A Wild Time at the Zoo RHCP: Stadium Arcadium
Transcription
A Wild Time at the Zoo RHCP: Stadium Arcadium
V O L U M E L I M 2 4 , A Y 2 0 0 6 N Farewell Interviews Spring Sports Review The Da Vinci Code Review PAGES 2 & 3 PAGES 8 & 9 PAGE 11 U M B E R 1 RHCP: Stadium Arcadium A Wild Time at the Zoo BY WILSON CASTLEMAN When a band has been as long-lived and prolific as the Red Hot Chili Peppers, anticipated new albums always get hyped. The latest from the now legendary band is no exception. The ninth album since bursting onto the music scene in 1984, Stadium Arcadium delivers everything a fan of the band could possibly want in what is certainly one of the best albums of their career. Fans have been waiting almost four years for this album now, their last release being 2002’s light-hearted and mellow By the Way, an overall disappointing album despite some solid, fre- Photo Courtesy of Wikipedia.org quently-aired singles. Opening with the instant favorite, first single, and album best “Dani California,” Stadium delivers two discs, twenty-eight songs, and over two hours of some of their best work yet, recalling all of the styles they’ve adopted throughout the years, and even developing their own sound on many songs. Some might say that Stadium is a return to some of their old tricks, considering that the Chilis had been getting soft ever since 1995’s career low One Hot Minute, continuing with their 1999 masterpiece Californication, and leaving almost no trace of their old sound on 2002’s By the Way. Longing fans need not worry though: Stadium is filled with the funky style and energy that made songs like “Give It Away,” “Around the World,” and their cover of Stevie Wonder’s hit, “Higher Ground,” classic rock songs. New cuts like “Charlie” and “Storm in a Teacup” could easily be mistaken for old tunes and are just as exciting and fun as old favorites. CONTINUED ON PAGE 10 MEMPHIS UNIVERSITY SCHOOL 6191 PARK AVENUE MEMPHIS, TN 38119-5399 NON-PROFIT ORGANIZATION U.S. POSTAGE PAID MEMPHIS, TN PERMIT #631 ADDRESS CORRECTION REQUESTED Photo Courtesy of SoulofAmerica.com BY BYRON TYLER When I first told my date that Spring Formal was being held at the Memphis Zoo, the first thing she said was, “The Zoo? Are we going to be dancing with the monkeys or something?” Ignorant of the specifics of the location, I could not really defend my school’s decision and started to ask myself the same questions. However, I came to find out that the Zoo actually turned out to be a reasonably fitting and appropriate location. Although it was a longer drive for the suburban-dwellers, overall the Zoo was centrally located and easy to find with restaurants in the near vicinity. As I approached the entrance columns and the animal statues of the Zoo along with the rest of the MUS students and their dates, I noticed that the Zoo seemed so much larger back when I was a child. Continuing along the Nile towards the Cat House Café, we were finally greeted by the warm smile and handshake of Coach Barry Ray, and upon entering the dance floor of the Café, we were again welcomed, this time by the incredible funk and soul music of “Willie Covington Soul Review.” After the band had finished up, the “Rich Boys,” becoming the highlight of the dance for most students, took over the mic, busting rhymes with their hip-hop song covers. Still, the most important factor to the enjoyment of this year’s formal was the general, enjoyable atmosphere. As usual, the dance floor was a student jumble full of fun and sweat, mostly thanks to the hard work of the Student Council. Even the teachers contributed greatly to this atmosphere, taking time out of their weekend to help run the formal and greet the students. In the end, however, even with the collaboration of the teachers and Student Council, it was the student body that chiefly contributed to the “wild” and fun atmosphere of Spring Formal. P A G E 2 T H E O W L ’ S H O O T N e w s Editors-in-Chief Chris McDonald Jonathan Yeung Associate Editor Ferrell Varner Technical/Layout Editor Roger Chu Cartoonists Parker Joyner William Lang Clement Oigbokie News Editors Byron Tyler Asst. Michael Stein Viewpoints Editors Peter Travis Asst. Asad Dilawari Sports Editors Teddy Klug Asst. Owen Mercer Amusements Editors Wilson Castleman Asst. Alexander Fones Columnists Morgan Arrant Blake Cowan Andrew Jehl Nathaniel Kastan Will Mays Dev Varma Business Manager Neely Mallory Faculty Advisor Mr. N. Thompson Coach Burr Mrs. Burr Coach Smith BY NATHANIEL KASTAN BY MICHAEL STEIN BY SAMIR SHETH What is your fondest memory of your time here at MUS? Football state championships and playing in the baseball state championship final four in ’99. What will you miss the most about MUS? I will miss the faculty and the kids. They have left a mark in my heart that will be hard to replace. When you have been at a school for 14 years it is hard to leave because of all of the memories that you have accumulated in that time, but I have a new challenge ahead and it will be a good situation. What or who will you miss the least? Proctoring study hall, especially 7th period on a Friday in the spring. While at Baylor will you be doing the same job, or are you taking on any new responsibilities? I will teach P.E. and be the defensive coordinator and linebackers coach just like here, but I will also coach baseball up there. In your speculation, who do you think will win the MUS vs. Baylor football game for 2006? It will be a great game just like all of the past games. It will be fun to be back and look at the new stadium and turf, but as for the game, I will have to say, “no comment.” Any parting words for the MUS population? Thanks for 14 great years. It has been a great time for me and my family, and I wish all of you the best of luck in the future. See you in the fall. What has been your most memorable experience in your years at MUS? So many great memories… It’s hard to pick a single one. The first football state championship stands out in my mind as a great community event. The participation from students, teachers, parents, friends, and alumni (young and old) made the game so exciting. I’ve always loved how people with diverse interests support each other here. What will you miss most about MUS? The people! Among the faculty and student, I count dear friends, wise counselors, great entertainers, patient listeners, and deep thinkers who have all enriched my life these last 13 years. Of course, I’m taking my most favorite person with me. What will you miss the least? I haven’t had to write them in a couple of years, but completing Dr. Baer’s junior evaluation forms at the end of the school year was always a labor intensive chore for me. Will you be teaching at Baylor? I’ll tutor some, but I’ll mainly enjoy just being a mom for a few years. How do you hope to be remembered? As a teacher who genuinely cared for her students, taught conscientiously, and did her best to make a contribution to this community. It has been a wonderful ride, and I look forward to catching-up with everyone at the MUSBaylor game in the fall. Can I call you Kyle B.? Ummmmmmm…No. Alright, Kyle B., why are you leaving MUS next year. I’m leaving to pursue a career in medicine. So why exactly did you pick a medical school in the Caribbean? I didn’t exactly get in anywhere else. So, you’re a high-school teacher and your brother is in the NFL; how’d that work out? He’s a good kicker, and I’m a good teacher. What is the most interesting thing you have ever had a student do in your class? One kid in my 9th grade biology class managed to stab himself in the lip with a pencil. What is your fondest memory of MUS? Getting runner-up at the state cross country meet last year and just the dayto-day interaction between students and teachers Are you sure you don’t want to stick around to impart your nineteen-odd years of wisdom on more hapless freshmen? I’m sure there are plenty other nineteen-year-olds who can take my place. Would you say this picture is an accurate portrait of you? Correction: In the previous issue of The Owl’s Hoot (Volume L, Number 10), the article “Honor?” found on page three was “credited” to Hunter Adams. In reality, 7th grader James Davies wrote this article. Photo Courtesy of www.elsiglo.com Editors’ Note: At the time of printing, the Cleveland-Detroit series of the NBA playoffs had not yet ended. We regret any outdated information. Yeah, when I had my winter beard. Whatever happened to that beard? It got the kibosh from home. M A Y 2 4 , 2 0 0 6 P A G E 3 N e w s Mr. Berman Mr. Schmitt Coach Massey BY JEFFREY WEBB BY ROGER CHU BY TEDDY KLUG What is your fondest MUS memory? When I was still new to MUS, the movie Dead Poet’s Society had just been released. There is a scene in that film in which the students stand on their desks and give an oath to Robin Williams, the teacher. Well, one day I walked into class to find the students standing on their desks saluting me like in the movie. What will you be doing in the future? My wife and I will be helping to start a school. Starting a school and being involved in shaping it from the beginning is something my wife and I have always wanted to do. What are the best and worst things about MUS? Let me just say that the, shall we say, self-confidence (read arrogance) exhibited by many of the students here reminds me of the self-confidence of the Renaissance. In that manner, it is both the best and the worst thing here. What would you do if you didn’t teach? Well, I have always wanted to attempt to be an artist (painting, drawing), so I’d probably try that if I didn’t teach. What brought you to MUS? It was either this or stay in New Haven and work in a custom cabinetry shop. At the time, considering the piling bills of a very expensive education and the future costs of a growing family, coming to Memphis seemed like the best choice. Plus, having come from a long line of teachers and preachers, teaching religious studies seemed a good fit. Where are you going and why? My wife, Paula, and I are originally from Indiana, where her family still lives. The “where,” then, is Indiana. New Harmony, Indiana to be precise. The “why” is at the same time complicated and simple. The short answer is that it’s time for a change. What was your favorite moment as a teacher at MUS? My favorite moment, as for every teacher, is the moment his student gets it, the point at which his teaching has churned a thought that breaks through the clutter. Summarize your MUS experience in no more than 23 characters Came, tried, left. “Anything can be considered ‘art.’” Respond: Nonsense. What is the one thing that you will miss the most about MUS? I will miss the boys that I have been around since 7th grade. It has been a unique experience to teach lower school PE and to see how these young men develop physically and emotionally from lower school to upper school. What is the one thing that you will miss the most about Memphis? All of the many friends we have made over the last 5 years. Tyler and Houston have made friends that I believe will be friends for a lifetime. What do you hope to accomplish in football next year? I hope to qualify for the playoffs. The seniors this season have not beaten McCallie, and that would be a goal for this season since they have such a big rivalry. Are you still going to be coaching baseball at Baylor? No- just football. What’s the difference between Chattanooga from Memphis? Chattanooga is just a smaller Memphis. They have no Rendezvous barbeque, but downtown is busy with Lookout baseball, the Aquarium, and a movie theater. Where will you be living in Chattanooga? I will be living on campus in a house. What is Baylor like, and how is it different from MUS? Well, there are girls on campus. Baylor and MUS are similar in class sizes and offer basically the same classes. Are you excited about Baylor and MUS playing against each other next year? I don’t know how I feel about playing MUS next year because of Tyler having to play against teammates that he has played with since 7th grade. So it will probably be tough for him, but for me it will be a league game that will be important as far as our standing and chances for the playoffs. Who is Baylor’s biggest rival in Chattanooga? McCallie 1What is the competition like in Chattanooga? There are not as many teams, so the talent is not spread around as much as in Memphis. The city schools are very talented and the county schools have good coaches and great community support. BY THOMAS MCINTIRE the students, and with the collegiate atmosphere of the school. I knew that I enjoyed being around boys and teaching (my first profession), so I made the leap. What is your fondest memory of your time at MUS? I love watching the students mature. I really enjoy it when a 7th grader that “just doesn’t get it” finally tunes in and figures out what MUS is all about. Years from now, I think my fondest memories of MUS will most likely center around the unique ability I had to watch my son (class of 2001) and his friends without interfering. What will you miss the most? I will miss being around the students most of all. I really love it when I am around to guide you to the “AHA.” Watching that very moment when ignorance turns into understanding is priceless. I’ll miss you most. Why are you leaving MUS? What are you future plans? I’m hoping to be able to spend more time with my hasband. He has been heavily involved in the building efforts on the Mississippi Gulf Coast, which takes him away from Memphis most of the time. We are great friends, and we are eager to have more time together. While we haven’t made a firm decision to move, we’ll do so in the early fall. Right now, I plan to take a couple of months to enjoy myself, and to focus on getting healthier and stripping away the “librarian look.” If we move, I would like to help the communities along the coast. I encourage you all to make your “100 things I want to do” list and don’t wait until you’ve worked 30 years to start checking them off! Oh, and I’d love to know about your lists! emcdonell@gmail.com Mrs. McDonell When did you come to MUS and what brought you here? In 1995 I had spent 10 years in an exciting position for an international corporation first in Chemical Research and Development. It was exhilarating work, but took me away from my family for 10-12 hours per day, and I was tired. I was encouraged by the previous MUS Library Director to apply, and after much arm-twisting, I did. When I came on campus for the interview I was impressed with the library, P A G E 4 T H E O W L ’ S H O O T N e w s New Student Leaders 2006 Graduation Awards Student Council Executives President Vice President Valedictorian Award Jesse Mahautmr Salutatorian Award Shea Conaway Faculty Cup for General Excellence Peter Zanca Ross McCain Lynn Awards Hunter Adams Walter Klyce Garrott McClintock Will Pickens D. Eugene Thorn Award Donald McClure Jesse Mahautmr Reid Wesson Preston Battle Sisco Larson Commissioner of Student Welfare Peter Travis Commissioner of Student Athletics Will Aldridge Secretary-Treasurer Vance Montgomery Commissioner of Special Activities Blake Cowan Commissioner of Social Events Buck Towner Honor Council President Neely Mallory Leigh W. MacQueen Dean’s Cup for Academic Excellence Walter Klyce Civic Service Chairman Steven Thompson Scott Miller Rembert Senior Service Award Rob Peeler Mark Cooper Powell Memorial Award Benjamin Ashley Mason George Award for Distinguished Community Service Garrott McClintock Russell Johnson Creative Writing Award Walter Klyce Choral Music Award for Excellence Walter Klyce William D. Jemison III Award for Excellence in Dramatics Walter Klyce Art Award Mike Montesis English Award Walter Klyce Andrew Jehl Jeffrey Webb French Award Brian Evans Kristof Tigyi Spanish Award Benjamin Ashley Frank Jemison Parker Long Keith Parsons Latin Award Shea Conaway History Award Jonathan Davenport Christa Green Warner Mathematics Award Jesse Mahautmr Religion Award Frank Jemison Margaret Owen Catmur Science Award Shea Conaway Jesse Mahautmr Government Club Executives President Senior Executives Erim Sarinoglu Bill Bell John Catmur Wilson Castleman Ashton Fisher Chris McDonald John Reinhart Junior Executives Roger Chu Nathaniel Kastan Michael Stein Yearbook Co-Editors MUSe Editor Preston Battle Neely Mallory Sisco Larson M A Y 2 4 , 2 0 0 6 P A G E C o l l e g e s Hunter Adams Duncan Adrian James Aiken Andrew Alexander Benjamin Ashley Dylan Baker Philippe Blais Doug Boyer Andrew Cabigao Collier Calandruccio Jim Carter Tom Chiu Bowers Clement Sam Coates Shea Conaway Whit Cox Beau Creson Jeffrey Crowton Drew Davenport Jonathan Davenport Tyler Davis David Deaderick Philip DeBardeleben Adrian Doggrell Matt Dowling Johnny Duke Bryan Eder Charlie Erb Brian Evans Matt Farmer Hugh Francis Mason George Zach Glover Andrew Gordon Oliver Green Daniel Harriman Thomas Harvell Zane Haykal Chad Hazlehurst Spencer Heflin Bryce Hendry Matt Henning John Hensley Joe Hooker Bobby Hudson Will Jameson Frank Jemison Matt Johnson Greg Jones Blake Karban Aaron Khouri Patrick Kimberlin Zachary Kisber John Klinke University of Alabama University of Tennessee St. John’s College Rhodes College Rhodes College College of Charleston Louisiana State University University of Texas St. Louis University Trinity College (CT) University of the South Wake Forest University University of Tennessee University of Memphis Princeton University Mississippi State University Clemson University University of Memphis Samford University Pomona College Samford University University of Arkansas University of Mississippi University of Denver Furman University University of Mississippi Vanderbilt University University of Mississippi Case Western Reserve University University of Memphis Furman University Samford University Rhodes College Princeton University University of the South Vanderbilt University Clemson University Rollins College University of Tennessee University of Memphis University of Georgia University of Colorado – Boulder University of Mississippi Pepperdine University University of Texas University of Oregon Duke University University of San Diego Northwestern University Auburn University Lynchburg College University of Georgia University of Pennsylvania University of Mississippi Walter Klyce Daniel Lansky Corbin Linebarier Parker Long Jesse Mahautmr Bennet Mallory Donnie Malmo Jay Martin Barret Matthews Zach Matthews Garrott McClintock Donald McClure Lance Minor Mike Montesi William Montgomery Paul Morrow Russell Nenon Neal Newbill David Nicoll Jason Northington Devin Owens Keith Parsons Rob Peeler Hayden Pendergrass Will Pickens Max Prokell Alex Rainer Gabriel Rapalo Eric Reid Cameron Ridgeway Zack Rutland Will Sandlin Grayson Sharpe David Shochat Alvin Sidhu Nicholas Skefos Alex Snyder Bill Steele Barrett Steinberg Derek Steiner Christopher Thomas Will Thornton Andras Tigyi Gerald Wade Robert Wallace Logan Welch Reid Wesson David Wilcox Dex Witte Paul Yacoubian Peter Zanca Jesse Zellner Paul Zettler Harvard University College of Charleston Appalachian State University Appalachian State University Brown University University of Tennessee University of Mississippi University of Tennessee Southern Methodist University University of Georgia Washington and Lee University Washington University University of Mississippi Southern Methodist University University of Tennessee University of Mississippi Wake Forest University Christian Brothers University Arizona State University University of Missouri-Rolla University of Tennessee Millsaps College Rhodes College Lipscomb University Davidson College University of Richmond University of Colorado – Boulder Christian Brothers University George Washington University United States Military Academy University of Memphis University of Mississippi Vanderbilt University University of Southern California Appalachian State University Southern Methodist University University of Tennessee University of Arkansas Boston University George Washington University Pepperdine University Emory University University of California – Davis University of Tennessee University of Colorado – Boulder University of Alabama University of Mississippi University of Tennessee Pepperdine University Rhodes College Rhodes College University of Alabama University of Georgia 5 P A G E 6 T H E O W L ’ S H O O T N e w s MUSt C Theatre Preview BY BRANDON PARRISH As I walked onto the stage of Hyde Chapel, beads of sweat slowly appeared on my face as I pondered the type of performances for next year. With Dracula, Baby!, The Foreigner, and The Fantastiks all being presented, I had great expectations auditioning for next year’s play productions. Dracula, Baby! is a comedic spin off of the book by Bram Stoker. Most of the characters remain in the play, but not exactly as they appear in the novel. For instance, Van Helsing, formerly an ingenious professor from Amsterdam, is now a senile old man. At the audition, Mr. Saunders referred to the play as, “a Mel Brooks-style cheesy comedy.” For those who aren’t familiar with Mr. Brooks, he directed such productions as Blazing Saddles, Spaceballs, and The Producers. Hilarity with Who’s On First After singing for Dracula, Baby!, I tried my luck at reading as a redneck for Preston Battle’s production, The Foreigner. Being student council president and a director shows that this able young man can pull off something that MUSt C productions hasn’t seen in a while. This play details two Englishmen who venture into the rural Georgia, attracting the Klan and an insane Christian minister. The Foreigner is scheduled to run during the winter. With two auditions down , I walked on stage one final time to sing for a spot in The Fantastiks. This musical, a heartwarming reversal of Romeo and Juliet, stars two pairs of parents who stage a fight in order to get the two children to fall in love. The longest running musical today, the Fantastiks, directed by Mr. Eikner, will undoubtedly fill the rows of the Thomas Amphitheater instantly and result in a pleased audience. BY ALEXANDER FONES Sweat on his lip and fire in his eyes, Walter Klyce directs his actors to their places. The actors dismiss the butterflies in their stomach and become determined. “This will be a funny show,” they insist adamantly as they rock back and forth off stage as the audience files in. They begin to appreciate Walter’s constant drilling during rehearsals, as they now have no fear. Walter’s “iron fist” has assembled a crack team of funny men and women, a small but fierce cast. Who’s On First by Jack Sharkey is a nightmarish comedy that goes horribly wrong. Due to a case of mistaken identity and a magic lamp, the small gathering of friends results in violence that magically repeats itself under different circumstances until the partygoers get it right. Despite the dark plot, the Playstation 3 and the newly renamed Wii (formerly the Revolution), respectively. E3 started on May 9th with some major headlines, as Sony released several important announcements about their new system, the Playstation 3. Included in the details were the price, the new controller design, and their online service. When Sony announced the price for their new platform, the audience was shocked: $500 for the 20 gig version, and $600 for the 60 gig. This high price tag had many market analysts questioning Sony’s strategy of producing an extremely powerful, yet costly console to overpower Microsoft’s Xbox 360. The controller has the same design as its PS2 predecessor, but has wireless capabilities and basic motion sensitivity. The free online service for the PS3 was also revealed. Several games were unveiled including Metal Gear Solid 4, Assassin’s Creed, and Final Fantasy XIII, all of which boasted photo-realistic graphics. Though Sony announced that the PS3 would be released at the end of the year, only a few games were actually playable. This disappointment along with the imitative features for the motion-sensing controller and online service made the conference rather bland. While out of the spotlight, the Playstation Portable has a fairly promising lineup including an original Ratchet and Clank game, Tekken: Dark Resurrection, and Crisis Core: Final Fantasy VII. For Microsoft, who recently released the Xbox 360, E3 was vitally important to generate hype in order to compete with the up coming launches of the PS3 and Wii. Microsoft effectively did this by exhibiting videos and demos of games such as Gears of War, Mass Effect, Huxley, and Too Human. To top it off, Microsoft formally announced Halo 3 with a stunning trailer showing the mighty Covenant war machine conquering Earth. Despite the fact that Nintendo is planning to release only one big game play is far from heavy, complete with a rubber chicken and actors in kimonos speaking “Engrish.” Walter Klyce, the director of the show, decided to choose a play with a small but incredibly natural cast, which includes Danny Travis as the jealous husband, Don; Ed Porter as the recurring victim, Ben; Mari Earle of St. Mary’s as Camille, the party thrower; and Alice, Don’s possibly cheating wife, played by Lucy Loveless of Hutchison. The actors remained surprisingly natural in their performances even through the most ridiculous of situations that the evil lamp puts their characters through. The show was pulled together by a great set designed and built by Mr. Andy Saunders and his class and stage crew, with lights and sound by Roger Chu and Alexander Fones, and a prompt running crew led by stage manger, Ferrell Varner. Who’s On First ran from April 27-29. Electronic Entertainment Exposition Excitement BY JOHN CATMUR Market analysts, media reporters, and gaming fanatics alike all converged at the Los Angeles Convention Center for the Electronic Entertainment Exposition, or E3, the video game industry’s biggest annual conference that showcases the latest consoles and games. This year’s conference was really big news, as it marked Photo Courtesy of the year Generationthat both NT.com The Sony and Nintendo Wii Nintendo controller would release their next-gen consoles, t h e for their Gamecube, The Legend of Zelda: Twilight Princess, the Nintendo conference was far from lethargic. Their new console, Wii, will truly spark a “revolution” on how video games are played. The Wii uses an unorthodox controller, which resembles a TV remote, with an accelerometer that can follow the players’ movements. The potential of such a design is huge. Games such as Red Steel will allow the player to make cutting and slicing movements with the controller, as if it were a real sword. Furthermore, Super Smash Brothers Brawl and Super Mario Galaxies were announced. Nintendo’s newest release clearly brought a nearly failing game company back into the “major leagues” with innovative game play and the return of their big licenses. Nintendo also made known the June launch date of its repackaged DS Lite and an exciting number of games such as Castlevania: Portrait of Ruin and Star Fox DS. M A Y 2 4 , 2 0 0 6 P A G E 7 v i e w p o i n t s NSA Delayed In Protecting Our Security and Freedom BY ANDREW JEHL According to a recent report from a leading left-wing newspaper, USA Today, top-secret National Security Agency programs created for the sole purpose of protecting the liberty of the American people have now been compromised. The report leaked highlyclassified information about the NSA’s effort to create a monstrous database logging every call ever made in our great democracy. As a result, years of work to fight the evil of terrorists who seek to destroy our freedom may have been wasted. In the words of our wise President, “every time sensitive intelligence is leaked, it hurts our ability to defeat this enemy.” The program, which of course had the approval of the President and the necessary members of Congress, allows the NSA to search for and seize the phone records of all calls made in America, without the hassle of court orders or warrants. The President, who loves us like an older brother, wishes to assure Americans that the NSA database is simply an effort to ensure our civil liberties are “fiercely protected,” and another senior government official maintains the records are used to trace only “known bad guys.” The program was started soon after the horrors of 9/11 by General Michael Hayden, our administration’s current nominee for the position of CIA director. Hayden would also like to assure the American people that the program was designed only to “preserve the security and the liberty of the American people”: all he asks is that Americans simply set aside really quite trivial rights provided by the Telecommunications Act and the Fourth Amendment to the Constitution. Now that’s not asking too much, is it? White House press secretary Tony Snow reaffirmed our administration’s support for Hayden, announcing last Friday that “we’re 100 percent behind Michael.” And when Tony says we, he also speaks for the good citizens of this democracy: according to a recent ABC-Washington Post poll, almost two-thirds of Americans* said it was acceptable for the NSA to collect phone records. Clearly, the people of this great democracy are just as much behind Hayden and the NSA as our administration. Americans know that simply giving up a few basic rights will allow the NSA and the government to protect “our security and liberty.” “And I think we’ve done that.” *Results based upon a poll of a staggering 502 people. Above: Photo Courtesy of CBSNews.com General Michael Hayden at a confirmation hearing Left: Photo Courtesy of Wikipedia.org The NSA Seal The Rankest of Pranks BY DEV VARMA When looking back on this year’s senior prank, I can only recall the utter disappointment I felt, a feeling analogous to that of getting a pizza that one knows has spit as that all-important extra topping. Weeks before the prank, I thought that, with such geniuses as Hykal, Rainer, and Montgomery, this year could be prank-gold. Oh, how I was sadly disappointed. But do not be fooled: I do have to give these men some credit. They did incite some laughter with their “cricketing” of the chapel. I could not Left: Photo Courtesy of Nick Skefos’ Facebook The night shot of the CBHS bell tower, lit up in red and blue... Too bad it’s in black and white help chuckling when I heard the chirp of those crickets during Mr. Haguewood’s wrap-up chapel program. And they did bar, or try to bar, the lady-folk from next door from entering “their fine institution” via the access road. But the best aspect of this year’s prank was the changing of the colors at the CBHS tower, an action that I think deserves to be carried out every year. However, I do believe that most of their pranks (if you can even call them that) leaned more towards a distasteful nature. The strange, caveman-like drawings of male genitalia on the dining hall’s windows can be grouped with a two-year-old’s wanting a lollipop, or an annoying child’s incessant asking, “Are we there yet?” All three are solely attempts to get attention. Those draw- ings have almost no comic value whatsoever, and in fact seem to have been drawn as only an attempt to be crude and juvenile. But maybe that’s what the senior prank is all about after all. Now, we get to the best part of my rant on this year’s senior prank: the fact that I don’t actually remember anything else that happened. That shows that this year’s tradition flopped. Thus, I equate this year’s senior prank to a show like Family Guy: they both contain some good parts, yet are mainly filled with fluff. Dev gives the senior prank 1 out of 5 buzzards. P A G E 8 T H E O W L ’ S H O O T s p o r t s LeBron James: 2006 MVP? Lacrosse Season in Review BY OWEN MERCER As the 2006 NBA Playoffs proceed, one player has stood tall among the rest in helping his team to victory in any way possible while playing well beyond his age. That player is LeBron James of the Cleveland Cavilers. In his first trip to the playoffs in only his third season in the NBA, LeBron has been the heart and soul of a Cavs team that has beaten the odds all season long. In his first playoff game on April 22 against the Washington Wizards, LeBron poured in 32 points along with 11 rebounds and 11 assists on his way to a triple-double, one of only three players to do so in their first playoff game, as the Cavs won 97-86. Ironically, LeBron air-balled his first shot of the game but quickly settled down and put forth a performance not indicative of his age, but of a veteran. Said teammate Zydrunas Ilgauskas of LeBron, “He’s just a terrific player. Nothing he does surprises me anymore.” Two games later, LeBron scored 41 points, including the game winner, a 4-foot bank shot with 5.4 seconds left, as the Cavs came back to beat the Wizards 97-96. Two games after that, with the series tied 2-2, LeBron hit another game-winner, this one with 0.9 seconds left in overtime, to give the Cavs a 121-120 victory. Oh, he also had a stunning 45 points. As the Cavs closed out the series two days later, they prepared to play the defending Eastern Conference champion, the Detroit Pistons, arguably the best team in the NBA. The series got off to a bad start for LeBron and the Cavs, losing the first two games of the series. But with Game 3 came more magic courtesy of LeBron. As the Cavs won 86-77, LeBron amazingly produced another triple-double, scoring 21 points to go along with 10 rebounds and 10 assists. With his second tripledouble of the playoffs, LeBron became the first player since Tim Duncan to record two triple-doubles in the play- offs, and LeBron did it after only nine games. Then in Game 4, after Detroit’s Rasheed Wallace boldly predicted a Game 4 victory for Detroit, the Cavs tied the series 2-2 with a 74-72 win as LeBron came within 2 rebounds and 1 assist of yet another triple-double. As the playoffs progress, look for LeBron to continue to carry the Cleveland Cavilers on his back as they look toward the NBA Finals. Finally, if there were an NBA Playoffs MVP award, it would surely go to LeBron James because, as only a third-year player, he has already become the undeniable leader of a serious playoff contending team and has had some of the best playoff numbers in the NBA, averaging 31 points, 8 rebounds, and 6 assists per game. However, the most amazing thing about LeBron in the 2006 NBA Playoffs is not his stats, but the mature playing level indicative of an older and more experienced player. As Detroit point guard Chauncey Billups put it, “He’s a great player, a phenomenal athlete. He does things that most guys can’t do. He put his team on his back and willed himself to some great plays.” BY JOHN RUTLEDGE This year’s lacrosse season was marked by challenges, injuries, accolades, and close games. The 2006 Owls were led by captains John Klinke, Doug Boyer, and Zach Matthews; coaches Dent, DiMento, Tenent, and Ansley; and other players to form a genuine team. The season started with a strong 126 win against Houston. After the victory the team headed to Atlanta and Orlando during spring break to continue building momentum. Returning to Memphis, the team narrowly defeated Christian Brothers 10-9, then went on to defeat Webb Bell Buckle at MUS, 15-1. A double sudden-death overtime defeat by Dublin Coffman (Cleveland) 10-11 was followed by a victory over Islip (New York), bringing MUS’ record to 7-2. However, the next four games were marked by defeat by strong rivals. First, MBA and McCallie overcame MUS, and then the weary Owls lost to Westminster in Atlanta. Returning to Memphis, the Varsity Lacrosse team lost to Houston 9-10, one of only four All quotations courtesy of ESPN.com. one-goal losses on the season, which See “Editors’ Note” on Page 2. brought the Owls’ record to 7-6. At this point the team decided it needed to reorganize and prove it was still one of Tennessee’s greats. The Owls handily defeated the University School of Nashville 20-3. That same day MUS underclassmen rose to victory by defeating MBA with a score of 10-8. Assists and goals by freshman midfielders Johnny Carson and Barry Hillyer, junior midfielder Stephen Bowie, and sophomore attackmen Patrick Stewart and Kent Francis sealed the conquest. Returning to Memphis, MUS conquered Christian Brothers at MUS, 1511. Senior Aaron Khouri led the team with four goals, followed by senior Photo Courtesy of ESPN.com attackman Doug Boyer with three LeBron James goals. The highlight of the game was senior midfielder Derek Steiner and Photo Courtesy of Mark Vives Scott McClintock struggles past two opponents Hillyer’s fake flip, resulting in a goal by Hillyer. However, the Owls spectacular victory came at a cost: during game action Bowie suffered two fractured ribs, which would sideline him for the rest of the season. In the same game, MUS also lost Russell Nenon for the remainder of the season due to a shin stress fracture. A forfeit by the Owls’ next challenger, Father Ryan, concluded the regular season with an 11-6 record. Post-season action began with a second win against Webb Bell Buckle 14-5 in the quarterfinals. However, this promising start was cut short by a semifinals loss to McCallie, closing out the Owls’season with a 12-7 record. Injuries and accolades marked the 2006 season. Six players received stitches, two received concussions, and two players broke bones. However, many players were recognized for the all state team. Garrott McClintock and Brandon Byrd made first team AllState. Aaron Khouri and Doug Boyer made second team All-State. John Klinke, Buck Towner, Zach Matthews, and Jason Daniel had honorable mentions. Garrott McClintock was recognized as an All-American, only the 8th MUS player to be chosen. M A Y 2 4 , 2 0 0 6 P A G E 9 s p o r t s 2006 MUS Spring Sports Review SOCCER With an impressive record of 11 wins, 5 losses, and 2 ties, the Varsity Soccer team is heading to Murfreesboro for the annual state tournament. The bid came after the Owls’ successful run in the regional tournament. The team easily handled St. George’s and shut out ECS, a strong team that always seems to hang on against MUS. The Owls finally lost in the regional finals against highly ranked Christian Brothers, but has used the experience to propel them into the State tournament, in which the Owls will play McCallie in the first round. BASEBALL The MUS baseball team had an outstanding year, posting one of its best records and even defeating CBHS for ing Coach McCarroll were Coache Park, Coach Stanfield, and Dr. Misner, the father of a MUS Alum and longtime member of the Memphis Sport Shooting Association (MSSA). The squad practiced at the MSSA for their first shoot in Ripley, TN. The first squad finished second in Ripley, while Joe Hooker finished second overall. The team returned to the MSSA for the next competition where they tied Briarcrest. Finally, the team went on to the regional shoot, determining which schools will compete at State. This is the first state shooting that MUS has ever participated in, as well This year was the first for MUS to as the first year many of the members have a school-supported shooting team. have even shot. MUS has made conLed by Coach Patrick McCarroll, siderable progress this year and expects This year’s track season was a MUS alum and German/history teacher, to become one of the finest trap squads strong one, both in team stats and in the MUS Trap team consisted of 39 in the state. individual accomplishments, which in- shooters from the high school. Assistthe first time in history. While they fell short of the regional tournament last season, this year the Owls were determined to make top 3 in regional play, ensuring them a bid in the state tournament. By beating FACS and then Briarcrest, the Owls achieved their goal. Despite losing to CBHS in the regional finals, the level of competition proved that MUS, when playing to their fullest potential, can beat any team in the state. Now, MUS heads off to face Knoxville Farragut in their first round game. MUS has the potential to make it all the way to the championship, and as was proven by their skill in the regionals, win the state title. TRACK AND FIELD cluded new school records. Strong meet successes throughout the spring, which included five team 1st places and three team 2nd places, prepared the Owls to win the Regional Championship and move on to the State Finals, to be held at MTSU on May 26th. Consistent progress through the season led most Varsity and JV athletes to achieve consistently improved personal records as the weeks passed. All in all the Owls marked a great track season, and hopes are high for a very successful outcome at State. TRAP P A G E 1 0 T H E O W L ’ S H O O T A m u s e m e n t s RHCP CONTINUED FROM PAGE 1 This is not to say, however that there aren’t any soft songs. On the contrary, the majority of the songs would be considered “softer” by the Chili Peppers’ standards, a label that is not meant as an indictment. Rather, these are some of the best ballads they’ve ever done. Songs like “Slow Cheetah”, the sweeping “Desecration Smile”, and the absolutely beautiful standout “Hard To Concentrate” are the centerpieces of the album and easily the best executed songs here. Many of the songs here simply can’t be categorized though and show that Stadium isn’t merely a display of the Chilis bag of tricks over the years, but also an album with a distinct style. The jubilant “Tell Me Baby” intertwines funky basslines and rapped vocals with happy, sunny vocal lines for a song unlike anything they’ve done before. Tracks like “Animal Bar” and “Make You Feel Better” do an amazing job of intertwining an almost aggressive delivery with gorgeous melodies. “Turn It Again” is the Chilis gone reggae, and explodes with amazing energy as guitarist John Frusciante launches into the stratosphere with what is unquestionably his finest work yet. Stadium ends with another awesome ballad, “Death of a Martian”, and admittedly leaves you hanging, but also leaves you in awe of an excellent album. Stadium Arcadium is unquestionably one of the best Chili Peppers’ albums and contains some of their best songs. The great variety and overall excellence of the songs also makes it the ideal album for anyone that hasn’t yet gotten into this amazing band. Aside from a few forgettable tracks (which I really can’t complain about on a twenty-eight song CD), Stadium delivers and is definitely going to be a strong contender for Album of the Year. Wilson gives Stadium Arcadium 4.5 out of 5 buzzards. Man-Eating Gators Threaten Homeland Security BY PETER TRAVIS Judy Cooper, a forty-three-yearold Floridian, was swimming in her serene lake, minding her own business when she was violently slain by an alligator. Yovy Suarez Jimenez, a twentyeight-year-old student, was peacefully jogging, listening to some tunes, when she was dragged into the water and murdered by an alligator. Another twenty-three-year-old was snorkeling in a lake when a gator snuck up from behind and attacked. All these alligator murders occurred last week in Florida. Now, scientists would have you believe that these attacks were mere coincidences and perhaps were caused by the increased search for food in mating season. However, I would offer a different reason behind these peculiar “coincidences.” Consider the option of an alligator rebellion. Alligators have lain in the grassy depths of swamps and lakes for centuries, and now they have taken their first steps. Don’t think that these first attacks went unprepared; if I had to guess, I’d say the gators have been secretly planning these shocking events for at least 9 years now, ever since the anacondas beat them out for a major motion picture spot. So now they are in full swing of their attempt to rule America with stumpy arms and scaly backs. Naturally, we must take action. When I think about it, the Constitution was written to prevent these exact sorts of things. The alligators have now traversed far beyond their freedom of assembly and have done harm in the process. We have underestimated these reptiles of mass destruction and now must fight back. Therefore, the alligator attack warning level has now been raised to orange. Photo Courtesy of WorldWeb.com Joggers beware... Built to Spill: “You in Reverse” BY ANDREW MARODA Photo Courtesy of media.marketwire.com For the many of you who have never even heard of their music, Built to Spill was one of the most popular indie rock bands throughout the 90’s. Over the years, they have developed a considerable reputation for their energetic performances, strong songwriting, and unique musicianship under a variety of independent record labels. The biggest problem with their popularity occurs because they come out of Boise, Idaho, and no one in Memphis, Tennessee, cares one bit about anything in Idaho. Nevertheless, after a long five year break, Built to Spill has just recently released a great new CD called You in Reverse this past April. From the band’s beginning in 1992, singer/songwriter/guitarist Martsch founded Built to Spill in order “to have the lineup [of musicians] change all the time” (Martsch) so that each album or tour could have new sounds and influences. However, they do retain a “Northwestern” style music similar to some songs by Modest Mouse, Coldplay, Spoon, Band of Horses, and many others. Built to Spill has consistently stood out much more than other similar alternative/indie rock bands like them. Enough about the background information; let’s talk about the new album. Faithful fans have waited five long years for new material from Built to Spill, and You in Reverse has definitely proven to be worth the wait, having become their greatest and most successful album yet. In fact, one journalist stated, “You in Reverse has replaced ‘extending beyond the usual or ordinary’ under the definition of ‘epic’ in Webster’s Dictionary. It’s true; trust me. I looked it up.” The opening “Goin’ Against Your Mind” is a long song full of slashing riffs and jittery drums, and it is definitely worth listening to all eight minutes of it. Next, “Liar” has become one of their most popular songs, having a slow, majestic tempo with some of the best lyrics on the record. Even more so, “Conventional Wisdom” is the album’s outright centerpiece. Its hook is found all within the guitar on this song, starting out tight and catchy before evolving into a classic extended jam. Finally, songs such as “The Wait” and “Just a Habit” provide rhythmic originality that is great for zoning-out, relaxing, and studying. Throughout You in Reverse, Martsch supplies his audiCONTINUED ON PAGE 12 M A Y 2 4 , 2 0 0 6 P A G E 1 1 A m u s e m e n t s Fear Not, Catholics: The Da Vinci Code Fails to Please BY ROGER CHU Ah yes! The Da Vinci Code: the best-selling novel, the protested movie. Does it stand up to the fame of its novel predecessor? The short answer: no. The movie begins excitingly enough, starting with a chase scene and a murder, yet it quickly slows to an excruciatingly painful pace. Everything goes along slowly, sometimes with scenes that seem added just for the (in this case, lame) “ah, hah!” moment at the end. Part of the problem of this slow pace comes, in part, from the fact that the movie decides that it needs to repeat each idea and concept multiple times because, apparently, the audience is no quicker than the movie itself. Be prepared to see each concept explained in detail and literally highlighted as the film progresses. To make matters worse, the bland acting compounds the problem of the slow pace. Tom Hanks, an Academy Award winner, has trouble showing his talent alongside the weak Audrey Tautou and a virtually non-existent antagonist. Even good actors need to act with or against something, and in this case, Hanks has little of both. Tautou sounds fake, insincere, and ridiculous while delivering her lines with her French accent, and thus, Hanks has little to work upon when he responds to Tautou’s character, destroying all hopes for cohesive on-screen chemistry. Furthermore, a clear, solid, and present malice never presents itself strongly enough for Hanks to act against, making Hanks feel as if he only moves along because the script says so. Sadly, the story begs the question of “so what?” when all is finished. Little has changed: a few people have been killed, a few people have not; a few people know a few more things, a few people do not. Hanks’ and Tautou’s characters seem virtually the same at the end, giving little purpose to the film. The world doesn’t seem to have been saved, the apocalypse hasn’t been averted, yet the viewer has been bored to death. The story seems to end about three times, each time dragging on pointlessly. The film’s last fifteen minutes or so that seemingly contains two endings serves little purpose to those who haven’t read the book (like me) other than to reveal the not-so-shocking “ah, hah!” moment. Again, sadly, each of the three endings feel empty and progressively more pointless that the previous one. So are there any good points to seeing this film? Luckily, if you still feel the urge to spend eight bucks to watch this movie, there are a few redeeming qualities. Not all of the acting ranks horribly. Ian McKellen plays an enjoyable cripple, adding much needed emotion to his scenes and acting as an anchor for the other actors to play off of, even though his character does contribute annoyingly to the over-explanations of concepts. And if you enjoy watching an extremely pious murderer chastise himself physically, Paul Bettany will liven the screen for you with his gruesome, yet somewhat emotional, portrayal of a killer albino. The film leaves the viewer with boredom, concepts, and more boredom. All of those concepts should have made for a good film, yet The Da Vinci Code leaves none of the figuring out for the viewer to enjoy. With everything spelled out for you at an anesthetic speed from actors that generally evoke little emotion amongst themselves much less the audience, this film seems ill fit to bear the same name as a best-selling novel. If the movie serves as any indication to the quality of the book, I will never want to read it. Ever. Roger gives The Da Vinci Code 1 out of 5 buzzards. Tool Returns from the Dark Side BY WILL MAYS Five years is an extremely long time to wait for a new album, but most Tool fans are used to it by now. Of course, after five years, most of those fans were expecting a product worth the wait, and that raises the question: does Tool deliver with their fourth full-length release, 10,000 Days? After many listens and opinion changes, the answer is decisively yes. At first, to be honest, I was very disappointed. Granted, there are a couple of stand-out tracks, but the album primarily seems like a continuation of what the band was doing five years ago, minus its previous high standards. The album title and track titles didn’t fit my expectations. Tool has always been an incredibly imaginative band, and the title 10,000 Days simply seems a little generic, as if the album were created by the likes of Disturbed, Slipknot, Limp Bizkit, or any other dreadfully bland numetal band. However, fear not: behind such horrendous song titles as “The Pot” and “Rosetta Stoned” lie amazing feats in song craft, though the quality is only realized after repeat listens. So, while I first hated the album, I now find that I can’t stop listening to it. This album lies somewhere between the complex melodies that made up Tool’s 2001 release Lateralus and the raw muscle that was their 1996 masterpiece Ænima. Where Ænima was nihilistic and Lateralus was reflective, 10,000 Days is brooding. The first half of the album is about as strong as any band could hope to produce. It opens with “Vicarious,” an attack on reality T.V. that gives the listener an idea of what lies ahead. Next is “Jambi,” featuring an amazing ‘voice box’ guitar solo that it is highly entertaining. A seventeen-minute epic—“Wings for Marie/ 10,000 Days”—follows, which is one of the most progressive pieces Tool has ever created. Next up is the inanely titled track “The Pot.” Deceptively catchy, it features an awesome bass line and amazing vocals. The flow of the album’s first half is quirky and enjoyable. The weaker, second half of the album opens with two mediocre interludes. Neither is great, but the second serves as an interesting intro to “Rosetta Stoned,” an insanely fun, eleven-minute head trip a lá Tool that is by far my favorite. While this track is arguably the best on the album, it’s unfortunately followed by the weakest—”Intention”— a mellow song featuring a drum machine instead of Tool’s markedly talented drummer. Served-up next is the redeeming ballad “Right in Two,” a major album highlight that would have been perfect to close the album. Alas, the band instead closes with “Viginti Tres,” which isn’t worth more than one or two listens. On top of making great music, Tool’s knack for breaking ground shines through in its packaging. The album comes in a thick cardboard digipack with two lenses attached. These lenses are used to properly view the 3D liner notes. This is the first, and probably last, time you’ll see any band put 3-D in their packaging, but I have to hand it to Tool: it’s an awesome way to CONTINUED ON PAGE 12 Photo Courtesy of EasternEcho.com P A G E 1 2 T t h e H E b a c k O W L ’ S H O O T - M A Y 2 4 , 2 0 0 6 p a g e BUILT TO SPILL FROM PAGE 10 10,000 DAYS ence with mellow and mind-captivating melodies as well as brilliant lyrics. Hopefully, from this new album, Built to Spill can get the professional distribution and marketing across the country that they have long for deserved. The band’s “You in Reverse” Tour was planned to begin last April, making a stop in Memphis’ midtown. However, looking for tickets to the concert, I found out that the entire tour has been postponed until September because the lead singer, Doug Martsch, got a detached retina that needed to be surgically fixed. Built to Spill plans on playing in Memphis on September 23, 2006. Any other interested MUS students who want to attend their upcoming concert can contact me at Andrew.Maroda@musowls.org for more details. If you are looking for a cool, new, and unique sound, then Built to Spill’s You in Reverse is the album for you. Andrew gives You in Reverse 4.5 out of 5 buzzards. FROM PAGE 11 read the notes. Moreover, the artwork, although a bit odd, fits the whole feel of the album. Hopefully, the band’s video will include the same innovations. The solid songs on this album are astoundingly good, and I can say that without a doubt, 10,000 Days will make an appearance on the Top 10 Albums of the Year list. Will gives 10,000 Days 4.5 out of 5 buzzards.