shirts or dropped out of Lewis and Clark to benefit dinner menus. “It start over at the School of Visual all comes down to color, Arts in Manhattan. Working and form, balance, and studying full-time, she followed that fast knowing your materials. track all the way back to Amsterdam in You use them all to flesh the Netherlands. out a character,” she says. Landing back in New York, Gen found Gen’s description of work with an award-winning studio three-dimensional graphic called Duffy Design. Her credits there design isn’t too far from include the bottle and label on Tanqueray her current idea of a 10 bottles, but her interests strayed successful room toward three-dimensional graphic design. makeover—materials, As she explains it, that means she might design a logo for a company, then its Gen and a homeowner try to decipher manufacturer’s instructions. exhibition booths, and maybe its color, form, and balance all come into play in home decorating. Back when Trading Spaces called, Gen had yet to see the connection between graphics and interior design. “I grew up with Designing Women and just didn’t think decorating was cool. I pictured all interior designers wearing big perfumed scarves and bursting through swing doors balancing bolts of purple chintz,” she explains. Never saying no to the possibilities of serendipity, she got on a plane. Gen recalls, “They sent me a copy of Changing Rooms [the British TV series that inspired Trading Spaces], and I thought, I could do that.” She auditioned along 87 genevieve gorder Born: July 26, 1974 Raised: Minneapolis Adopted Hometown: New York City Favorite Saying: “That’s so sick!” (a compliment) Addictions: Tortilla Española and MAC lip glass Most Embarrassing Moment: During an interview on the Today show, she quipped, “Matt, I can do anything for $1,000.” Photographed at Le Souk in New York City on November 7, 2002